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Documentary by Hollins Alumna Wins Peabody Award

Accolades and Awards, Alumnae/i, Graduate Studies

May 23, 2024

A film coproduced by a Hollins Dance M.F.A. alumna about renowned choreographer Bill T. Jones and his epic ballet, “D-Man in the Waters,” has won a 2024 Peabody Award.

Can You Bring It: Bill T. Jones and D-Man in the Waters , a documentary by Rosalynde LeBlanc M.F.A. ’11 and Tom Hurwitz, will be honored at the 84 th Annual Peabody Awards on Sunday, June 9, in Beverly Hills, California. The film is one of 34 projects to receive the distinction this year out of 1,100 entries.

“We are profoundly honored to have our work recognized by this award that speaks to excellence in storytelling,” said LeBlanc and Hurwitz, “and we sincerely thank everyone involved with us in funding, making, and distributing Can You Bring It .”

Jones’ ballet is considered to be one of the most important works of art to come out of the age of AIDS. Can You Bring It takes viewers to LeBlanc’s dance studio at Loyola Marymount University in Los Angeles, where her students grapple with learning “D-Man in the Waters.” It also transports the audience back to 1989, when the dance was created by Jones as members of the Bill T. Jones /Arnie Zane Company were themselves besieged by the AIDS pandemic. Dancers in the company reflect on the devastating losses of their fellow, beloved members. Back in the studio, LeBlanc’s current-day students work to master the intense physicality of the piece and to understand a period in America before they were alive. Soon they face the formidable Jones himself as he drops in to observe rehearsals and offer feedback.

The documentary received unanimous critical acclaim during its theatrical release. Kimber Myers of the Los Angeles Times said, “Death and grief may exist in the soul of ‘D-Man in the Waters’ but Can You Bring It is full of vitality and energy, a testament to the power of art in the face of tragedy.”

The film opened season 15 of the popular documentary series Afro PoP: The Ultimate Cultural Exchange , coproduced by Black Public Media (BPM) and WORLD . It was co-presented and distributed to public television stations by American Public Television . In honor of the Peabody win, Can You Bring It has been rereleased on WORLD’s YouTube channel . Viewers may watch the documentary for free on the BPM website and WORLDchannel.org through July 9.

Can You Bring It was made possible by grants from Loyola Marymount University’s College of Communication and Fine Arts, The Andrew W. Mellon Foundation, The Drollinger Family Charitable Foundation, and the Ford Foundation’s JustFilms.

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Writers Go Wild!

Friday, Apr 14, 2023, 7:00 p.m.

• DeVos Family Room
• Tickets: Free
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FREE! Writers Go Wild! showcases the work and talent of the Spring 2023 graduating students of UCF’s creative writing MFA graduate program.

This reading will feature works by Steven Archer, Brandon Bradley, Madison Brown, Kayla Cayasso, Wendy Dye, Alex Gurtis, Charlie Klenk, Tammy Komoff, Ian Lindsay and Veronica Silva. Arrive early to enjoy a showcase of other projects from the English department, including:

• The Florida Review, UCF’s international literary journal
• The Cypress Dome, UCF’s undergraduate student literary journal
• Writers in the Sun, UCF’s visiting writers’ series
• Literary Arts Partnership at UCF
• Graduate Writers Association, the student organization that runs PARCELS, a monthly community-based student, faculty and alumni creative writing reading series.

About the speakers

Steven Archer is a Haitian-Peruvian writer and editor from Hollywood, Florida. He received a UCF Provost Fellowship in fiction. His graduate thesis, a collection of short magical realism, centers queer people of color in states of displacement, and explores the intersection of these identities with faith, tradition, and family. He is a finalist for the 2023 AWP Intro Journals Award.

Brandon Bradley is a Sanford, Florida native with a BA in English. Currently, Brandon works in elementary education. Brandon is passionate about working with young writers and creating stories that reflect the multilayered lives of African American youth. As an aspiring children's and young adult author, Brandon seeks to offer the representation he sought in literature as a young reader.

