history research paper thesis

Writing a Thesis and Making an Argument

Almost every assignment you complete for a history course will ask you to make an argument. Your instructors will often call this your "thesis"– your position on a subject.

What is an Argument?

An argument takes a stand on an issue. It seeks to persuade an audience of a point of view in much the same way that a lawyer argues a case in a court of law. It is NOT a description or a summary.

• This is an argument: "This paper argues that the movie JFK is inaccurate in its portrayal of President Kennedy."
• This is not an argument: "In this paper, I will describe the portrayal of President Kennedy that is shown in the movie JFK."

What is a Thesis?

A thesis statement is a sentence in which you state an argument about a topic and then describe, briefly, how you will prove your argument.

• This is an argument, but not yet a thesis: "The movie ‘JFK’ inaccurately portrays President Kennedy."
• This is a thesis: "The movie ‘JFK’ inaccurately portrays President Kennedy because of the way it ignores Kennedy’s youth, his relationship with his father, and the findings of the Warren Commission."

A thesis makes a specific statement to the reader about what you will be trying to argue. Your thesis can be a few sentences long, but should not be longer than a paragraph. Do not begin to state evidence or use examples in your thesis paragraph.

A Thesis Helps You and Your Reader

Your blueprint for writing:

• Helps you determine your focus and clarify your ideas.
• Provides a "hook" on which you can "hang" your topic sentences.
• Can (and should) be revised as you further refine your evidence and arguments. New evidence often requires you to change your thesis.
• Gives your paper a unified structure and point.

Your reader’s blueprint for reading:

• Serves as a "map" to follow through your paper.
• Keeps the reader focused on your argument.
• Signals to the reader your main points.
• Engages the reader in your argument.

Tips for Writing a Good Thesis

• Find a Focus: Choose a thesis that explores an aspect of your topic that is important to you, or that allows you to say something new about your topic. For example, if your paper topic asks you to analyze women’s domestic labor during the early nineteenth century, you might decide to focus on the products they made from scratch at home.
• Look for Pattern: After determining a general focus, go back and look more closely at your evidence. As you re-examine your evidence and identify patterns, you will develop your argument and some conclusions. For example, you might find that as industrialization increased, women made fewer textiles at home, but retained their butter and soap making tasks.

Strategies for Developing a Thesis Statement

Idea 1. If your paper assignment asks you to answer a specific question, turn the question into an assertion and give reasons for your opinion.

Assignment: How did domestic labor change between 1820 and 1860? Why were the changes in their work important for the growth of the United States?

Beginning thesis: Between 1820 and 1860 women's domestic labor changed as women stopped producing home-made fabric, although they continued to sew their families' clothes, as well as to produce butter and soap. With the cash women earned from the sale of their butter and soap they purchased ready-made cloth, which in turn, helped increase industrial production in the United States before the Civil War.

Idea 2. Write a sentence that summarizes the main idea of the essay you plan to write.

Main Idea: Women's labor in their homes during the first half of the nineteenth century contributed to the growth of the national economy.

Idea 3. Spend time "mulling over" your topic. Make a list of the ideas you want to include in the essay, then think about how to group them under several different headings. Often, you will see an organizational plan emerge from the sorting process.

Idea 4. Use a formula to develop a working thesis statement (which you will need to revise later). Here are a few examples:

• Although most readers of ______ have argued that ______, closer examination shows that ______.
• ______ uses ______ and ______ to prove that ______.
• Phenomenon X is a result of the combination of ______, ______, and ______.

These formulas share two characteristics all thesis statements should have: they state an argument and they reveal how you will make that argument. They are not specific enough, however, and require more work.

As you work on your essay, your ideas will change and so will your thesis. Here are examples of weak and strong thesis statements.

• Unspecific thesis: "Eleanor Roosevelt was a strong leader as First Lady."  This thesis lacks an argument. Why was Eleanor Roosevelt a strong leader?
• Specific thesis: "Eleanor Roosevelt recreated the role of the First Lady by her active political leadership in the Democratic Party, by lobbying for national legislation, and by fostering women’s leadership in the Democratic Party."  The second thesis has an argument: Eleanor Roosevelt "recreated" the position of First Lady, and a three-part structure with which to demonstrate just how she remade the job.
• Unspecific thesis: "At the end of the nineteenth century French women lawyers experienced difficulty when they attempted to enter the legal profession."  No historian could argue with this general statement and uninteresting thesis.
• Specific thesis: "At the end of the nineteenth century French women lawyers experienced misogynist attacks from male lawyers when they attempted to enter the legal profession because male lawyers wanted to keep women out of judgeships."  This thesis statement asserts that French male lawyers attacked French women lawyers because they feared women as judges, an intriguing and controversial point.

Making an Argument – Every Thesis Deserves Its Day in Court

You are the best (and only!) advocate for your thesis. Your thesis is defenseless without you to prove that its argument holds up under scrutiny. The jury (i.e., your reader) will expect you, as a good lawyer, to provide evidence to prove your thesis. To prove thesis statements on historical topics, what evidence can an able young lawyer use?

• Primary sources: letters, diaries, government documents, an organization’s meeting minutes, newspapers.
• Secondary sources: articles and books from your class that explain and interpret the historical event or person you are writing about, lecture notes, films or documentaries.

How can you use this evidence?

• Make sure the examples you select from your available evidence address your thesis.
• Use evidence that your reader will believe is credible. This means sifting and sorting your sources, looking for the clearest and fairest. Be sure to identify the biases and shortcomings of each piece of evidence for your reader.
• Use evidence to avoid generalizations. If you assert that all women have been oppressed, what evidence can you use to support this? Using evidence works to check over-general statements.
• Use evidence to address an opposing point of view. How do your sources give examples that refute another historian’s interpretation?

Remember -- if in doubt, talk to your instructor.

Thanks to the web page of the University of Wisconsin at Madison’s Writing Center for information used on this page. See writing.wisc.edu/handbook for further information.

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How to Research and Write a Compelling History Thesis

The Importance of Research for Writing a History Thesis

Just as history is more than a collection of facts about past events, an effective history thesis goes beyond simply sharing recorded information. Writing a compelling history thesis requires making an argument about a historical fact and, then, researching and providing a well-crafted defense for that position.

With so many sources available—some of which may provide conflicting findings—how should a student research and write a history thesis? How can a student create a thesis that’s both compelling and supports a position that academic editors describe as “concise, contentious, and coherent”?

Key steps in how to write a history thesis include evaluating source materials, developing a strong thesis statement, and building historical knowledge.

Compelling theses provide context about historical events. This context, according to the reference website ThoughtCo., refers to the social, religious, economic, and political conditions during an occurrence that “enable us to interpret and analyze works or events of the past, or even the future, rather than merely judge them by contemporary standards”.

The context supports the main point of a thesis, called the thesis statement, by providing an interpretive and analytical framework of the facts, instead of simply stating them. Research uncovers the evidence necessary to make the case for that thesis statement.

To gather evidence that contributes to a deeper understanding of a given historical topic, students should reference both primary and secondary sources of research.

Primary Sources

Primary sources are firsthand accounts of events in history, according to Professor David Ulbrich, director of Norwich University’s online Master of Arts in History program. These sources provide information not only about what happened and how it happened but also why it happened.

Primary sources can include letters, diaries, photos, and videos as well as material objects such as “spent artillery shells, architectural features, cemetery headstones, chemical analysis of substances, shards of bowls or bottles, farming implements, or earth or environmental features or factors,” Ulbrich says. “The author of the thesis can tell how people lived, for example, by the ways they arranged their material lives.”

Primary research sources are the building blocks to help us better understand and appreciate history. It is critical to find as many primary sources from as many perspectives as possible. Researching these firsthand accounts can provide evidence that helps answer those “what”, “how”, and “why” questions about the past, Ulbrich says.

Secondary Sources

Secondary sources are materials—such as books, articles, essays, and documentaries—gathered and interpreted by other researchers. These sources often provide updates and evaluation of the thesis topic or viewpoints that support the theories presented in the thesis.

Primary and secondary sources are complementary types of research that form a convincing foundation for a thesis’ main points.

How to Write a History Thesis

What are the steps to write a history thesis? The process of developing a thesis that provides a thorough analysis of a historical event—and presents academically defensible arguments related to that analysis—includes the following:

1. Gather and Analyze Sources

When collecting sources to use in a thesis, students should analyze them to ensure they demonstrate knowledge and understanding of the materials. A student should evaluate the attributes of sources such as their origin and point-of-view.

An array of primary and secondary sources can help provide a thorough understanding of a historical event, although some of those sources may include conflicting views and details. In those cases, the American Historical Association says, it’s up to the thesis author to determine which source reflects the appropriate point-of-view.

2. Develop a Thesis Statement

To create a thesis statement, a student should establish a specific idea or theory that makes the main point about a historical event. Scribbr, an editing website, recommends starting with a working thesis, asking the question the thesis intends to answer, and, then, writing the answer.

The final version of a thesis statement might be argumentative, for example, taking a side in a debate. Or it might be expository, explaining a historical situation. In addition to being concise and coherent, a thesis statement should be contentious, meaning it requires evidence to support it.

3. Create an Outline

Developing a thesis requires an outline of the content that will support the thesis statement. Students should keep in mind the following key steps in creating their outline:

• Note major points.
• Categorize ideas supported by the theories.
• Arrange points according to the importance and a timeline of events addressed by the thesis.
• Create effective headings and subheadings.
• Format the outline.

4. Organize Information

Thesis authors should ensure their content follows a logical order. This may entail coding resource materials to help match them to the appropriate theories while organizing the information. A thesis typically contains the following elements.

• Abstract —Overview of the thesis.
• Introduction —Summary of the thesis’ main points.
• Literature review —Explanation of the gap in previous research addressed by this thesis.
• Methods —Outline how the author reviewed the research and why materials were selected.
• Results —Description of the research findings.
• Discussion —Analysis of the research.
• Conclusion —Statements about what the student learned.

5. Write the Thesis

Online writing guide Paperpile recommends that students start with the literature review when writing the thesis. Developing this section first will help the author gain a more complete understanding of the thesis’ source materials. Writing the abstract last can give the student a thorough picture of the work the abstract should describe.

The discussion portion of the thesis typically is the longest since it’s here that the writer will explain the limitations of the work, offer explanations of any unexpected results, and cite remaining questions about the topic.

In writing the thesis, the author should keep in mind that the document will require multiple changes and drafts—perhaps even new insights. A student should gather feedback from a professor and colleagues to ensure their thesis is clear and effective before finalizing the draft.      

6. Prepare to Defend the Thesis

A committee will evaluate the student’s defense of the thesis’ theories. Students should prepare to defend their thesis by considering answers to questions posed by the committee. Additionally, students should develop a plan for addressing questions to which they may not have a ready answer, understanding the evaluation likely will consider how the author handles that challenge.

Developing Skills to Write a Compelling History Thesis

When looking for direction on how to write a history thesis, Norwich University’s online Master of Arts in History program can provide the needed skills and knowledge. The program’s tracks and several courses—taken as core classes or as electives in multiple concentrations—can provide a strong foundation for thesis work.

Master of Arts in History Tracks

In the Norwich online Master of Arts in History program, respected scholars help students improve their historical insight, research, writing, analytical, and presentation skills. They teach the following program tracks.

• Public History —Focuses on the preservation and interpretation of historic documents and artifacts for purposes of public observation.
• American History —Emphasizes the exploration and interpretation of key events associated with U.S. history.
• World History —Prepares students to develop an in-depth understanding of world history from various eras.
• Legal and Constitutional History —Provides a thorough study of the foundational legal and constitutional elements in the U.S. and Europe.

Master of Arts in History Courses

Norwich University’s online Master of Arts in History program enables students to customize studies based on career goals and personal interests through the following courses:

• Introduction to History and Historiography —Covers the core concepts of history-based study and research methodology, highlighting how these concepts are essential to developing an effective history thesis.
• Directed Readings in History —Highlights different ways to use sources that chronicle American history to assist in researching and writing a thorough and complete history thesis.
• Race, Gender, and U.S. Constitution —Explores key U.S. Supreme Court decisions relating to national race and gender relations and rights, providing a deeper context to develop compelling history theses.
• Archival Studies —Breaks down the importance of systematically overseeing archival materials, highlighting how to build historical context to better educate and engage with the public.

Start Your Path Toward Writing a Compelling History Thesis

For over two centuries, Norwich University has played a vital role in history as America’s first private military college and the birthplace of the ROTC. As such, the university is uniquely positioned to lead students through a comprehensive analysis of the major developments, events, and figures of the past.

Explore Norwich University’s online Master of Arts in History program. Start your path toward writing a compelling history thesis and taking your talents further.

Writing History: An Introductory Guide to How History Is Produced , American Historical Association     How to Write a Thesis Statement , Scribbr     The Importance of Historic Context in Analysis and Interpretation , ThoughtCo.     7 Reasons Why Research Is Important , Owlcation     Primary and Secondary Sources , Scribbr     Secondary Sources in Research , ThoughtCo.     Analysis of Sources , History Skills     Research Paper Outline , Scribbr     How to Structure a Thesis , Paperpile     Writing Your Final Draft , History Skills     How to Prepare an Excellent Thesis Defense , Paperpile

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How to Write a History Research Paper

• How do I pick a topic?
• But I can’t find any material…

Research Guide

Writing guide.

See also: How to Write a Good History Essay

1. How do I pick a topic?

Picking a topic is perhaps the most important step in writing a research paper. To do it well requires several steps of refinement. First you have to determine a general area in which you have an interest (if you aren’t interested, your readers won’t be either). You do not write a paper “about the Civil War,” however, for that is such a large and vague concept that the paper will be too shallow or you will be swamped with information. The next step is to narrow your topic. Are you interested in comparison? battles? social change? politics? causes? biography? Once you reach this stage try to formulate your research topic as a question. For example, suppose that you decide to write a paper on the use of the films of the 1930’s and what they can tell historians about the Great Depression. You might turn that into the following question: “What are the primary values expressed in films of the 1930’s?” Or you might ask a quite different question, “What is the standard of living portrayed in films of the 1930’s?” There are other questions, of course, which you could have asked, but these two clearly illustrate how different two papers on the same general subject might be. By asking yourself a question as a means of starting research on a topic you will help yourself find the answers. You also open the door to loading the evidence one way or another. It will help you decide what kinds of evidence might be pertinent to your question, and it can also twist perceptions of a topic. For example, if you ask a question about economics as motivation, you are not likely to learn much about ideals, and vice versa.

2. But I can’t find any material…

No one should pick a topic without trying to figure out how one could discover pertinent information, nor should anyone settle on a topic before getting some background information about the general area. These two checks should make sure your paper is in the realm of the possible. The trick of good research is detective work and imaginative thinking on how one can find information. First try to figure out what kinds of things you should know about a topic to answer your research question. Are there statistics? Do you need personal letters? What background information should be included? Then if you do not know how to find that particular kind of information, ASK . A reference librarian or professor is much more likely to be able to steer you to the right sources if you can ask a specific question such as “Where can I find statistics on the number of interracial marriages?” than if you say “What can you find on racial attitudes?”

Use the footnotes and bibliographies of general background books as well as reference aids to lead you to special studies. If Carleton does not have the books or sources you need, try ordering through the library minitex. Many sources are also available on-line.

As your research paper takes shape you will find that you need background on people, places, events, etc. Do not just rely on some general survey for all of your background. Check the several good dictionaries of biography for background on people, or see if there is a standard book-length biography. If you are dealing with a legal matter check into the background of the judges who make the court decision and the circumstances surrounding the original incident or law. Try looking for public opinions in newspapers of the time. In other words, each bit of information you find should open the possibility of other research paths.

Learn to use several research techniques. You cannot count on a good research paper coming from browsing on one shelf at the library. A really pertinent book may be hidden in another section of the library due to classification quirks. The Readers’ Guide (Ref. A13 .R4) is not the only source for magazine articles, nor the card catalog for books. There are whole books which are listings of other books on particular topics. There are specialized indexes of magazine articles. Modern History Journals are indexed in the Social Studies and Humanities Index (Ref. A13 .R282) before 1976 After 1976 use the Social Sciences Index (REF A13 .S62) and the Humanities Index (Ref. A13 .H85). See also Historical Abstracts (Ref. D1 .H5). Reference Librarians would love to help you learn to use these research tools. It pays to browse in the reference room at the library and poke into the guides which are on the shelves. It also pays to browse the Internet.

3. Help! How do I put this together?

A. preliminary research:.

If you do not already have a general background on your topic, get the most recent good general source on the topic and read it for general orientation. On the basis of that reading formulate as clearly focused question as you can. You should generally discuss with your professor at that point whether your question is a feasible one.

B. Building a Basic Bibliography:

Use the bibliography/notes in your first general source, MUSE, and especially Historical Abstracts on cd-rom in the Library Reading Room (the computer farthest to the left in the front row as you walk past the Reference Desk — or ask there). If there is a specialized bibliography on your topic, you will certainly want to consult that as well, but these are often a bit dated.

C. Building a Full Bibliography:

Read the recent articles or chapters that seem to focus on your topic best. This will allow you to focus your research question quite a bit. Use the sources cited and/or discussed in this reading to build a full bibliography. Use such tools as Historical Abstracts (or, depending on your topic, the abstracts from a different field) and a large, convenient computer-based national library catalog (e.g. the University of California system from the “Libs” command in your VAX account or the smaller University of Minnesota library through MUSE) to check out your sources fully. For specific article searches “Uncover” (press returns for the “open access”) or possibly (less likely for history) “First Search” through “Connect to Other Resources” in MUSE can also be useful.

D. Major Research:

Now do the bulk of your research. But do not overdo it. Do not fall into the trap of reading and reading to avoid getting started on the writing. After you have the bulk of information you might need, start writing. You can fill in the smaller gaps of your research more effectively later.

A. Outline:

Write a preliminary thesis statement, expressing what you believe your major argument(s) will be. Sketch out a broad outline that indicates the structure — main points and subpoints or your argument as it seems at this time. Do not get too detailed at this point.

B. The First Draft:

On the basis of this thesis statement and outline, start writing, even pieces, as soon as you have enough information to start. Do not wait until you have filled all the research gaps. Keep on writing. If you run into smaller research questions just mark the text with a searchable symbol. It is important that you try to get to the end point of this writing as soon as possible, even if you leave pieces still in outline form at first and then fill the gaps after you get to the end.

Critical advice for larger papers: It is often more effective not to start at the point where the beginning of your paper will be. Especially the introductory paragraph is often best left until later, when you feel ready and inspired.

C. The Second Draft:

The “second draft” is a fully re-thought and rewritten version of your paper. It is at the heart of the writing process.

First, lay your first draft aside for a day or so to gain distance from it. After that break, read it over with a critical eye as you would somebody else’s paper (well, almost!). You will probably find that your first draft is still quite descriptive, rather than argumentative. It is likely to wander; your perspective and usually even the thesis seemed to change/develop as you wrote. Don’t despair. That is perfectly normal even for experienced writers (even after 40 years and a good deal of published work!). You will be frustrated. But keep questioning your paper along the following lines: What precisely are my key questions? What parts of my evidence here are really pertinent to those questions (that is, does it help me answer them)? How or in what order can I structure my paper most effectively to answer those questions most clearly and efficiently for my reader?

At this point you must outline your paper freshly. Mark up your first draft, ask tough questions whether your argument is clear and whether the order in which you present your points is effective! You must write conceptually a new paper at this point, even if you can use paragraphs and especially quotes, factual data in the new draft.

It is critical that in your new draft your paragraphs start with topic sentences that identify the argument you will be making in the particular paragraph (sometimes this can be strings of two or three paragraphs). The individual steps in your argument must be clearly reflected in the topic sentences of your paragraphs (or a couple of them linked).

D. The Third or Final Draft:

You are now ready to check for basic rules of good writing. This is when you need to check the diction, that is, the accuracy and suitability of words. Eliminate unnecessary passive or awkward noun constructions (active-voice, verbal constructions are usually more effective); improve the flow of your transitions; avoid repetitions or split infinitives; correct apostrophes in possessives and such. Make the style clear and smooth. Check that the start of your paper is interesting for the reader. Last but not least, cut out unnecessary verbiage and wordiness. Spell-check and proof-read.

– Diethelm Prowe, 1998

Princeton Correspondents on Undergraduate Research

How to Write a History Research Paper

In my last post, I shared some tips on how to conduct research in history and emphasized that researchers should keep in mind a source’s category (transcript, court document, speech, etc.). This post is something of a sequel to that, as I will share some thoughts on what often follows primary-source research: a history research paper. 

1. Background Reading   The first step to a history research paper is of course, background reading and research. In the context of a class assignment, “background reading” might simply be course readings or lectures, but for independent work, this step will likely involve some quality time on your own in the library. During the background reading phase of your project, keep an eye out for intriguing angles to approach your topic from and any trends that you see across sources (both primary and secondary).

2. T hemes and Context Recounting the simple facts about your topic alone will not make for a successful research paper. One must grasp both the details of events as well as the larger, thematic context of the time period in which they occurred. What’s the scholarly consensus about these themes? Does that consensus seem right to you, after having done primary and secondary research of your own?

3. Develop an Argument  Grappling with answers to the above questions will get you thinking about your emerging argument. For shorter papers, you might identify a gap in the scholarship or come up with an argumentative response to a class prompt rather quickly. Remember: as an undergraduate, you don’t have to come up with (to borrow Philosophy Professor Gideon Rosen’s phrase) ‘a blindingly original theory of everything.’ In other words, finding a nuanced thesis does not mean you have to disprove some famous scholar’s work in its entirety. But, if you’re having trouble defining your thesis, I encourage you not to worry; talk to your professor, preceptor, or, if appropriate, a friend. These people can listen to your ideas, and the simple act of talking about your paper can often go a long way in helping you realize what you want to write about.

4. Outline Your Argument  With a history paper specifically, one is often writing about a sequence of events and trying to tell a story about what happened. Roughly speaking, your thesis is your interpretation of these events, or your take on some aspect of them (i.e. the role of women in New Deal programs). Before opening up Word, I suggest writing down the stages of your argument. Then, outline or organize your notes to know what evidence you’ll use in each of these various stages. If you think your evidence is solid, then you’re probably ready to start writing—and you now have a solid roadmap to work from! But, if this step is proving difficult, you might want to gather more evidence or go back to the thesis drawing board and look for a better angle. I often find myself somewhere between these two extremes (being 100% ready to write or staring at a sparse outline), but that’s also helpful, because it gives me a better idea of where my argument needs strengthening.

5. Prepare Yourself   Once you have some sort of direction for the paper (i.e. a working thesis), you’re getting close to the fun part—the writing itself. Gather your laptop, your research materials/notes, and some snacks, and get ready to settle in to write your paper, following your argument outline. As mentioned in the photo caption, I suggest utilizing large library tables to spread out your notes. This way, you don’t have to constantly flip through binders, notebooks, and printed drafts.

In addition to this step by step approach, I’ll leave you with a few last general tips for approaching a history research paper. Overall, set reasonable goals for your project, and remember that a seemingly daunting task can be broken down into the above constituent phases. And, if nothing else, know that you’ll end up with a nice Word document full of aesthetically pleasing footnotes!

— Shanon FitzGerald, Social Sciences Correspondent

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Writing a Good History Paper

• Top Ten Reasons for Negative Comments
• Making Sure your Paper has Substance

Common Marginal Remarks on Style, Clarity, Grammar, and Syntax

Word and phrase usage problems, analyzing a historical document, writing a book review, writing a term paper or senior thesis, top ten reasons for negative comments on history papers.

(Drawn from a survey of the History Department ) 10. You engage in cheap, anachronistic moralizing .  9. You are sloppy with the chronology .  8. You quote excessively or improperly .  7. You have written a careless “one-draft wonder.” (See revise and proofread)  6. You are vague or have empty, unsupported generalizations .  5. You write too much in the passive voice.  4. You use inappropriate sources .  3. You use evidence uncritically.  2. You are wordy .  1. You have no clear thesis and little analysis.

Making Sure your History Paper has Substance

Get off to a good start..

Avoid pretentious, vapid beginnings. If you are writing a paper on, say, British responses to the rebellion in India in 1857, don't open with a statement like this: “Throughout human history people in all cultures everywhere in the world have engaged in many and long-running conflicts about numerous aspects of government policy and diplomatic issues, which have much interested historians and generated historical theories in many areas.” This is pure garbage, bores the reader, and is a sure sign that you have nothing substantive to say. Get to the point. Here’s a better start: “The rebellion in 1857 compelled the British to rethink their colonial administration in India.” This sentence tells the reader what your paper is actually about and clears the way for you to state your thesis in the rest of the opening paragraph. For example, you might go on to argue that greater British sensitivity to Indian customs was hypocritical.

State a clear thesis.

Whether you are writing an exam essay or a senior thesis, you need to have a thesis. Don’t just repeat the assignment or start writing down everything that you know about the subject. Ask yourself, “What exactly am I trying to prove?” Your thesis is your take on the subject, your perspective, your explanation—that is, the case that you’re going to argue. “Famine struck Ireland in the 1840s” is a true statement, but it is not a thesis. “The English were responsible for famine in Ireland in the 1840s” is a thesis (whether defensible or not is another matter). A good thesis answers an important research question about how or why something happened. (“Who was responsible for the famine in Ireland in the 1840s?”) Once you have laid out your thesis, don’t forget about it. Develop your thesis logically from paragraph to paragraph. Your reader should always know where your argument has come from, where it is now, and where it is going.

Be sure to analyze.

Students are often puzzled when their professors mark them down for summarizing or merely narrating rather than analyzing. What does it mean to analyze? In the narrow sense, to analyze means to break down into parts and to study the interrelationships of those parts. If you analyze water, you break it down into hydrogen and oxygen. In a broader sense, historical analysis explains the origins and significance of events. Historical analysis digs beneath the surface to see relationships or distinctions that are not immediately obvious. Historical analysis is critical; it evaluates sources, assigns significance to causes, and weighs competing explanations. Don’t push the distinction too far, but you might think of summary and analysis this way: Who, what, when, and where are the stuff of summary; how, why, and to what effect are the stuff of analysis. Many students think that they have to give a long summary (to show the professor that they know the facts) before they get to their analysis. Try instead to begin your analysis as soon as possible, sometimes without any summary at all. The facts will “shine through” a good analysis. You can't do an analysis unless you know the facts, but you can summarize the facts without being able to do an analysis. Summary is easier and less sophisticated than analysis—that’s why summary alone never earns an “A.”

Use evidence critically.

