Services to be offered include the following:
In the future, as additional staff are are added, there are plans to offer graphic design services for the photos taken, and to expand to a multi-room studio to allow for multiple shoots simultaneously.
The market for commercial photography includes all businesses and non-profits. For Flash Commercial Photography, the target market is small and medium-sized businesses and non-profits (those with under 500 employees) based within a 15 mile radius of Rochester, NY.
In the past two years, the market for commercial photography in Rochester, NY has contracted due to the recent economic downturn. It is estimated by the Rochester Chamber of Commerce that commercial photography has shrunk from $5.7 million to $4.5 million annual revenues since two years ago. Small and medium-sized businesses which formerly used large commercial studios can no longer afford their rates. This has created an opportunity for smaller photography studios with lower overhead and prices to serve this market and seize market share in time for a market upswing.
Very Small Businesses: These businesses are generally run by their owners. Photography needs tend to be for their basic marketing collateral (signs, menus, pamphlets, brochures, websites, newsletters, etc.). These businesses generally begin by taking these photographs in-house, but, over time, determine that this method produces sub-standard results. They then seek inexpensive freelance photographers who can quickly handle their needs.
Small Businesses: These businesses have ongoing and regular needs for photography of their products and services, such as quarterly catalogs. They appreciate establishing relationships with vendors who understand their way of working, allow them access to the creative process, and reduce the stress of creating marketing materials. They prefer to work with one vendor for all photography needs and will be reluctant to change that vendor once it is found. However, they do continue to check the prices of their vendor against competitors to make sure they are getting the preferred mix of quality and price.
Medium Businesses: These businesses have marketing departments which outsource photography to photo studios. They have a higher volume of photography needs than smaller businesses and pay great attention to the quality of the images as well as the price. Volume discounts may be needed to retain businesses in this category.
Market Analysis | |||||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |||
Potential Customers | Growth | CAGR | |||||
Very Small Businesses | 10% | 1,000 | 1,100 | 1,210 | 1,331 | 1,464 | 10.00% |
Small Businesses | 15% | 500 | 575 | 661 | 760 | 874 | 14.98% |
Medium Businesses | 20% | 200 | 240 | 288 | 346 | 415 | 20.02% |
Total | 12.81% | 1,700 | 1,915 | 2,159 | 2,437 | 2,753 | 12.81% |
Larger businesses in the Rochester area are served by large studios who can send photographers to the client site or set up shoots with little notice. These businesses require photography vendors with the capacity to shoot in multiple locations at the same time.
Smaller businesses, on the other hand, are comfortable working with smaller photography studios. They are generally unhappy with larger studios, as they find they are not a priority compared with the larger clients of the studio. They want the same level of service, scaled to the needs and budget of their business, and only a smaller studio can provide this.
Medium and small businesses can provide ongoing work. However, without serving very small businesses, Flash will miss out on capturing smaller customers before they grow. Working with very small businesses can also provide a wide base of customers, making the revenue streams of the business less susceptible to the loss of any one customer.
The commercial photography industry is characterized by local photo studios which serve cities or small regions. Very few businesses grow beyond this geographic range. Within a local market, such as Rochester, NY, there are dozens of photo studios in operation. Businesses seek photography vendors through referrals, internet search, and the local yellow pages. Photography studios generally base their charges on the time of the shoot as well as the number of edited photos provided.
Specific competitors for Flash Commercial Photography include:
Redwood Studios – Established 5 years ago and operating a small studio, this company focuses on product photography only
ImageMakers – Established 10 years ago, this company does not operate a studio, but uses student photographers to offer lower-priced on-site photography shoots
Flash Photographers – Established 3 years ago, this company subcontracts all of its photography work to freelance photographers, acting as a broker between these freelancers and clients. This leads to a lower level of quality assurance, and some client dissatisfaction
There are very few barriers to entry into the commercial photography business. At the low-end of the market, freelance photographers with inexpensive digital cameras start work officially and unofficially every day. However, at the high end of the market, quality photographers working with the best equipment and a studio space are protected by the capital required to purchase equipment and to rent and build out a studio.
Customers among small and medium-sized businesses seek low prices, but will not sacrifice quality. The best quality is obtained in the controlled environment of a studio, with well-trained photographers and high-quality equipment. Customers choose between photo studios based on their websites and portfolios of work, as well as the personal assurances of the salesperson they work with at the studio that their needs will be taken care of.
Word of mouth is extremely important for this business. While the product of the work becomes very visible, it is important that customers feel so strongly about the experience of working with their photo studio that they talk about it to other businesses and contacts. These referrals are extremely helpful in generating business.
To build its reputation as a quality choice for commercial photography in the Rochester, NY market, Flash Commercial Photography will focus on small and medium-sized businesses. These include:
To reach these target markets, Flash will use email marketing, business networking, and web marketing to find clients and to ensure that clients find Flash. The CEO, Matte Flash, will sell to clients, and both he and an additional team of assistant photographers will be assigned to client photo shoots in the Flash studio and, when needed, at client sites.
Flash Commercial Photography has a competitive edge from the reputation of Matte Flash in the business community as a high-quality photographer who is easy to work with and attentive to the needs of clients. Flash will continue to develop this competitive edge by training additional photographers with his signature style of photography and high attention to customer service.
The marketing strategy for Flash Commercial Photography is based on the belief that using a few marketing tactics extremely well is preferable to using many marketing tactics with moderate success with each. The following are components of the initial marketing campaign:
Email Marketing: Emailing a new business announcement and then monthly newsletters with details on new packages, the development of the studio, and new hires to past clients and other targets in the business community. Newsletters will include helpful tips on how to use photography and this will be used to gain permission from marketing departments at prospective client businesses to be sent the newsletters. Within these emails will be calls to action to encourage business referrals.
Business Networking: Matte Flash will promote the business through the local chapter of BNI (Business Networking International), the Chamber of Commerce, and the Rochester Business Owner’s Association. Through these meetings, Flash will introduce his company’s work to other business owners, share leads on business, and receive both exposure and qualified referrals. To encourage members of networking groups to use Flash’s services so that they are educated referrers, Flash will offer a 25% discount on services to members of the networking group on their first purchase.
Web Marketing: Flash Photography will purchase search engine advertising with Google Adwords around commercial photography keywords for the Rochester market and gear its advertisements towards the needs of small and medium-sized businesses. Furthermore, Flash Photography’s website will be optimized for higher search engine ranking under these keywords.
The company’s sales strategy is to utilize the experience of Matte Flash as salesperson. Flash will be able to assure clients of what the company and its photographers can accomplish as all will be personally trained by him.
To increase the closing rate of prospects, Flash will meet clients at their businesses whenever possible to go beyond phone conversations. He will use a portfolio of images and testimonials. Flash will use Salesforce.com as a tool to manage the sales process, and to train additional salespeople when the time comes.
The scheduling and fulfillment of services will be administered by the office manager, who will use Salesforce.com and QuickBooks to manage clients and capture information related to orders. Standard procedures for order fulfillment will be created by Flash and checked on an ongoing basis.
Sales for photo shoots are expected to drive the business and will grow with the growing staff. Additional photographers will be hired to meet the need first as part-time and then as full-time staff.
Supplementary revenue streams will be photo editing services and printing and framing of images. Finally, off-hours for the studio will be rented for events of other purposes to create a steady monthly stream of revenue.
Sales Forecast | |||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |
Sales | |||||
Photo Shoots | $206,332 | $256,841 | $300,000 | $370,000 | $450,000 |
Photo Editing | $55,345 | $69,759 | $90,000 | $120,000 | $150,000 |
Printing and Framing | $23,321 | $29,524 | $50,000 | $70,000 | $100,000 |
Studio Rental | $71,638 | $36,000 | $36,000 | $40,000 | $50,000 |
Total Sales | $356,636 | $392,124 | $476,000 | $600,000 | $750,000 |
Direct Cost of Sales | Year 1 | Year 2 | Year 3 | Year 4 | Year 5 |
Printing and Framing Cost | $17,491 | $21,743 | $37,500 | $52,500 | $75,000 |
Other Cost of Sales | $53,495 | $58,819 | $71,400 | $90,000 | $112,500 |
Subtotal Direct Cost of Sales | $70,986 | $80,562 | $108,900 | $142,500 | $187,500 |
The promotional marketing before the opening of the studio is in a two month period in which an initial Web marketing and email marketing campaign will take place, directed by the CEO, with some help from the part-time administrative assistant, and marketing vendors (a Web marketing specialist). Furthermore, ads will be placed to specifically highlight the studio as a rental option for other uses.
Milestones | |||||
Milestone | Start Date | End Date | Budget | Manager | Department |
Sign Lease on Studio | 9/30/2009 | 9/30/2009 | $0 | GC | Operations |
Hire Part-Time Staff | 11/1/2009 | 11/1/2009 | $0 | GC | Operations |
Train Part-Time Staff | 11/1/2009 | 12/31/2009 | $0 | GC | Operations |
Open Studio For Business | 1/1/2010 | 1/1/2010 | $0 | GC | Operations |
Web Marketing Campaign | 11/1/2009 | 12/31/2009 | $8,000 | GC | Marketing |
Email Marketing Campaign | 11/23/2009 | 12/23/2009 | $1,000 | GC | Marketing |
Rental Studio Marketing | 11/15/2009 | 12/31/2009 | $1,000 | GC | Marketing |
Totals | $10,000 |
Matte Flash will act as CEO of Flash Commercial Photography. Flash has extensive industry, sales, and operational experience. Immediate hires will include one part-time assistant photographer and one part-time administrative assistant.
