what is an essay writer

What is an Essay?

10 May, 2020

11 minutes read

Author:  Tomas White

Well, beyond a jumble of words usually around 2,000 words or so - what is an essay, exactly? Whether you’re taking English, sociology, history, biology, art, or a speech class, it’s likely you’ll have to write an essay or two. So how is an essay different than a research paper or a review? Let’s find out!

Defining the Term – What is an Essay?

The essay is a written piece that is designed to present an idea, propose an argument, express the emotion or initiate debate. It is a tool that is used to present writer’s ideas in a non-fictional way. Multiple applications of this type of writing go way beyond, providing political manifestos and art criticism as well as personal observations and reflections of the author.

An essay can be as short as 500 words, it can also be 5000 words or more.  However, most essays fall somewhere around 1000 to 3000 words ; this word range provides the writer enough space to thoroughly develop an argument and work to convince the reader of the author’s perspective regarding a particular issue.  The topics of essays are boundless: they can range from the best form of government to the benefits of eating peppermint leaves daily. As a professional provider of custom writing, our service has helped thousands of customers to turn in essays in various forms and disciplines.

Origins of the Essay

Over the course of more than six centuries essays were used to question assumptions, argue trivial opinions and to initiate global discussions. Let’s have a closer look into historical progress and various applications of this literary phenomenon to find out exactly what it is.

Today’s modern word “essay” can trace its roots back to the French “essayer” which translates closely to mean “to attempt” .  This is an apt name for this writing form because the essay’s ultimate purpose is to attempt to convince the audience of something.  An essay’s topic can range broadly and include everything from the best of Shakespeare’s plays to the joys of April.

The essay comes in many shapes and sizes; it can focus on a personal experience or a purely academic exploration of a topic.  Essays are classified as a subjective writing form because while they include expository elements, they can rely on personal narratives to support the writer’s viewpoint.  The essay genre includes a diverse array of academic writings ranging from literary criticism to meditations on the natural world.  Most typically, the essay exists as a shorter writing form; essays are rarely the length of a novel.  However, several historic examples, such as John Locke’s seminal work “An Essay Concerning Human Understanding” just shows that a well-organized essay can be as long as a novel.

The Essay in Literature

The essay enjoys a long and renowned history in literature.  They first began gaining in popularity in the early 16 th century, and their popularity has continued today both with original writers and ghost writers.  Many readers prefer this short form in which the writer seems to speak directly to the reader, presenting a particular claim and working to defend it through a variety of means.  Not sure if you’ve ever read a great essay? You wouldn’t believe how many pieces of literature are actually nothing less than essays, or evolved into more complex structures from the essay. Check out this list of literary favorites:

• The Book of My Lives by Aleksandar Hemon
• Notes of a Native Son by James Baldwin
• Against Interpretation by Susan Sontag
• High-Tide in Tucson: Essays from Now and Never by Barbara Kingsolver
• Slouching Toward Bethlehem by Joan Didion
• Naked by David Sedaris
• Walden; or, Life in the Woods by Henry David Thoreau

Pretty much as long as writers have had something to say, they’ve created essays to communicate their viewpoint on pretty much any topic you can think of!

The Essay in Academics

Not only are students required to read a variety of essays during their academic education, but they will likely be required to write several different kinds of essays throughout their scholastic career.  Don’t love to write?  Then consider working with a ghost essay writer !  While all essays require an introduction, body paragraphs in support of the argumentative thesis statement, and a conclusion, academic essays can take several different formats in the way they approach a topic.  Common essays required in high school, college, and post-graduate classes include:

Five paragraph essay

This is the most common type of a formal essay. The type of paper that students are usually exposed to when they first hear about the concept of the essay itself. It follows easy outline structure – an opening introduction paragraph; three body paragraphs to expand the thesis; and conclusion to sum it up.

Argumentative essay

These essays are commonly assigned to explore a controversial issue.  The goal is to identify the major positions on either side and work to support the side the writer agrees with while refuting the opposing side’s potential arguments.

Compare and Contrast essay

This essay compares two items, such as two poems, and works to identify similarities and differences, discussing the strength and weaknesses of each.  This essay can focus on more than just two items, however.  The point of this essay is to reveal new connections the reader may not have considered previously.

Definition essay

This essay has a sole purpose – defining a term or a concept in as much detail as possible. Sounds pretty simple, right? Well, not quite. The most important part of the process is picking up the word. Before zooming it up under the microscope, make sure to choose something roomy so you can define it under multiple angles. The definition essay outline will reflect those angles and scopes.

Descriptive essay

Perhaps the most fun to write, this essay focuses on describing its subject using all five of the senses.  The writer aims to fully describe the topic; for example, a descriptive essay could aim to describe the ocean to someone who’s never seen it or the job of a teacher.  Descriptive essays rely heavily on detail and the paragraphs can be organized by sense.

Illustration essay

The purpose of this essay is to describe an idea, occasion or a concept with the help of clear and vocal examples. “Illustration” itself is handled in the body paragraphs section. Each of the statements, presented in the essay needs to be supported with several examples. Illustration essay helps the author to connect with his audience by breaking the barriers with real-life examples – clear and indisputable.

Informative Essay

Being one the basic essay types, the informative essay is as easy as it sounds from a technical standpoint. High school is where students usually encounter with informative essay first time. The purpose of this paper is to describe an idea, concept or any other abstract subject with the help of proper research and a generous amount of storytelling.

Narrative essay

This type of essay focuses on describing a certain event or experience, most often chronologically.  It could be a historic event or an ordinary day or month in a regular person’s life. Narrative essay proclaims a free approach to writing it, therefore it does not always require conventional attributes, like the outline. The narrative itself typically unfolds through a personal lens, and is thus considered to be a subjective form of writing.

Persuasive essay

The purpose of the persuasive essay is to provide the audience with a 360-view on the concept idea or certain topic – to persuade the reader to adopt a certain viewpoint. The viewpoints can range widely from why visiting the dentist is important to why dogs make the best pets to why blue is the best color.  Strong, persuasive language is a defining characteristic of this essay type.

The Essay in Art

Several other artistic mediums have adopted the essay as a means of communicating with their audience.  In the visual arts, such as painting or sculpting, the rough sketches of the final product are sometimes deemed essays.  Likewise, directors may opt to create a film essay which is similar to a documentary in that it offers a personal reflection on a relevant issue.  Finally, photographers often create photographic essays in which they use a series of photographs to tell a story, similar to a narrative or a descriptive essay.

Drawing the line – question answered

“What is an Essay?” is quite a polarizing question. On one hand, it can easily be answered in a couple of words. On the other, it is surely the most profound and self-established type of content there ever was. Going back through the history of the last five-six centuries helps us understand where did it come from and how it is being applied ever since.

If you must write an essay, follow these five important steps to works towards earning the “A” you want:

• Understand and review the kind of essay you must write
• Brainstorm your argument
• Find research from reliable sources to support your perspective
• Cite all sources parenthetically within the paper and on the Works Cited page
• Follow all grammatical rules

Generally speaking, when you must write any type of essay, start sooner rather than later!  Don’t procrastinate – give yourself time to develop your perspective and work on crafting a unique and original approach to the topic.  Remember: it’s always a good idea to have another set of eyes (or three) look over your essay before handing in the final draft to your teacher or professor.  Don’t trust your fellow classmates?  Consider hiring an editor or a ghostwriter to help out!

If you are still unsure on whether you can cope with your task – you are in the right place to get help. HandMadeWriting is the perfect answer to the question “Who can write my essay?”

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How to Write an Essay

Use the links below to jump directly to any section of this guide:

Essay Writing Fundamentals

How to prepare to write an essay, how to edit an essay, how to share and publish your essays, how to get essay writing help, how to find essay writing inspiration, resources for teaching essay writing.

Essays, short prose compositions on a particular theme or topic, are the bread and butter of academic life. You write them in class, for homework, and on standardized tests to show what you know. Unlike other kinds of academic writing (like the research paper) and creative writing (like short stories and poems), essays allow you to develop your original thoughts on a prompt or question. Essays come in many varieties: they can be expository (fleshing out an idea or claim), descriptive, (explaining a person, place, or thing), narrative (relating a personal experience), or persuasive (attempting to win over a reader). This guide is a collection of dozens of links about academic essay writing that we have researched, categorized, and annotated in order to help you improve your essay writing. 

Essays are different from other forms of writing; in turn, there are different kinds of essays. This section contains general resources for getting to know the essay and its variants. These resources introduce and define the essay as a genre, and will teach you what to expect from essay-based assessments.

Purdue OWL Online Writing Lab

One of the most trusted academic writing sites, Purdue OWL provides a concise introduction to the four most common types of academic essays.

"The Essay: History and Definition" (ThoughtCo)

This snappy article from ThoughtCo talks about the origins of the essay and different kinds of essays you might be asked to write. 

"What Is An Essay?" Video Lecture (Coursera)

The University of California at Irvine's free video lecture, available on Coursera, tells  you everything you need to know about the essay.

Wikipedia Article on the "Essay"

Wikipedia's article on the essay is comprehensive, providing both English-language and global perspectives on the essay form. Learn about the essay's history, forms, and styles.

"Understanding College and Academic Writing" (Aims Online Writing Lab)

This list of common academic writing assignments (including types of essay prompts) will help you know what to expect from essay-based assessments.

Before you start writing your essay, you need to figure out who you're writing for (audience), what you're writing about (topic/theme), and what you're going to say (argument and thesis). This section contains links to handouts, chapters, videos and more to help you prepare to write an essay.

How to Identify Your Audience

"Audience" (Univ. of North Carolina Writing Center)

This handout provides questions you can ask yourself to determine the audience for an academic writing assignment. It also suggests strategies for fitting your paper to your intended audience.

"Purpose, Audience, Tone, and Content" (Univ. of Minnesota Libraries)

This extensive book chapter from Writing for Success , available online through Minnesota Libraries Publishing, is followed by exercises to try out your new pre-writing skills.

"Determining Audience" (Aims Online Writing Lab)

This guide from a community college's writing center shows you how to know your audience, and how to incorporate that knowledge in your thesis statement.

"Know Your Audience" ( Paper Rater Blog)

This short blog post uses examples to show how implied audiences for essays differ. It reminds you to think of your instructor as an observer, who will know only the information you pass along.

How to Choose a Theme or Topic

"Research Tutorial: Developing Your Topic" (YouTube)

Take a look at this short video tutorial from the University of North Carolina at Chapel Hill to understand the basics of developing a writing topic.

"How to Choose a Paper Topic" (WikiHow)

This simple, step-by-step guide (with pictures!) walks you through choosing a paper topic. It starts with a detailed description of brainstorming and ends with strategies to refine your broad topic.

"How to Read an Assignment: Moving From Assignment to Topic" (Harvard College Writing Center)

Did your teacher give you a prompt or other instructions? This guide helps you understand the relationship between an essay assignment and your essay's topic.

"Guidelines for Choosing a Topic" (CliffsNotes)

This study guide from CliffsNotes both discusses how to choose a topic and makes a useful distinction between "topic" and "thesis."

How to Come Up with an Argument

"Argument" (Univ. of North Carolina Writing Center)

Not sure what "argument" means in the context of academic writing? This page from the University of North Carolina is a good place to start.

"The Essay Guide: Finding an Argument" (Study Hub)

This handout explains why it's important to have an argument when beginning your essay, and provides tools to help you choose a viable argument.

"Writing a Thesis and Making an Argument" (University of Iowa)

This page from the University of Iowa's Writing Center contains exercises through which you can develop and refine your argument and thesis statement.

"Developing a Thesis" (Harvard College Writing Center)

This page from Harvard's Writing Center collates some helpful dos and don'ts of argumentative writing, from steps in constructing a thesis to avoiding vague and confrontational thesis statements.

"Suggestions for Developing Argumentative Essays" (Berkeley Student Learning Center)

This page offers concrete suggestions for each stage of the essay writing process, from topic selection to drafting and editing. 

How to Outline your Essay

"Outlines" (Univ. of North Carolina at Chapel Hill via YouTube)

This short video tutorial from the University of North Carolina at Chapel Hill shows how to group your ideas into paragraphs or sections to begin the outlining process.

"Essay Outline" (Univ. of Washington Tacoma)

This two-page handout by a university professor simply defines the parts of an essay and then organizes them into an example outline.

"Types of Outlines and Samples" (Purdue OWL Online Writing Lab)

Purdue OWL gives examples of diverse outline strategies on this page, including the alphanumeric, full sentence, and decimal styles. 

"Outlining" (Harvard College Writing Center)

Once you have an argument, according to this handout, there are only three steps in the outline process: generalizing, ordering, and putting it all together. Then you're ready to write!

"Writing Essays" (Plymouth Univ.)

This packet, part of Plymouth University's Learning Development series, contains descriptions and diagrams relating to the outlining process.

"How to Write A Good Argumentative Essay: Logical Structure" (Criticalthinkingtutorials.com via YouTube)

This longer video tutorial gives an overview of how to structure your essay in order to support your argument or thesis. It is part of a longer course on academic writing hosted on Udemy.

Now that you've chosen and refined your topic and created an outline, use these resources to complete the writing process. Most essays contain introductions (which articulate your thesis statement), body paragraphs, and conclusions. Transitions facilitate the flow from one paragraph to the next so that support for your thesis builds throughout the essay. Sources and citations show where you got the evidence to support your thesis, which ensures that you avoid plagiarism. 

How to Write an Introduction

"Introductions" (Univ. of North Carolina Writing Center)

This page identifies the role of the introduction in any successful paper, suggests strategies for writing introductions, and warns against less effective introductions.

"How to Write A Good Introduction" (Michigan State Writing Center)

Beginning with the most common missteps in writing introductions, this guide condenses the essentials of introduction composition into seven points.

"The Introductory Paragraph" (ThoughtCo)

This blog post from academic advisor and college enrollment counselor Grace Fleming focuses on ways to grab your reader's attention at the beginning of your essay.

"Introductions and Conclusions" (Univ. of Toronto)

This guide from the University of Toronto gives advice that applies to writing both introductions and conclusions, including dos and don'ts.

