easy essay of book

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Importance Of Books Essay in English - 100, 200, 500 Words

• Essay on Importance of Books

Books play a vital role in our lives. They are an infinite source of knowledge, entertainment, and new ideas, that help to make the reader’s mind sharp, and develop creativity. Reading books can also stimulate our imagination and creativity faculty of brain. As we read, we are transported to different worlds and experiences, which can spark our own ideas and inspire us to think in new ways. Here are a few sample essays on importance of books .

100 Words Essay on Importance of Books

200 words essay on importance of books, 500 words essay on importance of books.

Books are a really an important part of everyone’s life in some way or the other. Books have a high significance in our lives because they provide knowledge, information, and entertainment to the reader. They can broaden our horizons and deepen our understanding of the world around us. Books can also help us develop our critical thinking skills by exposing us to different ideas and perspectives. Additionally, books can help us escape from the stresses of everyday life and provide us with a temporary relief from our daily routine. Overall, books are a valuable resource that can enrich our lives in countless ways.

Books are an essential part of our lives. They provide us with knowledge, entertainment, and the opportunity to escape from the stresses of everyday life. Books can open up new worlds and experiences, and allow us to learn about different cultures and perspectives. They can also help us to develop our critical thinking skills and broaden our understanding of the world around us.

Books have the power to inspire and motivate us, and can provide us with the tools and knowledge we need to overcome challenges and achieve our goals. They can also serve as a source of comfort and solace, providing us with a sense of connection and understanding during difficult times. Additionally, books are an important tool for preserving knowledge and history. They allow us to learn from the past and gain insight into the experiences and thoughts of those who came before us. This can help us to better understand our own place in the world and the challenges and opportunities that we face.

In short, books play a vital role in our lives. They provide us with knowledge, entertainment, and the opportunity to expand our minds and explore new ideas. They are a valuable resource that we should continue to cherish and support.

Books are an invaluable part of our lives. They are the inevitable tool for knowledge, and entertainment and have been proven to be stress relievers. Books can help us experience new worlds, explore deep insights into the world and help us form a wider perspective. Books have the power to inspire and motivate us, and can provide us with the tools and knowledge we need to overcome challenges and achieve our goals . For example, a biography of a successful person can inspire us to pursue our dreams and work towards our goals. A self-help book can provide us with the tools and strategies we need to overcome a personal challenge or improve an aspect of our lives.

Books are a powerful tool for preserving knowledge and history. They allow us to learn from the past and gain insight into the experiences and thoughts of those who came before us. This can help us to better understand our own place in the world and the challenges and opportunities that we face. Books can also serve as a source of comfort and solace, providing us with a sense of connection and understanding during difficult times.

How the book “The Alchemist” helped me

One of the books that have had a profound impact on my life is ' The Alchemist' by Paulo Coelho . I first read this book when I was going through a difficult time in my life, feeling lost and unsure of my direction. The story of the main character, Santiago, who embarks on a journey to find his "Personal Legend," resonated with me deeply.

As I read the book, I was struck by the idea that each of us has a unique purpose in life, and that it is up to us to pursue it with determination and passion. The book also emphasized the importance of following our hearts and listening to our inner guidance, even when it goes against the norms and expectations of society. The message of ' The Alchemist' gave me the courage and inspiration to follow my own dreams and pursue my own ' Personal Legend' . It also helped me to let go of my fears and doubts, and trust in the power of the universe to support me on my journey

In short, "The Alchemist" has been a guiding light in my life, providing me with wisdom, guidance, and motivation to pursue my dreams. It is a book that I have re-read many times, and one that I will continue to turn to whenever I need guidance and inspiration.

In conclusion, books are an essential part of our lives in one way or the other. They provide us with knowledge, entertainment, and the opportunity to expand our minds and explore new ideas. They are a valuable resource that we should continue to cherish and support. Whether we are reading for personal growth, to learn about the world, or to escape from the stresses of everyday life, books have the power to enrich and enhance our lives in countless ways.

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Essays About Books: Top 5 Examples and Writing Prompts

Books open portals to new worlds and display new knowledge inspired from the old to the new. Here are some published essays about books and prompts you can use.

Books are a way for the past to teach the present and preserve the present for the future. Books come in all shapes and sizes. In addition, technology has improved the way books can be accessed with eBooks and audiobooks that are more accessible and hassle-free to use. 

No matter what genre, a book aids its readers in gaining valuable knowledge, improving vocabulary, and many more. Following are 5 essays with books as their subject:

1. Why Are Books So Important in Our Life by Ankita Yadav

2. essay on books for students by kanak mishra, 3. listening to books by maggie gram, 4. short essay on books and reading by sastry, 5. long essay on books by ram, 1. do we still need libraries, 2. the names an author gives to their characters, 3. do you read or write, 4. your favorite book, 5. books and inspirations, 6. the book cover, 7. paper books vs. digital copies, 8. why read the book you hate, 9. the book is better than the movie.

“Books are the best companions in our life. They never leave us alone and are like our best friends.”

For Yadav, a book is someone’s best friend, guide, all-time teacher, and keeper of various information. The essay talks about how reading a physical book is better than watching movies or using modern technologies for entertainment and learning purposes. The author also believes that autobiography books of great people inspire students and motivate them to work hard to achieve their goals in life.

“Though the technology has so much changed that we can take information about anything through internet… importance of books has not decreased…”

The writer describes books as the best option for self-learners. They don’t only note an issue, topic, or story but also put effort and emotions into their writing. Next, she discusses the types of books and their subcategories. Finally, she gives tips about finding a good book to read.

“The possibility of reading while also doing something else produces one of the stranger phenomenological characteristics of audio book reading: you can have a whole set of unrelated and real (if only partially attended) experiences while simultaneously experiencing a book.”

Gram’s primary focus in this essay is audiobooks, discussing their history and how audiobooks started. She also mentions how audiobooks help blind people who find it challenging to read braille books. The author also compares physical books and audiobooks to help the reader choose better for a long drive, house cleaning, or simply doing anything other than reading. 

“Books are standing counsellors and preachers, always at hand and always neutral.”

Sastry considers novels the best option when one is tired and looking for healthy recreational activity. Still, the author didn’t forget the fact that reading history, science, religion, and other more “serious” books can also bring gratification to their readers. Books offer unlimited benefits if well used, but not when abused, and as the writer said, “no book can be good if studied negligently.”

“Books are important because they provide a few things that are key to an open and intelligent society.”

The essay is best to be read by students from classes 7 to 10, as it gives the simplest explanation of why it is vital to read a book during their spare time or extended holidays. Ram says people get inspired and receive life lessons by reading books. Reading classic and newer books with lots of words of wisdom and new ideas are better than wasting time and learning nothing.

Are you looking for writing applications to help you improve your essay? See the seven best essay writing apps to use.

Top 10 Writing Prompts on Essays About Books

Writing essays about books can be easy as many subtopics exist. However, it can also be challenging to pick a specific subcategory. To help you narrow it down, here are ten easy writing prompts that you can use.

Libraries help many people – from bibliophiles to job seekers and students. They offer free access to books, newspapers, and computers. But with modern devices making it easier to get information, are libraries still needed? Use this prompt to discuss the importance of libraries and the consequences if all of them close down.

Some authors like to give their characters very unusual names, such as “America Singer” from the book The Selection by Keira Cass. Do you think characters having strange names take away the reader’s attention to the plot? Does it make the book more interesting or odd? Suppose you are writing a story; how do you name the characters and why?

They say writers need readers and vice versa, but which role do you find more challenging? Is writing harder than finding the best book, story, and poetry to read? 

Use this prompt to describe their roles and explain how readers and writers hold each other up.

There is always a unique book that one will never forget. What is your favorite book of all time, and why? Write an essay about why you consider that book your favorite. You can also persuade others to try to read it. 

If you have more than one preference, describe them and tell the readers why you can’t choose between your favorite books. Check out these essays about literature .

Authors inspiring their readers to try something new by reading their book are not always intentional but usually happens. Have you ever experienced wanting to move to a new place or change career paths after reading something? 

Use this prompt to share your experience and opinion on readers who make significant life changes because books and characters influence them in a story.

Have you ever gone to a book shop to find a book recommended to you but didn’t buy or read it because of the cover? They said never judge a book by its cover. In this prompt, you can.

Share what you think the book is all about based on its cover. Then, make a follow-up writing if you were right or wrong after reading the book’s contents.

Studies confirmed more benefits to reading physical books than digital books, such as retaining information longer if read from a printed copy. Are you more of a traditional or modern reader? Use this prompt to explain your answer and briefly discuss the pros and cons of each type of book in your opinion.

Are you ever tasked to read a book you don’t like? Share your experience and tell the reader if you finished the book, learned anything from it, and what it feels like to force yourself to read a book you hate. You can also add if you come to like it in the end.

J.K. Rowling’s Harry Potter is undisputedly one of the most popular books turned into movies. However, avid readers consider books better than movies because they can echo the main protagonist’s thoughts.

Do you have a favorite book adapted into a film? Did you like it? Write about what makes the movie version better or underwhelming. You can also include why movies are more limited than books. 

Do you still feel like there is something wrong with your essay? Here is a guide about grammar and punctuation to help you.

If you still need help, our guide to grammar and syntax explains more.

Maria Caballero is a freelance writer who has been writing since high school. She believes that to be a writer doesn't only refer to excellent syntax and semantics but also knowing how to weave words together to communicate to any reader effectively.

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A Step-By-Step Guide to Writing an Essay on a Book

Topic and assignment prompt, essay structure, why is it important.

Outlining Essay Structure

Organizing your essay efficiently is important for making sure it’s clear, concise, and to the point. Before you start writing, it’s important to understand the basic structure of an essay. Most essays are composed of an introduction, body, and conclusion.

The introduction serves as an opening paragraph where you should introduce the topic and provide any necessary background information that readers may need in order to understand the essay. A good introduction will explain why a reader should care about your topic and capture the attention of the reader.

The body is the main section of the essay where you will provide evidence, quotes, and any other relevant information to prove your point. It is important to make sure that each body paragraph has only one main point, and all of the evidence presented in the paragraph supports that one point.

