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The King's Speech

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Colin Firth gives a masterful performance in The King's Speech , a predictable but stylishly produced and rousing period drama.

Critics Reviews

Audience reviews, cast & crew.

Colin Firth

King George VI

Geoffrey Rush

Lionel Logue

Helena Bonham Carter

Queen Elizabeth

King Edward VIII

Timothy Spall

Winston Churchill

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The True Story Behind "The King's Speech"

"The King's Speech" is a 2010 dramatic biographical film, recounting the friendship between King George VI of England and his Australian speech therapist, Lionel Logue. The film also covers Edward VIII's 1936 abdication, and George VI's subsequent coronation and shouldering of responsibility during World War II. George VI ultimately must conquer his stammer to assist and guide Britain during the war.

As a film, "The King's Speech" takes a few liberties with the historical timeline and in regards to simplifying certain characters. One element historians took particular umbrage with was the depiction of Winston Churchill . However, overall it is fairly faithful to the historical record. For one thing, George VI really did have a speech impediment since the age of eight, and Lionel Logue did work with him for several years. They did stay friends until they both died. Certain scenes, such as George VI's coronation, were praised for their accurate recapturing of the feel of the 1930s.

The main concept the film changed was simply adding drama to certain scenes, such as the speech announcing war with Germany towards the end. It also condensed the historical timeline significantly, shortening events. This was mostly done for the sake of keeping the narrative moving. Overall, however, " The King's Speech " is a fairly accurate, heartwarming rendering of George VI and Lionel Logue's friendship.

Prince Albert had a stutter as a child

Prince Albert, later George VI, developed a stutter when he was eight that he carried through to his early adult life. His parents were not terribly affectionate with him, and he was susceptible to tears and tantrums – traits he also carried through his adult years, writes Biography . Given that many of his public duties required speeches, Albert needed to – and worked tirelessly – to fix his stammer with multiple doctors and therapists, writes Stuttering Help . He wasn't successful with any speech therapies until he worked with elocutionist and informal speech therapist Lionel Logue, beginning in the 1920s.

When Logue saw the then-Duke of York give a speech, he said to his son, "He's too old for me to manage a complete cure. But I could very nearly do it. I'm sure of that." (via Stuttering Help ). He was right, and his positive attitude helped the duke recover from previous failures that had made him believe the problem caused him to be mentally deficient instead of simply physically injured. Despite how long they worked together, the duke's speech issues had more to do with how held his jaw and pronounced words; the result was that his stammer was mainly cleared up in a matter of months as opposed to years.

Lionel Logue was a self-taught speech therapist

Lionel Logue was an Australian speech therapist who, not being formally trained, used methods he had discovered and created on his own. He worked as an elocutionist first, but fell into helping Australian World War I veterans with speech defects, writes The ASHA Leader . No one else was doing what he was with the veterans, and speech therapy and audiology programs didn't even get off the ground until the 1940s (via UNC Health Sciences Library ). Logue was even a founder of the College of Speech Therapists.

Just before World War I, Logue worked a variety of jobs as a teacher of elocution and drama, theater manager, and reciter of Shakespeare and Dickens (via Speech Language Therapy's Caroline Bowen, a speech language pathologist ). Logue worked with patients on their speech, but also on confidence and the self-belief that they could accomplish what they set out to do. He was empathetic with his patients, and learned from each case he worked on. Logue originally tried out as an actor, and as a result, his manner was somewhere between a teacher and an artist. He was serious about his life's work and resolved to avoid cheapening it by writing a book about his efforts with the king.

Logue began working with Prince Albert in 1926

Elizabeth, the Duchess of York, first encouraged her husband to work with Lionel Logue, though the meeting as depicted in the film between Elizabeth and Logue likely didn't happen (via Logue and Conradi's "The King's Speech" ). Logue thus began working with the Duke of York in October 1926, soon after he opened his London practice on Harley Street. Logue first diagnosed the Duke with, according to CNN , acute nervous tension and the habit of closing the throat, which caused him to clip words out.

Logue met with him daily for the next two or three months (in advance of a visit to Australia), and his stammer was gone (for the most part) within that time frame; it didn't take years of treatment (via Speech Language Therapy ). Unlike in the film, in reality, the Duke and Logue weren't necessarily aiming for complete fluency. However, they did continue to work together for the next two decades, mainly on the royal's speeches.

Logue worked with Albert for over 15 years

Though the film condenses the timeline to make it seem as though everything takes place over just a few years, Logue and Albert worked together for decades (via CNN ). "The King's Speech" begins in 1925 with the close of the British Empire Exhibition, which would be historically accurate, but time simply speeds by until the film depicts the abdication of Edward VIII in 1936 and later the outbreak of war in 1939 in just a few hours; it doesn't really feel as though a decade and a half have passed.

Regardless, Logue and the duke worked together on speeches even after the duke had mostly mastered his stammer. Lionel Logue's methods were unorthodox and primarily self-taught. He never specifically said what course of treatment he worked on with the duke, saying, according to The ASHA Leader : "...on the matter of Speech Defects, when so much depends on the temperament and individuality, a case can always be produced that can prove you are wrong. That is why I won't write a book." Much of the ideas for the therapy sessions depicted in the film come from Logue's diaries (though plenty of the dialogue was invented), which were inherited by his grandson Mark. They were used in the film, though the director only saw them late in the film's production.

Any sort of therapy is inherently individual, not to mention personal (via Psychiatric Times ). It's no wonder that Logue decided to avoid writing about his work.

Wallis Simpson was a more complex person than the film indicates

King Edward VIII was crowned in January 1936 and abdicated in December of the same year in order to marry Wallis Simpson , who had been twice divorced (via History ). His younger brother was proclaimed king the next day. The film is sympathetic to George VI and Elizabeth, and Wallis Simpson is cast as a vaguely Nazi-supporting villain; there is little depth to her character. However, her life and motivations were shrouded in rumors from the British upper classes and the media.

The upper classes, who learned about the Edward-Wallis romance before the British media, in particular saw her as an uncouth American divorcee, and had a hard time figuring out why Edward wanted to be with her. When the media did find out, in December 1936, she was both ruined and revered by them, according to History Extra . However, after moving overseas more-or-less permanently she faded from the spotlight. Her unfortunate reputation from the nobles stuck with her.

Ultimately, George VI didn't allow his brother and sister-in-law, who had moved to France, to be productive for the royal family; they asked multiple times for jobs and were denied (via History Extra ). Awful rumors followed Wallis Simpson even past her death in the 1980s, including one that stated she would do anything to become queen of England. Though it's clear both on and off screen that she and Elizabeth disliked each other, Wallis was more than a king-stealing villain.

Churchill was actually opposed to Edward VIII's abdication

One major element of the film that historians had trouble with is Churchill's abrupt support of George VI, writes Daily History . In real life, he encouraged Edward VIII not to abdicate in 1936, and remained a supporter of the royal, believing something could be worked out without having to resort to abdication. George VI and Elizabeth didn't fully support Churchill later in life due to his actions during the abdication. However, Churchill was later knighted by Elizabeth II (via Biography ).

This element is likely written as such for the film due to the writers having a hard time writing someone as beloved as Churchill with actual flaws. The writers of "Saving Mr. Banks" had a similar issue with Walt Disney and his flaws. As a result, it is one of the only concrete historical aspects that left historians scratching their heads in confusion. Everything else that is changed in the film is mainly done for the sake of adaptation, drama, and the good of the narrative. This change seems to be for the sake of preserving Churchill's reputation. Considering the film's lead-up of events to World War II, and Churchill's role in Britain's survival, it isn't that surprising.

King George VI's coronation was less fraught than the film depicts

Logue worked with George VI on his coronation speech in 1937. Five days afterward, the king wrote a heartfelt thank you letter for the assistance (via Tatler ), attributing the success to Logue's "expert supervision and unfailing patience." Just as in the film, Logue and his wife are seated in the royal box, so high up that Myrtle Logue needed to use opera glasses in order to see, writes CNN .

However, by this time, the king had mostly mastered his speech impediment, and the dramatic scene in the film with Logue and St. Edward's chair is likely fictional. It was written for the sake of the narrative of George VI realizing he does have a voice. Reality isn't necessarily so cinematic, and after weeks of working on the speech with Logue, George VI delivered it flawlessly. Regardless, according to Daily History , the film accurately conveys the atmosphere of the 1930s and the coronation of a new king. In reality, the king and Logue likely didn't have the same miscommunication as they do in the film, and it is doubly heartwarming that Logue and his wife were seated with the royal family, just because of the services Logue had rendered the new king.