Like good detectives, historians are critical of their sources and cross-check them for reliability. You wouldn't think much of a detective who relied solely on a suspect’s archenemy to check an alibi. Likewise, you wouldn't think much of a historian who relied solely on the French to explain the origins of World War I. Consider the following two statements on the origin of World War I: 1) “For the catastrophe of 1914 the Germans are responsible. Only a professional liar would deny this...” 2) “It is not true that Germany is guilty of having caused this war. Neither the people, the government, nor the Kaiser wanted war....”  They can’t both be right, so you have to do some detective work. As always, the best approach is to ask: Who wrote the source? Why? When? Under what circumstances? For whom? The first statement comes from a book by the French politician Georges Clemenceau, which he wrote in 1929 at the very end of his life. In 1871, Clemenceau had vowed revenge against Germany for its defeat of France in the Franco-Prussian War. As premier of France from 1917 to 1920, he represented France at the Paris Peace Conference in 1919. He was obviously not a disinterested observer. The second statement comes from a manifesto published by ninety-three prominent German intellectuals in the fall of 1914. They were defending Germany against charges of aggression and brutality. They too were obviously not disinterested observers. Now, rarely do you encounter such extreme bias and passionate disagreement, but the principle of criticizing and cross-checking sources always applies. In general, the more sources you can use, and the more varied they are, the more likely you are to make a sound historical judgment, especially when passions and self-interests are engaged. You don’t need to be cynical as a historian (self-interest does not explain everything), but you do need to be critical and skeptical. Competent historians may offer different interpretations of the same evidence or choose to stress different evidence. You will not find a single historical Truth with a capital “T” on any matter of significance. You can, however, learn to discriminate among conflicting interpretations, not all of which are created equal. (See also: Analyzing a Historical Document )

Be precise.

Vague statements and empty generalizations suggest that you haven't put in the time to learn the material. Consider these two sentences: “During the French Revolution, the government was overthrown by the people. The Revolution is important because it shows that people need freedom.” What people? Landless peasants? Urban journeymen? Wealthy lawyers? Which government? When? How? Who exactly needed freedom, and what did they mean by freedom? Here is a more precise statement about the French Revolution: “Threatened by rising prices and food shortages in 1793, the Parisian sans-culottes pressured the Convention to institute price controls.” This statement is more limited than the grandiose generalizations about the Revolution, but unlike them, it can open the door to a real analysis of the Revolution. Be careful when you use grand abstractions like people, society, freedom, and government, especially when you further distance yourself from the concrete by using these words as the apparent antecedents for the pronouns they and it. Always pay attention to cause and effect. Abstractions do not cause or need anything; particular people or particular groups of people cause or need things. Avoid grandiose trans-historical generalizations that you can’t support. When in doubt about the appropriate level of precision or detail, err on the side of adding “too much” precision and detail.

Watch the chronology.

Anchor your thesis in a clear chronological framework and don't jump around confusingly. Take care to avoid both anachronisms and vagueness about dates. If you write, “Napoleon abandoned his Grand Army in Russia and caught the redeye back to Paris,” the problem is obvious. If you write, “Despite the Watergate scandal, Nixon easily won reelection in 1972,” the problem is more subtle, but still serious. (The scandal did not become public until after the election.) If you write, “The revolution in China finally succeeded in the twentieth century,” your professor may suspect that you haven’t studied. Which revolution? When in the twentieth century? Remember that chronology is the backbone of history. What would you think of a biographer who wrote that you graduated from Hamilton in the 1950s?

Cite sources carefully.

Your professor may allow parenthetical citations in a short paper with one or two sources, but you should use footnotes for any research paper in history. Parenthetical citations are unaesthetic; they scar the text and break the flow of reading. Worse still, they are simply inadequate to capture the richness of historical sources. Historians take justifiable pride in the immense variety of their sources. Parenthetical citations such as (Jones 1994) may be fine for most of the social sciences and humanities, where the source base is usually limited to recent books and articles in English. Historians, however, need the flexibility of the full footnote. Try to imagine this typical footnote (pulled at random from a classic work of German history) squeezed into parentheses in the body of the text: DZA Potsdam, RdI, Frieden 5, Erzgebiet von Longwy-Briey, Bd. I, Nr. 19305, gedruckte Denkschrift für OHL und Reichsleitung, Dezember 1917, und in RWA, Frieden Frankreich Nr. 1883. The abbreviations are already in this footnote; its information cannot be further reduced. For footnotes and bibliography, historians usually use Chicago style. (The Chicago Manual of Style. 15th edition. Chicago: University of Chicago Press, 2003.) On the Writing Center’s website you can find a useful summary of Chicago citation style prepared by a former history major, Elizabeth Rabe ’04 ( Footnotes ). RefWorks (on the library’s website) will convert your citations to Chicago style. Don’t hesitate to ask one of the reference librarians for help if you have trouble getting started on RefWorks.

Use primary sources.

Use as many primary sources as possible in your paper. A primary source is one produced by a participant in or witness of the events you are writing about. A primary source allows the historian to see the past through the eyes of direct participants. Some common primary sources are letters, diaries, memoirs, speeches, church records, newspaper articles, and government documents of all kinds. The capacious genre “government records” is probably the single richest trove for the historian and includes everything from criminal court records, to tax lists, to census data, to parliamentary debates, to international treaties—indeed, any records generated by governments. If you’re writing about culture, primary sources may include works of art or literature, as well as philosophical tracts or scientific treatises—anything that comes under the broad rubric of culture. Not all primary sources are written. Buildings, monuments, clothes, home furnishings, photographs, religious relics, musical recordings, or oral reminiscences can all be primary sources if you use them as historical clues. The interests of historians are so broad that virtually anything can be a primary source. (See also: Analyzing a Historical Document )

Use scholarly secondary sources.

A secondary source is one written by a later historian who had no part in what he or she is writing about. (In the rare cases when the historian was a participant in the events, then the work—or at least part of it—is a primary source.) Historians read secondary sources to learn about how scholars have interpreted the past. Just as you must be critical of primary sources, so too you must be critical of secondary sources. You must be especially careful to distinguish between scholarly and non-scholarly secondary sources. Unlike, say, nuclear physics, history attracts many amateurs. Books and articles about war, great individuals, and everyday material life dominate popular history. Some professional historians disparage popular history and may even discourage their colleagues from trying their hand at it. You need not share their snobbishness; some popular history is excellent. But—and this is a big but—as a rule, you should avoid popular works in your research, because they are usually not scholarly. Popular history seeks to inform and entertain a large general audience. In popular history, dramatic storytelling often prevails over analysis, style over substance, simplicity over complexity, and grand generalization over careful qualification. Popular history is usually based largely or exclusively on secondary sources. Strictly speaking, most popular histories might better be called tertiary, not secondary, sources. Scholarly history, in contrast, seeks to discover new knowledge or to reinterpret existing knowledge. Good scholars wish to write clearly and simply, and they may spin a compelling yarn, but they do not shun depth, analysis, complexity, or qualification. Scholarly history draws on as many primary sources as practical. Now, your goal as a student is to come as close as possible to the scholarly ideal, so you need to develop a nose for distinguishing the scholarly from the non-scholarly. Here are a few questions you might ask of your secondary sources (bear in mind that the popular/scholarly distinction is not absolute, and that some scholarly work may be poor scholarship). Who is the author? Most scholarly works are written by professional historians (usually professors) who have advanced training in the area they are writing about. If the author is a journalist or someone with no special historical training, be careful. Who publishes the work? Scholarly books come from university presses and from a handful of commercial presses (for example, Norton, Routledge, Palgrave, Penguin, Rowman & Littlefield, Knopf, and HarperCollins). If it’s an article, where does it appear? Is it in a journal subscribed to by our library, listed on JSTOR , or published by a university press? Is the editorial board staffed by professors? Oddly enough, the word journal in the title is usually a sign that the periodical is scholarly. What do the notes and bibliography look like? If they are thin or nonexistent, be careful. If they are all secondary sources, be careful. If the work is about a non-English-speaking area, and all the sources are in English, then it's almost by definition not scholarly. Can you find reviews of the book in the data base Academic Search Premier? If the book was published within the last few decades, and it’s not in there, that’s a bad sign. With a little practice, you can develop confidence in your judgment—and you’re on your way to being a historian. If you are unsure whether a work qualifies as scholarly, ask your professor. (See also: Writing a Book Review )

Avoid abusing your sources.

Many potentially valuable sources are easy to abuse. Be especially alert for these five abuses: Web abuse. The Web is a wonderful and improving resource for indexes and catalogs. But as a source for primary and secondary material for the historian, the Web is of limited value. Anyone with the right software can post something on the Web without having to get past trained editors, peer reviewers, or librarians. As a result, there is a great deal of garbage on the Web. If you use a primary source from the Web, make sure that a respected intellectual institution stands behind the site. Be especially wary of secondary articles on the Web, unless they appear in electronic versions of established print journals (e.g., The Journal of Asian Studies in JSTOR). Many articles on the Web are little more than third-rate encyclopedia entries. When in doubt, check with your professor. With a few rare exceptions, you will not find scholarly monographs in history (even recent ones) on the Web. You may have heard of Google’s plans to digitize the entire collections of some of the world’s major libraries and to make those collections available on the Web. Don’t hold your breath. Your days at Hamilton will be long over by the time the project is finished. Besides, your training as a historian should give you a healthy skepticism of the giddy claims of technophiles. Most of the time and effort of doing history goes into reading, note-taking, pondering, and writing. Finding a chapter of a book on the Web (as opposed to getting the physical book through interlibrary loan) might be a convenience, but it doesn’t change the basics for the historian. Moreover, there is a subtle, but serious, drawback with digitized old books: They break the historian’s sensual link to the past. And of course, virtually none of the literally trillions of pages of archival material is available on the Web. For the foreseeable future, the library and the archive will remain the natural habitats of the historian. Thesaurus abuse. How tempting it is to ask your computer’s thesaurus to suggest a more erudite-sounding word for the common one that popped into your mind! Resist the temptation. Consider this example (admittedly, a bit heavy-handed, but it drives the point home): You’re writing about the EPA’s programs to clean up impure water supplies. Impure seems too simple and boring a word, so you bring up your thesaurus, which offers you everything from incontinent to meretricious. “How about meretricious water?” you think to yourself. “That will impress the professor.” The problem is that you don’t know exactly what meretricious means, so you don’t realize that meretricious is absurdly inappropriate in this context and makes you look foolish and immature. Use only those words that come to you naturally. Don’t try to write beyond your vocabulary. Don’t try to impress with big words. Use a thesaurus only for those annoying tip-of-the-tongue problems (you know the word and will recognize it instantly when you see it, but at the moment you just can’t think of it).  Quotation book abuse. This is similar to thesaurus abuse. Let’s say you are writing a paper on Alexander Hamilton’s banking policies, and you want to get off to a snappy start that will make you seem effortlessly learned. How about a quotation on money? You click on the index of Bartlett’s Familiar Quotations , and before you know it, you’ve begun your paper with, “As Samuel Butler wrote in Hudibras ,  ‘For what is worth in anything/ But so much money as ’t will bring?’” Face it, you’re faking it. You don’t know who Samuel Butler is, and you’ve certainly never heard of Hudibras , let alone read it. Your professor is not fooled. You sound like an insecure after-dinner speaker. Forget Bartlett’s, unless you're confirming the wording of a quotation that came to you spontaneously and relates to your paper.  Encyclopedia abuse. General encyclopedias like Britannica are useful for checking facts (“Wait a sec, am I right about which countries sent troops to crush the Boxer Rebellion in China? Better check.”). But if you are footnoting encyclopedias in your papers, you are not doing college-level research.

Dictionary Abuse. The dictionary is your friend. Keep it by your side as you write, but do not abuse it by starting papers with a definition. You may be most tempted to start this way when you are writing on a complex, controversial, or elusive subject. (“According to Webster’s Collegiate Dictionary , liberalism is defined as...”). Actually, the dictionary does you little good in such cases and makes you sound like a conscientious but dull high-school student. Save in the rare case that competing dictionary definitions are the subject at hand, keep dictionary quotations out of your paper.

Quote sparingly

Avoid quoting a secondary source and then simply rewording or summarizing the quotation, either above or below the quotation. It is rarely necessary to quote secondary sources at length, unless your essay focuses on a critical analysis of the author’s argument. (See also: Writing a Book Review ) Your professor wants to see your ability to analyze and to understand the secondary sources. Do not quote unless the quotation clarifies or enriches your analysis. When in doubt, do not quote; instead, integrate the author’s argument into your own (though be sure to acknowledge ideas from your sources, even when you are paraphrasing). If you use a lot of quotations from secondary sources, you are probably writing a poor paper. An analysis of a primary source, such as a political tract or philosophical essay, might require lengthy quotations, often in block format. In such cases, you might need to briefly repeat key points or passages as a means to introduce the author’s ideas, but your analysis and interpretation of the text’s meaning should remain the most important aim. (See also: Using primary sources and Use scholarly secondary sources .)

Know your audience

Unless instructed otherwise, you should assume that your audience consists of educated, intelligent, nonspecialists. In fact, your professor will usually be your only reader, but if you write directly to your professor, you may become cryptic or sloppy (oh well, she’ll know what I’m talking about). Explaining your ideas to someone who doesn't know what you mean forces you to be clear and complete. Now, finding the right amount of detail can, admittedly, be tricky (how much do I put in about the Edict of Nantes, the Embargo Act, or President Wilson’s background?). When in doubt, err on the side of putting in extra details. You’ll get some leeway here if you avoid the extremes (my reader’s an ignoramus/my reader knows everything).

Avoid cheap, anachronistic moralizing

Many of the people and institutions of the past appear unenlightened, ignorant, misguided, or bigoted by today’s values. Resist the temptation to condemn or to get self-righteous. (“Martin Luther was blind to the sexism and class prejudice of sixteenth-century German society.”) Like you, people in the past were creatures of their time; like you, they deserve to be judged by the standards of their time. If you judge the past by today’s standards (an error historians call “presentism”), you will never understand why people thought or acted as they did. Yes, Hitler was a bad guy, but he was bad not only by today’s standards, but also by the commonly accepted standards of his own time. Someday you’re going to look pretty foolish and ignorant yourself. (“Early twenty-first century Hamilton students failed to see the shocking inderdosherism [that’s right, you don’t recognize the concept because it doesn’t yet exist] implicit in their career plans.”)

Have a strong conclusion

Obviously, you should not just stop abruptly as though you have run out of time or ideas. Your conclusion should conclude something. If you merely restate briefly what you have said in your paper, you give the impression that you are unsure of the significance of what you have written. A weak conclusion leaves the reader unsatisfied and bewildered, wondering why your paper was worth reading. A strong conclusion adds something to what you said in your introduction. A strong conclusion explains the importance and significance of what you have written. A strong conclusion leaves your reader caring about what you have said and pondering the larger implications of your thesis. Don’t leave your reader asking, “So what?”

Revise and proofread

Your professor can spot a “one-draft wonder,” so don't try to do your paper at the last moment. Leave plenty of time for revising and proofreading. Show your draft to a writing tutor or other good writer. Reading the draft aloud may also help. Of course, everyone makes mistakes, and a few may slip through no matter how meticulous you are. But beware of lots of mistakes. The failure to proofread carefully suggests that you devoted little time and effort to the assignment. Tip: Proofread your text both on the screen and on a printed copy. Your eyes see the two differently. Don’t rely on your spell checker to catch all of your misspellings. (If ewe ken reed this ewe kin sea that a computer wood nut all ways help ewe spill or rite reel good.)

Note: The Writing Center suggests standard abbreviations for noting some of these problems. You should familiarize yourself with those abbreviations, but your professor may not use them.  

Remarks on Style and Clarity

Wordy/verbose/repetitive..

Try your hand at fixing this sentence: “Due to the fact that these aspects of the issue of personal survival have been raised by recently transpired problematic conflicts, it is at the present time paramount that the ultimate psychological end of suicide be contemplated by this individual.” If you get it down to “To be or not to be, that is the question,” you’ve done well. You may not match Shakespeare, but you can learn to cut the fat out of your prose. The chances are that the five pages you’ve written for your history paper do not really contain five pages’ worth of ideas.

Misuse of the passive voice.

Write in the active voice. The passive voice encourages vagueness and dullness; it enfeebles verbs; and it conceals agency, which is the very stuff of history. You know all of this almost instinctively. What would you think of a lover who sighed in your ear, “My darling, you are loved by me!”? At its worst, the passive voice—like its kin, bureaucratic language and jargon—is a medium for the dishonesty and evasion of responsibility that pervade contemporary American culture. (“Mistakes were made; I was given false information.” Now notice the difference: “I screwed up; Smith and Jones lied to me; I neglected to check the facts.”) On history papers the passive voice usually signals a less toxic version of the same unwillingness to take charge, to commit yourself, and to say forthrightly what is really going on, and who is doing what to whom. Suppose you write, “In 1935 Ethiopia was invaded.” This sentence is a disaster. Who invaded? Your professor will assume that you don't know. Adding “by Italy” to the end of the sentence helps a bit, but the sentence is still flat and misleading. Italy was an aggressive actor, and your passive construction conceals that salient fact by putting the actor in the syntactically weakest position—at the end of the sentence as the object of a preposition. Notice how you add vigor and clarity to the sentence when you recast it in the active voice: "In 1935 Italy invaded Ethiopia." I n a few cases , you may violate the no-passive-voice rule. The passive voice may be preferable if the agent is either obvious (“Kennedy was elected in 1960”), irrelevant (“Theodore Roosevelt became president when McKinley was assassinated”), or unknown (“King Harold was killed at the Battle of Hastings”). Note that in all three of these sample sentences the passive voice focuses the reader on the receiver of the action rather than on the doer (on Kennedy, not on American voters; on McKinley, not on his assassin; on King Harold, not on the unknown Norman archer). Historians usually wish to focus on the doer, so you should stay with the active voice—unless you can make a compelling case for an exception.

Abuse of the verb to be.

The verb to be is the most common and most important verb in English, but too many verbs to be suck the life out of your prose and lead to wordiness. Enliven your prose with as many action verbs as possible. ( “In Brown v. Board of Education it was the opinion of the Supreme Court that the doctrine of ‘separate but equal’ was in violation of the Fourteenth Amendment.”) Rewrite as “ In Brown v. Board of Education the Supreme Court ruled that the doctrine of ‘separate but equal’ violated the Fourteenth ”

Explain/what’s your point?/unclear/huh?

You may (or may not) know what you’re talking about, but if you see these marginal comments, you have confused your reader. You may have introduced a non sequitur ; gotten off the subject; drifted into abstraction; assumed something that you have not told the reader; failed to explain how the material relates to your argument; garbled your syntax; or simply failed to proofread carefully.  If possible, have a good writer read your paper and point out the muddled parts. Reading your paper aloud may help too.

Paragraph goes nowhere/has no point or unity.

Paragraphs are the building blocks of your paper. If your paragraphs are weak, your paper cannot be strong. Try underlining the topic sentence of every paragraph. If your topic sentences are vague, strength and precision—the hallmarks of good writing—are unlikely to follow. Consider this topic sentence (from a paper on Ivan the Terrible): “From 1538 to 1547, there are many different arguments about the nature of what happened.”  Disaster looms. The reader has no way of knowing when the arguing takes place, who’s arguing, or even what the arguing is about. And how does the “nature of what happened” differ from plain “what happened”? Perhaps the writer means the following: “The childhood of Ivan the Terrible has provoked controversy among scholars of Russian history.” That's hardly deathless prose, but it does orient the reader and make the writer accountable for what follows in the paragraph. Once you have a good topic sentence, make sure that everything in the paragraph supports that sentence, and that cumulatively the support is persuasive. Make sure that each sentence follows logically from the previous one, adding detail in a coherent order. Move, delete, or add material as appropriate. To avoid confusing the reader, limit each paragraph to one central idea. (If you have a series of supporting points starting with first, you must follow with a second, third , etc.) A paragraph that runs more than a printed page is probably too long. Err on the side of shorter paragraphs.

Inappropriate use of first person.

Most historians write in the third person, which focuses the reader on the subject. If you write in the first person singular, you shift the focus to yourself. You give the impression that you want to break in and say, “Enough about the Haitian revolution [or whatever], now let’s talk about me!” Also avoid the first person plural (“We believe...”). It suggests committees, editorial boards, or royalty. None of those should have had a hand in writing your paper. And don’t refer to yourself lamely as “this writer.” Who else could possibly be writing the paper?

Tense inconsistency.

Stay consistently in the past tense when you are writing about what took place in the past. (“Truman’s defeat of Dewey in 1948 caught the pollsters by surprise.”) Note that the context may require a shift into the past perfect. (“The pollsters had not realized [past perfect] that voter opinion had been [past perfect] changing rapidly in the days before the election.”) Unfortunately, the tense problem can get a bit more complicated. Most historians shift into the present tense when describing or commenting on a book, document, or evidence that still exists and is in front of them (or in their mind) as they write.  (“de Beauvoir published [past tense] The Second Sex in 1949. In the book she contends [present tense] that woman....”) If you’re confused, think of it this way: History is about the past, so historians write in the past tense, unless they are discussing effects of the past that still exist and thus are in the present. When in doubt, use the past tense and stay consistent.

Ill-fitted quotation.

This is a common problem, though not noted in stylebooks. When you quote someone, make sure that the quotation fits grammatically into your sentence.  Note carefully the mismatch between the start of the following sentence and the quotation that follows:  “In order to understand the Vikings, writes Marc Bloch, it is necessary, ‘To conceive of the Viking expeditions as religious warfare inspired by the ardour of an implacable pagan fanaticism—an explanation that has sometimes been at least suggested—conflicts too much with what we know of minds disposed to respect magic of every kind.’” At first, the transition into the quotation from Bloch seems fine. The infinitive (to conceive) fits. But then the reader comes to the verb (conflicts) in Bloch’s sentence, and things no longer make sense. The writer is saying, in effect, “it is necessary conflicts.” The wordy lead-in and the complex syntax of the quotation have tripped the writer and confused the reader. If you wish to use the whole sentence, rewrite as “Marc Bloch writes in Feudal Society , ‘To conceive of...’” Better yet, use your own words or only part of the quotation in your sentence. Remember that good writers quote infrequently, but when they do need to quote, they use carefully phrased lead-ins that fit the grammatical construction of the quotation.

Free-floating quotation.

Do not suddenly drop quotations into your prose. (“The spirit of the Progressive era is best understood if one remembers that the United States is ‘the only country in the world that began with perfection and aspired to progress.’”) You have probably chosen the quotation because it is finely wrought and says exactly what you want to say. Fine, but first you inconvenience the reader, who must go to the footnote to learn that the quotation comes from The Age of Reform by historian Richard Hofstadter. And then you puzzle the reader. Did Hofstadter write the line about perfection and progress, or is he quoting someone from the Progressive era? If, as you claim, you are going to help the reader to judge the “spirit of the Progressive era,” you need to clarify. Rewrite as “As historian Richard Hofstadter writes in the Age of Reform , the United States is ‘the only country in the world...’” Now the reader knows immediately that the line is Hofstadter’s.

Who’s speaking here?/your view?

Always be clear about whether you’re giving your opinion or that of the author or historical actor you are discussing. Let’s say that your essay is about Martin Luther’s social views. You write, “The German peasants who revolted in 1525 were brutes and deserved to be crushed mercilessly.” That’s what Luther thought, but do you agree?  You may know, but your reader is not a mind reader. When in doubt, err on the side of being overly clear.

Jargon/pretentious theory.

Historians value plain English. Academic jargon and pretentious theory will make your prose turgid, ridiculous, and downright irritating. Your professor will suspect that you are trying to conceal that you have little to say. Of course, historians can’t get along without some theory; even those who profess to have no theory actually do—it’s called naïve realism. And sometimes you need a technical term, be it ontological argument or ecological fallacy. When you use theory or technical terms, make sure that they are intelligible and do real intellectual lifting.  Please, no sentences like this: “By means of a neo-Althusserian, post-feminist hermeneutics, this essay will de/construct the logo/phallo/centrism imbricated in the marginalizing post-colonial gendered gaze, thereby proliferating the subjectivities that will re/present the de/stabilization of the essentializing habitus of post-Fordist capitalism.”

Informal language/slang.

You don’t need to be stuffy, but stay with formal English prose of the kind that will still be comprehensible to future generations. Columbus did not “push the envelope in the Atlantic.” Henry VIII was not “looking for his inner child when he broke with the Church.” Prime Minister Cavour of Piedmont was not “trying to play in the major leagues diplomatic wise.” Wilson did not “almost veg out” at the end of his second term. President Hindenburg did not appoint Hitler in a “senior moment.” Prime Minister Chamberlain did not tell the Czechs to “chill out” after the Munich Conference, and Gandhi was not an “awesome dude.”

Try to keep your prose fresh. Avoid cliches. When you proofread, watch out for sentences like these: “Voltaire always gave 110 percent and thought outside the box. His bottom line was that as people went forward into the future, they would, at the end of the day, step up to the plate and realize that the Jesuits were conniving perverts.” Ugh. Rewrite as “Voltaire tried to persuade people that the Jesuits were cony, step up to the plate and realize that the Jesuits were conniving perverts.” Ugh. Rewrite as “Voltaire tried to persuade people that the Jesuits were conniving perverts.”

Intensifier abuse/exaggeration.

Avoid inflating your prose with unsustainable claims of size, importance, uniqueness, certainty, or intensity. Such claims mark you as an inexperienced writer trying to impress the reader. Your statement is probably not certain ; your subject probably not unique , the biggest, the best, or the most important. Also, the adverb very will rarely strengthen your sentence. Strike it. (“President Truman was very determined to stop the spread of communism in Greece.”) Rewrite as “President Truman resolved to stop the spread of communism in Greece.”

Mixed image.

Once you have chosen an image, you must stay with language compatible with that image. In the following example, note that the chain, the boiling, and the igniting are all incompatible with the image of the cold, rolling, enlarging snowball: “A snowballing chain of events boiled over, igniting the powder keg of war in 1914.” Well chosen images can enliven your prose, but if you catch yourself mixing images a lot, you're probably trying to write beyond your ability. Pull back. Be more literal.

Clumsy transition.

If your reader feels a jolt or gets disoriented at the beginning of a new paragraph, your paper probably lacks unity. In a good paper, each paragraph is woven seamlessly into the next. If you find yourself beginning your paragraphs with phrases such as “Another aspect of this problem...,” then you are probably “stacking note cards” rather than developing a thesis.

Unnecessary relative clause.

If you don’t need to restrict the meaning of your sentence’s subject, then don’t. (“Napoleon was a man who tried to conquer Europe.”) Here the relative clause adds nothing. Rewrite as “Napoleon tried to conquer Europe.” Unnecessary relative clauses are a classic form of wordiness.

Distancing or demeaning quotation marks.

If you believe that a frequently used word or phrase distorts historical reality, don’t put it in dismissive, sneering quotation marks to make your point (“the communist ‘threat’ to the ‘free’ world during the Cold War”). Many readers find this practice arrogant, obnoxious, and precious, and they may dismiss your arguments out of hand. If you believe that the communist threat was bogus or exaggerated, or that the free world was not really free, then simply explain what you mean.