The conclusion is the last paragraph of the essay. It should wrap up all of the points you made in the body and leave the reader with a sense of closure. It should also create a takeaway, or something for the reader to remember about what they have just read.

To make sure your essay is organized and has a consistent tone throughout, it is important to outline what each section should include. Outlining your essay structure before beginning eliminates unnecessary stress and makes sure you don’t forget any important points.

Research Phase: The Importance of Researching the Book

Before you dive into writing your essay on a book, you’ll want to make sure that you have done your research. No matter how familiar you are with the subject, it’s important to conduct research to ensure that your essay is accurate and well-informed.

Research can help you form a stronger thesis statement, better support your arguments, and provide evidence for your claims. It can also help you to organize your thoughts, uncover new ideas and angles, gain a deeper understanding of the text, or even find quotes or references that you can use in your essay.

Research should always come first. It helps to lay a strong foundation for the rest of your essay and it can save you from making any embarrassing mistakes. Have a clear understanding of the book’s themes, characters, and plot before you begin. Read reviews and criticisms, and take down notes for later.

Start by reading the book itself. Take your time and pay attention to details. Make notes, highlight any important passages, and consider different interpretations. After you get an overall gist of the book, expand your research outward into scholarly reviews, biographies, and other texts that can provide an objective, informed perspective.

The more research you do, the stronger your essay will be. Be sure to include all of the sources you used in your bibliography section. Research can be a tedious process, but with enough effort and dedication, you’ll be able to craft a well-informed, thoughtful essay on any book.

Pre-Writing Phase: Planning Your Essay

The pre-writing phase is the most important part of writing an essay on a book. Taking the time to plan your essay and organize your thoughts will help structure your argument and make your writing smoother. The pre-writing phase should involve a few key steps.

• Brainstorm – Before you start writing, spend some time thinking about the book and how it relates to any themes, characters, or symbolism. Jot down your ideas so that you have a better understanding of what you want to focus on.
• Outline – Write down some notes and make an outline of what you will cover in each paragraph. This will help you stay organized while writing and keep everything on track.
• Research – Research any facts or quotes you may need to include in your essay. This will help you back up your claims and make your paper stronger.

Taking the time to plan ahead will help ensure your essay on a book is written clearly and effectively. You’ll be able to shape your argument easily and make sure you don’t miss anything important.

Thesis Formation

The thesis statement is a critical part of any essay on a book. It should be clear, concise, and capture the main argument and point of view of the essay. To ensure that your essay’s thesis statement is well-crafted, it is essential to follow a step-by-step guide.

Step One: Brainstorming Ideas

Before writing a thesis statement, you should brainstorm some ideas related to the book’s content. Consider the key elements of the book and think about how they could be connected into an argument or observation. Write down any ideas that pop into your mind, and use them as a basis for forming your thesis statement.

Step Two: Developing the Argument

Once you have a few ideas in mind, it is time to start developing a coherent argument. Try to make a connection between the ideas to create an original argument. Then, think about why this argument is important and what makes it relevant to the text.

Step Three: Writing the Thesis Statement

Now that you have an argument in mind, you are ready to craft your thesis statement. It should be a single sentence that clearly and concisely expresses your main argument. Generally, it should follow the same structure as any other essay’s thesis statement, stating the primary point of view, the evidence supporting it, and any other relevant details.

Step Four: Proofreading

The final step of crafting a great thesis statement is to proofread and edit it. Make sure that the statement is clear, concise, and captures the argument accurately. Additionally, pay attention to grammar and spelling. A minor mistake can weaken the force of the statement significantly.

Creating an effective thesis statement can help get your essay off to a strong start. As long as you follow these steps, you will be able to form a well-developed argument that can help you write a great essay on a book.

Drafting an Organized Paragraph

Editing: benefits and how to approach it effectively.

When writing an essay on a book, editing is a crucial step in the process. It can often be overlooked or skipped, but it shouldn’t be! Editing offers many valuable benefits, and it’s important to understand how to approach it effectively.

One of the biggest benefits of editing is that it gives you the opportunity to look at your essay with fresh eyes. Once you’ve written the paper, it can be nearly impossible to look at it objectively. Editing allows you to look at it critically and make necessary changes.

Editing also helps you to catch grammar mistakes, spelling errors, and typos. A single error can easily ruin an entire essay, so it’s essential to go over the paper and make sure everything is perfect. This can only be done by editing the paper carefully.

Finally, editing can help you to make sure that the essay is coherent and well-written. After writing the paper , you might realize that the introduction and conclusion don’t match up, or that two paragraphs contradict each other. Editing will help you to identify such issues and make the necessary adjustments.

Now that we’ve discussed the benefits of editing, let’s look at how to approach it effectively. The first step is to read the entire essay through once without making any changes. This should give you a good overview of the paper and allow you to spot any major issues. The next step is to go through the paper again and make notes as you go along.

You should pay particular attention to grammar, spelling, typos, and structure. Make a note of anything that stands out and needs to be changed. Don’t worry if you can’t fix it right away – just write it down and come back to it later. The goal is to get an overall picture of what needs to be done.

Finally, it’s time to make the actual changes. Take your time and read each sentence carefully before you make any changes. Don’t be afraid to delete or add content between paragraphs to ensure that the essay flows naturally.

In summary, editing is an essential step in the essay-writing process. It offers many benefits, including the ability to look at the essay objectively, catch grammar mistakes and typos, and ensure that the essay is coherent and well-written. When approaching the editing phase, it’s important to read the paper through once without making any changes, make notes as you go, and take your time when making the actual changes.

Formatting – Adhering to Academic Standards

Formatting your essay correctly is a critical step in the writing process. It shows that you have taken care to put together an essay that follows the academic standards.

Here are a few tips for formatting your essay according to academic standards:

• Make sure the margins of your essay are set to one inch on all sides.
• Your font should be size 12 Times New Roman or Arial.
• Use double spacing between lines, and make sure there is no extra space before or after each paragraph.
• When quoting direct text, indenting it five spaces will make it easier to read.
• Include a header at the top of your document that includes the title of the essay, your name, and the page number.

Formatted correctly, your essay will present itself as concise, organized, and professional. This is a must when following academic standards.

If you want to ensure that your essay looks even better, check with your professor for specific formatting requirements for your assignment.

By taking the time to properly format your essay, you are showing that you understand the importance of adhering to academic standards. This will help you get the best grades possible!

Understanding the Assignment

Writing an essay on a book can be quite a challenge for many students. One of the most important skills for tackling this task is to understand the assignment. To begin, students should read carefully and take notes on the writing prompt. Pay close attention to all the instructions as they are key to crafting an effective essay. This includes being mindful of any keywords or phrases in the prompt that will require further research.

When interpreting the instructions, it is also important to consider any extra guidelines or expectations the professor may have provided. These can include formatting, length, and specific areas of emphasis such as themes or characters. Questions such as ‘Who is the protagonist?’ or ‘How do the themes interact?’ should be actively considered while writing the essay. This helps produce a focused piece of work that is tailored to meet the requirements.

In addition, consider questions such as ‘What do I need to include?’ or ‘What is the purpose of this essay?’. Answering these questions allows students to identify their main points and develop an argument around them. This is a crucial step for forming an essay that is logical and cohesive.

Finally, students should always use the essay assignment to test their understanding of the book. It is often beneficial to leave time at the end of the writing process to review knowledge and reflect on any unanswered questions. Doing so ensures that the essay is comprehensive and addresses all aspects of the prompt.

Understanding the assignment is a vital step when writing an essay on a book. By paying attention to the prompt and any additional guidelines, students can ensure that their assignment is focused, detailed, and suitable for the task.

Effective Use of Quotes

Make sure your quote is relevant to the main argument of your essay.

Choose a quote that is engaging and thought-provoking.

Include the right amount of detail – don’t use too much or too little.

Explain the quote in your own words and provide context.

Think critically about the quote and how it applies to your argument.

Integrate the quote into your essay so that it flows naturally.

Tools for Writing an Essay on a Book

When writing an essay on a book there are certain tools that can help make the process easier. Knowing some of these basic terms and tools can help you write a better essay and make it much more enjoyable.

Creating an outline is one of the most important steps in writing an essay. It provides structure to your essay, ensuring that each point is made in the correct order and that the essay flows logically. Outlining also helps you stay organized and remember what needs to be included in the essay.

Doing research is important when writing an essay about a book. Read through the text and make notes about any interesting or pertinent information you find. Also, look for additional sources that can provide further insight into the book or the topics it raises.

Grammar and Spelling Checkers

Grammar and spelling checkers can be extremely useful when writing your essay. They can help you identify mistakes or typos that you may have missed. Double-check your work before you submit it to make sure it is as accurate and error-free as possible.

Writing Resources

Finally, there are many great writing resources available online that can provide further advice and guidance on how to write an effective essay. Look through examples of essays written by other students and learn from their techniques and approaches.

Knowing some of these basic terms and tools can help you get off to a strong start when writing an essay on a book. Do your research, create an outline, and use grammar and spelling checkers to make sure your work is as perfect as possible. Finally, don’t forget to look for other writing resources that can provide insight and advice.

Writing an essay on a book can be a daunting task, especially when attempting it for the first time. This guide aims to make the process of writing an essay on a book simple and easy-to-follow. By following the steps outlined in this article, you can make the process of writing your essay much easier.

A good conclusion should summarize the main points of the article, explain how to approach writing the final version, and reiterate why the content was important. To conclude your essay, start by summarizing the arguments and ideas that you presented throughout your paper. Then, move on to discussing why you chose to write the essay and the importance of studying the book. Finally, provide a brief statement that sums up the main points of the essay.

When writing the final version of your essay, there are some key points to keep in mind. First, proofread your work for any typos or errors. Make sure to properly cite any quotes or references that you used in your essay. Finally, consider having a peer review your essay to get another perspective and catch any mistakes that you might have missed.