The CEO will be responsible for sales and marketing, management of all staff, and fulfillment of client services.
The first part-time assistant photographer will be Timothy Smith, a recent graduate of the School of Visual Arts and an accomplished photographer new to Rochester. The assistant photographer will assist on shoots during training and begin to take the lead on photo shoots over time. He will move to full-time within one year if sales projections are met.
The administrative assistant will be responsible for bookkeeping (accounts payable and receivable), scheduling of shoots and labor, and fielding calls for rental of the studio and initial sales inquiries. He or she will execute marketing campaigns (update website, print brochures and portfolios, etc). He or she will offer customer service to answer basic questions by phone or email.
Flash Commercial Photography will begin its expansion with one part-time assistant photographer and one part-time administrative assistant, with the understanding that both positions will grow to full-time shortly. Each year an additional assistant photographer will be added.
Personnel Plan | |||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |
CEO | $60,000 | $60,000 | $60,000 | $60,000 | $60,000 |
Assistant Photographer | $33,736 | $48,000 | $49,920 | $51,917 | $53,993 |
Administrative Assistant | $19,019 | $28,344 | $40,000 | $45,000 | $50,000 |
Assistant Photographer 2 | $0 | $13,942 | $15,000 | $30,000 | $31,200 |
Assistant Photographer 3 | $0 | $0 | $0 | $15,000 | $35,000 |
Assistant Photographer 4 | $0 | $0 | $0 | $4 | $15,000 |
Total People | 3 | 3 | 4 | 6 | 7 |
Total Payroll | $112,755 | $150,286 | $164,920 | $201,921 | $245,193 |
The launch of the business will be financed by the founder’s investment and credit and by investments from limited partners. In exchange for $53,000 investment in the business at startup, limited partners will receive 49% ownership shares. The initial funding requirements are modest for the business.
The growth of the business, beyond the first year, will be financed by the free cash flows generated by the business. This will allow for the expansion of staff to include additional photographers, the ramping up of marketing expenditures, and the resulting increase in sales. Only one photographer will be added per year in order to make sure that there is time for adequate training of new staff.
Funding for the business is in part from personal loans, credit cards, and cash investment by the owner, Matte Flash. The remainder of funding will be from one to three limited partners in the form of equity investment.
Start-up Funding | |
Start-up Expenses to Fund | $24,500 |
Start-up Assets to Fund | $46,000 |
Total Funding Required | $70,500 |
Assets | |
Non-cash Assets from Start-up | $31,000 |
Cash Requirements from Start-up | $15,000 |
Additional Cash Raised | $0 |
Cash Balance on Starting Date | $15,000 |
Total Assets | $46,000 |
Liabilities and Capital | |
Liabilities | |
Current Borrowing | $5,000 |
Long-term Liabilities | $5,000 |
Accounts Payable (Outstanding Bills) | $2,500 |
Other Current Liabilities (interest-free) | $0 |
Total Liabilities | $12,500 |
Capital | |
Planned Investment | |
Owner | $5,000 |
Limited Partners | $53,000 |
Additional Investment Requirement | $0 |
Total Planned Investment | $58,000 |
Loss at Start-up (Start-up Expenses) | ($24,500) |
Total Capital | $33,500 |
Total Capital and Liabilities | $46,000 |
Total Funding | $70,500 |
The break even for the business is high, as the salaries of staff are relatively fixed.
Break-even Analysis | |
Monthly Revenue Break-even | $22,228 |
Assumptions: | |
Average Percent Variable Cost | 20% |
Estimated Monthly Fixed Cost | $17,804 |
Gross margins are expected to remain consistent, as most costs of the business are not direct costs of sales. The greatest cost of the service is labor, which is part of salaries and not cost of sales, for example.
In year 2, profit is expected to drop as capacity is increased to prepare for growth. This will rectify in future years as sales come in line with the payroll expenses.
Pro Forma Profit and Loss | |||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |
Sales | $356,636 | $392,124 | $476,000 | $600,000 | $750,000 |
Direct Cost of Sales | $70,986 | $80,562 | $108,900 | $142,500 | $187,500 |
Other Costs of Sales | $0 | $0 | $0 | $0 | $0 |
Total Cost of Sales | $70,986 | $80,562 | $108,900 | $142,500 | $187,500 |
Gross Margin | $285,650 | $311,562 | $367,100 | $457,500 | $562,500 |
Gross Margin % | 80.10% | 79.46% | 77.12% | 76.25% | 75.00% |
Expenses | |||||
Payroll | $112,755 | $150,286 | $164,920 | $201,921 | $245,193 |
Marketing/Promotion | $36,000 | $36,000 | $50,000 | $60,000 | $70,000 |
Depreciation | $6,000 | $6,000 | $6,000 | $6,000 | $6,000 |
Rent | $24,000 | $25,200 | $26,460 | $27,783 | $29,172 |
Utilities | $2,400 | $3,000 | $3,500 | $3,800 | $4,200 |
Insurance | $2,400 | $3,000 | $3,500 | $4,000 | $4,500 |
Payroll Taxes | $18,091 | $22,543 | $24,738 | $30,288 | $36,779 |
Other | $12,000 | $14,400 | $17,000 | $20,000 | $25,000 |
Total Operating Expenses | $213,646 | $260,429 | $296,118 | $353,792 | $420,845 |
Profit Before Interest and Taxes | $72,004 | $51,134 | $70,982 | $103,708 | $141,655 |
EBITDA | $78,004 | $57,134 | $76,982 | $109,708 | $147,655 |
Interest Expense | $458 | $0 | $0 | $0 | $0 |
Taxes Incurred | $21,464 | $15,340 | $21,295 | $31,112 | $42,497 |
Net Profit | $50,082 | $35,793 | $49,687 | $72,596 | $99,159 |
Net Profit/Sales | 14.04% | 9.13% | 10.44% | 12.10% | 13.22% |
Cash flow is expected to be positive after the first month of operations. This is due to the fact that Matte Flash has a proven track record and can hit the ground running with continued work for existing clients. Cash reserves in the company will be increased over the first year to prepare for additional expansion in year two.
Pro Forma Cash Flow | |||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |
Cash Received | |||||
Cash from Operations | |||||
Cash Sales | $71,327 | $78,425 | $95,200 | $120,000 | $150,000 |
Cash from Receivables | $261,059 | $310,351 | $374,897 | $471,273 | $589,443 |
Subtotal Cash from Operations | $332,387 | $388,775 | $470,097 | $591,273 | $739,443 |
Additional Cash Received | |||||
Sales Tax, VAT, HST/GST Received | $0 | $0 | $0 | $0 | $0 |
New Current Borrowing | $0 | $0 | $0 | $0 | $0 |
New Other Liabilities (interest-free) | $0 | $0 | $0 | $0 | $0 |
New Long-term Liabilities | $0 | $0 | $0 | $0 | $0 |
Sales of Other Current Assets | $0 | $0 | $0 | $0 | $0 |
Sales of Long-term Assets | $0 | $0 | $0 | $0 | $0 |
New Investment Received | $0 | $0 | $0 | $0 | $0 |
Subtotal Cash Received | $332,387 | $388,775 | $470,097 | $591,273 | $739,443 |
Expenditures | Year 1 | Year 2 | Year 3 | Year 4 | Year 5 |
Expenditures from Operations | |||||
Cash Spending | $112,755 | $150,286 | $164,920 | $201,921 | $245,193 |
Bill Payments | $174,582 | $198,957 | $251,206 | $314,216 | $393,059 |
Subtotal Spent on Operations | $287,337 | $349,243 | $416,126 | $516,137 | $638,252 |
Additional Cash Spent | |||||
Sales Tax, VAT, HST/GST Paid Out | $0 | $0 | $0 | $0 | $0 |
Principal Repayment of Current Borrowing | $5,000 | $0 | $0 | $0 | $0 |
Other Liabilities Principal Repayment | $0 | $0 | $0 | $0 | $0 |
Long-term Liabilities Principal Repayment | $5,000 | $0 | $0 | $0 | $0 |
Purchase Other Current Assets | $0 | $0 | $0 | $0 | $0 |
Purchase Long-term Assets | $0 | $0 | $0 | $0 | $0 |
Dividends | $0 | $0 | $21,588 | $30,054 | $40,476 |
Subtotal Cash Spent | $297,337 | $349,243 | $437,714 | $546,191 | $678,729 |
Net Cash Flow | $35,049 | $39,533 | $32,383 | $45,082 | $60,714 |
Cash Balance | $50,049 | $89,582 | $121,964 | $167,046 | $227,760 |
The business is projected to show growth in retained earnings (which allow for dividends to be paid) as there are not substantial additional capital expenditures needed after the launch. There will be healthy growth in net worth over the first five years of operation, as additional debt is not required to fund the business.
