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Writing 101: All the Different Types of Characters in Literature

Written by MasterClass

Last updated: Sep 2, 2021 • 7 min read

At the core of all great storytelling lies a compelling array of character types. A main character should be three dimensional and compelling; they should be the kind of dynamic character that readers and viewers can spend days with and not grow bored. Equally important are supporting characters, from sidekicks to love interests to parental figures to villains and anti-heroes.

There are three ways to categorize character types. One is via archetypes—broad descriptions of the different types of characters that populate human storytelling. Another way is to group characters by the role they play over the course of the story. The third method is to group characters by quality, spelling out the way they change or stay the same within a narrative.

As you craft your own story—whether that’s a first novel, a screenplay, or a short story—consider the way that these character types function within the overall narrative.

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Types of Characters

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You may recall from your literature classes that characters can be “flat” or “round,” and likewise, “minor” or “major.” A character also may be a protagonist or antagonist. Let’s look at F. Scott Fitzgerald’s The Great Gatsby for examples of character types. Note that the characters in the novel are more complex than what I simply state here, and that Gatsby faces other antagonists—such as class, bourgeois snobbery, and the progression of time itself.

• Protagonist: the main or central character, the hero (Gatsby)
• Antagonist: opponent or enemy of the protagonist (Tom Buchanan)
• Flat/Minor: a character(s) who helps readers better understand another character, usually the protagonist. Also, “a static and undeveloped character of two dimensions” (Knorr and Schell 165). (Nick Carraway)

While Gatsby is our protagonist, the one who we want to succeed, his success would mean ousting his beloved Daisy’s husband, Tom Buchanan. An idea can also function as an antagonist: Gatsby is also fighting against the bourgeois prejudice of elite 1920s New York City, where “old money”—such as the Buchanans—is worth more than new money, as exemplified by the divide between East Egg and West Egg.

Usually, the protagonist is also a Round character, “a developing three-dimensional character” (Knorr and Schell 165). In other words, the protagonist must be a character that grows and changes during the story; it is the progress of this change that keeps the reader interested and cheering for the character.

Part of why The Great Gatsby has endured in American literature is because the characters are complex, rather than being simple archetypes. You are already aware of many archetypes; you can recognize them in the movies you watch, such as the Reluctant Hero (Katniss Everdeen in The Hunger Games series).

Using an archetype is a kind of shorthand; if you put in a character like The Lonely Old Lady With A Dog, the reader recognizes the character and knows what to expect from them. This may be helpful when populating your world with minor/flat characters, because it is reassuring and comforting to your reader; your reader knows these archetypal characters already.

Unfortunately, that also means that archetypal characters are clichéd. You should never have your protagonist be an archetype; that would make your story predictable.

Once you put your character down into their world, they can react in various ways to the setting and reality of their lives. In Mooring Against the Tide: Writing Fiction and Poetry , Knorr and Schell write:

In other words, just as our choices in life determine where we go, the plot of your story is determined by the nature of your characters. These four choices might not seem to offer many different plot options, but in reality, they can play out in an infinite number of ways. Think about your favorite novel or short story—it’s likely that the main character is faced with a choice and has to pick one of the four routes described above. Otherwise, there may not be much conflict in your story.

For instance, let’s say you have a protagonist whose childhood was rough; his parents often left him alone while they went out and drank. As an adult, your character may have abandonment issues. In his relationship with his girlfriend, he may be excessively clingy, texting her every ten minutes. This excessive attention will drive her mad, so she’ll start ignoring his messages. This will make him panic and show up at her place of work to make sure she’s okay. In return, she might see this as stalking and end the relationship. And so on…you can imagine what happens next.

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Presentation on theme: "Types of Characters."— Presentation transcript:

Types of Characters. These are the common types of characters we see in literature. Round characters Flat characters Dynamic characters Static characters.

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Short Stories Characterization. The act of creating and developing a character. There are two types: –Direct Characterization –Indirect Characterization.

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Elements of Literature Terms you need to know Every story needs Characters! What qualifies as a characters? People Animals Creatures.

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Characterization: - how an author reveals a character’s personality to the reader.

Characterization Pokrinchak. Characterization: Characterization is the process by which the author reveals the personality of a character in a literary.

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Characterization

Characterization Definition

What is characterization? Here’s a quick and simple definition:

Characterization is the representation of the traits, motives, and psychology of a character in a narrative. Characterization may occur through direct description, in which the character's qualities are described by a narrator, another character, or by the character him or herself. It may also occur indirectly, in which the character's qualities are revealed by his or her actions, thoughts, or dialogue.