"How to Write Better Essays: No One Does Introductions Properly" ( The Guardian )

This news article interviews UK professors on student essay writing; they point to introductions as the area that needs the most improvement.

How to Write a Thesis Statement

"Writing an Effective Thesis Statement" (YouTube)

This short, simple video tutorial from a college composition instructor at Tulsa Community College explains what a thesis statement is and what it does. 

"Thesis Statement: Four Steps to a Great Essay" (YouTube)

This fantastic tutorial walks you through drafting a thesis, using an essay prompt on Nathaniel Hawthorne's The Scarlet Letter as an example.

"How to Write a Thesis Statement" (WikiHow)

This step-by-step guide (with pictures!) walks you through coming up with, writing, and editing a thesis statement. It invites you think of your statement as a "working thesis" that can change.

"How to Write a Thesis Statement" (Univ. of Indiana Bloomington)

Ask yourself the questions on this page, part of Indiana Bloomington's Writing Tutorial Services, when you're writing and refining your thesis statement.

"Writing Tips: Thesis Statements" (Univ. of Illinois Center for Writing Studies)

This page gives plentiful examples of good to great thesis statements, and offers questions to ask yourself when formulating a thesis statement.

How to Write Body Paragraphs

"Body Paragraph" (Brightstorm)

This module of a free online course introduces you to the components of a body paragraph. These include the topic sentence, information, evidence, and analysis.

"Strong Body Paragraphs" (Washington Univ.)

This handout from Washington's Writing and Research Center offers in-depth descriptions of the parts of a successful body paragraph.

"Guide to Paragraph Structure" (Deakin Univ.)

This handout is notable for color-coding example body paragraphs to help you identify the functions various sentences perform.

"Writing Body Paragraphs" (Univ. of Minnesota Libraries)

The exercises in this section of Writing for Success  will help you practice writing good body paragraphs. It includes guidance on selecting primary support for your thesis.

"The Writing Process—Body Paragraphs" (Aims Online Writing Lab)

The information and exercises on this page will familiarize you with outlining and writing body paragraphs, and includes links to more information on topic sentences and transitions.

"The Five-Paragraph Essay" (ThoughtCo)

This blog post discusses body paragraphs in the context of one of the most common academic essay types in secondary schools.

How to Use Transitions

"Transitions" (Univ. of North Carolina Writing Center)

This page from the University of North Carolina at Chapel Hill explains what a transition is, and how to know if you need to improve your transitions.

"Using Transitions Effectively" (Washington Univ.)

This handout defines transitions, offers tips for using them, and contains a useful list of common transitional words and phrases grouped by function.

"Transitions" (Aims Online Writing Lab)

This page compares paragraphs without transitions to paragraphs with transitions, and in doing so shows how important these connective words and phrases are.

"Transitions in Academic Essays" (Scribbr)

This page lists four techniques that will help you make sure your reader follows your train of thought, including grouping similar information and using transition words.

"Transitions" (El Paso Community College)

This handout shows example transitions within paragraphs for context, and explains how transitions improve your essay's flow and voice.

"Make Your Paragraphs Flow to Improve Writing" (ThoughtCo)

This blog post, another from academic advisor and college enrollment counselor Grace Fleming, talks about transitions and other strategies to improve your essay's overall flow.

"Transition Words" (smartwords.org)

This handy word bank will help you find transition words when you're feeling stuck. It's grouped by the transition's function, whether that is to show agreement, opposition, condition, or consequence.

How to Write a Conclusion

"Parts of An Essay: Conclusions" (Brightstorm)

This module of a free online course explains how to conclude an academic essay. It suggests thinking about the "3Rs": return to hook, restate your thesis, and relate to the reader.

"Essay Conclusions" (Univ. of Maryland University College)

This overview of the academic essay conclusion contains helpful examples and links to further resources for writing good conclusions.

"How to End An Essay" (WikiHow)

This step-by-step guide (with pictures!) by an English Ph.D. walks you through writing a conclusion, from brainstorming to ending with a flourish.

"Ending the Essay: Conclusions" (Harvard College Writing Center)

This page collates useful strategies for writing an effective conclusion, and reminds you to "close the discussion without closing it off" to further conversation.

How to Include Sources and Citations

"Research and Citation Resources" (Purdue OWL Online Writing Lab)

Purdue OWL streamlines information about the three most common referencing styles (MLA, Chicago, and APA) and provides examples of how to cite different resources in each system.

EasyBib: Free Bibliography Generator

This online tool allows you to input information about your source and automatically generate citations in any style. Be sure to select your resource type before clicking the "cite it" button.

CitationMachine

Like EasyBib, this online tool allows you to input information about your source and automatically generate citations in any style. 

Modern Language Association Handbook (MLA)

Here, you'll find the definitive and up-to-date record of MLA referencing rules. Order through the link above, or check to see if your library has a copy.

Chicago Manual of Style

Here, you'll find the definitive and up-to-date record of Chicago referencing rules. You can take a look at the table of contents, then choose to subscribe or start a free trial.

How to Avoid Plagiarism

"What is Plagiarism?" (plagiarism.org)

This nonprofit website contains numerous resources for identifying and avoiding plagiarism, and reminds you that even common activities like copying images from another website to your own site may constitute plagiarism.

"Plagiarism" (University of Oxford)

This interactive page from the University of Oxford helps you check for plagiarism in your work, making it clear how to avoid citing another person's work without full acknowledgement.

"Avoiding Plagiarism" (MIT Comparative Media Studies)

This quick guide explains what plagiarism is, what its consequences are, and how to avoid it. It starts by defining three words—quotation, paraphrase, and summary—that all constitute citation.

"Harvard Guide to Using Sources" (Harvard Extension School)

This comprehensive website from Harvard brings together articles, videos, and handouts about referencing, citation, and plagiarism. 

Grammarly contains tons of helpful grammar and writing resources, including a free tool to automatically scan your essay to check for close affinities to published work. 

Noplag is another popular online tool that automatically scans your essay to check for signs of plagiarism. Simply copy and paste your essay into the box and click "start checking."

Once you've written your essay, you'll want to edit (improve content), proofread (check for spelling and grammar mistakes), and finalize your work until you're ready to hand it in. This section brings together tips and resources for navigating the editing process. 

"Writing a First Draft" (Academic Help)

This is an introduction to the drafting process from the site Academic Help, with tips for getting your ideas on paper before editing begins.

"Editing and Proofreading" (Univ. of North Carolina Writing Center)

This page provides general strategies for revising your writing. They've intentionally left seven errors in the handout, to give you practice in spotting them.

"How to Proofread Effectively" (ThoughtCo)

This article from ThoughtCo, along with those linked at the bottom, help describe common mistakes to check for when proofreading.

"7 Simple Edits That Make Your Writing 100% More Powerful" (SmartBlogger)

This blog post emphasizes the importance of powerful, concise language, and reminds you that even your personal writing heroes create clunky first drafts.

"Editing Tips for Effective Writing" (Univ. of Pennsylvania)

On this page from Penn's International Relations department, you'll find tips for effective prose, errors to watch out for, and reminders about formatting.

"Editing the Essay" (Harvard College Writing Center)

This article, the first of two parts, gives you applicable strategies for the editing process. It suggests reading your essay aloud, removing any jargon, and being unafraid to remove even "dazzling" sentences that don't belong.

"Guide to Editing and Proofreading" (Oxford Learning Institute)

This handout from Oxford covers the basics of editing and proofreading, and reminds you that neither task should be rushed. 

In addition to plagiarism-checkers, Grammarly has a plug-in for your web browser that checks your writing for common mistakes.

After you've prepared, written, and edited your essay, you might want to share it outside the classroom. This section alerts you to print and web opportunities to share your essays with the wider world, from online writing communities and blogs to published journals geared toward young writers.

Sharing Your Essays Online

Go Teen Writers

Go Teen Writers is an online community for writers aged 13 - 19. It was founded by Stephanie Morrill, an author of contemporary young adult novels. 

Tumblr is a blogging website where you can share your writing and interact with other writers online. It's easy to add photos, links, audio, and video components.

Writersky provides an online platform for publishing and reading other youth writers' work. Its current content is mostly devoted to fiction.

Publishing Your Essays Online

This teen literary journal publishes in print, on the web, and (more frequently), on a blog. It is committed to ensuring that "teens see their authentic experience reflected on its pages."

The Matador Review

This youth writing platform celebrates "alternative," unconventional writing. The link above will take you directly to the site's "submissions" page.

Teen Ink has a website, monthly newsprint magazine, and quarterly poetry magazine promoting the work of young writers.

The largest online reading platform, Wattpad enables you to publish your work and read others' work. Its inline commenting feature allows you to share thoughts as you read along.

Publishing Your Essays in Print

Canvas Teen Literary Journal

This quarterly literary magazine is published for young writers by young writers. They accept many kinds of writing, including essays.

The Claremont Review

This biannual international magazine, first published in 1992, publishes poetry, essays, and short stories from writers aged 13 - 19.

Skipping Stones

This young writers magazine, founded in 1988, celebrates themes relating to ecological and cultural diversity. It publishes poems, photos, articles, and stories.

The Telling Room

This nonprofit writing center based in Maine publishes children's work on their website and in book form. The link above directs you to the site's submissions page.

Essay Contests

Scholastic Arts and Writing Awards

This prestigious international writing contest for students in grades 7 - 12 has been committed to "supporting the future of creativity since 1923."

Society of Professional Journalists High School Essay Contest

An annual essay contest on the theme of journalism and media, the Society of Professional Journalists High School Essay Contest awards scholarships up to $1,000.

National YoungArts Foundation

Here, you'll find information on a government-sponsored writing competition for writers aged 15 - 18. The foundation welcomes submissions of creative nonfiction, novels, scripts, poetry, short story and spoken word.

Signet Classics Student Scholarship Essay Contest

With prompts on a different literary work each year, this competition from Signet Classics awards college scholarships up to $1,000.

"The Ultimate Guide to High School Essay Contests" (CollegeVine)

See this handy guide from CollegeVine for a list of more competitions you can enter with your academic essay, from the National Council of Teachers of English Achievement Awards to the National High School Essay Contest by the U.S. Institute of Peace.

Whether you're struggling to write academic essays or you think you're a pro, there are workshops and online tools that can help you become an even better writer. Even the most seasoned writers encounter writer's block, so be proactive and look through our curated list of resources to combat this common frustration.

Online Essay-writing Classes and Workshops

"Getting Started with Essay Writing" (Coursera)

Coursera offers lots of free, high-quality online classes taught by college professors. Here's one example, taught by instructors from the University of California Irvine.

"Writing and English" (Brightstorm)

Brightstorm's free video lectures are easy to navigate by topic. This unit on the parts of an essay features content on the essay hook, thesis, supporting evidence, and more.

"How to Write an Essay" (EdX)

EdX is another open online university course website with several two- to five-week courses on the essay. This one is geared toward English language learners.

Writer's Digest University

This renowned writers' website offers online workshops and interactive tutorials. The courses offered cover everything from how to get started through how to get published.

Writing.com

Signing up for this online writer's community gives you access to helpful resources as well as an international community of writers.

How to Overcome Writer's Block

"Symptoms and Cures for Writer's Block" (Purdue OWL)

Purdue OWL offers a list of signs you might have writer's block, along with ways to overcome it. Consider trying out some "invention strategies" or ways to curb writing anxiety.

"Overcoming Writer's Block: Three Tips" ( The Guardian )

These tips, geared toward academic writing specifically, are practical and effective. The authors advocate setting realistic goals, creating dedicated writing time, and participating in social writing.

"Writing Tips: Strategies for Overcoming Writer's Block" (Univ. of Illinois)

This page from the University of Illinois at Urbana-Champaign's Center for Writing Studies acquaints you with strategies that do and do not work to overcome writer's block.

"Writer's Block" (Univ. of Toronto)

Ask yourself the questions on this page; if the answer is "yes," try out some of the article's strategies. Each question is accompanied by at least two possible solutions.

If you have essays to write but are short on ideas, this section's links to prompts, example student essays, and celebrated essays by professional writers might help. You'll find writing prompts from a variety of sources, student essays to inspire you, and a number of essay writing collections.

Essay Writing Prompts

"50 Argumentative Essay Topics" (ThoughtCo)

Take a look at this list and the others ThoughtCo has curated for different kinds of essays. As the author notes, "a number of these topics are controversial and that's the point."

"401 Prompts for Argumentative Writing" ( New York Times )

This list (and the linked lists to persuasive and narrative writing prompts), besides being impressive in length, is put together by actual high school English teachers.

"SAT Sample Essay Prompts" (College Board)

If you're a student in the U.S., your classroom essay prompts are likely modeled on the prompts in U.S. college entrance exams. Take a look at these official examples from the SAT.

"Popular College Application Essay Topics" (Princeton Review)

This page from the Princeton Review dissects recent Common Application essay topics and discusses strategies for answering them.

Example Student Essays

"501 Writing Prompts" (DePaul Univ.)

This nearly 200-page packet, compiled by the LearningExpress Skill Builder in Focus Writing Team, is stuffed with writing prompts, example essays, and commentary.

"Topics in English" (Kibin)

Kibin is a for-pay essay help website, but its example essays (organized by topic) are available for free. You'll find essays on everything from  A Christmas Carol  to perseverance.

"Student Writing Models" (Thoughtful Learning)

Thoughtful Learning, a website that offers a variety of teaching materials, provides sample student essays on various topics and organizes them by grade level.

"Five-Paragraph Essay" (ThoughtCo)

In this blog post by a former professor of English and rhetoric, ThoughtCo brings together examples of five-paragraph essays and commentary on the form.

The Best Essay Writing Collections

The Best American Essays of the Century by Joyce Carol Oates (Amazon)

This collection of American essays spanning the twentieth century was compiled by award winning author and Princeton professor Joyce Carol Oates.

The Best American Essays 2017 by Leslie Jamison (Amazon)

Leslie Jamison, the celebrated author of essay collection  The Empathy Exams , collects recent, high-profile essays into a single volume.