Pro Forma Balance Sheet | |||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |
Assets | |||||
Current Assets | |||||
Cash | $50,049 | $89,582 | $121,964 | $167,046 | $227,760 |
Accounts Receivable | $24,249 | $27,598 | $33,501 | $42,228 | $52,785 |
Other Current Assets | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 |
Total Current Assets | $75,299 | $118,180 | $156,466 | $210,274 | $281,546 |
Long-term Assets | |||||
Long-term Assets | $30,000 | $30,000 | $30,000 | $30,000 | $30,000 |
Accumulated Depreciation | $6,000 | $12,000 | $18,000 | $24,000 | $30,000 |
Total Long-term Assets | $24,000 | $18,000 | $12,000 | $6,000 | $0 |
Total Assets | $99,299 | $136,180 | $168,466 | $216,274 | $281,546 |
Liabilities and Capital | Year 1 | Year 2 | Year 3 | Year 4 | Year 5 |
Current Liabilities | |||||
Accounts Payable | $15,717 | $16,804 | $20,991 | $26,259 | $32,848 |
Current Borrowing | $0 | $0 | $0 | $0 | $0 |
Other Current Liabilities | $0 | $0 | $0 | $0 | $0 |
Subtotal Current Liabilities | $15,717 | $16,804 | $20,991 | $26,259 | $32,848 |
Long-term Liabilities | $0 | $0 | $0 | $0 | $0 |
Total Liabilities | $15,717 | $16,804 | $20,991 | $26,259 | $32,848 |
Paid-in Capital | $58,000 | $58,000 | $58,000 | $58,000 | $58,000 |
Retained Earnings | ($24,500) | $25,582 | $39,787 | $59,420 | $91,539 |
Earnings | $50,082 | $35,793 | $49,687 | $72,596 | $99,159 |
Total Capital | $83,582 | $119,375 | $147,474 | $190,015 | $248,698 |
Total Liabilities and Capital | $99,299 | $136,180 | $168,466 | $216,274 | $281,546 |
Net Worth | $83,582 | $119,375 | $147,474 | $190,015 | $248,698 |
The business will spend more than the industry average on advertising, for example, in order to promote the competitive advantage of the company on the Web. The overhead reflected by Selling, General & Administrative expense is lower than the industry, as the business will make use of digital tools, reducing the costs of equipment and supplies.
Ratio Analysis | ||||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | Industry Profile | |
Sales Growth | n.a. | 9.95% | 21.39% | 26.05% | 25.00% | -1.13% |
Percent of Total Assets | ||||||
Accounts Receivable | 24.42% | 20.27% | 19.89% | 19.53% | 18.75% | 20.28% |
Other Current Assets | 1.01% | 0.73% | 0.59% | 0.46% | 0.36% | 59.10% |
Total Current Assets | 75.83% | 86.78% | 92.88% | 97.23% | 100.00% | 83.86% |
Long-term Assets | 24.17% | 13.22% | 7.12% | 2.77% | 0.00% | 16.14% |
Total Assets | 100.00% | 100.00% | 100.00% | 100.00% | 100.00% | 100.00% |
Current Liabilities | 15.83% | 12.34% | 12.46% | 12.14% | 11.67% | 40.82% |
Long-term Liabilities | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 36.82% |
Total Liabilities | 15.83% | 12.34% | 12.46% | 12.14% | 11.67% | 77.65% |
Net Worth | 84.17% | 87.66% | 87.54% | 87.86% | 88.33% | 22.35% |
Percent of Sales | ||||||
Sales | 100.00% | 100.00% | 100.00% | 100.00% | 100.00% | 100.00% |
Gross Margin | 80.10% | 79.46% | 77.12% | 76.25% | 75.00% | 75.47% |
Selling, General & Administrative Expenses | 66.05% | 70.33% | 66.68% | 64.15% | 61.78% | 36.59% |
Advertising Expenses | 10.09% | 9.18% | 10.50% | 10.00% | 9.33% | 0.94% |
Profit Before Interest and Taxes | 20.19% | 13.04% | 14.91% | 17.28% | 18.89% | 6.66% |
Main Ratios | ||||||
Current | 4.79 | 7.03 | 7.45 | 8.01 | 8.57 | 1.49 |
Quick | 4.79 | 7.03 | 7.45 | 8.01 | 8.57 | 1.38 |
Total Debt to Total Assets | 15.83% | 12.34% | 12.46% | 12.14% | 11.67% | 77.65% |
Pre-tax Return on Net Worth | 85.60% | 42.83% | 48.13% | 54.58% | 56.96% | 104.64% |
Pre-tax Return on Assets | 72.05% | 37.55% | 42.13% | 47.95% | 50.31% | 23.39% |
Additional Ratios | Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |
Net Profit Margin | 14.04% | 9.13% | 10.44% | 12.10% | 13.22% | n.a |
Return on Equity | 59.92% | 29.98% | 33.69% | 38.21% | 39.87% | n.a |
Activity Ratios | ||||||
Accounts Receivable Turnover | 11.77 | 11.37 | 11.37 | 11.37 | 11.37 | n.a |
Collection Days | 29 | 30 | 29 | 29 | 29 | n.a |
Accounts Payable Turnover | 11.95 | 11.90 | 12.17 | 12.17 | 12.17 | n.a |
Payment Days | 28 | 30 | 27 | 27 | 27 | n.a |
Total Asset Turnover | 3.59 | 2.88 | 2.83 | 2.77 | 2.66 | n.a |
Debt Ratios | ||||||
Debt to Net Worth | 0.19 | 0.14 | 0.14 | 0.14 | 0.13 | n.a |
Current Liab. to Liab. | 1.00 | 1.00 | 1.00 | 1.00 | 1.00 | n.a |
Liquidity Ratios | ||||||
Net Working Capital | $59,582 | $101,375 | $135,474 | $184,015 | $248,698 | n.a |
Interest Coverage | 157.10 | 0.00 | 0.00 | 0.00 | 0.00 | n.a |
Additional Ratios | ||||||
Assets to Sales | 0.28 | 0.35 | 0.35 | 0.36 | 0.38 | n.a |
Current Debt/Total Assets | 16% | 12% | 12% | 12% | 12% | n.a |
Acid Test | 3.25 | 5.39 | 5.86 | 6.40 | 6.96 | n.a |
Sales/Net Worth | 4.27 | 3.28 | 3.23 | 3.16 | 3.02 | n.a |
Dividend Payout | 0.00 | 0.00 | 0.43 | 0.41 | 0.41 | n.a |
The profitability of the company will increase in absolute terms with growth. However, the gross margins and net profit margins will not increase dramatically over time as the additional growth in revenues requires additional direct labor. To maintain the reputation of the company, this labor cannot be performed by less skilled, lower-wage photographers.
As revenues grow and additional photographers are hired, the CEO will focus a greater percentage of time on sales and prospecting. This will allow for steady growth in revenues while the brand of Flash Commercial Photography becomes established in the market. A larger studio space with multiple rooms can be leased after a critical mass of utilization has been achieved with the current space. This will allow for continued growth.
Sales Forecast | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Sales | |||||||||||||
Photo Shoots | $15,383 | $15,691 | $16,005 | $16,325 | $16,652 | $16,985 | $17,325 | $17,672 | $18,025 | $18,386 | $18,754 | $19,129 | |
Photo Editing | $3,683 | $3,831 | $3,984 | $4,143 | $4,309 | $4,481 | $4,661 | $4,847 | $5,041 | $5,243 | $5,452 | $5,670 | |
Printing and Framing | $1,739 | $1,774 | $1,809 | $1,845 | $1,882 | $1,920 | $1,958 | $1,997 | $2,037 | $2,078 | $2,120 | $2,162 | |
Studio Rental | $1,023 | $5,027 | $6,163 | $6,651 | $7,075 | $7,162 | $7,436 | $7,494 | $7,162 | $6,344 | $5,705 | $4,396 | |
Total Sales | $21,828 | $26,323 | $27,961 | $28,964 | $29,918 | $30,548 | $31,380 | $32,010 | $32,265 | $32,051 | $32,031 | $31,357 | |
Direct Cost of Sales | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Printing and Framing Cost | $1,304 | $1,331 | $1,357 | $1,384 | $1,412 | $1,440 | $1,469 | $1,498 | $1,528 | $1,559 | $1,590 | $1,622 | |
Other Cost of Sales | $3,274 | $3,948 | $4,194 | $4,345 | $4,488 | $4,582 | $4,707 | $4,802 | $4,840 | $4,808 | $4,805 | $4,704 | |
Subtotal Direct Cost of Sales | $4,578 | $5,279 | $5,551 | $5,728 | $5,899 | $6,022 | $6,176 | $6,299 | $6,368 | $6,366 | $6,395 | $6,325 |
Personnel Plan | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
CEO | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | |
Assistant Photographer | $2,000 | $2,120 | $2,247 | $2,382 | $2,525 | $2,676 | $2,837 | $3,007 | $3,187 | $3,378 | $3,581 | $3,796 | |
Administrative Assistant | $1,500 | $1,515 | $1,530 | $1,545 | $1,560 | $1,576 | $1,592 | $1,608 | $1,624 | $1,640 | $1,656 | $1,673 | |
Assistant Photographer 2 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Assistant Photographer 3 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Assistant Photographer 4 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Total People | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | |
Total Payroll | $8,500 | $8,635 | $8,777 | $8,927 | $9,085 | $9,252 | $9,429 | $9,615 | $9,811 | $10,018 | $10,237 | $10,469 |
Pro Forma Profit and Loss | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Sales | $21,828 | $26,323 | $27,961 | $28,964 | $29,918 | $30,548 | $31,380 | $32,010 | $32,265 | $32,051 | $32,031 | $31,357 | |
Direct Cost of Sales | $4,578 | $5,279 | $5,551 | $5,728 | $5,899 | $6,022 | $6,176 | $6,299 | $6,368 | $6,366 | $6,395 | $6,325 | |
Other Costs of Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Total Cost of Sales | $4,578 | $5,279 | $5,551 | $5,728 | $5,899 | $6,022 | $6,176 | $6,299 | $6,368 | $6,366 | $6,395 | $6,325 | |
Gross Margin | $17,250 | $21,044 | $22,410 | $23,236 | $24,019 | $24,526 | $25,205 | $25,711 | $25,898 | $25,685 | $25,636 | $25,032 | |
