Young, beautiful, rich, charming and her own mistress, Linnet Ridgeway seems to have it all. In addition to her looks and money, she also has brains which she employs in understanding and partly managing her late father’s business. It is only a matter of few months before she will be running the business by herself. It is no surprise that she is coveted by many. But, Linnet has not found her man yet. Her old friend Jacqueline aka Jackie asks a favour from her. While Linnet’s parents left piles of money for her when they died, Jackie’s parents left her penniless. Jackie’s boyfriend Simon has lost his job and Linnet agrees to employ him.
Poirot notices Jackie and Simon, as they are celebrating the new job in a London night club, especially because of the passionate way that Jackie clings on to Simon. But, in a very short period of time, Simon dumps Jackie and marries Linnet instead. Ah well, she just seems irresistible.
Generally, this should be the end of Jackie and Simon’s story. But, it isn’t. Poirot, on a holiday in Egypt, meets Mr. Simon Doyle and Linnet, who have come for their honeymoon. Poirot also witnesses a very ‘not-friendly’ encounter between Jackie and the young couple. Later Linnet confides in him that Jackie has been stalking them ever since their marriage and it is getting on her nerves. Poirot talks to Jackie and tries to convince her that her course of action will only give her pain. But, Jackie is burning up with jealousy. She confesses that she wants to kill Linnet and also shows Poirot a pistol that she has been carrying around.
Death On The Nile – First Edition Cover (Year: 1937)
In an attempt to dodge Jackie, the Doyles go on a cruise on river Nile. However, to their immense unease they discover that Jackie is also on the ship. The first warning comes when Linnet is victim of a boulder falling off a cliff during one of the sight-seeing tours. Luckily she escapes narrowly. Meanwhile, Poirot’s old friend Colonel Race joins the cruise as part of hunt for an infamous killer, who is supposedly travelling on this cruise with a false identity. In addition to the Doyles, Poirot and Jackie following passengers are on the cruise:
The tragedy starts when that night Jackie gets drunk and attacks Simon with her pistol. Cornelia and Mr. Fanthorp are in the room and they help in putting Jackie away with the nurse and Simon who is shot in leg with Dr. Bessner. But, in all this excitement, Jackie’s pistol is lost. Next morning, Linnet is found shot dead in her bed. While Jackie appears as the prime suspect, herself and Simon, both were out of action for the night and have iron-clad alibis.
Poirot starts the investigation, and one after another, the secrets start to pop-out. Everyone on the cruise has something to hide and most of them seem to have a reason to murder Linnet. To make matters worse, two more murders follow that of Linnet as her maid Louise and later Mrs. Otterbourne are killed just when they are about to divulge some information. Eventually, we find an alcoholic, a kleptomaniac, a blackmailer, a thief and a swindler, but alas, none of them have killed Linnet.
As the mystery appears to deepen, it takes all Poirot’s genius to unmask the daring and highly resourceful criminal who devised a brilliant scheme to murder Linnet. However, crime never pays and finally Poirot does reveal the murderer.
A must read for all crime thriller lovers………
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Spellbound Books
By agatha christie.
Hercule Poirot #16
Mystery, Fiction, Classics, Crime, Thriller, Detective, Murder Mystery, British Literature
November 1, 1937
⭐️⭐️⭐️⭐️/5 stars
Beloved detective Hercule Poirot embarks on a journey to Egypt in one of Agatha Christie’s most famous mysteries.
The tranquility of a luxury cruise along the Nile was shattered by the discovery that Linnet Ridgeway had been shot through the head. She was young, stylish, and beautiful. A girl who had everything . . . until she lost her life.
Hercule Poirot recalled an earlier outburst by a fellow passenger: “I’d like to put my dear little pistol against her head and just press the trigger.” Yet under the searing heat of the Egyptian sun, nothing is ever quite what it seems.
A sweeping mystery of love, jealousy, and betrayal, Death on the Nile is one of Christie’s most legendary and timeless works.
Another solid Poirot mystery by Christie. I’m not usually into historical mysteries but for some reason her books always have me interested. They are very character heavy so keep that in mind when you are reading because it’s hard to keep them all straight at times.
Unfortunately, I did see the movie not too long ago so the mystery was ruined for me in that aspect. But I did think that the story was well written and the plot had pretty good twists in it. The beginning was a little slow but once it got into the mystery I flew through the book.
