biography and memoir books

15 Memoirs and Biographies to Read This Fall

New autobiographies from Jemele Hill, Matthew Perry and Hua Hsu are in the mix, along with books about Martha Graham, Agatha Christie and more.

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By John Williams ,  Joumana Khatib ,  Elizabeth A. Harris and Alexandra Alter

• Published Sept. 8, 2022 Updated Sept. 15, 2022

Solito: A Memoir , by Javier Zamora

When he was 9, Zamora left El Salvador to join his parents in the United States — a dangerous trek in the company of strangers that lasted for more than two months, a far cry from the two-week adventure he had envisioned. Zamora, a poet, captures his childhood impressions of the journey, including his fierce, lifesaving attachments to the other people undertaking the trip with him.

Hogarth, Sept. 6

A Visible Man: A Memoir , by Edward Enninful

The first Black editor in chief of British Vogue reflects on his life, including his early years as a gay, working-class immigrant from Ghana, and his path to becoming one of the most influential tastemakers in media.

Penguin Press, Sept. 6

Agatha Christie: An Elusive Woman , by Lucy Worsley

Not many authors sell a billion books, but Christie’s nearly 70 mysteries helped her do just that. Born in 1890, she introduced the world to two detectives still going strong in film adaptations and elsewhere: Hercule Poirot and Miss Marple. Her life even included its own mystery, when she vanished for 11 days in 1926 . Worsley, a historian, offers a full-dress biography.

Pegasus Crime, Sept. 8

Ducks: Two Years in the Oil Sands , by Kate Beaton

This graphic memoir follows Beaton, a Canadian cartoonist, who joins the oil rush in Alberta after graduating from college. The book includes drawings of enormous machines built to work the oil sands against a backdrop of Albertan landscapes, boreal forests and northern lights.

Drawn and Quarterly, Sept. 13

Like a Rolling Stone: A Memoir , by Jann S. Wenner

In 2017, Joe Hagan published “Sticky Fingers,” a biography of Wenner, the co-founder of Rolling Stone magazine. Now Wenner recounts his life in his own words, offering an intimate look at his time running the magazine that helped to change American culture.

Little, Brown, Sept. 13

Stay True: A Memoir , by Hua Hsu

A New Yorker staff writer reflects on a life-changing college friendship cut short by tragedy. Hsu — interested in counterculture, zines and above all music — seemed to have little in common with Ken, a Dave Matthews Band-loving fraternity brother, with the exception of their Asian American heritage. In spite of their differences, they forged a close bond; this is both a memoir of their relationship but also Hsu’s journey to adulthood as he makes sense of his grief.

Doubleday, Sept. 27

Wild: The Life of Peter Beard: Photographer, Adventurer, Lover , by Graham Boynton

A biography of the photographer Peter Beard, who had a fondness for risk, drugs and beautiful women. Boynton, a journalist and author, was a friend of Beard’s for more than 30 years.

St. Martin’s, Oct. 11

The Extraordinary Life of an Ordinary Man: A Memoir , by Paul Newman

When Newman and his iconic blue eyes died in 2008, the actor left behind taped conversations about his life, which he had put together with hopes of writing his life story. Now, with the participation of Newman’s daughters, the transcripts have been turned into this book, which sees Newman on his early life, his troubles with drinking and his shortcomings as a husband and parent, as well as his decorated career.

Knopf. Oct. 18

Madly, Deeply: The Diaries of Alan Rickman

Rickman, the English stage and screen actor who died in 2016, was famous for his roles in “Die Hard,” the Harry Potter movies, “Love Actually” and many other films. He kept a diary for 25 years, about his work, his political activism, his friendships and other subjects, and they promise to be “anecdotal, indiscreet, witty, gossipy and utterly candid.”

Henry Holt, Oct. 18

README.txt: A Memoir , by Chelsea Manning

Manning, a former Army analyst, shared classified documents about the U.S. military’s operations in Iraq with WikiLeaks. In this memoir, she explores her childhood and what drew her to the armed services, her eventual disillusionment with the military and her life as a trans woman.

Farrar, Straus & Giroux, Oct. 18

The White Mosque: A Memoir , by Sofia Samatar

Samatar, a novelist, turns to nonfiction in this complex work combining religious and personal history. Raised in the United States, the daughter of a Swiss-Mennonite and a Somali-Muslim, Samatar recounts her life while relating a pilgrimage she undertook retracing the route of German-speaking Mennonites who founded a village in Central Asia in the 1800s.