Logue was more deferential to his royal patient

Geoffrey Rush's portrayal is much more animated than Logue likely was in reality. Logue certainly addressed Prince Albert respectfully, and the scenes of swearing in Logue's office are likely invented. Logue also never referred to the prince by a nickname, much less one used exclusively by the family. They were friends in real life, but their relationship was more realistically distant.

According to CNN , the letters Logue wrote to the king are addressed to "Your Royal Highness". On the other hand, the king signed his letters with his first name, indicating a measure of friendship between the two men. Logue also apparently allowed George VI to set treatment goals due to his position. Though they did end up being friends, Logue never forgot who exactly his patient was, and treated him accordingly (via Daily History ). Historical films always add heart-to-heart speeches between people which probably never actually happened but work for the sake of drama and the narrative. "The King's Speech" is no exception.

The speech announcing war with Germany was less dramatic

Lionel Logue further assisted George VI during the 1939 speech when he announced Britain was at war with Germany. However, Logue wasn't actually in the room with him, as the film depicts, and only wrote notes on places for the king to pause to collect himself when speaking or on which words to stress, according to CNN . Keep in mind that by this point in time, 13 years after meeting Logue, the king had essentially mastered his stammer. George VI also stood to give the speech, though photographs show him in full military uniform and sitting down.

Lionel Logue's diaries also answered a previously unknown question about the speech that was added to the film. George VI stammered on some of the W's in the speech, and according to a comment he made to Logue, it was so the people would recognize him, writes CNN .

The film turns the event into a climactic event, as a culmination of the years of work the king and Logue have put into his affliction – and which the audience has just watched on screen for the past two hours. Also, though it is unlikely the information was revealed at this exact time in real life, the character of Winston Churchill tells the king just before this speech that he, too, was a stammerer as a child, writes The Lancet . This element is true, though it is positioned for the sake of cinematic drama.

George and Logue's friendship didn't fracture over credentials

In the film, coronation preparations pause when the archbishop of Canterbury, Cosmo Lang, mentions that Logue doesn't have any formal training. Not having known this beforehand, George VI becomes outraged and only calms after Logue provokes him into speaking without stammering, causing him to realize that he actually can speak accurately. This entire element is invented for the film, presumably for the sake of drama (and humor).

By this point, the two men had known each other for over a decade and were friends. Though their relationship was primarily professional, in scouting out Logue's help, the king must have understood his credentials and it didn't bother him; after all, he worked with Logue, voluntarily, for decades (via Daily History ). Logue's formality likely kept their friendship professional enough that they probably had few personal disagreements.

Logue and the king wrote letters back and forth for years; the earlier letters were signed "Albert" and the later letters "George" by the king, according to CNN , indicating a measure of friendship that was likely meted out to few people. When Logue asked the king in 1948 if he would serve as patron of the College of Speech Therapists, George VI immediately agreed and it became known as the Royal College of Speech Therapy, writes The ASHA Leader .

The film has an obvious pro-George VI bias

Due to being written from a historical perspective, "The King's Speech" supports George VI, Logue, Elizabeth, and even Winston Churchill as characters and historical figures much more than it does George V, Edward VIII, or Wallis Simpson. The film has an agenda and a narrative it set out to tell: the story of how George VI overcame his stammer and led a nation successfully through a war.

According to The Gazette , the film's textual inclusion of Logue's appointment as a Member of the Royal Victorian Order is accurate. The king appreciated his services enough to reward him with a title for them, and this element certainly adds to the theme of friendship the film is so fond of.

In another interesting example of bias, however, the film omits Edward VIII's Nazi sympathies entirely, though Simpson is written to seem like an outsider to the royals. This was likely done for the sake of Edward's surviving family, though it was a slightly odd omission considering the context of the film. Edward isn't cast as a villain, however, he doesn't quite seem to realize what he's forcing his brother to step into. Though he immediately supports George, Edward doesn't seem to comprehend the royal family's – and the film's – endless demand of duty.

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"The King's Speech" tells the story of a man compelled to speak to the world with a stammer. It must be painful enough for one who stammers to speak to another person. To face a radio microphone and know the British Empire is listening must be terrifying. At the time of the speech mentioned in this title, a quarter of the Earth's population was in the Empire, and of course much of North America, Europe, Africa and Asia would be listening — and with particular attention, Germany.

The king was George VI. The year was 1939. Britain was entering into war with Germany. His listeners required firmness, clarity and resolve, not stammers punctuated with tortured silences. This was a man who never wanted to be king. After the death of his father, the throne was to pass to his brother Edward. But Edward renounced the throne "in order to marry the woman I love," and the duty fell to Prince Albert, who had struggled with his speech from an early age.

In "The King's Speech," director Tom Hooper opens on Albert ( Colin Firth ), attempting to open the British Empire Exhibition in 1925. Before a crowded arena and a radio audience, he seizes up in agony in efforts to make the words come out right. His father, George V ( Michael Gambon ), has always considered "Bertie" superior to Edward ( Guy Pearce ), but mourns the introduction of radio and newsreels, which require a monarch to be seen and heard on public occasions.

At that 1925 speech, we see Bertie's wife, Elizabeth (Helena Bonham Carter), her face filled with sympathy. As it becomes clear that Edward's obsession with Wallis Simpson (Eve Best) is incurable, she realizes her Bertie may face more public humiliation. He sees various speech therapists, one of whom tries the old marbles-in-the-mouth routine first recommended by Demosthenes. Nothing works, and then she seeks out a failed Australian actor named Lionel Logue ( Geoffrey Rush ), who has set up a speech therapy practice.

Logue doesn't realize at first who is consulting him. And one of the subjects of the film is Logue's attitude toward royalty, which I suspect is not untypical of Australians; he suggests to Albert that they get on a first-name basis. Albert has been raised within the bell jar of the monarchy and objects to such treatment, not because he has an elevated opinion of himself but because, well, it just isn't done. But Logue realizes that if he is to become the king's therapist, he must first become his friend.

If the British monarchy is good for nothing else, it's superb at producing the subjects of films. "The King's Speech," rich in period detail and meticulous class distinctions, largely sidesteps the story that loomed over this whole period, Edward's startling decision to give up the crown to marry a woman who was already divorced three times. Indeed, the Duke and Duchess of Windsor (as they became) would occupy an inexplicable volume of attention for years, considering they had no significance after the Duke's abdication. The unsavory thing is that Wallis Simpson considered herself worthy of such a sacrifice from the man she allegedly loved. This film finds a more interesting story about better people; Americans, who aren't always expert on British royalty, may not necessarily realize that Albert and wife Elizabeth were the parents of Queen Elizabeth II. God knows what Edward might have fathered.

Director Tom Hooper makes an interesting decision with his sets and visuals. The movie is largely shot in interiors, and most of those spaces are long and narrow. That's unusual in historical dramas, which emphasize sweep and majesty and so on. Here we have long corridors, a deep and narrow master control room for the BBC, rooms that seem peculiarly oblong. I suspect he may be evoking the narrow, constricting walls of Albert's throat as he struggles to get words out.

The film largely involves the actors Colin Firth, formal and decent, and Geoffrey Rush, large and expansive, in psychological struggle. Helena Bonham Carter, who can be merciless (as in the "Harry Potter" films), is here filled with mercy, tact and love for her husband; this is the woman who became the much-loved Queen Mother of our lifetimes, dying in 2002 at 101. As the men have a struggle of wills, she tries to smooth things (and raise her girls Elizabeth and Margaret). And in the wider sphere, Hitler takes power, war comes closer, Mrs. Simpson wreaks havoc, and the dreaded day approaches when Bertie, as George VI, will have to speak to the world and declare war.

Hooper's handling of that fraught scene is masterful. Firth internalizes his tension and keeps the required stiff upper lip, but his staff and household are terrified on his behalf as he marches toward a microphone as if it is a guillotine. It is the one scene in the film that must work, and it does, and its emotional impact is surprisingly strong. At the end, what we have here is a superior historical drama and a powerful personal one. And two opposites who remain friends for the rest of their lives.

Note: The R rating refers to Logue's use of vulgarity. It is utterly inexplicable. This is an excellent film for teenagers.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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The King's Speech (2010)

Rated R for language

118 minutes

Directed by

David Seidler

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The King's Speech

R | biographical dramas | 1 HR 59 MIN | 2010

When his brother abdicates, George VI reluctantly dons the crown. Though his stutter soon raises concerns about his leadership skills, King George VI turns to an unconventional speech therapist, Lionel Logue, and the two forge a friendship.

