50 essays portable anthology 5th edition

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50 Essays: A Portable Anthology Sixth Edition

• ISBN-10 131919446X
• ISBN-13 978-1319194468
• Edition Sixth
• Publisher Bedford/St. Martin's
• Publication date August 30, 2019
• Language English
• Dimensions 5.55 x 0.85 x 8.2 inches
• Print length 528 pages
• See all details

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Product details

• Publisher ‏ : ‎ Bedford/St. Martin's; Sixth edition (August 30, 2019)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 528 pages
• ISBN-10 ‏ : ‎ 131919446X
• ISBN-13 ‏ : ‎ 978-1319194468
• Item Weight ‏ : ‎ 1.04 pounds
• Dimensions ‏ : ‎ 5.55 x 0.85 x 8.2 inches
• #1,212 in Words, Language & Grammar (Books)
• #2,169 in Unknown

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About the author

Samuel cohen.

Samuel Cohen (Associate Professor of English, University of Missouri) is the author of After the End of History: American Fiction in the 1990s (University of Iowa Press, 2009), co-editor (with Lee Konstantinou) of The Legacy of David Foster Wallace (University of Iowa Press, 2012), co-editor (with James Peacock) of The Clash Takes on the World: Transnational Perspectives on the Only Band That Matters (Bloomsbury Academic, 2017), and Series Editor of The New American Canon: The Iowa Series in Contemporary Literature and Culture. He is also author of 50 Essays: A Portable Anthology, 5th edition (Bedford/St. Martin's, 2016), and coauthor of Literature: The Human Experience, 13th edition (Bedford/St. Martin's, 2018).

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50 Essays: A Portable Anthology Paperback

• Print length 481 pages
• Language English
• Dimensions 14.1 x 2.16 x 20.83 cm
• ISBN-10 131919446X
• ISBN-13 978-1319194468
• See all details

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Product details

• Language ‏ : ‎ English
• Paperback ‏ : ‎ 481 pages
• ISBN-10 ‏ : ‎ 131919446X
• ISBN-13 ‏ : ‎ 978-1319194468
• Item weight ‏ : ‎ 472 g
• Dimensions ‏ : ‎ 14.1 x 2.16 x 20.83 cm
• #112 in Readers
• #203,094 in Textbooks

About the author

Samuel cohen.

Samuel Cohen (Associate Professor of English, University of Missouri) is the author of After the End of History: American Fiction in the 1990s (University of Iowa Press, 2009), co-editor (with Lee Konstantinou) of The Legacy of David Foster Wallace (University of Iowa Press, 2012), co-editor (with James Peacock) of The Clash Takes on the World: Transnational Perspectives on the Only Band That Matters (Bloomsbury Academic, 2017), and Series Editor of The New American Canon: The Iowa Series in Contemporary Literature and Culture. He is also author of 50 Essays: A Portable Anthology, 5th edition (Bedford/St. Martin's, 2016), and coauthor of Literature: The Human Experience, 13th edition (Bedford/St. Martin's, 2018).

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Psychology in Everyday Life

A portable anthology seventh edition | ©2023 samuel cohen.

ISBN:9781319483616

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50 Essays: A Portable Anthology is a bestselling value-priced reader because its virtues dont stop at the price. The book’s carefully chosen selections engage students and include both classic essays and high-interest, contemporary readings. The editorial apparatus is flexible and unobtrusive enough to support a variety of approaches to teaching composition. The seventh edition features new voices on culturally relevant topics as well as an enhanced documentation guide establishing the importance of conducting research and evaluating sources, and new pre-reading questions to guide students as they develop their skills as critical readers.

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Table of Contents

Samuel Cohen (PhD, City University of New York) is Associate Professor of English at the University of Missouri. He is the author of After the End of History: American Fiction in the 1990s , co-editor (with James Peacock) of The Clash Takes on the World: Transnational Perspectives on The Only Band that Matters , co-editor (with Lee Konstantinou) of The Legacy of David Foster Wallace , Series Editor of The New American Canon: The Iowa Series in Contemporary Literature and Culture , and has published in such journals as Novel , Clio , Twentieth-Century Literature , The Journal of Basic Writing, and Dialogue: A Journal for Writing Specialists. For Bedford/St. Martins, he is author of 50 Essays: A Portable Anthology and coauthor of Literature: The Human Experience .

Seventh Edition | 2023

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The Unique Burial of a Child of Early Scythian Time at the Cemetery of Saryg-Bulun (Tuva)

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Pages:  379-406

In 1988, the Tuvan Archaeological Expedition (led by M. E. Kilunovskaya and V. A. Semenov) discovered a unique burial of the early Iron Age at Saryg-Bulun in Central Tuva. There are two burial mounds of the Aldy-Bel culture dated by 7th century BC. Within the barrows, which adjoined one another, forming a figure-of-eight, there were discovered 7 burials, from which a representative collection of artifacts was recovered. Burial 5 was the most unique, it was found in a coffin made of a larch trunk, with a tightly closed lid. Due to the preservative properties of larch and lack of air access, the coffin contained a well-preserved mummy of a child with an accompanying set of grave goods. The interred individual retained the skin on his face and had a leather headdress painted with red pigment and a coat, sewn from jerboa fur. The coat was belted with a leather belt with bronze ornaments and buckles. Besides that, a leather quiver with arrows with the shafts decorated with painted ornaments, fully preserved battle pick and a bow were buried in the coffin. Unexpectedly, the full-genomic analysis, showed that the individual was female. This fact opens a new aspect in the study of the social history of the Scythian society and perhaps brings us back to the myth of the Amazons, discussed by Herodotus. Of course, this discovery is unique in its preservation for the Scythian culture of Tuva and requires careful study and conservation.

