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The Renaissance (rev. 2020)

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Certain words played a crucial role in the making of the European Renaissance, and still recur today in our shifting understanding of it. Discretion and grace, to take two examples studied here, express how individuals thought about themselves, each other and their experience of the world, yet they are as hard to define as they are ever-present in Renaissance discourse. In this collection of essays, scholars from across the Humanities offer new interpretations of these and other 'keywords', to adopt Raymond Williams's term, and investigate the vocabulary that not only accompanied, but also produced, the cultural transformations that made the Renaissance so distinctive. A keywords approach to Renaissance Europe provides a rich contextual framework for the exploration of its central ideas. It also highlights the need for fresh thinking on current histories of the age. Seven Renaissance Keywords engages with the ongoing debate about the term 'Renaissance' itself, perhaps more our keyword than theirs, and seeks alternative ways to understand a culture and society which produced conceptions of the self as much as it did art and science. The result is an exploration at the cutting edge of contemporary research.

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Studies in Medieval and Renaissance Sources, the transformative successor to Studies in Medieval and Renaissance History (first published in 1964), provides a unique venue for scholars to offer fresh readings of evidence from the period 400–1600. This annual is dedicated to the fundamental scholarship of analysis and interpretation led by direct engagement with the sources—written, visual, material—in any form, from editions, translations, and commentaries to reports, notes, and reflections. By foregrounding the most basic approach of working outwards from the evidence, it aims to foster conversations across disciplines, regions, and periods, as well as to become a reference point for original approaches and new discoveries.

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