Catapult, Oct. 25

Martha Graham: When Dance Became Modern , by Neil Baldwin

The biographer Baldwin’s eclectic list of subjects has included William Carlos Williams, Man Ray, Thomas Edison and Henry Ford. Here he turns his attention to Martha Graham, the American choreographer who revolutionized modern dance and founded her own company, which is still going strong, in 1926.

Knopf, Oct. 25

Uphill: A Memoir , by Jemele Hill

Hill, now a contributing writer at The Atlantic, rose to fame as a TV anchor on ESPN. Her memoir covers the time in 2017 when ESPN suspended her (she had criticized the politics of the Dallas Cowboys’ owner, Jerry Jones, and had called President Trump a white supremacist). But the book offers a much broader canvas that includes her upbringing in Detroit and the trauma of generations of women in her family.

Henry Holt, Oct. 25

Friends, Lovers and the Terrible Thing: A Memoir , by Matthew Perry

Perry, who played Chandler Bing on “Friends,” has been candid about his substance abuse and sobriety. In this memoir, he returns again to discussions of fame and addiction, but also reaches back to his childhood.

Flatiron, Nov. 1

I Want to Die, but I Want to Eat Tteokbokki: A Memoir , by Baek Sehee. Translated by Anton Hur.

A best seller in South Korea, Baek’s memoir recounts her struggles with depression and anxiety, told through discussions with her therapist, which she recorded over a 12-week period. The therapy sessions are interspersed with short essays that explore her self-doubt and how feelings of worthlessness were reinforced by sexism.

Bloomsbury, Nov. 1

Elizabeth A. Harris writes about books and publishing for The Times.  More about Elizabeth A. Harris

Alexandra Alter writes about publishing and the literary world. Before joining The Times in 2014, she covered books and culture for The Wall Street Journal. Prior to that, she reported on religion, and the occasional hurricane, for The Miami Herald. More about Alexandra Alter

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The 20 Best Memoirs Everyone Should Read

These autobiographies deliver poignant self-reflection, humor, and even some recipes.

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As a genre, memoir can be hard to define. It’s meant to be intensely personal and offer some kind of perspective on, or lessons learned from, the past. But by picking up a memoir, you’re guaranteed to learn about someone’s story in their own words.

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I Know Why the Caged Bird Sings by Maya Angelou (1969)

An American classic, Maya Angelou ’s debut memoir recounts the acclaimed author ’s childhood and adolescence from Arkansas to Missouri to California. She touches on themes of identity and self-acceptance and recounts the abhorrent racism she and her family experienced, as well as the sexual violence she suffered at the hands of her mother’s boyfriend. But there’s great joy here, too, especially when young Angelou learns to come out of her shell through her love of literature.

Kitchen Confidential: Adventures in the Kitchen Underbelly by Anthony Bourdain (2000)

You’ve probably seen this book on several similar lists, but that’s because it’s endlessly interesting. Bourdain dishes on such a niche culture—that of high-octane kitchens in some of the world’s best restaurants—and doesn’t shy away from some of its ugliest qualities. He gets personal, too, with anecdotes both amusing and somber.

Read More about Anthony Bourdain

Wave by Sonali Deraniyagala (2013)

Sri Lankan writer and economist Sonali Deraniyagala lost her parents, her husband, and her two young sons in the 2004 tsunami that devastated parts of Thailand, Sri Lanka, Indonesia, and India. In this relentless memoir, she explores the seemingly bottomless depths of grief and how our power to remember the past can be healing. Readers who love a resolution might look elsewhere, but they’d be missing out on some unflinching, courageous writing.

The Year of Magical Thinking by Joan Didion (2005)

From acclaimed writer Joan Didion, The Year of Magical Thinking recounts the sudden death of her husband and the hospitalization of their daughter within days of each other. (Her daughter eventually died at 39, which Didion writes about in Blue Nights .) It’s an engrossing and vulnerable look into a year of experiencing and coping with tragedy—filled, of course, with the writer’s famously incisive prose.

The Princess Diarist by Carrie Fisher (2016)

In her final book, actress and writer Carrie Fisher gives fans a peek behind the curtain of her time on set of the first Star Wars movie . She hilariously commentates on excerpts from her diary during that time, recalls her crush on Harrison Ford , and delves into how complicated it can be to navigate the world of celebrity—especially as the face of such an iconic character.

Read More about Carrie Fisher

Hunger: A Memoir of (My) Body by Roxane Gay (2017)

Widely recommended as one of the best books of 2017, Hunger is Roxane Gay’s raw and powerful memoir about her own self-image and our society’s obsession with appearance. There’s a reason Gay is such a prolific writer today, whether you follow her musings on Twitter or her New York Times column; she is incredibly inquisitive and can make any reader question the status quo. Hunger is no exception.