Madison Brown holds an MA in English from Mississippi State University. She is an Editorial Assistant with Braddock Avenue Books and Autofocus Books . She serves as President for the Graduate Writers Association and Assistant Director for Writers in the Sun. Her work can be found in Little Patuxent Review , Hoxie Gorge Review , JMWW , Rain Taxi and elsewhere.

Kayla Cayasso is an Afro-Latina writer and poet from Jacksonville, Florida. She is a recipient of the 2012 Hollins Creative Writing Book Award, the FAMU Graduate Feeder Fellowship, and placed first in fiction in the 2021 FAMU Annual Writing Contest. Her work can be found in CaKe: A Literary Journal , Olit Magazine , Hyacinth Review , Jabberwock Review , Saw Palm , and elsewhere.

Wendy Dye writes science fiction, fantasy, and horror stories. Her work has appeared in Flash Fiction Magazine , and her short story, “Don’t Go into 5C,” was a Royal Palm Literary Award Finalist. She was a stage manager on and off-Broadway in New York City. Wendy holds a BA in Theatre from Florida State University, an MA in Technical Communication from UCF and is a graduate of the Odyssey Writing Workshop. Her MFA thesis novel project is a science fiction reimagining of Shakespeare’s The Tempest .

Alex Gurtis is a poet and critic whose work has appeared or is forthcoming in Islandia Journal, HAD, Eunoia Review, Rejection Letters, Saw Palm and others. He is the recipient of the Ruth Weiss Foundation 2022 Maverick Poet Award Finalist, Alex is co-owner of the independent bookstore, Zeppelin Books.

Charlie Klenk (they/them) writes creative nonfiction and fiction stories about transgender experiences, pain, and ways that we love each other and survive. When you read their work, you should imagine a shambling mass of stars and space dust plunking away at a keyboard- it'll be better that way.

Tammy Komoff’s work has appeared in DreamForge Anvil, Bards and Sages Quarterly, among others, and is forthcoming in Abyss & Apex Magazine . She lives in the Orlando area with her husband and their two girls. For more of Komoff’s work or to contact her, please visit www.tammykomoff.com .

Ian Lindsay is a Fiction Finalist for Solstice Literary Magazine’s annual literary contest and a recipient of the UCF Frances Lefkowitz and Barnes and Keller Awards. As a first-generation Filipino American, he strives to find intersectionality and celebrate culture in writing. His work can be read in Pinyon, Miracle Monocle, Variant Literature, The Ravens Perch, The Eckerd Review , and more.

Veronica Silva is a Cuban-American poet from Miami. She received a Provost Fellowship from UCF for her graduate study. Her work has appeared in PANK Magazine , Passages North, Hayden's Ferry Review, Pleiades, and The Pinch . She was a finalist for the Mississippi Review poetry prize and nominated by Hayden’s Ferry Review for her work in Best of the Net 2023. Veronica has taught poetry workshops with the UCF Literary Arts Partnership and worked with publishers such as Copper Canyon Press, the Feminist Press, and the New Press.

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Hollins MFA

In creative writing, frequently asked questions.

What level of funding can I expect? 

We are an extremely well-funded program . All incoming students are awarded Graduate Assistantships. Unlike many programs, there is no teaching required of these awards, which means more time to read and write. Graduate Assistantships carry full tuition waivers + stipends of $10,000, as well as financial support for travel and research. The Graduate Assistant workload averages 10 hours a week in program support and/or community outreach. G.A.s are renewable for year two. Teaching Fellowships are for second year students only and are determined by application after the first semester of work in the program. All first year students are eligible to apply.

Support for graduate travel and research is also available from the Jackson Center.

Living expenses in Roanoke are very low. When you are comparing programs, remember to consider cost of living and the amount of teaching and/or work hours required. Most students fund their CW-MFA at Hollins through a mixture of part-time employment, Graduate Assistantships, and/or Teaching Fellowships. If a student wins all of our available aid, they would receive a tuition waiver + stipend of $10,000 in year one, and a tuition waiver + $17,000 in year two (Teaching Fellowship combined with Graduate Assistantship).