Remarks on Grammar and Syntax

Ideally, your professor will help you to improve your writing by specifying exactly what is wrong with a particular passage, but  sometimes you may find a simple awk in the margin. This all-purpose negative comment usually suggests that the sentence is clumsy because you have misused words or compounded several errors. Consider this sentence from a book review:

“However, many falsehoods lie in Goldhagen’s claims and these will be explored.”

What is your long-suffering professor to do with this sentence? The however contributes nothing; the phrase falsehoods lie is an unintended pun that distracts the reader; the comma is missing between the independent clauses; the these has no clear antecedent ( falsehoods? claims? ); the second clause is in the passive voice and contributes nothing anyway; the whole sentence is wordy and screams hasty, last-minute composition. In weary frustration, your professor scrawls awk in the margin and moves on. Buried under the twelve-word sentence lies a three-word idea: “Goldhagen often errs.” When you see awk, check for the common errors in this list. If you don’t understand what’s wrong, ask.

Unclear antecedent.

All pronouns must refer clearly to antecedents and must agree with them in number. The reader usually assumes that the antecedent is the immediately preceding noun. Do not confuse the reader by having several possible antecedents. Consider these two sentences:

“Pope Gregory VII forced Emperor Henry IV to wait three days in the snow at Canossa before granting him an audience. It was a symbolic act.”

To what does the it refer? Forcing the Emperor to wait? The waiting itself? The granting of the audience? The audience itself? The whole previous sentence? You are most likely to get into antecedent trouble when you begin a paragraph with this or it , referring vaguely back to the general import of the previous paragraph. When in doubt, take this test: Circle the pronoun and the antecedent and connect the two with a line. Then ask yourself if your reader could instantly make the same diagram without your help. If the line is long, or if the circle around the antecedent is large, encompassing huge gobs of text, then your reader probably will be confused.  Rewrite. Repetition is better than ambiguity and confusion.

Faulty parallelism.

You confuse your reader if you change the grammatical construction from one element to the next in a series. Consider this sentence:

“King Frederick the Great sought to expand Prussia, to rationalize agriculture, and that the state support education.”

The reader expects another infinitive, but instead trips over the that . Rewrite the last clause as “and to promote state-supported education.” Sentences using neither/nor frequently present parallelism problems. Note the two parts of this sentence:

“After 1870 the cavalry charge was neither an effective tactic, nor did armies use it frequently.”

The sentence jars because the neither is followed by a noun, the nor by a verb. Keep the parts parallel.

Rewrite as “After 1870 the cavalry charge was neither effective nor frequently used.”

Sentences with not only/but also are another pitfall for many students. (“Mussolini attacked not only liberalism, but he also advocated militarism.”) Here the reader is set up to expect a noun in the second clause, but stumbles over a verb. Make the parts parallel by putting the verb attacked after the not only .

Misplaced modifier/dangling element.

Do not confuse the reader with a phrase or clause that refers illogically or absurdly to other words in the sentence. (“Summarized on the back cover of the American paperback edition, the publishers claim that...”) The publishers are not summarized on the back cover. (“Upon finishing the book, many questions remain.”) Who finished the book? Questions can’t read. Avoid following an introductory participial clause with the expletives it or there . Expletives are by definition filler words; they can’t be agents. (“Having examined the origins of the Meiji Restoration in Japan, it is apparent that...”) Apparent to whom?  The expletive it didn’t do the examining. (“After going on the Long March, there was greater support for the Communists in China.”) Who went on the Long March? There didn’t go on the Long March. Always pay attention to who’s doing what in your sentences.

Run-on sentence.

Run-on sentences string together improperly joined independent clauses. Consider these three sentences:

“Galileo recanted his teaching that the earth moved privately he maintained his convictions.” “Galileo recanted his teaching that the earth moved, privately he maintained his convictions.” “Galileo recanted his teaching that the earth moved, however, privately he maintained his convictions.”

The first fuses two independent clauses with neither a comma nor a coordinating conjunction; the second uses a comma but omits the coordinating conjunction; and the third also omits the coordinating conjunction (however is not a coordinating conjunction). To solve the problem, separate the two clauses with a comma and the coordinating conjunction but. You could also divide the clauses with a semicolon or make separate sentences. Remember that there are only seven coordinating conjunctions ( and, but, or, nor, for, so, yet ).

Sentence fragment.

Write in sentences. A sentence has to have a subject and a predicate. If you string together a lot of words, you may lose control of the syntax and end up with a sentence fragment. Note that the following is not a sentence:

“While in Western Europe railroad building proceeded rapidly in the nineteenth century, and in Russia there was less progress.”

Here you have a long compound introductory clause followed by no subject and no verb, and thus you have a fragment. You may have noticed exceptions to the no-fragments rule. Skilful writers do sometimes intentionally use a fragment to achieve a certain effect. Leave the rule-breaking to the experts.

Confusion of restrictive and nonrestrictive clauses.

Consider these two versions of the same sentence:

1. “World War I, which raged from 1914-1918, killed millions of Europeans.” 2. “World War I that raged from 1914-1918 killed millions of Europeans.”

The first sentence has a nonrestrictive relative clause; the dates are included almost as parenthetical information. But something seems amiss with the second sentence. It has a restrictive relative clause that limits the subject (World War I) to the World War I fought between 1914 and 1918, thus implying that there were other wars called World War I, and that we need to distinguish among them. Both sentences are grammatically correct, but the writer of the second sentence appears foolish.  Note carefully the distinction between that (for use in restrictive clauses, with no comma) and which (for use in nonrestrictive clauses, with a comma).

Confusion about who’s doing what.

Remember—history is about what people do, so you need to be vigilant about agency. Proofread your sentences carefully, asking yourself, “Have I said exactly who is doing or thinking what, or have I inadvertently attributed an action or belief to the wrong person or group?” Unfortunately, there are many ways to go wrong here, but faulty punctuation is among the most common. Here’s a sentence about Frantz Fanon, the great critic of European imperialism. Focus on the punctuation and its effect on agency: “Instead of a hierarchy based on class, Fanon suggests the imperialists establish a hierarchy based on race.” As punctuated, the sentence says something absurd: that Fanon is advising the imperialists about the proper kind of hierarchy to establish in the colonies. Surely, the writer meant to say that, in his analysis of imperialism, Fanon distinguishes between two kinds of hierarchy. A comma after suggests fixes the immediate problem. Now look at the revised sentence. It still needs work. Better diction and syntax would sharpen it.  Fanon does not suggest (with connotations of both hinting and advocating); he states outright. What’s more, the comparison of the two kinds of hierarchy gets blurred by too many intervening words. The key point of the sentence is, in effect, “instead of A, we have B.” Clarity demands that B follow A as closely as possible, and that the two elements be grammatically parallel. But between the elements A and B, the writer inserts Fanon (a proper noun), suggests (a verb), imperialists (a noun), and establish (a verb). Try the sentence this way: “Fanon says that the imperialists establish a hierarchy based on race rather than class.” Now the agency is clear: We know what Fanon does, and we know what the imperialists do. Notice that errors and infelicities have a way of clustering. If you find one problem in a sentence, look for others.

Confusion about the objects of prepositions.

Here’s another one of those common problems that does not receive the attention it merits. Discipline your prepositional phrases; make sure you know where they end. Notice the mess in this sentence: “Hitler accused Jewish people of engaging in incest and stating that Vienna was the ‘personification of incest.’” The reader thinks that both engaging and stating are objects of the preposition of. Yet the writer intends only the first to be the object of the preposition. Hitler is accusing the Jews of engaging , but not of stating ; he is the one doing the stating . Rewrite as “Hitler accused the Jews of incest; he stated that Vienna was the ‘personification of incest.’” Note that the wordiness of the original encouraged the syntactical mess. Simplify. It can’t be said too many times: Always pay attention to who’s doing what in your sentences.

Misuse of the comparative.

There are two common problems here. The first might be called the “floating comparative.” You use the comparative, but you don’t say what you are comparing. (“Lincoln was more upset by the dissolution of the union.”) More upset than by what? More upset than who? The other problem, which is more common and takes many forms, is the unintended (and sometimes comical) comparison of unlike elements. Consider these attempts to compare President Clinton to President George H. W. Bush. Often the trouble starts with a possessive:

“President Clinton’s sexual appetite was more voracious than President Bush.”

You mean to compare appetites, but you've forgotten about your possessive, so you absurdly compare an appetite to a man. Rewrite as “more voracious than President Bush’s.” A variation of this problem is the unintended comparison resulting from the omission of a verb:

“President Clinton liked women more than President Bush.”

Re-write as “more than did President Bush.”

A misplaced modifier may also cause comparison trouble: “Unlike the Bush administration, sexual scandal nearly destroyed the Clinton administration.” Rewrite as  “Unlike the Bush administration, the Clinton administration was nearly destroyed by sexual scandal.” Here the passive voice is better than the misplaced modifier, but you could rewrite as “The Bush administration had been free of sexual scandal, which nearly destroyed the Clinton administration.”

Misuse of apostrophe.

Get control of your apostrophes. Use the apostrophe to form singular or plural possessives (Washington’s soldiers; the colonies’ soldiers) or to form contractions (don’t; it’s). Do not use the apostrophe to form plurals. (“The communists [not communists’] defeated the nationalists [not nationalists’] in China.”)

Comma after although.

This is a new error, probably a carryover from the common conversational habit of pausing dramatically after although . ( “Although , coffee consumption rose in eighteenth-century Europe, tea remained far more popular.”) Delete the comma after although . Remember that although is not a synonym for the word however , so you cannot solve the problem in the sentence by putting a period after Europe . A clause beginning with although cannot stand alone as a sentence.

Comma between subject and verb.

This is a strange new error. (“Hitler and Stalin, agreed to a pact in August 1939.”) Delete the comma after Stalin. Finally, two hints: If your word-processing program underlines something and suggests changes, be careful. When it comes to grammar and syntax, your computer is a moron. Not only does it fail to recognize some gross errors, it also falsely identifies some correct passages as errors. Do not cede control of your writing decisions to your computer. Make the suggested changes only if you are positive that they are correct. If you are having trouble with your writing, try simplifying. Write short sentences and read them aloud to test for clarity. Start with the subject and follow it quickly with an active verb. Limit the number of relative clauses, participial phrases, adjectives, adverbs, and prepositional phrases. You will win no prizes for eloquence, but at least you will be clear. Add complexity only when you have learned to handle it.

An historical/an historian.

The consonant “H” is not silent in historical and historian , so the proper form of the indefinite article is “A.”

Avoid the common solecism of using feel as a synonym for think, believe, say, state, assert, contend, argue, conclude, or write. (“Marx felt that the bourgeoisie exploited the proletariat.” “Emmeline Pankhurst felt that British women should be able to vote.”) The use of feel in these sentences demeans the agents by suggesting undisciplined sentiment rather than carefully formulated conviction. Concentrate on what your historical actors said and did; leave their feelings to speculative chapters of their biographies. As for your own feelings, keep them out of your papers. (“I feel that Lincoln should have freed the slaves earlier.”) Your professor will be delighted that the material engages both your head and your heart, but your feelings cannot be graded. If you believe that Lincoln should have acted earlier, then explain, giving cogent historical reasons.

The fact that.

This is a clumsy, unnecessary construction. ( “The fact that Nixon resigned in disgrace damaged the Republican Party.”) Re-word as “Nixon resigned in disgrace, damaging the Republican Party.” Never use the hideous phrase due to the fact that.

In terms of.

This phrase is filler. Get rid of it. (“Bismarck was a success in terms of uniting Germany.) Rewrite as “Bismarck successfully united Germany.”

Attend carefully to the placement of this limiting word. Note, for example, these three sentences:

“The government only interred Japanese Americans during World War II.” “The government interred only Japanese Americans during World War II.” “The government interred Japanese Americans only during World War II.”

The first limits the action to interring (as opposed to, say, killing); the second limits the group interred (i.e., not Italian Americans); the third limits the time of interring (i.e., not during other wars).

Thus and therefore.

More than likely, you have not earned these words and are implying that you have said more than you actually have. Use them sparingly, only when you are concluding a substantial argument with a significant conclusion.

Misuse of instead.

Instead is an adverb, not a conjunction. Consider this sentence: “Charles Beard argued that the framers of the constitution were not idealists, instead they promoted their economic interests.” Revise as “The framers of the constitution, Charles Beard argued, did not uphold ideals; instead , they promoted their economic interests.” Now the instead appears properly as an adverb. (Note also that the two clauses are now parallel—both contain transitive verbs.)

Essentially and basically.

These are usually either filler words (the written equivalent of “uh” or “um”) or weasel words that merely call attention to your vagueness, lack of conviction, or lazy unwillingness to qualify precisely. (“ Essentially , Churchill believed that Nazi Germany presented a grave danger to Britain.”) Delete essentially and basically unless you are writing about essences or bases.

Both share or both agree.

These are redundant. If two people share or agree , they are both involved by definition. (“Stalin and Mao both agreed that capitalism belonged in the dustbin of history.”) Delete both .

This word means one of a kind. It is an absolute. Something cannot be very unique, more unique, or somewhat unique.

Incredible.

In casual conversation incredible often means extraordinary, astonishing, or impressive (“Yesterday’s storm was incredible.”). To avoid confusion in historical prose, you should stick with the original meaning of incredible : not believable. If you write that “William Jennings Bryan gave incredible speeches,” you’re saying that you don’t believe his speeches, or that his audiences didn’t believe them at the time—in other words, that he appeared to be lying or mistaken. You probably mean that he gave great speeches. If you write that “It’s incredible that Japan attacked Pearl Harbor,” you’re calling into question the very existence of a historical event. You probably mean that the Japanese attack was unwise or reckless. English is rich with adjectives. Finding the best one forces you to think about what you really mean.

As a synonym for subject matter, bone of contention, reservation, or almost anything else vaguely associated with what you are discussing, the word issue has lost its meaning through overuse. (“There were many issues involved with Truman’s decision to use the atomic bomb, and some historians have issues with his decision.”) Stop talking about issues and get to the point.

Beware of the word literally . It’s commonly misused, and you almost never need it in historical prose. Literally means actually, factually, exactly, directly, without metaphor. The careful writer would never say, “Roosevelt literally swamped Landon in the election of 1936.” One imagines Roosevelt (in his wheelchair no less!) dumping the hapless Landon off a pier in the Everglades on election night. The swamping was figurative, strictly a figure of speech. The adverb literally may also cause you trouble by falsely generalizing the coverage of your verb. “London was literally destroyed by the blitz.” This suggests that the whole city was destroyed, when, in fact, only parts were destroyed. Rewrite as “The blitz destroyed parts of London.” Now you’ve qualified properly (and gotten rid of the passive).

When you’re tempted to use this word, resist. Like issue , involve tells the reader too little. (“Erasmus was involved in the Renaissance.”) This statement could mean virtually anything. Delete it and discuss specifically what Erasmus said or did.

This is a fine old word with many precise meanings, but as an overused synonym for feature, side, or part, it is usually a sign of insipid prose (“Another aspect of the issues in this area is the fact that...”). Just get directly to the point.

Most good writers frown on the use of this word as a verb.(“Eisenhower’s military background impacted his foreign policy.”) Affected, influenced, or shaped would be better here. Impacted suggests painfully blocked wisdom teeth or feces. Had an impact is better than impacted , but is still awkward because impact implies a collision.

Here is another beloved but vapid word. (“Many factors led to the Reformation.”) Such a sentence usually opens a vague, boring, weaseling paragraph. If you believe (quite reasonably) that the Reformation had many causes, then start evaluating them.

Meaningful.

Overuse has drained the meaning from meaningful . (“Peter the Great took meaningful steps to westernize Russia.”) Just get to the point.

Interesting.

The adjective interesting is vague, overused, and does not earn its keep. (“Burckhardt had an interesting perspective on the Renaissance.”) This sentence is filler. Delete it and explain and analyze his perspective.

The events that transpired.

Your professor will gag on this one. Events take place or happen by definition, so the relative clause is redundant. Furthermore, most good writers do not accept transpire as a synonym for happen. Again, follow the old rule of thumb: Get right to the point, say what happened, and explain its significance. You don’t need any filler about events and transpiring .

The reason is because.

This phrase is awkward and redundant. Replace it with the reason is, or better still, simply delete it and get right to your reason.

For all intensive purposes.

The phrase is for all intents and purposes , and few good writers use it in formal prose anyway.

Take for granite.

This is an illiteracy. The phrase is “ take for granted .”

Should of/could of.

You mean should have or could have .

Center around.

Good writers frown on this phrase because it’s illogical and jarring. Use center on or center in. Attention to a small detail like this indicates that you’re thinking carefully about what you’re saying, so when the big problems confront you, you’ll be disciplined and ready.

Begs the question.

Recently, many people have started to use this phrase to mean raises, invites, or brings up the question. (“Stalin’s purges beg the question of whether he was paranoid.”) Actually, begging the question is the common logical fallacy of assuming your conclusion as part of your argument. (“In the late nineteenth century, many Americans moved to the cities because of urbanization.”) Note that the use of abstractions (e.g., urbanization) encourages begging the question . Understanding this fallacy is central to your education. The formal Latin term, petitio principii, is too fancy to catch on, so you need to preserve the simple English phrase. If something raises a question, just say so.

Historic/historical confusion.

Everything in the past or relating to the past is historical. Resist the media-driven hype that elevates the ordinary to the historic . (“A three-alarm fire last night destroyed the historic site of the first Portuguese-owned dry cleaners in Cleveland.”) Reserve the word historic for the genuinely important events, persons, or objects of the past. The Norman invasion of England in 1066 was indeed historic . Historically , historians have gathered annually for a historical convention; so far, none of the conventions has been historic .

Affect/effect confusion.

The chances are that the verb you want is affect , which means to have an influence on (“The Iranian hostage crisis affected [not effected] the presidential election of 1980”). Effect as a verb means to bring about or cause to exist ( effect change). Effect as a noun means result or consequence (“The effect of the Iranian hostage crisis on the election...”).

While/whereas confusion.

If you’re stressing contrast, the word you want is whereas . While stresses simultaneity. “Hobbes had a dismal view of human nature, whereas [not while] Rousseau believed that man had a natural sense of pity.”

It’s/its confusion.

This is the classic bonehead error. Note that the spell checker won’t help you. And remember— its’ is not a word at all.

Reign/rein confusion.

A queen reigns during her reign. You rein in a horse with reins.

Their/there/they’re confusion.

You do know the difference. Pay attention.

Everyday/every day confusion.

As an adjective, everyday (one word) means routine. If you wish to say that something happened on every successive day, then you need two words, the adjective every and the noun day . Note the difference in these two sentences: “Kant was famous for going on the same constitutional at the same time every day . For Kant, exercise and thinking were everyday activities.”

Refer/allude confusion.

To allude means to refer to indirectly or to hint at. The word you probably want in historical prose is refer , which means to mention or call direct attention to. “In the first sentence of the ‘Gettysburg Address’ Lincoln refers [not alludes ] to the fathers of the nation [he mentions them directly]; he alludes to the ‘Declaration of Independence’ [the document of four score and seven years earlier that comes to the reader’s mind, but that Lincoln doesn’t directly mention].”

Novel/book confusion.

Novel is not a synonym for book. A novel is a long work of fiction in prose. A historical monograph is not a novel —unless the historian is making everything up.

Than/then confusion.

This is an appalling new error. If you are making a comparison, you use the conjunction than . (“President Kennedy’s health was worse than [not then ] the public realized.”)

Lead/led confusion.

The past tense of the verb to lead is led (not lead ). “Sherman led [not lead ] a march to the sea.”

Lose/loose confusion.

The opposite of win is lose , not loose . “Supporters of the Equal Rights Amendment suspected that they would lose [not loose ] the battle to amend the constitution.”

However/but confusion.

However may not substitute for the coordinating conjunction but. (“Mussolini began his career as a socialist, but [not however ] he later abandoned socialism for fascism.”) The word however has many proper uses; however , [note the semicolon and comma] graceful writers use it sparingly.

Cite/site/sight confusion.

You cited a source for your paper; ancient Britons sited Stonehenge on a plain; Columbus’s lookout sighted land.

Conscience/conscious confusion.

When you wake up in the morning you are conscious , though your conscience may bother you if you’ve neglected to write your history paper.

Tenet/tenant confusion.

Your religion, ideology, or worldview all have tenets —propositions you hold or believe in. Tenants rent from landlords.

All are not/not all are confusion.

If you write, “ All the colonists did not want to break with Britain in 1776,” the chances are you really mean, “ Not all the colonists wanted to break with Britain in 1776.” The first sentence is a clumsy way of saying that no colonists wanted to break with Britain (and is clearly false). The second sentence says that some colonists did not want to break with Britain (and is clearly true, though you should go on to be more precise).

Nineteenth-century/nineteenth century confusion.

Historians talk a lot about centuries, so you need to know when to hyphenate them. Follow the standard rule: If you combine two words to form a compound adjective, use a hyphen, unless the first word ends in ly. (“ Nineteenth-century [hyphenated] steamships cut the travel time across the Atlantic.”) Leave out the hyphen if you’re just using the ordinal number to modify the noun century. (“In the nineteenth century [no hyphen] steamships cut the travel time across the Atlantic.”) By the way, while you have centuries in mind, don’t forget that the nineteenth century is the 1800s, not the 1900s. The same rule for hyphenating applies to middle-class and middle class —a group that historians like to talk about.

Bourgeois/bourgeoisie confusion.

Bourgeois is usually an adjective, meaning characteristic of the middle class and its values or habits. Occasionally, bourgeois is a noun, meaning a single member of the middle class. Bourgeoisie is a noun, meaning the middle class collectively. (“Marx believed that the bourgeoisie oppressed the proletariat; he argued that bourgeois values like freedom and individualism were hypocritical.”)

Your professor may ask you to analyze a primary document. Here are some questions you might ask of your document. You will note a common theme—read critically with sensitivity to the context. This list is not a suggested outline for a paper; the wording of the assignment and the nature of the document itself should determine your organization and which of the questions are most relevant. Of course, you can ask these same questions of any document you encounter in your research.

• What exactly is the document (e.g., diary, king’s decree, opera score, bureaucratic memorandum, parliamentary minutes, newspaper article, peace treaty)?
• Are you dealing with the original or with a copy? If it is a copy, how remote is it from the original (e.g., photocopy of the original, reformatted version in a book, translation)? How might deviations from the original affect your interpretation?
• What is the date of the document?
• Is there any reason to believe that the document is not genuine or not exactly what it appears to be?
• Who is the author, and what stake does the author have in the matters discussed? If the document is unsigned, what can you infer about the author or authors?
• What sort of biases or blind spots might the author have? For example, is an educated bureaucrat writing with third-hand knowledge of rural hunger riots?
• Where, why, and under what circumstances did the author write the document?
• How might the circumstances (e.g., fear of censorship, the desire to curry favor or evade blame) have influenced the content, style, or tone of the document?
• Has the document been published? If so, did the author intend it to be published?
• If the document was not published, how has it been preserved? In a public archive? In a private collection? Can you learn anything from the way it has been preserved? For example, has it been treated as important or as a minor scrap of paper?
• Does the document have a boilerplate format or style, suggesting that it is a routine sample of a standardized genre, or does it appear out of the ordinary, even unique?
• Who is the intended audience for the document?
• What exactly does the document say? Does it imply something different?
• If the document represents more than one viewpoint, have you carefully distinguished between the author’s viewpoint and those viewpoints the author presents only to criticize or refute?
• In what ways are you, the historian, reading the document differently than its intended audience would have read it (assuming that future historians were not the intended audience)?
• What does the document leave out that you might have expected it to discuss?
• What does the document assume that the reader already knows about the subject (e.g., personal conflicts among the Bolsheviks in 1910, the details of tax farming in eighteenth-century Normandy, secret negotiations to end the Vietnam war)?
• What additional information might help you better interpret the document?
• Do you know (or are you able to infer) the effects or influences, if any, of the document?
• What does the document tell you about the period you are studying?
• If your document is part of an edited collection, why do you suppose the editor chose it? How might the editing have changed the way you perceive the document? For example, have parts been omitted? Has it been translated? (If so, when, by whom, and in what style?) Has the editor placed the document in a suggestive context among other documents, or in some other way led you to a particular interpretation?

Your professor may ask you to write a book review, probably of a scholarly historical monograph. Here are some questions you might ask of the book. Remember that a good review is critical, but critical does not necessarily mean negative. This list is not meant to be exhaustive, nor is it a suggested outline. Of course, you can ask these same questions of any secondary historical work, even if you’re not writing a review.

• Who is the author, and what are his or her qualifications? Has the author written other books on the subject?
• When was the book written, and how does it fit into the scholarly debate on the subject? For example, is Smith writing to refute that idiot Jones; to qualify the work of the competent but unimaginative Johnson; or to add humbly to the evidence presented by the redoubtable Brown’s classic study? Be sure not to confuse the author’s argument with those arguments he or she presents only to criticize later.
• What is the book’s basic argument? (Getting this right is the foundation of your review.)
• What is the author’s method? For example, does the author rely strictly on narrative and anecdotes, or is the book analytical in some way?
• What kinds of evidence does the author use? For example, what is the balance of primary and secondary sources? Has the author done archival work? Is the source base substantial, or does it look thin? Is the author up-to-date in the scholarly literature?
• How skillfully and imaginatively has the author used the evidence?
• Does the author actually use all of the material in the bibliography, or is some of it there for display?
• What sorts of explicit or implicit ideological or methodological assumptions does the author bring to the study? For example, does he or she profess bland objectivity? A Whig view of history? Marxism?
• How persuasive is the author’s argument?
• Is the argument new, or is it old wine in new bottles?
• Is the argument important, with wide-ranging implications, or is it narrow and trivial?
• Is the book well organized and skillfully written?
• What is your overall critical assessment of the book?
• What is the general significance, if any, of the book? (Make sure that you are judging the book that the author actually wrote, not complaining that the author should have written a different book.)