Gross Margin % | 79.02% | 79.95% | 80.15% | 80.22% | 80.28% | 80.29% | 80.32% | 80.32% | 80.26% | 80.14% | 80.04% | 79.83% | |
Expenses | |||||||||||||
Payroll | $8,500 | $8,635 | $8,777 | $8,927 | $9,085 | $9,252 | $9,429 | $9,615 | $9,811 | $10,018 | $10,237 | $10,469 | |
Marketing/Promotion | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | |
Depreciation | $500 | $500 | $500 | $500 | $500 | $500 | $500 | $500 | $500 | $500 | $500 | $500 | |
Rent | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | |
Utilities | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | |
Insurance | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | |
Payroll Taxes | 15% | $1,275 | $1,313 | $1,352 | $1,393 | $1,435 | $1,478 | $1,522 | $1,568 | $1,615 | $1,663 | $1,713 | $1,764 |
Other | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | |
Total Operating Expenses | $16,675 | $16,848 | $17,029 | $17,220 | $17,420 | $17,630 | $17,851 | $18,083 | $18,326 | $18,581 | $18,850 | $19,133 | |
Profit Before Interest and Taxes | $575 | $4,196 | $5,381 | $6,016 | $6,599 | $6,896 | $7,354 | $7,628 | $7,572 | $7,104 | $6,786 | $5,899 | |
EBITDA | $1,075 | $4,696 | $5,881 | $6,516 | $7,099 | $7,396 | $7,854 | $8,128 | $8,072 | $7,604 | $7,286 | $6,399 | |
Interest Expense | $76 | $69 | $63 | $56 | $49 | $42 | $35 | $28 | $21 | $14 | $7 | $0 | |
Taxes Incurred | $149 | $1,238 | $1,596 | $1,788 | $1,965 | $2,056 | $2,196 | $2,280 | $2,265 | $2,127 | $2,034 | $1,770 | |
Net Profit | $349 | $2,889 | $3,723 | $4,172 | $4,585 | $4,798 | $5,123 | $5,320 | $5,285 | $4,963 | $4,746 | $4,129 | |
Net Profit/Sales | 1.60% | 10.97% | 13.32% | 14.40% | 15.33% | 15.71% | 16.33% | 16.62% | 16.38% | 15.48% | 14.82% | 13.17% |
Pro Forma Cash Flow | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Cash Received | |||||||||||||
Cash from Operations | |||||||||||||
Cash Sales | $4,366 | $5,265 | $5,592 | $5,793 | $5,984 | $6,110 | $6,276 | $6,402 | $6,453 | $6,410 | $6,406 | $6,271 | |
Cash from Receivables | $582 | $17,582 | $21,102 | $22,396 | $23,197 | $23,951 | $24,461 | $25,121 | $25,615 | $25,806 | $25,640 | $25,607 | |
Subtotal Cash from Operations | $4,948 | $22,847 | $26,694 | $28,188 | $29,180 | $30,061 | $30,737 | $31,523 | $32,068 | $32,216 | $32,046 | $31,878 | |
Additional Cash Received | |||||||||||||
Sales Tax, VAT, HST/GST Received | 0.00% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
New Current Borrowing | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Other Liabilities (interest-free) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Long-term Liabilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Sales of Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Sales of Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Investment Received | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Cash Received | $4,948 | $22,847 | $26,694 | $28,188 | $29,180 | $30,061 | $30,737 | $31,523 | $32,068 | $32,216 | $32,046 | $31,878 | |
Expenditures | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Expenditures from Operations | |||||||||||||
Cash Spending | $8,500 | $8,635 | $8,777 | $8,927 | $9,085 | $9,252 | $9,429 | $9,615 | $9,811 | $10,018 | $10,237 | $10,469 | |
Bill Payments | $2,916 | $12,540 | $14,321 | $14,974 | $15,378 | $15,756 | $16,009 | $16,336 | $16,578 | $16,665 | $16,569 | $16,539 | |
Subtotal Spent on Operations | $11,416 | $21,175 | $23,098 | $23,901 | $24,463 | $25,008 | $25,438 | $25,951 | $26,389 | $26,683 | $26,806 | $27,008 | |
Additional Cash Spent | |||||||||||||
Sales Tax, VAT, HST/GST Paid Out | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Principal Repayment of Current Borrowing | $417 | $417 | $417 | $417 | $417 | $417 | $417 | $417 | $417 | $417 | $417 | $417 | |
Other Liabilities Principal Repayment | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Long-term Liabilities Principal Repayment | $417 | $417 | $417 | $417 | $417 | $417 | $417 | $417 | $417 | $417 | $417 | $417 | |
Purchase Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Purchase Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Dividends | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Cash Spent | $12,249 | $22,008 | $23,932 | $24,735 | $25,296 | $25,842 | $26,271 | $26,784 | $27,222 | $27,517 | $27,640 | $27,841 | |
Net Cash Flow | ($7,302) | $839 | $2,763 | $3,454 | $3,884 | $4,219 | $4,465 | $4,738 | $4,845 | $4,700 | $4,407 | $4,037 | |
Cash Balance | $7,698 | $8,537 | $11,299 | $14,753 | $18,637 | $22,856 | $27,322 | $32,060 | $36,905 | $41,605 | $46,012 | $50,049 |
Pro Forma Balance Sheet | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Assets | Starting Balances | ||||||||||||
Current Assets | |||||||||||||
Cash | $15,000 | $7,698 | $8,537 | $11,299 | $14,753 | $18,637 | $22,856 | $27,322 | $32,060 | $36,905 | $41,605 | $46,012 | $50,049 |
Accounts Receivable | $0 | $16,880 | $20,356 | $21,623 | $22,399 | $23,137 | $23,624 | $24,267 | $24,754 | $24,952 | $24,786 | $24,771 | $24,249 |
Other Current Assets | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 |
Total Current Assets | $16,000 | $25,579 | $29,893 | $33,923 | $38,152 | $42,774 | $47,480 | $52,589 | $57,814 | $62,857 | $67,391 | $71,783 | $75,299 |
Long-term Assets | |||||||||||||
Long-term Assets | $30,000 | $30,000 | $30,000 | $30,000 | $30,000 | $30,000 | $30,000 | $30,000 | $30,000 | $30,000 | $30,000 | $30,000 | $30,000 |
Accumulated Depreciation | $0 | $500 | $1,000 | $1,500 | $2,000 | $2,500 | $3,000 | $3,500 | $4,000 | $4,500 | $5,000 | $5,500 | $6,000 |
Total Long-term Assets | $30,000 | $29,500 | $29,000 | $28,500 | $28,000 | $27,500 | $27,000 | $26,500 | $26,000 | $25,500 | $25,000 | $24,500 | $24,000 |
Total Assets | $46,000 | $55,079 | $58,893 | $62,423 | $66,152 | $70,274 | $74,480 | $79,089 | $83,814 | $88,357 | $92,391 | $96,283 | $99,299 |
Liabilities and Capital | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Current Liabilities | |||||||||||||
Accounts Payable | $2,500 | $12,063 | $13,823 | $14,462 | $14,853 | $15,223 | $15,465 | $15,784 | $16,023 | $16,113 | $16,018 | $15,997 | $15,717 |
Current Borrowing | $5,000 | $4,583 | $4,167 | $3,750 | $3,333 | $2,917 | $2,500 | $2,083 | $1,667 | $1,250 | $833 | $417 | $0 |
Other Current Liabilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Subtotal Current Liabilities | $7,500 | $16,647 | $17,989 | $18,212 | $18,186 | $18,140 | $17,965 | $17,867 | $17,689 | $17,363 | $16,851 | $16,413 | $15,717 |
Long-term Liabilities | $5,000 | $4,583 | $4,167 | $3,750 | $3,333 | $2,917 | $2,500 | $2,083 | $1,667 | $1,250 | $833 | $417 | $0 |
Total Liabilities | $12,500 | $21,230 | $22,156 | $21,962 | $21,519 | $21,056 | $20,465 | $19,950 | $19,356 | $18,613 | $17,684 | $16,830 | $15,717 |
Paid-in Capital | $58,000 | $58,000 | $58,000 | $58,000 | $58,000 | $58,000 | $58,000 | $58,000 | $58,000 | $58,000 | $58,000 | $58,000 | $58,000 |
Retained Earnings | ($24,500) | ($24,500) | ($24,500) | ($24,500) | ($24,500) | ($24,500) | ($24,500) | ($24,500) | ($24,500) | ($24,500) | ($24,500) | ($24,500) | ($24,500) |
Earnings | $0 | $349 | $3,237 | $6,960 | $11,132 | $15,718 | $20,515 | $25,639 | $30,959 | $36,244 | $41,207 | $45,953 | $50,082 |
Total Capital | $33,500 | $33,849 | $36,737 | $40,460 | $44,632 | $49,218 | $54,015 | $59,139 | $64,459 | $69,744 | $74,707 | $79,453 | $83,582 |
Total Liabilities and Capital | $46,000 | $55,079 | $58,893 | $62,423 | $66,152 | $70,274 | $74,480 | $79,089 | $83,814 | $88,357 | $92,391 | $96,283 | $99,299 |
Net Worth | $33,500 | $33,849 | $36,737 | $40,460 | $44,632 | $49,218 | $54,015 | $59,139 | $64,459 | $69,744 | $74,707 | $79,453 | $83,582 |
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Photographers, designers, bloggers – as artistically inclined people, we are undoubtedly good at creating. Planning, on the other hand, well that’s not necessarily our forte. Unfortunately, a camera or a paintbrush is not exactly the best tool to help you build a successful business. However, in order to do what we love for a living (which is a great accomplishment in itself!), we have to master not only our trade but also the art of managing a small business. Luckily for you, creating a photography website has already been taken care of.