Our program’s distinctive location–at a small liberal arts school with a renowned writing program and a strong sense of community–means that students receive individual attention.  We strive to help each student achieve his or her particular writing goals. Our faculty members are devoted to student progress and our shared writing community.  At Hollins, your work will be discussed many times during the semester, even weekly, not just two or three times in a large workshop format. Graduate tutorials are limited to 3-5 students and conferences are encouraged.

Teaching Fellowships  in year two :

All rising second year students in good standing may apply for a limited number (typically four) of Teaching Fellowships. These awards carry a full tuition waiver plus a salary of $7000.  The teaching load is 1/1, and the courses are multi-genre introductory creative writing courses in poetry and fiction (not composition). T.F.s report that they love teaching enthusiastic undergraduate writers, and still have time to do their own work.

There are opportunities for all of our students who desire it to gain college teaching experience by working with professors as course assistants in a variety of undergraduate literature and creative writing courses. Many of our students gain teaching experience outside of the program in the community through tutoring roles at Virginia Western Community College and local high schools.

We are always seeking to improve the level of financial support we can provide.  We recognize the importance of funding, as does the Hollins administration, and we are working together to improve the funding picture on an ongoing basis.

Got any advice for improving my chances of getting in?

It all matters, but the most important part of your application is the  writing sample .  If you send an excerpt of a long work, it’s a good policy to briefly contextualize it for the reader with a  short  paragraph of summary about how the excerpt fits into the whole.  We’re sorry to say that, due to the volume of applications, faculty cannot provide direct feedback on manuscripts.

Poetry (approx. 10 pages)

Fiction (approx. 25 pages)

Creative Nonfiction (approx. 25 pages)

Samples of more than one genre (not to exceed 30 pages total)

In addition to the writing portfolio, you will also need to provide: official transcripts of all undergraduate work, three letters of recommendation (we don’t have a recommender’s form), and a brief statement of educational objectives (500 words or less).  All  prose should be double-spaced  and in a  standard font  like Times New Roman. See: http://www.hollins.edu/admission/graduate-programs-how-to-apply/

Sometimes we receive applications in creative nonfiction that are excellent, but just not what we are looking for.  If you are writing investigative reporting and your goal is to become a journalist, our program is probably not for you.  However, if you want to write essays or booklength narrative nonfiction or memoir (although we’d like to see some range in the application beyond writing that is all about  me ), please apply.

Hear this:  we do not offer “tracks” in single genres.  Read on about our genre philosophy below!

GRE scores are not required . Of course, good ones don’t hurt, especially if your grades aren’t stellar (as most of our applicants’ are) so send ’em in. And make use of the personal statement in the application to let us know what your voice is, who you really are.  Remember your audience:  you are writing to writers.

Do you look for a particular style of writing?

There is not a single aesthetic that we’re looking for—you’ll notice that the faculty and our graduates write in quite a range of styles, genres, modes, what have you.

We do look for writing samples that are strong, polished, and indicative of a writer committed to the craft, someone who’s dedicated to reading and writing. Don’t apply here because you want to be “an author” or because you think working as a college professor is an easy fallback plan for your life. Apply here if you have things to say and take delight in what words do.

While most applicants submit in one genre only, if you write both poetry and fiction, say, feel free to send samples of both: our best advice is simply to send your strongest work. In any case,  proofread it carefully.

On that note, if you enter the program, be prepared to work with people dedicated to all different forms and flavors of writing. You yourself may want to focus on memoir, but you’ll certainly spend time in class with novelists, short story writers, and poets. We’re interested in good writing across the board, rather than keeping you on a narrowly focused track. And don’t expect your classmates’ styles, tastes, interests, or favorite writers to be clones of yours.

This goes for writers of every genre:  be willing to explore multi-genres once you arrive .  Sometimes this will mean your reading and responding thoughtfully to the works of others and sometimes it will mean being handed an assignment to write in a genre you’re not that wild about: We’re committed to expanding your range.

Can I attend the program part-time?

Sorry: no. We’re structured in a way that makes that impossible.

I’m a person of color, where can I access relevant resources about Roanoke and the MFA?

Hollins values diversity on campus and in the classroom. Please find more information and resources in  this document compiled by an MFA alumna.