Party of One: A Memoir in 21 Songs by Dave Holmes (2016)

We all have songs that can conjure specific memories. Writer, comedian, and TV personality Dave Holmes takes that notion to heart in his memoir, where he writes about growing up Catholic and closeted in Missouri and how he “accidentally” became an MTV VJ. There’s a plethora of references to ʼ80s and ʼ90s music and self-deprecating humor that strikes the perfect balance.

Minor Feelings: An Asian American Reckoning by Cathy Park Hong (2020)

There’s no shortage of powerful writing in this book by writer and poet Cathy Park Hong. Throughout the work—about America’s racialized consciousness—she expertly weaves many personal details of her life as the daughter of Korean immigrants with topics like intersectionality and artistic expression. There’s plenty of enlightening history, too, including on activist Yuri Kochiyama . Her writing demonstrates her self-awareness; she even challenges many of her own thoughts. It’s a fascinating, essential read.

How We Fight for Our Lives by Saeed Jones (2019)

Saeed Jones, an award-winning poet, writes with such a distinct style in this searing memoir about coming of age as a young, black, gay man from the South. He writes about grief, about identity in a world that makes it hard to find one, and about acceptance. It’s a short read in length (at 192 pages) but leaves a memorable impression.

Into Thin Air: A Personal Account of the Mt. Everest Disaster by Jon Krakauer (1997)

Writer Jon Krakauer’s infamous retelling of the 1996 Mount Everest expedition that left eight climbers in his party dead is a harrowing read. For those with zero mountaineering experience (like this writer), he makes it easy to visualize what conquering this mountain looks like. There’s also some fascinating insights on the commercialization of Everest. If you’re reading a recently printed version, there’s an interesting postscript that responds to the fairness of his account of events (which was questioned in fellow survivor Anatoli Boukreev’s book The Climb ).

Heavy by Kiese Laymon (2018)

With the deeply moving Heavy , Kiese Laymon shares the trials of his upbringing in Jackson, Mississippi. It’s written in the second person, addressing his mother, and it touches on his relationship to his body and how racism permeated his views of himself and the world around him. This modern memoir should be on every reading list.

In the Dream House by Carmen Maria Machado (2019)

If you want to read a book that turns the concept of a memoir on its head, pick up Carmen Maria Machado’s In the Dream House . While playing with traditional form, Machado delves into the abuse she suffered in a same-sex relationship. She references horror tropes and fairy tales and gives readers a completely vulnerable (and often terrifying) look into a dark and traumatizing experience. We’ve heard the audio version is just as engrossing.

I’m Glad My Mom Died by Jennette McCurdy (2022)

In what was arguably the most talked-about memoir of the past year, actor and writer/director Jennette McCurdy details what went on behind the scenes in her life before, during, and after making the hit Nickelodeon show iCarly . She bears it all—discussing her eating disorder and the toxic relationship she had with her mother—while using pitch perfect humor, in a memoir that’s hard to stomach at times. But it’s worth it to see how she ultimately takes back control of her life.

Know My Name by Chanel Miller (2019)

You might remember Chanel Miller as Emily Doe. After being sexually assaulted by Brock Turner on the Stanford University campus in 2015, she wrote a victim impact statement under this name that reverberated around the world. In this profound memoir, she reclaims her real name and reveals the frustrating truths surrounding victimhood and the criminal justice system. But her writing also divulges her incredible strength—it’s a powerful read that this writer finished in one sitting.

32 Yolks: From My Mother’s Table to Working the Line by Eric Ripert (2016)

Two memoirs on this list from acclaimed chefs? We couldn’t resist. For those who might’ve already enjoyed Bourdain’s Kitchen Confidential , might we suggest Eric Ripert’s 32 Yolks . Ripert is, as some will know, the famed French chef behind renowned New York City restaurant Le Bernardin. In this memoir, he chronicles his upbringing in a fractured family in the south of France and how food was always a great comfort. Equal parts fun, infuriating, and awe-inspiring, Ripert includes high-stakes stories from his days in culinary school and working the line at fine dining establishments in Paris.

Taste: My Life Through Food by Stanley Tucci (2021)

Actor Stanley Tucci’s memoir about, well, his life through food is a light read filled with succinct writing, his dry humor, and (of course) hunger-inducing recipes that button each chapter. It’s also very touching and essentially a love letter to his Italian-American parents and how those early meals together around the table shaped the course of his life. Don’t read on an empty stomach.