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Movie Review | 'The King’s Speech'

The King’s English, Albeit With Twisted Tongue

By Manohla Dargis

Nov. 25, 2010

British films that make it to American screens these days often fall into two distinct niches: life is miserable and life is sweet (to borrow a title from the director Mike Leigh, who oscillates between the two). Given its quality headliners and high commercial profile (ding-dong, is that Oscar calling?), it’s no surprise that “The King’s Speech,” a buddy story about aggressively charming opposites — Colin Firth as the stutterer who would be king and Geoffrey Rush as the speech therapist — comes with heaping spoonfuls of sugar.

The story largely unfolds during the Great Depression, building to the compulsory rousing end in 1939 when Britain declared war on Nazi Germany, world calamities that don’t have a patch on the urgent matter of the speech impediment of Albert Frederick Arthur George (Mr. Firth). As a child, Albert, or Bertie as his family called him, the shy, sickly second son of King George V (Michael Gambon, memorably severe and regal), had a stutter debilitating enough that as an adult he felt compelled to conquer it. In this he was aided by his wife, Elizabeth (a fine Helena Bonham Carter), a steely Scottish rose and the mother of their daughters, Elizabeth, the future queen (Freya Wilson), and Margaret (Ramona Marquez).

Albert meets his new speech therapist, Lionel Logue (Mr. Rush), reluctantly and only after an assortment of public and private humiliations. (In one botched effort, a doctor instructs Albert to talk with a mouthful of marbles, a gagging endeavor that might have altered the imminent monarchical succession.) As eccentric and expansive as Albert is reserved, Logue enters the movie with a flourish, insisting that they meet in his shabby-chic office and that he be permitted to call his royal client, then the Duke of York, by the informal Bertie. It’s an ideal odd coupling, or at least that’s what the director Tom Hooper would have us believe as he jumps from one zippy voice lesson to the next, pausing every so often to wring a few tears.

To that generally diverting end, Albert barks and brays and raps out a calculatingly cute string of expletives, including the four-letter kind that presumably earned this cross-demographically friendly film its R. With their volume turned up, the appealing, impeccably professional Mr. Firth and Mr. Rush rise to the Acting occasion by twinkling and growling as their characters warily circle each other before settling into the therapeutic swing of things and unknowingly preparing for the big speech that partly gives the film its title. Before you know it, Elizabeth (Ms. Bonham Carter), the future dumpling known as the Queen Mother, is sitting on Bertie’s chest during an exercise while he lies on Logue’s floor, an image that is as much about the reassuring ordinariness of the royals as it is about Albert’s twisting tongue.

It isn’t exactly “Pygmalion,” not least because Mr. Hooper has no intention of satirizing the caste system that is one of this movie’s biggest draws. Unlike “The Queen,” a barbed look at the royal family after the death of Diana, Princess of Wales, “The King’s Speech” takes a relatively benign view of the monarchy, framing Albert as a somewhat poor little rich boy condemned to live in a fishbowl, an idea that Mr. Hooper unwisely literalizes by overusing a fisheye lens. The royals’ problems are largely personal, embodied by King George playing the stern 19th-century patriarch to Logue’s touchy-feely Freudian father. And while Albert initially bristles at Logue’s presumptions, theirs is finally a democracy of equals, an angle that makes their inequities go down in a most uneventful way.

Each character has his moments, instances when Bertie the closed book tentatively opens and Logue’s arrogance gets away from him, but both are too decent, too banal and the film too ingratiating to resonate deeply. Albert’s impediment certainly pales in comparison with the drama surrounding his older, popular brother, David, later King Edward VIII (a fantastic Guy Pearce), and his married American divorcée, Mrs. Wallis Simpson (Eve Best). After King George V dies, David assumes the crown and continues to carry on with Mrs. Simpson, a liaison that, because of its suggestively perverse power dynamics — at a party, she orders the new king (yoo-hooing “David”) to fetch her booze — hints at a more interesting movie than the one before you.

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Tom Hooper: On Directing 'The King's Speech'

In The King's Speech , Colin Firth plays King George VI, who was adored by his subjects for refusing to leave London during World War II bombing raids. He also suffered from a terrible stammer and hated speaking in public. Laurie Sparham via The Weinstein Co. hide caption

This interview was originally broadcast on November 18, 2010. The King's Speech was recently nominated for 12 Academy Awards, including Best Picture and Best Director.

In 1925, Albert, Duke of York, began seeing a speech therapist to correct his pronounced speech impediment. Eleven years later, he reluctantly ascended to the British throne as King George VI, after his older brother Edward VIII abdicated to marry the American Wallis Simpson.

As the king, George VI was expected to frequently address his nation, both in person and on the radio. During these public speaking engagements, he continued to rely heavily on his speech therapist, Australian Lionel Logue, to make sure he didn't stammer.

King George VI's relationship with Logue is at the heart of director Tom Hooper's historical drama, The King's Speech . The film stars Colin Firth as King George VI and Geoffrey Rush as Logue, who developed his somewhat unorthodox way of treating speech impediments while treating shell-shocked soldiers in the years following World War I.

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The king’s speech — film review.

Colin Firth, following up on his Oscar-nominated role in "A Single Man," now can claim a place among Britain's finest film actors with his performance as the man who became King George VI.

By Kirk Honeycutt

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It perhaps started with The Queen , continued with Young Victoria and now achieves the most intimate glimpse inside the royal camp to date with The King’s Speech .

Each of these films features a mesmerizing central performance. Although Speech requires shared billing, with no disrespect to Geoffrey Rush ‘s spot-on work here, Colin Firth , following up on his Oscar-nominated role in A Single Man , now can claim a place among Britain’s finest film actors with his performance as the man who became King George VI.

The Bottom Line A riveting, intimate account at how a British king triumphed over a speech impediment with the help of an unorthodox speech coach.

The film is a sure winner in the British Isles and many former colonies. How its most rebellious and historically challenged colony will react when the Weinstein Co. releases the film domestically Nov. 24 is hard to gauge. Perhaps only decent box office can be anticipated.

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How historically accurate is the movie The King's Speech

In 2010, The King’s Speech won the Oscar for Best Picture and grossed over $414 million worldwide. It was an unlikely box office champion because it was based on a true story about King George VI of Britain (1895-1952) and an Australian speech therapist Lionel Logue (1880-1953). It shows how Logue helped the king overcome a crippling stammer and how this helped him lead his country during World War II. The movie was directed by Tom Hooper and written by David Seidler.

Before the movie began filming, the writer, Seidler, found Logue's journal and incorporated elements from the journal into the movie. However, despite this, the historical accuracy of the movie has been questioned and even widely criticized.

When does the King's Speech take place?

The King's Speech takes place mainly in the 1930s at a critical juncture for Britain and its Empire. The nation and its various dependencies had still not recovered from the ravages of World War or the Great Depression. Internationally, Hitler was in power in Germany, and many feared, correctly, that there would be another World War. [1] The rather bleak mood of the time is captured very well by the director. At this critical point in its history, the British Royal Family faced its crisis.

After George V's death, he was succeeded by his eldest son, who became Edward VII in 1936. Edward VII's reign was both brief and controversial. Edward wanted to marry a divorced American, Wallis Simpson. Marrying a divorced was unacceptable to many in Britain at this time as the King was also head of the Church of England. Divorce was socially unacceptable, and the Anglican Bishops and others denounced the idea of the monarch marrying a divorced woman.

However, there were some inaccuracies in the movie that troubled viewers. One of the scenes that caused the most controversy was when Sir Winston Churchill, the future leader of war-time Britain, supported the accession of George V. This scene misrepresented Churchill's view of Edward's abdication entirely. Churchill supported Edward VII (1894-1972) and believed that he should remain as king despite his marriage to Wallis Simpson. He was friendly with the abdicated king and remained a supporter. [3]

Unlike in the movie, Churchill did have grave doubts about the ability of George VI to carry out his Royal duties. He was not alone in the belief, and many others shared that view in the highest circles of the British government. Over time, he did come to accept the younger brother of Edward VII and came to respect him as an able monarch and leader . [4]

The King and his Stutter

The movie shows that his speech impediment was a result of his insecurity and shyness. [5] This was very much the case, and George VI did have a terrible stutter from childhood. The King’s Speech accurately shows the real problems caused by the future George VI and the entire Royal Family. In one scene at the opening of an exhibition celebrating the British Empire, George struggles with a speech and becomes visibly upset. The movie shows many senior officials and members of the Royal Family becoming gravely concerned about this. In the 1930a, when the movie is set, for the first-time, Royalty members were expected to speak in public and be effective communicators because of the growing importance of the mass media. [6]

When did Lionel Logue begin treating George VI?