Here are some tips for those long, intimidating term papers or senior theses:

• Start early. If you don’t, none of these tips will matter. Big trouble is looming if you don’t have a specific topic by the end of the first week. You should be delving into the sources during the second week.
• Keep in mind all of the dos and don’ts in this booklet.
• Work closely with your professor to assure that your topic is neither too broad nor too narrow.
• Set up a schedule with your professor and check his or her policy about reading rough drafts or parts of rough drafts. Then keep your professor informed about what you’re doing. You don’t want any unpleasant surprises. You certainly don’t want to hear, “I haven’t seen you for weeks, and it sounds like you’re way off base. How can you possibly get this done with only two weeks left in the semester?”
• Make an appointment with Kristin Strohmeyer, the history reference librarian in Burke Library. She will help you to find and use the appropriate catalogs and indexes.
• Use your imagination in compiling a bibliography. Think of all of the possible key words and subjects that may lead you to material. If you find something really good, check the subjects under which it is cataloged. Comb the notes and bibliographies of books and articles you’ve already found.
• Much of what you need will not be in our library, so get to know the friendly folks in the Interlibrary Loan department.
• Start early. This can’t be said too often.
• Use as many primary sources as you can.
• Jot down your ideas as they come to you. You may not remember them later.
• Take careful notes on your reading. Label your notes completely and precisely. Distinguish meticulously and systematically between what you are directly quoting and what you are summarizing in your own words. Unintended plagiarism is still plagiarism. Stay clean as a hound’s tooth. Write down not just the page of the quotation or idea, but also the whole run of pages where the matter is discussed. Reread all of your notes periodically to make sure that you still understand them and are compiling what you will need to write your paper. Err on the side of writing down more than you think you will need. Copious, precise notes won’t come back to haunt you; skimpy, vague notes will. Just accept that there is something anal about good note-taking.
• If you take notes directly into your computer, they will be easy to index and pull up, but there are a couple of downsides. You will not be able to see all of them simultaneously, as you can note cards laid out on a big table. What you gain in ease of access may come at the price of losing the big picture. Also, if your notes are in your computer, you may be tempted to save time and thought by pasting many of them directly into your paper. Note cards encourage you to rethink and to rework your ideas into a unified whole.
• Don’t start to write until you have a good outline.
• Make sure that your paper has a thesis. (See the entry State a clear thesis. )
• Check and recheck your facts.
• Footnote properly. (See the entry Cite sources carefully .)
• Save plenty of time to proofread.
• Start early.

Top Ten Signs that you may be Writing a Weak History Paper

10. You’re overjoyed to find that you can fill the required pages by widening all margins.

9. You haven’t mentioned any facts or cited any sources for several paragraphs.

8. You find yourself using the phrase “throughout history mankind has...”

7. You just pasted in another 100 words of quotations.

6. You haven’t a clue about the content of your next paragraph.

5. You’re constantly clicking on The Britannica, Webster’s, and Bartlett’s.

4. Your writing tutor sneaks another look at her watch as she reminds you for the third time to clarify your thesis.

3. Your main historical actors are this, it, they, the people, and society, and they are all involved with factors, aspects, impacts, and issues.

2. You just realize that you don’t understand the assignment, but it’s 3:00 A.M, the paper is due at 9:00, and you don’t dare call your professor.

1. You’re relieved that the paper counts for only 20 percent of the course grade.

Final Advice

You guessed it — start early.

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Module 9: The New Deal (1932-1941)

Historical arguments and thesis statements, learning objectives.

• Evaluate historical claims and thesis statements

The Research Writing Process

In an earlier historical hack, we talked about the research writing process, as shown below:

• Understand the assignment
• Select a research topic/develop a research question
• Conduct research: find and evaluate sources
• Create your claim (make an argument)
• Synthesize evidence
• Put it together

These are guidelines to help you get started, but the process is iterative, so you may cycle through these steps several times while working towards your finished product. In this hack, we want to focus on the final three steps—once you’ve done your research and have a few ideas about what to say, how do you put it together to create your finished product?

Crafting Historical Arguments

In open-ended historical research assignments, you are almost always expected to create an argument (revisit the assignment prompt or ask your instructor if you’re unsure about this). Historical arguments are not like the arguments that you and your roommate might have about the best show on T.V. or an argument you’d have with the referee at a sporting event; historical arguments require you to pick a stance on an issue and defend it with supporting evidence.

Your objective is not to create an informal persuasive essay convincing others of your viewpoint based on your personal opinions, but an argumentative one, where you defend your stance on an issue by backing it with historical evidence. Argumentative writing is done for a formal, academic purpose— you have a compelling viewpoint on a topic, and you’ve conducted research. Now you are communicating that research and using evidence to back your claim. When you write an argumentative piece, you write as if you are the authority on the topic, a subject-matter expert.

The Differences Between Persuasive and Argumentative Writing

Check out the table below for a quick breakdown of the differences between persuasive and argumentative writing.

Sometimes it can be hard to tell a topic from an argument. If someone sees you reading an article and asks, “What’s that article about?” You might say, “It’s about photography during the Great Depression.” That’s a topic, not an argument. How do we know? You can’t disagree with “photography during the Great Depression.” An argument is something you could disagree with, like “Photography during the Great Depression was essential in bringing the realities of poverty into the public eye.”

Argumentative Statements

Understand the assignment.

Don’t forget the first step in approaching a research paper or assignment—to carefully understand what you are asked to do. Some assignments are more obviously arguments than others. They may ask you to pick an obvious side, like “Was the New Deal effective or ineffective?” Or “How do you think the government should address reparations for slavery? Or “Was the American Revolution really a revolution?”

Understanding Argumentative Statements

Other times the “argument” part is less obvious. The prompt may be more generic or broad. Let’s take a look at this option for a capstone assignment in this class:

Pick a reformer or activist involved with a social movement between 1877 and 1900. Evaluate and analyze the ideas, agenda, strategies, and effectiveness of the work done by your chosen reformer or activist. You can pick one aspect of the person’s involvement or significance to the movement to focus on in your research. You should make a claim in your final report that answers one of the questions below:

• What was the influence of your person on American life during their time period?
• What is their influence and legacy today?
• What changes came about as a direct result of their activism? 
• What obstacles stood in the way of this person from having a more significant impact on society?
• What activism methods used by your reformer were most effective, and why?
• How did their activism compare or contrast with other reform movements from the same time period?
• How are things different today because of their activism? In what ways are things the same?
• Why should people be aware of the work done by your chosen reformer?
• Can you draw any connections to a modern-day reform movement— what reform movement might they support today, and why?

With this prompt, you are tasked with creating an argument about the reformer or activist you chose. It is not simply a narrative or biography where you report about their lives, but you want to pick one of the listed questions to create an argument—something that shows your ability to take a stance (that could be debated by others) and support your view with evidence.

Activity #1

Give it a try—without even doing some research- what argumentative statement could you make about a 19th-century activist?

Let’s take a look at a more detailed example. For example, say that your chosen activist was  Bayard Rustin , a Black activist who was instrumental in organizing the 1963 March on Washington for Jobs and Freedom. What’s an argument you could make about Rustin?

Here is one option. “While you’ve heard of Martin Luther King Jr.’s famous “I Have a Dream Speech” during the 1963 March on Washington, you may not have heard of Bayard Rustin, whose involvement in planning the March on Washington for Jobs and Freedom was essential in propelling Congress to pass the Civil Rights Act of 1964. As the deputy director of the March, Rustin’s background in nonviolence and vision for the March led leaders to prioritize the civil rights movement and gave public backing to the federal law prohibiting racial discrimination.”

As you’ll learn in just a moment, this argument is what becomes the thesis statement.

Begin With a Thesis

The central claim you make in your argument is called the thesis statement . A thesis consists of a specific topic and an angle on the topic. All of the other ideas in the text support and develop the thesis.

Where in the Essay Should the Thesis Be Placed?

The thesis statement is often found in the introduction, sometimes after an initial “hook” or interesting story; sometimes, however, the thesis is not explicitly stated until the end of an essay, and sometimes it is not stated at all. In those instances, there is an implied thesis statement. You can generally extract the thesis statement by looking for a few key sentences and ideas.

Most readers expect to see the point of your argument (the thesis statement) within the first few paragraphs. This does not mean that it has to be placed there every time. Some writers place it at the very end, slowly building up to it throughout their work, to explain a point after the fact. For history essays, most professors will expect to see a clearly discernible thesis sentence in the introduction.

Characteristics of a Thesis Statement

Thesis statements vary based on the rhetorical strategy of the essay, but thesis statements typically share the following characteristics:

• Presents the main idea
• Most often is one sentence
• It tells the reader what to expect
• Is a summary of the essay topic
• Usually worded to have an argumentative edge
• Written in the third person

Crafting strong argumentative writing is a skill that teaches you how to engage in research, communicate the findings of that research, and express a point of view using supporting evidence.

Link to learning

For a few more examples of how to create arguments and thesis statements, visit this helpful writing guide .

What Makes a Good Claim?

Let’s take a closer look at this process by reviewing a worked example. For this example, we will use a topic you’ve studied recently—the FDR presidency and New Deal. Let’s imagine you’ve been assigned the following prompt:

• Did New Deal spending and programs succeed in restoring American capitalism during the Great Depression, and should the government have spent more money to help the New Deal succeed, or did the New Deal spend unprecedented amounts of money on relief and recovery efforts but ultimately fail to stimulate a full economic recovery?

You’ve already examined the prompt, selected a research topic, and conducted research, and now you are ready to make your claim. First, what claim do you want to make?

Identify the Claim

Let’s look at a sample introductory paragraph that responds to this prompt. Look for the central claim made in the argument.

Example ESSAY #1

Since the stock market crash and the onset of the depression, British economists John Maynard Keynes, Roy Harrod, and others had urged western governments to stop tinkering with monetary solutions and adopt an aggressive program of government spending, especially in the areas of public works and housing, to stimulate the economy during the depression. Keynes stressed these ideas when he met with President Roosevelt, who soon complained to labor secretary Frances Perkins: “He [Keynes] left a whole rigamarole of figures. He must be a mathematician rather than a political economist.” Roosevelt’s comments about Keynes opened a window on one fundamental reason why the president’s New Deal, despite unprecedented federal spending, never achieved full economic recovery between 1933 and 1940. Although surrounded by critical advisers such as Federal Reserve chairman Marriner Eccles, who understood Keynes and his central message about the importance of government spending, Roosevelt did not grasp these ideas intellectually. He remained at heart a fiscal conservative, little different from Herbert Hoover. Roosevelt condoned government spending when necessary to “prime the pump” for recovery and combat hunger and poverty, but not as a deliberate economic recovery tool.

Let’s look at yet another example. This also responds to this same prompt which you can find again below for reference:

Example ESSAY #2

When President Franklin Delano Roosevelt gave his inaugural address on March 4, 1933, America was in the midst of financial collapse. Banking holidays closed banks in 28 states, and investors traded their dollars for gold to have tangible wealth. The president reassured Americans” “This great Nation will endure as it has endured and will revive and will prosper.” He listed three goals to shore up capitalism through his New Deal: banking regulation, laws to curb speculation, and the establishment of a sound currency basis. Roosevelt shored up the financial sector through regulation to restore the public trust that mismanaged banks, and financial speculators had destroyed. His New Deal gave the federal government regulatory responsibility to smooth economic downturns. Over the next eight years, the New Deal’s economic practices and spending helped create recovery and restore capitalism.

Finding the Thesis Statement

You’ve found the central claims from each of these two sample essays. Quite often, the claim is the thesis statement. But sometimes, the thesis statement elaborates on the claim more by including the angle you’ll take about your claim. In the sample essay above, the thesis statement is written in reverse order, with the primary claim coming at the end, but if you read the sentences before that, you can see what the essay’s focus will be as well.”

• “Roosevelt shored up the financial sector through regulation to restore the public trust that mismanaged banks, and financial speculators had destroyed. His New Deal gave the federal government regulatory responsibility to smooth economic downturns. Over the next eight years, the New Deal’s economic practices and spending helped create recovery and restore capitalism”.”

Now we know that the rest of the essay will focus on how the New Deal’s economic practices and spending habits helped the recovery and also show 1) ways that Roosevelt shored up the financial sector and 2) gave the federal government regulatory responsibility.

Pick a reformer or activist involved with a social movement between 1877 and 1900. Pick two questions below and write a thesis statement explaining the main claim and angle you would take in an essay about the topic.

• What changes came about as a direct result of their activism?

Thesis statement #1:

Thesis statement #2:

thesis statement : a statement of the topic of the piece of writing and the angle the writer has on that topic

• Historical Hack: Crafting Historical Arguments. Authored by : Kaitlyn Connell for Lumen Learning. Provided by : Lumen Learning. License : CC BY: Attribution
• Analyzing Documents Using the HAPPY Analysis. Provided by : Lumen Learning. Located at : https://courses.lumenlearning.com/wm-ushistory2/chapter/analyzing-documents-using-the-happy-analysis/ . License : CC BY: Attribution
• Secondary source. Provided by : Wikipedia. Located at : https://en.wikipedia.org/wiki/Secondary_source . License : CC BY-SA: Attribution-ShareAlike
• What is an argument?. Provided by : Lumen Learning. Located at : https://courses.lumenlearning.com/englishcomp1coreq/chapter/introduction-to-what-is-an-argument/ . Project : English Composition I Corequisite. License : CC BY-SA: Attribution-ShareAlike
• Did the New Deal End the Great Depression?. Provided by : OpenStax. Located at : https://cnx.org/contents/[email protected]:WWZKMA1o@2/12-16-%F0%9F%92%AC-Did-the-New-Deal-End-the-Great-Depression . Project : Life, Liberty, and the Pursuit of Happiness. License : CC BY: Attribution . License Terms : Download for free at http://cnx.org/contents/[email protected]

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HIST 300: Guide for History Thesis Writers

• Starting your thesis project
• More on finding sources
• Important resources and services
• Reflection questions

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Attribution

This guide was created by Carollynn Costella, Vassar's History and Multidisciplinary Librarian 2006-2024. Carollynn passed away in July 2024 and is greatly missed by the Vassar community. Her colleagues in the Academic Engagement department hope to build on her excellent work in order to support this year's History majors. 

Refine your topic

In consultation with your faculty thesis advisor, you will articulate a broad beginning of a thesis topic. Through your initial research in preparation for submitting your thesis proposal and preliminary bibliography, you will begin to focus your thesis topic to an appropriate scope.

Consider the following questions:

What did you discuss with your advisor about the feasibility of your topic?

Did your advisor suggest any sources that could be essential?

What other sources did they suggest you look into?

What would your “dream” sources be? (e.g., I hope ____’s papers are published. I wonder if there was a trial about _____. I'd like to read newspaper coverage of ___ event from _____ perspective.)

What sources may be easiest or hardest to attain? What sources will be easier or harder to read and work with and how? What opportunities and risks could a digital version of a particular source present? Where are there gaps or silences in the archives related to your topic, and how might you address these? 

Where would you locate your topic in the bigger picture? One way to approach that is in terms of its position within social, economic, or political conditions.

What scholarly conversations are relevant to your topic? Identify the scholars, ideas, and debates that are essential to your topic. How does your thesis fit into these conversations? 

Identify key secondary sources

Secondary sources help to situate your thesis in the framework of larger scholarly conversations. Identify scholars whose work you will engage with early on in your research process.

As you search through library catalogs and databases, take note (literally, make lists) of the keywords and terms that you find useful, as well as the Library of Congress Subject Headings associated with your topic. The subject headings will be the same in other library catalogs and databases, and that language provides crucial keyword searching terms.

When you are searching in library catalogs for book length studies about your topic, remember to search broader than your topic as well as in narrower related sub-topics. Many book-length secondary sources will not require reading in entirety. Use tables of contents and indexes effectively to identify crucial chapters and passages. 

Peruse the bibliographies and footnotes in your secondary sources; this will help you find additional relevant secondary sources and may direct you to primary sources in archives, published sourcebooks, databases of primary source collections, and elsewhere. Also take note of dates/events, organization names, personal names, names of particular policies, laws or initiatives etc.; all of these are potential keywords for finding primary sources.

• Library Search (Vassar's catalog)
• WorldCat WorldCat is the union catalog for all the libraries that participate in Interlibrary Loan.
• Historical Abstracts Index to scholarship about world history after 1450 excluding U.S. and Canada
• America: History and Life Index to scholarship on U.S. and Canadian history
• Databases at Vassar Browse Vassar's databases in other disciplines to find scholarly indexes (e.g., Index Islamicus, ABSEES, HAPI, ITER) that are likely to include citations relevant to your thesis.

Confirm your primary source base

Before you begin searching for primary sources, ask yourself: What types of sources are most likely to contribute perspective on my topic?

Some examples of primary sources include: newspapers and magazines, personal narrative sources like memoirs and letters, government documents, the papers of organizations, and scholarly journals of the historical period. You will search for different types of sources using different techniques.

Use the Advanced Search screen in Library Search to:

• place limits on your search by location, language, or material type.  
• do subject searches. A subject search will look for keywords ONLY in the subject fields of catalog records. Knowing the vocabulary used in the subject searches will help you do effective searches of library collections. For example, Library of Congress Subject Headings use the following keywords to indicate primary sources: sources, letters, interviews, speeches, personal narratives, diaries, correspondence, sermons, notebooks, sketches, description and travel, treaties, pamphlets, biography (includes memoirs), newspapers, periodicals, pictorial works, art, architecture, portraits, caricatures and cartoons, cookery, decorative arts, furniture, material culture, guide books, maps, fiction, poetry, periodicals, newspapers, bibliography, early works to 1800.   It's not a perfect system, but an effective technique. Example search: (united states women) AND (sources or correspon dence)
• find reference sources like encyclopedias and historical dictionaries. Never underestimate how helpful these sources are in establishing historical context, suggesting keywords, identifying related people/events/places for your topic and providing bibliographies of important primary or secondary sources.
• identify digital collections of primary sources. Some of the digital primary sources that appear in our catalog are from unique databases that are more effectively searched in their native interface. If you find digital sources in our catalog that you are interested in finding more of, ask a librarian .
• WorldCat WorldCat is the union catalog for all the libraries that participate in InterLibrary Loan. Use Library of Congress Subject Headings to search for material. If an item is not available through ILL, use the "Libraries worldwide that own item" link to determine if you can travel there to look at the source in person. ALWAYS CALL AHEAD and speak to a librarian to confirm you will be allowed access to the library and to the sources you want to see.
• Center for Research Libraries Center for Research Libraries is an actual library in Chicago that Vassar Library pays membership dues to so our campus can access items in CRL's collection through ILL. EVERYTHING in CRL's catalog is available through ILL. Indicate the OCLC # on an ILL form in addition to all the other citation information when you make a request.
• Databases at Vassar Electronic databases of primary sources require some specialized techniques for thesis level research. Browse in various "Content Type" categories of Vassar's databases page and consult with a librarian about the most effective way to navigate the databases you are interested in.
• New York Public Library The NYPL system includes specialized Research Libraries (Stephen A. Schwarzman Building and Schomburg Center for Research in Black Culture) that have invaluable resources available and are only a train ride away.
• HathiTrust HathiTrust is a partnership of academic & research institutions, offering a collection of millions of titles digitized from libraries around the world.

Meet with librarians and thesis advisors

Some tips for effective meetings with librarians and thesis advisors:

• Bring a working bibliography with you. Even if you're not sure about many of the sources on there, it will give us an idea of what work you are doing and what direction you are going in.
• If you're looking for a particular source you found cited somewhere else, show your librarian the original source you found the citation in.
• It helps to have an idea about the types of sources you are interested in finding. Is it a personal narrative, a foreign newspaper, a magazine written from a particular political perspective? Do you have secondary sources addressing the relevant "layers" for your thesis questions? Do you need sources that contextualize your topic, provide historical background, or help you understand the historiography of your topic? 
• Next: More on finding sources >>
• Last Updated: Sep 10, 2024 11:50 AM
• URL: https://library.vassar.edu/hist300

Handbook for Historians Research Guide

• Choosing a Paper Topic
• Thesis Statement
• Find Primary Sources
• Find Secondary Sources
• Formatting References
• Writing an Annotated Bibliography

Sample History Papers

Sample title pages, outlines, & citations.

• Resources for Writing

These are examples of well written, properly cited history papers.

• Sample Paper with Outline
• Judge and Langdon Book Review/Research Paper - Example 1
• Judge and Langdon Book Review/Research Paper - Example 2
• citation presentation
• HST 302 Paper Example example of a paper for upper division History courses
• HST 302 Title Page
• Outline Example Example of an outline for a first year level history paper.
• << Previous: Writing an Annotated Bibliography
• Next: Resources for Writing >>
• Last Updated: Sep 5, 2024 1:41 PM
• URL: https://resources.library.lemoyne.edu/guides/history/handbook

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Sample Thesis Proposals

Lanfranc of Bec: Confrontation and Compromise Imperial Expansion and the Evolution of the South and Southeast Asian economies Nantucket’s Role in the War of 1812 Letters Home: Records of the Experiences of Common Soldiers in the American Civil War Writing for Stalin: American Journalists in the USSR, 1928-1941 Dismal Scientists, Diplomats, and Spooks: Bissell, Milliken, and Rostow and Their Impact on U.S. Foreign Policy Media Reflections of Western Public Opinion in the Suez Crisis The Implications, Effects, and Uses of Media in the Emmett Till Lynching Cromwell Lives while Mason Stalks: Irish Nationalism and Historical Memory during the Troubles ‘My broken dreams of peace and socialism’: Youth propaganda, personality, and selfhood in the GDR, 1979-1989.

Lanfranc of Bec: Confrontation and Compromise

The ecclesiastical history of Europe in the 11th century revolves around the investiture conflict and the Gregorian reform effort. These two issues forced their way into religious lives around the continent. Even in England, on the edge of the world, Anglo-Saxon and Norman reformers grappled with these challenges to the construction of a “universal church.” I would like to enter into this world through the case study of Lanfranc of Bec. Lanfranc is an apt choice for this intensive focus because of the apparent philosophical paradoxes that dominated his life.

Early in his career, Lanfranc was a staunch supporter of Pope Leo IX in the Eucharistic controversy with Berengar of Tours. The doctrine of transubstantiation was, however, less important to Lanfranc than the idea of “the universal church.” Significantly, this new church was to be united under the stronger and more demanding popes in Rome who were early supporters of the young Italian monk. Lanfranc’s transformation began when was appointed abbot of St. Etienne, Caen in 1063 under the direct patronage of William the Conqueror. This relationship continued with Lanfranc’s promotion to Archbishop of Canterbury in 1070. In this role, Lanfranc severed all most traditional ties with Rome. He did command the right to supervise and veto any papal synods planned for England. In addition, Lanfranc even skipped the mandatory pilgrimage to Rome to receive the pallium, a tradition for English bishops that dated back to Gregory the Great and the 6th century.

Traditional scholarship has tended to portray this break as pragmatic. Lanfranc’s new master, William, demanded a more present loyalty than the faraway Church of St. Peter’s. Loyalty in turn led to advancement and a place in religious governance of countless souls in England. To justify these mercenary considerations scholars described the admittedly conservative Lanfranc as a Carolingian bishop, a relic of an empire then dead for two centuries. The Carolingian era was a time of dramatic expansion for the church, largely under the protections of its secular Christian protector, Charlemagne. It is easy to see parallels, at least from the Norman point of view, between the conquest of England in 1066 and the forceful conversion of the Saxons in 8th century. Both these invasions brought subject peoples in line with a new, larger Christendom. Historians have written about Lanfranc as a player within this system of sacred reform spearheaded by the secular.

In my study I plan to reexamine this view. Although the Archbishop did abandon Gregory VII at the time of his greatest need, the investiture conflict, Lanfranc’s role in the English reform need not be seen as driven by Normandy rather than Rome. For example, William’s concern for the piety of his new subjects was at best secondary to an interest in appointing bishops who would maintain order on the tumultuous island in place of the absentee king. Thus it was with a relatively free hand that Lanfranc directly reformed both Canterbury and England as a whole. Some of these changes, like his emphasis on clerical celibacy, were directly in line with the Gregorian reforms that he had supposedly renounced upon his arrival. In other instances, Lanfranc was more open minded to the religious practices that preceded him. Unlike other Norman bishops that arrived after the conquest, the Archbishop was far more accommodating to both local English saints and the institution of monastic cathedrals. These examples create a far more complex picture of Lanfranc. It is clear that he was more loyal to the Gregorian reform movement than to any particular pontiff occupying the See of St. Peter. At the same time, his syncretistic approach would have been at odds with any of the uncompromising popes that he had dealings with. These incongruous details suggest the need to revise traditional interpretations of Lanfranc’s life. Within a wider scope, I hope to demonstrate how the clergy positioned themselves in the larger conflict between the church and state at this time.

In pursuing this topic I want to integrate traditional and less traditional sources in an attempt to create a fresh portrayal. Any study of medieval political and ecclesiastical history will rely heavily on the chroniclers. Specifically I will use the Anglo-Saxon Chronicle and Eadmer’s Vita Anselmi for the Anglo-Saxon perspective. For the Norman point of view I will use chronicles by William of Jumièges and Gilbert Crispin. To supplement these more formally produced histories, I will read Lanfranc’s own works including his major treatise on the Eucharist, the Liber Corpore et Sanguine Domini, which I fail to believe he so easily abandoned on his arrival to England. In addition, his personal correspondence and monastic constitutions, both of which have been recently republished, will be usefully in understanding his own views, whether they be practical or theological. Lastly, I want to use architectural analyses of the church that Lanfranc built at Canterbury and studies of relic worship surrounding the remains of local saints like Dunstan and Theodore. These less traditional sources, while harder to obtain, will, I hope, provide new insight into Lanfranc’s life and, at the very least, provide social and cultural context for this specific period. The result will be a study that uses the analysis of Lanfranc to address larger question concerning the orientation of individuals within 11th century conflicts.

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Imperial Expansion and the Evolution of the South and Southeast Asian economies

The arrival of Vasco De Gama in 1498 on the beaches of modern-day Calicut marked the beginning of the intensification of economic relations between East and West, and the first encounter of Europeans with an ancient and complex commercial network reaching by land and sea from Europe to China, handling trade and traffic of far greater value than anything known in the West. Luxury products from China, silk and precious metals from Iran, the cotton textiles of India, the gold and ivory of East Africa, and the spices of Indonesia were all connected through highly advanced and dense trading networks. While the Indian economy is often represented as having stagnated under the weight of European intrusions, it is clear that particularly in coastal areas, a brisk and dynamic coastal trade flourished under the aegis of European rule. The creation of a world market in commodities such as rice gold, silver, spices, textiles and other raw materials occurred simultaneous with displacement of local markets as European imperial reach was extended over an increasingly wide part of the globe.

By the mid 18th century, the two great chartered companies, the British East India Company and the VOC (Dutch East India Company) had transformed from mere commercial trading ventures to entities that dominated economic relationships with Asian economies and began to acquire auxiliary governmental and military functions. By 1765 the British East India Company was effectively the de facto sovereign in Bengal by virtue of its overwhelming military power in the region, and its acquisition of the diwani, or the right to collect territorial revenues. For both the Dutch and British East India Companies, it is clear that the acquisition of territorial empires and quasi-governmental functions had profound effects upon the nature, scope, and distribution of investment within the Companies from Europe, but also upon the character of the relationship between indigenous traders, merchants, and financiers, and Europeans. Lakshmi Subramanian, a historian who has published some of the most important works dealing with the relationship of the Marathas and the British in Bombay, mentions how Law de Lauriston, the ex-Governor General of French India, “recognized the local banking community in 1777 as the decisive factor in any future alliance of the French and Indian States against their inveterate antagonist the English East India Company.” In a recent paper Chaudhury asserts how the local credit markets of eastern India, particularly Bengal, were seminal in rescuing financially several of the European Companies in the seventeenth and early eighteenth centuries from chronic shortages of working capital, yet with victory at Plessy and the transformation of the British role in Bengal, the nature of the relationship between local creditors and European merchants changed dramatically.