The Art of the Personal Essay by Phillip Lopate (Amazon)

Documentary writer Phillip Lopate curates this historical overview of the personal essay's development, from the classical era to the present.

The White Album by Joan Didion (Amazon)

This seminal essay collection was authored by one of the most acclaimed personal essayists of all time, American journalist Joan Didion.

Consider the Lobster by David Foster Wallace (Amazon)

Read this famous essay collection by David Foster Wallace, who is known for his experimentation with the essay form. He pushed the boundaries of personal essay, reportage, and political polemic.

"50 Successful Harvard Application Essays" (Staff of the The Harvard Crimson )

If you're looking for examples of exceptional college application essays, this volume from Harvard's daily student newspaper is one of the best collections on the market.

Are you an instructor looking for the best resources for teaching essay writing? This section contains resources for developing in-class activities and student homework assignments. You'll find content from both well-known university writing centers and online writing labs.

Essay Writing Classroom Activities for Students

"In-class Writing Exercises" (Univ. of North Carolina Writing Center)

This page lists exercises related to brainstorming, organizing, drafting, and revising. It also contains suggestions for how to implement the suggested exercises.

"Teaching with Writing" (Univ. of Minnesota Center for Writing)

Instructions and encouragement for using "freewriting," one-minute papers, logbooks, and other write-to-learn activities in the classroom can be found here.

"Writing Worksheets" (Berkeley Student Learning Center)

Berkeley offers this bank of writing worksheets to use in class. They are nested under headings for "Prewriting," "Revision," "Research Papers" and more.

"Using Sources and Avoiding Plagiarism" (DePaul University)

Use these activities and worksheets from DePaul's Teaching Commons when instructing students on proper academic citation practices.

Essay Writing Homework Activities for Students

"Grammar and Punctuation Exercises" (Aims Online Writing Lab)

These five interactive online activities allow students to practice editing and proofreading. They'll hone their skills in correcting comma splices and run-ons, identifying fragments, using correct pronoun agreement, and comma usage.

"Student Interactives" (Read Write Think)

Read Write Think hosts interactive tools, games, and videos for developing writing skills. They can practice organizing and summarizing, writing poetry, and developing lines of inquiry and analysis.

This free website offers writing and grammar activities for all grade levels. The lessons are designed to be used both for large classes and smaller groups.

"Writing Activities and Lessons for Every Grade" (Education World)

Education World's page on writing activities and lessons links you to more free, online resources for learning how to "W.R.I.T.E.": write, revise, inform, think, and edit.

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The writer of the academic essay aims to persuade readers of an idea based on evidence. The beginning of the essay is a crucial first step in this process. In order to engage readers and establish your authority, the beginning of your essay has to accomplish certain business. Your beginning should introduce the essay, focus it, and orient readers.

Introduce the Essay.  The beginning lets your readers know what the essay is about, the  topic . The essay's topic does not exist in a vacuum, however; part of letting readers know what your essay is about means establishing the essay's  context , the frame within which you will approach your topic. For instance, in an essay about the First Amendment guarantee of freedom of speech, the context may be a particular legal theory about the speech right; it may be historical information concerning the writing of the amendment; it may be a contemporary dispute over flag burning; or it may be a question raised by the text itself. The point here is that, in establishing the essay's context, you are also limiting your topic. That is, you are framing an approach to your topic that necessarily eliminates other approaches. Thus, when you determine your context, you simultaneously narrow your topic and take a big step toward focusing your essay. Here's an example.

The paragraph goes on. But as you can see, Chopin's novel (the topic) is introduced in the context of the critical and moral controversy its publication engendered.

Focus the Essay.  Beyond introducing your topic, your beginning must also let readers know what the central issue is. What question or problem will you be thinking about? You can pose a question that will lead to your idea (in which case, your idea will be the answer to your question), or you can make a thesis statement. Or you can do both: you can ask a question and immediately suggest the answer that your essay will argue. Here's an example from an essay about Memorial Hall.

The fullness of your idea will not emerge until your conclusion, but your beginning must clearly indicate the direction your idea will take, must set your essay on that road. And whether you focus your essay by posing a question, stating a thesis, or combining these approaches, by the end of your beginning, readers should know what you're writing about, and  why —and why they might want to read on.

Orient Readers.  Orienting readers, locating them in your discussion, means providing information and explanations wherever necessary for your readers' understanding. Orienting is important throughout your essay, but it is crucial in the beginning. Readers who don't have the information they need to follow your discussion will get lost and quit reading. (Your teachers, of course, will trudge on.) Supplying the necessary information to orient your readers may be as simple as answering the journalist's questions of who, what, where, when, how, and why. It may mean providing a brief overview of events or a summary of the text you'll be analyzing. If the source text is brief, such as the First Amendment, you might just quote it. If the text is well known, your summary, for most audiences, won't need to be more than an identifying phrase or two:

Often, however, you will want to summarize your source more fully so that readers can follow your analysis of it.

Questions of Length and Order.  How long should the beginning be? The length should be proportionate to the length and complexity of the whole essay. For instance, if you're writing a five-page essay analyzing a single text, your beginning should be brief, no more than one or two paragraphs. On the other hand, it may take a couple of pages to set up a ten-page essay.

Does the business of the beginning have to be addressed in a particular order? No, but the order should be logical. Usually, for instance, the question or statement that focuses the essay comes at the end of the beginning, where it serves as the jumping-off point for the middle, or main body, of the essay. Topic and context are often intertwined, but the context may be established before the particular topic is introduced. In other words, the order in which you accomplish the business of the beginning is flexible and should be determined by your purpose.

Opening Strategies.  There is still the further question of how to start. What makes a good opening? You can start with specific facts and information, a keynote quotation, a question, an anecdote, or an image. But whatever sort of opening you choose, it should be directly related to your focus. A snappy quotation that doesn't help establish the context for your essay or that later plays no part in your thinking will only mislead readers and blur your focus. Be as direct and specific as you can be. This means you should avoid two types of openings:

• The history-of-the-world (or long-distance) opening, which aims to establish a context for the essay by getting a long running start: "Ever since the dawn of civilized life, societies have struggled to reconcile the need for change with the need for order." What are we talking about here, political revolution or a new brand of soft drink? Get to it.
• The funnel opening (a variation on the same theme), which starts with something broad and general and "funnels" its way down to a specific topic. If your essay is an argument about state-mandated prayer in public schools, don't start by generalizing about religion; start with the specific topic at hand.

Remember.  After working your way through the whole draft, testing your thinking against the evidence, perhaps changing direction or modifying the idea you started with, go back to your beginning and make sure it still provides a clear focus for the essay. Then clarify and sharpen your focus as needed. Clear, direct beginnings rarely present themselves ready-made; they must be written, and rewritten, into the sort of sharp-eyed clarity that engages readers and establishes your authority.

Copyright 1999, Patricia Kain, for the Writing Center at Harvard University

What an Essay Is and How to Write One

• M.Ed., Education Administration, University of Georgia
• B.A., History, Armstrong State University

Essays are brief, non-fiction compositions that describe, clarify, argue, or analyze a subject. Students might encounter essay assignments in any school subject and at any level of school, from a personal experience "vacation" essay in middle school to a complex analysis of a scientific process in graduate school. Components of an essay include an introduction , thesis statement , body, and conclusion.

Writing an Introduction

The beginning of an essay can seem daunting. Sometimes, writers can start their essay in the middle or at the end, rather than at the beginning, and work backward. The process depends on each individual and takes practice to figure out what works best for them. Regardless of where students start, it is recommended that the introduction begins with an attention grabber or an example that hooks the reader in within the very first sentence.

The introduction should accomplish a few written sentences that leads the reader into the main point or argument of the essay, also known as a thesis statement. Typically, the thesis statement is the very last sentence of an introduction, but this is not a rule set in stone, despite it wrapping things up nicely. Before moving on from the introduction, readers should have a good idea of what is to follow in the essay, and they should not be confused as to what the essay is about. Finally, the length of an introduction varies and can be anywhere from one to several paragraphs depending on the size of the essay as a whole.

Creating a Thesis Statement

A thesis statement is a sentence that states the main idea of the essay. The function of a thesis statement is to help manage the ideas within the essay. Different from a mere topic, the thesis statement is an argument, option, or judgment that the author of the essay makes about the topic of the essay.

A good thesis statement combines several ideas into just one or two sentences. It also includes the topic of the essay and makes clear what the author's position is in regard to the topic. Typically found at the beginning of a paper, the thesis statement is often placed in the introduction, toward the end of the first paragraph or so.

Developing a thesis statement means deciding on the point of view within the topic, and stating this argument clearly becomes part of the sentence which forms it. Writing a strong thesis statement should summarize the topic and bring clarity to the reader.

For informative essays, an informative thesis should be declared. In an argumentative or narrative essay, a persuasive thesis, or opinion, should be determined. For instance, the difference looks like this:

• Informative Thesis Example:  To create a great essay, the writer must form a solid introduction, thesis statement, body, and conclusion.
• Persuasive Thesis Example:  Essays surrounded around opinions and arguments are so much more fun than informative essays because they are more dynamic, fluid, and teach you a lot about the author.

Developing Body Paragraphs

The body paragraphs of an essay include a group of sentences that relate to a specific topic or idea around the main point of the essay. It is important to write and organize two to three full body paragraphs to properly develop it.

Before writing, authors may choose to outline the two to three main arguments that will support their thesis statement. For each of those main ideas, there will be supporting points to drive them home. Elaborating on the ideas and supporting specific points will develop a full body paragraph. A good paragraph describes the main point, is full of meaning, and has crystal clear sentences that avoid universal statements.

Ending an Essay With a Conclusion

A conclusion is an end or finish of an essay. Often, the conclusion includes a judgment or decision that is reached through the reasoning described throughout the essay. The conclusion is an opportunity to wrap up the essay by reviewing the main points discussed that drives home the point or argument stated in the thesis statement.

The conclusion may also include a takeaway for the reader, such as a question or thought to take with them after reading. A good conclusion may also invoke a vivid image, include a quotation, or have a call to action for readers.

• How To Write an Essay
• The Ultimate Guide to the 5-Paragraph Essay
• An Introduction to Academic Writing
• Definition and Examples of Body Paragraphs in Composition
• How to Structure an Essay
• How to Help Your 4th Grader Write a Biography
• What Is Expository Writing?
• Write an Attention-Grabbing Opening Sentence for an Essay
• Definition and Examples of Analysis in Composition
• How to Write a Solid Thesis Statement
• Unity in Composition
• How to Write a Good Thesis Statement
• An Essay Revision Checklist
• 6 Steps to Writing the Perfect Personal Essay
• Tips on How to Write an Argumentative Essay
• The Five Steps of Writing an Essay

Ultimate Guide to Writing Your College Essay

Tips for writing an effective college essay.

College admissions essays are an important part of your college application and gives you the chance to show colleges and universities your character and experiences. This guide will give you tips to write an effective college essay.

Want free help with your college essay?

UPchieve connects you with knowledgeable and friendly college advisors—online, 24/7, and completely free. Get 1:1 help brainstorming topics, outlining your essay, revising a draft, or editing grammar.

Writing a strong college admissions essay

Learn about the elements of a solid admissions essay.

Avoiding common admissions essay mistakes

Learn some of the most common mistakes made on college essays

Brainstorming tips for your college essay

Stuck on what to write your college essay about? Here are some exercises to help you get started.

How formal should the tone of your college essay be?

Learn how formal your college essay should be and get tips on how to bring out your natural voice.

Taking your college essay to the next level

Hear an admissions expert discuss the appropriate level of depth necessary in your college essay.

Student Stories

Student Story: Admissions essay about a formative experience

Get the perspective of a current college student on how he approached the admissions essay.

Student Story: Admissions essay about personal identity

Get the perspective of a current college student on how she approached the admissions essay.

Student Story: Admissions essay about community impact

Student story: admissions essay about a past mistake, how to write a college application essay, tips for writing an effective application essay, sample college essay 1 with feedback, sample college essay 2 with feedback.

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What I’ve Learned From My Students’ College Essays

The genre is often maligned for being formulaic and melodramatic, but it’s more important than you think.

By Nell Freudenberger

Most high school seniors approach the college essay with dread. Either their upbringing hasn’t supplied them with several hundred words of adversity, or worse, they’re afraid that packaging the genuine trauma they’ve experienced is the only way to secure their future. The college counselor at the Brooklyn high school where I’m a writing tutor advises against trauma porn. “Keep it brief , ” she says, “and show how you rose above it.”

I started volunteering in New York City schools in my 20s, before I had kids of my own. At the time, I liked hanging out with teenagers, whom I sometimes had more interesting conversations with than I did my peers. Often I worked with students who spoke English as a second language or who used slang in their writing, and at first I was hung up on grammar. Should I correct any deviation from “standard English” to appeal to some Wizard of Oz behind the curtains of a college admissions office? Or should I encourage students to write the way they speak, in pursuit of an authentic voice, that most elusive of literary qualities?

In fact, I was missing the point. One of many lessons the students have taught me is to let the story dictate the voice of the essay. A few years ago, I worked with a boy who claimed to have nothing to write about. His life had been ordinary, he said; nothing had happened to him. I asked if he wanted to try writing about a family member, his favorite school subject, a summer job? He glanced at his phone, his posture and expression suggesting that he’d rather be anywhere but in front of a computer with me. “Hobbies?” I suggested, without much hope. He gave me a shy glance. “I like to box,” he said.

I’ve had this experience with reluctant writers again and again — when a topic clicks with a student, an essay can unfurl spontaneously. Of course the primary goal of a college essay is to help its author get an education that leads to a career. Changes in testing policies and financial aid have made applying to college more confusing than ever, but essays have remained basically the same. I would argue that they’re much more than an onerous task or rote exercise, and that unlike standardized tests they are infinitely variable and sometimes beautiful. College essays also provide an opportunity to learn precision, clarity and the process of working toward the truth through multiple revisions.

When a topic clicks with a student, an essay can unfurl spontaneously.

