philippine literature essay examples

Essay on Philippine Literature

Students are often asked to write an essay on Philippine Literature in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Philippine Literature

Introduction to philippine literature.

Philippine Literature is a treasure of written or spoken works from the Philippines. It includes stories, poems, songs, and other creative pieces. This literature is a reflection of the country’s history, culture, and experiences of its people.

Pre-Colonial Period

Before the Spanish came to the Philippines, Filipinos already had their literature. They told stories, sang songs, and recited poems. These were passed down from one generation to the next by word of mouth. This period was rich in legends, folk tales, and epics.

Spanish Colonial Period

During Spanish rule, Philippine literature was heavily influenced by the Spanish. Many Filipinos learned to write in Spanish. They created religious and secular works, like poems, plays, and novels. This period also saw the rise of the “Awit” and “Corrido”, popular verse forms.

American Colonial Period

The American period brought English to the Philippines. English became a medium for Filipino writers. They wrote in different genres such as short stories, novels, and essays. This period also saw the birth of Philippine newspapers in English.

Modern Philippine Literature

Today, Philippine literature is a mix of many influences. It includes works in Filipino, English, Spanish, and other local languages. Modern writers explore themes like identity, history, and social issues. They continue to enrich Philippine literature with their creative works.

250 Words Essay on Philippine Literature

What is philippine literature.

Philippine Literature is a treasure of stories, poems, and plays written by Filipinos. These works are written in different Filipino languages, English, and Spanish. They show the rich culture and history of the Philippines.

Before the Spanish came to the Philippines, Filipinos already had a rich tradition of literature. They told stories, sang songs, and recited poems. These were passed down from generation to generation. They were not written, but they were remembered and shared.

When the Spanish came, they introduced new forms of literature. They brought religious books, which had a big effect on the literature of the Philippines. Many Filipinos began writing in Spanish. They wrote about their lives, their beliefs, and their struggles.

American Period

When the Americans took over, English became the main language for writing. Filipinos started writing novels, short stories, and poems in English. They also wrote about their experiences during the American period.

Today, Philippine literature is a mix of different languages and styles. Some writers continue to write in English and Spanish. Others write in Filipino and other local languages. They write about many things, like love, war, and social issues.

In conclusion, Philippine Literature is a rich and diverse field. It shows the Filipino spirit through its stories, poems, and plays. It is a mirror of the Filipino soul, reflecting its joys, sorrows, hopes, and dreams.

500 Words Essay on Philippine Literature

Philippine literature is a rich tapestry of written and spoken works from the Philippines. It includes stories, poems, plays, and essays that reflect the country’s history, culture, and people. The language used in these works can be English, Spanish, or any of the local dialects.

Historical Background

The history of Philippine literature can be traced back to the pre-colonial era. Before the Spanish arrived in the 16th century, Filipinos already had their own system of writing known as “Baybayin.” They shared tales and poems through oral tradition. These early works often focused on myths, legends, and folktales.

The Spanish colonial period introduced new forms of literature. Filipinos began writing in Spanish and used literature to express their thoughts and feelings about the colonial rule. The most famous work from this period is “Noli Me Tangere” by Jose Rizal, a novel that criticizes Spanish friars.

The American period saw the use of English in Philippine literature. This era produced many talented writers who used English to write about the Filipino experience.

Types of Philippine Literature

Philippine literature comes in many forms. The most common are short stories, novels, poems, and plays. Short stories and novels often tell about everyday life in the Philippines or historical events. Poems can be about love, nature, or social issues. Plays often deal with social and political issues.

Themes in Philippine Literature

The themes in Philippine literature are diverse. Many works deal with social and political issues, such as poverty, corruption, and the struggle for freedom. Others explore themes of love, family, and friendship. There are also works that focus on the beauty of the Philippine landscape and the richness of its culture.

Significance of Philippine Literature

Philippine literature is important because it reflects the Filipino experience. It shows how Filipinos think, feel, and live. It also helps preserve the country’s culture and history. By reading Philippine literature, we can better understand the Philippines and its people.