Cooper’s movie relates how George had been seeking help all his life for his stammer, and he tried every technique and treatment available for the time, which is true. The 2010 motion picture does really capture the sense of desperation and anxiety that the future George VI had over his speech impediment. He is shown as going in desperation to the Australian Logue, and this is also correct. The therapist is shown as using innovative techniques to help George overcome his stammer, which is right. The Australian was an early pioneer in speech and language therapy, and he was an innovator. [7] The film shows Rush trying to instill more confidence in the Royal. He adopts several strategies, but none are shown to work.

How did Logue treat George VI's speech impediment?

What was the relationship between king george vi and lionel logue.

The movie shows that the two men began to become real friends over time, despite their differences. This was the case, and it appears that both men liked each other and even enjoyed each other’s company. The relationship between the British king and the Australian is very realistically shown, and they remained friends until the early death of George VI. The movie shows that Logue was present when George made important Radio broadcasts to the British Public. This was the case, but Logue continued to coach the king to speak in public for many years.

In the movie, Logue is shown when George VI pronounced that Britain was at war with Germany in September 1939 during a radio address to the nation. This is not correct, but the Australian did provide the king with notes on things where he should pause and breathe, and these were a real help in the most important speech the monarch ever made. Logue continued to coach the king for many years until about 1944.

Was George VI accurately portrayed in the King's Speech?

Colin Firth’s performance was widely praised. The British actor won the Academy Award for Best Actor. While Firth's performance was widely acclaimed, there were some concerns about how accurately he portrayed the monarch. In the main, Firth did manage to capture George VI and his character in the feature film. The British actor did correctly show that the monarch was a timid and insecure man who felt that he was not equal to his Royal duties, and this was something that greatly distressed him. [10]

This was the case, and the monarch became widely respected for his leadership and his calm dignity. However, the script tended to be overly sympathetic to George and avoided his character's rather unpleasant aspects. He was alleged to have both fits of anger and alleged acts of domestic violence. Those allegations have not been confirmed.

Helena Bonham Carter's performance was praised, and she does capture the personality of Queen Elizabeth (1900-2002). She was a very supportive wife and dedicated to her husband. She did not want him to become king because she feared what it would do to him. Her family, as shown in the feature film. [12] Geoffrey Rush played the character of the speech and language therapist Logue, and he presented him as a larger-than-life figure who was charismatic, and this was indeed the case. It is generally agreed that Rush really captured the personality of the acclaimed speech and language therapist.

How realistic is the King's Speech?

Review: The King's Speech

By Scott Foundas in the November-December 2010 Issue

“In the past, all a king had to do was look good in uniform,” observes King George V (Michael Gambon)—the first British monarch to address his subjects via radio—early on in Tom Hooper’s splendid period drama The King’s Speech . “Now we must invade people’s homes and ingratiate ourselves,” he continues. “We’ve become actors!” And this was 1934, three decades before the landmark BBC television documentary Royal Family brought the House of Windsor even closer to the people, and five before Lady Diana Spencer irrevocably blurred the line between commoner and royal, princess and pop icon. George V’s comments are directed at his youngest son, Albert Frederick Arthur George (Colin Firth), who will soon be thrust upon the throne just as England readies to enter World War II. But unlike his sober, stentorian-voiced father, the eventual George VI (father of Queen Elizabeth II) is hopelessly tongue-tied when it comes to public speaking, the victim of an acute stammer that turns ordinary conversation into a humiliating succession of false starts and too-long pauses.

If The King’s Speech risks being too cute by half in its depiction of how this royal without a voice comes to find one in his nation’s hour of need, Hooper and screenwriter David Seidler neatly avoid that trap by training their sights on a much bigger subject—namely, how the wireless waves of radio affected seismic changes to the nature of politics and society at large, turning public figures into performers, and narrowing the distance between classes. Yet amidst all the ballyhoo about Hooper’s film as The Social Network ’s chief rival for Oscar gold, few if any have noted the extent to which the two movies orbit a similar central theme—two portraits of a communications revolution, separated by a century.

We first see the king-to-be (then Duke of York) freezing at the mic during his closing speech of the 1925 Empire Exhibition at Wembley. After being subjected to a succession of useless therapies by a series of royal quacks, the Duke takes a grudging chance on one Lionel Logue (Geoffrey Rush), an Australian-born amateur actor and self-taught speech therapist with no credentials other than his own track record. What follows suggests a role-reversal My Fair Lady , with the lowly Antipodean coaching the aristocrat through measures (rolling around on the ground, shouting streams of obscenities) that have more in common with radical psychotherapy than conventional speech pathology.

Conducting the sessions in a draughty basement room with unfinished walls, Logue adds insult to injury by asking His Royal Highness leading questions about his childhood—an inventory of other forcibly corrected “defects,” including left-handedness and knock knees—and calling him by his family nickname, “Bertie.” (He insists that, in order for the treatment to work, the two men must regard each other as equals.) Their back-and-forth repartee, courtesy of Seidler (a septuagenarian Hollywood vet whose most notable prior credit was on Francis Coppola’s Tucker: The Man and His Dream ), is as sharp as anything this side of Aaron Sorkin. Even sharper, arguably, is the film’s sense of the high value placed on normalcy in a society with little tolerance for disability and aberration.

These are the sort of plum roles that can all too easily turn into smoked ham, but Firth and Rush manage them with an ideal balance of flourish and restraint. Hooper, who has become something of a specialist in exhuming British history from the mothballs of Masterpiece Theatre —his credits include Elizabeth I (05) and the masterful Longford (06), as well as The Damned United (09)—does so again, shooting in long takes and exaggerated wide angles that amplify Bertie’s mounting sense of uncertainty as he finds the weight of the world—and so many words—upon his shoulders.

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The king's speech, common sense media reviewers.

Superb drama about overcoming fears is fine for teens.

A Lot or a Little?

What you will—and won't—find in this movie.

The film has a stirring message: Our biggest limit

The three main characters serve as strong role mod

A character struggles with his temper, which is fu

A king abdicates from the throne because of his in

Strong language includes "bastard," &quo

Some social drinking (sherry, whisky, wine).

Positive Messages

The film has a stirring message: Our biggest limitations are the voices in our head that remind us of all of our imperfections and failures. But they're only voices, and our will and perseverance are stronger than our fears. Communication, integrity, and humility are major themes. The film has some classist overtones, but they’re placed within historical context.

Positive Role Models

The three main characters serve as strong role models: Lionel Logue, though somewhat untraditional in his approach to speech therapy (at least for the movie's time period), believes in himself so much that he's able to help others do so, too. The queen is a lesson in being supportive without condescension, and King George VI is a man not to be denied his life because of his past.

Violence & Scariness

A character struggles with his temper, which is fueled by frustration.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

A king abdicates from the throne because of his involvement with a divorcee. There are references to her "talents" behind closed doors.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Strong language includes "bastard," "bloody," "tits," "damn," "ass," "hell," and "bugger." And in one memorable scene, a man yells out a stream of words like "s--t" and "f--k."

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Drinking, Drugs & Smoking

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that The King's Speech is an engrossing, fact-based drama that's rated R primarily for a few scenes of strong language (including one "f"-word-filled outburst). It has inspiring and empowering messages about triumphing over your fears. An indie about a king who stutters might not seem like typical adolescent fare, but don't judge a movie by the brief synopsis: Teens will enjoy it as much as the grown-ups will if they give it a chance. In addition to the swearing, there's some social drinking, but that all fades in comparison to the movie's surprisingly moving themes of hope and perseverance. Note: An edited version of the movie that removes/lessens some of the strongest language has been rated PG-13 and released separately. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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Community Reviews

Parents say (65)
Kids say (126)

Based on 65 parent reviews

Great Oscar winning about overcoming fears.

I loved this movie, what's the story.

In THE KING'S SPEECH, King George VI ( Colin Firth ), father to Queen Elizabeth II, inherited the British throne in 1936 after his brother Edward's controversial abdication to marry divorcee Wallis Simpson. Ultimately, he would lead the United Kingdom through World War II. But even before he ascended the throne, he was a man struggling with a persistent and troubling condition: He stammered. This was a source of deep despair for the soon-to-be king, who was known among friends and family members as Bertie. Despite his wife's ( Helena Bonham Carter ) best efforts and deep, abiding love, Bertie was stunted by rage and anxiety. But in this film based on true events, the king finally finds an ally in Lionel Logue ( Geoffrey Rush ), an Australian speech therapist who helps Bertie gain the confidence and will to overcome his fears and let his voice be heard, literally and metaphorically.

Is It Any Good?