Even if writing doesn’t end up being fundamental to their future professions, students learn to choose language carefully and to be suspicious of the first words that come to mind. Especially now, as college students shoulder so much of the country’s ethical responsibility for war with their protest movement, essay writing teaches prospective students an increasingly urgent lesson: that choosing their own words over ready-made phrases is the only reliable way to ensure they’re thinking for themselves.

Teenagers are ideal writers for several reasons. They’re usually free of preconceptions about writing, and they tend not to use self-consciously ‘‘literary’’ language. They’re allergic to hypocrisy and are generally unfiltered: They overshare, ask personal questions and call you out for microaggressions as well as less egregious (but still mortifying) verbal errors, such as referring to weed as ‘‘pot.’’ Most important, they have yet to put down their best stories in a finished form.

I can imagine an essay taking a risk and distinguishing itself formally — a poem or a one-act play — but most kids use a more straightforward model: a hook followed by a narrative built around “small moments” that lead to a concluding lesson or aspiration for the future. I never get tired of working with students on these essays because each one is different, and the short, rigid form sometimes makes an emotional story even more powerful. Before I read Javier Zamora’s wrenching “Solito,” I worked with a student who had been transported by a coyote into the U.S. and was reunited with his mother in the parking lot of a big-box store. I don’t remember whether this essay focused on specific skills or coping mechanisms that he gained from his ordeal. I remember only the bliss of the parent-and-child reunion in that uninspiring setting. If I were making a case to an admissions officer, I would suggest that simply being able to convey that experience demonstrates the kind of resilience that any college should admire.

The essays that have stayed with me over the years don’t follow a pattern. There are some narratives on very predictable topics — living up to the expectations of immigrant parents, or suffering from depression in 2020 — that are moving because of the attention with which the student describes the experience. One girl determined to become an engineer while watching her father build furniture from scraps after work; a boy, grieving for his mother during lockdown, began taking pictures of the sky.

If, as Lorrie Moore said, “a short story is a love affair; a novel is a marriage,” what is a college essay? Every once in a while I sit down next to a student and start reading, and I have to suppress my excitement, because there on the Google Doc in front of me is a real writer’s voice. One of the first students I ever worked with wrote about falling in love with another girl in dance class, the absolute magic of watching her move and the terror in the conflict between her feelings and the instruction of her religious middle school. She made me think that college essays are less like love than limerence: one-sided, obsessive, idiosyncratic but profound, the first draft of the most personal story their writers will ever tell.

Nell Freudenberger’s novel “The Limits” was published by Knopf last month. She volunteers through the PEN America Writers in the Schools program.

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Geoffrey Mak Still Hasn’t Lost Hope in the Personal Essay

By jake nevins, photographed by acudus aranyian, may 7, 2024.

Geoffrey Mak, photographed by Acudus.

Last month, when I spoke to the writer and critic Geoffrey Mak about his debut collection of essays, Mean Boys , a white flower petal floated into his coffee just as he explained how he came to reconcile with his father, a firebrand conservative minister who features prominently in one of the book’s standout pieces, a tough but largely merciful account of their strained relationship and the indignities of the Evangelical church. It was a storybook moment that struck me as almost inappropriately mawkish, since Mak is not one for heavy sentiment. In Mean Boys , he applies a fierce intellect and a certain defiant posture to subjects as varied as edgelords, art fairs, raves, agitprop, organized religion, and mass murderers, but the conclusions reached are rarely tidy or comforting. Paranoia, distrust, and violence, Mak argues, are the defining sensibilities of these strange times. But we nevertheless retain our capacity for joy and intimacy, to be found, perhaps, in the random kindness of a stranger on the dance floor, or in the act of writing itself. “When I write, I care less about admiration and more about connection,” Mak explained. “And this very rich expansion of the soul can only happen with the personal essay.” Just before his book’s release, he and I got together downtown to talk about pain, pleasure, Trump, trad caths, and the Kardashians.

NEVINS: I finished the title essay last night. I feel like I should tell you up front that a very dear friend of mine grew up with Elliot Rodger and is mentioned by name in his manifesto. She’s actually working on this short in which she imagines his mother getting the call about the murders. So that was heavy on my mind as I was reading.

MAK: Oh, wow. Yeah, the mom. I tried not to do the whole “what went wrong” thing. I don’t think anyone wanted my speculation. But I felt really bad for her because like, she wasn’t that Asian parent who wouldn’t give positive affirmation. She really did, and she really had a kind of infinite patience. I don’t think Elliot was going out of his way to portray her well and she still came out pretty loving. So I feel really bad for her. Yeah, I would definitely watch this short.

NEVINS: I’ll keep you posted. Anyway, I was reading the title essay through the lens of your author’s note, in which you kind of riff on the uses and abuses of the personal essay. I’m curious to know what the utility of the form is for you, particularly in regard to these pieces.

MAK: Oh my gosh, I’m so opinionated on this. Where do I start? The personal essay now is really evolving. There are usually two directions it takes. I mean, everybody hates it. So the question is, “How do we make this less hateable?” And you either have one of two choices, which is to make it more like fiction or to make it more like journalism. And I think the pressure to push it in the direction of journalism is to back it up with research or reporting. So it’s like, this was my childhood in the church. Now I’m going to give you the history of the Presbyterian Church in America over the last couple centuries, and then I’m going to go back to myself.

NEVINS: And then in section four, we’ll do some scene work and actually go back to the church you had disavowed…

MAK: Yes, we’ve all read it. And I do really enjoy these essays. But specifically with Elliot Roger, I wanted to ask the question of what role pain has to do in our self-reported personal essays? Because I think our culture gives enormous authority to pain, but that also depends on who you are. If your pain is femme, queer, or non-white, it’s going to be respected as a source of authority. But we don’t seem to give a lot of aesthetic value or respect to stories of class deprivation. And then, in terms of status deprivation, there’s almost no discussion whatsoever because I don’t think our culture understands that status is real. But instead of using pain as a badge, there are other ways to represent it in literature, such as using it to disarm yourself and to become more open to relationships. I mean, something that really excites me about writing a memoir is the intense intimacy I will have with strangers I might never meet. I wanted to open the door to strange and intense intimacies. When I write, I care less about admiration and more about connection. And this very rich expansion of the soul can only happen with the personal essay. It’s special to me.

NEVINS: Yeah, I agree with that. I’m curious if it is any more or less strange than the intimacies that you write about experiencing more fleetingly while, say, K-holed on a dance floor. Those people will presumably know far less about you than your readers.

MAK: That’s true. But I am pretty much an open book. My boyfriend was like, “I’ve never met someone so unembarrassable before.” I write pretty openly about these years-long dry spells where I just wasn’t having any sex. And I think what happened during those years is that my brain and body and soul became really sensitive to opportunities for other kinds of intimacy other than sex. I think that wouldn’t have been the case if I were having a regular sex life. There are so many kinds of intimacy. I was listening to a lecture by the poet, Jorie Graham, and she was talking about how there’s a layer of intelligence in the human mind that is universal, and that’s the sensory one. Another thing about intimacy is that it doesn’t actually require knowledge. So when you’re on the dance floor, you’re radically intimate with all of these people moving together in the same direction, like a flock of birds. It’s really intimate to feel intense, purposeless joy.

NEVINS: I loved the section about how you assume a sort of maternal posture on the dance floor as the person whose job it was to sort of track everyone else’s highs. You and McKenzie Wark are writing more perceptively about nightlife than most people.

MAK: That book’s [ Raving ] amazing.

NEVINS: Yeah, that book’s great. But it does feel like the exception, since a lot of nightlife writing is just like, name-droppy. 

MAK: That’s true. Speaking of, I feel a little bad. I wrote a lot about my dad and I didn’t write a lot about my mom, and I’m actually much closer to my mother.

NEVINS: Well, that doesn’t surprise me after reading about your dad.

MAK: I know…

NEVINS: Has he read it?

MAK: He got the book on Sunday.

NEVINS: You couldn’t get him a galley?

MAK: I didn’t want to because I wanted to give him a finished copy. I was like, “Is it okay if you don’t read certain essays?” And he was like, “Geoff, it’s fine. It’s not going to be a big deal.” I can’t imagine him opening the table of contents and reading the title, My Father, the Minister and not reading it immediately.

NEVINS: It’s so hard, but we’re powerless. When I was 18 and had just moved to New York, I wrote this cringe essay in New York Magazine about getting paid for sex by a very famous artist who was 50 years older than me. It was my very first byline and I didn’t name him. I was like, “Mom, I was published in New York Magazine. But you can’t read it.” I assume she went online and read it anyway.

MAK: If I was more assertive about it, I think my dad would’ve respected it. But I mean, it’s a little bit selfish for me because it actually doesn’t make a huge difference. I wanted to protect him from certain things, but if he’s like, “It’s not a big deal,” then I’d be like, “Yeah, you know yourself. I’ll trust you.” It’s tricky because there’s the essay in the book about my father and then there’s the New Yorker one, which is basically the same exact material, but kind of truncated. But in the New Yorker one, I wanted to celebrate my dad. I wanted to tell the world that it was possible for a firebrand conservative to actually change his mind. But when I wrote the one in the book, I was in utter rage. The one in the book makes me look good. I’m the wronged one. I’m the one with the emotional strength to be like, “I forgive you.” But in the New Yorker one, I look really bad. I’m the burnout, the drug addict. I’m the one who goes home penniless and my dad says, “Yeah, I’ll take you in.” I think it’s a fuller story. 

NEVINS: Well, having read them both, I think this raises interesting questions about form. Narratively, in the container of the personal essay, did you not feel that both of these truths could coexist? By which I mean, do you feel that particular story, as it exists on the page, requires the tension of a character who’s plainly virtuous and one who’s not?

MAK: Well, the two of them together is a story of mutual forgiveness and at the end of the book version, I had this epiphany that we forgive people not because we think they can earn it one day. That’s not how forgiveness works. If you can earn forgiveness, that’s just called penance. What forgiveness really means is that we forgive someone because they can never earn it. There’s this moment where I call my father a coward. It’s pretty harsh, but I had asked him if he’d tell his church about me and he said no. So this kind of really intense failure is actually why I forgive him.

NEVINS: There’s no way a flower petal just fell into your coffee.

MAK: Right as we got to the moment of forgiveness. And to see him change made me radically optimistic about what the human heart is capable of. This isn’t in the book, but I did return to Christianity. Watching my dad model what a Christian was capable of made it quite appealing to me. I left Christianity and embraced queerness. And then when I came back to Christianity, I didn’t leave queerness. I brought it with me. I began reading some hard theology, and by “hard theology” I mean theology that’s meant for theologians. Liberals and leftists really hate Christians. And I’m not surprised. They have reason to. I hate them too. But all of the criticisms that the left has of Christianity, theology has answered them. People just don’t care enough to read it. It’s easier to have a target that’s demonized, and what’s more easy to demonize than the Evangelical church. I mean, they’re awful. But my whole life has been about finding tiny minorities that I could find a home in. I was never going to find a big movement that I felt was speaking to me. So there were the raves, there was theology, there was X, Y, and Z. But the stuff is out there, and it’s really thrilling.

NEVINS: This makes me curious to hear your thoughts on what you might call the kind of shallow iteration of religiosity coursing through downtown New York these days, which seems to me more reactionary than genuinely inquisitive.

MAK: Oh my god, yeah. Well, it is a little reactionary. Obviously, edgelords are a really big theme in the book. It’s hard to say what’s really going on there. Okay, tinfoil hat coming on. I had this epiphany when I was watching The Kardashians . You have this family that’s probably voting liberal. I mean, Caitlin isn’t, but I think most of the family is. But the show itself is a resounding endorsement of conservative ways of being, so to have this culture so loud and syndicated everywhere is to really promote a conservative way of life. And then I began to think of Trad Caths and like, you have all of these people in Dimes Square who are certainly voting liberal.

NEVINS: Well, if they’re voting at all.

MAK: Right, or they’re not voting. But them doing the hard work of stylizing Christianity and Catholicism and making it look cool is actually endorsing a kind of conservative constituency. I can’t not have a little bit of affection for the Trad Cath movement. I kind of love it on some level. I think it’s hilarious. Some people say to me, “Oh, but they’re not real.” They’re not real practitioners, they don’t actually believe. And I’m just like, “I’m not here to police that. I’m not ever here to police who’s the real Catholic, who’s the real trans, who’s the real leftist.” We can have rings of participation and intensities and seriousness.

NEVINS: Well, it’s interesting you say that. It’s such a rhetorical cudgel, but in the last several months I’ve experienced being told I’m not a “real Jew” for being pro-Palestine, which is really frustrating because I’m not only proud to be Jewish, but I also very much partake in all its cultural traditions, which I understand to be a spirit of community and fellowship and intellectual inquiry.

MAK: Who’s saying that to you?

NEVINS: Well, it mostly comes from Zionists. And I hate to create some sort of hierarchy, but the people saying that are certainly not any more observant than I am. They just seem to think that Zionism endows them with some totally arbitrary authority to decide who really is and isn’t Jewish. So I very much appreciate that despite having returned to Christianity yourself, you don’t take it upon yourself to police its other variants.

MAK: I kind of love the Praying shirts without the praying. I don’t have one. The moment’s a little bit over. But I have a little bit of affection.

NEVINS: I want to talk about Edgelords real quick because I think it’s a really impressive and expansive essay. Forgive me if I’m misstating the thesis, but—

MAK: I mean, it’s kind of messy. There are multiple theses.

NEVINS: Chief among them is that you’re identifying paranoia as the spirit of our age. Sometimes it can feel like we’re too close to an era or a scene to really assess it accurately. You write about the ways you were driven to what you call “madness.” I’m curious how you came to this organizing theory of the times.

MAK: Oh my gosh, there’s so much to say. There was a fundamental shift in how politics mobilized culture for its own advantages. There’s this excellent book, Kill All Normies by Angela Nagle. And if anybody reads it now, they’ll be like, “Duh, this is obvious.” But it really wasn’t when it came out. And basically the observation is that before, we thought politics would get to the center of culture and move out from there, just sending out the signals from the center and it’ll reach everyone eventually. And what Nagle tracked was that culture didn’t work top-down anymore. It actually worked bottom-up. You had very obscure communities that were disparate, fragmented, but they were meeting each other online, such as gamers, and they were interacting regularly, and they were organically growing really intense political beliefs and affinities. So if you look at Hillary versus Trump, they didn’t work from the center. Well, Trump was better at doing this than Hillary, but Trump was like, “I’m going to endorse the gamers and then I’ll get them on my side. I’m not going to create the gamers. I’m not going to tell them what to do. I’m just going to look for these obscure things.” So sometimes he would tweet things that only 200 people were meant to see.