In conclusion, Philippine literature is a treasure trove of stories, ideas, and emotions. It tells us about the past, present, and potential future of the Philippines. It allows us to see the world through the eyes of Filipinos. Despite the changes in society and technology, Philippine literature continues to thrive and inspire. It remains a vital part of the country’s cultural heritage.

This brief overview of Philippine literature gives you a glimpse into the rich literary tradition of the Philippines. There’s a lot more to discover, so don’t stop here. Keep reading, and let the words of Filipino writers touch your heart and mind.

That’s it! I hope the essay helped you.

If you’re looking for more, here are essays on other interesting topics:

• Essay on Philippine Independence
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The Philippine Literature

The literary forms in philippine literature.

by: Christine F. Godinez-Ortega

The diversity and richness of Philippine literature evolved side by side with the country’s history. This can best be appreciated in the context of the country’s pre-colonial cultural traditions and the socio-political histories of its colonial and contemporary traditions. The average Filipino’s unfamiliarity with his indigenous literature was largely due to what has been impressed upon him: that his country was “discovered” and, hence, Philippine “history” started only in 1521.

So successful were the efforts of colonialists to blot out the memory of the country’s largely oral past that present-day Filipino writers, artists and journalists are trying to correct this inequity by recognizing the country’s wealth of ethnic traditions and disseminating them in schools and in the mass media.

The rousings of nationalistic pride in the 1960s and 1970s also helped bring about this change of attitude among a new breed of Filipinos concerned about the “Filipino identity.”

Pre-Colonial Times

Owing to the works of our own archaeologists, ethnologists and anthropologists, we are able to know more and better judge information about our pre-colonial times set against a bulk of material about early Filipinos as recorded by Spanish, Chinese, Arabic and other chroniclers of the past.

Pre-colonial inhabitants of our islands showcase a rich past through their folk speeches, folk songs, folk narratives and indigenous rituals and mimetic dances that affirm our ties with our Southeast Asian neighbors.

The most seminal of these folk speeches is the riddle which is tigmo in Cebuano, bugtong in Tagalog, paktakon in Ilongo and patototdon in Bicol. Central to the riddle is the talinghaga or metaphor because it “reveals subtle resemblances between two unlike objects” and one’s power of observation and wit are put to the test. While some riddles are ingenious, others verge on the obscene or are sex-related:

Gongonan nu usin y amam If you pull your daddy’s penis

Maggirawa pay sila y inam. Your mommy’s vagina, too,

(Campana) screams. (Bell)

The proverbs or aphorisms express norms or codes of behavior, community beliefs or they instill values by offering nuggets of wisdom in short, rhyming verse.

The extended form, tanaga, a mono-riming heptasyllabic quatrain expressing insights and lessons on life is “more emotionally charged than the terse proverb and thus has affinities with the folk lyric.” Some examples are the basahanon or extended didactic sayings from Bukidnon and the daraida and daragilon from Panay.

The folk song, a form of folk lyric which expresses the hopes and aspirations, the people’s lifestyles as well as their loves. These are often repetitive and sonorous, didactic and naive as in the children’s songs or Ida-ida (Maguindanao), tulang pambata (Tagalog) or cansiones para abbing (Ibanag).

A few examples are the lullabyes or Ili-ili (Ilongo); love songs like the panawagon and balitao (Ilongo); harana or serenade (Cebuano); the bayok (Maranao); the seven-syllable per line poem, ambahan of the Mangyans that are about human relationships, social entertainment and also serve as a tool for teaching the young; work songs that depict the livelihood of the people often sung to go with the movement of workers such as the kalusan (Ivatan), soliranin (Tagalog rowing song) or the mambayu, a Kalinga rice-pounding song; the verbal jousts/games like the duplo popular during wakes.

Other folk songs are the drinking songs sung during carousals like the tagay (Cebuano and Waray); dirges and lamentations extolling the deeds of the dead like the kanogon (Cebuano) or the Annako (Bontoc).