It is a singularly gratifying experience to watch this film's three stars -- Firth, Bonham Carter, and Rush -- do what they do best: act. It's like watching a master class. They disappear into their characters and make them both interesting and understandable. That's not always the case with films about royalty. Often, they're a visual (and unremarkable) summary of what we know from books; here, they fascinate with their trials, triumphs, and, most of all, humanity. And for a movie steeped in a feel-good message -- "You don't need to be afraid of the things you were afraid of when you were 5," intones one man -- it's far from clichéd.

Credit, too, goes to director Tom Hooper and screenwriter David Seidler, who himself conquered a stutter and was inspired by the king. They have created characters so rich that they compel viewers to rush to the Web for some post-viewing research. We know a lot about today's royals, but they don't hold a candle to their predecessors -- or at least to the ones portrayed here. The movie makes history and self-help irresistible. Bottom line? The King's Speech is superb.

Talk to Your Kids About ...

Families can talk about the messages in The King's Speech. What are viewers meant to take away from watching?

How does the movie portray stuttering and those who suffer from it? Does it seem realistic and believable? How does Bertie's struggle with stuttering affect him?

How did the queen pave the way for the king's success? Are they positive role models? Do you think the movie portrays them accurately? Why might filmmakers change some details in a fact-based story?

How do the characters in The King's Speech demonstrate communication and perseverance ? What about integrity and humility ? Why are these important character strengths?

Movie Details

In theaters : November 26, 2010
On DVD or streaming : April 19, 2011
Cast : Colin Firth , Geoffrey Rush , Helena Bonham Carter
Director : Tom Hooper
Inclusion Information : Female actors
Studio : Weinstein Co.
Genre : Drama
Character Strengths : Communication , Humility , Integrity , Perseverance
Run time : 111 minutes
MPAA rating : R
MPAA explanation : some language
Award : Academy Award
Last updated : May 29, 2024

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King George VI: The Man Behind the King's Speech

King's Speech is the definitive story of the man who overcame his own failings for the sake of his nation. When his older brother, Edward VIII abdicates the throne to marry Wallis Simpson, n... Read all King's Speech is the definitive story of the man who overcame his own failings for the sake of his nation. When his older brother, Edward VIII abdicates the throne to marry Wallis Simpson, nervous-mannered successor George "Bertie" VI is plagued with shyness and a speech impedime... Read all King's Speech is the definitive story of the man who overcame his own failings for the sake of his nation. When his older brother, Edward VIII abdicates the throne to marry Wallis Simpson, nervous-mannered successor George "Bertie" VI is plagued with shyness and a speech impediment when speaking to his subjects. It is the true story of an introvert and humble man whom... Read all

Colin Firth
1 User review

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StrictlyConfidential
Jun 6, 2020
July 2011 (United States)
United Kingdom
Vision Films (United States)
英国王のスピーチの真実　ジョージ6世の素顔
ITN Productions
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Runtime 1 hour 4 minutes
Black and White

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30 Facts About The Movie The King’s Speech

Written by Arlene Steelman

Modified & Updated: 31 May 2024

Reviewed by Sherman Smith

30-facts-about-the-movie-the-kings-speech

The King’s Speech is a critically acclaimed film that has captivated audiences since its release. Directed by Tom Hooper, this historical drama takes us on a journey through the life of King George VI, the father of Queen Elizabeth II, as he struggles with a debilitating stammer. The movie explores the unlikely friendship between the reluctant monarch and his eccentric speech therapist, Lionel Logue.

With its stellar cast, including Colin Firth, Geoffrey Rush, and Helena Bonham Carter , The King’s Speech has received numerous accolades, including four Academy Awards. Beyond the captivating performances, the film offers a compelling story filled with emotional depth and historical significance. In this article, we delve into 30 fascinating facts about the making of The King’s Speech, shedding light on its production, casting decisions, and its impact on audiences worldwide.

Key Takeaways:

The King’s Speech is a movie based on the true story of King George VI’s struggle with a speech impediment. It won four Academy Awards and highlighted the importance of effective communication and perseverance.
The film’s success sparked conversations about speech disorders and inspired audiences worldwide with its powerful portrayal of courage and determination.

Box Office Success

The King’s Speech was a critically acclaimed film that also performed well at the box office, grossing over $400 million worldwide.

Historical Accuracy

The movie portrays the true story of King George VI’s struggle with a speech impediment and his efforts to overcome it.

Oscar-Winning Performances

The film won four Academy Awards, including Best Picture, Best Director for Tom Hooper, Best Actor for Colin Firth, and Best Original Screenplay.

Colin Firth’s Preparation

Colin Firth spent months working with a speech therapist to accurately portray King George VI’s stammer.

Geoffrey Rush’s Role

Geoffrey Rush played the role of Lionel Logue, the speech therapist who helped King George VI overcome his speech impediment.

Historical Significance

The movie sheds light on the importance of effective communication and how speech can impact leadership and self-confidence.

Multiple Nominations

The King’s Speech received a total of 12 nominations at the Academy Awards, the most of any film that year.

Supporting Cast

The film also features stellar performances from Helena Bonham Carter, who played Queen Elizabeth, and Guy Pearce , who portrayed King Edward VIII.

Royal Approval

The Queen Mother, who was King George VI’s wife, reportedly gave her endorsement for the film.

Accents and Dialects

The actors underwent extensive training to master the British accents and dialects of the time period.

Emotional Journey

The movie takes viewers on an emotional journey as they witness King George VI’s struggle and eventual triumph.

Historical Context

The film is set against the backdrop of the abdication crisis of 1936, when King Edward VIII gave up the throne to marry Wallis Simpson.

Collaboration

The King’s Speech was a collaborative effort between British and Australian filmmakers, showcasing the talent from both countries.

Real Speech Recordings

The filmmakers used actual recordings of King George VI’s speeches to ensure accuracy in the movie.

Costume Design

The film’s costume designer , Jenny Beavan, won an Academy Award for her work in recreating the fashion of the 1930s.

Film Locations

The King’s Speech was primarily filmed in England and Scotland, adding to the authenticity of the period setting .

Critical Acclaim

The movie was praised by critics for its performances, screenplay, and historical accuracy.

Audience Response

The King’s Speech resonated with audiences worldwide, connecting on a human level with its themes of perseverance and self-belief.

The movie has left a lasting impact on the film industry, inspiring others to tell stories of triumph over adversity.

International Success

The King’s Speech was not only a hit in English-speaking countries but also gained popularity in international markets .

The film’s score, composed by Alexandre Desplat, received critical acclaim and added depth to the storytelling.

Positive Reviews

The King’s Speech holds a high rating on review aggregator sites like Rotten Tomatoes, with praise for its performances and storytelling.

The movie received a rating of 12A in the United Kingdom, making it suitable for a wide range of audiences.

Cultural Impact

The King’s Speech sparked conversations about speech disorders and increased awareness of the challenges faced by those who stammer.

Educational Value

The film has been used as a teaching tool in various educational institutions to explore topics such as leadership, communication, and overcoming obstacles .

Film Adaptation

The movie is based on a stage play of the same name, which was also highly acclaimed.

International Accolades

In addition to the Academy Awards, The King’s Speech received numerous accolades from film festivals around the world.

Inspirational Story

The film serves as a reminder that anyone, regardless of their status or background, can overcome personal challenges and achieve greatness.

Historical Detail

The King’s Speech captures the essence of the time period, immersing viewers in the world of British royalty during a pivotal point in history.

Lasting Legacy

The King’s Speech will continue to be remembered as a powerful and touching portrayal of courage and determination.

In conclusion, The King’s Speech is a remarkable film that captivates audiences with its gripping story and exceptional performances. Through its portrayal of King George VI’s struggle to overcome his speech impediment, the movie showcases the power of determination and the importance of finding one’s voice. With a brilliant cast led by Colin Firth , Geoffrey Rush, and Helena Bonham Carter, The King’s Speech earned critical acclaim and numerous accolades, including four Academy Awards. The film’s masterful direction, compelling script, and stunning production design make it a must-watch for any movie enthusiast. Whether you’re a fan of historical dramas, inspiring stories, or top-notch acting, The King’s Speech is sure to captivate and leave a lasting impression.

1. Who directed The King’s Speech?

The King’s Speech was directed by Tom Hooper .

2. Is The King’s Speech based on a true story?

Yes, The King’s Speech is based on the true story of King George VI of the United Kingdom and his struggle with a speech impediment.

3. How many Academy Awards did The King’s Speech win?

The King’s Speech won four Academy Awards , including Best Picture, Best Director, Best Actor (Colin Firth), and Best Original Screenplay.

4. Who played King George VI in the movie?

Colin Firth portrayed King George VI in The King’s Speech.