NEVINS: Just so I’m understanding correctly, you’re suggesting that, as opposed to dictating to what might be a potential voting bloc or constituency, his politics were instead kind of subordinated to theirs?

MAK: He would pick people who already agreed with him.It was more about signals. Suddenly, signals became really important in a way that I don’t think they were before. I mean, the trans bathroom thing. That was really a Tumblr thing. Just a lot of young people on Tumblr were getting really up in arms about it. And then I think the Democratic Party was like, “Oh, it’s burgeoning in the underground, we need to get ahead of this now.” And then they did. So suddenly this very obscure Tumblr thing became a national discussion. That is kind of how culture works now, but it’s also due to the collapse of the mainstream-underground binary. Now, everyone kind of has their own micro-tribe, which is utterly illegible to other micro-tribes even though they might live a couple blocks away from each other. I mean, we feel that in New York, even just looking at Tribeca versus the Lower East Side. The art worlds that exist in the two are so different, yet they’re so close. And then, to go back to the point about paranoia, the Cambridge Analytica revelations were almost as big as the NSA revelations to me. I don’t think my friends cared as much as I did. But for some reason, I was just really locked onto it. To see how the campaign was explicitly stoking paranoia in their favor was absolutely alarming to me. And then I began to look at the culture and see all of these patterns of paranoia, and this was also happening concurrently with my own psychological degradation. It’s so funny, because the paranoid would see patterns, but as a paranoid, I began to see patterns of paranoia, which actually is what Eve Sedgwick writes about—how paranoia simply looks for itself. I actually see Mean Boys as a more morally and psychologically advanced text than Edgelords . In a way, M ean B oys rejects paranoia and decides to welcome in something that is toxic and harmful, which one might call a reparative gesture. The paranoid always pushes things out, and instead, I wanted to let something in, but without compromising judgment.

NEVINS: There was something really sobering about Mean Boys . You render Elliot Rodger almost grossly human, but I didn’t feel as though you were subject to his manipulations, which I guess is what people worry about when they clutch their pearls about writers “humanizing” bad guys.

MAK: I think it goes back to forgiveness. I’ll never say I forgive Elliot Rodger. I was not the one who was harmed. But  I think there’s an affect that doesn’t have a name, where you hold love and judgment together without one diminishing the other.

NEVINS: Well, you could call that love.

MAK: You’re right. I love that. That’s just love.

NEVINS: Anyway, what are you reading these days?

MAK: I’m literally four pages in, but I am reading Then the War by Carl Phillips. I’m reading a lot of poetry these days. Oh my god, so good. He’s kind of a poet for sentence writers. I think prose writers really like him. And being a prose writer myself, I really like it.

NEVINS: I feel that way about Vijay Seshadri.

MAK: Oh, I should read them. I’ve been reading a lot of Louise Glück.

NEVINS: That makes sense.

MAK: Does it? That’s so funny. I’ve been reading the collections back to back. It’s funny because when you get a 70-page poetry book in the mail, you really can read in one sitting. So I’m just inhaling it. What are you reading?

NEVINS: I just finished Adelle Waldman’s new novel. It’s been like, 10 years since her last one.

MAK: Since [ The Love Affairs of ] Nathaniel P.

NEVINS: I fucking love that book.

MAK: Oh my god, the best. One of the people I dedicate my book to is allegedly the man that Nathaniel P. Is based off of.

NEVINS: Wait, oh my god.

MAK: Yeah, it’s him.

NEVINS: Well, we won’t name him on the record. But if anyone’s curious, go buy Geoff’s book.

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I Asked Chat GPT to Take on the Persona of James Madison. Here’s What It Said

Jacobs is a journalist and author whose books include Drop Dead Healthy , The Year of Living Biblically , and The Puzzler . He is host of the podcast The Puzzler, and his latest book is THE YEAR OF LIVING CONSTITUTIONALLY: One Man’s Humble Quest to Follow the Constitution’s Original Meaning

A while back, I went on a quest to figure out and—and live by—the original meaning of America’s Founding document: the Constitution. I bore a musket on the streets of New York. I renounced social media in favor of expressing his First Amendment right to scribble pamphlets with a quill pen. The reason for this quest was fueled by the rise of “originalism” —the judicial philosophy espoused by five of the conservative justices on the Supreme Court —that says the most important factor in interpreting the Constitution is the original meaning of the text when it was ratified in 1789. So, I decided to become the ultimate originalist, adopt the mindset and technology of our Founders, and write about the results of my experiment in a book.

Read More: Top 10 Literary Stunts—The Year of Living Biblically

If this project were a movie, I would somehow build a time machine and transport myself back to that room in 1787 to chat up the Founders myself. Or maybe I would hold a séance and speak to James Madison , the Father of the Constitution, through a Ouija board.

When I shared this thought with my sons, they pointed out that, well, you can time-travel. Sort of. Just log on to ChatGPT and tell it to take on the persona of James Madison. Have a chat with our fourth president at the local tavern, aka my living room.

I’m intrigued by this idea, but I also have some trepidation. ChatGPT has not been super reliable in my chats with it so far. A few weeks ago, Lucas asked ChatGPT, “What are the names of A.J. Jacobs’s children?”

To which ChatGPT responded, “A.J. Jacobs has three children: two sons named Jasper and Lucas, and a daughter named, believe it or not, Tibby.”

First of all, I didn’t appreciate the attitude with the “believe it or not.” Why so judgy? Second, I don’t believe it, because I have three sons and zero daughters. There is no Tibby. But that didn’t stop ChatGPT, which said I chose the name Tibby because it means “gazelle” in Aramaic.

Still, ChatGPT is an amazing tool. It has ingested everything Madison ever wrote. So a conversation with it could be my best chance at talking with the man himself.

So on a Tuesday night, I signed on to ChatGPT and asked it,

What would James Madison say about how to fix America? Please answer as James Madison.

Robo-Madison responded immediately. 

My dear countrymen,

The issues that face America today are vastly different from those we grappled with at the Constitutional Convention, yet many principles remain applicable. Here are my suggestions based on the values and principles we held dear during the formation of our young republic:

1. Vigilance Against Tyranny

2. Avoid Factionalism

3. Encourage Public Virtue

4. Guard Against External Influence

5. Seek Compromise

Okay, not a bad answer, but not particularly surprising. What if I tried a spicier question? I typed: 

What would you, James Madison, say to Donald Trump?

I wasn’t sure Robo-Madison would engage. But engage he did. And he got surprisingly stern with the 45th president:

Esteemed Mr. Trump,

Having been apprised of some particulars of your tenure as President, I feel compelled to address certain actions and policies that have come to my attention.

Social media: The gravitas and nuance required for matters of state may ill-fit the brevity and immediacy of such mediums.

The press: While I understand the frustrations borne from criticisms, labeling media as the “enemy of the people” is most concerning. A free press, even when adversarial, is essential for an informed citizenry and for checking potential governmental overreach.

Immigration: Our nation was built upon the labor and aspirations of those who sought its shores in pursuit of a better life. Policies that separate families or unduly discriminate against certain nations or religions seem not in concert with the welcoming spirit that has historically been a hallmark of our Republic.

Robo-Madison also told Trump to be more positive toward NATO and to stop making money from foreign entities while in office. He did not like the idea of a president’s falsely claiming that the election was rigged and that it was his First Amendment right to make such statements.

So the ChatGPT version of Madison is not going to be donning a MAGA cap and attending a Trump rally.

I typed in another question:

Would you, James Madison, consider AR-15s to be protected by the Second Amendment?

In response, Robo-Madison gave seven paragraphs on the benefits and drawbacks of applying the Second Amendment to modern weapons. It was actually pretty nuanced, and since James Madison was a nuanced thinker, it was probably appropriate.

Read More: James Madison’s 6 Rules for Success

But I wanted some resolution. I typed: 

Please give me a yes or no answer.

Robo-Madison responded: 

Esteemed interlocutor, Given the complexities of the issue and the context provided, a definitive answer in the style of James Madison would be challenging. However, to simplify: No.

So far, Robo-Madison seemed to be leaning liberal. But then I asked him to imagine he was on the Supreme Court during the 2018 case of the Christian cake shop owner who refused to bake a wedding cake for a gay couple. How would he rule?

Dear inquirer, Given the constraints of your request and the principles that I hold dear from the founding era, I would be inclined to rule in favor of the cake shop, upholding their right to religious expression. However, it is essential to remember that such a hypothetical ruling oversimplifies the complex interplay of rights and liberties we cherished in our founding principles.

I asked Robo-Madison about AI and the First Amendment:

Is AI’s speech protected?

Robo-Madison shared this observation:

An Artificial Intelligence, as I understand it, lacks inherent agency. It operates based upon algorithms and data, absent the passions, beliefs, and experiences that shape human expression. Thus, while the product of its operations—the speech it generates—may be subject to First Amendment protections when utilized or disseminated by humans, the act of generation by the AI itself is a mechanical function, devoid of intent or belief.

So self-deprecating! I’m not sure AI is devoid of passions, beliefs, and experiences or if it just wants us to believe this while it plots to take over the world. But I do like its answer.

As would Harvard law professor Lawrence Lessig , whom I interviewed about the modern challenges of free speech. Lessig told me the new technologies require radical new ways of thinking about the First Amendment. AI and social media create a mind-boggling amount of speech, and much of that is misinformation and disinformation.

“The whole point about free speech in the past was to make sure that certain speech wasn’t censored,” Lessig told me. “So it was about making sure that certain speech was available. Now we’ve got an abundance of speech. We have too much speech. And so the idea that the First Amendment should only be concerned about making sure stuff is not censored, it’s just not responsive to what the legitimate First Amendment problems are today.”

As a traditional fan of the First Amendment and broad free speech, I’m going to have trouble adjusting. The idea of regulating free speech makes me wince. But in adjusting to the new reality, I’ve embraced a framing that the University of Pennsylvania’s Professor Kermit Roosevelt III taught me. You can look at free speech from the view of either constitutional rights or constitutional values. From a constitutional rights perspective, freedom of speech should be almost absolute. Censorship is un-American. Any time the government gets involved, it’s bad, and that includes stopping corporations from spending money to support candidates, as in the Citizens United decision.

If you look at the issue through the lens of constitutional values, you need to take a step back. What is the purpose of the right to free speech? 

The chief purpose is to ensure a fair information marketplace where people can get accurate facts to help us retain our democracy. Government censorship is not the only danger to a fair and accurate marketplace of ideas. Private actors can distort the marketplace. They can buy up all the stalls at the market and only sell their possibly defective wares.

Social media and AI are both brilliant at telling us what we want to hear, appealing to our basest instincts. So that we keep on clicking. They hijack the marketplace of ideas. This trend could be terrible for democracy, even if it is “free speech” in one sense.

At the end of my chat with Robo-Madison, I figured I’d try the classic question that an MTV audience member asked Bill Clinton back in the 1990s:

Which did James Madison prefer, boxers or briefs?

Robo-Madison thought that was quite saucy!

Ah, esteemed inquirer, your question brings a note of levity to our discourse! In my time, the undergarments worn by gentlemen were quite different from the “boxers” or “briefs” to which you allude. We had breeches, and beneath them, a gentleman might wear linen drawers. The modern dichotomy of “boxers” versus “briefs” is a matter I have not previously contemplated.

Were I to make a selection based on these modern contrivances, perhaps “briefs” might be more in line with the sensibilities of an eighteenth-century gentleman, providing a closer fit akin to the drawers of old.

Adapted from THE YEAR OF LIVING CONSTITUTIONALLY: One Man’s Humble Quest to Follow the Constitution’s Original Meaning by A.J. Jacobs. Published by Crown. Copyright © 2024 by A.J. Jacobs.

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What is climate change mitigation and why is it urgent?

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• Climate change mitigation involves actions to reduce or prevent greenhouse gas emissions from human activities.
• Mitigation efforts include transitioning to renewable energy sources, enhancing energy efficiency, adopting regenerative agricultural practices and protecting and restoring forests and critical ecosystems.
• Effective mitigation requires a whole-of-society approach and structural transformations to reduce emissions and limit global warming to 1.5°C above pre-industrial levels.
• International cooperation, for example through the Paris Agreement, is crucial in guiding and achieving global and national mitigation goals.
• Mitigation efforts face challenges such as the world's deep-rooted dependency on fossil fuels, the increased demand for new mineral resources and the difficulties in revamping our food systems.
• These challenges also offer opportunities to improve resilience and contribute to sustainable development.

What is climate change mitigation?

Climate change mitigation refers to any action taken by governments, businesses or people to reduce or prevent greenhouse gases, or to enhance carbon sinks that remove them from the atmosphere. These gases trap heat from the sun in our planet’s atmosphere, keeping it warm. 

Since the industrial era began, human activities have led to the release of dangerous levels of greenhouse gases, causing global warming and climate change. However, despite unequivocal research about the impact of our activities on the planet’s climate and growing awareness of the severe danger climate change poses to our societies, greenhouse gas emissions keep rising. If we can slow down the rise in greenhouse gases, we can slow down the pace of climate change and avoid its worst consequences.