This project will comparatively look at the Dutch and British East India Companies and their relationships with groups such as the Marathas, the Chettiars, and the Chinese banking and mercantile families, and will draw upon resources that deal with the relationships of other European powers with indigenous merchants and financiers. By examining the interaction of indigenous financial institutions and capital with Europeans in Asia, particularly South and Southeast Asia, I am hoping to explore many aspects of the Asian economies of the 17th-19th century under the aegis of this broader topic, such as the different development paths between European and Asian societies, the dynamics of the extension of European power in south and southeast Asia, and the radically different financial and economic structures that characterized Asian societies prior to the expansion of Europe, and how the imposition of colonial rule altered (or didn’t) the dynamics of indigenous capital. This project will look at the relationship from the European perspective by utilizing Dutch and British East India Company records. Particularly in recent years, several historians have sought to expand our understanding of the relationship between European traders and Indian merchants and financiers, and this project will attempt to both build upon their work and form a more global and far-reaching conclusion about the role of indigenous capital in imperial expansion by looking at the phenomenon from a comparative perspective.

The chief question I am seeking out to answer is to define and delineate the nature of the relationship between indigenous credit institutions and imperial expansion; effectively, examine the relationship between native bankers, financiers, and traders, and the Europeans who came to trade and later colonize. Above all, I hope to posit a link between these economic relationships, and changes to the political and economic map of Asia.

Nantucket’s Role in the War of 1812

I am a junior history major currently studying abroad at the Williams-Exeter in Oxford Programme. Since August, I have been casually researching the whaling industry on Nantucket during the late 18th to mid-19th century. I am committed to Nantucket as a general topic not only because its history is exceedingly interesting to me but also because there is a wealth of primary data. For example, the Nantucket Historical Association boasts 5000 volumes (ship logs, diaries, legal documents, etc.) that are accessible to scholars.

Although I have explored a number of topics within Nantucket history, I find myself returning again and again to the whaling industry. In particular, I am intrigued by Nantucket’s role in the 1812 war. Nantucket was the only US territory to seek and receive a truce with Great Britain, formally withdrawing from the war in 1814. The islanders were motivated to pursue neutrality because of the importance of the whaling industry as the island’s livelihood and the British fleet’s threat to Nantucket ships. Furthermore, the US government not only offered little to no protection for the islanders but also alienated them by taxing them heavily. In order to understand the1814 treaty, I anticipate needing to research two other areas that I believe are connected: first, how did Nantucket’s experiences in the American Revolution inform and shape its course of action in 1812? During the Revolution, the island declared neutrality, probably because Nantucket whalers did not care which side was victorious, so long as the whaling industry survived the war. The whalers had appealed to other Quakers in England and won an amendment to the parliamentary motion to restrict whaling in New England. However, because the law was not enforced properly, the island fell into economic depression. British naval ships not only prevented Nantucket whalers from selling spermaceti oil to London, its biggest market, but also captured many of their ships. Any threat to the whaling industry would be a true moment of crisis because most of the island was directly or indirectly involved in whaling, and many of the islanders were not rich enough to relocate their families to the mainland. Certainly, there were members of the community in 1812 who would have remembered this treatment by the British and the economic depression.

The second issue that I anticipate addressing pertains to Nantucket’s sense of identity: how “American” did they feel? The circumstances under which the island declared neutrality makes the issue of patriotism more oblique because the “betrayal” of the US can be explained by the need for economic stability without addressing the issue of identity. In these early stages of nationhood, the island seems to have acted very differently from other whaling communities in the US. Socially and politically, Nantucket seemed to be more liberal than the mainland, especially in terms of the role of women and the political (but not always social) equality of African Americans. For example, racial segregation in schools was banned in the 1850s in a legal case that resembles Brown vs. Board of Education. As I have mentioned above, American policies also sometimes alienated the islanders. In the first two years of the 1812 war, Nantucket whaling was almost exclusively threatened not by the British fleet but by American policy, as Congress placed an embargo on trade with Britain; unfortunately, only days after Congress lifted the embargo, Britain enforced is own against New England. During the American Revolution, Nantucket toyed with the idea of becoming either an independent or a British territory. Did it face the same choices in 1812?

Primary Sources :

A Selection from the Nantucket Historical Society Manuscripts Collection:

Allen Family Papers, 1790-1930. Banks on Nantucket, 1804-1985. Barker Family Papers, 1720-1853. Benevolent Society’s Papers, 1814-1976. Carey Family Papers, 1809-1894. Citizens News Room Record. Charles Congdon Collection, 1671-1844. Clapp Family Papers, 1804-1896. Margaret Coffin Papers/Small Collection, 1761-1913. Mary M Coffin Collection, 1806-1865. William Coffin Letter Book, 1811-1833. Coleman Family Papers, 1729-1873. Crosby Family Papers. 1812-1893. Ewer Family Papers, 1813-1875. Fish Family Papers, 1708-1916. Paddock Family Papers, 1755-1853, Phebe Coffin Hanaford Papers, 1848-1929. Jones Family Papers, 1817-1868. Joy Family Papers, 1806-1880. Keziah Coffin Fanning Papers, 1775-1812. Macy Family Papers/ Cloyes Collection, 1812-1869. Myrick Family Papers, 1796-1863. Nantucket Censuses Collection, 1796-1900. Nantucket Monthly Meeting of Friends’ Papers, 1664-1889. Nantucket Monthly Meeting of Friends’ Records, 1672-1944. Ray Family Papers, 1776-1844. Starbuck Family Papers, 1662-1973. Worth Family Papers, 1743-1912. Henry Barnard Worth Collection, 1641-1905.

(I’ve only gone through half of the list of available manuscripts, so I expect that there should be a lot more sources of interest from the Nantucket Historical Society collection. Information about Nantucket Historical Society archives found on www.nha.org)

Annals of Congress, 13th Congress, 2d session. Hutchinson, Thomas. History of Massachusetts, Vol. II, Boston: Thomas & Andrews, 1767. Journal of Samuel Swain, 1813-1837. “Keziah Coffin Fanning’s Diary,” Historical Nantucket 6 (July 1958). Macy, Obed. The History of Nantucket (New York: Research Reprints, 1970 [1835]). Napier, Henry Edward. New England Blockaded in 1814: The Journal of Henry Edward Napier, Lieutenant in H.M.S ‘Nymphe,’ ed. Walter Muir Whitehill. Salem, MA: Peabody Museum, 1939. “Notes on Nantucket. August 1st 1807,” Collections of the Massachusetts Historical Society 3 (1815). Scoresby, William. History and Description of the Northern Whale Fisheries, Vol. II. Edinburgh, 1820.

Secondary :

Anderson, Florence Bennet. Through the Hawse-Hole: The True Story of a Nantucket Whaling Captain. New York: Macmillan Co., 1932. Byers, Edward. The Nation of Nantucket: Society and Politics in an Early American Commercial Center, 1660-1820. Boston: Northeastern University Press, 1987. Graham, Gerald S. “The Migrations of the Nantucket Whale Fishery: An Episode in British Colonial Policy.” The New England Quarterly 8, no. 2 (Jun. 1935):179-202. Davis, Ralph. The Rise of the English Shipping Industry in the Seventeenth and Eighteenth Centuries. London: David & Charles, 1972. Hegarty, Reginald B. Returns of Whaling Vessels Sailing from American Ports: A Continuation of Alexander Starbuck’s “History of the American Whale Fishery” 1876-1928. New Bedford, MA: Old Dartmouth Historical Society and Whaling Museum, 1959. Hickey, Donald R. “American Trade Restrictions during the War of 1812.” Journal of American History 68, no. 3 (Dec. 1981): 517-538. Hohman, Elmo Paul. The American Whaleman: A Study of the Life and Labor in the American Whaling Industry. New York: Longmans, Green & Co., 1928. Horsman, Reginald. “Nantucket’s Peace Treaty with England in 1814.” New England Quarterly 54, no. 2 (Jun. 1981): 180-198. Horsman, Reginald. The War of 1812. New York: Alfred A. Knopf, 1969. Johnson, Robert. “Black-White Relations on Nantucket.” Historical Nantucket (Spring 2002). Taken from www.nha.org. Kugler, Richard C. “The Whale Oil Trade, 1750-1775,” Boston: Colonial Society of Massachusetts, 1980. Main, Jackson Turner. The Social Structure of Revolutionary America. Princeton: Princeton University Press, 1965. McDevitt, Joseph L. The House of Rotch: Whaling Merchants of Massachusetts, 1734-1828. New York and London: Garland Publishing, Inc., 1986. Morison, Samuel Eliot. The Maritime History of Massachusetts, 1783-1860. Boston: Northeastern University Press, 1979. Tower, Walter. A History of an American Whalefishery, Philadelphia: University of Pennsylvania Press, 1907. Starbuck, Alexander. History of Nantucket, Boston: C. E. Goodspeed Co.,1924. ______. History of the American Whale Fishery from Its Earliest Inception to the Year 1876. Repr., 2 vols., with preface by Stuart C. Sherman. New York: Argosy Antiquarian, 1964. Vickers, Daniel Frederick. “Maritime Labor in Colonial Massachusetts: A Case Study of the Essex County Cod Fishery and the Whaling Industry of Nantucket, 1630-1775.” Ph.D. Thesis, Princeton University, 1981.

Letters Home: Records of the Experiences of Common Soldiers in the American Civil War

The idea for my honors thesis project is inspired by my work last summer in the Chapin Library of Rare Books at Williams. I spent the summer reading and organizing the library’s collection of Civil War soldiers’ letters—a group of about one thousand letters written by men in army camps to the loved ones they left behind at home. Besides a cursory chronological arrangement, no one before me had touched these letters since the library acquired them. For me they represented a vast untapped historical resource—they were sitting in a closet waiting to be discovered, and I was the first to explore their possibilities. I found myself completely absorbed, squinting at line after line of cramped, faded script and imagining the words flowing haltingly from the authors’ pens as they crouched by the light of a sputtering campfire, the booming of cannon fire echoing in the distance. It fascinated me how these young men portrayed their experiences to family members back home—reassuring them of their safety and expressing enthusiasm for their causes while also betraying paralyzing fear and devastating homesickness. In one particularly memorable series of letters a Union soldier continued to write home to his wife from the battlefield during a siege of a Confederate fort, knowing that no mail was running and suspecting that the days he spent crouching under fire in the brush of a Louisiana forest would be his last. But somehow his letters did get through, and the final letter in the sequence told of his harrowing escape to a field hospital, giving me the hope that he and his wife were reunited soon afterwards.

The words of letters like these haunted me after I left work everyday, and stayed with me even after I left Williams for the year. As I started thinking about my plans for my honors thesis, I knew that I wanted to work closely with the letters in the Chapin collection. In my thesis, I plan to explore the average soldier’s experience of the war, using Union and Confederate sources in the form of the letters soldiers sent home to their families and friends. The Chapin Library’s collection is mainly made up of Union letters, so the Union side will be heavily based upon that resource. For the upcoming summer, I have been granted a summer research fellowship from Williams. My plan for this project is to gather resources from the Confederate side, visiting facilities in Virginia that hold extensive collections of Confederate letters. I am deeply interested in letting the authors of the letters speak for themselves so I will be comparing and contrasting specific experiences related by specific soldiers in relation to broader questions such as what reasons Union and Confederate soldiers gave for fighting, whether the views they express in their letters aligned with the professed views of their respective causes, what they knew—if anything—about these causes, and what they thought of one another. Perhaps most of all I would like to use these primary documents to emphasize how the soldiers on opposing sides were alike—how they commonly identified with certain ‘American’ values and ambitions, and how their views on the War were shaped significantly by the coincidence of which side of the divided country they happened to be born on.

I believe letters like these offer historians an invaluable means for stepping inside the minds of the actors who participated in historical events. And the particular set of letters I will examine in my project is important because it does not tell the ‘great man’ version of the Civil War, governed by figures like Abraham Lincoln and Robert E. Lee. Instead, it gives us a broader sense of the common man’s—in this case the common soldier’s—experiences of events that fundamentally shaped the American past. This is a version of the past that is often inaccessible to us, so it is important for historians to take advantage of resources like those housed in the Chapin Library. It is impossible for me to encompass all the perspectives and experiences offered by surviving Civil War letters, which is why I have chosen to focus my research closely on the Chapin collection, which is manageably sized and within convenient proximity to me for research during the academic year. After working with those letters for several months, I feel that I have a general sense of what they have to offer—a representative sample of the experiences of the common soldier in the war. In my research in the South this summer, I plan to supplement the Chapin collection with more Confederate examples. I also plan to draw inspiration from secondary sources, a small collection of which I have listed below. Many scholars have worked from Civil War soldier’s letters in the past, and they have even infiltrated popular culture to a considerable extent—most famously through Ken Burns’ Civil War documentary. These authors will help me to get a sense of wider patterns in the experiences of soldiers, but I will rely upon my reading of primary sources to draw out specific examples.

The most exciting thing about my proposed thesis for me is that I really do not know what I will find or where my research will take me. I suspect that there are an inexhaustible number of topics that may be drawn out from Civil War soldiers’ letters, and I am confident I will find many things in my research that will inspire me. I am deeply committed to approaching history through contact with authentic documents and artifacts, and I look forward to the opportunity to do this over the course my project next year.

Preliminary Bibliography :

Primary sources: I will rely heavily upon the collection of approximately one thousand Civil War letters in the collection of the Chapin Library of Rare Books at Williams for the Union perspective. For the Confederate point of view, I will use collections of letters held by the Virginia Historical Society, the Museum of the Confederacy, and the Library of Virginia, all in Richmond, as well as the library of the University of Virginia in Charlottesville. There are also collections of letters accessible online, in particular The American Civil War: Letters and Diaries at http://solomon.cwld.alexanderstreet.com/.

Secondary sources :

Barton, Michael, and Larry M. Logue, eds. The Civil War Soldier: A Historical Reader. New York: New York University Press, 2002. Manning, Chandra. What This Cruel War Was Over. New York: Alfred A. Knopf, 2007. McPherson, James M. The Battle Cry of Freedom: The Civil War Era. New York: Oxford University Press, 1988. ______. For Cause and Comrades: Why Men Fought in the Civil War, New York: Oxford University Press, 1997. ______. What they Fought For, 1861-1865, Baton Rouge: Louisiana State University Press, 1994. ______, ed. The Mighty Scourge: Perspectives on the Civil War. New York: Oxford University Press, 2007. ______ and William J. Cooper, Jr., eds. Writing the Civil War: The Quest to Understand. Columbia: University of South Carolina Press, 1998. Mitchell, Reid. Civil War Soldiers, New York: Viking, 1988. ______. The Vacant Chair: The Northern Soldier Leaves Home. New York: Oxford University Press, 1993. Rosenblatt, Emil & Ruth, eds. Hard Marching Every Day: The Civil War Letters of Private Wilbur Fisk, 1861-1865, Lawrence: University Press of Kansas, 1992. Sheehan-Dean, Aaron. The View From the Ground: Experiences of Civil War Soldiers, Wiley, Bell I. The Life of Billy Yank. Baton Rouge: Louisiana State University Press, 2008. ______. The Life of Johnny Reb, the Common Soldier of the Confederacy. Indianapolis: Bobbs-Merrill, 1943. ______. The Plain People of the Confederacy. Columbia: University of South Carolina Press, 2000.

Writing for Stalin: American Journalists in the USSR, 1928-1941

“There is no famine or actual starvation nor is there likely to be.” So wrote the Moscow bureau chief for The New York Times, Walter Duranty, on November 15, 1931. By the end of 1933, between six and eight million Soviet citizens, at least half of them Ukrainians, had perished in the wake of consecutive failed harvests and official repression, in one of the worst man-made famines in history. Duranty won his Pulitzer Prize a year before the end of the famine. Duranty was not alone in his whitewashing of the Soviet Union in general and Stalinist policy in particular. Journalists from all over the world writing from the USSR depicted a land of noble struggle, where the working class, guided by leader and Party, were forging a utopia free from the injustice and squalor of capitalism. Why did so many Western visitors to the USSR allow themselves to become mouthpieces for the Soviet regime, with evidence of political repression and hideous suffering all around them, while only a few observers spoke out against the communist regime? What was the appeal of Stalinism in this age of the great crisis of capitalism? The 1930s were a time of uncertainty for liberal democracy, with the Great Depression causing misery across the world and calling into question the old liberal creeds of free market capitalism, while democracy itself was under siege from totalitarianisms of the left and right. To attempt to encompass this immense crisis in an entire book, let alone a thesis, would be a daunting task. Instead, I propose to probe this crisis through the microcosm of the men and women who visited the Soviet Union hoping to find a workers’ utopia. Many Westerners came to the USSR at the invitation of the regime, as journalists, technical experts, and travel writers who left behind an impressive body of news reports, diaries, letters, and memoirs. My thesis project will examine a particular subset of these visitors—the American journalists writing for US papers like The Nation, Harper’s, The Atlantic Monthly, and The New York Times, or English-language publications in the USSR like The Moscow News. The time frame discussed will open with the launch of the first Five Year Plan in 1928, and conclude with the entry of both the Soviet Union and the United States into the Second World War in 1941. I will further focus my project on the coverage of two particular events: the much-denied famine taking place in the Ukraine, and Stalin’s Purge-era show trials, where many observers wrote either that those on trial really were saboteurs and agents of foreign powers, or that their guilt or innocence was of little consequence in the grand historical drama that was unfolding. I choose these two events because they represent indictments of the Soviet system’s claim to legitimacy—its ability to feed all its people, and its claim to be a truly fair society. The gymnastics of fact and logic undertaken by the regime’s apologists on these points are thus of particular significance.

So far, the question of what it was about most journalists visiting the USSR in this period, and what it was about Soviet communism, that made most reporters toe the Party line has not been addressed in particularly great depth. Today, those who favored the regime, like Walter Duranty, Maurice Hindus, and Anna Louise Strong, tend to be dismissed as ideological hacks, either willfully ignorant or purposely lying in the service of socialism. Those who see through the regime’s cloud of deception are by contrast heroic truth-tellers. A certain amount of work has been done on official Soviet efforts to win over liberal-minded Westerners in this period, and the Duranty Pulitzer Prize controversy has generated a number of articles and books in recent years, most notably S.J. Taylor’s Stalin’s Apologist. However, the historiography leaves open a number of questions. Were the journalists reluctant to speak against the regime because they could lose their access to the leadership, because their families might be targeted (many married in Russia), or similar, practical causes? To what extent did the practical intersect with the ideological as reporters sympathized with the official ideology and goals of the regime, and were prepared to forgive a little gangsterism on the part of the leadership if it would bring about a genuinely fair and equal society? As Duranty put it in his article of May 14th, 1933, “You can’t make an omelet without breaking eggs.” Was there something about the generally well-meaning liberalism of the American journalists that led them in droves to whitewash the crimes of Stalinism in service of some genuinely laudable social projects like universal literacy and the welfare state, as well as a powerful vision of a society that could come to be? Moreover, how were these journalists’ points of view informed by the society that produced them? What, if any, were the differences in the attitudes of those who were foreign-born, like Duranty and Hindus, and those like Strong who were natural-born citizens? To what extent did the reporters’ experience of Depression-era America, with all its hunger and inequality, influence their perception of the Soviet Union, which claimed to eliminate all such evils of capitalism?

In seeking an explanation of why so many American reporters upheld the Stalinist line in this period, I plan to explore three distinct sets of sources. First, I will examine the actual newspaper reports produced by these journalists. Americans reporting from Moscow were well aware that they were virtually the only source of information about events inside the USSR available to Americans, and their articles naturally give a great deal of insight into how they hoped to explain the Soviet system to the American public. Next I will consider more private sources like the reporters’ diaries and letters, which may shed light on the internal thoughts, goals, motivations, and reservations of the journalists, and include thoughts that were left out of their news articles or later memoirs. Finally, I will consider the memoirs that many journalists wrote during or directly after this period about their experiences in the USSR. The memoirs that I have read so far are extremely rich sources, raising a number of important questions of methodology. How far can we trust these reporters, who often wrote several years after the events they witnessed? Were the memoirs published before or after the Soviet Union had become engaged in the battle against fascism, either indirectly in Spain, or directly after 1941? Are these memoirs little more than cases of special pleading by journalists hoping to prop up both the great idea of communism and their own reputations? The memoirs by those reporters like Eugene Lyons who defied the safe consensus of their colleagues and wrote against Stalinism (often at the price of their careers) present a fascinating set of outliers. Can we trust such former sympathizers to report the truth as they saw it, or do conversions from fellow traveler to anticommunist attack dog represent swings between extremes of endorsement and repulsion, implying unreliability? These sources, both the ones I encountered and wrote about in my tutorial last term with Robert Service, as well as those I have come across since, will constitute a very rich base for my research.

Using this source material, I am seeking to tie together the grand political and ideological debates of the 1930s and the personal lives of the journalists in question to explain why so many of these men and women embraced Stalinism, while a few wrote furious condemnations of the Soviet system. This project will in many ways be an exploration of the crisis of capitalism and seeming rise of socialism in microcosm, driven by the particular nuances and intricacies of my particular material. In 2010, it seems all too obvious to us that Stalinism was a nightmare for millions of Soviet citizens, but eighty years ago, it was still very much an open question whether the future belonged to capitalism or communism. Those who made excuses for Stalinism sometimes did so for the best of reasons. However, that so many people could be so wrong about Stalinism demands an explanation.

Dismal Scientists, Diplomats, and Spooks: Bissell, Milliken, and Rostow and Their Impact on U.S. Foreign Policy

As the current global economic crisis shakes countries around the world, its effects resonate beyond the realms of financial regulators, central banks, and finance ministries. This crisis has created a number of foreign policy challenges for the United States government, and Director of National Intelligence Dennis C. Blair recently declared to the Senate intelligence committee, “The primary near-term security concern of the United States is the global economic crisis and its geopolitical implications.” Blair, however, is not the first representative of the U.S. intelligence apparatus, or even the foreign policy-making establishment of the country as a whole, to advocate for incorporating economics into the conduct of U.S. foreign relations.

Richard Bissell, Max Milliken, and Walt Rostow share a number of similarities; all three, born in the beginning of the twentieth century, graduated from Yale University, became economics professors at the Massachusetts Institute of Technology, and later worked as researchers at a number of the same think tanks. More remarkably, all three of these men wandered from academia and into influential roles in the foreign policy-making establishment of the U.S. government during the early Cold War. Between them, these former economists developed strong ties to the Central Intelligence Agency, the State Department, and the White House during the formative years of the United States’ as a global hegemon.

This commonality opens a number of interesting questions. What motivated their decisions to become economists and then to transition from academics to Cold Warriors? Was their overlap coincidental or does some common thread or societal trend connect their journeys? And, most important and relevant to questions at hand today, what role did these social scientists see for economic theory and analysis in the planning and practice of foreign policy? I plan to explore how world events shaped the career decisions and ideologies of these men, and, in turn, what effect their ideas and contributions had on the development of U.S. foreign policy.

I expect to mainly explore their ideas on economic intelligence, especially with regard to Milliken and Bissell, who both spent significant periods in the CIA, and modernization theory, for which both Rostow and Milliken served as strong advocates to the White House and State Department. With current debates in the U.S. on rebuilding our economic intelligence capacities, correctly using foreign aid, and coping with the current financial crises, the insights gleaned from these former scholars and Cold Warriors could shed light on contemporary issues.

As sources for my investigation, I plan on utilizing the papers of Max Milliken and Walt Rostow, which are both available at the John F. Kennedy Library. Bissell’s memoir and several oral interviews in which he participated are also publicly available. Furthermore, several working papers, which these men produced as officials of the U.S. government and as researchers at numerous think tanks, are known to exist. And, finally, I plan to utilize the rich existing scholarship on modernization theory and its role in U.S. foreign policy.

Bibliography

Central Intelligence Agency On-line Library. Freedom of Information Act Electronic Reading Room. Personal Papers of Max Millikan (1913-1969), John F. Kennedy Library. Walt W. Rostow (#8.24), John F. Kennedy Library. Wilson, Theodore A. and Richard D. McKinzie. “Oral History Interview with Richard M. Bissell, Jr.” Harry S. Truman Library. Works by all three at various think tanks, including one collaboration between Bissell and Milliken at the Center for International Studies (CENIS). Bissell, Jr., Richard M. Reflections of a Cold Warrior: From Yalta to the Bay of Pigs. New Haven: Yale University Press, 1996. Fialka, John J. War by Other Means: Economic Espionage in America. New York: W.W. Norton & Co., 1999. Latham, Michael. Modernization as Ideology. Chapel Hill: University of North Carolina Press, 2000. Light, Jennifer S. From Warfare to Welfare. Baltimore: The Johns Hopkins University Press, 2003. Pearce, Kimber Charles. Rostow, Kennedy, and the Rhetoric of Foreign Aid. East Lansing: Michigan State University Press, 2001.

Media Reflections of Western Public Opinion in the Suez Crisis

In the years following the Second World War, the global balance of power shifted significantly; following conflict amongst the traditional Great Powers, a bipolar power struggle emerged between the United States and the Soviet Union. The military and financial costs of the Second World War made it extremely difficult for European powers to hold their colonial empires, the loss of which compounded their economic downfall and ensured their decline as world powers. These material conditions were certainly a major factor in determining the new balance of power, as was the relative strength of the U.S.’s economic position, but less quantifiable factors were also importantly at play, namely the ability of each of the new and old powers to reconceptualize its role in the world and adapt its attitudes toward other nations accordingly. As decolonization occurred and Cold War conflicts began to arise across the globe, the Cold War powers and the traditional Great Powers were facing novel foreign policy challenges, mostly in the vein of trying to establish influence overseas when using force to do so was no longer feasible or morally acceptable. Thus each nation contending for global influence was forced to reassess its identity as a player on the world stage. Government officials developing policy carried out this reassessment as a conscious process, but it also occurred spontaneously within national populations responding to the obvious shifts in global power dynamics, begging the question: how well did government reconceptions of identity reflect public attitudes in the early Cold War era? The emergence of many new nations and nationalisms in the postwar world created ample cases which exemplify how modern national self-perceptions developed on different levels and how that led to the consolidation of a new world order. My thesis will focus on the 1956 Suez Crisis, due to its location in the strategically important and materially rich Middle East, which resulted in the involvement of many countries, and within that conflict, on the Western powers involved, for whom government was supposedly representative- England, France, and the United States.