A type of narrative song or kissa among the Tausug of Mindanao, the parang sabil, uses for its subject matter the exploits of historical and legendary heroes. It tells of a Muslim hero who seeks death at the hands of non-Muslims.

The folk narratives, i.e. epics and folk tales are varied, exotic and magical. They explain how the world was created, how certain animals possess certain characteristics, why some places have waterfalls, volcanoes, mountains, flora or fauna and, in the case of legends, an explanation of the origins of things. Fables are about animals and these teach moral lessons.

Our country’s epics are considered ethno-epics because unlike, say, Germany’s Niebelunginlied, our epics are not national for they are “histories” of varied groups that consider themselves “nations.”

The epics come in various names: Guman (Subanon); Darangen (Maranao); Hudhud (Ifugao); and Ulahingan (Manobo). These epics revolve around supernatural events or heroic deeds and they embody or validate the beliefs and customs and ideals of a community. These are sung or chanted to the accompaniment of indigenous musical instruments and dancing performed during harvests, weddings or funerals by chanters. The chanters who were taught by their ancestors are considered “treasures” and/or repositories of wisdom in their communities.

Examples of these epics are the Lam-ang (Ilocano); Hinilawod (Sulod); Kudaman (Palawan); Darangen (Maranao); Ulahingan (Livunganen-Arumanen Manobo); Mangovayt Buhong na Langit (The Maiden of the Buhong Sky from Tuwaang–Manobo); Ag Tobig neg Keboklagan (Subanon); and Tudbulol (T’boli).

The Spanish Colonial Tradition

While it is true that Spain subjugated the Philippines for more mundane reasons, this former European power contributed much in the shaping and recording of our literature. Religion and institutions that represented European civilization enriched the languages in the lowlands, introduced theater which we would come to know as komedya, the sinakulo, the sarswela, the playlets and the drama. Spain also brought to the country, though at a much later time, liberal ideas and an internationalism that influenced our own Filipino intellectuals and writers for them to understand the meanings of “liberty and freedom.”

Literature in this period may be classified as religious prose and poetry and secular prose and poetry.

Religious lyrics written by ladino poets or those versed in both Spanish and Tagalog were included in early catechism and were used to teach Filipinos the Spanish language. Fernando Bagonbanta’s “Salamat nang walang hanga/gracias de sin sempiternas” (Unending thanks) is a fine example that is found in the Memorial de la vida cristiana en lengua tagala (Guidelines for the Christian life in the Tagalog language) published in 1605.

Another form of religious lyrics are the meditative verses like the dalit appended to novenas and catechisms. It has no fixed meter nor rime scheme although a number are written in octosyllabic quatrains and have a solemn tone and spiritual subject matter.

But among the religious poetry of the day, it is the pasyon in octosyllabic quintillas that became entrenched in the Filipino’s commemoration of Christ’s agony and resurrection at Calvary. Gaspar Aquino de Belen’s “Ang Mahal na Passion ni Jesu Christong Panginoon natin na tola” (Holy Passion of Our Lord Jesus Christ in Verse) put out in 1704 is the country’s earliest known pasyon.

Other known pasyons chanted during the Lenten season are in Ilocano, Pangasinan, Ibanag, Cebuano, Bicol, Ilongo and Waray.

Aside from religious poetry, there were various kinds of prose narratives written to prescribe proper decorum. Like the pasyon, these prose narratives were also used for proselitization. Some forms are: dialogo (dialogue), Manual de Urbanidad (conduct book); ejemplo (exemplum) and tratado (tratado). The most well-known are Modesto de Castro’s “Pagsusulatan ng Dalawang Binibini na si Urbana at si Feliza” (Correspondence between the Two Maidens Urbana and Feliza) in 1864 and Joaquin Tuason’s “Ang Bagong Robinson” (The New Robinson) in 1879, an adaptation of Daniel Defoe’s novel.