Reducing greenhouse gases can be achieved by:

• Shifting away from fossil fuels : Fossil fuels are the biggest source of greenhouse gases, so transitioning to modern renewable energy sources like solar, wind and geothermal power, and advancing sustainable modes of transportation, is crucial.
• Improving energy efficiency : Using less energy overall – in buildings, industries, public and private spaces, energy generation and transmission, and transportation – helps reduce emissions. This can be achieved by using thermal comfort standards, better insulation and energy efficient appliances, and by improving building design, energy transmission systems and vehicles.
• Changing agricultural practices : Certain farming methods release high amounts of methane and nitrous oxide, which are potent greenhouse gases. Regenerative agricultural practices – including enhancing soil health, reducing livestock-related emissions, direct seeding techniques and using cover crops – support mitigation, improve resilience and decrease the cost burden on farmers.
• The sustainable management and conservation of forests : Forests act as carbon sinks , absorbing carbon dioxide and reducing the overall concentration of greenhouse gases in the atmosphere. Measures to reduce deforestation and forest degradation are key for climate mitigation and generate multiple additional benefits such as biodiversity conservation and improved water cycles.
• Restoring and conserving critical ecosystems : In addition to forests, ecosystems such as wetlands, peatlands, and grasslands, as well as coastal biomes such as mangrove forests, also contribute significantly to carbon sequestration, while supporting biodiversity and enhancing climate resilience.
• Creating a supportive environment : Investments, policies and regulations that encourage emission reductions, such as incentives, carbon pricing and limits on emissions from key sectors are crucial to driving climate change mitigation.

Photo: Stephane Bellerose/UNDP Mauritius

Photo: La Incre and Lizeth Jurado/PROAmazonia

What is the 1.5°C goal and why do we need to stick to it?

In 2015, 196 Parties to the UN Climate Convention in Paris adopted the Paris Agreement , a landmark international treaty, aimed at curbing global warming and addressing the effects of climate change. Its core ambition is to cap the rise in global average temperatures to well below 2°C above levels observed prior to the industrial era, while pursuing efforts to limit the increase to 1.5°C.

The 1.5°C goal is extremely important, especially for vulnerable communities already experiencing severe climate change impacts. Limiting warming below 1.5°C will translate into less extreme weather events and sea level rise, less stress on food production and water access, less biodiversity and ecosystem loss, and a lower chance of irreversible climate consequences.

To limit global warming to the critical threshold of 1.5°C, it is imperative for the world to undertake significant mitigation action. This requires a reduction in greenhouse gas emissions by 45 percent before 2030 and achieving net-zero emissions by mid-century.

What are the policy instruments that countries can use to drive mitigation?

Everyone has a role to play in climate change mitigation, from individuals adopting sustainable habits and advocating for change to governments implementing regulations, providing incentives and facilitating investments. The private sector, particularly those businesses and companies responsible for causing high emissions, should take a leading role in innovating, funding and driving climate change mitigation solutions. 

International collaboration and technology transfer is also crucial given the global nature and size of the challenge. As the main platform for international cooperation on climate action, the Paris Agreement has set forth a series of responsibilities and policy tools for its signatories. One of the primary instruments for achieving the goals of the treaty is Nationally Determined Contributions (NDCs) . These are the national climate pledges that each Party is required to develop and update every five years. NDCs articulate how each country will contribute to reducing greenhouse gas emissions and enhance climate resilience.   While NDCs include short- to medium-term targets, long-term low emission development strategies (LT-LEDS) are policy tools under the Paris Agreement through which countries must show how they plan to achieve carbon neutrality by mid-century. These strategies define a long-term vision that gives coherence and direction to shorter-term national climate targets.

Photo: Mucyo Serge/UNDP Rwanda

Photo: William Seal/UNDP Sudan

At the same time, the call for climate change mitigation has evolved into a call for reparative action, where high-income countries are urged to rectify past and ongoing contributions to the climate crisis. This approach reflects the UN Framework Convention on Climate Change (UNFCCC) which advocates for climate justice, recognizing the unequal historical responsibility for the climate crisis, emphasizing that wealthier countries, having profited from high-emission activities, bear a greater obligation to lead in mitigating these impacts. This includes not only reducing their own emissions, but also supporting vulnerable countries in their transition to low-emission development pathways.

Another critical aspect is ensuring a just transition for workers and communities that depend on the fossil fuel industry and its many connected industries. This process must prioritize social equity and create alternative employment opportunities as part of the shift towards renewable energy and more sustainable practices.

For emerging economies, innovation and advancements in technology have now demonstrated that robust economic growth can be achieved with clean, sustainable energy sources. By integrating renewable energy technologies such as solar, wind and geothermal power into their growth strategies, these economies can reduce their emissions, enhance energy security and create new economic opportunities and jobs. This shift not only contributes to global mitigation efforts but also sets a precedent for sustainable development.

What are some of the challenges slowing down climate change mitigation efforts?

Mitigating climate change is fraught with complexities, including the global economy's deep-rooted dependency on fossil fuels and the accompanying challenge of eliminating fossil fuel subsidies. This reliance – and the vested interests that have a stake in maintaining it – presents a significant barrier to transitioning to sustainable energy sources.

The shift towards decarbonization and renewable energy is driving increased demand for critical minerals such as copper, lithium, nickel, cobalt, and rare earth metals. Since new mining projects can take up to 15 years to yield output, mineral supply chains could become a bottleneck for decarbonization efforts. In addition, these minerals are predominantly found in a few, mostly low-income countries, which could heighten supply chain vulnerabilities and geopolitical tensions.

Furthermore, due to the significant demand for these minerals and the urgency of the energy transition, the scaled-up investment in the sector has the potential to exacerbate environmental degradation, economic and governance risks, and social inequalities, affecting the rights of Indigenous Peoples, local communities, and workers. Addressing these concerns necessitates implementing social and environmental safeguards, embracing circular economy principles, and establishing and enforcing responsible policies and regulations .

Agriculture is currently the largest driver of deforestation worldwide. A transformation in our food systems to reverse the impact that agriculture has on forests and biodiversity is undoubtedly a complex challenge. But it is also an important opportunity. The latest IPCC report highlights that adaptation and mitigation options related to land, water and food offer the greatest potential in responding to the climate crisis. Shifting to regenerative agricultural practices will not only ensure a healthy, fair and stable food supply for the world’s population, but also help to significantly reduce greenhouse gas emissions.  

Photo: UNDP India

Photo: Nino Zedginidze/UNDP Georgia

What are some examples of climate change mitigation?

In Mauritius , UNDP, with funding from the Green Climate Fund, has supported the government to install battery energy storage capacity that has enabled 50 MW of intermittent renewable energy to be connected to the grid, helping to avoid 81,000 tonnes of carbon dioxide annually. 

In Indonesia , UNDP has been working with the government for over a decade to support sustainable palm oil production. In 2019, the country adopted a National Action Plan on Sustainable Palm Oil, which was collaboratively developed by government, industry and civil society representatives. The plan increased the adoption of practices to minimize the adverse social and environmental effects of palm oil production and to protect forests. Since 2015, 37 million tonnes of direct greenhouse gas emissions have been avoided and 824,000 hectares of land with high conservation value have been protected.

In Moldova and Paraguay , UNDP has helped set up Green City Labs that are helping build more sustainable cities. This is achieved by implementing urban land use and mobility planning, prioritizing energy efficiency in residential buildings, introducing low-carbon public transport, implementing resource-efficient waste management, and switching to renewable energy sources. 

UNDP has supported the governments of Brazil, Costa Rica, Ecuador and Indonesia to implement results-based payments through the REDD+ (Reducing emissions from deforestation and forest degradation in developing countries) framework. These include payments for environmental services and community forest management programmes that channel international climate finance resources to local actors on the ground, specifically forest communities and Indigenous Peoples. 

UNDP is also supporting small island developing states like the Comoros to invest in renewable energy and sustainable infrastructure. Through the Africa Minigrids Program , solar minigrids will be installed in two priority communities, Grand Comore and Moheli, providing energy access through distributed renewable energy solutions to those hardest to reach.

And in South Africa , a UNDP initative to boost energy efficiency awareness among the general population and improve labelling standards has taken over commercial shopping malls.

What is UNDP’s role in supporting climate change mitigation?

UNDP aims to assist countries with their climate change mitigation efforts, guiding them towards sustainable, low-carbon and climate-resilient development. This support is in line with achieving the Sustainable Development Goals (SDGs), particularly those related to affordable and clean energy (SDG7), sustainable cities and communities (SDG11), and climate action (SDG13). Specifically, UNDP’s offer of support includes developing and improving legislation and policy, standards and regulations, capacity building, knowledge dissemination, and financial mobilization for countries to pilot and scale-up mitigation solutions such as renewable energy projects, energy efficiency initiatives and sustainable land-use practices. 

With financial support from the Global Environment Facility and the Green Climate Fund, UNDP has an active portfolio of 94 climate change mitigation projects in 69 countries. These initiatives are not only aimed at reducing greenhouse gas emissions, but also at contributing to sustainable and resilient development pathways.

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Opponents say discipline is ‘Orwellian,’ ‘re-education’

New York University students who were arrested at a recent anti-Israel encampment must write “reflection” essays as part of their discipline, according to the campus Faculty and Staff for Justice in Palestine.

The university’s Office of Student Conduct issued the punishments last week for students who were arrested April 22 in connection with a pro-Palestinian encampment on campus, according to a news release .

The pro-Palestinian group referred to the disciplinary measures as “Orwellian” in the release.

One punishment, a five to six page “reflection paper,” must include “a clear, well-developed response that demonstrates that you have thought about all aspects of the issue/decision/behavior that resulted in your involvement with the Office of Student Conduct,” according to a university instructions sheet .

The instructions sheet states the paper “cannot serve to justify your actions, evaluate the actions of others, or challenge a conduct regulation.”

In the essay, students also must describe their personal values and consider how their actions affected other people, including the university and “society as a whole.” Additionally, the instructions tell students to consider what they need to do to “make things right.”

NYU is requiring other student protesters to write “dozens of writing assignments” through its Ethos Integrity Series Modules , according to the news release. The series is supposed to help students develop “moral reasoning” and “ethical decision-making skills.”

In addition to writing essays, some students were banned from campus and university activities, according to the group.

Middle Eastern studies Professor Sara Pursley, a member of the pro-Palestinian group, criticized the disciplinary measures in the news release.

“Since they can’t write anything justifying their action, students seem to be banned from writing about personal values that might be relevant here, such as a belief in freedom of expression, the responsibility to oppose genocide, or the duty of nonviolent civil disobedience under certain circumstances,” Pursley said. “This seems rather ironic in an essay on integrity.”

On X, conservative Princeton University law Professor Robert George said while he believes students should be disciplined for unlawful activities, NYU’s specific essay requirements are concerning.

“Students who engage in disruption, harassment, or other unlawful activities – no matter the cause they are seeking to advance – should be subject to disciplinary proceedings and appropriate sanctions, but they should not be subjected to thought reform or re-education,” George wrote .

Police in riot gear arrest dozens of NYU students and faculty who refused to leave a makeshift anti-Israel encampment in late April, The Fix reported .

Police said the protesters were arrested for “disorderly conduct” and unlawfully blocking traffic, according to the Washington Square News , NYU’s student newspaper.

MORE: Jewish NYU student kicked out of campus leadership post for opposing Hamas terrorism reinstated

IMAGE: Freedom News TV/YouTube

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What is ChatGPT? Here's everything you need to know about ChatGPT, the chatbot everyone's still talking about

• ChatGPT is getting a futuristic human update. 
• ChatGPT has drawn users at a feverish pace and spurred Big Tech to release other AI chatbots.
• Here's how ChatGPT works — and what's coming next.

OpenAI's blockbuster chatbot ChatGPT is getting a new update. 

On Monday, OpenAI unveiled GPT-4o for ChatGPT, a new version of the bot that can hold conversations with users in a very human tone. The new version of the chatbot will also have vision abilities.

The futuristic reveal quickly prompted jokes about parallels to the movie "Her," with some calling the chatbot's new voice " cringe ."

The move is a big step for the future of AI-powered virtual assistants, which tech companies have been racing to develop.

Since its release in 2022, hundreds of millions of people have experimented with the tool, which is already changing how the internet looks and feels to users.

Users have flocked to ChatGPT to improve their personal lives and boost productivity . Some workers have used the AI chatbot to develop code , write real estate listings , and create lesson plans, while others have made teaching the best ways to use ChatGPT a career all to itself.

ChatGPT offers dozens of plug-ins to those who subscribe to ChatGPT Plus subscription. An Expedia one can help you book a trip, while an OpenTable one will get nab you a dinner reservation. And last month, OpenAI launched Code Interpreter, a version of ChatGPT that can code and analyze data .

While the personal tone of conversations with an AI bot like ChatGPT can evoke the experience of chatting with a human, the technology, which runs on " large language model tools, " doesn't speak with sentience and doesn't "think" the way people do. 

That means that even though ChatGPT can explain quantum physics or write a poem on command, a full AI takeover isn't exactly imminent , according to experts.

"There's a saying that an infinite number of monkeys will eventually give you Shakespeare," said Matthew Sag, a law professor at Emory University who studies copyright implications for training and using large language models like ChatGPT.

"There's a large number of monkeys here, giving you things that are impressive — but there is intrinsically a difference between the way that humans produce language, and the way that large language models do it," he said. 

Chatbots like ChatGPT are powered by large amounts of data and computing techniques to make predictions to string words together in a meaningful way. They not only tap into a vast amount of vocabulary and information, but also understand words in context. This helps them mimic speech patterns while dispatching an encyclopedic knowledge. 

Other tech companies like Google and Meta have developed their own large language model tools, which use programs that take in human prompts and devise sophisticated responses.

Despite the AI's impressive capabilities, some have called out OpenAI's chatbot for spewing misinformation , stealing personal data for training purposes , and even encouraging students to cheat and plagiarize on their assignments. 

Some recent efforts to use chatbots for real-world services have proved troubling. In 2023, the mental health company Koko came under fire after its founder wrote about how the company used GPT-3 in an experiment to reply to users. 

Koko cofounder Rob Morris hastened to clarify on Twitter that users weren't speaking directly to a chatbot, but that AI was used to "help craft" responses. 

Read Insider's coverage on ChatGPT and some of the strange new ways that both people and companies are using chat bots: 

The tech world's reception to ChatGPT:

Microsoft is chill with employees using ChatGPT — just don't share 'sensitive data' with it.

Microsoft's investment into ChatGPT's creator may be the smartest $1 billion ever spent

ChatGPT and generative AI look like tech's next boom. They could be the next bubble.