Some additional key details about characterization:

• Early studies of literature, such as those by the ancient Greek philosopher Aristotle, saw plot as more important than character. It wasn't until the 15th century that characters, and therefore characterization, became more crucial parts of narratives.
• Characterization became particularly important in the 19th century, with the rise of realist novels that sought to accurately portray people.

Characterization Pronunciation

Here's how to pronounce characterization: kar-ack-ter-ih- zey -shun

Direct and Indirect Characterization

Authors can develop characterization in two ways: directly and indirectly. It's important to note that these two methods are not mutually exclusive. Most authors can and do use both direct and indirect methods of characterization to develop their characters.

Direct Characterization

In direct characterization, the author directly describes a character's qualities. Such direct description may come from a narrator, from another character, or through self-description by the character in question. For instance, imagine the following dialogue between two characters:

"That guy Sam seems nice." "Oh, no. Sam's the worst. He acts nice when you first meet him, but then he'll ask you for money and never return it, and eat all your food without any offering anything in return, and I once saw him throw a rock at a puppy. Thank God he missed."

Here the second speaker is directly characterizing Sam as being selfish and cruel. Direct characterization is also sometimes called "explicit characterization."

Indirect Characterization

In indirect characterization, rather than explicitly describe a character's qualities, an author shows the character as he or she moves through the world, allowing the reader to infer the character's qualities from his or her behavior. Details that might contribute to the indirect characterization of a character are:

• The character's thoughts.
• The character's actions.
• What a character says (their choice of words)
• How a character talks (their tone, dialect, and manner of speaking)
• The character's appearance
• The character's movements and mannerisms
• How the character interacts with others (and how others react to the character)

Indirect characterization is sometimes called "implicit characterization."

Indirect Characterization in Drama

It's worth noting that indirect characterization has an additional layer in any art form that involves actors, including film, theater, and television. Actors don't just say the words on the script. They make choices about how to say those words, how to move their own bodies and in relation to other character. In other words, actors make choices about how to communicate all sorts of indirect details. As a result, different actors can portray the same characters in vastly different ways.

For instance, compare the way that the the actor Alan Bates plays King Claudius in this play-within-a-play scene from the 1990 movie of Hamlet, versus how Patrick Stewart plays the role in the same scene from a 2010 version. While Bates plays the scene with growing alarm and an outburst of terror that reveals his guilt, Stewart plays his Claudius as ice cold and offended, but by no means tricked by Hamlet's little play-within-a-play into revealing anything.

Round and Flat Characters

Characters are often described as being either round or flat.

• Round characters : Are complex, realistic, unique characters.
• Flat characters : Are one-dimensional characters, with a single overarching trait and otherwise limited personality or individuality.

Whether a character is round or flat depends on their characterization. In some cases, an author may purposely create flat characters, particularly if those characters will appear only briefly and only for a specific purpose. A bully who appears in a single scene of a television show, for instance, might never get or need more characterization than the fact that they act like a bully.

But other times authors may create flat characters unintentionally when round characters were necessary, and such characters can render a narrative dull, tensionless, and unrealistic.

Character Archetypes

Some types of characters appear so often in narratives that they come to seen as archetypes —an original, universal model of which each particular instance is a kind of copy. The idea of the archetype was first proposed by the psychologist Carl Jung, who proposed that there were twelve fundamental "patterns" that define the human psyche. He defined these twelve archetypes as the:

While many have disagreed with the idea that any such twelve patterns actually psychologically define people, the idea of archetypes does hold a lot of sway among both those who develop and analyze fictional characters. In fact, another way to define round and flat character is to think about them as they relate to archetypes:

• Flat characters are easy to define by a single archetype, and they do not have unique personal backgrounds, traits, or psychology that differentiates them from that archetype in a meaningful way.
• Round characters may have primary aspects that fit with a certain archetype, but they also may be the combination of several archetypes and also have unique personal backgrounds, behaviors, and psychologies that make them seem like individuals even as they may be identifiable as belonging to certain archetypes.

Good characterization often doesn't involve an effort to avoid archetype altogether—archetypes are archetypes, after all, because over human history they've proved to be excellent subjects for stories. But successful authors will find ways to make their characters not just archetypes. They might do so by playing with or subverting archetypes in order to create characters who are unexpected or new, or more generally create characters whose characterization makes them feel so unique and individual that their archetype feels more like a framework or background rather than the entirety of who that character is.