How large is the program?

Hollins accepts approximately TEN new writers each year for our two-year program.  So there are usually twenty Creative Writing grad students around, along with a considerable number of undergraduates who are serious writers themselves; many undergrads come to Hollins because of the Creative Writing program. And then there’s the faculty…

What is the process for reading applications and what are my chances of getting in? 

The facts: Our acceptance rate ranges from 11%-15%.

Members of our core MFA faculty read each application at least twice. We don’t farm out the applications to paid readers. We have a meeting to discuss the top writers in the pool. We want to admit the best applicants for our program in the three genres (fiction, poetry, and nonfiction). Each entering class is made up, in unequal parts, of poets, fiction writers, and nonfiction writers; if you come here you’ll be one of just a dozen first-year MFAers.

May I transfer credits from another graduate writing program to Hollins? Or apply credits from the Hollins MA in CW toward the Hollins MFA degree?

All credits must be earned at Hollins.

And: no.  The MA degree is a separate and different degree from the MFA.

Who are some writers who have graduated from Hollins?

There are actually far too many Hollins writers to begin to list them all.

Among our graduates are Pulitzer prize winners Annie Dillard, Henry Taylor, and Natasha Trethewey; novelists and story writers Madison Smartt Bell, Kiran Desai, Tony D’Souza, Ethan Hauser, Tama Janowitz, Matt Klam, Jill McCorkle, and Adam Ross; poets Adrian Blevins, Scott Cairns, Wyn Cooper, Rebecca Dunham, Edward Kleinschmidt Mayes, and Mary Ruefle, as well as photographer Sally Mann, filmmaker George Butler, and literary journalist Beth Macy.

Our recent MFA graduates are already distinguishing themselves: Kristina Gorcheva-Newberry, Jen Fawkes, Anna Caritj, Meghana Mysore, Gretchen VanWormer, Cort Bledsoe, Jack Christian, Erin Ganaway, Hank Hudepohl, Luke Johnson, R. Flowers Rivera, Scott Loring Sanders, Will Schutt, and Susan Rebecca White have brought out novels and collections of stories and poems. Please check out our alumni news on these pages to see what our graduates are doing.  There are announcements of forthcoming books and news of grants and post-graduate fellowship awards.

Meghana Mysore ’22 was a Steinbeck Fellow in Creative Writing (2022-2023) as well as Tin House Summer Scholar (2023).

Anna Caritj received the Wagenheim Fiction Prize in 2012 and was a winner of the Association of Writers and Writing Programs’ 2016 Intro Journals Project.

Kristina Gorcheva-Newberry won a Raz/Shumaker Prairie Schooner Book Prize in Fiction for her debut collection of stories, What Isn’t Remembered, long-listed for the 2022 PEN/Robert W. Bingham Prize and shortlisted for the 2022 William Saroyan International Prize.

Will Schutt ’09 won the Yale Series of Younger Poets Prize for 2012.   http://yalebooks.wordpress.com/2012/03/08/will-schutt-wins-the-yale-younger-poets-prize-2012/

There’s a reason we were called “pound for pound, the most productive writing program in America.” You might want to check out the long (and incomplete) roster at: https://www.hollins.edu/authors/ 

We think this is in part because of our work-hard-have-fun ethic, the energy and commitment of the writing faculty, and the general atmosphere of challenging support. It’s certainly because of who comes here to study. Or maybe it’s just the feng-shui from the surrounding mountains. Or it could be something in the water…

How closely will I be studying with the creative writing faculty?

Hollins is ranked among the top “25 Colleges with the Best Professors” by the Center for College Affordability and Productivity.

In the first year, graduate students take two workshops per semester: the graduate tutorial, and the advanced workshop, working with a different writer/teacher for each.

The graduate tutorial lasts the entire year, and is composed of 3-5 graduate students plus an MFA. faculty instructor. In the second year of the program, you take another year-long tutorial while working closely with faculty to shape your thesis, a book-length work of publishable quality.