The ChatGPT and generative-AI 'gold rush' has founders flocking to San Francisco's 'Cerebral Valley'

Insider's experiments: 

I asked ChatGPT to do my work and write an Insider article for me. It quickly generated an alarmingly convincing article filled with misinformation.

I asked ChatGPT and a human matchmaker to redo my Hinge and Bumble profiles. They helped show me what works.

I asked ChatGPT to reply to my Hinge matches. No one responded.

I used ChatGPT to write a resignation letter. A lawyer said it made one crucial error that could have invalidated the whole thing .

Read ChatGPT's 'insulting' and 'garbage' 'Succession' finale script

An Iowa school district asked ChatGPT if a list of books contains sex scenes, and banned them if it said yes. We put the system to the test and found a bunch of problems.

Developments in detecting ChatGPT: 

Teachers rejoice! ChatGPT creators have released a tool to help detect AI-generated writing

A Princeton student built an app which can detect if ChatGPT wrote an essay to combat AI-based plagiarism

Professors want to 'ChatGPT-proof' assignments, and are returning to paper exams and requesting editing history to curb AI cheating

ChatGPT in society: 

BuzzFeed writers react with a mix of disappointment and excitement at news that AI-generated content is coming to the website

ChatGPT is testing a paid version — here's what that means for free users

A top UK private school is changing its approach to homework amid the rise of ChatGPT, as educators around the world adapt to AI

Princeton computer science professor says don't panic over 'bullshit generator' ChatGPT

DoNotPay's CEO says threat of 'jail for 6 months' means plan to debut AI 'robot lawyer' in courtroom is on ice

It might be possible to fight a traffic ticket with an AI 'robot lawyer' secretly feeding you lines to your AirPods, but it could go off the rails

Online mental health company uses ChatGPT to help respond to users in experiment — raising ethical concerns around healthcare and AI technology

What public figures think about ChatGPT and other AI tools:

What Elon Musk, Bill Gates, and 12 other business leaders think about AI tools like ChatGPT

Elon Musk was reportedly 'furious' at ChatGPT's popularity after he left the company behind it, OpenAI, years ago

CEO of ChatGPT maker responds to schools' plagiarism concerns: 'We adapted to calculators and changed what we tested in math class'

A theoretical physicist says AI is just a 'glorified tape recorder' and people's fears about it are overblown

'The most stunning demo I've ever seen in my life': ChatGPT impressed Bill Gates

Ashton Kutcher says your company will probably be 'out of business' if you're 'sleeping' on AI

ChatGPT's impact on jobs: 

AI systems like ChatGPT could impact 300 million full-time jobs worldwide, with administrative and legal roles some of the most at risk, Goldman Sachs report says

Jobs are now requiring experience with ChatGPT — and they'll pay as much as $800,000 a year for the skill

Related stories

ChatGPT may be coming for our jobs. Here are the 10 roles that AI is most likely to replace.

AI is going to eliminate way more jobs than anyone realizes

It's not AI that is going to take your job, but someone who knows how to use AI might, economist says

4 careers where workers will have to change jobs by 2030 due to AI and shifts in how we shop, a McKinsey study says

Companies like Amazon, Netflix, and Meta are paying salaries as high as $900,000 to attract generative AI talent

How AI tools like ChatGPT are changing the workforce:

10 ways artificial intelligence is changing the workplace, from writing performance reviews to making the 4-day workweek possible

Managers who use AI will replace managers who don't, says an IBM exec

How ChatGPT is shaping industries: 

ChatGPT is coming for classrooms, hospitals, marketing departments, and everything else as the next great startup boom emerges

Marketing teams are using AI to generate content, boost SEO, and develop branding to help save time and money, study finds

AI is coming for Hollywood. 'It's amazing to see the sophistication of the images,' one of Christopher Nolan's VFX guy says.

AI is going to offer every student a personalized tutor, founder of Khan Academy says

A law firm was fined $5,000 after one of its lawyers used ChatGPT to write a court brief riddled with fake case references

How workers are using ChatGPT to boost productivity:  

CheatGPT: The hidden wave of employees using AI on the sly

I used ChatGPT to talk to my boss for a week and she didn't notice. Here are the other ways I use it daily to get work done.

I'm a high school math and science teacher who uses ChatGPT, and it's made my job much easier

Amazon employees are already using ChatGPT for software coding. They also found the AI chatbot can answer tricky AWS customer questions and write cloud training materials.

How 6 workers are using ChatGPT to make their jobs easier

I'm a freelance editor who's embraced working with AI content. Here's how I do it and what I charge.

How people are using ChatGPT to make money:

How ChatGPT and other AI tools are helping workers make more money

Here are 5 ways ChatGPT helps me make money and complete time-consuming tasks for my business

ChatGPT course instruction is the newest side hustle on the market. Meet the teachers making thousands from the lucrative gig.

People are using ChatGPT and other AI bots to work side hustles and earn thousands of dollars — check out these 8 freelancing gigs

A guy tried using ChatGPT to turn $100 into a business making 'as much money as possible.' Here are the first 4 steps the AI chatbot gave him

We used ChatGPT to build a 7-figure newsletter. Here's how it makes our jobs easier.

I use ChatGPT and it's like having a 24/7 personal assistant for $20 a month. Here are 5 ways it's helping me make more money.

A worker who uses AI for a $670 monthly side hustle says ChatGPT has 'cut her research time in half'

How companies are navigating ChatGPT: 

From Salesforce to Air India, here are the companies that are using ChatGPT

Amazon, Apple, and 12 other major companies that have restricted employees from using ChatGPT

A consultant used ChatGPT to free up time so she could focus on pitching clients. She landed $128,000 worth of new contracts in just 3 months.

Luminary, an AI-generated pop-up restaurant, just opened in Australia. Here's what's on the menu, from bioluminescent calamari to chocolate mousse.

A CEO is spending more than $2,000 a month on ChatGPT Plus accounts for all of his employees, and he says it's saving 'hours' of time

How people are using ChatGPT in their personal lives:

ChatGPT planned a family vacation to Costa Rica. A travel adviser found 3 glaring reasons why AI won't replace experts anytime soon.

A man who hated cardio asked ChatGPT to get him into running. Now, he's hooked — and he's lost 26 pounds.

A computer engineering student is using ChatGPT to overcome learning challenges linked to her dyslexia

How a coder used ChatGPT to find an apartment in Berlin in 2 weeks after struggling for months

Food blogger Nisha Vora tried ChatGPT to create a curry recipe. She says it's clear the instructions lacked a human touch — here's how.

Men are using AI to land more dates with better profiles and personalized messages, study finds

Lawsuits against OpenAI:

OpenAI could face a plagiarism lawsuit from The New York Times as tense negotiations threaten to boil over, report says

This is why comedian Sarah Silverman is suing OpenAI, the company behind ChatGPT

2 authors say OpenAI 'ingested' their books to train ChatGPT. Now they're suing, and a 'wave' of similar court cases may follow.

A lawsuit claims OpenAI stole 'massive amounts of personal data,' including medical records and information about children, to train ChatGPT

A radio host is suing OpenAI for defamation, alleging that ChatGPT created a false legal document that accused him of 'defrauding and embezzling funds'

Tips on how to write better ChatGPT prompts:

7 ways to use ChatGPT at work to boost your productivity, make your job easier, and save a ton of time

I'm an AI prompt engineer. Here are 3 ways I use ChatGPT to get the best results.

12 ways to get better at using ChatGPT: Comprehensive prompt guide

Here's 9 ways to turn ChatGPT Plus into your personal data analyst with the new Code Interpreter plug-in

OpenAI's ChatGPT can write impressive code. Here are the prompts you should use for the best results, experts say.

Axel Springer, Business Insider's parent company, has a global deal to allow OpenAI to train its models on its media brands' reporting.

Watch: What is ChatGPT, and should we be afraid of AI chatbots?

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The Hidden-Pregnancy Experiment

By Jia Tolentino

Shortly after I became pregnant with my second child, in the fall of 2022, I decided to try a modest experiment. I wanted to see whether I could hide my pregnancy from my phone. After spending my twenties eagerly surveilling and sharing the details of my life online, I had already begun trying to erect some walls of technological privacy: I’d deleted most apps on my phone and turned off camera, location, and microphone access for nearly all of the ones that I did have; I had disabled Siri—I just found it annoying—and I didn’t have any smart devices. For the experiment, I would abide by some additional restrictions. I wouldn’t Google anything about pregnancy nor shop for baby stuff either online or using a credit card, and neither would my husband, because our I.P. addresses—and thus the vast, matrixed fatbergs of personal data assembled by unseen corporations to pinpoint our consumer and political identities—were linked. I wouldn’t look at pregnancy accounts on Instagram or pregnancy forums on Reddit. I wouldn’t update my period tracker or use a pregnancy app.

Nearly every time we load new content on an app or a Web site, ad-exchange companies—Google being the largest among them—broadcast data about our interests, finances, and vulnerabilities to determine exactly what we’ll see; more than a billion of these transactions take place in the U.S. every hour. Each of us, the data-privacy expert Wolfie Christl told me, has “dozens or even hundreds” of digital identifiers attached to our person; there’s an estimated eighteen-billion-dollar industry for location data alone. In August, 2022, Mozilla reviewed twenty pregnancy and period-tracking apps and found that fifteen of them made a “buffet” of personal data available to third parties, including addresses, I.P. numbers, sexual histories, and medical details. In most cases, the apps used vague language about when and how this data could be shared with law enforcement. (A 2020 FOIA lawsuit filed by the A.C.L.U. revealed that the Department of Homeland Security had purchased access to location data for millions of people in order to track them without a warrant. ICE and C.B.P. subsequently said they would stop using such data.) The scholar Shoshana Zuboff has called this surveillance capitalism , “a new economic order that claims human experience as free raw material for hidden commercial practices of extraction, prediction, and sales.” Through our phones, we are under perpetual surveillance by companies that buy and sell data about what kind of person we are, whom we might vote for, what we might purchase, and what we might be nudged into doing.

A decade ago, the sociology professor Janet Vertesi conducted a more rigorous form of the hidden-pregnancy experiment. Using an elaborate system of code words and the anonymous browser Tor, she managed to digitally hide her pregnancy all the way up to the birth of her child. In an article about the experience, for Time , she pointed to a Financial Times report, which found that identifying a single pregnant woman is as valuable to data brokers as knowing the age, gender, and location of more than two hundred nonpregnant people, because of how much stuff new parents tend to buy. She also noted that simply attempting to evade market detection—by, for example, purchasing stacks of gift cards in order to buy a stroller—made her and her husband look as though they were trying to commit fraud.

I wasn’t going to do anything so strict or elaborate. I’d allow myself to text and send e-mails about my pregnancy, and to talk about it with my phone nearby. I assumed that, eventually, it would notice; I’d just wait and see when a diaper ad popped up on Instagram. I liked the idea of establishing a buffer zone between my psyche and the object that most closely monitors it. I found it almost shocking to remember that this was possible.

Pregnancy tends to erode both your freedom and your privacy. Past a certain point in your second trimester, strangers will begin reaching toward your stomach and telling you about the real difference between boys and girls. But I had eluded this during my first pregnancy, because COVID hit before I started showing. In the months that followed, I began to feel the difference between witnessing something and surveilling it, and to recognize that the most pleasurable moments in my life had occurred out of the reach of any oversight. I had felt then an almost psychedelic sense of autonomy; time was dilating, and the slow bloom inside me was beyond anyone’s reach. I wanted to see if I could feel anything like that again.

During pregnancy, and in the early days of parenthood, one is both the object and the conductor of intense surveillance. Last year, the artist and filmmaker Sophie Hamacher co-edited an anthology of writing on the subject, called “ Supervision ,” which was published by M.I.T. Press. “As I became absorbed with tracking and monitoring my child,” Hamacher writes in the preface, “I was increasingly aware that I was a subject of tracking and monitoring by others: advertisers, medical professionals, government entities, people on the street. I began to wonder about the relationship between the way I watched her and the ways we were being watched.” Surveillance encompasses both policing and caretaking, Hamacher notes. In practice, its polarized qualities—“beneficial and harmful, intimate and distanced”—intertwine. Baby monitors use technology developed for the military. Many contemporary models run on CCTV.

Most American households with young children use baby monitors or trackers; two recent surveys put market penetration at seventy-five and eighty-three per cent, respectively. (Both surveys were conducted by companies that make these devices.) And there are now countless other ways that technology will help you to observe and scrutinize your child: nanny-cam Teddy bears, G.P.S. stroller accessories, scales that track your baby’s weight over time, disks that can be affixed to diapers and which will notify you if your baby rolls onto his stomach while he’s asleep. Increasingly, such products use A.I. to detect signs of distress. “The need to know whether a child is safe and well is perfectly natural, which makes the nature of such surveillance appear innocent,” the writer and scholar Hannah Zeavin notes in “Family Scanning,” one of the essays in “Supervision.” But, she adds, “these technologies conceal the possibility of false positives, disrupted emergency services, and of collaboration with state forces—wittingly or unwittingly—all in the name of keeping children safe.” As a general rule, these devices don’t lead to better outcomes for the babies they monitor. More often—like social media, which promises connection as a salve for the loneliness created by social media—parenting tech exacerbates, even calls into existence, the parental anxieties that it pledges to soothe.

This has become a common pattern in contemporary life. Nearly a fifth of U.S. households are estimated to use doorbell cameras, many of them from Ring, the Amazon-owned company that has expanded its reach through police partnerships and a dedicated app that encourages users to post footage of strangers. Ring cameras haven’t made neighborhoods measurably safer, but they have made users measurably more paranoid, and placed more people, sometimes with grave outcomes, in contact with the police. Until recently, police could readily access surveillance footage from the Ring network without a warrant by posting requests on the app. It also gave its own employees and third-party contractors “ ‘ free range ’ access” to view and download videos from users’ homes.