Despite historiographical debates about precipitating and intermediate causes, the Suez Crisis of 1956 can be traced at least in part to the joint U.S.-British decision to discontinue their planned funding for the Egyptian government’s Aswan High Dam project, leaving the Egyptians in need of ready money, which served to justify Egyptian President Gamal Abdel Nasser’s nationalization of the Suez Canal. The proposed Aswan High Dam project was exemplary of the new state of relations between Egypt and the western powers following the Egyptian Revolution of 1952. The new Egyptian leadership was anti-colonial, but not opposed to productive relations with the Western world. Thus, it hoped cooperative projects like the construction of the Aswan High Dam could usher in a new type of relationship between Egypt and the West. For Britain, this would mean relations based on voluntary economic cooperation rather than exploitation by force, while for the U.S. the change of policy consisted not in promoting an anti-colonial position but in doing so quite actively, as opposed to its former stance of relative isolationism. Britain and the U.S. tried to advance anti-colonial economic relations as per Egyptian requirements in order to maintain and create, respectively, a presence in the region, which was important in order to protect financial interests in the Middle East that were highly dependent on access to the Suez Canal, and to keep the Soviets from establishing rival influence there.

However, when the U.S. and Britain ultimately deemed the Aswan High Dam project inopportune and Nasser nationalized the canal in the summer of 1956, the ensuing Suez Crisis featured the British, influenced by the French, playing a traditional colonial imperialist role, while the U.S. took on a novel modern role, acting as an international arbitrator in pursuit of its own Cold War related interests. That Britain aligned with France rather than U.S. during the Suez Crisis is not entirely surprising given each nation’s recent history in international relations; careful study has reflected the extent to which French and British politicians were misguided in their political calculations by thought processes that were still largely driven by outmoded colonial considerations. There is also debate about the extent to which they based their policies on false assumptions about the U.S. position. The leaders involved in the Suez Crisis based their decisions about how best to serve their material interests without losing political capital not only on analysis of other nations’ official positions but also on their reading of public opinion at the time. No Western government wanted to act against national will and lose popularity with its constituents over Suez. It is therefore natural to wonder to what degree the western leadership’s gauge of popular thought was skewed by historicism, or conversely, how closely public attitudes in Britain, France, and the U.S. towards the developing crisis in the Middle East actually tended to match official ones in judging what action each nation should take.

For my thesis, I would like to examine this question: to what extent were policy-influencing perceptions of public opinion about the Suez Crisis in Britain, France, and the U.S. accurate? To fill out the high command side of the picture I would use mostly secondary sources, and when necessary the primary documents they are based upon (such as sources available in the U.S. National Archives, British Public Records Office, and French Foreign Ministry Archives), focusing my original research on French, British, and U.S. newspaper and perhaps radio coverage as indicative of trends within the field of public opinion in each country. To manage the scope of this study, I intend to concentrate on the two most publicly controversial time periods within the months of the Suez Crisis, the week after the canal was nationalized on July 26, 1956 (up to and including August 2) and the week after Israel invaded Egypt on October 29, 1956 (up to and including November 6). By analyzing the straight news coverage of, and the range of editorial responses to, the decision taken by Nasser to nationalize the canal, the decision of Israel to invade Sinai, and the subsequent statements and actions taken by France, Britain, and the U.S., I hope to determine the tenor of each national discourse about the crisis, and to place all three within a comparative framework in order to determine the relative degree to which elite and mass perceptions corresponded over the appropriate role for each Western power to play in Suez. The degree to which the press (on a national and local level, across the full spectrum of political stances), condoned and encouraged official decisions taken during the Suez Crisis will hopefully illuminate how well the political development of the crisis matched mainstream contemporary attitudes not merely about the situation, but about where the world powers now stood as arbiters of international relations and, thereby, how far long-serving leaders with deeply rooted beliefs about the role of their nations in the world were able to conform to the demands of a world in which the ideological as well as material environment had recently undergone major changes.

Preliminary Reading List :

Relevant Primary Sources to be located through:

The Times online archives, at http://archive.timesonline.co.uk/tol/archive/ British Library Integrated Catalogue: Newspapers, at http://catalogue.bl.uk ProQuest Historical Newspapers (US) including The New York Times, at http://proquest.umi.com French sources through Gallica, the French National Library’s Digital Browser, at http://gallica.bnf.fr/?&lang=FR

Azar, Edward E. “Conflict Escalation and Conflict Reduction in an International Crisis: Suez, 1956.” Journal of Conflict Resolution 16 (1972): 183-201. Cockett, R. “The Observer and the Suez Crisis.” Contemporary British History 5, no.1 (Summer 1991): 9-31. Gorst, Anthony, and Lewis Johnman. The Suez Crisis. London: Routledge, 1997. Louis, Wm. Roger, and Roger Owen. Suez 1956: The Crisis and its Consequences. Oxford: Clarendon Press, 1989. Lucas, W. Scott. Divided We Stand: Britain, the United States and the Suez Crisis. Sevenoaks: Hodder and Stoughton, 1991. Negrine, Ralph. “The Press and the Suez Crisis: A Myth Re-Examined.” Historical Journal 25, no. 4 (1982): 975-983. Oneal, John R., Brad Lian, and James H. Joyner, Jr. “Are the American People ‘Pretty Prudent’? Public Responses to U.S. Uses of Force, 1950-1988.” International Studies Quarterly 40, no. 2 (Jun., 1996): 261-279. Owen, Jean. “The Polls and Newspaper Appraisal of the Suez Crisis.” Public Opinion Quarterly 21 (1957): 350-354. Parmentier, Guillaume. “The British Press in the Suez Crisis.” Historical Journal 23, no. 2 (1980): 435-448. Rawnsley, G. D. “Cold War Radio in Crisis: the BBC Overseas Services, the Suez Crisis and the 1956 Hungarian Uprising.” Historical Journal of Radio and Television 16, no.2 (Jun., 1996): 197-219. ______. “Overt and Covert: The Voice of Britain and Black Radio Broadcasting in the Suez crisis, 1956.” Intelligence and National Security 11, no. 3 (July, 1996): 497-522. Shaw, Tony. Eden, Suez and the Mass Media: Propaganda and Persuasion During the Suez Crisis. London: Tauris, 1996.

The Implications, Effects, and Uses of Media in the Emmett Till Lynching

I propose to write an Honors Thesis in History during the xxxx academic year. After researching topics that interest me and consulting with Professor xxxx, I have developed a project that analyzes the uses and effects of media during the Civil Rights Movement. More specifically, my project will investigate how children, and the American media’s depiction of them, greatly impacted the American consciousness of the Civil Rights Movement. Children were a part of some of the most widely televised and reported Civil Rights events such as the lynching of Emmett Till, the use of water cannons and police dogs on children, the deaths of four black girls in the 16th Street Baptist Church bombing, the desegregation of Central High School, and the Selma marches where children were trampled by police horses.

Taking on a project with all these events would be beyond the scope of a senior thesis, so Professor Long and I have narrowed our focus to the lynching of Emmett Till in 1955. To briefly summarize this event, after allegedly whistling at a white woman, fourteen year old Emmett Till was shot and his body thrown in the Tallahatchie River in Mississippi by a group of white men. Emmett’s great-uncle identified two of these men, Roy Bryant and J.W. Milam, as those who had forced Emmett into their car the night he was killed. The trial lasted a mere five days, and the all-white jury acquitted both men of Emmett’s death in about an hour.

Media coverage served very important roles in Emmett Till’s death. In The Chicago Defender, Emmett’s hometown newspaper, the first articles on Emmett Till include pictures of his inconsolable mother being held upright by family members in front of Emmett’s casket. The newspaper articles focusing on Emmett also refer to the recent lynchings of black voting rights activists and the recent Brown v. Board of Education Supreme Court case. In effect, these articles attached a name, face, and picture to individuals affected by racist violence in the South while incorporating and increasing the visibility of large-scale race issues. Television crews broadcast Emmett’s mutilated face at his open-casket funeral, sparking outrage and horror throughout the country. Viewing these images in white America’s living room made the Jim Crow South more visible across white America. Media coverage of Emmett’s death further motivated black America to take a stand against white supremacy, all the more so after both white men confessed to Emmett’s murder in Look Magazine. This event raises myriad questions regarding race relations in the South, but I want to focus my efforts on a few that interest me most. I want to explore the reasons, implications, and effects of Emmett’s mother’s decision to display Emmett’s mutilated and decomposed face at his open-casket funeral. This investigation leads to the history, reasons, and importance of open-casket funerals in the African-American community. My project will also analyze the response of the white community in the immediate area where Emmett was murdered. His murder has been well documented in television coverage, newspaper articles, and magazine interviews; however, very little research has examined the media’s impact on the regional, national, and international levels. I want to examine how these communities responded to Emmett’s death and how the white South was viewed as a result of different reactions according to race and location.

Furthermore, Emmett Till’s murder raises questions regarding white masculinity and femininity and their relationship to black masculinity. Another aspect to this project may include how the image of Emmett Till has been remembered and reconstructed by the media more recently in the form of television series and movies. I seek to investigate these issues primarily through primary sources such as photographs, television coverage, newspaper articles, and interviews of individuals. Secondary resources, particularly in the field of media studies will be helpful to my project. Overall, my project will become part of a greater dialogue that explores the media’s perception of the white response to black life and culture in the Jim Crow South.

Since the summer after my sophomore year at Williams, I have laid the foundation for this project. My independent research through the Mellon Mays Undergraduate Fellowship has allowed me to develop my research skills, work closely with a professor, and read over a dozen seminal primary and secondary sources in the field of race relations in the United States. I have already written two research papers, (with a third on the way) about these books.

I am interested in writing an Honors Thesis in History for many reasons. Most importantly, I want the opportunity to immerse myself in a subject that greatly interests me while contributing to a larger body of academic work in the field. Writing a thesis is also important because it will allow me to dedicate an extended period of time to a very specific subject. I enjoy historical research and want the satisfaction of knowing that I thoroughly understand the intricacies and nuances of a particular topic, even though it may be a small fraction of a larger whole. Additionally, I want to complete a large historical project to show history graduate schools of my seriousness in pursuing a Ph.D. in American History.

Cromwell Lives while Mason Stalks: Irish Nationalism and Historical Memory during the Troubles

In my proposed thesis I want to ask how significant perceptions of Irish history were in perpetuating the Troubles. Often, the pieces of history that get retold vindicate the present. I believe that perceptions of Irish history are significant in perpetuating the conflict in Northern Ireland because both Unionists and Nationalists created their own versions of history which they use to give legitimacy to their political visions for the future. Within the communities, different interest groups manipulate and re-manipulate history and each separate reading of the past justifies the present actions of its perpetuators. In this sense, the issue of history is an issue of legitimacy, and legitimacy is directly linked to political power. In their book The Northern Ireland Conflict: Consociational Engagements, John McGarry and Brendan O’Leary write that Northern Ireland is “a site of competing analogies and norms. Neither of its communities… have been able to achieve hegemonic legitimacy. This is one reason why the conflict continues.” It’s a trope that history is written by the winners, and in Northern Ireland, both sides are trying to write themselves as winners. Far from just an intellectual debate, the separate readings of history are crafted to justify political action, perpetuating the conflict.

Partition is a classic example of how Unionists and Nationalists use history to justify their current political positions. The Unionists perception of history accentuates the continuity of partition as a social force. Historian A.T.Q. Stewart uses the election of 1886 to emphasize the innate nature of partition. In it, seventeen out of thirty-three Ulster members of parliament elected were for Home Rule. That emphasized to Protestants that they were characteristically different from the rest of the inhabitants of Ireland. Stewart writes, “from 1886 to 1920, Ulster Protestants were a minority under threat.” By stressing the deep, cultural roots of partition, Stewart justifies it as a logical action and just solution that was a long time coming.

In contrast, the general Nationalist reading of the same period of history frames partition as “the arbitrary division of the country”, to quote the New Ireland Forum Report. “In the period immediately after 1920,” the Report continues, “many saw partition as transitory.” Nationalists tend to blame British imperialism or other exogenous factors as the cause of the conflict. In this way, they are able to represent partition an illegitimate action imposed on Ireland. The emphasis on exogenous factors allows Nationalists to imply that partition is the problem. Generally, they argue that by removing it and restoring the territorial integrity of Ireland, the conflict would be solved.

Both Unionists and Nationalists construct elaborate historical myths that legitimate their claim to the territory of Northern Ireland. Andy Tyrie, the supreme commander of the Ulster Defense Association in the early 1980s, broke from the traditional Unionist position of supporting union with Great Britain and advocated for an independent Ulster in the early 1980s. He created historical justification for his position by arguing that the areas of Scotland where Ulster Protestants came from were originally colonized by tribesmen from Ulster in the early middle ages—so in a sense Ulster Protestants were just returning to their ancestral homeland when they re-colonized in the seventeenth century. “Many people are convinced that the Protestants arrived here in 1607,” he said. “But their ancestors arrived here long before that. The Ulster people have always been here.”

Tyrie’s myth about Ulster was designed to compete with the traditionally Republican version of history of centuries of Irish resistance to British imperial rule. The Nationalist myth, as summarized by Padraig O’Malley, begins with the invasion of Ireland by England 800 years ago. In it, O’Malley writes, “history is linear. Thus, Ireland was subdued by superior arms and resources, but not beaten; the struggle to re-establish a free and united Ireland was carried forward from generation to generation.” The H-Block Song, written for the Republican prisoners in the maze perpetuates this view of events. The song ends with the question, “Does Britain need a thousand years of protest, riot, death, and tears?” emphasizing the long history of Irish oppression at the hands of British invaders. Lines like “Black Cromwell lives while Mason stalks” create a sense of the historical continuity of the fight against British imperialism, linking Oliver Cromwell with Roy Mason, the British Secretary of State for Northern Ireland when the H-Block song was written in 1976.

Both of these “ancestral tribe” myths are designed to support current claims to the island. Neither one is particularly valid historically, but the point is not historical accuracy. These myths are designed to create legitimacy for current political claims. Thus, history has become a tool allowing each side to perpetuate and justify their view of the conflict.

In my proposed thesis I’d ask the significance of perceptions of Irish history in perpetuating the Troubles. Much of the scholarship that I’ve read concentrates on specific historical occurrences and doesn’t directly investigate Irish historiography, or the link between historical memory and political action. I’d begin with a definition and explanation of the Nationalist myth of unbroken struggle. I’d draw on the writings of Irish Nationalists such as Padraig Pearse, as well as later scholarship by historians such as Padraig O’Malley. I’d also study how this historical myth has been created and perpetuated both inside Ireland and also abroad. On the international front, I’d specifically focus on how Irish Nationalists draw historical analogies to oppressed-native minority/settler-oppressor conflicts such as comparing their situation to the struggle over apartheid in South Africa. I’d study memoirs and interviews, like Adrian Kerr’s book Perceptions: Cultures in Conflict, and scholarship, such as Adrian Guelke’s book on comparative politics, Northern Ireland: An International Perspective. I’d also draw on art and propaganda: music, street murals, accounts of parades, 1916 commemoration posters issued by Sinn Fein and other Republican groups, and films, such as the 1980 documentary The Patriot Game, which gives a Nationalist account of the Troubles.

The well-established historical myth of Nationalist struggle presupposes an almost inevitable pattern to history: “Ireland unfree will never be at peace.” Therefore, I’d next investigate how the Nationalist reading of Irish history has affected political events during the Troubles. I’d focus on two important historical occurrences, the 1974 Ulster Worker’s Council strike that brought down the Sunningdale power-sharing agreement and the 1981 Republican hunger strikes. According to the strike bulletins, the main reason the UWC wanted to stop Sunningdale was because of the provisions it made to involve the Irish Free State in Northern Ireland’s affairs, which it characterizes as “the main danger.” I’d investigate if this anti-Irish attitude was affected by the striker’s perceptions of Ulster history and the North’s relationship to the South.

With the hunger strikes, I’d research the connection between the strikers’ experiences and Irish history. I’d specifically ask if the hunger strikers appealed to historically Irish motifs of martyrdom in an attempt to gain political legitimacy for the Provisional IRA. My hunch is that the Nationalist movement consciously used history as a practical tool in order to get political status for their prisoners, but it would take further research to figure this out. Not Meekly Serve My Time, the remembrances of Republican H-Block prisoners and hunger strikers would be invaluable, as would the diaries of Bobby Sands and the writings of Gerry Adams, as well as the memoirs of SDLP party leader John Hume.

Through these two specific incidents, I’d study how perceptions of Irish history affected the politics of Northern Ireland during the 1970s and early 1980s and also investigate how Nationalists and Unionists used interpretations of history to generate political legitimacy.

Adams, Gerry. Selected Writings. Kerry: Brandon, 1994. Bew, Paul and Patterson, Henry. The British State and the Ulster Crisis. New York: Verso, 185. Patrick Bishop and Eamonn Mallie. The Provisional IRA. Aylesbury: Corgi Books, 1989. Campbell, Brian, Laurence McKeown, and Felim O’Hagan, ed. Not Meekly Serve My Time: The H Block Struggle 1976-1981. Belfast: Beyond the Pale Publications, 1998. Farrell, Michael. Northern Ireland: The Orange State. London: Pluto Press Limited, 1976. Gallagher, AM. “Majority Minority Review 2: Employment, Unemployment and Religion in Northern Ireland.” CAIN Web Service, http://cain.ulst.ac.uk/csc/reports/mm210.htm. Guelke, Adrian. Northern Ireland: An International Perspective. New York : St. Martin’s Press, 1988. Hepburn, A.C., ed. The Conflict of Nationality in Modern Ireland. London: Edward Arnold Ltd., 1980. Hume, John. Personal views, Politics, Peace and Reconciliation in Ireland. Dublin: Town House, 1996 Kerr, Adrian, ed. Perceptions: Cultures in Conflict. Derry: Guildhall Press, 1996. McAllister, Ian. The Northern Ireland Social Democratic and Labor Party. London: Unwin Brothers Ltd., 1977. MacDonagh, Oliver. States of Mind. London: Pimlico, 1992. McGarry, John and Brendan O’Leary. Explaining Northern Ireland. Oxford: Blackwell Publishers, 1995. ______. The Northern Ireland Conflict: Consociational Engagements. Oxford: Oxford University Press, 2004. Mulchaly, Aogan. “Claims-Making and the Construction of Legitimacy: Press Coverage of the 1981 Hunger Strikes.” Social Problems 42, No. 4 (Nov. 1995): 467-499. “The New Ireland Forum Report,” CAIN Web Service, http://cain.ulst.ac.uk/ issues/politics/nifr.htm. O’Malley, Padriag. Biting at the Grave. Belfast: Blackstaff Press, 1990. ______. The Uncivil Wars. Belfast: Blackstaff Press, 1983. O’Neill, Terence. Ulster at the Crossroads. Faber and Faber: London, 1969. Rose, Richard. Governing without Consensus. London: Faber and Faber, 1971. Sands, Bobby. Writings from Prison. Cork: Mercier Press, 1998. Stewart, A.T.Q. The Narrow Ground: The Roots of the Conflict in Ulster. London: Faber and Faber, 1997. “Strike Bulletins of the Ulster Worker’s Council Strike, No 1.” CAIN Web Service. http://cain.ulst.ac.uk/uwc/uwc-pdfs/one.pdf. Sweeney, George. “Irish Hunger Strikes and the Cult of Self-Sacrifice.” Journal of Contemporary History 28, No. 3 (Jul. 1993): 421-437. Wichert, Sabine. Northern Ireland Since 1945. London: Longman, 1999.

‘My broken dreams of peace and socialism’: Youth propaganda, personality, and selfhood in the GDR, 1979-1989.

“I was a young citizen in a young nation, and it was my duty to advance the cause of socialism,” writes Jana Hensel in her memoir of childhood during East Germany’s final decade of socialism. The molding of youth and children like Hensel into healthy “socialist personalities” desirous of political stability and unity had been the object of the Socialist Unity Party’s (SED) most ardent ideological efforts ever since the foundation of the German Democratic Republic (GDR) in 1949. By the 1980’s, however, when the GDR could no longer rely on brute force to secure the loyalty of its subjects, the very survival of the Communist East German regime had come to depend on the success of the socialist mentality building project. To urge the new generations of East Germans to develop personal qualities essential for the advancement of socialism, the SED mobilized all of its resources: the school system, youth organizations, mass events, and leisure time activities. Unlike the youth of the 1960’s, however, “Honecker’s children” turned out to be much more concerned with personal matters than with the fulfillment of their social and political obligations. Moreover, with the assimilation of new psychological models and concepts of individuality throughout the 1980’s, the anachronism and absurdity of SED’s personality building project became increasingly apparent.

In my Honors thesis, I plan to examine the manifold ways in which the ideological prescriptions disseminated by the SED during the 1980’s actually shaped the lived experience and affected the sense of selfhood of young members of East German society. I also wish to reflect on the lasting effects of GDR’s preoccupation with character building on the sense of identity of “Honecker’s children” twenty years after the fall of the Berlin Wall. My work thus aims to complement current historical literature on the politics of the GDR’s youth project with a thorough investigation of the cultural, psychological, and sociological aspects of socialist character building in the GDR. To this end, I plan to relate my investigation of the ways in which the youth responded to new ideas about the socialist East German self to sociological and anthropological works on identity and selfhood, as well as to psychological theory on childhood and memory. By examining the ideas about selfhood lying at the very heart of East German youth policies and focusing on the ways in which the youth understood them and responded to them, I hope to challenge current understandings of the overarching roles of culture and ideology in postwar German history.

I will begin my research by examining official documents printed by the GDR Ministry of Education, to reveal how state-sanctioned ideas about selfhood were engendered and promoted by the East German school system throughout the 1980’s. I will then explore the inner workings of mass youth organizations such as the Free German Youth (FDJ) to trace the manifestation of these ideas in party-monitored extracurricular and leisure time activities. By investigating children’s letters to relatives, diaries, and anthologies of poems, I plan to shed light on the kinds of interpretive categories that children and youth were using in turn to make sense of their own experiences and evolving personalities. I will then examine memories of GDR’s personality building project in their natural context by conducting interviews with the protagonists of my research during my stay in Berlin and Jena this summer.

Among the secondary sources central to my research are the works of social historians such as Anna Saunders, Alan McDougall, John Rodden, and Alan Nothnagle, who have previously explored the dynamics of youth policy in the GDR and delineated the evolution of propaganda techniques employed by communist youth organizations and schools to communicate Marxist-Leninist values and ideology. Equally significant are the works of Alon Confino and Daphne Berdahl, which examine the consequences of the rigorous program of socialist patriotic education in the GDR on the sense of national and personal identity of the youth before and after the collapse of the Berlin Wall. My research aims to respond to debates that have concerned not only German historians, but also scholars of international youth politics. Some of the questions I will be asking are: how much autonomy did the East German youth of the 1980’s have in shaping their sense of self, in what ways were they influenced by the personality models put forward by the SED, how did they conceive of themselves as historical subjects before and after the collapse of the East German regime, and what may explain their reactions to the personality building project?

Agee, Joel. 1981. Twelve years: an American boyhood in East Germany. New York: Farrar Straus Giroux. Andresen, Sabine. 2006. Sozialistische Kindheitskonzepte: politische Einflüsse auf die Erziehung. München: Ernst Reinhardt. Annen, Niels, Björn Böhning, Kai Burmeister, and Sven Frye. 2007. 100 years of International Socialist Youth: struggle for peace and equality in the world. Internationale Politik (Vorwarts Buch (Berlin, Germany)). Berlin: Vorwärts Buch. Baehr, Vera-Maria. 1990. Wir denken erst seit Gorbatschow: Protokolle von Jugendlichen aus der DDR. Recklinghausen: G. Bitter. Berdahl, Daphne. 1999. Where the world ended: re-unification and identity in the German borderland. Berkeley, Calif: University of California Press. Berdahl, Daphne. 2000. Altering states: ethnographies of transition in Eastern Europe and the Former Soviet Union. Ann Arbor: Univ. of Michigan Press. Confino, Alon, and Peter Fritzsche. 2002. The work of memory: new directions in the study of German society and culture. Urbana: University of Illinois Press. Confino, Alon. 2006. Germany as a culture of remembrance: promises and limits of writing history. Chapel Hill: University of North Carolina Press. Franke, Klaus, and Gerhard Krause. 1976. Kommunisten und Jugend in der DDR. ABC des Marxismus-Leninismus. Berlin: Dietz Verlag. Freie Deutsche Jugend. 1987. Fragen und Antworten zum Programm der SED. Berlin: Dietz. Friedrich, Walter. 1975. Jugend, FDJ [i.e. Freie Deutsche Jugend], Gesellschaft: Beiträge zur sozialistischen Persönlichkeitsentwicklung junger Arbeiter und Studenten in der DDR. Berlin: Verlag Neues Leben. Fulbrook, Mary. 2005. The people’s state: East German society from Hitler to Honecker. New Haven: Yale University Press. Hellbeck, Jochen. 2006. Revolution on my mind: writing a diary under Stalin. Cambridge, Mass: Harvard University Press. Hensel, Jana. 2004. After the Wall: confessions from an East German childhood and the life that came next. New York: Public Affairs. Intertext, Fremdsprachendienst der DDR. 1985. Free German youth, the GDR’s all-embracing youth organization. Berlin: Panorama DDR. Jahnke, Karl Heinz. 1986. Partei und Jugend: Dokumente marxistisch-leninistischer Jugendpolitik. Berlin: Dietz. Jarausch, Konrad Hugo. 1994. The rush to German unity. New York: Oxford University Press. Jarausch, Konrad Hugo. 1999. Dictatorship as experience: towards a socio-cultural history of the GDR. New York: Berghahn Books. Leiby, Richard A. 1999. The unification of Germany, 1989-1990. Greenwood Press “Guides to historic events of the twentieth century”. Westport, Conn: Greenwood Press. Leidecker, Gudrun, Dieter Kirchhöfer, and Peter Güttler. 1991. Ich weiss nicht, ob ich froh sein soll: Kinder erleben die Wende. Stuttgart: Metzler. Macleod, David I. 1983. Building character in the American boy: the Boy Scouts, YMCA, and their forerunners, 1870-1920. Madison: University of Wisconsin Press. Maier, Charles S. 1997. Dissolution: The crisis of Communism and the end of East Germany. Princeton, N.J.: Princeton University Press. McAdams, A. James. 1993. Germany divided: from the wall to reunification. Princeton studies in international history and politics. Princeton, N.J.: Princeton University Press. McDougall, Alan. 2004. Youth politics in East Germany: the Free German Youth Movement, 1946-1968. Oxford historical monographs. Oxford: Clarendon. Meier, Andreas. 1998. Jugendweihe–JugendFEIER: ein deutsches nostalgisches Fest vor und nach 1990. München: Deutscher Taschenbuch Verlag. Michalzik, Martin. 1994. An der Seite der Genossen–: offizielles Jugendbild und politische Sozialisation im SED-Staat : zum Scheitern der sozialistischen Erziehung in der DDR. Melle: Knoth. Mothes, Jörn. 1996. Beschädigte Seelen: DDR-Jugend und Staatssicherheit : mit 136 Dokumenten und einer Audi-CD mit Original-Tonunterlagen. Bremen: Edition Temmen. Nothnagle, Alan L. 1999. Building the East German myth: historical mythology and youth propaganda in the German Democratic Republic, 1945-1989. Social history, popular culture, and politics in Germany. Ann Arbor: University of Michigan Press. Pelka, Anna. 2008. Jugendmode und Politik in der DDR und in Polen: eine vergleichende Analyse 1968-1989. Osnabrück: Fibre. Pence, Katherine, and Paul Betts. 2008. Socialist modern: East German everyday culture and politics. Social history, popular culture, and politics in Germany. Ann Arbor: University of Michigan Press. Rodden, John. 2002. Repainting the little red schoolhouse: a history of Eastern German education, 1945-1995. New York, N.Y.: Oxford University Press. Rodden, John. 2006. Textbook reds: schoolbooks, ideology, and Eastern German identity. University Park, Pa: The Pennsylvania State University Press. Rodden, John. 2008. The walls that remain: Eastern and Western Germans since reunification. Boulder: Paradigm Publishers. Saunders, Anna. 2007. Honecker’s children: youth and patriotism in East(ern) Germany, 1979-2002. Manchester: Manchester University Press. Schmemann, Serge. 2006. When the wall came down: the Berlin Wall and the fall of Soviet communism. Boston: Kingfisher. Schneider, Gisela. 1980. Jugendbrigaden, Bahnbrecher des Neuen. Berlin: Verlag Tribüne. Solms, Wilhelm. 1992. Begrenzt glücklich: Kindheit in der DDR. Marburg: Hitzeroth. Thomson-Wohlgemuth, Gaby. 2009. Translation under state control: books for young people in the German Democratic Republic. New York: Routledge. Turner, Henry Ashby. 1987. The two Germanies since 1945. New Haven: Yale University Press. Urban, Detlef, and Hans Willi Weinzen. 1984. Jugend ohne Bekenntnis?: 30 Jahre Konfirmation und Jugendweihe im anderen Deutschland 1954-1984. Berlin: Wichern-Verlag. Walter, Michael. 1997. Die Freie Deutsche Jugend: ihre Funktionen im politischen System der DDR. Freiburg im Breisgau: Arnold Bergstraesser Institut. Weyer, Jochen. 1974. Youth in the GDR: everyday life of young people under socialism. Berlin: Panorama DDR. Zahra, Tara. 2008. Kidnapped souls: national indifference and the battle for children in the Bohemian Lands, 1900-1948. Ithaca: Cornell University Press. Zilch, Dorle. 1994. Millionen unter der blauen Fahne: die FDJ : Zahlen, Fakten, Tendenzen : Mitgliederbewegung und Strukturen in der FDJ-Mitgliedschaft von 1946 bis 1989 unter besonderer Berücksichtigung der Funktionäre. Rostock: Norddeutscher Hochschulschriften Verlag.