Secular works appeared alongside historical and economic changes, the emergence of an opulent class and the middle class who could avail of a European education. This Filipino elite could now read printed works that used to be the exclusive domain of the missionaries.

The most notable of the secular lyrics followed the conventions of a romantic tradition: the languishing but loyal lover, the elusive, often heartless beloved, the rival. The leading poets were Jose Corazon de Jesus (Huseng Sisiw) and Francisco Balagtas. Some secular poets who wrote in this same tradition were Leona Florentino, Jacinto Kawili, Isabelo de los Reyes and Rafael Gandioco.

Another popular secular poetry is the metrical romance, the awit and korido in Tagalog. The awit is set in dodecasyllabic quatrains while the korido is in octosyllabic quatrains. These are colorful tales of chivalry from European sources made for singing and chanting such as Gonzalo de Cordoba (Gonzalo of Cordoba) and Ibong Adarna (Adarna Bird). There are numerous metrical romances in Tagalog, Bicol, Ilongo, Pampango, Ilocano and in Pangasinan. The awit as a popular poetic genre reached new heights in Balagtas’ “Florante at Laura” (ca. 1838-1861), the most famous of the country’s metrical romances.

Again, the winds of change began to blow in 19th century Philippines. Filipino intellectuals educated in Europe called ilustrados began to write about the downside of colonization. This, coupled with the simmering calls for reforms by the masses gathered a formidable force of writers like Jose Rizal, Marcelo H. del Pilar, Mariano Ponce, Emilio Jacinto and Andres Bonifacio.

This led to the formation of the Propaganda Movement where prose works such as the political essays and Rizal’s two political novels, Noli Me Tangere and the El filibusterismo helped usher in the Philippine revolution resulting in the downfall of the Spanish regime, and, at the same time planted the seeds of a national consciousness among Filipinos.

But if Rizal’s novels are political, the novel Ninay (1885) by Pedro Paterno is largely cultural and is considered the first Filipino novel. Although Paterno’s Ninay gave impetus to other novelists like Jesus Balmori and Antonio M. Abad to continue writing in Spanish, this did not flourish.

Other Filipino writers published the essay and short fiction in Spanish in La Vanguardia, El Debate, Renacimiento Filipino, and Nueva Era. The more notable essayists and fictionists were Claro M. Recto, Teodoro M. Kalaw, Epifanio de los Reyes, Vicente Sotto, Trinidad Pardo de Tavera, Rafael Palma, Enrique Laygo (Caretas or Masks, 1925) and Balmori who mastered the prosa romantica or romantic prose.

But the introduction of English as medium of instruction in the Philippines hastened the demise of Spanish so that by the 1930s, English writing had overtaken Spanish writing. During the language’s death throes, however, writing in the romantic tradition, from the awit and korido, would continue in the novels of Magdalena Jalandoni. But patriotic writing continued under the new colonialists. These appeared in the vernacular poems and modern adaptations of works during the Spanish period and which further maintained the Spanish tradition.

The American Colonial Period

A new set of colonizers brought about new changes in Philippine literature. New literary forms such as free verse [in poetry], the modern short story and the critical essay were introduced. American influence was deeply entrenched with the firm establishment of English as the medium of instruction in all schools and with literary modernism that highlighted the writer’s individuality and cultivated consciousness of craft, sometimes at the expense of social consciousness.

The poet, and later, National Artist for Literature, Jose Garcia Villa used free verse and espoused the dictum, “Art for art’s sake” to the chagrin of other writers more concerned with the utilitarian aspect of literature. Another maverick in poetry who used free verse and talked about illicit love in her poetry was Angela Manalang Gloria, a woman poet described as ahead of her time. Despite the threat of censorship by the new dispensation, more writers turned up “seditious works” and popular writing in the native languages bloomed through the weekly outlets like Liwayway and Bisaya.

The Balagtas tradition persisted until the poet Alejandro G. Abadilla advocated modernism in poetry. Abadilla later influenced young poets who wrote modern verses in the 1960s such as Virgilio S. Almario, Pedro I. Ricarte and Rolando S. Tinio.