Characterization Examples

The characters of nearly every story—whether in literature, film, or any other narrative—have some characterization. Here are some examples of different types of characterization.

Characterization in Hamlet

The famous literary critic Harold Bloom has argued in his book The Invention of the Human that "Personality, in our sense, is a Shakespearean invention." Whether or not you agree with that, there's no doubting that Shakespeare was a master of characterization. One way he achieved such characterization was through his characters delivering soliloquies . The excerpt of a soliloquy below is from Hamlet , in which Hamlet considers suicide:

To be, or not to be? That is the question— Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And, by opposing, end them? To die, to sleep— No more—and by a sleep to say we end The heartache and the thousand natural shocks That flesh is heir to—’tis a consummation Devoutly to be wished! To die, to sleep. To sleep, perchance to dream—ay, there’s the rub, For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause.

Hamlet's soliloquy is not simply him saying what he thinks. As he delivers the soliloquy, he discovers what he thinks. When he says "To die, to sleep. To sleep," he is all-in on the idea that suicide is the right course. His words "perchance to dream" flow directly out of his thoughts about death as being like "sleep." And with his positive thoughts of death as sleep, when he first says "perchance to dream" he's thinking about having good dreams. But as he says the words he realizes they are deeper than he originally thought, because in that moment he realizes that he doesn't actually know what sort of dreams he might experience in death—they might be terrible, never-ending nightmares. And suddenly the flow of his logic leaves him stuck.

In showing a character experiencing his own thoughts the way that real people experience their thoughts, not as a smooth flow but as ideas that spark new and different and unexpected ideas, Shakespeare gives Hamlet a powerful humanity as a character. By giving Hamlet a soliloquy on the possible joy of suicide he further captures Hamlet's current misery and melancholy. And in showing how much attention Hamlet pays to the detail of his logic, he captures Hamlet's rather obsessive nature. In other words, in just these 13 lines Shakespeare achieves a great deal of characterization.

Characterization in The Duchess of Malfi

In his play the The Duchess of Malfi , John Webster includes an excellent example of direct characterization. In this speech, the character Antonio tells his friend about Duke Ferdinand:

The Duke there? A most perverse and turbulent nature; What appears in him mirth is merely outside. If he laugh heartily, it is to laugh All honesty out of fashion. … He speaks with others' tongues, and hears men's suits With others' ears; will seem to sleep o’th' bench Only to entrap offenders in their answers; Dooms men to death by information, Rewards by hearsay.

Ferdinand directly describes the Duke as deceitful, perverse, and wild, and as a kind of hollow person who only ever laughs for show. It is a devastating description, and one that turns out to be largely accurate.

Characterization in The Great Gatsby

Here's another example of direct characterization, this time from The Great Gatsby . Here, Nick Carraway, the narrator of the novel, describes Tom and Daisy Buchanan near the end of the novel.

They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.

But The Great Gatsby, like essentially all other literature, doesn't solely rely on direct characterization. Here is Nick, earlier in the novel, describing Gatsby:

He stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward—and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock.

This is an example of indirect characterization. Nick isn't describing Gatsby character directly, instead he's describing how Gatsby is behaving, what Gatsby is doing. But that physical description—Gatsby reaching out with trembling arms toward a distant and mysterious green light—communicates fundamental aspects of Gatsby's character: his overwhelming yearning and desire, and perhaps also the fragility inherent such yearning.

Why Do Writers Use Characterization?

Characterization is a crucial aspect of any narrative literature, for the simple reason that complex, interesting characters are vital to narrative literature. Writers therefore use the techniques of characterization to develop and describe characters':

• Motivations
• History and background
• Interests and desires
• Skills and talents
• Self-conception, quirks, and neuroses

Such characteristics in turn make characters seem realistic and also help to drive the action of the plot, as a plot is often defined by the clash of actions and desires of its various characters.

Other Helpful Characterization Resources

• Wikipedia entry on characterization: A brief but thorough entry.
• Archetypal characters: The website TV tropes has built a vast compendium of different archetypal characters that appear in film and television (and by extension to books).
• Encyclopedia Britannica on characters: A short entry on flat and round characters.

• Flat Character
• Round Character
• Personification
• Polysyndeton
• Stream of Consciousness
• Anachronism
• Juxtaposition
• Common Meter
• Onomatopoeia
• Foreshadowing

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10 Types Of Presentation Styles You Should Know

Have you ever felt like engaging your colleagues during a presentation is a bit of a daunting task? Well, it can be quite challenging, and even more so if you do not have the right strategy and presentation skills . But what if I tell you that finding the right approach is incredibly rewarding? 