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History Masters Theses Collection

This collection contains open access and campus access Masters theses, made possible through Graduate Studies at the University of Massachusetts Boston. The full content of open access theses is available to all, although some files may have embargoes placed on them and will be made available as soon as possible. The full content of campus access theses is only available to those either on the UMass Boston campus or with a UMass Boston campus username and password. Click on the "Off-Campus UMass Boston Users" link on the record page to download Campus Access publications. Those not on campus and those without a UMass Boston campus username and password may gain access to this thesis through resources like Proquest Dissertations & Theses Global or through Interlibrary Loan.

Theses from 2024 2024

A Quartet of Consequence: Randolph, Rustin, Baker & Levison & The Movement They Made , Jonathan Klein

Theses from 2023 2023

Margaret Cross Norton in Context: Norton’s Portrayal in American Archival Theory, the Social Conditions of Her Time and the Evolution of Presidential Libraries in the United States , Marie H. Bowen

Culture Wars: North Carolina, Representation, and the Vote on the Federal Constitution of 1787 , Maria A. Carlson

George Boardman Weston's Grand Tour: Travel Writing and its Impact on Nineteenth-Century Americans , Joshua Tyler Clark

“Each Heart Alone Knoweth Its Own Bitterness”: The Jackson Family in Clarke County, Virginia, from Enslavement to Jim Crow , Melanie E. Garvey

Deconstructing Reconstruction: The Portrayal of The Reconstruction Era in High School History Textbooks , Eleanor Katari

Radical Routes: The Formation of the Boston School Bus Drivers Union Local 8751 , Maci Mark

Limitations & Liberation: Republican Motherhood and Female Advancement in Nineteenth Century America , Hannah Russell

The Armenian Genocide as Presented by the American Press , Grace A. Wargovich

Theses from 2022 2022

Northeastern Pennsylvania's Forgotten Labor Massacre: Analysis pf the English Language Record of the Lattimer Massacre , Jamie C. Costello

Shadow of the Vietnam War on the Senate Persian Gulf Debate of 1991 , Austin DiBari

Popular Memory, Silence, and Trust: A Mother and Son’s Relationship to School in the Shadow of the Prince Edward County Closures , Rory S. Dunn

The Arrows, The Shield: Mapping, Identity, and Tradition in Colonial Cempoala, Mexico , Savvas Papadopoulos

The Unsung Influence of the National Day of Mourning: A Study of Indigenous Activism, Race, and Memory , Erika T. Tauer

The Role of the Catholic Church’s Teachings on Slavery and Secession Affecting Allegiances During the American Civil War , David J. Thompson

Theses from 2021 2021

Celebrating Chinese American Veterans: Commemoration and America's Collective Memory Of War , Kevin Lee

Community in a Time of Crisis: How the People of Provincetown, Massachusetts Worked to Combat the HIV/AIDS Epidemic , Danielle Maria Lisbon

Uncommon Ground: Pawtucket-Pennacook Strategic Land Exchange in Native Spaces and Colonized Places of Essex County and Massachusetts Bay in the Seventeenth Century , Kristine Malpica

The Decline of the Massachusetts Know-Nothing Party: The Impact of Slavery and Temperance in 1855 , Alexander Rodrigues

The Boston Black United Front and Community-Centered Alternatives to the Carceral State , Joseph W. Sikowitz

Theses from 2020 2020

Operation Nickel Grass: Richard Nixon and the Yom Kippur War , Luke George Bergquist

Essential Labor: Marginalized People in the American Whaling Industry, Southeastern Massachusetts , Brielle E. Berical

A Dogged Resolve: The Doctrine and Decline of Mormon Plural Marriage, 1841-1890 , Jaclyn Thornock Gadd

The Hyde Park Thought Club: Pioneers in the Women’s Club Movement -- A Case Study 1868 – 1902 , Patrice A. Gattozzi

The Ghosts of Empires Past: The Red Army Faction’s Violent Relationship with Cold War Neo-Imperialism, 1969-1974 , Renee Danielle Jean

Reassessing the Factors that Led to the Evacuation of Japanese in World War Two , Mark S. Lewis

Black Masters; The Ownership of Slaves by Free People of Color in the Antebellum South 1780-1861 , Michael O. Magbagbeola

"To Have and Enjoy": Seating in Boston's Early Anglican Churches, 1686-1732 , Erica Jill McAvoy

Scholars, Spinners and Economies of Scale: Public Education on Exhibit in the Textile Era in New Bedford, Massachusetts , Arthur P. Motta Jr.

Beyond the Big Top: The Legacy of John Ringling and the American Circus , Casey L. Nemec

“Even if it Means Our Battles to Date are Meaningless” The Anime Gundam Wing and Postwar History, Memory, and Identity in Japan , Genevieve R. Peterson

"Full of Light and Fire": John Brown in Springfield , Louis J. Rocco Jr.

The Psychogram , Nathaniel M. Sullivan

Washed Away: Native American Representation in Oklahoma Museums and High Schools, 2000 – 2020 , Catherine E. Thompson

Theses from 2019 2019

Revelation and Concealment; The Words and World of Omar ibn Said , David Gabriel Babaian

Anabasis Aquilonos: The Interplay of Exemplarity and Scientific Historiography in B.H. Liddell Hart’s A Greater than Napoleon: Scipio Africanus , Daniel T. Barbre

The Language of the Herodians: An Analysis of Herodian Material Culture , Alexander J. D'Amore

Theses from 2018 2018

The Charge of Deserting Their Sphere: The Boston Female Anti-Slavery Society and Women’s Place in the Abolitionist Movement , Megan Irene Brady

Competing Goals: The Boston Teachers Union and the Boston Busing Crisis , Matthew R. Clark

"The Right to Play" The Establishment of Playgrounds in the American City , Kyle James Fritch

Good Girls Gone Bad: Interpreting the White Slavery Scare As A Response To Changing Women's Roles in the Progressive Era , Rachael Gorski

Innocent Victors: Atomic Identity at the American Museum of Science and Energy in Oak Ridge, Tennessee , Kathryn Leann Harris

William Monroe Trotter and His Contributions to the Early Civil Rights Movement , Katherine N. Jahl

Lapidary Medicine in Early Modern Spain , Dana L. Marquis

A Seemingly Insurmountable Problem: Carl Stokes and the Failure of Cleveland Now! , David M. Rainey

The Creation of the OSS And Anglo American Intelligence Co-Operation In Yugoslavia: A Case Study In Diverging Agendas , Christopher J. Royack

Luis V. Manrara & the Truth About Cuba Committee, Inc.: A Microhistory on the Effect of Socio-Economic Advantages and Politics on Early Cuban Acculturation within American Society , Francis E. Tansey

“Wicked and Illegal Traffic”: Newspaper Portrayal of Nigerian Women in the Cannabis Trade (circa 1970 – 1980) , Edet A. Thomas

Theses from 2017 2017

Mendez V. Westminister (1945): A Case that Brought Race to Center Stage , Samantha R. Albert

A Light in the Darkness: Constructing a View of Victorian Gynecological Surgery through Examination of Medical Treatises , Mandy M. Jimenez

Riot and Resurgence: The Antebellum African American Community of Providence, Rhode Island , Christopher J. Martin

Reverend James D. Eaton and Congregationalist Missionary Education in Revolutionary Mexico , Lucas A. Mihalich

Indian, Black, Mustee, and Music: Race, Identity, and Culture in Native Communities During the Age of Whaling , Tara M. Munro

Expendable: Eight Soldiers From Massachusetts Regiments Executed For Desertion During the United States Civil War , Stephen F. Ragon

Theses from 2016 2016

Exploring Reconstruction in the Territory of New Mexico , Krystle Eugley Beaubrun

'For the Sake of the Salvation of our Souls': An Analysis of Hildegard of Bingen's Authority and Reformist Theology in Relation to the Founding of Mount St. Rupert , Alexandra G. Borkowski

Rebuilding the City on a Hill: The Currents of New England Sectionalism and Liberal Christianity in Garrisonian Abolitionism , Zachary Boutin

'For the Benefit of Mankind': Franklin Roosevelt's Development of Trusteeship for the Postwar World , Tasnin R. Chowdhury

Run Aground: Cultural Transformation in Southeastern Massachusetts' Aquatic Spaces, 1637-1711 , Jonathan Dennis Green

In Freedom's Cause: An Exploration of Suffragette and Chartist Militancy in Britain , Ashley Kennedy-MacDougall

Countdown to Martial Law: The U.S-Philippine Relationship, 1969-1972 , Joven G. Maranan

He was a Camera: Christopher Isherwood, Weimar Germany, and Transationalism in the American Gay Rights Movement , Kristof R. Nelson

Somewhere Between Exploitation and Partnership: English and Native Alliances Surrounding the Raids on Deerfield and King William’s War , Caitlyn J. Remmes

The Barbadoes Family and the Pursuit of African-American Equality in 19th Century America , Robert J. Shaw

Theses from 2015 2015

Traitor or Pioneer: John Brown Russwurm and the African Colonization Movement , Brian J. Barker

A Queen's Legacy: The Lives of Elizabeth Woodville and Jacquetta of Luxembourg , Heather E. Bump

We're Just Like You: Strategies of Gay Activism against the Religious Right, Politics and Conservatism, and the AIDS Crisis , William G. Burton

Gay Outlaws: The Alpine County Project Reconsidered , Jacob D. Carter

George Loney Wallace and the Wrentham State School: 1906-1930 , Lindsay Fulton

Charles Francis Adams: A Study on the Crucial Role of Adams in Maintaining British Neutrality During the American Civil War , Jonathan S. McIsaac

The Massachusetts Bay Circuit , Corey W. Medeiros

É Para Sair de Portugal a Todos os Custos! The Policia Repressiva de Emigração Clandestina (1896-1911) and the Politics of Azorean Emigration to the United States , Sonia Patricia da Silva Pacheco

The Integration of African Americans in the Civilian Conservation Corps in Massachusetts , Caitlin E. Pinkham

Anti-Catholicism and Gender Norms: Reassessing the Charlestown Convent Riot, 1834 , Daniel S. Sousa

Theses from 2014 2014

Crowning a Florentine Princeps in a New Rome: The Civic Humanism of Leonardo Bruni and the Rise of Cosimo de' Medici, "Pater Patriae" , Jason F. Amato

The Transvaal Constitution and Responsible Government: How Churchill influenced Apartheid , Christopher H. Beckvold

"Tenacious of Their Lands": Fortifying the District of Mashpee, 1834-1842 , Nicole Alexis Breault

Assent and You Are Sane: "John Brown Was Right" , Jermain S. Corbin

Saving the "Original Paradise": Health Tourism, Tropical Disease, and the Problem of Cuba in the American Imperial Imagination, 1848-98 , Liana DeMarco

Panthersprung: The Vital Inheritance of the Agadir Crisis , Patrick E. Doerr

Lusitania: An Examination of Captaincy and Seamanship in the Face of Disaster , Robert J. Goulding

“So Succeeded by a Kind Providence”: Communities of Color in Eighteenth Century Boston , Eric M. Hanson Plass

Constructing A Vernacular Narrative: Communal Memory of Boston's West End , Eleanor Martinez Proctor

Theses from 2013 2013

Generations Apart: Cultural Revolution Memory and China's Post-80's Generation on the Chinese Internet , Vincent R. Capone

Once Lords and Emperors: Chivalry and the Making of Clerical Masculinity in High Medieval Normandy , Charles S. Carroll

Fort Devens: Civil Rights Unrest and African-American Identity in a Northern Military Camp during World War I and World War II , Janine Hubai

The Hidden Experience: Untold Stories of Immigrant Agency During the Settlement House Movement in Boston , Deirdre L. Kutt

General Von Seeckt and Sino-German Cooperation , Yue Lan

"Our Brothers In This Country": Captivity and Kinship in the Colonial Northeast , Steven C. Moore

The Teacher Revolt: Militancy, Grassroots Mobilization, and Local Autonomy in the National Education Association and the Massachusetts Teachers Association (1960-1980) , Jamie A. Rinaldi

Germs, Pigs and Silver: King Philip's War and the Deconstruction of the Middle Ground In New England , Benjamin M. Roine

Men of Uncommon Substance: Sailor Literature and American Identity in Antebellum America, 1805 - 1840 , Pete Sprayregen

Technology Transfer and Diffusion in the Context of Globalization: A Study of a Critical Decade in the Ottoman Empire through the Experiences of Henry Eckford, 1830-1840 , Gulumhan Huma Yildirim

Theses from 2012 2012

The Forgotten Children: The Educational Demographics of an Austrian Diocese 1848-1852 , Mathew Richard Boyeson

Gaetano Salvemini: A Lesson in Thought and Action , Michael Christopher DiClemente

The Cultural Assault on the Female Gender during the Weimar Years , Jaime Alexandra Gaudet

Immigrants as Americanizers: The Americanization Movement of the Early Twentieth Century , Alexis Claire Hanley

Union Army Doctrine: The Role of the Artillery During the Campaign for Vicksburg , Stephanie A. Peacock

Botticelli's La Primavera: Painting the Cosmos of Human Ideals , Leatha Eleni Tzioumis

Women Under National Socialism: The Case Study of Melita Maschmann , Lynda Maureen Willett

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History Thesis Topics: List of 69 Outstanding Ideas

Unless you plan to go for a Ph.D. in history, a thesis will be the most significant academic writing of your life. It shows your in-depth knowledge of a subject, your ability to think logically, creatively, and originally. Besides, it’s a great way to demonstrate how good your writing is.

But finding an appropriate title for your thesis is a challenging task. You may feel unsure about any idea until you see the rest of them. So, what can help you?

A history thesis topics list, of course. In this article, you’ll consider a wide variety of ideas about historical events and figures. There are some tips on picking the right one for you. With a little explanation of the basics, you’ll differentiate the Bachelor’s thesis from the Master’s one in a second.

• ☝️ How to Choose?
• ⭐ Top-12 Thesis Ideas
• 🚀 American History
• ⚔️ European History
• 🎨 Art History
• 📚 MA Thesis Topics
• 🦉 MPhil Thesis Ideas
• 👨‍🏫 Thesis vs. Dissertation

☝ How to Choose a History Thesis Topic?

Before picking a topic about history, you have to understand what you’re looking for. Take into account that you’re going to spend plenty of time writing your thesis. So, you need to find an idea that engages you and is worthy of your time. Don’t go for a random history topic that you do not feel passionate about.

Searching for an idea, follow the tips below:

• Find a topic that interests you . You’ll most probably write your thesis for a whole semester or even longer. That’s why you should determine something that doesn’t bore easily. At least those countless hours in the library will be spent with pleasure. The more the idea challenges and intrigues you, the less you’ll procrastinate and suffer from writing. No one can tell you what to write about. Your advisor can help you specify the topic, but it is up to you what to write about.
• Look for a topic that creates a trajectory for further research . You may not pursue it later, but having an opportunity to do so is a significant advantage. If you decide to pursue a further degree, you will already be familiar with the topic well. Take a look at available works in a free essays database to get a clearer picture of what can be further explored.
• Find a professor who will become your thesis advisor . Bring some thesis ideas up and see what your instructor suggests. It’s a good thing to have several research topics in mind—the instructor can help you determine the best one.
• Think beyond the graduation date . Whether you are going to start a career or continue your studies, your thesis should help you in achieving your goals. What may your employer look for in your paper? What do you need to be successful in your job or further research? It’s good to approach the issue with some level of practicality. See if you can apply the skills and information you’ve acquired to your professional life.
• Strive for originality but stay within your studies context . Try to make your title unique to grasp attention and intrigue from the get-go. At the same time, don’t fall outside the scope of your field. Before picking a topic, do some research to understand the field deeper. This way, you’ll see what exactly you would like to address.
• Make sure your title fits the requirements . Open your university guidelines for the thesis work and find this out before anything else. Ask your thesis advisor as well to give you honest feedback.

⭐ Top-12 History Thesis Ideas

• Civil War — the role of women.
• The Watergate Scandal.
• Contemporary art history.
• The Napoleonic Wars.
• Causes of World War 2.
• Impact of the Black Plague.
• The Cuban Missile Crisis.
• Japanese-American conflict.
• The Vietnam anti-war protests.
• Origins of the Great Famine in Ireland.
• The French Revolution.
• The rule of Elizabeth I.

📝 History Thesis Topics for Bachelor’s Degree

Usually, American Universities don’t require students to write a Senior Thesis. However, you still have an option to choose one. You can write a thesis as a part of your program completion. It will take a lot of time, energy, and effort. But, in the end, you will be able to produce a prime piece of academic writing.

Strive to write anywhere from 60 to 100 pages. You will also dedicate a lot of time writing and polishing it afterward. Make sure to leave enough time for that too.

What’s the first step?

Look for a thesis advisor you know you will enjoy working with. Consider all the professors you’ve interacted with at your university and pick several. Approach them and see if they are accepting new students for thesis supervision.

Make sure to choose a history thesis paper topic that your advisor knows a lot about. At some point, you will become very knowledgeable about the history thesis topic you chose. It will be crucial to have someone who can direct you.

There are several reasons why you should consider writing a thesis for a Bachelor’s Degree in history:

• It provides you with essential experience in writing, researching, and brainstorming ideas. It can later help you in your academic or professional life.
• You can deeply understand a subject that interests you.
• You can improve your reading skills.
• If you have to use foreign sources, you can also increase your foreign language skills.

Are you still wondering what historical thesis ideas are appropriate? Then, this list is perfect for you.

🚀 American History Thesis Topics

• African American history in the United States : disfranchisement and segregation in 1890-1900
• Early American History and the lost colony of Roanoke
• The construction of race in American culture and history. It’s not a secret that race is a social construct. In American culture and history, it plays a critical role. In the thesis, you will have a chance to research the mechanisms through which the race was constructed. Movies, literary representations, articles, what else? It’s up to you to find out what can be relevant.
• World War 2 through personal letters and diaries . This thesis can be personal and will not leave people indifferent. Examination of diaries, notes, and personal accounts can be fascinating. You won’t be bored doing historical research. Maybe you even have some in your own family? Worth checking it out.
• Guilt over Slavery in the United States: a historical examination
• Gender equality in American education . A comparative study of Germany, Russia, The United States
• New York City and its historical geography. NYC is one of the captivating American cities. Writing a thesis about its historical geography is not an easy task. Gladly, you have tons of information available to you.

• Rocket Science as one of the most significant innovations of the 20th century
• Examining the Role of Privilege within the Ivy League Universities
• Role of American Public Health in a Post-9/11 World

⚔ European History Thesis Topics

• Formation and development of the European Union during the 20th century
• Feminist perspective on the representation of women in Roman Art
• Religion and Nation in Europe in the 19th century
• Construction of National Identity in Post-Soviet Latvia. What did contribute to developing a national identity of post-soviet Latvia? First of all, its independence and belonging to the European Union. In this thesis, talk about colonization and colonial identity. Consider the policies Latvian government implemented to build a Latvian character. What is it? What are the essential characteristics of it?
• Composition and religious hierarchy in The Last Supper by Leonardo Da Vinci
• Representation of Jews in Late Medieval Period in Europe
• Problems of political leadership in Athens of 404-355 BCE
• The French Renaissance Court and its structural hierarchy. This topic is interesting yet complex. Its complexity comes not from the name but the nature of the French Renaissance Court. You need to have a clear idea of how the royal court is built and is operating. Find relevant historians of that time, and, hopefully, you can speak some French.
• Immigrational Politics of the United Kingdom. The problem of multiculturism at the beginning of 1960-1980.
• Orientalism or the Middle East through the prism of Western scholars in the XIX century. In this thesis, start by exploring the notion of Orientalism. Edward Said will be a good point of departure and one of the most fundamental works to cite and read. You can agree with his argument or disagree with it. Nevertheless, find the relevant evidence for your point of view.

🎨 Art History Thesis Topics

• Medicine in Ancient Rome with a focus on surgeries through paintings. This thesis topic is rich. Numerous Ancient Roman paintings depict surgeries and medical treatments. Find the most interesting ones and talk about innovations in medicine. What was the point of recording medical procedures in art? Truly a topic that can captivate anyone.
• Vincent Van Gogh: A phycological analysis of the artist’s last years . In this thesis, examine his artworks together with the personal letters. Look at the words he used, as well as the images he painted. You need it to comprehend what was happening in Vincent’s life in his last years. Some art therapists claim that the artist had bipolar disorder. Examine those views. However, be careful not to give any medical diagnosis yourself.

• Plato on Punishment and Vice: the notion of punishment in The Republic. You cannot get a degree without reading the most fundamental text of the Western Academy, The Republic . In this thesis, you should simply focus on the ideas of punishment and vice. Plato wrote a lot regarding the morals and the laws. Try to discern what exactly he meant. Extract his views regarding capital punishment and punitive justice.
• Modern Art in Europe, with a specific focus on Italy
• Trade in Medieval Europe with a focus on Africa through art
• The erotism of art of Ancient Rome
• Synthesis of sculpture and paintings in Spanish art of the 17th century
• Neoclassicism in French art of the 1900s-1910s
• Surrealism in Art as the quintessence between realism and hyper-realism

📋 History Thesis Topics for Master’s Degree

In the United States, to enter a graduate degree in history, a bachelor’s degree is required. Most of the time, students will have to submit several recommendation letters. Plus, they need GRE scores and writing samples. Add to this several essays explaining the purpose of going to university again, and there you have it.

It is common to have several completion requirements. They can include basic courses, language tests, and a master’s thesis at the end of the program. However, it depends on the department and the university.

Keep in mind that there are several credits that students should obtain to get a degree. It differs from university to university as well. In most of the programs throughout the United States, they are required to complete 30-32 credits to get an M.A. degree. This number usually corresponds to 8-9 classes.

If you are pursuing an M.A., you’re in luck. There is an excellent chance that you will be able to choose if you would like to write a thesis or not. If you are pursuing an M.Phil., then you will have to write your thesis because it’s a research degree.

No matter if you are pursuing an M.A. or an M.Phil., this historical thesis ideas can help you find a title:

📚 MA Thesis Topics in History

• Apotheosis of the Philippine Historical Political Tradition
• Kerala History: Syrian Christians in the region in the 18th century
• History of Modern India with a focus on women’s rights
• The history of theater in the American South and the main characteristics of the Southern Drama. This thesis includes a lot of aspects starting from playwriting in Charleston to drama in New Orleans. Then there are War Drama, Black Drama, etc. Try to find a good balance to fit all of the main characteristics of the Southern Drama and theater.
• New Deal and its impacts on events leading to the Great Depression
• Mistakes of the Soviet side in WW2. WWII was the deadliest military conflict of the 20th century. In this thesis, talk about the biggest mistakes the Red Army made during the war. Some of those can include signing to the Non-Aggression Pact with Hitler. Plus, there were anti-tank dogs and the Molovot-Ribbentrop Pact.

• Military strategies that allowed Napoleon to win crucial battles
• Mussolini & Hitler : connection along with its consequences for Italy
• Queen Victoria’s politics and the way it has changed British history
• The Development of Strategic Bombing Doctrine Between the World Wars
• Historical Creation of a Black Elite in the United States
• Through Imperial Eyes: Race and British Reactions to the American Slavery Question
• Gertrude Bell’s Influence in the Formation of Iraq. Gertrude Bell is a crucial figure in Islamic studies. She contributed a lot to the formation of Iraq. In this thesis, explore her unique contribution and approach to building a modern state of the country. She was highly trusted by British politicians and by Arab leaders.
• Baptist church history as a way to escape slavery

🦉 MPhil Thesis Topics in History

• Investigating the impact of WWI on trade blocks. A case study of the European Union
• Women in WWII: sexual objectification of women through magazines and advertisement. Women played an integral part in WWII. In this thesis, explore the role of sexual imagery in the advertising industry during the war.
• Sudan-American relationships in 1989-2000: US Foreign Policy and Genocide in Sudan
• Criticism of the war on drugs during the Ronald Reagan administration
• The political evolution of the Southern States during the Reconstruction Era
• Everest Expeditions in British Popular Culture, 1920-1960. Explore how Everest Expeditions were depicted in British movies. Analyze the subject via comics, journals, and visual art in the first part of the 20th century.
• Impact of Otto von Bismarck on German Liberalism

• Discrimination of German immigrants in the USA during WW2
• The Fourth International and the Spanish Civil War
• Political and economic aspects of the crisis in Venetian Diplomacy in the 1500s
• The connection between institutionalized racism and police violence in the United States. There are several dimensions to racism. In this thesis, look for a connection between structural racism and police violence in the US. Compare the numbers, look at the stories. See if this data exposes any hidden bias.
• An image of the Medieval Period in Post Modern Art
• A comparative analysis of the Four Quran English Translation. In this thesis, discuss why and how the Quran can be translated. Also, you should look at the four translations. Try to determine which one is the closest. To do that, you need to have an advanced level of Arabic.
• The psychological effect of war on American soldiers in Vietnam

👨‍🏫 Differences between a Thesis and Dissertation

Understanding the difference between a thesis and a dissertation is essential. Would you like to obtain a master’s and a doctoral degree? Then read attentively. In the United States, both thesis and dissertation are vital for this purpose.