Writing an essay on a book can be a rewarding experience when done correctly. The most important part of the process is to fully understand the material and the prompt. By following the steps outlined in this article and taking the time to research and plan, you can write an effective essay on a book.

Nick Radlinsky

Nick Radlinsky is a devoted educator, marketing specialist, and management expert with more than 15 years of experience in the education sector. After obtaining his business degree in 2016, Nick embarked on a quest to achieve his PhD, driven by his commitment to enhancing education for students worldwide. His vast experience, starting in 2008, has established him as a reputable authority in the field.

Nick's article, featured in Routledge's " Entrepreneurship in Central and Eastern Europe: Development through Internationalization ," highlights his sharp insights and unwavering dedication to advancing the educational landscape. Inspired by his personal motto, "Make education better," Nick's mission is to streamline students' lives and foster efficient learning. His inventive ideas and leadership have contributed to the transformation of numerous educational experiences, distinguishing him as a true innovator in his field.

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17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

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What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

Hopefully, this post has given you a better idea of how to write a book review. You might be wondering how to put all of this knowledge into action now! Many book reviewers start out by setting up a book blog. If you don’t have time to research the intricacies of HTML, check out Reedsy Discovery — where you can read indie books for free and review them without going through the hassle of creating a blog. To register as a book reviewer , go here .

And if you’d like to see even more book review examples, simply go to this directory of book review blogs and click on any one of them to see a wealth of good book reviews. Beyond that, it's up to you to pick up a book and pen — and start reviewing!

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The Best Reviewed Essay Collections of 2021

Featuring joan didion, rachel kushner, hanif abdurraqib, ann patchett, jenny diski, and more.

Well, friends, another grim and grueling plague year is drawing to a close, and that can mean only one thing: it’s time to put on our Book Marks stats hats and tabulate the best reviewed books of the past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2021, in the categories of (deep breath): Memoir and Biography ; Sci-Fi, Fantasy, and Horror ; Short Story Collections ; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; Literature in Translation; General Fiction; and General Nonfiction.

Today’s installment: Essay Collections .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. These Precious Days by Ann Patchett (Harper)

21 Rave • 3 Positive • 1 Mixed Read Ann Patchett on creating the work space you need, here

“… excellent … Patchett has a talent for friendship and celebrates many of those friends here. She writes with pure love for her mother, and with humor and some good-natured exasperation at Karl, who is such a great character he warrants a book of his own. Patchett’s account of his feigned offer to buy a woman’s newly adopted baby when she expresses unwarranted doubts is priceless … The days that Patchett refers to are precious indeed, but her writing is anything but. She describes deftly, with a line or a look, and I considered the absence of paragraphs freighted with adjectives to be a mercy. I don’t care about the hue of the sky or the shade of the couch. That’s not writing; it’s decorating. Or hiding. Patchett’s heart, smarts and 40 years of craft create an economy that delivers her perfectly understated stories emotionally whole. Her writing style is most gloriously her own.”

–Alex Witchel ( The New York Times Book Review )

2. Let Me Tell You What I Mean by Joan Didion (Knopf)

14 Rave • 12 Positive • 6 Mixed Read an excerpt from Let Me Tell You What I Mean here

“In five decades’ worth of essays, reportage and criticism, Didion has documented the charade implicit in how things are, in a first-person, observational style that is not sacrosanct but common-sensical. Seeing as a way of extrapolating hypocrisy, disingenuousness and doubt, she’ll notice the hydrangeas are plastic and mention it once, in passing, sorting the scene. Her gaze, like a sentry on the page, permanently trained on what is being disguised … The essays in Let Me Tell You What I Mean are at once funny and touching, roving and no-nonsense. They are about humiliation and about notions of rightness … Didion’s pen is like a periscope onto the creative mind—and, as this collection demonstrates, it always has been. These essays offer a direct line to what’s in the offing.”

–Durga Chew-Bose ( The New York Times Book Review )

3. Orwell’s Roses by Rebecca Solnit (Viking)

12 Rave • 13 Positive • 1 Mixed Read an excerpt from Orwell’s Roses here

“… on its simplest level, a tribute by one fine essayist of the political left to another of an earlier generation. But as with any of Solnit’s books, such a description would be reductive: the great pleasure of reading her is spending time with her mind, its digressions and juxtapositions, its unexpected connections. Only a few contemporary writers have the ability to start almost anywhere and lead the reader on paths that, while apparently meandering, compel unfailingly and feel, by the end, cosmically connected … Somehow, Solnit’s references to Ross Gay, Michael Pollan, Ursula K. Le Guin, and Peter Coyote (to name but a few) feel perfectly at home in the narrative; just as later chapters about an eighteenth-century portrait by Sir Joshua Reynolds and a visit to the heart of the Colombian rose-growing industry seem inevitable and indispensable … The book provides a captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker … And, movingly, she takes the time to find the traces of Orwell the gardener and lover of beauty in his political novels, and in his insistence on the value and pleasure of things .”

–Claire Messud ( Harper’s )

4. Girlhood by Melissa Febos (Bloomsbury)

16 Rave • 5 Positive • 1 Mixed Read an excerpt from Girlhood here

“Every once in a while, a book comes along that feels so definitive, so necessary, that not only do you want to tell everyone to read it now, but you also find yourself wanting to go back in time and tell your younger self that you will one day get to read something that will make your life make sense. Melissa Febos’s fierce nonfiction collection, Girlhood , might just be that book. Febos is one of our most passionate and profound essayists … Girlhood …offers us exquisite, ferocious language for embracing self-pleasure and self-love. It’s a book that women will wish they had when they were younger, and that they’ll rejoice in having now … Febos is a balletic memoirist whose capacious gaze can take in so many seemingly disparate things and unfurl them in a graceful, cohesive way … Intellectual and erotic, engaging and empowering[.]”

–Michelle Hart ( Oprah Daily )

5. Why Didn’t You Just Do What You Were Told by Jenny Diski (Bloomsbury)

14 Rave • 7 Positive

“[Diski’s] reputation as an original, witty and cant-free thinker on the way we live now should be given a significant boost. Her prose is elegant and amused, as if to counter her native melancholia and includes frequent dips into memorable images … Like the ideal artist Henry James conjured up, on whom nothing is lost, Diski notices everything that comes her way … She is discerning about serious topics (madness and death) as well as less fraught material, such as fashion … in truth Diski’s first-person voice is like no other, selectively intimate but not overbearingly egotistic, like, say, Norman Mailer’s. It bears some resemblance to Joan Didion’s, if Didion were less skittish and insistently stylish and generated more warmth. What they have in common is their innate skepticism and the way they ask questions that wouldn’t occur to anyone else … Suffice it to say that our culture, enmeshed as it is in carefully arranged snapshots of real life, needs Jenny Diski, who, by her own admission, ‘never owned a camera, never taken one on holiday.’” It is all but impossible not to warm up to a writer who observes herself so keenly … I, in turn, wish there were more people around who thought like Diski. The world would be a more generous, less shallow and infinitely more intriguing place.”

–Daphne Merkin ( The New York Times Book Review )

6. The Hard Crowd: Essays 2000-2020 by Rachel Kushner (Scribner)

12 Rave • 7 Positive Listen to an interview with Rachel Kushner here

“Whether she’s writing about Jeff Koons, prison abolition or a Palestinian refugee camp in Jerusalem, [Kushner’s] interested in appearances, and in the deeper currents a surface detail might betray … Her writing is magnetised by outlaw sensibility, hard lives lived at a slant, art made in conditions of ferment and unrest, though she rarely serves a platter that isn’t style-mag ready … She makes a pretty convincing case for a political dimension to Jeff Koons’s vacuities and mirrored surfaces, engages repeatedly with the Italian avant garde and writes best of all about an artist friend whose death undoes a spell of nihilism … It’s not just that Kushner is looking back on the distant city of youth; more that she’s the sole survivor of a wild crowd done down by prison, drugs, untimely death … What she remembers is a whole world, but does the act of immortalising it in language also drain it of its power,’neon, in pink, red, and warm white, bleeding into the fog’? She’s mining a rich seam of specificity, her writing charged by the dangers she ran up against. And then there’s the frank pleasure of her sentences, often shorn of definite articles or odd words, so they rev and bucket along … That New Journalism style, live hard and keep your eyes open, has long since given way to the millennial cult of the personal essay, with its performance of pain, its earnest display of wounds received and lessons learned. But Kushner brings it all flooding back. Even if I’m skeptical of its dazzle, I’m glad to taste something this sharp, this smart.”

–Olivia Laing ( The Guardian )

7. The Right to Sex: Feminism in the Twenty-First Century by Amia Srinivasan (FSG)

12 Rave • 7 Positive • 5 Mixed • 1 Pan

“[A] quietly dazzling new essay collection … This is, needless to say, fraught terrain, and Srinivasan treads it with determination and skill … These essays are works of both criticism and imagination. Srinivasan refuses to resort to straw men; she will lay out even the most specious argument clearly and carefully, demonstrating its emotional power, even if her ultimate intention is to dismantle it … This, then, is a book that explicitly addresses intersectionality, even if Srinivasan is dissatisfied with the common—and reductive—understanding of the term … Srinivasan has written a compassionate book. She has also written a challenging one … Srinivasan proposes the kind of education enacted in this brilliant, rigorous book. She coaxes our imaginations out of the well-worn grooves of the existing order.”

–Jennifer Szalai ( The New York Times )

8. A Little Devil in America by Hanif Abdurraqib (Random House)

13 Rave • 4 Positive Listen to an interview with Hanif Abdurraqib here

“[A] wide, deep, and discerning inquest into the Beauty of Blackness as enacted on stages and screens, in unanimity and discord, on public airwaves and in intimate spaces … has brought to pop criticism and cultural history not just a poet’s lyricism and imagery but also a scholar’s rigor, a novelist’s sense of character and place, and a punk-rocker’s impulse to dislodge conventional wisdom from its moorings until something shakes loose and is exposed to audiences too lethargic to think or even react differently … Abdurraqib cherishes this power to enlarge oneself within or beyond real or imagined restrictions … Abdurraqib reminds readers of the massive viewing audience’s shock and awe over seeing one of the world’s biggest pop icons appearing midfield at this least radical of American rituals … Something about the seemingly insatiable hunger Abdurraqib shows for cultural transaction, paradoxical mischief, and Beauty in Blackness tells me he’ll get to such matters soon enough.”