While the early Filipino poets grappled with the verities of the new language, Filipinos seemed to have taken easily to the modern short story as published in the Philippines Free Press, the College Folio and Philippines Herald. Paz Marquez Benitez’s “Dead Stars” published in 1925 was the first successful short story in English written by a Filipino. Later on, Arturo B. Rotor and Manuel E. Arguilla showed exceptional skills with the short story.

Alongside this development, writers in the vernaculars continued to write in the provinces. Others like Lope K. Santos, Valeriano Hernandez Peña and Patricio Mariano were writing minimal narratives similar to the early Tagalog short fiction called dali or pasingaw (sketch).

The romantic tradition was fused with American pop culture or European influences in the adaptations of Edgar Rice Burroughs’ Tarzan by F. P. Boquecosa who also penned Ang Palad ni Pepe after Charles Dicken’s David Copperfield even as the realist tradition was kept alive in the novels by Lope K. Santos and Faustino Aguilar, among others.

It should be noted that if there was a dearth of the Filipino novel in English, the novel in the vernaculars continued to be written and serialized in weekly magazines like Liwayway, Bisaya, Hiligaynon and Bannawag.

The essay in English became a potent medium from the 1920?s to the present. Some leading essayists were journalists like Carlos P. Romulo, Jorge Bocobo, Pura Santillan Castrence, etc. who wrote formal to humorous to informal essays for the delectation by Filipinos.

Among those who wrote criticism developed during the American period were Ignacio Manlapaz, Leopoldo Yabes and I.V. Mallari. But it was Salvador P. Lopez’s criticism that grabbed attention when he won the Commonwealth Literay Award for the essay in 1940 with his “Literature and Society.” This essay posited that art must have substance and that Villa’s adherence to “Art for Art’s Sake” is decadent.

The last throes of American colonialism saw the flourishing of Philippine literature in English at the same time, with the introduction of the New Critical aesthetics, made writers pay close attention to craft and “indirectly engendered a disparaging attitude” towards vernacular writings — a tension that would recur in the contemporary period.

The Contemporary Period

The flowering of Philippine literature in the various languages continue especially with the appearance of new publications after the Martial Law years and the resurgence of committed literature in the 1960s and the 1970s.

Filipino writers continue to write poetry, short stories, novellas, novels and essays whether these are socially committed, gender/ethnic related or are personal in intention or not.

Of course the Filipino writer has become more conscious of his art with the proliferation of writers workshops here and abroad and the bulk of literature available to him via the mass media including the internet. The various literary awards such as the Don Carlos Palanca Memorial Awards for Literature, the Philippines Free Press, Philippine Graphic, Home Life and Panorama literary awards encourage him to compete with his peers and hope that his creative efforts will be rewarded in the long run.

With the new requirement by the Commission on Higher Education of teaching of Philippine Literature in all tertiary schools in the country emphasizing the teaching of the vernacular literature or literatures of the regions, the audience for Filipino writers is virtually assured. And, perhaps, a national literature finding its niche among the literatures of the world will not be far behind.

source: http://www.seasite.niu.edu

Philippine Literature

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6 pieces of Filipino literature that deserve your undivided attention

I don’t know about you, but a good read always seems to make things better. For some of us, there’s nothing more satisfying than the solace of stumbling across pieces that makes us think and feel indescribable things. Either we’ve grown numb to these feelings or have never felt them at all.

While everyone seems to be caught up with cheesy Y.A. novels and Lang Leav poems, there are actually tons of Filipino literature gems made by various local authors that are much, much more worth your time. We’ve compiled a short but exemplary list of Filipino literature to get you started on your binge-reading.

“Ang Pagitan” by Carlos M. Piocos III

“Kung lalayo ka pa ng ilang kilometro, isang milya, Tutunog ang katabi mong telepono sa loob ng opisina, at sa ganito kalayong distansiya, ibubulong ko kung natatandaan mo pa ba ang pangalan ko?”