Overall, a solid 4-star read for me. Agatha Christie has a familiar writing style and aspect of her books so it’s easy to read. I do recommend this as one of better mysteries. I love Poirot and his antics so I really need to read more of this series.
All That Remains by Patricia Cornwell
The Silkworm by Robert Galbraith
Dark of Night by Barbara Nickless
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Agatha Christie's most daring travel mystery. The tranquillity of a cruise along the Nile is shattered by the discovery that Linnet Ridgeway has been shot through the head. She was young, stylish and beautiful, a girl who had everything – until she lost her life. Hercule Poirot recalls an earlier outburst by a fellow passenger: ‘I’d like to put my dear little pistol against her head and just press the trigger.’ Yet in this exotic setting’ nothing is ever quite what it seems…
It is always the facts that will not fit in that are significant. Hercule Poirot, Death on the Nile
Death on the Nile is among Agatha Christie’s best-loved and most famous works and is a sweeping mystery of love, jealously and betrayal. Agatha Christie drew inspiration for this novel from her travels in Egypt, picking up geographically and historical details throughout her time there.
When Agatha Christie adapted the story into a play, she dropped Hercule Poirot from the script as she felt that he drew too much attention on stage. The title was changed to Hidden Horizons and the play opened at Dundee Repertory Theatre. When the play moved to London’s West End in 1946, the title was changed to Murder on the Nile . Later on in the same year the show opened on Broadway, and in 1950 a live television broadcast of the US play took place as part of the Kraft Television Theatre.
As ingenious an alibi as can well be imagined. Sunday Times
Twentieth Century's Death on the Nile is due out in cinemas in February 2022, following the success of their 2017 adaptation of Murder on the Orient Express . Previous adaptations of Death on the Nile include the 1978 feature film which starred Peter Ustinov in his first role as Hercule Poirot. John Moffatt played Poirot in the first radio adaptation based on the book in 1997 which was broadcast as a five-part serial. In 2004, ITV’s Agatha Christie’s Poirot saw David Suchet take on the role in an adaptation which included famous faces Emily Blunt and James Fox. The novel has since been adapted into a hidden object PC game and a graphic novel.
Listen to an extract from the all new digital audio edition of Death on the Nile narrated by Kenneth Branagh, director and star of 20th Century Studios’ upcoming Death on the Nile feature film. In this famous Agatha Christie mystery, Hercule Poirot’s Egyptian adventure aboard a glamorous river steamer descends into a terrifying search for a murderer, with enough twists and turns to keep you unsettled and guessing until the final, shocking discovery. Kenneth Branagh reprises both his directorial role and that of the iconic detective in the upcoming film adaptation of Death on the Nile .
Agatha Christie toyed with the idea of originally naming the stage adaptation Moon on the Nile.
Kenneth Branagh reads the story for a new audio recording, which was released in June 2020
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Roughly every month, Bonnie Johnson will be taking a critical look at the latest screen adaptations of books — from beloved classics to novels you’d otherwise never have known. This month: Kenneth Branagh’s latest stab at the Agatha Christie universe, “Death on the Nile.”
A Bollywood thriller with dancing suspects, a giallo with huge-haired corpses in deep freeze, a porno with booby-trapped sex toys: Adaptations of Agatha Christie have gone just about everywhere. The British author’s polished puzzles made her the world’s bestselling novelist, and adaptations of her work mirror the evolution of popular media: theater, radio, silent film, international TV, video games. Today, AMC owns a majority stake in Agatha Christie Ltd.; its Acorn streaming platform is a haven for Christie-inspired content. But nearly a century on from detective stories’ “Golden Age,” a big-budget, big-screen adaptation needs to add meaningful value to keep from flogging a dead body.
Kenneth Branagh ’s second stab at the Christie canon, “ Death on the Nile ,” is out this week. It’s an adaptation nobody asked for. For that matter, it’s a Branagh film nobody asked for — yet another vehicle for its actor-director as romantic hero, wrapped in a nostalgic, tone-deaf celebration of colonial luxury travel.