The prominent differences that you have to realize are the following:

• A dissertation is required to graduate with a doctoral degree. A thesis is a culmination of a master’s program.
• A dissertation is written to add a new piece of knowledge to the field. A thesis is to show that you have enough knowledge about the field.
• A dissertation usually takes several semesters, sometimes even years, to complete. A thesis does not require this amount of time. It can be finished within months.
• A dissertation can be seen as an academic book. A master’s thesis is a long research paper.

Let’s see the main characteristics of a bachelor’s thesis, a master’s thesis, an MPhil’s thesis, and a dissertation:

• A Bachelor’s Thesis (honors thesis). It’s a research-based paper that allows undergraduate students to put their knowledge into practice. The paper is usually 40-60 pages long. It includes an introduction, main body, conclusion, and bibliography.
• A Master’s Thesis. It’s a piece of original scholarly work. A mater’s thesis is written under the close supervision of an academic advisor. It attempts to bring some fresh look or a new perspective to a field of study. The length of a master’s thesis can vary. Usually, it doesn’t go beyond 100 pages.
• An MPhil’s Thesis (Master of Philosophy). It’s a specific type of thesis. As it was stated earlier, most American Universities don’t grant this degree. A few schools give it under specific circumstances. Doctoral students should accomplish all the course work and pass their exams. Then, this degree can be granted to them. A more colloquial way to call this degree is “all but dissertation.” In other cases, this degree is granted to students who are doing their postgraduate research.
• A Dissertation. It’s a major piece of academic writing. It’s independent, shows critical and thinking ability. A dissertation is meant to illustrate academic knowledge, originality of work, and research skills. The length usually stays within 200-300 pages.

Any thesis or dissertation is a monumental work. Choose a topic that you are passionate about. Make sure it’s researchable and clear, but at the same time memorable. Spend time writing, proofreading, editing, and talking to your advisor about your ideas and academic goals.

Remember that it is okay to get frustrated and tired at times. If it happens to you, stop working for a bit and relax. Good luck and congratulations on your soon to be graduation! We hope this article was helpful. Share it with those who may need a history thesis topic or a piece of advice.

🔗 References

• MPhil in History: University of Oxford
• How to Pick a Masters Thesis Topic: Peter Campbell for Medium
• How Do I Choose A Thesis Topic: Grad School Hub
• Writing a Senior Thesis: Undergraduate Program, Department of History, Brandeis University
• The Bachelor’s Thesis, Bachelor EE: University of Twente
• Guidelines for the Preparation of Your Master’s Thesis: the Office of Graduate Studies and Research: University of Nebraska at Kearney
• Guidelines for Writing a Master’s Thesis for MA Degree: Jeremy Bailey, Susan Scarrow, University of Houston
• What is a dissertation? How it is different from an essay: The Royal Literary Fund
• What is the Difference Between a Thesis and a Dissertation: The Best Master’s Degrees
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HIST 4990: Senior Thesis in History (Short): Research Process

• Research Process
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Research Process Guides

Historical research can be incredibly exciting and interesting, but getting started can be daunting--especially if you are starting from scratch in coming up with a topic. 

In general, the most important thing to remember is that getting started early is essential.  Give your self time to browse, connect, reimagine, and revise.  Below are some links walk you through steps for developing a topic and writing an interesting paper.  These aren't the only way to approach the work, but they give you a place to start.   Remember to consult your professor for big questions or concerns and to re-read the assignment.

Learning to Do Historical Research: A Primer How to Frame a Researchable Question Created by historian William Cronin and his graduate students to help undergraduates develop research topic in environmental history, but ideas and concepts are useful for any area  of historical research.

Stages of A Historical Research Project Independent project on the Web. offers a streamlined outline for research processes that may be a good quick reference tool

Truncation, Parentheses, and Willdcards

Parentheses.

• An alternative to a database's Advanced Search
• Allows you to construct complex searches combining AND, OR, NOT by grouping search terms appropriately

 (Teenagers OR Juveniles) AND Violence

• Expands the search to locate all words beginning with the same root 
• Example:   teen *  will return teen, teens, teenage, teenager, etc.
• Useful to include any variants authors might use to describe their research
• Example: Trying to truncate woman as wom* will return wombat, womb, as well as woman and women. 
• Used in the middle of a word to match usually known variants of a term.
• A wildcard usually represents a single character
• Example: wom?n will return woman, women, and womyn.

Note: These search tools involve using various symbols.  The symbols change depending on the database's vendor/interface you're dealing with, and the symbols may change over time within one of these vendors/interfaces.  If you have any questions about what symbols are used in a database, check its "Help" section.

Sage Research Methods

Sage Research Methods:   supports research at all levels by providing material to guide users through every step of the research process.

Keyword Tips and Tricks

Keyword Search Tips and Tricks

Brainstorm terms related to  your topic

• For views of Georgians the  best keywords  to try are:   constituent, correspondence, opinion polls, forum, citizen, views, letters
• Try  different versions of the same word ( example: Cuba, Cuban)
• Try  terms that are specific and genera l (example: Athens, Georgia, the South)
• Explore the  variety of descriptive terms  that different groups used to describe the same people, events, places, and ideas (example: Civil War vs. War between the States, activists vs. agitators, protesters vs. rabble) 
• Explore the  evolution of meaning of terms  over time.  Words that mean something to us today may have different meanings earlier in time or at specific moments in time.  ("busing" in the early 1970s is about implementation of desegregation orders in the early 1970s in the American South, whereas today, "busing" might be about environmental issues related to transportation)
• Think like a file clerk.  sometimes collections are organized by subjects, but often they are organized around dates, alphabetical listings of names, or by the group or individual that produced the records. If you don't find any files called "Cuban Missile Crisis" in a search of a politician's papers from the early 1960s, there is a good chance that there are relevant materials in  a folder called "1962."  (The more you know; the MORE YOU KNOW!)

Never Admit Defeat!

• If you try all of the tricks described above and still don't find what you are looking for, consider browsing the finding aids for materials donated by  people who are likely to be involved  in your topic.  Remember, every finding aid has a biography abotu the person or group that created or collected the materials.  
• Never be aftaid to ask an archivist for help; that's why we're here. We work for you! 

Your Librarians

Boolean Searching

• Allow a database search to be narrowed, broadened or made more precise.
• There are three Boolean operators:  AND, OR, and NOT.
• AND, OR, NOT are inserted between each search term.
• Used for narrowing or focusing a search topic. 
• Specifies that both search terms must be present in the results. 

Example: Teenagers AND Violence

• Used for expanding   or broadening a search topic . 
• Specifies that either search term can be present in the results. 
• Often used to include synonyms or related terms.

Example: Teenager OR Juvenile OR Adolescent

• Used to eliminate false hits, or get rid of that one term that you don't want in your results list. 
• Specifies that the first term but not the second can be present in the results. 

Example: Teenagers NOT Violence. 

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• What Is a Thesis? | Ultimate Guide & Examples

What Is a Thesis? | Ultimate Guide & Examples

Published on September 14, 2022 by Tegan George . Revised on April 16, 2024.

A thesis is a type of research paper based on your original research. It is usually submitted as the final step of a master’s program or a capstone to a bachelor’s degree.

Writing a thesis can be a daunting experience. Other than a dissertation , it is one of the longest pieces of writing students typically complete. It relies on your ability to conduct research from start to finish: choosing a relevant topic , crafting a proposal , designing your research , collecting data , developing a robust analysis, drawing strong conclusions , and writing concisely .

Thesis template

You can also download our full thesis template in the format of your choice below. Our template includes a ready-made table of contents , as well as guidance for what each chapter should include. It’s easy to make it your own, and can help you get started.

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Table of contents

Thesis vs. thesis statement, how to structure a thesis, acknowledgements or preface, list of figures and tables, list of abbreviations, introduction, literature review, methodology, reference list, proofreading and editing, defending your thesis, other interesting articles, frequently asked questions about theses.

You may have heard the word thesis as a standalone term or as a component of academic writing called a thesis statement . Keep in mind that these are two very different things.

• A thesis statement is a very common component of an essay, particularly in the humanities. It usually comprises 1 or 2 sentences in the introduction of your essay , and should clearly and concisely summarize the central points of your academic essay .
• A thesis is a long-form piece of academic writing, often taking more than a full semester to complete. It is generally a degree requirement for Master’s programs, and is also sometimes required to complete a bachelor’s degree in liberal arts colleges.
• In the US, a dissertation is generally written as a final step toward obtaining a PhD.
• In other countries (particularly the UK), a dissertation is generally written at the bachelor’s or master’s level.

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The final structure of your thesis depends on a variety of components, such as:

• Your discipline
• Your theoretical approach

Humanities theses are often structured more like a longer-form essay . Just like in an essay, you build an argument to support a central thesis.

In both hard and social sciences, theses typically include an introduction , literature review , methodology section ,  results section , discussion section , and conclusion section . These are each presented in their own dedicated section or chapter. In some cases, you might want to add an appendix .

Thesis examples

We’ve compiled a short list of thesis examples to help you get started.

• Example thesis #1:   “Abolition, Africans, and Abstraction: the Influence of the ‘Noble Savage’ on British and French Antislavery Thought, 1787-1807” by Suchait Kahlon.
• Example thesis #2: “’A Starving Man Helping Another Starving Man’: UNRRA, India, and the Genesis of Global Relief, 1943-1947″ by Julian Saint Reiman.

The very first page of your thesis contains all necessary identifying information, including:

• Your full title
• Your full name
• Your department
• Your institution and degree program
• Your submission date.

Sometimes the title page also includes your student ID, the name of your supervisor, or the university’s logo. Check out your university’s guidelines if you’re not sure.

Read more about title pages

The acknowledgements section is usually optional. Its main point is to allow you to thank everyone who helped you in your thesis journey, such as supervisors, friends, or family. You can also choose to write a preface , but it’s typically one or the other, not both.

Read more about acknowledgements Read more about prefaces

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An abstract is a short summary of your thesis. Usually a maximum of 300 words long, it’s should include brief descriptions of your research objectives , methods, results, and conclusions. Though it may seem short, it introduces your work to your audience, serving as a first impression of your thesis.

Read more about abstracts

A table of contents lists all of your sections, plus their corresponding page numbers and subheadings if you have them. This helps your reader seamlessly navigate your document.

Your table of contents should include all the major parts of your thesis. In particular, don’t forget the the appendices. If you used heading styles, it’s easy to generate an automatic table Microsoft Word.

Read more about tables of contents

While not mandatory, if you used a lot of tables and/or figures, it’s nice to include a list of them to help guide your reader. It’s also easy to generate one of these in Word: just use the “Insert Caption” feature.

Read more about lists of figures and tables

If you have used a lot of industry- or field-specific abbreviations in your thesis, you should include them in an alphabetized list of abbreviations . This way, your readers can easily look up any meanings they aren’t familiar with.

Read more about lists of abbreviations

Relatedly, if you find yourself using a lot of very specialized or field-specific terms that may not be familiar to your reader, consider including a glossary . Alphabetize the terms you want to include with a brief definition.

Read more about glossaries

An introduction sets up the topic, purpose, and relevance of your thesis, as well as expectations for your reader. This should:

• Ground your research topic , sharing any background information your reader may need
• Define the scope of your work
• Introduce any existing research on your topic, situating your work within a broader problem or debate
• State your research question(s)
• Outline (briefly) how the remainder of your work will proceed

In other words, your introduction should clearly and concisely show your reader the “what, why, and how” of your research.

Read more about introductions

A literature review helps you gain a robust understanding of any extant academic work on your topic, encompassing:

• Selecting relevant sources
• Determining the credibility of your sources
• Critically evaluating each of your sources
• Drawing connections between sources, including any themes, patterns, conflicts, or gaps

A literature review is not merely a summary of existing work. Rather, your literature review should ultimately lead to a clear justification for your own research, perhaps via:

• Addressing a gap in the literature
• Building on existing knowledge to draw new conclusions
• Exploring a new theoretical or methodological approach
• Introducing a new solution to an unresolved problem
• Definitively advocating for one side of a theoretical debate

Read more about literature reviews

Theoretical framework

Your literature review can often form the basis for your theoretical framework, but these are not the same thing. A theoretical framework defines and analyzes the concepts and theories that your research hinges on.

Read more about theoretical frameworks

Your methodology chapter shows your reader how you conducted your research. It should be written clearly and methodically, easily allowing your reader to critically assess the credibility of your argument. Furthermore, your methods section should convince your reader that your method was the best way to answer your research question.

A methodology section should generally include:

• Your overall approach ( quantitative vs. qualitative )
• Your research methods (e.g., a longitudinal study )
• Your data collection methods (e.g., interviews or a controlled experiment
• Any tools or materials you used (e.g., computer software)
• The data analysis methods you chose (e.g., statistical analysis , discourse analysis )
• A strong, but not defensive justification of your methods

Read more about methodology sections

Your results section should highlight what your methodology discovered. These two sections work in tandem, but shouldn’t repeat each other. While your results section can include hypotheses or themes, don’t include any speculation or new arguments here.

Your results section should:

• State each (relevant) result with any (relevant) descriptive statistics (e.g., mean , standard deviation ) and inferential statistics (e.g., test statistics , p values )
• Explain how each result relates to the research question
• Determine whether the hypothesis was supported

Additional data (like raw numbers or interview transcripts ) can be included as an appendix . You can include tables and figures, but only if they help the reader better understand your results.

Read more about results sections

Your discussion section is where you can interpret your results in detail. Did they meet your expectations? How well do they fit within the framework that you built? You can refer back to any relevant source material to situate your results within your field, but leave most of that analysis in your literature review.

For any unexpected results, offer explanations or alternative interpretations of your data.

Read more about discussion sections

Your thesis conclusion should concisely answer your main research question. It should leave your reader with an ultra-clear understanding of your central argument, and emphasize what your research specifically has contributed to your field.

Why does your research matter? What recommendations for future research do you have? Lastly, wrap up your work with any concluding remarks.

Read more about conclusions

In order to avoid plagiarism , don’t forget to include a full reference list at the end of your thesis, citing the sources that you used. Choose one citation style and follow it consistently throughout your thesis, taking note of the formatting requirements of each style.

Which style you choose is often set by your department or your field, but common styles include MLA , Chicago , and APA.

Create APA citations Create MLA citations

In order to stay clear and concise, your thesis should include the most essential information needed to answer your research question. However, chances are you have many contributing documents, like interview transcripts or survey questions . These can be added as appendices , to save space in the main body.

Read more about appendices

Once you’re done writing, the next part of your editing process begins. Leave plenty of time for proofreading and editing prior to submission. Nothing looks worse than grammar mistakes or sloppy spelling errors!

Consider using a professional thesis editing service or grammar checker to make sure your final project is perfect.

Once you’ve submitted your final product, it’s common practice to have a thesis defense, an oral component of your finished work. This is scheduled by your advisor or committee, and usually entails a presentation and Q&A session.

After your defense , your committee will meet to determine if you deserve any departmental honors or accolades. However, keep in mind that defenses are usually just a formality. If there are any serious issues with your work, these should be resolved with your advisor way before a defense.

If you want to know more about AI for academic writing, AI tools, or research bias, make sure to check out some of our other articles with explanations and examples or go directly to our tools!

Research bias

• Survivorship bias
• Self-serving bias
• Availability heuristic
• Halo effect
• Hindsight bias
• Deep learning
• Generative AI
• Machine learning
• Reinforcement learning
• Supervised vs. unsupervised learning

 (AI) Tools

• Grammar Checker
• Paraphrasing Tool
• Text Summarizer
• AI Detector
• Plagiarism Checker
• Citation Generator

The conclusion of your thesis or dissertation shouldn’t take up more than 5–7% of your overall word count.

If you only used a few abbreviations in your thesis or dissertation , you don’t necessarily need to include a list of abbreviations .

If your abbreviations are numerous, or if you think they won’t be known to your audience, it’s never a bad idea to add one. They can also improve readability, minimizing confusion about abbreviations unfamiliar to your reader.

When you mention different chapters within your text, it’s considered best to use Roman numerals for most citation styles. However, the most important thing here is to remain consistent whenever using numbers in your dissertation .

A thesis or dissertation outline is one of the most critical first steps in your writing process. It helps you to lay out and organize your ideas and can provide you with a roadmap for deciding what kind of research you’d like to undertake.

Generally, an outline contains information on the different sections included in your thesis or dissertation , such as:

• Your anticipated title
• Your abstract
• Your chapters (sometimes subdivided into further topics like literature review , research methods , avenues for future research, etc.)

A thesis is typically written by students finishing up a bachelor’s or Master’s degree. Some educational institutions, particularly in the liberal arts, have mandatory theses, but they are often not mandatory to graduate from bachelor’s degrees. It is more common for a thesis to be a graduation requirement from a Master’s degree.

Even if not mandatory, you may want to consider writing a thesis if you:

• Plan to attend graduate school soon
• Have a particular topic you’d like to study more in-depth
• Are considering a career in research
• Would like a capstone experience to tie up your academic experience

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What a Thesis Paper is and How to Write One

From choosing a topic and conducting research to crafting a strong argument, writing a thesis paper can be a rewarding experience.

It can also be a challenging experience. If you've never written a thesis paper before, you may not know where to start. You may not even be sure exactly what a thesis paper is. But don't worry; the right support and resources can help you navigate this writing process.

What is a Thesis Paper?

A thesis paper is a type of academic essay that you might write as a graduation requirement for certain bachelor's, master's or honors programs. Thesis papers present your own original research or analysis on a specific topic related to your field.

“In some ways, a thesis paper can look a lot like a novella,” said Shana Chartier , director of information literacy at Southern New Hampshire University (SNHU). “It’s too short to be a full-length novel, but with the standard size of 40-60 pages (for a bachelor’s) and 60-100 pages (for a master’s), it is a robust exploration of a topic, explaining one’s understanding of a topic based on personal research.”

Chartier has worked in academia for over 13 years and at SNHU for nearly eight. In her role as an instructor and director, Chartier has helped to guide students through the writing process, like editing and providing resources.

Chartier has written and published academic papers such as "Augmented Reality Gamifies the Library: A Ride Through the Technological Frontier" and "Going Beyond the One-Shot: Spiraling Information Literacy Across Four Years." Both of these academic papers required Chartier to have hands-on experience with the subject matter. Like a thesis paper, they also involved hypothesizing and doing original research to come to a conclusion.

“When writing a thesis paper, the importance of staying organized cannot be overstated,” said Chartier. “Mapping out each step of the way, making firm and soft deadlines... and having other pairs of eyes on your work to ensure academic accuracy and clean editing are crucial to writing a successful paper.”

How Do I Choose a Topic For My Thesis Paper?

What your thesis paper is for will determine some of the specific requirements and steps you might take, but the first step is usually the same: Choosing a topic.

“Choosing a topic can be daunting," said Rochelle Attari , a peer tutor at SNHU. "But if (you) stick with a subject (you're) interested in... choosing a topic is much more manageable.”

Similar to a thesis, Attari recently finished the capstone  for her bachelor’s in psychology . Her bachelor’s concentration is in forensics, and her capstone focused on the topic of using a combined therapy model for inmates who experience substance abuse issues to reduce recidivism.

“The hardest part was deciding what I wanted to focus on,” Attari said. “But once I nailed down my topic, each milestone was more straightforward.”

In her own writing experience, Attari said brainstorming was an important step when choosing her topic. She recommends writing down different ideas on a piece of paper and doing some preliminary research on what’s already been written on your topic.

By doing this exercise, you can narrow or broaden your ideas until you’ve found a topic you’re excited about. " Brainstorming is essential when writing a paper and is not a last-minute activity,” Attari said.

How Do I Structure My Thesis Paper?

Thesis papers tend to have a standard format with common sections as the building blocks.

While the structure Attari describes below will work for many theses, it’s important to double-check with your program to see if there are any specific requirements. Writing a thesis for a Master of Fine Arts, for example, might actually look more like a fiction novel.

According to Attari, a thesis paper is often structured with the following major sections:

Introduction

• Literature review
• Methods, results

Now, let’s take a closer look at what each different section should include.

Your introduction is your opportunity to present the topic of your thesis paper. In this section, you can explain why that topic is important. The introduction is also the place to include your thesis statement, which shows your stance in the paper.

Attari said that writing an introduction can be tricky, especially when you're trying to capture your reader’s attention and state your argument.

“I have found that starting with a statement of truth about a topic that pertains to an issue I am writing about typically does the trick,” Attari said. She demonstrated this advice in an example introduction she wrote for a paper on the effects of daylight in Alaska:

In the continental United States, we can always count on the sun rising and setting around the same time each day, but in Alaska, during certain times of the year, the sun rises and does not set for weeks. Research has shown that the sun provides vitamin D and is an essential part of our health, but little is known about how daylight twenty-four hours a day affects the circadian rhythm and sleep.

In the example Attari wrote, she introduces the topic and informs the reader what the paper will cover. Somewhere in her intro, she said she would also include her thesis statement, which might be:

Twenty-four hours of daylight over an extended period does not affect sleep patterns in humans and is not the cause of daytime fatigue in northern Alaska .

Literature Review

In the literature review, you'll look at what information is already out there about your topic. “This is where scholarly articles  about your topic are essential,” said Attari. “These articles will help you find the gap in research that you have identified and will also support your thesis statement."

Telling your reader what research has already been done will help them see how your research fits into the larger conversation. Most university libraries offer databases of scholarly/peer-reviewed articles that can be helpful in your search.

In the methods section of your thesis paper, you get to explain how you learned what you learned. This might include what experiment you conducted as a part of your independent research.

“For instance,” Attari said, “if you are a psychology major and have identified a gap in research on which therapies are effective for anxiety, your methods section would consist of the number of participants, the type of experiment and any other particulars you would use for that experiment.”

In this section, you'll explain the results of your study. For example, building on the psychology example Attari outlined, you might share self-reported anxiety levels for participants trying different kinds of therapies. To help you communicate your results clearly, you might include data, charts, tables or other visualizations.

The discussion section of your thesis paper is where you will analyze and interpret the results you presented in the previous section. This is where you can discuss what your findings really mean or compare them to the research you found in your literature review.

The discussion section is your chance to show why the data you collected matters and how it fits into bigger conversations in your field.

The conclusion of your thesis paper is your opportunity to sum up your argument and leave your reader thinking about why your research matters.

Attari breaks the conclusion down into simple parts. “You restate the original issue and thesis statement, explain the experiment's results and discuss possible next steps for further research,” she said.

Find Your Program

Resources to help write your thesis paper.

While your thesis paper may be based on your independent research, writing it doesn’t have to be a solitary process. Asking for help and using the resources that are available to you can make the process easier.

If you're writing a thesis paper, some resources Chartier encourages you to use are:

• Citation Handbooks: An online citation guide or handbook can help you ensure your citations are correct. APA , MLA and Chicago styles have all published their own guides.
• Citation Generators: There are many citation generator tools that help you to create citations. Some — like RefWorks — even let you directly import citations from library databases as you research.
• Your Library's Website: Many academic and public libraries allow patrons to access resources like databases or FAQs. Some FAQs at the SNHU library that might be helpful in your thesis writing process include “ How do I read a scholarly article? ” or “ What is a research question and how do I develop one? ”

It can also be helpful to check out what coaching or tutoring options are available through your school. At SNHU, for example, the Academic Support Center offers writing and grammar workshops , and students can access 24/7 tutoring and 1:1 sessions with peer tutors, like Attari.

"Students can even submit their papers and receive written feedback... like revisions and editing suggestions," she said.

If you are writing a thesis paper, there are many resources available to you. It's a long paper, but with the right mindset and support, you can successfully navigate the process.

“Pace yourself,” said Chartier. “This is a marathon, not a sprint. Setting smaller goals to get to the big finish line can make the process seem less daunting, and remember to be proud of yourself and celebrate your accomplishment once you’re done. Writing a thesis is no small task, and it’s important work for the scholarly community.”

A degree can change your life. Choose your program  from 200+ SNHU degrees that can take you where you want to go.

Meg Palmer ’18 is a writer and scholar by trade who loves reading, riding her bike and singing in a barbershop quartet. She earned her bachelor’s degree in English, language and literature at Southern New Hampshire University (SNHU) and her master’s degree in writing, rhetoric and discourse at DePaul University (’20). While attending SNHU, she served as the editor-in-chief of the campus student newspaper, The Penmen Press, where she deepened her passion for writing. Meg is an adjunct professor at Johnson and Wales University, where she teaches first year writing, honors composition, and public speaking. Connect with her on LinkedIn .

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Society of Automotive Historians Travel-to-Collection Grant

The Society of Automotive Historians Travel-to-Collection Grant provides support for students and scholars to use the Kettering University Archives collections. The award covers research for specific scholarly work such as an article, book, chapter, lecture, film, paper, thesis, or dissertation. The research may cover any area of automotive history, and the recipient will receive a complimentary one-year SAH digital membership. We welcome students, scholars, and researchers from all disciplines to apply.

Reimbursement and Terms of Grant

The Society of Automotive Historians Travel-to-Collection Grant provides up to $1,500 in reimbursement for travel, hotel, and dining expenses for a one-week minimum research residency at the Kettering University Archives in Flint, Michigan. At the end of the residency, the researcher will present their thesis and research findings to a gathering of SAH members and Kettering University faculty, staff, and students.

Application Process

Applications will be accepted from September 1st through November 15th, 2024, for research to be completed in 2025. Successful applicants will be notified of the Selection Committee’s decision in February 2025. Late or incomplete applications will not be considered. Preference will be given to applicants who must travel 100 miles or more to reach the Collection. Applicants should include a description and goals of the research, a travel budget and timeline, two letters of support, and the researcher’s curriculum vitae.

Please send all questions and completed applications to the grant committee at  [email protected] .

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Thesis statement about abortion in a research paper

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