–Gene Seymour ( Bookforum )

9. On Animals by Susan Orlean (Avid Reader Press)

11 Rave • 6 Positive • 1 Mixed Listen to an interview with Susan Orlean here

“I very much enjoyed Orlean’s perspective in these original, perceptive, and clever essays showcasing the sometimes strange, sometimes sick, sometimes tender relationships between people and animals … whether Orlean is writing about one couple’s quest to find their lost dog, the lives of working donkeys of the Fez medina in Morocco, or a man who rescues lions (and happily allows even full grown males to gently chew his head), her pages are crammed with quirky characters, telling details, and flabbergasting facts … Readers will find these pages full of astonishments … Orlean excels as a reporter…Such thorough reporting made me long for updates on some of these stories … But even this criticism only testifies to the delight of each of the urbane and vivid stories in this collection. Even though Orlean claims the animals she writes about remain enigmas, she makes us care about their fates. Readers will continue to think about these dogs and donkeys, tigers and lions, chickens and pigeons long after we close the book’s covers. I hope most of them are still well.”

–Sy Montgomery ( The Boston Globe )

10. Graceland, at Last: Notes on Hope and Heartache from the American South  by Margaret Renkl (Milkweed Editions)

9 Rave • 5 Positive Read Margaret Renkl on finding ideas everywhere, here

“Renkl’s sense of joyful belonging to the South, a region too often dismissed on both coasts in crude stereotypes and bad jokes, co-exists with her intense desire for Southerners who face prejudice or poverty finally to be embraced and supported … Renkl at her most tender and most fierce … Renkl’s gift, just as it was in her first book Late Migrations , is to make fascinating for others what is closest to her heart … Any initial sense of emotional whiplash faded as as I proceeded across the six sections and realized that the book is largely organized around one concept, that of fair and loving treatment for all—regardless of race, class, sex, gender or species … What rises in me after reading her essays is Lewis’ famous urging to get in good trouble to make the world fairer and better. Many people in the South are doing just that—and through her beautiful writing, Renkl is among them.”

–Barbara J. King ( NPR )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Nonfiction Books » Essays

The best essays: the 2021 pen/diamonstein-spielvogel award, recommended by adam gopnik.

WINNER OF the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay

Had I Known: Collected Essays by Barbara Ehrenreich

Every year, the judges of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay search out the best book of essays written in the past year and draw attention to the author's entire body of work. Here, Adam Gopnik , writer, journalist and PEN essay prize judge, emphasizes the role of the essay in bearing witness and explains why the five collections that reached the 2021 shortlist are, in their different ways, so important.

Interview by Benedict King

Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick

Nature Matrix: New and Selected Essays by Robert Michael Pyle

Terroir: Love, Out of Place by Natasha Sajé

Maybe the People Would be the Times by Luc Sante

1 Had I Known: Collected Essays by Barbara Ehrenreich

2 unfinished business: notes of a chronic re-reader by vivian gornick, 3 nature matrix: new and selected essays by robert michael pyle, 4 terroir: love, out of place by natasha sajé, 5 maybe the people would be the times by luc sante.

W e’re talking about the books shortlisted for the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay . As an essayist yourself, or as a reader of essays, what are you looking for? What’s the key to a good essay ?

Let’s turn to the books that made the shortlist of the 2021 PEN Award for the Art of the Essay. The winning book was Had I Known: Collected Essays by Barbara Ehrenreich , whose books have been recommended a number of times on Five Books. Tell me more. 

One of the criteria for this particular prize is that it should be not just for a single book, but for a body of work. One of the things we wanted to honour about Barbara Ehrenreich is that she has produced a remarkable body of work. Although it’s offered in a more specifically political register than some essayists, or that a great many past prize winners have practised, the quiddity of her work is that it remains rooted in personal experience, in the act of bearing witness. She has a passionate political point to make, certainly, a series of them, many seeming all the more relevant now than when she began writing. Nonetheless, her writing still always depends on the intimacy of first-hand knowledge, what people in post-incarceration work call ‘lived experience’ (a term with a distinguished philosophical history). Her book Nickel and Dimed is the classic example of that. She never writes from a distance about working-class life in America. She bears witness to the nature and real texture of working-class life in America.

“One point of giving awards…is to keep passing the small torches of literary tradition”

Next up of the books on the 2021 PEN essay prize shortlist is Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick.

Vivian Gornick is a writer who’s been around for a very long time. Although longevity is not in itself a criterion for excellence—or for this prize, or in the writing life generally—persistence and perseverance are. Writers who keep coming back at us, again and again, with a consistent vision, are surely to be saluted. For her admirers, her appetite to re-read things already read is one of the most attractive parts of her oeuvre , if I can call it that; her appetite not just to read but to read deeply and personally. One of the things that people who love her work love about it is that her readings are never academic, or touched by scholarly hobbyhorsing. They’re readings that involve the fullness of her experience, then applied to literature. Although she reads as a critic, she reads as an essayist reads, rather than as a reviewer reads. And I think that was one of the things that was there to honour in her body of work, as well.

Is she a novelist or journalist, as well?

Let’s move on to the next book which made the 2021 PEN essay shortlist. This is Nature Matrix: New and Selected Essays by Robert Michael Pyle.

I have a special reason for liking this book in particular, and that is that it corresponds to one of the richest and oldest of American genres, now often overlooked, and that’s the naturalist essay. You can track it back to Henry David Thoreau , if not to Ralph Waldo Emerson , this American engagement with nature , the wilderness, not from a narrowly scientific point of view, nor from a purely ecological or environmental point of view—though those things are part of it—but again, from the point of view of lived experience, of personal testimony.

Let’s look at the next book on the shortlist of the 2021 PEN Awards, which is Terroir: Love, Out of Place by Natasha Sajé. Why did these essays appeal?

One of the things that was appealing about this book is that’s it very much about, in every sense, the issues of the day: the idea of place, of where we are, how we are located on any map as individuals by ethnic identity, class, gender—all of those things. But rather than being carried forward in a narrowly argumentative way, again, in the classic manner of the essay, Sajé’s work is ruminative. It walks around these issues from the point of view of someone who’s an expatriate, someone who’s an émigré, someone who’s a world citizen, but who’s also concerned with the idea of ‘terroir’, the one place in the world where we belong. And I think the dialogue in her work between a kind of cosmopolitanism that she has along with her self-critical examination of the problem of localism and where we sit on the world, was inspiring to us.

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Last of the books on the shortlist for the 2021 Pen essay award is Maybe the People Would Be the Times by Luc Sante.

Again, here’s a writer who’s had a distinguished generalised career, writing about lots of places and about lots of subjects. In the past, he’s made his special preoccupation what he calls ‘low life’, but I think more broadly can be called the marginalized or the repressed and abject. He’s also written acute introductions to the literature of ‘low life’, the works of Asbury and David Maurer, for instance.

But I think one of the things that was appealing about what he’s done is the sheer range of his enterprise. He writes about countless subjects. He can write about A-sides and B-sides of popular records—singles—then go on to write about Jacques Rivette’s cinema. He writes from a kind of private inspection of public experience. He has a lovely piece about tabloid headlines and their evolution. And I think that omnivorous range of enthusiasms and passions is a stirring reminder in a time of specialization and compartmentalization of the essayist’s freedom to roam. If Pyle is in the tradition of Thoreau, I suspect Luc Sante would be proud to be put in the tradition of Baudelaire—the flaneur who walks the streets, sees everything, broods on it all and writes about it well.

One point of giving awards, with all their built-in absurdity and inevitable injustice, is to keep alive, or at least to keep passing, the small torches of literary tradition. And just as much as we’re honoring the great tradition of the naturalist essay in the one case, I think we’re honoring the tradition of the Baudelairean flaneur in this one.

April 18, 2021

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Adam Gopnik

Adam Gopnik has been a staff writer at the New Yorker since 1986. His many books include A Thousand Small Sanities: The Moral Adventure of Liberalism . He is a three time winner of the National Magazine Award for Essays & Criticism, and in 2021 was made a chevalier of the Legion d'Honneur by the French Republic.

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500+ Words Essay on My Favourite Book

Essay on My Favourite Book: Books are friends who never leave your side. I find this saying to be very true as books have always been there for me. I enjoy reading books . They have the power to help us travel through worlds without moving from our places. In addition, books also enhance our imagination. Growing up, my parents and teachers always encouraged me to read. They taught me the importance of reading. Subsequently, I have read several books. However, one boom that will always be my favourite is Harry Potter. It is one of the most intriguing reads of my life. I have read all the books of this series, yet I read them again as I never get bored of it.

Harry Potter Series

Harry Potter was a series of books authored by one of the most eminent writers of our generation, J.K. Rowling. These books showcase the wizarding world and its workings. J.K. Rowling has been so successful at weaving a picture of this world, that it feels real. Although the series contains seven books, I have a particular favourite. My favourite book from the series is The Goblet of fire.

When I started reading the book, it caught my attention instantly. Even though I had read all the previous parts, none of the books caught my attention as this one did. It gave a larger perspective into the wizarding world. One of the things which excite me the most about this book is the introduction of the other wizard schools. The concept of the Tri-wizard tournament is one of the most brilliant pieces I have come across in the Harry Potter series.

In addition, this book also contains some of my favourite characters. The moment I read about Victor Krum’s entry, I was star struck. The aura and personality of that character described by Rowling are simply brilliant. Further, it made me become a greater fan of the series.

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What Harry Potter Series Taught Me?

Even though the books are about the world of wizards and magic, the Harry Potter series contains a lot of lessons for young people to learn. Firstly, it teaches us the importance of friendship. I have read many books but never come across a friendship like that of Harry, Hermoine, and Ron. These three musketeers stuck together throughout the books and never gave up. It taught me the value of a good friend.