Christie loved Egypt and the Levant; she worked on digs there alongside her archaeologist husband. When she wrote “Death on the Nile” in 1937, colonial troops were beginning to withdraw, and Egypt was entering a fecund cultural period. Yet she barely mentions the natives as anything more than “the Nubians” (or, elsewhere, worse). Like so much of the world for the late British Empire, the Nile was but a playground for her characters and their intrigues.
In adapting Christie’s book more than 80 years later, Branagh had a chance to humanize the Egyptians but he squanders the opportunity, failing to even acknowledge the voyage’s context. While the acclaimed 1978 film version includes troubling depictions of locals, this one leaves them out almost entirely. Here they’re a few dark-skinned faces, dotting the banks of the CGI river, absorbing the customized lighting grid’s sun.
Kenneth Branagh’s Agatha Christie adaptation starring Armie Hammer and Gal Gadot is a decidedly mixed bag.
Feb. 7, 2022
After years of directing Shakespeare, Branagh has moved on to Marvel properties , and it’s evident in his two Christie films: They lack the restraint and intimacy of her novels, and indeed of his own recent “ Belfast .” No longer does the central couple simply betray a close friend by eloping, then take a honeymoon cruise. Now they’re the kind of narcissists who hold an opulent wedding abroad and then kidnap their guests for a floating pajama party of indeterminate length.
Lest we miss the theme of doomed desires, now every subplot echoes it. Characters don’t act out of envy, boredom, compulsion, greed or simple revenge; they’re all slaves to love — maternal, unrequited, closeted, lost — and that includes Hercule Poirot. Like previous filmmakers, Branagh refuses to accept the detective as single, never mind his comfortable asexuality in 55 years of Christie’s books.
Every actor to incarnate Poirot has played him differently: Tony Randall’s screwball, Albert Finney’s brilliantined grouch and Peter Ustinov ’s avuncular windbag made the Belgian a figure of fun. In more recent years, Alfred Molina’s melancholic, David Suchet’s soulful innocent and John Malkovich’s penitent exile sought to dignify him. Unlike Christie’s Poirot of the “little gray cells,” Branagh’s likes to brandish a gun. For his “ Murder on the Orient Express ” (2017), he and screenwriter Michael Green (“Blade Runner 2049”) replaced the book’s opening and its climax with high-stakes action sequences. Now, in their “Death on the Nile,” a gratuitous battlefield scene makes Poirot into a war hero.
Moreover, whereas their “Orient Express” had the detective prize integrity above all else, in this one he’s happy to be bought, taking on flunky jobs that earlier Poirots declined. Christie herself loathed the sleuth, and in a heated moment of this film, another character voices epithets purloined from the author’s journals (“detestable, bombastic, tiresome, ego-centric little creep”). It would be amusing if Branagh’s portrait of him weren’t so wildly discordant. Instead, it’s perplexing: Has he changed since the last film? Is this one a prequel? Is he a selfless soldier or a glorified mercenary? What transformed him from the farmer of his newly-minted past to a bon vivant in white silk suits? And why a subplot for his mustache now?
In another ambivalent characterization, the newlywed Linnet Ridgeway, who in the book trod a fine line between sympathetic and spoiled, now ricochets between heroine and villainess. Gal Gadot ’s undisguised Israeli accent makes her a bewildering choice for the American heiress, a role Emily Blunt nailed in the British TV series “Poirot” (2004).
Right off the bat, representatives of Agatha Christie’s estate had a question for actor and director Kenneth Branagh when they met the first time about adapting the late author’s classic 1934 novel “Murder on the Orient Express.”
Nov. 10, 2017
Other characters fare no better. Where Christie had a mama’s boy and his mama as fellow passengers, now we have a Jocasta and her son. The film tells us that she’s had a storied career; we see only a helicopter mom played by an ill-used Annette Bening . Other cast members line up unfavorably against the 1978 dream team of Mia Farrow, Jane Birkin, Maggie Smith and Bette freakin’ Davis — though Sophie Okonedo is a highlight as a blues singer, replacing Angela Lansbury ’s drunken fabulist. British duo Dawn French and Jennifer Saunders had their own sketch show for decades, but here they have less room to be funny than Christie gave their characters.