There are various presentation styles , each designed to inform and entertain in its own way. It’s essential to consider your audience and the topic to determine which style will resonate best. When you tailor your presentation to meet its goals and connect with your colleagues, it becomes more captivating and memorable. 

A well-crafted presentation always grabs attention, keeps the interest alive, and leaves a lasting impression. Whether you’re delivering a persuasive pitch or a hands-on demonstration, choosing the right format can make all the difference.

In this blog, we will discover different types of presentation styles and learn how to prepare for a presentation in the workplace.

What are presentation styles?

If you’re gearing up for a presentation, one key element to keep in mind is the different techniques and methods you can use. Presentation style is all about the techniques you use to deliver your speech as a business professional. The ideal style often depends on several factors, including your subject matter, your coworkers, and your approach to explaining concepts. 

Sometimes, you might stick to one main style for the entire presentation, while other times, blending different styles can help convey your topic more effectively.

Now let us walk you through over 10 different presentation formats, along with their pros and cons, to help you find the one that fits you best.

10 Types Of Presentation Styles In The Workplace

1. storyteller.

Many presenters choose the storytelling style when they have enough time to dive into their topic. This approach is great for presentations that don’t rely heavily on numbers or statistics. 

Storytelling is all about using personal anecdotes and emotions to grab your coworkers’ attention and connect with them. It usually kicks off with a personal story that ties back to the main topic. This style works especially well if you know your audience isn’t as engaged by charts or data.

• Pros : Engaging and relatable; creates an emotional connection.
• Cons : Needs a strong narrative to keep the audience's interest.

2. Visual 

This style is all about using visuals to enhance your topic and make your points clearer. Presenters often incorporate charts, images, graphs, and other visual aids to help the audience better grasp the subject. It’s key to strike a good balance between text and visuals to create a well-rounded presentation. 

This approach works particularly well if you’re dealing with complex or detailed information that you want your colleagues to understand easily.

• Pros : Captivating and helping clarify complex ideas; aids memory retention .
• Cons : Over-reliance on visuals can overshadow the message.

3. Informative

This presentation style focuses on sharing knowledge and helping your employees understand a specific topic better. Whether you’re tackling something as complex as quantum physics or breaking down the latest social media trends, the goal is to make the information accessible.

When you’re delivering an informative presentation, it’s helpful to simplify tricky concepts using clear visuals and relatable examples. Organize your content in a logical way—start with the basics and gradually dive deeper. And don’t forget to keep jargon to a minimum! Encouraging questions along the way can really help clarify things for everyone.

• Pros : Clear and straightforward; great for sharing essential information.
• Cons : Can be dry if not engaging enough.

4. Persuasive

A persuasive presentation is like a verbal tug-of-war, where the goal is to get your audience to see things from your perspective. You’ll want to back up your points with solid evidence, logical reasoning, and a bit of emotional appeal to really connect.

To make this style effective, it’s crucial to know your audience well and tailor your message to their interests and concerns . Start with a strong opening to grab attention, build a solid argument, and finish with a memorable closing. Plus, using visuals wisely can really help drive your points home!

• Pros : Powerful for influencing opinions and motivating action.
• Cons : Might come off as pushy if not done thoughtfully.

5. Demonstrative

A demonstrative presentation style is all about showing your audience how to do something step by step . It’s a great way to provide clear instructions, helping them replicate the action you’re demonstrating.

This style is especially useful for teaching practical skills or explaining processes in a hands-on way. You’ll often see it used in educational workshops, training sessions , cooking classes, DIY tutorials, tech demos, and more.

• Pros : Hands-on and easy to follow; perfect for teaching skills.
• Cons : Can be time-consuming and requires proper materials.

6. Interactive

This presentation style focuses on engaging the employees right from the start. The speaker often hands out outlines or notes before diving in, which helps everyone follow along. They might also use whiteboards or other visuals to keep things interactive and make the points clearer.

By involving the audience in key talking points throughout the presentation, speakers help them feel connected to the discussion. Plus, having printouts allows attendees to jot down notes or questions, making it easier for them to understand the topic and participate in the conversation. It creates a more collaborative and enjoyable experience for everyone!

• Pros : Keeps the audience involved and alert; encourages participation.
• Cons : Can be challenging to manage if there are too many questions.