Advanced workshops average twelve students, mixed grad and undergrads in semester one, and usually mixed-genre. In your second semester of the program, the advanced seminar will be an all-grad class, typically taught by our Distinguished Professor of Creative Writing. This is your chance to learn what your peers are working on and experiment with writing outside of your main area(s).

Check out the faculty and staff directory here.

What courses do grad students typically take for their MFAs?

Forty-eight (48) credits are required for the master of fine arts degree in Creative Writing. That means 12 four-credit classes: three per semester for two academic years.  An additional course can be taken each term at no extra cost.

The requirements look like this:

First and Second Year: Two semesters of Graduate Tutorial: ENG 501/502 & 511/512 (16 credits total)—this is described above.

First and Second Year: At least two courses (8 credits) selected from: ENG 584, 585, 586, & 587:  Advanced Studies in Poetry, the Novel, Short Fiction, & Creative Nonfiction —these courses are designed and taught especially for the MFA students in Creative Writing: designed  by  writers  for  writers.  They are not the same as literature courses designed for an advanced scholarly degree.

First Year: Two semesters of ENG 507/508  Advanced Creative Writing , the  seminar  (8 credits); the first term you study alongside advanced undergraduates; the second term you take an all-grad multi-genre section with your MFA peers.

Second year: Two semesters of ENG 599:  The Thesis  (8 credits).

The remaining two courses (8 credits) will be taken in appropriate 3-500 level English courses.

Year ONE Example Fall/Spring:

1) 501/502 (Graduate Tutorial)

2) 507/508 (Multi-genre Writing Seminar)

3) Advanced Studies in (poetry, novel, short fiction, or nonfiction)/Writer-in-Residence Special Topic course or another 500 level English course of your choice.

4) serving as Assistant Poetry Editor and reading submissions for  The Hollins Critic /Course Assistant for lower level CW or Eng. class

Year TWO Example Fall/Spring:

2) Thesis/Thesis

3) Advanced Studies in (what’s offered this term)/Cross-Genre & Experimental Writing or another 500 level English course of your choice or other elective from a related department, for example Advanced Painting, etc.

4) optional extra course or audit

Many students decide to take more than two of the four courses from the Advanced Studies series listed above. Others choose from the English Department’s various literature courses (ranging from  Origins of Poetry  to  Film as a Narrative Art ,  Screenwriting ,  Poetry as Performance ,  The Modern Novel ,  Arab-American Literature ,  The Jazz Aesthetic , and a wide range of other courses. You may also pick classes in other departments (Art, Philosophy, or Playwriting, for example), if they suit your needs.  And some students are so wound up that they take extra courses…

What is the literary life like at Hollins?

We have a regular series of evening readings—two a month on average—and an annual spring Literary Festival (see below for recent visiting writers). Receptions after these readings give students a chance to meet visiting writers, have books signed, and hang out together, talking trash. Obviously, you must be present to win these experiences.

In the past, we’ve sponsored a reading series with an open mic in downtown Roanoke. This series, coordinated by our writing students, links Hollins’ writers to the city and region. Our students participate in the annual Roanoke Regional Writers Conference , networking with other writers, literary agents, and editors.  We also have student readings on campus, run by students. Rah. Our students exchange readings with the grad students at Virginia Tech, hosting each other in a series called “Connecting Ridges.”

During the spring semester, there is a distinguished poet or writer of fiction in residence.  S/he teaches a special course which is open to graduate students. Past writers in residence include: memoirist Janisse Ray, poet Li Young Lee, poet/memoirist Rebecca McClanahan, novelist/memoirist Karen Salyer, novelist Karen Osborn, and US Poet Laureate (!) Natasha Trethewey.

My primary interest is writing for children—should I apply?

Actually, in that case, we recommend our sister summer-term program, which has a separate section in the Hollins website. However, if you want to focus on writing for adults, but would like to do some children’s/YA writing on the side, or if you want to take good courses in which you read and discuss children’s lit, this program would work well for you. (Translation: don’t send writing for children as your application sample for the two-year, Sept-May MFA. program in creative writing.)

What is the level of student interaction outside of class?