While it may appear intimidating in the beginning, with the right set of tools, you can grasp the hang of it pretty quickly. Just like any other new creative technique you acquired – all you need to succeed is the desire to learn.
This is where we would like to chip in our 5 cents to help our photographer friends take the first step in starting a photography business . Remember, behind every successful photographer is a well thought through business plan. Let us walk you through creating a photography business plan that will set your foot on the right path – the one that leads to success:
To put it simply, a business plan is a guide that outlines your business’ goals and how you plan to achieve them. It’s created by the business owner on a yearly basis and serves as a reference for any managerial or financial question that may come up during the year. In case you plan to raise funds for your business or negotiate a loan from the bank, a concise photography business plan will make you look professional and sincere in all your intentions. On top of that, the plan will serve as a personal target to achieve, a reference to follow up on your accomplishments, and a guide on where you need to concentrate your efforts in order to do better next year.
With that being said, it doesn’t have to be as long as your exposure settings during night time. The document’s length is up to you, but the principle of “less is more” is a great guideline to start with. After all, you’re not building a groundbreaking start-up company in Silicon Valley, but a traditional photography business, that probably has a lot in common with other businesses in the field – so your readers will most likely know what to expect.
Before getting down to some hands on calculations, there are a few things that need to be taken care of. The first of which being you – so take a deep breath (literally, it’s important!).
Now, you have some serious thinking (and writing) to do. In order to position yourself in the highly competitive world of commissioned photographers, you’ll need to define your services, target audience, and business goals. Is this sounding all too much? Not if you follow these steps:
Do some industry research
Do some groundwork on your competition, especially in the geographical area where you plan to operate:
What kind of services do they provide?
Does anything set them apart from the crowd?
What do their online assets look like ( photography website , Facebook business page , Instagram , 500px, etc.)?
How much do they charge? Do your best to find out by browsing their site or asking for an estimate.
What do their clients have to say about them? To find out, simply “Google” your competitors’ name and browse the reviews.
Identify your target audience
Your target audience are the people that are most likely to hire you. They will be the focus of all your marketing efforts. To identify your audience, try to think about the following questions: Who are your clients? What is their approximate age, marital status, income status, where do they live? What are their needs and how can you meet them? Why would they choose you over a competitor? The more information you have, the more accurate your marketing strategy will be.
Define your product and services
With that information in mind, you can start to develop your game plan. Try to define your product and services in the most detailed way possible. For example, if you’re a wedding photographer, there’s much more to your services than just wedding photo shoots. First, you probably provide your service in several differently priced packages. Secondly – you also have a physical product – the photo album, and perhaps a USB stick for the client: every item should be listed for budgeting purposes.
Find your niche
Everyone provides high-quality photos and services. Undoubtedly, you do too. So how will your photography business catch the eye of the tiger, e.g. potential clients? Based on the market research you did, try to come up with something that will set you apart from other photographers in your locale. It can be a unique photography style , a special photography package, a delicate personal touch , or any other exclusive idea your brainstorming session will produce. That “little something” that makes you different will be very useful in marketing your photography business.
Know thyself
As you make plans for the coming year, think of your strengths and weaknesses, and use both to leverage yourself. How? Well, strengths are obvious: for example, if you’re a people’s person, you’ll probably excel at marketing your services. As for weaknesses – set a goal to work on the ones you’d like to improve so that your business can benefit from it. For instance, you might consider yourself a technophobe when it comes to creating a photography website or promoting your business online. So one goal for the coming year could be improving your knowledge about online marketing terms , SEO for photographers , and everything you need to know in order to create a great photography website .
Set the right price
The price of your services is a key element, on which your entire photography business plan is based on. Remember the market research you ran four paragraphs ago? The price range of photography prices in your area should be your first indicator. You need to make sure that your final price is positioned within that scale according to your level of expertise.
On the other hand, your price needs to secure your monetary goals for the year. What amount of income do you plan to bring home? Is it a full-time job, or a side gig? How many sessions do you think you could secure per month? What is the price that can give you a net profit on top of your expenses and dedicated time? Bear in mind, that some questions can only be answered after you’ve earned some mileage as a professional photographer. In the meantime, here is a great reference to what photographers of different expertise levels charged in 2016 .
Set your goals
If the business plan serves as an orientation map through the year, then it must have a clear destination. Remember, a good “destination”, or objective, is an achievable one. The more defined and the more realistic, the better. When choosing a target, think of how you can measure its success. If it ain’t measurable, it ain’t pleasurable.
Now that the theoretical part is done, it’s time to talk numbers. The purpose of this part is to understand the financial side of things, and mostly – to obtain your net profit. Here’s a step by step guide to calculating your earnings for the upcoming year:
01. Define your total sales per month . This includes both your booking fee and product sales. Think of the average amount of gigs you get per month, and multiply by the average amount of money you earn from each job.
02. Costs of sales per month – include all your expenses on getting the job done. This can include a second shooter, print lab fees, and average travel expenses to and from the event. Note that these are not your fixed costs (we’ll get to this below).
03. Time for gross profit ! ‘Total sales per month’ minus ‘costs of sales per month’ will give you this number.
04. To figure out your monthly net gain, calculate your general business expenses, i.e. fixed costs . These expenses are constant and do not add up per photo shoot. For example, they can include marketing expenses, accounting, equipment, hardware, and taxes. Definitely skip hosting and web-design fees, as you can easily make an impressive photography website for free! Divide the number you get by 12 – these are your fixed costs per month.
05. It’s the final countdown: your gross profit minus monthly fixed costs will generate your net profit .
If you’re just starting your business, take into consideration that many businesses take a year, sometimes more, to get out of a negative net profit. That means that you need to plan ahead and prepare some savings to survive that first year. If you end up having a nice net profit, you have two choices: keep it to yourself (that’s why you were doing this in the first place, right?) or invest it in the coming year to grow your business even further. A nice net profit will give you the option to do both, depending on your business goals of course.
That’s it, you’re ready to go. Good luck with the new exciting journey! Now that you have a detailed map, the road to success is clearly marked.
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Photography has been a part of everyone’s life since the 19th Century. We all loved the photos we see coming out of the dark rooms and the change from negative to something vibrant and priceless. However, due to the current world’s technological feats, photography businesses became more irrelevant and insignificant. Nonetheless, it is still a growing industry with its advantage in quality and convenience but at a lower rate than other business industries within the arts and culture section. That’s why, if you want to stand out within this industry, an exceptional business plan is necessary, and we provide you Photography Business Plan Samples that will surely keep you relevant. Hop in and check our guide below as well and see create your document fast.
1. photography business plan template.
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A Photography Business Plan is a document that people within the arts and culture industry use to start a photography business, either as a photographer in fashion , event, or freelance photography. This document is essential for the company or for the founders to ensure that what they are doing will become an investment and not a liability.
Photography, in itself, is art. It is a field that captivates people’s emotions and imaginations, but it ensures that memories and history are told to the next generations. However, as sacred as it may seem, this art is also a business for some. Here is the list of the most profitable photography styles to help you earn your keep using this craft.
Let’s go with the most profitable photography field. Undeniably, social media marketing is way beyond the marks of basic photography. It involves marketing within the photography itself. Some samples of this type of photography are creating social media ads, doing a corporate photoshoot for social media exposure, and other things. You are not limited by anything in this department, and sure can do more.
Event photography is all about capturing moments and memories. This is one of the most critical functions of photography since its creation. We see this from the photos of the two world wars, historical revolutions, and other events with great importance. However, since people nowadays don’t need many photographers to capture these moments, event photography is now more on weddings , conventions, concerts, and other events. However, this type of photography is still vibrant and growing, so you can be sure that you can still earn your way through this area.
Portrait photography is also an excellent way to earn money within this industry. Baby pictures before the 2000s were not beautiful at all. They were shot by people in the family and hence lacked the creativity and art that photography demands. That’s why, today, we see families asking professional photographers to create portraits of their families and children, and hence an excellent avenue for a business that specializes in this area.
Travel Photography is a type of photography that captures places, culture, tradition, and all those little things that make traveling worthwhile. This type of photography is best suited for bloggers who have a considerable following to provide travel funds. Social Media influencers are also good with this type of photography.
Stock photography is all about creating value in everything. A bottle in a basket, a torn shirt, even an old watch can be sold as a stock image. The possibility is limitless. Photographs from this are sometimes sold to companies, graphic designers , and people with creativity that can use these images as backgrounds, illustrations, etc. However, because of the need for these pictures being undervalued, then you need to take many photos to ensure that you can earn more.
Documentary photography is like travel photography but differs significantly as they usually use photos in this industry as supporting documents for a story or an article. However, as a photographer, you can be sure that you’ll earn enough here as you’re not working alone. Sometimes a company hires you for a project , and that’s good.