We open this list with a short poem that can initially be interpreted as simple as moving on from someone you love or have loved. But the more you reread it, the more you interpret it differently. Can we ever measure some things as abstract as love and longing through distance and numbers? This piece of Filipino literature attempts on our behalf.

“Geyluv” by Honorio Bartolome de Dios

“Okey, okey, aaminin ko. Sa kanya ko unang naranasang magkaroon ng lakas ng loob na ihinga ang lahat ng nararamdaman ko. ‘Yun bang pouring out of emotions na walang kakaba-kabang sabihan kang bakla o mahina. At pagkaraan ay ang gaan-gaan ng pakiramdam mo. “

“Geyluv” from “Sa Labas ng Parlor” remains a favorite. While the title itself already gives an obvious idea of what the story is about, there’s a lot more to this story that can only be explored once you actually read it. More than just a story of a “gay love,” it’s a story of two people meeting halfway and possibly arriving at their own conclusions by the end.

Best part? The ending. So. Many. Questions.

“We Filipinos are Mild Drinkers” by Alejandro Roces

“We Filipinos are mild drinkers. We drink for only three good reasons: We drink when we are very happy; We drink when we are very sad; And we drink for any other reason.”

Contains lambanog. That’s it, that’s the highlight. Kidding aside, the setting of this story takes place during the Japanese-Filipino war way back in 1945. The title serves as an irony—we know that Filipinos are, in fact, not mild drinkers. But at the face of a proud American soldier basking about how he has drank every kind of liquor, a Filipino farmer humbles himself and says, “No, thank you Joe. We Filipinos are not mild drinkers.” Of course, he did this so the soldier is dead-drunk by the end of their drinking session. Too real? Yeah it is.

“Boys Who Like Boys” by Vicente Groyon III

“Your pretty girlfriend flickers for a moment in your mind. But she is whisked helplessly away as you think how much you like being with him and as, unwilled, your eyes begin to sparkle for real.”

Similar to “Geyluv,” this short story is about a boy who’s having trouble exploring and expressing his sexuality because of a homophobic society. “Boys Who Like Boys” is a fun and casual read, all without compromising the message the author wants to give out. It’s divided into eight chapters, namely: The French-Fries Man & the Moviegoer, The Narcissist, The Virgin Chapter, The Home Theater, The Professor and his Boyfriend, The Retreat, The Sleepover, and The Reunion. If those titles don’t intrigue you, I don’t know what will.

“I Never Sang For My Father” by Resil Mojares

Ah, yes. Calling all those with daddy issues, this piece of Filipino literature is for you. Mojares’ personal essay hits home too hard for some of us. A seemingly apathetic father and an equally apathetic son always make up for a good story, doesn’t it? But this one isn’t as shallow as that. “I Never Sang For my Father” is about a son’s epiphany after the death of his father and his realization of how words can never really amount to what the heart feels.

If you do not appreciate emotions from your subconscious being dug up, then do not read this. Otherwise, read up and try not to cry.

“Utos Ng Hari” by Jun Cruz Reyes

“Ay buhay estudyante, maka-uno lang, kahit lulunin ang sariling dila. Kumontra ka sa kanila, singkong maliwanag. Tumangu-tango ka naman para maka-uno, ibig sabihin noon sarili mo na ang kailangang lokohin. Pakisama lang talaga. Konting kompromiso, konting tango at “Yes Ma’am” lang. Dos na ‘yon o tres.”

Closing this list is another favorite classic by Jun Cruz Reyes. You may have come across this at least once during your high school or college life. If you’re nodding your head, then you would know just how much we sympathized with Jojo. Jun Cruz Reyes’ literature basically summarized all the things we hated about school in this short story—from repressive policies and teachers sent from hell to gossips and “darted” grades–it has it all.

Featured image from  Sa Labas ng Parlor by Honorio Bartolome de Dios

• filipino literature
• short stories

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Kathang Pinoy

Filipino in thoughts and words.