5. What is the significance of the title “The King’s Speech”?

The title refers to the pivotal speech that King George VI delivers to inspire and rally the British people during World War II .

6. What impact did The King’s Speech have on raising awareness about speech impediments ?

The movie shed light on the struggles faced by people with speech impediments and helped raise awareness about the importance of empathy and understanding towards individuals dealing with such challenges.

7. Was the stuttering portrayed accurately in the movie?

Geoffrey Rush worked closely with speech experts to accurately portray the challenges faced by those with speech impediments. The film’s depiction of stuttering was highly praised for its authenticity.

8. Are there any other notable performances in The King’s Speech?

In addition to Colin Firth’s memorable portrayal of King George VI, Geoffrey Rush’s performance as Lionel Logue, the speech therapist, and Helena Bonham Carter’s portrayal of Queen Elizabeth were also highly praised by audiences and critics alike.

9. What awards did The King’s Speech receive?

Aside from its Academy Awards, The King’s Speech also received numerous other accolades, including multiple BAFTA Awards, Golden Globe Awards, and Screen Actors Guild Awards.

10. Can I watch The King’s Speech online?

Yes, The King’s Speech is available for streaming on various platforms, including Netflix and Amazon Prime Video.

If you enjoyed learning about "The King's Speech," why not explore other captivating topics? Discover the powerful historical drama "The Passion of Joan of Arc," which tells the story of a French heroine. Delve into the fascinating world of the British monarchy with intriguing facts about the Queen Victoria Statue. And for a touching tale of perseverance, read about country music legend Mel Tillis, who overcame a speech impediment to achieve great success. Each of these subjects offers a unique and engaging perspective that will leave you informed and inspired.

Was this page helpful?

Our commitment to delivering trustworthy and engaging content is at the heart of what we do. Each fact on our site is contributed by real users like you, bringing a wealth of diverse insights and information. To ensure the highest standards of accuracy and reliability, our dedicated editors meticulously review each submission. This process guarantees that the facts we share are not only fascinating but also credible. Trust in our commitment to quality and authenticity as you explore and learn with us.

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Forgotten archive reveals true story behind 'king's speech'.

The grandson of the Geoffrey Rush character in the movie has the real Lionel Logue's papers
They include letters between King George VI and his grandfather
The two men were really friends for a quarter of a century
Mark Logue's discovery helped "King's Speech" director Tom Hooper

London (CNN) -- There were always three pictures of King George VI on the mantelpiece of the various houses Mark Logue lived in when he was growing up -- including one signed and dated by the king on the day of his coronation -- but as a boy in the 1970s and 1980s, Logue doesn't remember wondering why.

Only years later, after his father died and Logue inherited a box of papers and scrapbooks, did it all begin to make sense.

Logue's grandfather was Lionel Logue, the Australian speech therapist played by Geoffrey Rush in the Oscar nominated movie "The King's Speech."

Mark Logue -- born 12 years after his grandfather died -- had inherited some archive: Christmas cards from the king and queen, a condolence card from George VI to Lionel Logue when his wife died, and a letter of thanks from the queen for a letter Logue wrote when the king himself died several years later.

The papers also include hundreds of letters exchanged by the king and the speech therapist, whom he met more than a decade before he was crowned.

"The content of the letters between them is incredibly friendly as you'd expect between two friends," Mark Logue says. "But there is a kind of etiquette that Lionel still abides by," addressing George VI as "your Royal Highness."

George VI addressed his friend as "Dear Logue," and signed the early letters "Albert" -- his name before he was crowned king. The later letters are signed "George."

Also among his grandfather's papers is what Mark Logue believes is the actual copy of the speech George VI read at the outbreak of war with Germany 1939 -- the climactic scene of the movie.

"In this grave hour, perhaps the most fateful in our history..." the speech begins.

The copy in Logue's archive contains handwritten pencil notes, indicating what words to stress and where to pause.

"The King's Speech" condenses the friendship of the monarch and commoner into about a year, but the real George and Logue knew each other for a quarter of a century.

"The first thing that I came across that startled me was his appointment card," Mark Logue says.

In tiny handwriting, Logue assessed his new patient, Albert, Duke of York in 1926.

The duke "has acute nervous tension which has been brought on by the defect. He is of nervous disposition... Contracts teeth and mouth and mechanically closes throat... an extraordinary habit of clipping small words - an, in , on - and saying the first syllable of one word and the last syllable of another," Logue wrote.

The Duke saw Logue almost every day for next two or three months, in advance of a royal visit to Australia, Logue's records show.

The friendship lasted for the rest of their lives, although it seems they were never photographed together.

At the Coronation in 1937, Logue is seated in the royal box, with his wife, Myrtle. They are so high up, she's using opera glasses.

Myrtle died suddenly of a heart attack after World War II, prompting the king to write: "Dear Logue, I must send you one line to tell you how terribly sorry I was to hear of your bereavement. And I send you all my deepest sympathy in your great grief ...I do so feel for you as I know you had a perfect companionship with her. I am yours sincerely. George."

Mark Logue gets choked up reading the letter generations later.

"It's something about thinking about him hurting after Myrtle's death... makes it kind of real," he says.

The archive inspired him to write a book with the author Peter Conradi.

"King's Speech" director Tom Hooper starting looking at Logue's material about seven weeks before starting filming, Logue says -- and was able to add some details to the movie as a result.

Hooper hadn't known, for example, that the king took off his jacket and stood to deliver the 1939 speech, since photos of the event show him seated and in full military uniform.

And, from Logue's diary, a joke was added.

"I went to Windsor on Sunday for the broadcast... only one mistake... W in weapons," Logue wrote. "After the broadcast I shook hands with the King and congratulated him. And asked him why he stopped on the W. He replied with a grin. I did it on purpose. I exclaimed -- on purpose ? And he said yes -- if I don't make a mistake they won't know it's me."

The movie did make some changes, of course: The real Lionel Logue was more deferential than Geoffrey Rush's character, and rather shorter than his movie counterpart.

And another thing the movie does not tell audiences is that the king and the therapist remained close until the end of their lives. George VI died in 1952. The following year, his friend Lionel Logue died too.

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Starring: Colin Firth , Helena Bonham Carter , Geoffrey Rush , Derek Jacobi , Jennifer Ehle , Guy Pearce , Timothy Spall , Michael Gambon , David Bamber , Calum Gittins , Orlando Wells , Tim Downie , Ben Wimsett , Freya Wilson , Jake Hathaway , Dominic Applewhite , Simon Chandler , Andrew Havill , Richard Dixon , Adrian Scarborough , Roger Parrott , Anthony Andrews , Patrick Ryecart , Emily Best (Eve) , Claire Bloom , Roger Hammond , Paul Trussell , Ramona Marquez

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From red wall to King’s Speech, UK elections have a vocabulary all their own. Here’s what to know

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LONDON (AP) — Elections in the United Kingdom have a distinct vocabulary that draws on traditions of parliamentary democracy as well as the lexicon of U.S. politics and modern political spin. Voters go to the polls on Thursday. The key terms include “first past the post.” That the system that will elect new members of Parliament. It means the candidate with the highest number of votes in each district wins even if it’s not a majority of votes cast. Political parties are hoping to win seats in the “red wall” of longtime Labour strongholds and the “blue wall” of traditional Conservative seats. Whichever party wins will set out its plans for government in the King’s Speech to be delivered by King Charles III on July 17.

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The story behind "The King's Speech"

June 12, 2011 / 8:47 PM EDT / CBS News

This story was first published Feb. 20, 2011. It was updated on June 12, 2011.

Last winter, "The King's Speech" dominated the Oscars when it took home four out of the 12 Academy Awards it was nominated for - including best picture, best director, best actor and best original screenplay.

The movie is based on the true story of George VI, the father of the present queen of England. George VI was a man who, in the 1930s, desperately did not want to be king. He was afflicted nearly all his life by a crippling stammer which stood to rob Britain of a commanding voice at the very moment that Hitler rose to threaten Europe.

The story struck a nerve with audiences and critics alike, as we reported last February, just before Colin Firth won his first Oscar for his critically-acclaimed portrayal of George VI.

The hidden letters Dig into the treasure trove of historic letters between a stuttering king and his commoner friend, speech therapist Lionel Logue.

When correspondent Scott Pelley asked Firth if he liked being king, Firth said, "I think it's hard to think of anything worse, really. I mean, I wouldn't change places with this man. And I would be very surprised if anybody watching the film would change places with this man."

"It's a perfect storm of catastrophic misfortunes for a man who does not want the limelight, who does not want to be heard publicly, who does not want to expose this humiliating impediment that he's spent his life battling," Firth explained. "He's actually fighting his own private war. He'd rather have been facing machine gun fire than have to face the microphone."