Whether or not you are new to creating a business plan , it doesn’t matter. What we’re going to mention here are just general tips that can get you started. However, take note of these things as they will help you much.
This is one of the essential elements in creating a business plan. Why is that? Because with an excellent executive summary, you can be sure that your investors will become interested in your work and their investments . So make sure that you make it right.
After your Executive Summary, you should note that you have a marketing plan and an operational plan ready. In this way, your investors will be caught in a quagmire in which they willingly jump, which could, in turn, increase their trust in your business. By doing this, you also ensure that your small business will have better commercial value because you will have connections.
Sometimes you don’t need this. However, if you still want to improve your company’s credibility, this is an excellent way to go. With a highly detailed company and team profile, your investors will increase trust, knowing that the men and women doing the project are credible and professional.
Why do you think you create a business plan? Of course, it is to know how the business will grow and how you can gain something from the initiative. So, a financial plan is necessary to support your claims and improve your business.
Yes and No. You see, a photography business is not all about just taking pictures. It is a business first and foremost, so you should make sure to do all the company sides. Editing, finance, and other things are necessary for the industry to be profiting
Of course, as mentioned earlier. Although this business loses its relevance in the typical days, it’s worth as a luxurious art is more prevalent. Therefore, if you want to do this business, you can be sure that it will be an excellent business.
If you plan to sell your photographs, then many websites in the market, accept stock photos, such as iStockPhoto, 123RF, and Shutterstock. These websites will help you gain money by providing them with random images that people may want.
The current photography industry is filled with new and exciting things. We see drones being used in events, table shots done at weddings, and other things. However, the secret to keeping your business relevant and not short is the people. That’s why it’s good to use a template, but ultimately the people will decide. So, create art and become an artist—the world will follow.
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Develop a project timeline for a middle school science fair.
There are many events that need the services of photography studios, such as birthdays and weddings. Photography services help people to have quality documentations of the events that they’re celebrating. Photographers play a vital role in capturing every special moment in a social gathering through the lenses of their cameras. With those in mind, now is the perfect opportunity for you to launch your commercial photography business. But before that, you have to devise a business plan. Well, not to worry, our Sample Photography Business Plan Templates can make things easier for you! View each of them below.
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There are many other photography studios out there that have been operating for many years. Most of them have already established a strong trust and bond with their clients. That said, marketing your new photography business will be a challenge. But it’s one that’s overcomeable. You can make your studio a stand out in no time by building a unique brand for it. So here are some photography business ideas to achieve that.
As a startup photography business, it’s ideal to keep your focus on one niche. Choose a niche that’s your passion. It could be wedding photography , aerial photography, fashion photography, etc. Having a single niche will enable you to attract a significant portion of the photography market. That’s because it shows that your studio specializes in it, the fact that it’s your only focus. You can expand to other genres of photography once your business gains wider popularity.
Knowing the needs of your target clients will enable you to tailor-make your photography services to meet their every expectation. And that, of course, help your business to start strong and build a reputable brand. You can study your clients through target market analysis .
Social media is prominently the best marketing platform today. Most people are on social media. Because of that, it’s an excellent place to raise brand awareness for your new photography business. So, create a social media account for your studio. In it, you can post your photography portfolio to show people a preview of how you take shots.
Another excellent marketing platform to build your brand is an official website. So you should consider investing in making one. Through it, you can post blogs or videos that are appealing to your target clients. And you can also showcase your portfolio in it. The primary benefit that a website brings is that it establishes your authority in the photography market. Having a website makes your studio more trustworthy and legitimate.
As we’ve implied earlier, you need to have a business plan before launching your photography business. It’ll give you a better sense of direction in making your business a runaway success. So take some time to read our quick, basic guide in writing a photography business plan outline.
The executive summary is the introductory section of your business plan. It should be an overview of your envisioned photography business and your plans for it. Although we listed it as Step 1, you can draft it once you’re done with the other components of your business plan. That way, summarizing it will be easier.
It won’t be a complete business plan proposal if it doesn’t contain your business profile. That consists of your studio’s name, mission/vision statements, goals, and services. Mainly, you have to talk more about your photography services. Give readers of your business plan a sneak peek of what they’re and how they’ll benefit your clients. And for that, you can include your photography portfolio.
Next, you have to explain how you’re going to market your studio. Of course, you can use the tips we shared with you earlier in building your brand. And you can convey your marketing tactic through a separate marketing plan .
You can’t begin your preparations without a budget. So in your photography business planner, there should be your startup budget plan. In making it, cover all the expenses that you need, such as for camera equipment, lighting equipment, rent, utilities, office supplies, etc.
Yes, there is. As long as you’re promoting your studio on the best marketing platforms and you’re reaching out to the right clients, your business can grow. Plus, there are many events, occasions, and other social gatherings that need photography services.
These are genres of photography that generate the biggest profits:
According to Salary.com , earn $41,000 to $83,000 annually, the average being $65,878. So when you’re hiring photographers for your studio, you can offer them a salary package around that range. You can hire photographers who are currently in the freelance photography industry.
You’re just one business plan away from bringing your envisioned photography studio to reality. So start writing it now with the support of our business plan templates ! Pursue your passion for photography and make bank while you’re at it.
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Photography business plan template – 12+ free word, excel, pdf format download.
Just like in capturing the best memorable shots for your customers, photography plan will always capture the viability of one’s business. Similar to other business make up, photography will require some budget to come up with professional high quality photography . This is why you need a good simple business plan , written in word, excel or pdf the soonest time possible.You may also see Plan Templates .
Wedding photography business card template, vintage photography business card template, square photography business card template, photography trainer business card template, modern photographer business card template, business cards for photographer template, photography waiver template, photography invoice template.
Word templates, google docs templates, excel templates, powerpoint templates, google sheets templates, google slides templates, pdf templates, publisher templates, psd templates, indesign templates, illustrator templates, pages templates, keynote templates, numbers templates, outlook templates.
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(Photographe service), situé à Nanterre et desservant cette ville, répondra aux besoins des petites et moyennes entreprises et des organismes à but non lucratif en matière de photographie de studio en créant de superbes clichés qui répondent aux besoins du client, en offrant un excellent service et une grande flexibilité avec une touche personnelle, et en proposant des services à valeur ajoutée liés à la photographie. Fondée et dirigée par Nathalie, photographe commercial freelance chevronnée, (Photographe service) a l’intention de lever 53 000 € en ajoutant des actionnaires à l’entreprise afin d’ouvrir un studio, d’embaucher du personnel et de lancer une nouvelle campagne de marketing.
Les ventes et les bénéfices de l’entreprise devraient augmenter régulièrement, passant de 356 000 € de recettes et 50 000 € de bénéfices la première année à 750 000 € de recettes et 99 000 € de bénéfices la cinquième année. Les marges brutes et les marges bénéficiaires nettes seront relativement stables à 75 % et 13 % respectivement.
Les clés du succès de l’entreprise sont les suivantes :
(Photographe service) cherche à entrer dans le top 3 des fournisseurs de photographie commerciale dans la région métropolitaine d’ici cinq ans. Nous poursuivons les objectifs suivants au cours de cette période de cinq ans :
(Photographe service) cherche à servir les petites et moyennes entreprises et les organismes à but non lucratif pour tous leurs besoins en photographie de studio en créant de magnifiques clichés qui répondent aux besoins du client, en offrant un excellent service et une flexibilité avec une touche personnelle, et en proposant des services à valeur ajoutée liés à la photographie. (Photographe service) entend offrir un service personnalisé afin de permettre aux petites entreprises d’externaliser facilement leurs besoins en photographie
Établir la flexibilité de (Photographe service) par rapport aux besoins des petites et moyennes entreprises
Offrir une gamme de services supplémentaires, tels que l’impression, l’édition de photos, l’encadrement et la production de photos dans une variété de formats numériques.
Faire en sorte que les entreprises se sentent à l’aise dans notre studio et fassent partie du processus de création
Le marché de la photographie commerciale comprend toutes les entreprises et les organismes à but non lucratif. Pour (Photographe service), le marché cible est celui des petites et moyennes entreprises et des organismes à but non lucratif (ceux qui comptent moins de 500 employés) situés dans un rayon de 15 km autour de Nanterre.
Au cours des deux dernières années, le marché de la photographie commerciale à Nanterre s’est contracté en raison de la récente récession économique. La Chambre de commerce estime que les revenus annuels de la photographie commerciale sont passés de 5,7 millions de € à 4,5 millions de € depuis deux ans. Les petites et moyennes entreprises qui faisaient autrefois appel aux grands studios commerciaux ne peuvent plus se permettre leurs tarifs. Cette situation a créé une opportunité pour les petits studios de photographie, dont les frais généraux et les prix sont moins élevés, de servir ce marché et de prendre des parts de marché à temps pour une reprise du marché.
Les grandes entreprises de la région sont desservies par de grands studios qui peuvent envoyer des photographes sur le site du client ou organiser des prises de vue avec un faible préavis. Ces entreprises ont besoin de fournisseurs de services photographiques capables de prendre des photos dans plusieurs endroits en même temps.
Les petites entreprises, quant à elles, sont à l’aise avec les petits studios de photographie. Elles ne sont généralement pas satisfaites des grands studios, car elles trouvent qu’elles ne sont pas une priorité par rapport aux gros clients du studio. Ils veulent le même niveau de service, adapté aux besoins et au budget de leur entreprise, et seul un petit studio peut leur offrir cela.