With an average of twelve students in each MFA class, the graduate writing students generally are a pretty close-knit group, whether they are clustered in the graduate lounge on the third-floor of the English building, catching a movie at the Grandin Theater in downtown Roanoke, or arguing about prose poems while sitting in rocking chairs on the front porch of Main. Of course, you can go off on your own to write—you will, you will—but our sense of community is a key part of the Hollins experience.

What can I expect from campus and the Roanoke area?

Roanoke is a small city of about 250,000 surrounded by the Blue Ridge Mountains. It’s got good coffee shops, farmers’ markets that just won’t quit, a co-op with local organic produce and specialty items, an art-house cinema, a pocket cinema, a new regional art museum, and an active live music and bar scene. The picturesque (yes, it really looks like that) Hollins campus is about fifteen minutes from the downtown area, and just a few miles from the Blue Ridge Parkway and the Appalachian Trail. (Bring your hiking boots.)

For general info, see this link:

http://www.roanoke.org/home

Do you have graduate student housing?

Hollins University has a very limited amount of apartment-style housing on campus for graduate students. This has all the pros and cons of dorm-like life, with kitchens. There are some other convenient, within easy walking or biking distance, rooms available in the Hollins area.

Our program maintains a list from former graduate students of housing in Roanoke, and we share these leads with admitted students. Roanoke city and the surrounding area offer a variety of options, from funky apartments in late 19th-early 20th-century showplaces-on-the-skid to standard apartment complexes, modern apartments in renovated and repurposed factories and warehouses, to the occasional cabin in the country.  You can find a setting that works for you, from historic inner city to countryside dotted with cows. We recommend that you collaborate with other students and get advice from the rising second year grads once you are admitted.  Living near other grad students can definitely enhance your experience of living here.

Are there job opportunities on the Hollins campus?

Not many. But most MFA students do find work in town—bookstore gigs, substitute teaching, leading youth programs, a little journalism or copy-editing, tutoring at the local community college, and yes, frothing those lattes. While the program will keep you busy writing, it is possible to work a part-time job while attending.

Having a car greatly enhances your employment options.

What opportunities for teaching and training will I have?

Teaching Fellows and those teaching January term are trained and mentored in our teaching practicum on everything from creative writing pedagogy to institutional practice. You will be mentored throughout your teaching year, offered ongoing support, counsel, and critical feedback, and you may perhaps even be video taped in the service of making you a better classroom teacher.

Even if you are not a Teaching Fellow in year two, you can arrange to serve as a course assistant with an English or creative writing professor and gain valuable teaching experience by working closely with a faculty member in course preparation and classroom strategy. Course assistants have worked successfully with 100 and 200-level literature and writing classes.

Graduate Assistants serve the creative writing program while gaining valuable experience, including hosting visiting writers; managing the reading series; web-mastering our online information; serving as research assistants and assistant editors for  The Hollins Critic ; coordinating community events; screening submissions to contests for undergraduates and high school students; and serving as contacts for newly admitted MFA applicants.  GA’s may also have the opportunity to develop and offer a class during the January term.

Visiting writers routinely lead discussion and craft sessions, in addition to mingling with students informally at receptions and going to lunch with MFA students. Because our community is relatively small, you will have uncommon access to the expertise of our faculty and visiting writers. This is something our alums say is distinctive about the Hollins program.

When will I hear if I am accepted, and then what?

Once  you accept your position, you will hear from us again  the second week or so of June , when we will send you various and sundry information you will need for enrollment, along with housing info and all required college paperwork.  Your next contact will be  with the director in late August  when orientation begins with an individual conference, followed by orientation with your fellow students.

Registration takes place in person once you are on campus. There is no online registration for MFA-CW students. We save spaces for you in the classes you will be taking.

So, the graduate program at Hollins is (more than) 60 years old: what’s new at Hollins?

For one thing, The Jackson Center for Creative Writing, which contains both of our creative writing programs, undergrad and graduate.  The center provides for the annual Jackson Poetry Reading (see below); a faculty chair in creative writing, currently held by Professor Cathryn Hankla; promotional budget for the programs; and additional scholarships for undergrads and grads.