The microphone hung like a noose for the king, who was a stutterer from the age of 8. He was never meant to be king. But in 1936 his older brother gave up the throne to marry Wallace Simpson, a divorced American. Suddenly George VI and his wife Elizabeth reigned over an empire that was home to 25 percent of the world's population.

And like the George of over 1,000 years before, he had a dragon to slay: radio.

Extra: The real King George Extra: Colin Firth, King and Queen Extra: Firth's Oscar-nominated roles Extra: Firth's "bland" looks Pictures: Colin Firth on "60 Minutes"

"When I looked at images of him or I listened to him, you do see that physical struggle," Firth said of the king's public speeches. "His eyes close, and you see him try to gather himself. And it's heartbreaking."

Among those listening was a 7-year-old British boy who, like the king, had a wealth of words but could not get them out.

"I was a profound stutterer. I started stuttering just before my third birthday. I didn't rid myself of it until I was 16. But my parents would encourage me to listen to the king's speeches during the war. And I thought, 'Wow if he can do that, there is hope for me.' So he became my childhood hero," David Seidler, who wrote the movie, told Pelley.

Seidler had grown up with the story, but he didn't want to tell the tale until he had permission from the late king's widow, known as The Queen Mother.

Seidler had sent a letter to her. "And finally, an answer came and it said, 'Dear Mr. Seidler, please, not during my lifetime the memory of these events is still too painful.' If the Queen Mum says wait to an Englishman, an Englishman waits. But, I didn't think I'd have to wait that long," he explained.

Asked why, Seidler said, "Well, she was a very elderly lady. Twenty-five years later, just shy of her 102nd birthday, she finally left this realm."

After the Queen Mother's death in 2002, Seidler went to work. He found the theme of the story in the clash between his royal highness and an Australian commoner who became the king's salvation, an unknown speech therapist named Lionel Logue.

"The words that keep coming up when you hear about Lionel Logue are 'charisma' and 'confidence.' He would never say, 'I can fix your stuttering.' He would say, 'You can get a handle on your stuttering. I know you can succeed,'" Seidler said.

Geoffrey Rush plays Logue, an unorthodox therapist and a royal pain.

They say you can't make this stuff up, and in much of the film that's true. Seidler could not have imagined his work would lead to a discovery that would rewrite history. Researchers for the film tracked down Lionel Logue's grandson Mark, because the movie needed family photos to get the clothing right.

Mark Logue not only had pictures, he also had some diaries.

His grandfather's diaries were up in the attic in boxes that the family had nearly forgotten. When Logue hauled them down for the movie, he discovered more than 100 letters between the therapist and his king.

"'My dear Logue, thank you so much for sending me the books for my birthday, which are most acceptable.' That's so British isn't it. 'Yours very sincerely, Albert,'" Logue read from one of the letters.

"As you read through all these letters between your grandfather and the king, what did it tell you about the relationship between these two men?" Pelley asked.

"It's not the relationship between a doctor and his patient, it's a relationship between friends," Logue said.

We met Logue at the same address where his grandfather treated the king. And among the hundreds of pages of documents were Logue's first observations of George VI.

"Probably the most startling thing was the king's appointment card," Logue told Pelley. "It described in detail the king's stammer, which we hadn't seen anywhere else. And it also described in detail the intensity with the appointments."

The king saw Lionel Logue every day for an hour, including weekends.

"You know, he was so committed. I think he decided 'This is it. I have to overcome this stammer, and this is my chance,'" Mark Logue told Pelley.

In the film, the king throws himself into crazy therapies. But in truth, Logue didn't record his methods. The scenes are based on Seidler's experience and ideas of the actors.

"We threw in stuff that we knew. I mean, somebody had told me that the only way to release that muscle," actor Geoffrey Rush said of one of the speech exercises he did in the movie. "And of course, little did I realize that the particular lens they were using on that shot made me look like a Galapagos tortoise."

While the treatments spring from imagination, the actors read Logue's diaries and letters to bring realism to everything else.

"The line at the end, I found reading the diaries in bed one night, 'cause this is what I used to do every night, when Logue says 'You still stammered on the 'W'," Firth said.

The line was used in the movie.

"It shows that these men had a sense of humor. It showed that there was wit. It showed there was self mockery and it just showed a kind of buoyancy of spirit between them. The fact that he spoke on a desk standing upright in this little hidden room is something we found in the diaries as well," Firth told Pelley.

"In reality he had to stand up to speak, he had to have the window open," Firth said. "And he had to have his jacket off."

"And that wonderful, specific little eccentric observation that came from reality," Firth added.

One of the most remarkable things to come out of the Logue attic was a copy of what maybe the most important speech the king ever made - the speech that gave the movie its name. This was the moment when King George VI had to tell his people that for the second time in a generation they were at war with Germany. The stakes were enormous. The leader of the empire could not stumble over these words.

Mark Logue has the original copy of "the speech," typed out on Buckingham Palace stationary.

"What are all of these marks? All these vertical lines? What do they mean?" Pelley asked, looking over the documents.

"They're deliberate pauses so that the king would be able to sort of attack the next word without hesitation," Logue said. "He's replacing some words, he's crossing them out and suggesting another word that the king would find easier to pronounce."

"Here's a line that he's changed, 'We've tried to find a peaceful way out of the differences between my government.' He's changed that from, 'my government,' to, 'the differences between ourselves and those who would be our enemies,'" Pelley said.

"You know, I'm curious. Have either of you snuck into a theater and watched the film with a regular audience?" Pelley asked Firth and Rush.

"No, the only time I've ever snuck in to watch my own film I got quite nervous about it, because I just thought it be embarrassing to be seen doing that, so I pulled my collar up, and the hat down, over my eyes, and you know, snuck in as if I was going into a porn cinema, or something and went up the stairs, crept in, sidled in, to sit at the back, and I was the only person in the cinema. That's how well the film was doing," Firth remembered.

Now, it's a lot harder for Firth to go unnoticed. Recently he was immortalized with a star on Hollywood's Walk of Fame and brought along his Italian wife Livia.

They've been married 14 years and have two sons. With "The King's Speech," we realized Firth is one of the most familiar actors that we know almost nothing about. So we took him back to his home town Alresford in Hampshire, outside London. He's the son of college professors, but Firth dropped out of high school to go to acting school.

"But you don't have a Hampshire accent," Pelley pointed out.

"No. My accent has changed over the years, as a matter of survival. So until I was about 10, 'I used to talk like that,'" Firth replied, mimicking the local accent. "I remember it might have been on this street, actually, where I think the conversation went something like, 'Oy, you want to fight?' And I said, 'No, I don't.' 'Why not?' 'Well, 'cause you'll win.' 'No, I won't.' 'Well, will I win then?' 'Well, you might not.' And so, you know, we went trying to process the logic. And I thought, 'Have we dealt with it now?"

"Do we still have to fight?" Pelley asked.

"Do we actually have to do the practical now? We've done the theory," Firth replied.

He wanted us to see his first stage. It turned out to be the yard of his elementary school where he told stories from his own imagination.

"And at lunch times on the field up here, the crowd would gather and demand the story. They'd all sit 'round and say, 'No, we want the next bit,'" Firth remembered.

Firth told Pelley he found his calling for acting at the age of 14.

Asked what happened then, he told Pelley, "I used to go to drama classes up the road here on Saturday mornings. And one day I just had this epiphany. It was I can do this. I want to do this."

He has done 42 films in 26 years, most of them the polar opposite of "The King's Speech," like "Mamma Mia!"

"How hard was it to get you to do the scene for the closing credits?" Pelley asked, referring to Firth doing a musical number in an outrageous, Abba-inspired outfit.

"I think that's the reason I did the film," Firth joked.

"You have no shame?" Pelley asked.

"I'm sorry. That's if one thing has come out of '60 Minutes' here, it's we have discovered, we've unveiled the fact that Colin Firth has no shame. I am such a drag queen. It's one of my primary driving forces in life. If you cannot dangle a spandex suit and a little bit of mascara in front of me and not just have me go weak at the knees," Firth joked.

From queen to king, Firth is an actor of amazing range who had his best shot at his first Oscar.

Like George VI himself, this movie wasn't meant to be king. "The King's Speech" was made for under $15 million. But now the movie, the director, the screenwriter David Seidler, who made it happen, and all the principal actors were nominated for Academy Awards. Geoffrey Rush had won once before.

"What advice to you have for this man who may very likely win the Oscar this year?" Pelley asked Rush.

"Well enjoy it. It isn't the end of anything because you will go on and do a couple more flops probably, you might even sneak into another film in which no one is in the house," Rush joked.