En outre, les grandes entreprises confient souvent une grande partie du travail de retouche photo à leur département marketing. Les petites entreprises apprécient la capacité d’un studio photo à prendre en charge ce travail, car leurs services de marketing ou de conception n’ont souvent pas la capacité de s’occuper de ce travail lorsque de nouveaux supports sont développés.
Les moyennes et petites entreprises peuvent fournir un travail continu. Cependant, si Flash ne s’adresse pas aux très petites entreprises, il ne parviendra pas à capter les petits clients avant qu’ils ne se développent. Travailler avec de très petites entreprises peut également fournir une large base de clients, rendant les flux de revenus de l’entreprise moins sensibles à la perte d’un seul client.
L’industrie de la photographie commerciale est caractérisée par des studios photo locaux qui desservent des villes ou de petites régions. Très peu d’entreprises se développent au-delà de cette zone géographique. Sur un marché local, il y a des dizaines de studios de photographie en activité. Les entreprises recherchent des fournisseurs de services photographiques par le biais de références, de recherches sur Internet et des pages jaunes locales. Les studios de photographie basent généralement leurs tarifs sur la durée de la séance ainsi que sur le nombre de photos éditées fournies.
Très petites entreprises : Ces entreprises sont généralement gérées par leurs propriétaires. Les besoins en photographie sont généralement destinés à leur matériel de marketing de base (panneaux, menus, dépliants, brochures, sites Web, bulletins d’information, etc.) Ces entreprises commencent généralement par prendre ces photos en interne, mais, avec le temps, elles constatent que cette méthode donne des résultats de qualité inférieure. Elles recherchent alors des photographes indépendants peu coûteux qui peuvent répondre rapidement à leurs besoins.
Petites entreprises : Ces entreprises ont des besoins constants et réguliers en matière de photographie de leurs produits et services, comme des catalogues trimestriels. Elles apprécient d’établir des relations avec des fournisseurs qui comprennent leur mode de fonctionnement, leur permettent d’accéder au processus créatif et réduisent le stress lié à la création de supports marketing. Ils préfèrent travailler avec un seul fournisseur pour tous leurs besoins en photographie et sont peu enclins à en changer une fois qu’ils l’ont trouvé. Cependant, elles continuent à vérifier les prix de leur fournisseur par rapport à la concurrence pour s’assurer qu’elles obtiennent le meilleur rapport qualité/prix.
Entreprises moyennes : Ces entreprises ont des départements marketing qui sous-traitent la photographie à des studios photo. Elles ont un volume de besoins en photographie plus important que les petites entreprises et accordent une grande attention à la qualité des images ainsi qu’au prix. Des remises sur le volume peuvent être nécessaires pour retenir les entreprises de cette catégorie.
Pour asseoir sa réputation de choix de qualité en matière de photographie commerciale sur le marché, (Photographe service) se concentrera sur les petites et moyennes entreprises. Celles-ci comprennent :
Pour atteindre ces marchés cibles, (Photographe service) utilisera le marketing par courriel, les réseaux d’affaires et le marketing en ligne pour trouver des clients et faire en sorte que les clients trouvent (Photographe service). Le PDG, vendra aux clients, et lui et une équipe supplémentaire d’assistants photographes seront affectés aux séances de photos des clients dans le studio, et si nécessaire, sur les sites des clients.
(Photographe service) dispose d’un avantage concurrentiel grâce à la réputation de Nathalie dans le monde des affaires, en tant que photographe de haute qualité, avec lequel il est facile de travailler et qui est attentif aux besoins des clients. La société continuera à développer cet avantage concurrentiel en formant d’autres photographes à son style de photographie et à l’attention portée au service à la clientèle.
La stratégie de marketing de (Photographe service) repose sur la conviction qu’il est préférable d’utiliser quelques tactiques de marketing extrêmement efficaces plutôt que d’utiliser de nombreuses tactiques de marketing avec un succès modéré pour chacune d’entre elles.
Pour augmenter le taux de conclusion des ventes, (Photographe service) rencontrera les clients dans leur entreprise chaque fois que possible pour aller au-delà des conversations téléphoniques. Il utilisera un portfolio d’images et de témoignages. L’entreprise utilisera Salesforce.com comme outil pour gérer le processus de vente, et pour former des vendeurs supplémentaires le moment venu.
La programmation et l’exécution des services seront gérées par le chef de bureau, qui utilisera Salesforce.com et Quick Books pour gérer les clients et saisir les informations relatives aux commandes. Des procédures standard pour l’exécution des commandes seront créées par Flash et vérifiées en permanence
Les ventes de séances de photos devraient être le moteur de l’activité et augmenteront avec l’accroissement du personnel. Des photographes supplémentaires seront embauchés pour répondre aux besoins, d’abord à temps partiel, puis à temps plein.
Les services d’édition de photos et l’impression et l’encadrement des images constitueront des sources de revenus supplémentaires. Enfin, en dehors des heures de travail, le studio sera loué pour des événements ou à d’autres fins afin de créer un flux mensuel régulier de revenus
Business plan photographe : prévisionnel financier.
Pour faire la partie prévisionnelle de votre business plan, vous trouverez ci-dessous une liste des dépenses que vous devrez identifier.
Vous devez estimer les montants des apports pour chaque futur associé.
Les apports peuvent être en numéraire (en argent) ou en nature (ex : un immeuble, un véhicule)
La somme des apports va constituer le capital de votre société
Les subventions sont des sommes, qui vous seront versées par une entité publique (un État, une collectivité territoriale, ou un organisme public) à titre ponctuel ou reconductible en vue de vous aider pour la réalisation de votre projet.
Ci-dessous, quelques exemples de charges d’investissement :
Vous allez peut-être embaucher des salariés ! pensez aux salaires
Ci-dessous, quelques exemples de charges d’exploitation :
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Le secteur de la nutrition sportive connaît une popularité croissante. Cet article présente le business plan de Nutrition sportive SA
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2020, LUMAGRAFX PHOTO STUDIO BUSINESS PLAN "We lead, they follow"
LUMAGRAFX is derived from LUNDA, MATTHEWS and GRAPHICS as in GRAFX. Matthews has worked as a photographer and freelance portrait photographer in Mufulira and Kitwe for six years. He has found that personal customer relationships are the key to repeat business and will open Lumagrafx Photo Studio in Chililabombwe.
Theatre Survey
David Mayer
Photographs show what performers actually look like. They show details of costume. They apparently show gesture, posture, stance, and expression, which sometimes can be linked with specific moments in a drama. The idea of photographs as pictorial evidence of actors' work appeals because photos seem, paradoxically, both to describe and to resolve the disturbing contradiction which lies close to the heart of the historian's work: the transient intimate moment (the inherently unstable and ephemeral) arrested, caught forever. This is an idea (or an ideal) that makes the use of photos so appealing. Photographs seem to tell us that we have passed from the realm of the subjective artist, who aspired to reproduce a likeness of an event that lay beyond his or her capacity to realize fully, into the domain of the scientific observer. The camera, we are led to understand, is merely a scientific recording instrument, an objective machine that simply transcribes onto a sensitized plate anything which is placed before it. A baby, an actor, a steam engine, or a cow is recorded with equal impartiality. We are so grateful for any image of these elusive and fugitive moments of distant performance that we hesitate to query the source. If we have seized upon photography as a means of capturing images of performance, we are, in consequence, faced with questions about historiographic method and use. These questions include whether a photograph is more or less reliable as a record of performance than an image made by other means. Does the fact that a photographic image is obtained by an optical–chemical– mechanical process guarantee that we have in that image an impartial objective record of an event?
methaodos revista de ciencias sociales
Jitka Cirklová
In this paper, the construction of an ideal image of the self will be discussed within the theoretical framework of “Representation”. Drawing more on Hall’s concept of representation I would like to concentrate on the practices of “stereotyping”, drawing out the links between representation and stereotype that are closely connected with the production of mass culture, consumerism, institutions, and social media. Photos from galleries and museums and heritage locations taken and shared on social media can be understood as a commodified presentation of the tourist experience of an attractive location that has come into existence in order to narrate an ideal trip. After a picture is shared on social networks, the process of the commodification of an illusion starts − an illusion that was shared and presented as a personal authentic proof of the visit to the location and experiencing a unique moment. Often one particular image from a museum is massively reproduced and becomes a form of ...
methaodos.revista de ciencias sociales
Beth Buggenhagen
Young women who live in the improvised urban spaces on the outskirts of Senegal’s capital city, Dakar, extemporize their respectability in a time of fiscal uncertainty through personal photography. The neighbourhood of Khar Yalla, is an improvised, interconnected, and multilayered space settled by families removed from the city center during clean up campaigns from the 1960s to the 1970s, by families escaping conflict in Casamance and Guinea Bissau, and by recent rural migrants. As much as Khar Yalla is an improvised neighbourhood, it is also a space of improvisation. When women pose for, display, and pass around portraits of themselves at key moments in their social life, whether in the medium of social networking sites or photo albums, they reveal as much as they conceal the elements of individual and social life. They index their social networks and constitute their urban space not as peripheral, but as central to the lives and imaginations of their siblings and spouses who live abroad. Photographs actively shape and construct urban spaces, which are often loud, unruly, and fraught spaces with vast inequalities and incommensurabilities. How women deal with economic and social disparity, within their own families, communities, and globally, is the subject of this paper.