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• The Philippines A Century Hence by José Rizal  (Translated by Charles E. Derbyshire) Part IV
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• The Filipino Is Worth Dying For
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Philippine Literature

There are many different signifiers of art that an creative person can take to show them emotionally. One of these signifiers of art is composing. When art and literature is compared they seem to portion some of the same constituents. These include a construction. a tone. and a subject. In Robert Frost’s poem “Home Burial” he writes about a twosome that are sorrowing over the loss of a kid. and the dislocation of communicating that adds to the problems the twosome is holding. The writer uses his address to paint a image in our imaginativeness that conveys the hurting from an experience he and his household had to digest.

Through his words we are able to into the wake of emotions people feel when covering with decease. He expresses the importance of communicating. and understanding within a matrimony. While reading this poem the reader can through Robert Frost’s words see the scenario. and trouble played out in their heads. Art is being able to talk without speech production. and to let the perceiver to construe that work of art in a manner that may talk to their Black Marias. and esthesias. Literature is an art ; it expresses feelings. battles. successes. and failures.

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Literature gives insight into political. and social subjugation. In Ezra Pounds “In a Station of a Metro” she uses her words to promote readers to utilize their memory to Visualize a scenario that could be seen vividly by those who can associate to her scene of pick. Charlotte Perkins-Gilman utilizations literature to paint a mental image of subjugation off adult females in the nineteenth century. These plants use subject. tone. and construction to convey the reader to the point where they can understand the logical thinking. and intending behind the work.

The construction of the mentioned plants varies in manner ; the terminal consequence of the plants is to assist the reader have a better apprehension of our universe. Many times a common tool in literature is the usage of symbols. In Charlotte Perkins Gilman work “ The Yellow Wallpaper ” . she uses the wallpaper as a symbol to stand for something that is holding an emotional consequence on her. The wallpaper is used to state a narrative about some of the domestic suppression faced by some adult females. and how this suppression is manifested.

To be able to utilize words in such a manner to show this subject is an art. The message the writer is trying to show can be a difficult one to understand. She does this through symbolism. conversation flow. and the storyteller is speaking to herself. she uses her ain self-contemplation to maintain the reader engaged. The tone of the authors’ conversation with her helps the reader to understand the mental anguish she is traveling through. It is a absorbing expression into the head of the storyteller. who is sing anxiousness. and depression while seeking to keep the “good wife” image.

Domestic force per unit areas on top of already implicit in anxiousness. and depression can do a adult female to travel insane. I can understand. and associate to this literary work because I besides struggle with my ain anxiousness. and depression. Domestic force per unit areas seem to be a common subject in assorted signifiers of art. In Robert Frost’s “Home Burial” the twosome he writes about. Unlike “The Yellow Wallpaper” this verse form is largely the conversation between the twosome. we the audience are witnessing the exchange. This verse form is non merely about the decease of a kid. besides the decease of a matrimony.

The different ways of sorrowing are apparent in the writers use have phrasing. and vocabulary. The married woman is surrounded by heartache. Her universe. and her loss is all she sees at this point. The hubby working through his heartache. he did this by physically exercising some of the emotions he was experiencing. He took on the undertaking of burying his kid. through this act he may hold made his peace. and gained closing. This verse form demonstrates how easy communicating can interrupt or do a relationship. Neither manner of sorrowing displayed is expressed as right or incorrect. a parent can sorrow any manner they want.

However. this twosome lost sight of the fact that non merely are they parents. they are besides a hubby. and a married woman in hurting. They lost sight of how to be at that place for each other. She fails to take into consideration how he must hold felt burying their kid. He felt she was over reacting. The deficiency of empathy. and heartache led to the miscommunication in the verse form. This is a really sad verse form ; the writer may hold used literature to assist him through his ain loss of four kids at immature ages. The look of hurting through poesy could hold been really curative

for the writer. In decision. the survey of literature is critical today in many different Fieldss of survey. The quote “Literature is an art. and as an art it is able to enlarge and polish our apprehension of life” rings really true for many pupils of life. We are able to see many different positions of state of affairss. and how those state of affairss affect those involved. the emotions involved are transferred from the writer to the reader through paper. Many times the words can hold great profound impact on the reader. This is why the survey of literature is of import.