Beyond the dearth of Egyptians in Branagh’s Egypt, the movie is clumsy at best in its handling of race. It affects an anachronistic colorblindness among the suddenly-integrated group (two suspects now Black and another South Asian), making only the feeblest acknowledgement of the barriers some of its members would have faced. There are no social impediments to the various interracial friendships and love affairs. It’s an attractive fantasy but hard to accept in light of the colonial setting and the script itself, which still posits class-based discrimination within the wedding party.
Little of the production’s reported $90-million budget trickled down to Egypt; unlike the earlier film or the “Poirot” episode, this one shot not on location but on sets in England. The crew spent months carving a full-scale Abu Simbel temple out of Styrofoam — which (I guess) will at least end up permanently clogging British rather than African waterways. The film has its visual pleasures, though: The sandstorm at the temple is a nice touch, and shooting through the lounge’s beveled glass windows was a stroke of genius for DP Haris Zambarloukos. The final killing is accomplished by a neat trick.
Perhaps the ultimate piece of incriminating evidence against this film is another whodunit. Around the time this picture went into the can, Rian Johnson released “ Knives Out ,” which was both a tribute to Christie and her inventions and a pointed critique of the bubble in which her characters lived. Much of what made the author’s books so gratifying was a sense of justice at their conclusions, and Johnson’s film well understood how to stoke that feeling for viewers today.
Where “Knives Out” skewered the suspects for their modern-day hypocrisy, mining our historical moment for tension, humor and conflict, “Death on the Nile” treats present perspective as an inconvenience to work around. There’s no mystery in Branagh’s film, just a dolled-up corpse, ready to bury. Christie fans should instead look forward to “ Knives Out 2 ” this fall. For, as the author ended her book, “It is not the past that matters, but the future.”
“The Mystery of Mrs. Christie” reimagines Agatha Christie’s legendary vanishing; “In League With Sherlock Holmes” offers inspired Conan Doyle fanfic.
Dec. 23, 2020
Johnson’s work has appeared in the Guardian, the New York Times, Los Angeles Review of Books, the Believer and elsewhere. She lives in Los Angeles.
Aug. 13, 2024
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Published on November 03, 2021
Reviewed by Stephen Baccetta
First published in November 1937 as Agatha Christie’s 25 th novel, Death on the Nile continues to be one of the author’s most familiar and revered tales. The intricate plot involves a celebrity heiress, a jilted lover, a river cruise, and a cold-blooded murder, with the famous detective Hercule Poirot attempting to piece it all together.
Linnet Doyle is recently married and embarking on a honeymoon tour down the Nile with her new husband, Simon, aboard the Karnak . The steamer seems unusually abound with people who know Linnet in one way or another; the cousin of one of her friends, her American trustee, her English lawyer, and even her ex-best friend who happens to be Simon’s ex-fiancé. Other tourists on the Karnak include a kooky novelist traveling with her brooding daughter, a wealthy spinster accompanied by her nurse and her passive cousin, a doctor, an archaeologist, a communist, and others. With so many potential motives surrounding the murder, it’s up to Poirot to deduce which of these passengers is a killer before more blood is shed.
A classic whodunit, Christie skips the frills and fuss in Death on the Nile , opting instead to focus on action. The author wastes no time introducing the characters, quickly describing their relationships to each other, and outlining the background her readers will need to know before setting the rest of the story in Egypt. Dialogue is key to this fast-paced novel, as thoughts, feelings, and past experiences are exclusively conveyed via the conversions the travelers share while on their trip. Those who enjoy a long, drawn-out thriller where they can get inside the head of a calculating detective may want to skip this title. But, don’t confuse a rapid tempo with one that’s rushed or under-developed; Christie has masterfully planned and executed her creation, penning a piece of detective fiction that can still be appreciated nearly 85 years later.
While this is the 18 th appearance of Poirot in Christie’s writing, don’t feel as if you need to read the series in order. Death on the Nile works extremely well as a standalone novel (though those familiar with the Belgian sleuth may appreciate some references Christie makes to his past cases). It’s easy to see why Agatha Christie is considered a master of her craft; her ability to take an already world-famous detective of literature and place him in the middle of yet another new, exciting, and believable murder mystery is to be admired.
Booklovers may wish to read this one soon, as Kenneth Branagh has turned the novel into the second installment of his Poirot film series following 2017’s hit adaptation of Murder on the Orient Express . Look for Death on the Nile in theaters February 2022!