Further, the series of Harry Potter taught me that no one is perfect. Everyone has good and evil inside them. We are the ones who choose what we wish to be. This helped me in making better choices and becoming a better human being. We see how the most flawed characters like Snape had goodness inside them. Similarly, how the nicest ones like Dumbledore had some bad traits. This changed my perspective towards people and made me more considerate.

Finally, these books gave me hope. They taught me the meaning of hope and how there is light at the end of the tunnel. It gave me the strength to cling on to hope in the most desperate times just like Harry did all his life. These are some of the most essential things I learned from Harry Potter.

In conclusion, while there were many movies made in the books. Nothing beats the essence and originality of the books. The details and inclusiveness of books cannot be replaced by any form of media. Therefore, the Goblet of Fire remains to be my favourite book.

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10 Best Books on Essay Writing (You Should Read Today)

You can improve your essay writing skills with practice, repetition, and perusing books on essay writing, which are full of useful examples.  

While simply living life, observing your surroundings, and diving into classic essays can naturally hone your writing skills, sometimes a trusty guidebook can give you that extra edge. Interested in mastering the craft of essay writing? Dive into some of the best essay-writing manuals out there. If you dream of becoming a professional essay writer , it’s essential to grasp the nuances of structure, tone, and format. Not all gifted writers can craft an exemplary essay, after all. Recognizing the significance of essays, especially in college admissions, can elevate your approach. If you’re gearing up to write a compelling college admission essay , I’d recommend perusing my guide on crafting an outstanding essay .

“I hate writing, I love having written.” – Dorothy Parker

Here are 10 Books That Will Help You With Essay Writing:

1. a professor’s guide to writing essays: the no-nonsense plan for better writing by dr. jacob neumann.

This is the highest-rated book on the subject available on the market right now. It’s written for students at any level of education. The author uses an unorthodox approach, claiming that breaking essays down into different formats is unnecessary. It doesn’t matter if it’s a persuasive or a narrative essay – the difference is not in how you write, but rather in how you build your case . Length: 118 pages Published: 2016

2. College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay – by Ethan Sawyer

Every year, millions of high-schoolers scramble to achieve above-average GPAs and score well on the SAT , or in some cases, the ACT , or both. They also have to write a 650-word essay and find their way to their dream college. If you’re one of them, then make sure you read this concise book . Ethan Sawyer (The College Essay Guy), breaks the whole essay-writing process down into simple steps and shows you the way around the most common mistakes college applicants usually make. Length: 256 pages Published: 2016

3. The Only Grammar Book You’ll Ever Need: A One-Stop Source for Every Writing Assignment by Susan Thurman

The institution of a grammar school is defunct, but it doesn’t mean you can ignore the basic rules that govern your language. If you’re writing an essay or a college paper , you better keep your grammar tight. Otherwise, your grades will drop dramatically because professors abhor simple grammar mistakes. By reading this little book , you’ll make sure your writing is pristine. Length: 192 pages Published: 2003

4. Escape Essay Hell!: A Step-by-Step Guide to Writing Narrative College Application Essays by Janine W. Robinson

A well-written essay has immense power. Not only that, it is the prerequisite to getting admitted to colleges and universities, but you also have to tackle a few essay questions in most, if not all exams you will ever take for career or academic advancement. For instance, when taking the LSAT to qualify for law school , the MCAT to get into med school , the DAT to pursue a degree in dentistry, or even the GRE or GMAT as the first step in earning a master’s degree. That is why this book is highly recommended to anyone navigating through the sea of higher learning. In this amusing book, Janine Robinson focuses mostly on writing narrative essays . She’s been helping college-bound students to tell unique stories for over a decade and you’ll benefit from her expert advice. The book contains 10 easy steps that you can follow as a blueprint for writing the best “slice of life” story ever told. Length: 76 pages Published: 2013

5. The Art of the Personal Essay: An Anthology from the Classical Era to the Present by Phillip Lopate

This large volume is a necessary diversion from the subject of formal, highly constrained types of writing. It focuses only on the genre of the personal essay which is much more free-spirited, creative, and tongue-and-cheek-like. Phillip Lopate, himself an acclaimed essayist, gathers seventy of the best essays of this type and lets you draw timeless lessons from them. Length: 777 pages Published: 1995

6. The Best American Essays of the Century by Joyce Carol Oates

The art of the modern essay starts with Voltaire at the beginning of the eighteenth century. Since then, many a writer attempted to share their personal stories and philosophical musings in this free-flowing form. Americans are no different. In this anthology, Joyce Carol Oates shares some fantastic reads that you need to absorb if you want to become a highly skilled polemicist. Length: 624 pages Published: 2001

7. On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser

On Writing Well is a classic writing guide that will open your eyes to the art of producing clear-cut copy. Zinsser approached the subject of writing with a warm, cheerful attitude that seeps through the pages of his masterpiece. Whether you want to describe places, communicate with editors, self-edit your copy, or avoid verbosity, this book will have the right answer for you. Length: 336 pages Published: 2016 (reprint edition)

8. How To Write Any High School Essay: The Essential Guide by Jesse Liebman

The previous titles I mentioned were mostly for “grown-up” writers, but the list wouldn’t be complete without a book for ambitious high-school students. Its length is appropriate, making it possible even for the most ADHD among us to get through it. It contains expert advice, easy-to-implement essay outlines , and tips on finding the best topics and supporting them with strong arguments. Length: 124 pages Published: 2017

9. Essential Writing Skills for College and Beyond by C.M. Gill

On average, after finishing high school or college, Americans read only around twelve books per year. This is a pity because books contain a wealth of information. People at the top of the socio-economic ladder read between forty and sixty books per year – and you should too! But reading is just one skill that gets neglected after college. Writing is the other one. By reading the “Essential Writing Skills” you’ll be able to crush all of your college writing assignments and use them throughout your life to sharpen your prose. Length: 250 Published: 2014

10. The Hidden Machinery: Essays on Writing by Margot Livesey

If you want to write, you first need to read some of the best essays ever written . Developing your style results from conversing with great minds and then borrowing from them to create something new. All great artists are inspired by someone. In Hidden Machinery, Margot Livesey shares her essays on what makes good fiction and a strong narrative. It’s a must-read for all aspiring writers. Length: 224 Published: 2017 How did you like this article? Are you going to read any of the books listed above? Can you recommend any other book that I should add to this list?

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E. B. White is one of the most famous children’s book authors. But he should be better known for his essays.

I was well into adulthood before I realized the co-author of my battered copy of The Elements of Style was also the author of Stuart Little and Charlotte’s Web . That’s right, the White of the revered style manual that everyone knew as “Strunk and White” also wrote children’s books…as well as some of the best essays in the English language.

If you’re of a certain age, you might well remember E. B. White’s pointers in The Elements of Style :

Place yourself in the background; write in a way that comes naturally; work from a suitable design; write with nouns and verbs; do not overwrite; do not overstate; avoid the use of qualifiers; do not affect a breezy style; use orthodox spelling; do not explain too much; avoid fancy words; do not take shortcuts at the cost of clarity; prefer the standard to the offbeat; make sure the reader knows who is speaking; do not use dialect; revise and rewrite.

That’s some good advice, much better than the terrible counsel offered on Page 76: “Avoid the elaborate, the pretentious, the coy, and the cute.” Thanks, E. B., I do what I want. ☹️

Born in 1899 in Mount Vernon, N.Y., Elwyn Brooks White attended Cornell University, where he earned the nickname “Andy.” (Weird historical fact: If your last name was White, you were automatically an Andy at Cornell, in honor of the school’s co-founder, Andrew Dickson White. There is no connection to fellow Cornell alum Andy Bernard .) After graduation, White worked as a journalist and an advertising copywriter for several years. He published his first article in The New Yorker the year it was founded, 1925.

White became a staff writer at The New Yorker in 1927, but was an early enthusiast of the work-from-home movement, initially refusing to come to the office and eventually agreeing to come in only on Thursdays. In those days, he shared a small office (“a sort of elongated closet,” he called it) with James Thurber.

His famous officemate later recalled that White had an odd a brilliant habit: When visitors were announced, he would climb out the office window and scamper down the fire escape. “He has avoided the Man in the Reception Room as he has avoided the interviewer, the photographer, the microphone, the rostrum, the literary tea, and the Stork Club,” Thurber later remembered of the chronically shy author. “His life is his own.”

In 1929, White and Thurber co-authored their first book, Is Sex Necessary? Or, Why You Feel the Way You Do . (Don’t worry: It was comic essays.) That same year, White married Katharine Angell, The New Yorker’s fiction editor from its inaugural year until 1960. She was the mother of Roger Angell , the famed essayist and baseball writer who himself became a fiction editor at The New Yorker in the 1950s.

In 1938, White and Katharine moved permanently to a farm in Maine they had purchased five years before. If you’re wondering about the inspiration for 1952’s Charlotte’s Web , look no further than White’s 1948 essay for The Atlantic, “ Death of a Pig .” (He bought the pig with the intention of fattening it for slaughter; instead, he later nursed it through a fatal illness and buried it on the farm.)

Stuart Little had been published seven years before Charlotte’s Web . Along with 1970’s The Trumpet of the Swan , these books have made White one of the nation’s best-known children’s authors. I’m sure White didn’t mind, but by all rights, he should be better known for his essays. He authored over 20 collections of such classics as “Once More to the Lake,” “The Sea and The Wind That Blow,” “The Ring of Time,” “A Slight Sound at Evening” and “Farewell, My Lovely!” Endlessly anthologized, many are also taught in writing workshops to this day.

In 1949, White published Here Is New York , a short book developed from an essay about the pros and cons of living in New York City. In a 2012 essay for America , literary editor Raymond Schroth, S.J., noted White’s juxtaposition in Here Is New York of technological terrors like nuclear bombers (the Soviet Union detonated its first atomic bomb in 1949) with the simple beauties of nature:

Grand Central Terminal has become honky tonk, the great mansions are in decline, and there is generally more tension, irritability and great speed. The subtlest change is that the city is now destructible. A single flight of planes no bigger than a flock of geese could end this island fantasy, burn the towers and crumble the bridges. But the United Nations will make this the capital of the world. The perfect target may become the perfect “demonstration of nonviolence and racial brotherhood.” A block away in an interior garden was an old willow tree. This tree, symbol of the city, White said, must survive.