Sidney Cheung
David Marcou
Richard Vokes
Gilles de Rapper
Pennsylvania History: A Journal of Mid-Atlantic Studies
Gary D . Saretzky
Audiovisual Media and Identity Issues in Southeastern Europe, Eckehard Pistrick, Nicola Scaldaferri and Gretel Schwörer (Ed.) (2011) 210-229
Anouck Durand
The aim of this paper is to present the first results of an on-going research project on the social uses of photography in communist Albania. If we are interested in official and propaganda photography, we would like to focus here on a less known aspect of photography in Albania, family photography. Social sciences have long been interested in the relationship between family and photography and it is established that photography tells a lot about family forms and kinship relations. Family albums are narratives; they tell the story of the family and produce an image of the family. We would like to question this image in the context of communist Albania, in which both photography and family were subject to political representations and practices.
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Theodore Brown
Enciclopedia of the 19th Century Photography
chiara dalla ba
African Arts
Laurian R . Bowles
New Jersey Studies: An Interdisciplinary Journal
Bombay/Mumbai: Visual Histories of a City
Jyotindra Jain
Gerilim Voltage
Critical Studies in Media Communication
Christina Kotchemidova
Edward Wouk
faisal cakep
Anthropology and Photography
Konstantinos Kalantzis , Naluwembe Binaisa , Sokphea Young , Ileana L . Selejan
eabh bulletin: Finance & Photography
Sofya Salomatina
FAUSTINE NGILA
Critical Interventions. Journal of African Art History and Visual Culture, Volume 12, 2018 - Issue 2
Erika Nimis
The Cambridge Companion to the Actress
Lyuba Encheva
Fiona Siegenthaler
Susan Close
Photo Object: On the Materiality of Photographs and Photo Archives in the Humanities and Social Sciences
Suryanandini Narain
Dr Charles J . Farrugia
Edward W Olive
Camerawork: A Journal of Photographic Arts
Tarek El-Ariss
Mark Wheeler
Fashioning Cosmopolitan Citizenship
Dimitris Kamouzis
Nurcin Ileri , Aude Aylin de Tapia , Ahmet A. Ersoy , Zeynep Devrim Gursel , Özge Calafato
CAS Sofia Working Paper Series
Tanja Petrović
Pelin Aytemiz
Sary Zananiri
Tyler Friedman
Image & Text
Malcolm Corrigall
Amsterdam School of Cultural Analysis Publication Series, University of Amsterdam
NECSUS - European Journal of Media Studies
Jonathan Larcher
Bc Studies the British Columbian Quarterly
margaret blackman
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Reporting by Philip Blenkinsp, Jan Strupczewski, Giuseppe Fonte, Nick Carey, Dominique Patton, Gilles Guillaume, Danilo Masoni, Christoph Steitz, Ilona Wissenbach, Zoey Zhang, Qiaoyi Li, Albee Zhang, Disha Mishra and Abinaya Vijayaraghavan in Bengaluru; Editing by Kim Coghill, Jamie Freed, Emelia Sithole-Matarise, Elaine Hardcastle
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Our photography business plan template will help you get started. Download the template and follow step-by-step instructions to draft your business plan in no time! → Download Now: Free Photography Business Plan. And though photography lets you fulfill your passion, it attracts a lot of competition due to its ease of entry.
Sample from Growthink's Ultimate Photography Business Plan Template: According to IBISWorld, the American photography industry had revenues of $10 billion last year spread over 92,000 businesses. This averages to $109,000 in revenue per business per year. The industry employed 167,000 people, earning $4 billion in wages, roughly $24,000 per ...
5. Set Your Goals. The last piece of a solid photography business plan is articulating some goals for the business. When you're thinking about your goals for the remainder of 2017, review the sections of your business plan that are listed above. They're loaded with ideas for really strong, growth-oriented goals.
Develop pricing packages that suit your client's needs. Design a website that solves a problem for your client's. Post social media content that your clients will totally love. Track your goals weekly; be consistent, because consistency produces results. Step 1. Photography Business Plan - Branding Your Business.
Get the most out of your business plan example. Follow these tips to quickly develop a working business plan from this sample. 1. Don't worry about finding an exact match. We have over 550 sample business plan templates. So, make sure the plan is a close match, but don't get hung up on the details. Your business is unique and will differ from ...
Photography Business Plan Template. Over the past 20+ years, we have helped over 10,000 entrepreneurs and business owners create business plans to start and grow their photography businesses. On this page, we will first give you some background information with regards to the importance of business planning.
Starting a photography business can be an exciting endeavor. Having a clear roadmap of the steps to start a business will help you stay focused on your goals and get started faster.. 1. Develop A Photography Business Plan - The first step in starting a business is to create a detailed business plan for a photography business that outlines all aspects of the venture.
Why you need to make a photography business plan. The main components of a photography business plan. Write an executive summary. Explain your company in a business description. Describe your product and services. Determine your target market. Conduct a competitive analysis. Detail your marketing strategies.
A Photography Business Plan is a business plan that was specifically developed for a photography business. The purpose of this document is to present information about a photography operation, what will be its target market, financial background, goals, strategies, and other details. Individuals can use a Business Plan for Photography when they ...
A Photography Business Plan Template is a strategic blueprint that outlines the key components of launching and running a photography enterprise. It serves as a roadmap, detailing every aspect from market analysis to operational workflow, guiding photographers through the process of setting up and managing their business effectively. Our ...
Here is a sample timeline: Conclusion Preparation and goal setting are crucial to success in any business. A plan for your photography business can make all the difference. Start today by working on your photography business plan. If you can set aside 30 to 60 minutes a day, you'll finish before you know it.
Founded and directed by veteran freelance commercial photographer Matte Flash, Flash Commercial Photography intends to raise $53,000 by adding limited partners to the business in order to open a studio space, hire staff, and undergo a new marketing campaign. Sales and profits from the business are projected to rise steadily, from $356,000 ...
Here's a step by step guide to calculating your earnings for the upcoming year: 01. Define your total sales per month. This includes both your booking fee and product sales. Think of the average amount of gigs you get per month, and multiply by the average amount of money you earn from each job. 02.
Step 2: Marketing and Operational Plan. After your Executive Summary, you should note that you have a marketing plan and an operational plan ready. In this way, your investors will be caught in a quagmire in which they willingly jump, which could, in turn, increase their trust in your business.
BUSINESS PLAN [YEAR] John Doe 10200 Bolsa Ave, Westminster, CA, 92683 (650) 359-3153 [email protected] https://upmetrics.co. Table of Contents Executive Summary 4 Business Overview 5 Introduction 5 Products and Services 5 The Market 5 Financial Path To Success 5 Units Sold v/s Revenue Chart 6 Chart 6
A detailed manual that will walk you step by step through all the essential phases of starting your business. A complete photography studio business plan PDF template. This fill-in-the-blanks template includes every section of your business plan, including Executive Summary, Objectives, SWOT Analysis, Marketing Analysis and Strategy, Operations ...
Step 4: Make Your Startup Budget Plan. You can't begin your preparations without a budget. So in your photography business planner, there should be your startup budget plan. In making it, cover all the expenses that you need, such as for camera equipment, lighting equipment, rent, utilities, office supplies, etc.
Photography Business Plan Template - 12+ Free Word, Excel, PDF Format Download. Just like in capturing the best memorable shots for your customers, photography plan will always capture the viability of one's business. Similar to other business make up, photography will require some budget to come up with professional high quality photography.This is why you need a good simple business plan ...
Toutes les fiches pratiques. Photographe : Modèle de business plan rédigé gratuit. Modèle de business plan sur 3 ans (pdf et excel) à télécharger. vous êtes Photographe et vous voulez rédiger un business plan, société facile vous offre un exemple de business plan gratuit. Sommaire.
Hopefully the answer to that is YES! This is where you will put that information. Here's an example of what that might look like. Current assets: Canon 5d Mark iii $3000. Canon 5d Mark ii $2000. Canon EF 50mm f/1.2L USM Lens $1400. Canon EF 24mm f/1.4 II USM Lens $1600. Canon EF 70-200mm f/4L IS USM Lens $1000.
2020, LUMAGRAFX PHOTO STUDIO BUSINESS PLAN "We lead, they follow". LUMAGRAFX is derived from LUNDA, MATTHEWS and GRAPHICS as in GRAFX. Matthews has worked as a photographer and freelance portrait photographer in Mufulira and Kitwe for six years. He has found that personal customer relationships are the key to repeat business and will open ...
operate, and profit from your freelancing photography business.Keep in mind that. is document will change and grow just like your business will. It doesn't have to be a 50 page document and c. even be as simple as five pages or less when you first begin. Drafting a business plan requires serious and careful t.
Let's play with some maths on the pricing plan. Let's say you need a salary of $30,000 in order to make this business work for you. This means your total sessions and product sales need to be ...
A business plan sells the viability of a business venture, outlining why it will be profitable. It includes details on the business concept, market analysis, operations, financial projections, and strategies for success. What are the 3 main purposes of a business plan? 1.To clarify your plans for growth 2.To understand your financial needs 3.To ...
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• Plan at least one community tour in 2024 that includes task force participants. B. Evening Community Meetings (New) In previous years, the Funding Plan for Clean Transportation Incentives development process involved primarily daytime public workshops and workgroup meetings. These meetings posed challenges for community
Less than a month after Washington announced plans to quadruple duties for Chinese EVs to 100%, Brussels said it would combat excessive subsidies with additional tariffs ranging from 17.4% for BYD