7. Instructional

Training presentations are all about teaching practical skills , procedures, or concepts—think of them as the more focused version of demonstration presentations. Whether you’re showing new employees how to use software or guiding aspiring chefs through the art of making a souffle, training presentations aim to turn beginners into experts. 

To make your training or instructional presentation as impactful as possible, try breaking down complex concepts into bite-sized pieces. Using real-life examples can really help illustrate your points and make them relatable.

Another great way to engage your audience is by adding interactive elements , like quizzes or group activities . This not only reinforces understanding but also keeps everyone involved and active in the learning process!

• Pros : Ideal for specialized audiences; shows expertise.
• Cons : Can be too complex for general audiences, leading to confusion.

8. Motivational

A motivational presentation is all about inspiring your audience to take action. The speaker often shares stories, analogies, and personal experiences to spark enthusiasm and encourage people to pursue their goals. When done well, these presentations can really lift morale, strengthen team spirit, and drive positive change.

However, it’s crucial to tailor the content to your employees and deliver it in a dynamic, engaging way. If the presentation misses the mark, it might not have the impact you’re hoping for. 

• Pros : Boosts morale and can create a sense of unity and purpose.
• Cons : If not tailored to the employees, the message may not resonate and can feel irrelevant.

9. Progress Reports

Using infographics, charts, and diagrams can help present your data visually, making complex information easier to digest. By visualizing your data, it becomes simpler to spot trends, make predictions, and strategize effectively based on solid evidence.

• Pros : Ensures that all team members are on the same page regarding goals and future plans.
• Cons : Focusing too much on challenges can create a negative atmosphere if not balanced with positive updates.

A sales presentation is basically a meeting where a seller showcases their product or service to a potential buyer with the goal of making a sale. These presentations can vary widely, ranging from carefully scripted pitches to more casual, conversational discussions. The main aim is to connect with the buyer and highlight how the product or service can meet their needs.

• Pros : Allows for face-to-face interaction, building rapport and trust with the buyer.
• Cons : There's always the chance that the buyer won't be interested, which can be disheartening.

How to prepare for a presentation?

Once you've identified the type of presentation you're giving, it’s time to explore the methods and techniques for delivering it effectively. 

Here are some of the most effective presentation techniques to deliver lively and engaging presentations to the audience. 

There are various methods for how you approach a specific task or a problem. These methods cover:

• How do you structure your speech? 
• How do you deliver it to the audience?

So here is how you prepare for a presentation once you have analyzed your own presentation style in the workplace:

1. Know Your Audience

Start by thinking about who you’ll be presenting to. What are their interests and concerns? Understanding your audience will help you tailor your message and make it more relevant.

2. Define Your Purpose

What do you want to achieve with your presentation? Are you informing, persuading, or training? Having a clear goal will guide your content and structure.

3. Organize Your Content

Outline the main points you want to cover. A simple structure like an introduction, body, and conclusion works well. Make sure each section flows logically into the next.

4. Use Visual Aids

Consider incorporating visuals like slides, charts, or videos to make your points clearer and keep your audience engaged. Just be sure they complement your message, not distract from it.

5. Practice, Practice, Practice

Rehearse your presentation several times. You can do this in front of a mirror, record yourself, or practice with a friend. Familiarity with your material will boost your confidence.

6. Prepare for Questions

Think about potential questions your audience might have and prepare your answers. This will help you feel more at ease during the Q&A session.

7. Check Your Tech

If you’re using technology, make sure everything works smoothly ahead of time. Test your slides, any equipment, and the room setup to avoid surprises on the day of the presentation.

8. Stay Calm and Confident

On the day of the presentation, take a few deep breaths to calm your nerves. Remember, it’s okay to be a bit nervous—just focus on sharing your knowledge with the audience.

9. Engage with Your Audience

During the presentation, make eye contact, ask questions, and encourage participation. This creates a more interactive experience and keeps everyone involved.

10. Follow Up

After your presentation, consider sending a follow-up email with key takeaways or additional resources. It shows you care about the audience’s understanding and keeps the conversation going.

In Conclusion 

Now that you’ve explored the different presentation styles , it’s time to pick one that fits your needs. Which style do you think will resonate best with your audience and achieve your goals?

Remember, there’s no one-size-fits-all answer. It really depends on what you want to accomplish, the context of your presentation, and who you’ll be speaking to. If it feels right, consider using visual aids, like PowerPoint, to help convey your message effectively.

But wait! Do you want to explore the most-demanded course on How To Ace The Game Of Presentation With The Right Presentation Style and Skill ? Then stop surfing and head to Calibr.AI to discover the ready-made course tailored to your needs.