Favorite Quote :
Colonel Race : “It often seems to me that’s all detective work is, wiping out your false starts and beginning again.”
Hercule Poirot : “Yes, it is very true, that. And it is just what some people will not do. They conceive a certain theory, and everything has to fit into that theory. If one little fact will not fit it, they throw it aside. But it is always the facts that will not fit in that are significant.”
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Agatha Christie’s most exotic murder mystery in a sumptuous hardback Special Edition.
The tranquillity of a cruise along the Nile is shattered by the discovery that Linnet Ridgeway has been shot through the head. She was young, stylish and beautiful, a girl who had everything – until she lost her life.
Hercule Poirot recalls an earlier outburst by a fellow passenger: ‘I’d like to put my dear little pistol against her head and just press the trigger.’ Yet in this exotic setting’ nothing is ever quite what it seems…
Agatha christie.
Born in Torquay in 1890, Agatha Christie began writing during the First World War and wrote over 100 novels, plays and short story collections. She was still writing to great acclaim until her death, and her books have now sold over a billion copies in English and another billion in over 100 foreign languages. Yet Agatha Christie was always a very private person, and though Hercule Poirot and Miss Marple became household names, the Queen of Crime was a complete enigma to all but her closest friends.
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This cover image released by Minotaur shows “Death at the Sanatorium” by Ragnar Jonasson. (Minotaur via AP)
Law professor and investment banker Ragnar Jonasson loves Agatha Christie’s puzzle mysteries so much that, starting at the age of 17, he translated more than a dozen of them into his native Icelandic.
It should come as no surprise, then, that most of his own mysteries, 13 in all, have the same intricate plotting, multiple red herrings and startling twists that Christie was known for. This is certainly true of his latest, “Death at the Sanatorium.”
Three decades ago, in a small town in northern Iceland, a nurse at a former tuberculosis sanitorium turned medical research facility was tortured and brutally murdered. Police initially identified five suspects, but when one of them, the chief physician, plunged to his death from a hospital balcony, the case was closed. The physician, the police concluded, committed suicide after killing the nurse.
Thirty years later, young Helgi Reykdal, curious about what modern scientific police methods might have brought to the case, makes it the subject of his college criminology thesis and starts digging into the past. He knocks on the doors of people who had once worked at the research facility. He seeks out police who had investigated the case and the suspects they had exonerated.
To his surprise, his inquiries are greeted with fear, suspicion and lies. Clearly, he realizes, something is amiss.
Before long, what began as an academic exercise turns into a full-blown reinvestigation of the old case. The tension mounts as people Helgi interviews are themselves murdered in an apparent attempt to bury the truth.
Helgi, it turned out, is the son of a man who once owned a mystery bookshop. Like his creator, Jonasson, he admires classical murder mysteries. He often reads them to escape the torment of his mentally ill and often violent wife, who provides the novel’s final twist.
“Death at the Sanatorium” was originally written in Icelandic and was translated into English by Victoria Cribb. She relies on too many clichés (the crack of dawn, wheat from the chaff, throwing in the towel, etc.), but otherwise does a fine job of preserving the tone and crisp style of Jonasson’s prose.
Bruce DeSilva, winner of the Mystery Writers of America’s Edgar Award, is the author of the Mulligan crime novels including “The Dread Line.”
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by Agatha Christie ‧ RELEASE DATE: Feb. 8, 1938. One of her best. Poirot, again on vacation, falls foul of a murder on board a Nile river steamer, followed by two successive murders, obviously connected. A sophisticated group, an ingenious plot, clever deduction, swift-paced narrative. A little romance on the side lends glamour.
Death on the Nile by Agatha Christie (book review) - Poirot not-so-much on holiday in Egypt. ... To conclude, I do recommend reading "Death on the Nile" by Agatha Christie if you're into detective mysteries or if you are looking for a captivating book during your holiday. While not being a "heavy" read, it is a witty mystery story ...
Death on the Nile Conclusion. Like most Agatha Christie books, Death on the Nile is a fun adventure. This one has a few more murders and just when you think you have the mystery solved, a new event unfolds. Christie keeps the novel fresh and made an enjoyable read. Happy reading! Follow us on Instagram and Facebook
There is a reason that Death on the Nile is one of Christie's most popular and well-known stories. It is an intricately plotted mystery. Right from the start, the most obvious solutions are proved to be incorrect. It's a clever tale that sets you off in all sorts of directions before making the reveal feel so obvious.