Men We Reaped by Jesmyn Ward (2013)

For anyone who loves Jesmyn Ward’s renowned novels like Sing, Unburied, Sing or Salvage the Bones , her memoir should be next on your TBR list. Here, she chronicles her upbringing in rural Mississippi and remembers the five men in her life that she lost in the space of four years to suicide, drugs, and sheer bad luck. The most deeply felt is her brother, who was hit by a drunk driver. With beautiful, introspective prose, Ward delves into masculinity, poverty, survivor’s guilt, and loneliness.

Educated by Tara Westover (2018)

It can be hard at times to read Tara Westover’s bestselling memoir, Educated . Along with her incredible journey to becoming a scholar at Harvard and Cambridge without receiving any kind of formal education, she recounts the psychological and physical abuse she suffered while growing up with her survivalist family in the mountains of Idaho. But it’s an unforgettable story about her will to change the course of her life.

The Wreckage of My Presence by Casey Wilson (2021)

Reading actress and comedian Casey Wilson’s memoir is like sinking into a comfy couch with your favorite beverage, ready to hear all of your best friend’s exploits. You’ll be laughing out loud during some chapters—whether they’re about her affinity for the Real Housewives franchise or behind-the-scenes moments from the (cut much too short) ABC comedy Happy Endings —then shedding tears the next, as she mourns the death of her mother. This is a quippy, heartwarming addition to any bookshelf.

Crying in H Mart by Michelle Zauner (2021)

Maybe you know Michelle Zauner best as the lead singer of renowned alt-pop group Japanese Breakfast. But here, in this recently penned memoir, she recounts taking care of—and ultimately losing—her mother, who was given a terminal cancer diagnosis when Zauner was 25. It’s a complicated, very moving account of the experience that poetically touches on identity and grief. Interspersed within these memories are mouth-watering descriptions of Korean foods that only make readers more greatly feel both the love and the loss.

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The best memoirs and biographies of 2022

Heartfelt memoirs from Richard E Grant and Viola Davis, childhood tales of religious dogma, and vivid insights into Agatha Christie and John Donne

The best books of 2022

C elebrity memoirs often follow the same trajectory: a difficult childhood followed by early professional failure, then dazzling success and redemption. But this year has yielded a handful of autobiographies from famous types determined to mix things up. Richard E Grant’s vivacious and heartfelt A Pocketful of Happiness (Gallery) recounts a year spent caring for his late wife, Joan Washington, who was diagnosed with lung cancer shortly before Christmas in 2020, and the “head-and-heart-exploding overwhelm” that followed. The book interweaves hospital appointments with memories of the couple’s courtship plus showbiz stories of Grant at the Golden Globes, or hijinks on the set of Star Wars. This juxtaposition of glamour and grief shouldn’t work, but it does.

Minnie Driver’s Managing Expectations (Manila) comprises spry and amusing autobiographical essays that detail pivotal moments in the actor’s life. These include her experience of becoming a mother, cutting off all her hair on a family holiday in France and the time her father sent her home to England from Barbados alone, aged 11, including a stopover at a Miami hotel, as punishment for being rude to his girlfriend (Driver got her revenge by buying up half the gift shop on her dad’s credit card). She also recalls the disgraced producer Harvey Weinstein bemoaning her lack of sex appeal, which she notes was rich from a man “whose shirts were always aggressively encrusted with egg/tuna fish/mayo”.

Alan Rickman’s Madly, Deeply (Canongate) diaries provide insight into the inner life of the late actor who, despite his many successes, frets over roles turned down and rails at the perceived ineptitude of script writers, directors and co-stars. He nonetheless keeps glittering company, hobnobbing with musicians, prime ministers and Hollywood megastars, and almost single-handedly keeps the tills ringing at the Ivy. And while he seethes at critics’ reviews of his own work, his assessments of less-than-perfect films and plays are so deliciously scathing, they deserve a book of their own.

In Finding Me (Coronet), the actor Viola Davis gives a clear-eyed account of her deprived childhood and her rise to fame, along with the violence, abuse and racism she endured along the way. The book is not so much a triumphant tale of overcoming adversity as a howl of fury at the injustice of it all. Davis may now be able to survey her career from a place of Oscar-winning privilege, but she doesn’t hesitate in calling out her industry and its ingrained racial bias, which leads to white actors landing plum roles and “relegates [Black actors] to best friends, to strong, loudmouth, sassy lawyers and doctors”. In The Light We Carry (Viking), the follow-up to her bestselling memoir Becoming, Michelle Obama also touches on the impossible-to-meet expectations that dog anyone trying to make it in a world that sees them as different, or deficient. “I happen to be well acquainted with the burdens of representation and the double standards for excellence that steepen the hills so many of us are trying to climb,” she writes. “It remains a damning fact of life that we ask too much of those who are marginalised and too little of those who are not.”