Calibr LXP is a user-friendly learning experience platform that allows you and your team to onboard new members and offer diligent training to each member without any hassle. Our LMS tool , integrated with an AI-powered course authoring tool, makes it easier for your designers and trainers to create the course from scratch, utilize interactive elements, and conduct assessments to analyze the learner's progress by the end of the course. 

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1. What is the best presentation style to use?

The best presentation style depends on your audience and your goals. Consider whether you want to inform, persuade, or engage your colleagues, and choose a style that aligns with that objective. Experimenting with different styles can also help you find what resonates best with your audience.

2. How can I make my presentation more engaging?

To make your presentation engaging, use a mix of storytelling, visuals, and interactive elements. Ask questions, encourage participation, and use relatable examples to connect with your audience. Keeping your energy up and being passionate about your topic also makes a big difference!

3. How do I handle questions during my presentation?

Prepare for questions by anticipating what your audience might ask and having answers ready. During the presentation, encourage questions and create a welcoming atmosphere for discussion. If you don’t know the answer, it’s okay to admit it and offer to follow up later.

4. What are some common mistakes to avoid in presentations?

Common mistakes include overloading slides with text, speaking too fast, or failing to engage the audience. Avoid jargon that your audience may not understand, and ensure your technology works properly before you start. Practicing your delivery can help you feel more confident and polished.

5. How can I improve my public speaking skills?

Improving your public speaking skills takes practice! Rehearse your presentations regularly, and seek feedback from peers. Watching skilled speakers can also provide inspiration and techniques you can incorporate into your own style .

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As an enthusiastic English literature graduate, Chandni enjoys writing as much as a toddler enjoys animation. She discovered her passion for writing and expressing thoughts through this form amidst the nail-biting months of the COVID-19 pandemic. Ever since then, she has volunteered in various anthology books that have been published on Amazon. Her experience working on a diverse range of verticals has enabled her to excel in this domain and face new challenges as they come. With a contagious thrill and excitement at the workplace, Chandni embraces wearing different hats and soaks up information like a sponge.

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Exploring and Building Narrative Characters PowerPoint

Updated:  12 Dec 2023

A 14 slide editable PowerPoint template to use when teaching younger students about how to build a character for a narrative text.

Editable:  PowerPoint

Pages:  14 Pages

• Curriculum Curriculum:  CCSS, TEKS

Grades:  1 - 2

• Microsoft PowerPoint (potx) Sign up to Plus

CCSS.ELA-LITERACY.W.1.3

Write narratives in which they recount two or more appropriately sequenced events, include some details regarding what happened, use temporal words to signal event order, and provide some sense of closure.

CCSS.ELA-LITERACY.W.2.3

Write narratives in which they recount a well-elaborated event or short sequence of events, include details to describe actions, thoughts, and feelings, use temporal words to signal event order, and provide a sense of closure.

ELAR 1.12(A)

Dictate or compose literary texts, including personal narratives and poetry;

ELAR 2.12(A)

Compose literary texts, including personal narratives and poetry;

This  PowerPoint presentation  has been designed to teach your students about building characters for narrative writing . It addresses the following content:

• an overview of what characters are
• an explanation of how to develop a character by focusing on their appearance, personality and feelings
• a sample description of Jack from the fairy tale, Jack and the Beanstalk .

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Silent Letters PowerPoint

A 24-slide editable PowerPoint presentation about silent letters.

Multiple Meanings Vocabulary Worksheet

A worksheet to use in the classroom when identifying multiple-meaning words.

Bloom's Taxonomy Fast Finisher Task Cards - Upper Grades

44 Bloom's Taxonomy fast finisher activity cards.

Punctuation Sentence Challenge Worksheet

A teaching resource to help consolidate the students’ knowledge of punctuation.

Common Core State Standards Progression Trackers - Kindergarten - Language

Individual student and whole class trackers using the Language Common Core Standards.

Bring Your Characters To Life Poster

A poster to remind your students to add detail and description to their writing to bring their characters to life.

Vocabulary Dice Roll Activity

6 vocabulary activities to use with a range of words.

Verb Past Tense Worksheet

A worksheet with simple and irregular past tense verbs added to complete the sentences.

'I Can' Statements - Reading (Upper Elementary)

A set of 26 'I can' statement cards focusing on reading for upper elementary.

'I Can' Statements - Writing (Upper Elementary)

A set of 25 'I can' statement cards focusing on writing for upper elementary.