“It is a battered tree, long suffering and much climbed, held together by strands of wire but beloved of those who know it,” White wrote in Here Is New York . “In a way it symbolizes the city: life under difficulties, growth against odds, sap-rise in the midst of concrete, and the steady reaching for the sun. Whenever I look at it nowadays, and feel the cold shadow of the planes, I think: ‘This must be saved, this particular thing, this very tree.’”

The tree lasted for another six decades —two more than the Cold War, in fact—before finally being chopped down in 2009.

In a 1954 review of books by White and James Michener, America literary editor Harold C. Gardiner, S.J. , said White “has one of the most distinctive styles discernible on the American literary scene.” Since even the most cursory review of Father Gardiner’s many years of commentary shows he hated almost everything, it was quite a compliment. (Later in the review, he noted that “Mr. Michener, who has done better in his other books, comes a cropper here mainly because his style is wooden, sententious and dull.”)

In 1963, White received the Presidential Medal of Freedom for his writings. Fifteen years later, he was awarded a special Pulitzer Prize for “his letters, essays, and the full body of his work.” In 2005, the composer Nico Muhly debuted a song cycle based on The Elements of Style at the New York Public Library. Among its signature moments was a tenor offering more of White’s good advice, this time in song:

Do not use a hyphen between words that can be better written as one word .

White died in 1985 at his farm in Maine. His wife Katharine had died eight years earlier. His obituary in The New York Times quoted William Shawn, the legendary editor of The New Yorker:

His literary style was as pure as any in our language. It was singular, colloquial, clear, unforced, thoroughly American and utterly beautiful. Because of his quiet influence, several generations of this country's writers write better than they might have done. He never wrote a mean or careless sentence. He was impervious to literary, intellectual and political fashion. He was ageless, and his writing was timeless.

Our poetry selection for this week is “ Another Doubting Sonnet ,” by Renee Emerson. Readers can view all of America ’s published poems here .

Also, news from the Catholic Book Club: We are reading Norwegian novelist and 2023 Nobel Prize winner Jon Fosse’s multi-volume work Septology . Click here to buy the book, and click here to sign up for our Facebook discussion group .

In this space every week, America features reviews of and literary commentary on one particular writer or group of writers (both new and old; our archives span more than a century), as well as poetry and other offerings from America Media. We hope this will give us a chance to provide you with more in-depth coverage of our literary offerings. It also allows us to alert digital subscribers to some of our online content that doesn’t make it into our newsletters.

Other Catholic Book Club columns:

The spiritual depths of Toni Morrison

What’s all the fuss about Teilhard de Chardin?

Moira Walsh and the art of a brutal movie review

​​Who’s in hell? Hans Urs von Balthasar had thoughts.

Happy reading!

James T. Keane

James T. Keane is a senior editor at America.

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College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay Paperback – July 1, 2016

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The #1 resource for writing an amazing college essay to help get into your dream school!

Unlock the key to college admission success with College Essay Essentials , a comprehensive and invaluable resource designed to empower students in their essay-writing journey. Packed with expert guidance and practical tips, this must-have book is tailored specifically for high school seniors, transfer students, and aspiring college applicants.

In College Essay Essentials , Ethan Sawyer, a renowned college essay advisor and expert, shares his proven strategies and insider knowledge to help you navigate the daunting task of crafting compelling essays that stand out from the competition. With an unwavering focus on authenticity, creativity, and effective storytelling, Sawyer empowers you to create impactful narratives that captivate admissions officers.

Writing a college admission essay doesn't have to be stressful. Sawyer (aka The College Essay Guy) will show you that there are only four (really, four!) types of college admission essays. And all you have to do to figure out which type is best for you is answer two simple questions:

1. Have you experienced significant challenges in your life?

2. Do you know what you want to be or do in the future?

With these questions providing the building blocks for your essay, Sawyer guides you through the rest of the process, from choosing a structure to revising your essay, and answers the big questions that have probably been keeping you up at night: How do I brag in a way that doesn't sound like bragging? and How do I make my essay, like, deep?

College Essay Essentials will help you with:

• The best brainstorming exercises
• Choosing an essay structure
• The all-important editing and revisions
• Exercises and tools to help you get started or get unstuck
• College admission essay examples

Don't let the essay-writing process intimidate you. Grab your copy of College Essay Essentials today and embark on a transformative journey toward college admission success!

• Print length 256 pages
• Language English
• Publisher Sourcebooks
• Publication date July 1, 2016
• Grade level 10 - 12
• Dimensions 5.5 x 0.64 x 8.25 inches
• ISBN-10 149263512X
• ISBN-13 978-1492635123
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About the author.

Ethan Sawyer is a nationally recognized college essay expert and sought-after speaker. Each year he helps thousands of students and counselors through his online courses, workshops, articles, products, and books, and works privately with a small number of students.

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• Publisher ‏ : ‎ Sourcebooks; 1st edition (July 1, 2016)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 256 pages
• ISBN-10 ‏ : ‎ 149263512X
• ISBN-13 ‏ : ‎ 978-1492635123
• Grade level ‏ : ‎ 10 - 12
• Item Weight ‏ : ‎ 11.5 ounces
• Dimensions ‏ : ‎ 5.5 x 0.64 x 8.25 inches
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About the author

Ethan sawyer.

Ethan Sawyer is a nationally recognized college essay expert and sought-after speaker. Each year he helps thousands of students and counselors through his online courses, workshops, articles, and books, and works privately with a small number of students.

Raised in Spain, Ecuador, and Colombia, Ethan has studied at seventeen different schools and has worked as a teacher, curriculum writer, voice actor, motivational speaker, community organizer, and truck driver. He is a certified Myers-Briggs® specialist, and his type (ENFJ) will tell you that he will show up on time, that he'll be excited to meet you, and that, more than anything, he is committed to—and an expert in—helping you realize your potential.

A graduate of Northwestern University, Ethan holds an MFA from UC Irvine and two counseling certificates. He lives in Los Angeles with his beautiful wife and their amazing daughter.

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Why I Kept My Kinks a Secret

F or the past decade, while I worked on a novel, I clung to a lie. On most days, I recited this lie, out loud, as if praying, hoping to relax the panic that held me in its grip for much of that time, and still hasn’t let me go. It kept me writing, the lie, though it’s about to fall apart. I’ll let no one read this book, I told myself. It’s still what I’m saying. I’m writing this just days before the novel will publish. I think of that fact, which is inexorable, and panic’s harsh grip closes tight again.

I’ve spoken with friends and, at times, in public about this novel-incited panic. If asked what I’m afraid of, I’ve offered multiple explanations, all of which are true, fine, but partial. For one thing, Exhibit explores plural kinds of desire, including physical longing, much of it queer; having grown up Korean, Catholic, and evangelical, I can’t quite escape the triple helping of lust-prohibiting shame and guilt I’ve known since I was a child. I’ve left religion, but the old edicts have proved hard to forget. In addition, the book is peopled with fictional artists, most of them women, aiming high with their work: they’re fired by large ambitions. So am I. It can feel as though, just by divulging this, I’m inviting peril. (Isn’t the phrase “ambitious woman” code for “unlikable woman,” a friend once said; I asked if it was even a code.) Plus, one woman in Exhibit isn’t being faithful to her loving husband; a couple of the artists refuse to be parents. It’s as if I made a list of boxes a person might tick to explain why a woman ought to be disliked, perhaps despised, and then, writing this novel, I filled in each box.

I’m stalling again, though, as I have my whole life, finding it all but physically impossible to put words to it , a longing I depict in the pages most adept at provoking bona fide panic. In truth, the principal origin of my anxiety, the thing that can trap me inside hours-long fits of gasping, crying, and the false if no less potent belief I might be dying, has to do with a word I haven’t yet said here: kink.

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This isn’t my first time writing or talking about kink—in 2021, my friend Garth Greenwell and I co-edited and published a bestselling short-fiction anthology titled, well, Kink . To support that book’s publication, I also wrote essays refuting prevalent, harmful beliefs about kink, fallacies about it being abusive, malign to women, an illness requiring a cure; I spoke about kink for print, audio, the internet, and during panels and readings.

But in that deluge of words, I didn’t let slip a thing about my own proclivities. I kept the language general, usually plural: I referred to some people, many people, to groups, subcultures, communities. If I felt obliged to be specific, I alluded to what one might want. I turned fluent in talking about kink while eliding the personal; at least a few readers caviled that, as far as they could tell, I’d thought up and co-edited an anthology that spotlit kink despite having no interest in it apart from the fictional. It was, I felt certain, what I required: to hide. Or, that is, to publish the book, but while I stayed veiled in fiction’s opacities, a disguise integral to the form. I relied on Ronald Barthes’s motto, larvatus prodeo: I advance pointing to my mask.

Now, though, I’ve written an entire novel told from the position of a queer Korean American woman artist who, along with her other desires, pines to explore kink. People, I’m aware, will suspect me, a queer Korean American woman artist, of having lifted the book’s events in full from my life.

Even so, I might persist in hiding. It’s still fiction, after all. And isn’t it enough, or so I’ve thought, that I’ve told the world I’m queer? I love being queer; it’s also true that queerness is judged to be an illness by a lot of Koreans both diasporic and mainland. Not long ago—for much of Korea’s Joseon period, which lasted from 1392 to 1910—the law ordained that a Korean woman could be divorced for “excessive” talking, a so-called sin. Expelled, fending for herself, the divorced woman risked dying, a hazard my body has perhaps not forgotten, though here I am, talking about, of all things, sex. Queer sex, at that. But it’s possible this rigid mask, the passed-down fiats, aren’t helping me, let alone the writing, as much as I thought.