While Hollins is among the handful of the most established graduate creative writing programs in the nation, it is still best known for the quality of its teaching and the literary productivity of its graduates.

Recent years have brought new scholarships (named in honor of long-time graduate director Richard Dillard; former faculty poet, Julia Sawyer Randall; and the Jacksons) for graduate students and an endowed distinguished professorship in creative writing.

The Beanstalk fund, a joint venture of the creative writing program and the Wyndham Robertson Library, brings various writers to campus.  Recent readers have included Kendra Allen, C.E. Morgan, bell hooks, Emily St. John Mandel, Roxane Gay, Edward P. Jones, Moira Crone, and Elizabeth Strout.  Check our calendar on this site for coming attractions!

Through the generosity of Brian Everist and his family, funding for our readings and distinguished speakers’ series enables us to consistently bring to campus writers and scholars of national and international reputation. Recent visitors have included Lydia Davis, Nick Flynn, Marjorie Garber, Jamaica Kincaid, Ben Lerner, Valerie Martin, Molly Peacock, Francine Prose, George Saunders and Lyrae Van Clief-Stefanon.

Through the generosity of John and Susan Jackson, we have established the annual Jackson Poetry Reading. Past readers have included Charles Wright, Natasha Trethewey, Claudia Emerson, Carl Dennis, Mark Doty, Alice Fulton, C.D. Wright, and Joy Harjo.

What does the MFA Program Director have to say?

Please read all our information carefully and talk to students actually enrolled here while you are making up your mind. We offer a large amount of remanded tuition through grants and scholarships and many personal opportunities a larger program may not match.

Many folks have found the missing metropolis conductive to literary production, but if you require a noisy, bustling city, don’t expect to find one in the mountains of Virginia.  If you require a college town specifically, you won’t find that either. You will find a lot of other things of value.

An MF.A. degree is no guarantee of literary success nor is it an automatic passport to a university teaching job, yet it can be a stepping stone and the community you find is everything to the value of the experience. The friendships you form will be important for the rest of your (writing) days.

Signs that an MFA at Hollins may not be right for you:

1) You think writers are eccentric loners who have no need of mentors or peers.

2) You want to study one genre exclusively (reread the information about us above!).

3) You want to take literature courses with PhD students (you are looking for an “academic” program).

4) Mountains make you nervous…same with postcard-ready scenery…

We look for playful workaholics: writers, first, who really write.  They most likely work every day, almost, and likely at something like a regular time. Or they may be binge writers, disappearing for several days, staying up till dawn to hit the keyboard—as long as the binges happen often, these people will be fine, too.

The playful part is important. This doesn’t mean excessive fondness for bohemian bacchanals. It might mean a love of karaoke or a zest for dodge ball. Almost certainly it means a love of jokes and verbal goofiness and a little tomfoolery every now and then. We look for people who read like crazy. Did, do, cannot stop. Maybe work in multiple art forms, too. Finally, we are pleased to see that someone’s got obsessions: Fly-fishing, quilting, medieval Japan, the Fibonacci series, Indian motorcycles, international politics, cooking, progressive jazz, the Appalachian trail, whatever—if there’s something out there in the world a student finds compelling, we feel hopeful. If it’s several somethings, even better.

Better yet, what do current students and very recent graduates have to say?

–“I already recommended Hollins and will continue to do so.  I think the quality of instruction at Hollins is top-notch.  I feel like it’s always about the writing, not about hype.  Classes are super small and intimate.  Funding is steadily increasing.  I never felt like my creativity was stifled in any way, like I was being taught to write in the MFA mold.  Hollins doesn’t lure potentials in with a big name writer who’s never actually on campus.  Writers are celebrated and respected on campus.”

–“…the camaraderie that Hollins nurtures among MFA students is an important part of the experience….the students in the program are more supportive of each other than competitive.”

–“It’s been a wonderful & productive experience.  Everything I’d hoped for & more.”

–“The program offers a collegial and challenging atmosphere in which to write.”

–“It is a fantastic studio program for the serious, self-motivated writer in a warm, welcoming environment.”

–“Hollins teaches you how to be a writer, not just how to write.”

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