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History of philippine literature.

Philippines Literature has a rich history.The literature of the Philippines has been shaped by fables and tales from the pre-historic era, as well as the writing techniques of the Hispanic period and the integration of multiple languages. This amalgamation has resulted in its present form. It is believed that Philippine literature existed even before colonization,

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Geyluv is a story about two men with a different sexual orientation. Benjie, a gay man falls in love with his close straight friend mike. Benjie confessed his love for mike then follows a flashback on how they met and became friends. The story is written in a style involving the queer theory due to

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Setting The story took place in America and it seems the time frame is in the year where cellular phones and other high tech gadgets are not yet in fashion; more likely in the time of 80s to 90s. Characters Ben – an OFW for years. He is a gentleman, simple, generous and compassionate. Carol – a Filipina

History: Philippine Literature

Philippines

The literature of the Philippines is written in various languages including Filipino, English, Spanish, and Philippine languages such as Cebuan, Ilocano, Tagalog, Hiligaynon, Pampangan, Hanunuo-Mangyan, and Bontok. It has been shaped by colonization, economic and social systems, religion, and political movements. The country's oral tradition continues through epics, riddles, poems, and legends that originate from

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At frequently times. literature is thought of as lacklustre plants and long books and transitions. Peoples frequently think that literature is one thing. non cognizing that it is in actuality composed of several elements that we all use in our day-to-day lives. In order to acquire a clear apprehension of precisely what literature is. we

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The Mirriam-Webster dictionary defines literature as: Hagiographas in prose or poetry; particularly Hagiographas holding excellence of signifier or look and showing thoughts of permanent or universal involvement. This construct of ideas and thoughts on paper is a good start but does non thoroughly define literature. Literature takes many signifiers and has evolved over clip along

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Philippine Clean Air Act of 1999

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The Literary Forms in Philippine Literature Essay Example

• Pages: 2 (299 words)
• Published: December 9, 2017
• Type: Essay

The Literary Forms in Philippine LiteraturePre Colonial Literature in the Philippines showcased the rich and civilized history of the Philippines.

Most Filipino literature is handed down orally from one generation to another – reflecting the daily activities in the life of the primitive Filipinos and their environment (Harvey, 2010).Philippine Literature has started with fables and legends made by the ancient Filipinos long before the arrival of the Spanish influence (Wikipedia.com, 2011). Early literature are written and inscribed in bamboo, palm leaves and bark of trees with the use of knife and styli, and stones (Harvey, 2010).The diversity and richness of Philippine literature evolved side by side with the country’s history.

This can best be appreciated in the context of the country’s pre-colonial cultural traditions and the socio-political histories of its colonial and contemporary trad

itions.Pre-colonial inhabitants of our islands showcase a rich past through their folk speeches, folk songs, folk narratives and indigenous rituals and mimetic dances that affirm our ties with our Southeast Asian neighbors. FOLK SPEECHES: 1. Riddle [which is tigmo in Cebuano, bugtong in Tagalog, paktakon in Ilongo and patototdon in Bicol].

Central to the riddle is the talinghaga or metaphor because it "reveals subtle resemblances between two unlike objects" and one's power of observation and wit are put to the test. 2. Proverbs or aphorisms express norms or codes of behavior, community beliefs or they instill values by offering nuggets of wisdom in short, rhyming verse. 3. The extended form, tanaga, a mono-riming heptasyllabic quatrain expressing insights and lessons on life is "more emotionally charged than the terse proverb and thus has affinities with the folk lyric.

"FOLK SONGS:

form of folk lyric which expresses the hopes and aspirations, the people's lifestyles as well as their loves. These are often repetitive and sonorous, didactic...

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