But on Oscar night, stammering King George had the last word. A lot of movies are based on true stories. But "The King's Speech" has reclaimed history.

Inside King Charles’ ‘Tearful’ Speech About George, Charlotte & Louis At State Banquet

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COMMENTS

The King's Speech (2010)
The King's Speech: Directed by Tom Hooper. With Colin Firth, Helena Bonham Carter, Derek Jacobi, Robert Portal. The story of King George VI, his unexpected ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer.
The King's Speech
The King's Speech is a 2010 historical drama film directed by Tom Hooper and written by David Seidler. Colin Firth plays the future King George VI who, to cope with a stammer, sees Lionel Logue, an Australian speech and language therapist played by Geoffrey Rush.The men become friends as they work together, and after his brother abdicates the throne, the new king relies on Logue to help him ...
The King's Speech
KB B I was a very engaging movie; I didn't know this about king George. It's definitely worth the watch. Rated 4/5 Stars • Rated 4 out of 5 stars 06/16/24 Full Review Andy F It gives the bare ...
The True Story Behind "The King's Speech"
By Noemi Arellano-Summer / Dec. 9, 2021 12:12 am EST. "The King's Speech" is a 2010 dramatic biographical film, recounting the friendship between King George VI of England and his Australian speech therapist, Lionel Logue. The film also covers Edward VIII's 1936 abdication, and George VI's subsequent coronation and shouldering of responsibility ...
The King's Speech (2010)
Logue & Bertie become friends. On 20 January 1936 George V dies, and David, the Prince of Wales (Guy Pearce) accedes to the throne as King Edward VIII, & wants to marry Wallis Simpson (Eve Best), an American divorcee, which would provoke a constitutional crisis. Bertie confronts David, who only accuses Bertie of having designs of his own ...
The King's Speech movie review (2010)
"The King's Speech" tells the story of a man compelled to speak to the world with a stammer. It must be painful enough for one who stammers to speak to another person. To face a radio microphone and know the British Empire is listening must be terrifying. At the time of the speech mentioned in this title, a quarter of the Earth's population was in the Empire, and of course much of North ...
The King's Speech (2010) Official Trailer #1
Subscribe to TRAILERS: http://bit.ly/sxaw6hSubscribe to COMING SOON: http://bit.ly/H2vZUnSubscribe to CLASSIC TRAILERS: http://bit.ly/1u43jDeLike us on FACEB...
'The King's Speech,' George VI From Stutter to Radio
An Accidental King Finds His Voice. Colin Firth in "The King's Speech," directed by Tom Hooper. The film explores the friendship between George VI and Lionel Logue, an Australian who focused ...
The King's Speech
The King's Speech. When his brother abdicates, George VI reluctantly dons the crown. Though his stutter soon raises concerns about his leadership skills, King George VI turns to an unconventional speech therapist, Lionel Logue, and the two forge a friendship. Watch The King's Speech online at HBO.com. Stream on any device any time.
The King's Speech (2010)
The King's Speech tells the story of the man who became King George VI, the father of Queen Elizabeth II. After his brother abdicates, George ('Bertie') reluctantly assumes the throne. Plagued by a dreaded stutter and considered unfit to be king, Bertie engages the help of an unorthodox speech therapist named Lionel Logue. Through a set of unexpected techniques, and as a result of an unlikely ...
The story behind "The King's Speech"
With 12 Oscar nominations, "The King's Speech" is among the most nominated films of all time. It's based on the true story of George VI, the father of the present queen of England.
'The King's Speech' With Colin Firth
Directed by Tom Hooper. Biography, Drama, History. PG-13. 1h 58m. By Manohla Dargis. Nov. 25, 2010. British films that make it to American screens these days often fall into two distinct niches ...
Tom Hooper: On Directing 'The King's Speech'
Tom Hooper's film, The King's Speech, tells the true story of King George VI's stammer and his relationship with an unconventional speech therapist who helped him speak. The movie was recently ...
The King's Speech
Colin Firth, following up on his Oscar-nominated role in "A Single Man," now can claim a place among Britain's finest film actors with his performance as the man who became King George VI.
How historically accurate is the movie The King's Speech
The movie shows that his speech impediment was a result of his insecurity and shyness. This was very much the case, and George VI did have a terrible stutter from childhood. The King's Speech accurately shows the real problems caused by the future George VI and the entire Royal Family. In one scene at the opening of an exhibition celebrating ...
Review: The King's Speech
Review: The King's Speech. By Scott Foundas in the November-December 2010 Issue. "In the past, all a king had to do was look good in uniform," observes King George V (Michael Gambon)—the first British monarch to address his subjects via radio—early on in Tom Hooper's splendid period drama The King's Speech. "Now we must invade ...
The Speech of the Century (Colin Firth Emotional Scene)| The King's
King George VI (Colin Firth) delivers a significant speech to inspire and reassure his people while Logue (Geoffrey Rush) conducts him. Dive into more action...
The King's Speech Movie Review
Based on 65 parent reviews. mrsherby Parent of 10-year-old. May 1, 2022. age 12+. Great Oscar winning about overcoming fears. This film is so uplifting. Although🤨. Does contain the f and s word a lot and also a lot of smoking. Aussie's and Brit's forever😀😀😀😀😀😀😀😀😀😀😀.
The King's Speech (2010)
The King's Speech (2010) cast and crew credits, including actors, actresses, directors, writers and more. Menu. ... King George VI (as Roy Borrett) Anna Brazinova ... office executive: Aegis Film Fund Katherine Bridle ... production executive: UK, See-Saw Films Alastair Bruce ...
King George VI: The Man Behind the King's Speech (2011)
King George VI: The Man Behind the King's Speech: Directed by Alan Byron. With Colin Firth, Tom Hooper, Mark Logue. King's Speech is the definitive story of the man who overcame his own failings for the sake of his nation. When his older brother, Edward VIII abdicates the throne to marry Wallis Simpson, nervous-mannered successor George "Bertie" VI is plagued with shyness and a speech ...
30 Facts About The Movie The King's Speech
The King's Speech is a critically acclaimed film that has captivated audiences since its release. Directed by Tom Hooper, this historical drama takes us on a journey through the life of King George VI, the father of Queen Elizabeth II, as he struggles with a debilitating stammer. The movie explores the unlikely friendship between the ...
Forgotten archive reveals true story behind 'King's Speech'
The grandson of the Geoffrey Rush character in the movie has the real Lionel Logue's papers. They include letters between King George VI and his grandfather. The two men were really friends for a ...
Watch The King's Speech (HBO)
Watch The King's Speech (HBO) and more new movie premieres on Max. Plans start at $9.99/month. When his brother abdicates, George VI reluctantly dons the crown. Though his stutter soon raises concerns about his leadership skills, King George VI turns to an unconventional speech therapist, Lionel Logue, and the two forge a friendship.
Movie Speech from The King's Speech- King George VI BBC Address to the
Movie Speech from The King's Speech- King George VI BBC Address to the Nation. : M ovie S peech. "The King's Speech" (2010) King George VI BBC Radio Address to the Nation Announcing WWII Outbreak. In this grave hour, perhaps the most fateful in our history, I send to every household of my peoples, both at home and overseas, this message, spoken ...
The Colin Firth Sci-Fi Fantasy On Streaming That's So Ridiculous ...
Before Colin Firth starred in The King's Speech and won two Academy Awards for his acting, he played the lead role in a ridiculous sci-fi fantasy movie called The Last Legion. The 2007 film is now ...
From red wall to King's Speech, UK elections have a vocabulary all
Associated Press LONDON (AP) — Elections in the United Kingdom have a distinct vocabulary that draws on traditions of parliamentary democracy as well as the lexicon of U.S. politics and modern ...
The story behind "The King's Speech"
The movie is based on the true story of George VI, the father of the present queen of England. George VI was a man who, in the 1930s, desperately did not want to be king.
Inside King Charles' 'Tearful' Speech About George, Charlotte & Louis
Inside King Charles' 'Tearful' Speech About George, Charlotte & Louis At State Banquet Author admin Reading 1 min Views 1 Published by 02.07.2024 Post Views: 1

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The True Story Behind "The King's Speech"

Prince Albert had a stutter as a child

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Logue began working with Prince Albert in 1926

Logue worked with Albert for over 15 years

Wallis Simpson was a more complex person than the film indicates

Churchill was actually opposed to Edward VIII's abdication

King George VI's coronation was less fraught than the film depicts

Logue was more deferential to his royal patient

The speech announcing war with Germany was less dramatic

George and Logue's friendship didn't fracture over credentials

The film has an obvious pro-George VI bias

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