Kink is a large, shifting term, with outlines etched less by what it is than is not, this single word applied to an ever-changing negative space. Lina Dune , a prominent kink writer and podcaster, defines kink as any sexual act or practice diverging “one tiny step outside of what you were brought up to believe is acceptable.” So, bondage, sadomasochism, fetishes, and role play are examples of kinks, and these aren’t fringe penchants. By some measures, 40% to 70% of people might be kinky ; given the stigma, this estimate could be on the low end.

For me, kink entails playing with control. Stated, explicit power dynamics; intense physical sensations, including pain; rules—these pursuits are so crucial to my body’s understanding of sex that, in their absence, lust also goes missing. It isn’t optional, a bit of pep to add on top of the chief act. Hence, sex lacking all signs of kink isn’t quite, in any personally significant sense of the word, sex. I’ve known this to be true as far back as I can recall desiring; for about as long, I believed I should keep it quiet, that I’d be thought aberrant, wrong, for craving as I did, the yes of desire paired with this I can’t . Friends spoke about lust in ways I found puzzling, alien. To be safe, I nodded. I feigned being like them. First kisses, initial forays into sexual activity: none of it felt fulfilling, and still, I played along.

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It wasn’t until I met the person who’d become my husband that, months into dating, with great trouble, I began trying to explain. Since kink figures as central a role in who I am as being queer, a woman, Korean, a person, a living being, I had to give him the chance, I thought, to run.

So what, one might ask. Kink is visible, in public, even stylish, to an extent I didn’t think possible while I was growing up, and kink-specific gathering places exist both online and, at least in big cities, in person. No one wishing to fulfill a desire for kink who is also in possession of a phone needs to be afraid, as I used to be, of lifelong failure. People mention kink in social-media bios, in dating profiles. In the milieus I inhabit, full of writers, editors, and artists all tilting left, to kink-shame—to deride a person’s kink—is itself often judged passé, risible. Why, then, as I write this, are my hands shaking, as though my very fingers are urging me to stop, to go back into hiding?

It wasn’t long ago that being pulled to kink was classed as being disordered. Until 2013, sadomasochism, along with fetishism, was pathologized as a mental illness in the Diagnostic and Statistical Manual of Mental Disorders, or the DSM—a ruling with legal implications for jobs, parental rights. While kink is depicted more than it used to be in popular culture, it’s still so often tied to grave psychic damage, evil, or both that there’s a futile, tiring game I play: if a character in film or television is, say, a serial killer, an appalling villain, I track how long it takes until they’re shown engaging in kink. It can take just five, ten minutes before I’m proven right again.

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It’s thus no surprise that lies about kink run wild. On the first day of the anthology Kink’s release, which, again, was a brief three years ago, the most indignant replies came from writers and editors I’d never met arguing that kink is abusive, misogynist, disordered. (Briefly, for anyone fresh to this dispute: a bright, wide line divides even the most physically rough kink from abuse—the giving and negotiating of explicit, detailed consent—and though some people do gain healing through kink, it has no more of a requisite etiology than do other kinds of sexuality.) In my own, less parochial circles, it’s still not unusual for people to question what the purpose of a fictional character’s kink might be, why it’s there, as though it has to be willed, optional, and not, as it is for me, vital.

If otherwise well-educated adults find kink confusing, it’s no wonder that youths might, too. Per a recent survey of 5,000 college students in the Midwest, conducted by Debby Herbenick, director of the Center for Sexual Health Promotion at Indiana University, two-thirds of the women said they’d been choked by a partner during sex. While a longing for sexual asphyxiation is possible, and does fall under kink’s rubric, it’s also so dangerous that many kink aficionados consider it entirely off limits. One can’t safely choke a person; lasting damage can result, up to and including death. In the study, women spoke of partners choking them without having obtained consent ahead of time, a flouting of essential, first-priority kink practices.

Kink, as Dune says, isn’t about one person forcing their will on another: instead, it’s “an ongoing conversation, a collaboration between consenting equals.” Preludial talk of desires, limits; figuring out where there is and isn’t overlap; deciding on safewords; finding ways to check in along the way; segueing from a sexual encounter into aftercare, which folds in activities that can include talking about what took place, to bring oneself back to a less charged state—all this, too, is part of kink.

For a lot of people, kink can be a less bewildering landscape to navigate than more orthodox types of sex. In lieu of abiding by fixed scripts of what sex ought to be, one listens to one’s individual body, following and articulating what’s desired. Zoë Peterson, a scientist and clinical psychologist who directs the Kinsey Institute’s Sexual Assault Initiative, notes that, with the U.S.’s dearth of sex education, some people might never be asked, “What do you like and not like?” It can be highly difficult for people to think about this, let alone speak it aloud, and to another person. Sex-related shame bedevils most of us, not just the kink-inclined. And so, Peterson says, she tends to “hold up the kink community as a good model of sexual-consent communication.” In other words, these consent practices can be useful to people at large.

I ask Peterson how she’d respond to a still-widespread objection to this kind of dialogue, that consent made so precise is off-putting, clinical, lacking space for abandon, spontaneity. Here, too, she says, kink communities provide a model. “I don't think anyone's like, ‘Kink isn't sexy,’” she says, with a laugh. “No one says that.”

I’m doing it again : referring to people , to one . Scientists pointing to kink as a benign model, the talk of detailed consent—it all sounds so logical, so calm that I almost forget the panic stifling each attempt I’ve ever made to voice my own desires.

But along with the pervading stigma, here’s what else I find terrifying: part of what I want, the shape of how I lust, could be mistaken as lining up with painful, absurd lies about women who look like me—that we’re docile, hypersexual, pliant, willing to be ill-used. It’s a myth distorting our histories in the U.S., codified in the 1875 Page Act , which stopped the immigration of Chinese women on the pretext that they were “immoral.” It’s also present in any number of violent acts toward Asian women, and people who present as women, including the 2021 Atlanta spa shootings , which the killer tried to explain with a so-called “sex addiction,” a concept not recognized in psychiatric literature but one many people, not excluding the media, quickly accepted as a real disease.

Both after and before the Atlanta shootings, I’ve written and spoken about injustice from the vantage point of being a Korean woman, an Asian woman. I’ve heard from thousands of Asian people, most often women, about their own experiences of racism . It was, and is, a profound honor to be trusted with such griefs. I’ve also received death threats, rape threats, as replies to what I wrote; I’ve been chased down the street by men, had my ass grabbed in bars. Less violent, but also infuriating, are the times people have fancied it’s right to tell me what to do, have assayed to push me around. None of this is special. It’s not unique, is the problem. But as a result, for a long while, I’ve tried, with how I dress, talk, and hold myself, to project what others might interpret as strength, an effort that’s felt all the more urgent as I publish words that people read.

I’m afraid that, by unveiling desires I’ve kept hidden, I’ll spoil this effort. And that, given the nature of some of what I want, I’ll add to the terrible lies about us. Might, then, get more of us hurt, killed. On the one hand, this sounds histrionic, over-the-top: it’s just a novel, I tell myself, and I’m one person. Still, the bigoted and ignorant can be so easily misled, by almost nothing. Each novel births a world. Shame, guilt then spring up: what am I, a Korean woman, doing, talking about sex at all? I should hide again, back where it’s safe.

But this, but that: the abiding panic spirals, its coil tight. In the lulls, when its grip goes slack, I’m able to trust in what else I believe about books. The solitude I used to know, when I thought I was alone with strange desires, my body wrong, abnormal—that long isolation, too, twined me with the pall of something like death. Other people’s words, books, and art, by offering kinship, pulled me free, provided a refuge. It felt salvific, finding the solitude to be an illusion: learning that even I, at least in private, could live as my full self.

Despite the panic, I did write Exhibit , a chronicle of kinky, queer, Korean American women intent on pursuing what they want. Striving to bring to the novel all the skills I possess, I hoped to claim that this, too, the it I’ve often wished gone, belongs in literature. Which is also saying it belongs, period, as do I. Our bodies aren’t wrong. If allowed the option of changing, excising kink from my body, I’d refuse. For what else could I be, and why would I want to? Kink has brought me such delight. Exhibit’s narrator, Jin Han, spends much of the novel working to move out of hiding. I’m trying to follow her there.

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Five Books That’ll Fit Right Into Your Busy Schedule

A s much as I love falling into a book and letting it consume an entire day, my free time doesn’t always arrive in uninterrupted stretches. Instead, it might be sprinkled throughout a hectic schedule: 10 minutes while I’m waiting at the doctor’s office, another 15 minutes riding the train, 30 minutes before falling asleep. These pockets of idle time could be spent scrolling on TikTok or answering emails, but I find that they are perfect for sneaking in reading—particularly short-story and essay collections, which you can enjoy in starts and stops.

Last month, I revisited the Pulitzer-winning volume Interpreter of Maladies , by Jhumpa Lahiri, and its intimate vignettes of the Indian diaspora. Lahiri’s short fiction focuses on characters, young and old, confronting the pangs of assimilation and alienation; each narrative conjures a rich and vivid world of its own. I decided that a concrete, achievable task would be tackling one story every night. They welcomed me in for a brief stay before releasing me to a dinner reservation, to my unfinished laundry, or to sleep. When reading starts to feel impossible, turn to books that you can work through at your own pace. These five titles can be consumed over days, weeks, or even months—ready for you whenever you want to dive back in.

Cooking as Though You Might Cook Again , by Danny Licht

In the time it takes to boil water for pasta, you can finish several of Licht’s delightful hybrid recipe-essays. The 78-page zine-like book encourages home cooks to view the task of preparing a meal not as a chore but as an act of emotional nourishment. Just as Licht prompts his readers to slow down and appreciate the process of assembling ingredients and letting them meld, his conversational language is best savored unhurriedly. The instructions for the simple Italian-ish dishes—a pot of beans, a creamy lemon risotto, pasta with braised chuck roast—cultivate an intuitive and meditative approach to putting food on the table. “Cooking does not need to be a race to the table, and it does not need to have an upper limit on what is possible or what is delicious or even what is beautiful,” Licht writes. “Instead, it can be a drama in parts, each act vital, and each giving way to the next. It can be like life itself.”