Keywords: Tuva, Early Iron Age, early Scythian period, Aldy-Bel culture, barrow, burial in the coffin, mummy, full genome sequencing, aDNA

Information about authors: Marina Kilunovskaya (Saint Petersburg, Russian Federation). Candidate of Historical Sciences. Institute for the History of Material Culture of the Russian Academy of Sciences. Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail: [email protected] Vladimir Semenov (Saint Petersburg, Russian Federation). Candidate of Historical Sciences. Institute for the History of Material Culture of the Russian Academy of Sciences. Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail: [email protected] Varvara Busova  (Moscow, Russian Federation).  (Saint Petersburg, Russian Federation). Institute for the History of Material Culture of the Russian Academy of Sciences.  Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail:  [email protected] Kharis Mustafin  (Moscow, Russian Federation). Candidate of Technical Sciences. Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected] Irina Alborova  (Moscow, Russian Federation). Candidate of Biological Sciences. Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected] Alina Matzvai  (Moscow, Russian Federation). Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected]

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50 essays : a portable anthology

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Savvino-storozhevsky monastery and museum.

Zvenigorod's most famous sight is the Savvino-Storozhevsky Monastery, which was founded in 1398 by the monk Savva from the Troitse-Sergieva Lavra, at the invitation and with the support of Prince Yury Dmitrievich of Zvenigorod. Savva was later canonised as St Sabbas (Savva) of Storozhev. The monastery late flourished under the reign of Tsar Alexis, who chose the monastery as his family church and often went on pilgrimage there and made lots of donations to it. Most of the monastery’s buildings date from this time. The monastery is heavily fortified with thick walls and six towers, the most impressive of which is the Krasny Tower which also serves as the eastern entrance. The monastery was closed in 1918 and only reopened in 1995. In 1998 Patriarch Alexius II took part in a service to return the relics of St Sabbas to the monastery. Today the monastery has the status of a stauropegic monastery, which is second in status to a lavra. In addition to being a working monastery, it also holds the Zvenigorod Historical, Architectural and Art Museum.

Belfry and Neighbouring Churches

Located near the main entrance is the monastery's belfry which is perhaps the calling card of the monastery due to its uniqueness. It was built in the 1650s and the St Sergius of Radonezh’s Church was opened on the middle tier in the mid-17th century, although it was originally dedicated to the Trinity. The belfry's 35-tonne Great Bladgovestny Bell fell in 1941 and was only restored and returned in 2003. Attached to the belfry is a large refectory and the Transfiguration Church, both of which were built on the orders of Tsar Alexis in the 1650s.  

To the left of the belfry is another, smaller, refectory which is attached to the Trinity Gate-Church, which was also constructed in the 1650s on the orders of Tsar Alexis who made it his own family church. The church is elaborately decorated with colourful trims and underneath the archway is a beautiful 19th century fresco.

Nativity of Virgin Mary Cathedral

The Nativity of Virgin Mary Cathedral is the oldest building in the monastery and among the oldest buildings in the Moscow Region. It was built between 1404 and 1405 during the lifetime of St Sabbas and using the funds of Prince Yury of Zvenigorod. The white-stone cathedral is a standard four-pillar design with a single golden dome. After the death of St Sabbas he was interred in the cathedral and a new altar dedicated to him was added.

Under the reign of Tsar Alexis the cathedral was decorated with frescoes by Stepan Ryazanets, some of which remain today. Tsar Alexis also presented the cathedral with a five-tier iconostasis, the top row of icons have been preserved.

Tsaritsa's Chambers

The Nativity of Virgin Mary Cathedral is located between the Tsaritsa's Chambers of the left and the Palace of Tsar Alexis on the right. The Tsaritsa's Chambers were built in the mid-17th century for the wife of Tsar Alexey - Tsaritsa Maria Ilinichna Miloskavskaya. The design of the building is influenced by the ancient Russian architectural style. Is prettier than the Tsar's chambers opposite, being red in colour with elaborately decorated window frames and entrance.

At present the Tsaritsa's Chambers houses the Zvenigorod Historical, Architectural and Art Museum. Among its displays is an accurate recreation of the interior of a noble lady's chambers including furniture, decorations and a decorated tiled oven, and an exhibition on the history of Zvenigorod and the monastery.

Palace of Tsar Alexis

The Palace of Tsar Alexis was built in the 1650s and is now one of the best surviving examples of non-religious architecture of that era. It was built especially for Tsar Alexis who often visited the monastery on religious pilgrimages. Its most striking feature is its pretty row of nine chimney spouts which resemble towers.

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