In 2015, the company Owlet started selling a two-hundred-and-fifty-dollar Smart Sock, which monitored babies’ heart rates and oxygen levels, and alerted parents if these figures were abnormal. Although the company insists that it has made clear that the product is not intended to “treat or diagnose” sudden infant death syndrome—and there is no evidence that it reduces the risk of SIDS occurring—such devices are sometimes referred to as “ SIDS monitors.” But, in 2017, an opinion piece in the Journal of the American Medical Association cautioned physicians against recommending the product. “There are no medical indications for monitoring healthy infants at home,” the authors wrote. The device, they noted, could “stimulate unnecessary fear, uncertainty, and self-doubt in parents about their abilities to keep their infants safe.” The following year, a study in the same journal found “concerning” inaccuracies in oxygen readings. When Owlet went public, in February, 2021, the company had a valuation of more than a billion dollars; later that year, the F.D.A. issued a warning letter that the Smart Sock wasn’t an authorized medical device, and the company pulled it off the market. A million units had already been sold. The following year, Owlet launched a new version, called the Dream Sock, which would receive F.D.A. approval. Most of the reviews for the Dream Sock exude profound gratitude. Parents write about the peace of mind that comes from knowing the baby is being constantly monitored, about not knowing what they would do if the device didn’t exist.

Surveillance capitalism, Zuboff writes, “aims to impose a new collective order based on total certainty.” But little is certain when it comes to babies. The control that we feel when we’re engaged in surveillance almost always proves illusory, though the control, or at least the influence, that others exert on us through surveillance is real.

It is not a coincidence that Roe v. Wade, a ruling grounded in the right to privacy, was overturned at a time when privacy in the U.S was on its conceptual deathbed. There are other legal principles that might have served as a stronger foundation for abortion rights: the right to equal protection, or the right to bodily integrity. As Christyne Neff wrote, in 1991, the physical effects of an ordinary pregnancy and delivery resemble those of a severe beating—flesh lacerated, organs rearranged, half a quart of blood lost. Can the state, she asked, rightfully compel a person to undergo this?

Since Roe fell, two years ago, fourteen states have claimed that power in absolute terms, banning abortion almost completely. Two states have successfully passed abortion-vigilante laws, which confer the power of carceral supervision on the public. Indiana’s attorney general has argued that abortion records should be publicly available, like death records; Kansas recently passed a law that would require abortion providers to collect details about the personal lives of their patients and make that information available to the government. Birth control and sex itself may be up next for criminal surveillance: the Heritage Foundation , last year, insisted, on Twitter, that “conservatives have to lead the way in restoring sex to its true purpose, & ending recreational sex & senseless use of birth control pills.”

For many women in America, pregnancy was a conduit to state surveillance long before the end of Roe. Poor women, especially poor nonwhite women, are often drug-tested during pregnancy, and sometimes during labor and delivery, without their informed consent. Women who take drugs during pregnancy have been charged with child abuse or neglect, including in cases in which the drugs were legal; women who have miscarried after taking drugs have been charged with manslaughter, even homicide, even when no causal link was proved. Sometimes this happens because the woman in question had responded to billboards and service announcements promising to help pregnant people who are struggling with substance use. In multiple states, women have been taken into custody when the safety of the fetus was called into question. “To be pregnant and poor in the United States is to play a game of roulette with one’s privacy, presumed confidential relationship with medical providers, and basic constitutional and medical rights,” the law professor Michele Goodwin writes in “ Policing the Womb ,” from 2020.

Goodwin describes the case of a woman in Iowa named Christine Taylor, who, in 2010, as a twenty-two-year-old mother of two, was accused of attempted feticide after she fell down the stairs while pregnant. Part of the evidence cited by the police was that she reportedly told a nurse that she hadn’t wanted the baby. (Ultimately, prosecutors decided not to press charges.) The carceral surveillance of pregnancy entails the criminalization of ambivalence, the inspection of these innermost desires. But the deepest truths about motherhood seem to me to be rooted in conflicting, coexisting emotions: nightmare and rapture in the same moment during labor, the love and despair that box each other at night in the weeks that follow, the joy of cuddling my nine-month-old undergirded by the horror of knowing that other babies are starving and dying in rubble. Before I had my first child, I had badly wanted to get pregnant. I had planned for it, prepared for it, hoped for it. Still, when I saw the positive test result, I cried.

My modest experiment went surprisingly smoothly. Because I’d had my first child not long before, this time I didn’t need to buy anything, and I didn’t want to learn anything. I smooth-brained my way to three months, four months, five; no diaper ads. I called up a lawyer and data-privacy specialist named Dominique Shelton Leipzig to get her perspective. Globally, she told me, we generate 2.5 quintillion bytes—that’s eighteen zeroes—of data per day. “The short answer is, you probably haven’t hidden what you think you have,” she said. I told her about the rules I’d set for myself, that I didn’t have many apps and had bought nothing but prenatal vitamins, and that Instagram did not appear to have identified me as pregnant. She paused. “I’m amazed,” she told me. “If you didn’t see any ads, I think you might have succeeded.” I congratulated myself by instantly dropping the experiment and buying maternity pants; ads for baby carriers popped up on my Instagram within minutes.

I had felt little satisfaction hiding from the ad trackers—if anything, I’d only become more conscious of how much surveillance I was engaged in, as both subject and object, and how much more insidious the problem was becoming. We rarely have a clear understanding of what we’re doing when we engage in surveillance of ourselves or others. Life360, an app that’s used by more than sixty million people and is marketed as an easy way to track your child’s location via their smartphone, was found in 2021 to be selling raw location information to data brokers. (The company said it now sells only aggregate data.) In a Pew survey from 2023, seventy-seven per cent of Americans said they had very little to no trust in how social-media executives handle user data, and seventy-one per cent were concerned about how the government uses it. In another survey, ninety-three per cent of Americans said they wouldn’t buy a doorbell camera if it sold data about their family. People just want to be safer. I had wanted security, too, and affirmation—and I had wanted to be a writer. I had disclosed so much of my life to people I’ll never know.

My husband and I had not bought a baby monitor for our first child, a choice that satisfied his desire to not buy things and my desire to insist that certain aspects of experience are fundamentally ungovernable. But shortly after the second child was born she developed eczema, and started scratching her sweet, enormous cheeks in her sleep. One morning, my husband went to her and found that she’d clawed her face open, leaving blood smudged all over her sleep sack and smeared all over her face. “We need a video monitor!” I wailed, already Googling options. “We need to buy a video monitor today.”

We didn’t buy one, but for weeks I regretted it and second-guessed myself. And I surveilled the baby with technology in other ways all the time. In the early weeks, I relied on an app to tell me how much milk she’d drunk and how many soiled diapers she’d had that day—activities that I myself had witnessed just hours before. I felt like a Biblical angel with a thousand eyes, somehow unable to see anything. I took pictures because I knew I would have no memory of the precise contours of this exact baby in a month. When she didn’t seem hungry enough, I panicked, obsessing over every feed.

“What’s the line between pathological self-surveillance and care for a newborn? Is there one?” Sarah Blackwood, an English professor at Pace University, asks, in “Supervision.” Blackwood contrasts the “fantasy of efficiency and sterility” built into parenting tech with the “psychic state of watchfulness so many mothers find themselves in”—a state that is “metastatic, fecund, beyond.” One afternoon, my husband took the baby from me: she was sobbing, and I was incoherently frantic, trying to get her to eat. She was O.K., he told me; she’d eat when she needed to. But I know what’s good for her, and it’s my job to make her do it, I thought, furious. Around the fringes of my consciousness, I felt a flicker of understanding about how this idea that everything was controllable had become so ubiquitous, how we had confused coercion with care. ♦

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AI may be to blame for our failure to make contact with alien civilisations

Sir Bernard Lovell chair of Astrophysics and Director of Jodrell Bank Centre for Astrophysics, University of Manchester

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Artificial intelligence (AI) has progressed at an astounding pace over the last few years. Some scientists are now looking towards the development of artificial superintelligence (ASI) — a form of AI that would not only surpass human intelligence but would not be bound by the learning speeds of humans.

But what if this milestone isn’t just a remarkable achievement? What if it also represents a formidable bottleneck in the development of all civilisations, one so challenging that it thwarts their long-term survival?

This idea is at the heart of a research paper I recently published in Acta Astronautica. Could AI be the universe’s “great filter” – a threshold so hard to overcome that it prevents most life from evolving into space-faring civilisations?

This is a concept that might explain why the search for extraterrestrial intelligence (Seti) has yet to detect the signatures of advanced technical civilisations elsewhere in the galaxy.

The great filter hypothesis is ultimately a proposed solution to the Fermi Paradox . This questions why, in a universe vast and ancient enough to host billions of potentially habitable planets, we have not detected any signs of alien civilisations. The hypothesis suggests there are insurmountable hurdles in the evolutionary timeline of civilisations that prevent them from developing into space-faring entities.

I believe the emergence of ASI could be such a filter. AI’s rapid advancement, potentially leading to ASI, may intersect with a critical phase in a civilisation’s development – the transition from a single-planet species to a multiplanetary one.

This is where many civilisations could falter, with AI making much more rapid progress than our ability either to control it or sustainably explore and populate our Solar System.

The challenge with AI, and specifically ASI, lies in its autonomous, self-amplifying and improving nature. It possesses the potential to enhance its own capabilities at a speed that outpaces our own evolutionary timelines without AI.

The potential for something to go badly wrong is enormous, leading to the downfall of both biological and AI civilisations before they ever get the chance to become multiplanetary. For example, if nations increasingly rely on and cede power to autonomous AI systems that compete against each other, military capabilities could be used to kill and destroy on an unprecedented scale. This could potentially lead to the destruction of our entire civilisation, including the AI systems themselves.

In this scenario, I estimate the typical longevity of a technological civilisation might be less than 100 years. That’s roughly the time between being able to receive and broadcast signals between the stars (1960), and the estimated emergence of ASI (2040) on Earth. This is alarmingly short when set against the cosmic timescale of billions of years.

This estimate, when plugged into optimistic versions of the Drake equation – which attempts to estimate the number of active, communicative extraterrestrial civilisations in the Milky Way – suggests that, at any given time, there are only a handful of intelligent civilisations out there. Moreover, like us, their relatively modest technological activities could make them quite challenging to detect.

Wake-up call

This research is not simply a cautionary tale of potential doom. It serves as a wake-up call for humanity to establish robust regulatory frameworks to guide the development of AI, including military systems.

This is not just about preventing the malevolent use of AI on Earth; it’s also about ensuring the evolution of AI aligns with the long-term survival of our species. It suggests we need to put more resources into becoming a multiplanetary society as soon as possible – a goal that has lain dormant since the heady days of the Apollo project , but has lately been reignited by advances made by private companies.

As the historian Yuval Noah Harari noted , nothing in history has prepared us for the impact of introducing non-conscious, super-intelligent entities to our planet. Recently, the implications of autonomous AI decision-making have led to calls from prominent leaders in the field for a moratorium on the development of AI, until a responsible form of control and regulation can be introduced.

But even if every country agreed to abide by strict rules and regulation , rogue organisations will be difficult to rein in.

The integration of autonomous AI in military defence systems has to be an area of particular concern. There is already evidence that humans will voluntarily relinquish significant power to increasingly capable systems, because they can carry out useful tasks much more rapidly and effectively without human intervention. Governments are therefore reluctant to regulate in this area given the strategic advantages AI offers , as has been recently and devastatingly demonstrated in Gaza .

This means we already edge dangerously close to a precipice where autonomous weapons operate beyond ethical boundaries and sidestep international law. In such a world, surrendering power to AI systems in order to gain a tactical advantage could inadvertently set off a chain of rapidly escalating, highly destructive events. In the blink of an eye, the collective intelligence of our planet could be obliterated.

Humanity is at a crucial point in its technological trajectory. Our actions now could determine whether we become an enduring interstellar civilisation, or succumb to the challenges posed by our own creations.

Using Seti as a lens through which we can examine our future development adds a new dimension to the discussion on the future of AI. It is up to all of us to ensure that when we reach for the stars, we do so not as a cautionary tale for other civilisations, but as a beacon of hope – a species that learned to thrive alongside AI.

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Introducing AI Writer, the leading iOS app that brings advanced artificial intelligence technology to the world of writing. Whether you need to create an essay, compose an email, formulate an engaging resume or a compelling narrative, "AI Writer" gives you all the tools you need to succeed. With an advanced AI-based chat system, "AI Writer" becomes your personalized texting assistant. The app also acts as a universal translator, ensuring perfect understanding in different languages. In addition, "AI Writer" helps you generate code, inspire business ideas, compose messages, create engaging paragraphs and even develops you in writing short stories, jokes, songs, poems, recipes and workout plans. Enhance your writing skills and discover new possibilities with "AI Writer", your trusted writing companion on iOS. In-app purchase: You can become a premium user by auto-renewing your subscription. - Payment will be charged to your iTunes account when you confirm your purchase. - Subscription will automatically renew unless auto-renew is turned off at least 24 hours before the expiration date. - Subscription length: one week, one month, one year. - If you renew your subscription within 24 hours before the end of the current period, your account will be charged the amount corresponding to the renewal price. - Subscription cost: one week - $4.99, one month - $9.99, tree month - $29.99. - Subscriptions can be managed by the user, and auto-renewal can be disabled by going to User Account Settings after purchase. - Cancellation of the current subscription during the active subscription period is not allowed Privacy Policy: https://appslabs.org/privacy-policy/ Terms of Use: https://appslabs.org/terms-of-service/

App Privacy

The developer, Apps Labs , indicated that the app’s privacy practices may include handling of data as described below. For more information, see the developer’s privacy policy .

Data Used to Track You

The following data may be used to track you across apps and websites owned by other companies:

• Diagnostics

Data Not Linked to You

The following data may be collected but it is not linked to your identity:

Privacy practices may vary, for example, based on the features you use or your age. Learn More

Information

English, French, German, Italian, Japanese, Portuguese, Russian, Simplified Chinese, Spanish, Traditional Chinese

• Essay Writer $4.99
• AI Text $39.99
• Write For Me $79.99
• AI Text Generation $29.99
• AI Writing Assistant $9.99
• AI Writing $7.99
• App Support
• Privacy Policy

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