Away from the world of global fame and its attendant scrutiny, the journalist Chitra Ramaswamy’s touching memoir Homelands (Canongate) documents the author’s friendship with 97-year-old Henry Wuga, who escaped Nazi persecution as a teenager and began a new life in Glasgow. Interwoven with Wuga’s recollections is Ramaswamy’s own family story – she is the daughter of Indian immigrant parents – through which she digs deep into matters of identity, belonging and the meaning of home. Similar themes are explored in Ira Mathur’s multilayered Love the Dark Days (Peepal Tree), which, set in India, Britain and the Caribbean, reads like a fictional family saga as it leaps back and forth in time. The book charts the lives of the author’s wealthy, dysfunctional forebears against a backdrop of patriarchal hegemony and a collapsing empire.

The Last Days (Ebury) by Ali Millar and Sins of My Father (Weidenfeld & Nicolson) by Lily Dunn each tell harrowing stories of families torn apart by religious dogma. Millar, who grew up as a Jehovah’s Witness on the Scottish borders, reflects on a childhood haunted by predictions of Armageddon and blighted by her eating disorder. As an adult she marries, within the church, a controlling man and has a baby, though at 30 she makes her escape and is “disfellowshipped”, meaning she is cut off for ever from her family. Meanwhile, Dunn recalls losing her father to a commune in India presided over by the cult leader Bhagwan Shree Rajneesh, where disciples were encouraged to “live in love”, meaning they could engage in guilt-free sex. Dunn’s book is her attempt to pin down this charismatic, mercurial and unreliable figure and the ripple effects of his actions on those closest to him. In Matt Rowland Hill’s scabrously funny Original Sins (Chatto & Windus), it is the author who is the agent of chaos. The son of evangelical Christians, Hill shoots heroin at the funeral of a friend who died from an overdose, and tries to score drugs on a visit to Bethlehem. Were his account a novel, you might accuse it of being too far-fetched.

In Kit de Waal’s first autobiographical work, Without Warning and Only Sometimes (Tinder Press), the author recalls how she and her four siblings would go to bed hungry while their father blew his earnings on a new suit, and her mother would work off her rage by collecting empty milk bottles and throwing them at a wall in the back yard. After a bout of depression in her teens, De Waal eventually found comfort and escape in literature. Her book is a brilliant evocation of the times in which she lived, when children learned to make their own entertainment and adults didn’t talk about their feelings, and a funny and tender portrait of a complicated family.

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The Crane Wife (Viking), by the American author CJ Hauser, began life as a confessional essay about the time she travelled to the gulf coast of Texas to study whooping cranes 10 days after breaking off her engagement. Published in the Paris Review, the essay blew up online, prompting Hauser to expand her thoughts on love and relationships into this thoughtful and fitfully funny book. Across 17 confessional essays, we find her furtively spreading her grandparents’ ashes at their old house in Martha’s Vineyard, contemplating breast reduction surgery and reflecting on her relationships with a high-school boyfriend and a divorcee who is clearly still in love with his ex.

Finally, some excellent biographies. Agatha Christie: A Very Elusive Woman (Hodder & Stoughton) by Lucy Worsley is a riveting portrait of the queen of crime viewed through a feminist lens. The book acknowledges Christie’s flaws, most notably in her views on race, while portraying her as ahead of her time in putting women at the centre of her stories and showing how older women “have more to offer the world than meets the eye”. Super-Infinite (Faber), winner of this year’s Baillie Gifford prize, is a biography of the 17th-century preacher and poet John Donne by Katherine Rundell, the children’s novelist and Renaissance scholar. Ten years in the writing, the book approaches its subject with wit and vivacity, bringing to life Donne’s inner world through his verse.

Jonathan Freedland’s The Escape Artist (John Murray) is a remarkable account of the life of Rudolf Vrba, a prisoner at Auschwitz who was put to work in “Kanada”, a store of belongings removed from inmates which revealed that the line fed to them was a lie: they were not there to be resettled but murdered. Vrba and his friend Fred Wetzler pledged to escape and tell the world about the Nazis’ industrialised murder, hiding beneath a woodpile for three days before slipping through the fence to freedom. The horror of this story lies not just in its account of “cold-blooded extermination” but in the slowness of authorities to react to the Vrba-Wetzler report, which laid out the workings of Auschwitz, complete with maps showing the chambers. Freedland recalls the words of the French-Jewish philosopher Raymond Aron, who, when asked about the Holocaust, said: “I knew, but I didn’t believe it. And because I didn’t believe it, I didn’t know.”

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