Cursed Bunny , by Bora Chung, translated by Anton Hur

Squeamish readers beware, because no one does body horror like Chung. Her frightening stories force you to sit in discomfort: A family seeks revenge on an unscrupulous businessman through a supernatural bunny lamp that destroys everything around it; a woman begins taking birth-control pills, but they fertilize a surreal, immaculate pregnancy, and she’s forced to look for a husband; a boy escapes Promethean torture at the hands of a monster, only to be further abused by the people who rescue him. For some, the subject matter may actually necessitate taking breaks. Thankfully, moving through the collection at a measured pace allows Hur’s straightforward translation—and the macabre scenarios that Chung creates—to feel fresh on every visit.

[ Read: You can read any of these short novels in a weekend ]

Before You Suffocate Your Own Fool Self , by Danielle Evans

Deliberately reading Evans’s 2010 debut allows the collection’s tenderness and warmth to wash over you the same way a conversation with an old friend does: Secrets are divulged, and old memories start to creep into the present. Her best stories—“Snakes,” “Virgins,” “Harvest,” and “Robert E. Lee Is Dead”—focus on the complicated and intense relationships between young women, many of whom are Black. Evans’s characters betray and uplift one another, sometimes simultaneously, and are infused with humor and generosity. Some of her plots deal with major coming-of-age milestones, like a first pregnancy or the end of high school. But in her deft hands, a night at the club or a summer with Grandma can also be a defining moment, one whose weight might not be realized until much later.

The Man Who Mistook His Wife for a Hat , by Oliver Sacks

During his career as a neurologist, Sacks studied people with the most curious brain abnormalities, such as Dr. P., the titular man who could not accurately identify objects (or other humans). This collection of neurological case studies moves beyond clinical descriptions and focuses on the humanity of Sacks’s patients. The 24 essays are grouped by theme—“Losses,” “Excesses,” “Transports,” and “The World of the Simple”—but they don’t have to be read chronologically, as they are all discrete accounts. Sacks combines explanations of psychological theory, as well as snippets of dialogue between him and his subjects, to create nuanced portraits of people facing extreme medical challenges. What may be abnormal for much of the audience is normal for Sacks’s patients, and seeing through their eyes generates a renewed recognition of the tenacity of the human spirit—a feeling worth sitting with.

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Seventeen Syllables and Other Stories , by Hisaye Yamamoto

Yamamoto’s 1988 collection captures the dignity and disillusionment of the Japanese community in America during and after World War II. Together, the stories create a snapshot of a group during a transitory phase in the United States. But reading them separately, as singular narratives, allows for a greater appreciation of the ordinary people who lived through this sweeping and weighty moment in history. The title story, “Seventeen Syllables,” highlights how the realities of immigration—such as a language barrier and shifting cultural norms—contribute to the divide between a mother and a daughter. Despite being written in the second half of the 20th century, Yamamoto’s stories about anti-Asian racism, sexual harassment, and generational estrangement transcend their period; they could easily be transplanted to the current day, thanks to her ability to make the mess of daily life resonate across the decades.

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Can You Recognize This Novel From a One-Line Description?

By J. D. Biersdorfer May 6, 2024

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Welcome to Lit Trivia, the Book Review’s multiple-choice quiz designed to test your knowledge of books and literary culture. This week’s challenge asks you to identify five famous 20th-century novels based on a very simple one-sentence plot description.

Just tap or click on the title you think is correct to see the answer and a snippet of the original coverage in The Times. After the last question, you’ll find links to the titles in case you’re looking for a something to read.

A man runs around Dublin all day in June 1904.

“Birchwood,” by John Banville

“Borstal Boy,” by Brendan Behan

“Ulysses,” by James Joyce

“Strumpet City,” by James Plunkett

A young girl grows up in an impoverished urban area and, inspired by nature’s tenacity, strives to get an education as a key to success in life.

“Angels on Toast,” by Dawn Powell

“Brown Girl, Brownstones,” by Paule Marshall

“My Sister Eileen,” by Ruth McKenney

“A Tree Grows in Brooklyn,” by Betty Smith

A man recalls his childhood and young adulthood in high society for thousands of pages and has a memorable encounter with a snack food.

“The Remains of the Day,” by Kazuo Ishiguro

“In Search of Lost Time,” by Marcel Proust

“A Portrait of the Artist as a Young Man,” by James Joyce

“The Grapes of Wrath,” by John Steinbeck

An American in Paris, dealing with social alienation and other issues, has a relationship with an Italian bartender.

“Paris France,” by Gertrude Stein

“Giovanni’s Room,” by James Baldwin

“Gigi and the Cat,” by Colette

“The Ambassadors,” by Henry James

A clairvoyant woman keeps a journal for decades and records the dramatic lives of several generations of her family through love and political upheaval.

“In the Time of the Butterflies,” by Julia Alvarez

“The Kitchen God’s Wife,” by Amy Tan

“Paradise,” by Toni Morrison

“The House of the Spirits,” by Isabel Allende

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Ozempic is the ‘it’ drug. A new book tries to explain what it means.

Johann Hari’s “Magic Pill” chronicles his experience taking semaglutide while simultaneously studying its pros and cons.

It’s hard to overstate how quickly Ozempic and similar drugs have gone mainstream. When I started taking semaglutide in January , I knew only two people who had tried it. Four months later, it feels almost ubiquitous.

Well-timed for this mania, Johann Hari’s “ Magic Pill: The Extraordinary Benefits and Disturbing Risks of the New Weight-Loss Drugs ” aims to help readers clarify whether they should take the plunge. His central contention, that “Ozempic and its successors look set to become one of the iconic and defining drugs of our time, on a par with the contra­ceptive pill and Prozac,” seems almost unarguable . But his conclusion on whether this is a good thing or a bad thing is mixed: “If you want a book uncritically championing these drugs, or alternatively a book damning them, I am afraid I can’t give it to you.”

What he does give is an easy-to-read summary of just what the subtitle suggests — benefits and risks — though there are a couple of points about which I think he’s wrong. And the amount of digressive fluff — an account of his nightmarish stint at an Austrian weight-loss spa, a smarmy chapter on Japanese food culture — implies this could have easily been a long magazine article rather than a short book.

Scottish-born journalist Hari, now based in London, used to be a fat guy. He opens his story by confessing, “Some people say the main reason they survived the pandemic was the vaccine; for me, it was Uber Eats.” He assumed he wasn’t alone, but then he went to a post-quarantine Hollywood party where everyone was not just slim but gaunt. What was going on here? He quickly found his answer. From there, Hari chronicles his snap decision to start Ozempic while simultaneously studying the pros and cons of semaglutide.

Before continuing with a summary of Hari’s admittedly entertaining anecdotes, it feels important to mention that, while he may not be especially well-known on this side of the pond, in 2011 he was suspended from his columnist job at the Independent after admitting to plagiarism and making malicious edits to the Wikipedia pages of other journalists. You would think this history would make him meticulous in his research, but he has already come under fire for claiming in the book that food critic Jay Rayner lost pleasure in food after taking Ozempic . When Rayner responded on social media that he had never taken the drug, Hari apologized, saying that he had “confused an article by Jay Rayner in the Guardian with an article by Leila Latif in the same paper.”

Hari’s reputation, as well as his sloppiness, casts a shadow over even the most poignant portions of the book, such as the grief he experienced after his friend Hannah, his favorite partner for epic pigouts and crude banter, died at 46 after she choked while eating and went into cardiac arrest.

Hari, 5-foot-8, 203 pounds, deeply addicted to fried chicken — he was given a Christmas card by the employees of his neighborhood KFC addressed “to our best customer” (and it wasn’t even the chicken outlet he patronized most often!) — decided the time had come to take his shot.

In his telling, things went well for him; though he experienced nausea and lightheadedness, the product worked as advertised. After three months, his neighbor’s “hot gardener” asked for his phone number. At which point he went into a bit of soul-searching about whether he was taking these drugs because he cared about his health — or was it really because he was worried about how he looked?

All I can say to that is: duh. As he reports a few chapters later, when Esquire magazine polled 1,000 women, asking if they would rather gain 150 pounds or get hit by a truck, more than half said they would prefer the truck.

This was not the first or the last of the “duh” moments. Though the book is pleasant and informative, it consistently makes aha moments out of familiar concepts. “Satiety, or the feeling of no longer wanting more, is not a word we use much in everyday life, but I kept hearing it in two contexts. The first was the science of factory-assembled food — because this food, it turns out, is designed to undermine satiety. The second was in the sci­ence of the new weight-loss drugs — because they are designed to boost satiety. I only slowly began to trace the connections be­tween them.”

Some of us will be ahead of him there.

Meanwhile, Hari flatly states that “for the medication to work, you have to take it forever.” Like hypertension or diabetes, he explains, obesity is a condition that requires permanent medical management. And most people who go off the drugs regain much of the weight they lost within a year.

However, some doctors believe that if you can maintain your goal weight for six months, your body will lower its “set point” by about 10 percent, and you can wean yourself off the drug without fearing that all your losses will be reversed. In my case, I weighed 142 when I started, and I hit my goal of 126 after about three months. Since then, I’ve been on a low-maintenance dose, and I’m hoping that staying on it for another three months will give me a set point of 128. Call me a cockeyed optimist, but I do think the jury is still out here.

Hari also is critical of the off-brand semaglutide compounds available online and at med spas, labeling them “ Breaking Bad Ozempic” and suggesting that they could be fatal. But the book doesn’t lay out enough evidence to warrant such a baldly negative conclusion.

Which leads us to one last thing. I was tickled to read his claim that “there’s already been a decline in the value of the stocks of the doughnut company Krispy Kreme, which analysts directly attributed to the growing popularity of Ozempic.” So I looked that up in the endnotes and found nothing more.

I’m all for a good comeback, but perhaps Hari still has a little way to go.

Marion Winik has been detailing her Ozempic journey in a series at BaltimoreFishbowl.com .

The Extraordinary Benefits and Disturbing Risks of the New Weight-Loss Drugs

By Johann Hari

Crown. 320 pp. $30

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