Agatha Christie wrote dozens of mysteries with twisty plots, but Death on the Nile must rank as among her best. It's a touching story, almost believable, and the setting on the Nile in Egypt atmospheric. She herself stayed at the Old Cataract Hotel in Aswan, the starting point, in the book, for the paddleboat cruise down the Nile which ...
Death on the Nile is a work of detective fiction by British writer Agatha Christie, published in the UK by the Collins Crime Club on 1 November 1937 [1] and in the US by Dodd, Mead and Company the following year. [2] [3] The UK edition retailed at seven shillings and sixpence (7/6) [4] and the US edition at $2.00. [3]The book features the Belgian detective Hercule Poirot.
"A top-notch literary brainteaser." - New York Times Soon to be a major motion picture sequel to Murder on the Orient Express with a screenplay by Michael Green, directed by and starring Kenneth Branagh alongside Gal Gadot—coming Feb 11, 2022! Beloved detective Hercule Poirot embarks on a journey to Egypt in one of Agatha Christie's most famous mysteries.
Published on July 15, 2010. Death on the Nile is a pre-Second World War novel, first published in 1937. It shows Agatha Christie's interest in Egypt and archaeology and also reflects much of the flavour and social nuances of the pre-war period. In it she sets a puzzle to solve - who shot Linnet Doyle, the wealthy American heiress?
Death on the Nile by Agatha Christie has been reviewed by Focus on the Family's marriage and parenting magazine. ... A theatrical version of Death on the Nile is set to release in 2019. You can request a review of a title you can't find at [email protected]. Book reviews cover the content, themes and worldviews of fiction books, not their ...
Death on the Nile Summary. Linnet Ridgeway is a wealthy, glamorous heiress who lives in the English country village of Malton-under-Wode at the manor she recently bought and is planning to improve. Rumor has it that she is engaged to be married to Lord Windlesham, though she is not interested in subsuming herself to someone of higher rank.
Agatha Christie - Death On The Nile. Death on the Nile: A Hercule Poirot Mystery (Hercule Poirot Mysteries) Young, beautiful, rich, charming and her own mistress, Linnet Ridgeway seems to have it all. In addition to her looks and money, she also has brains which she employs in understanding and partly managing her late father's business.
Death on the NileBy Agatha ChristieSeries: Hercule Poirot #16Genre: Mystery, Fiction, Classics, Crime, Thriller, Detective, Murder Mystery, British LiteraturePages: 320Release Date:November 1, 1937My Rating:⭐️⭐️⭐️⭐️/5 starsSynopsis:Beloved detective Hercule Poirot embarks on a journey to Egypt in one of Agatha Christie's most famous mysteries.The tranquility of a luxury ...
Agatha Christie is at her best in "Death on the Nile." It is a masterfully crafted whodunit that keeps the reader guessing until the end. The novel features a diverse cast of characters, each with its own secrets and motivations, making it an engaging and suspenseful read. As always in Christie's books, the story keeps galloping.
Agatha Christie is at her best in "Death on the Nile." It is a masterfully crafted whodunit that keeps the reader guessing until the end. The novel features a diverse cast of characters, each with its own secrets and motivations, making it an engaging and suspenseful read. As always in Christie's books, the story keeps galloping.
Sunday Times. Twentieth Century's Death on the Nile is due out in cinemas in February 2022, following the success of their 2017 adaptation of Murder on the Orient Express.Previous adaptations of Death on the Nile include the 1978 feature film which starred Peter Ustinov in his first role as Hercule Poirot. John Moffatt played Poirot in the first radio adaptation based on the book in 1997 which ...
Title: Death on the Nile Author: Agatha Christie Series: Hercule Poirot, #17 Published: September 2020, William Morrow Paperbacks (first published 1937) Format: Paperback Movie tie-in, 334 pages Source: Publisher Summary: SOON TO BE A MAJOR MOTION PICTURE RELEASING OCTOBER 9, 2020 —DIRECTED BY AND STARRING KENNETH BRANAGH Following the success of Murder on the Orient Express, Kenneth Branagh ...
In the first of a new series reviewing Hollywood book adaptations, Bonnie Johnson asks if Kenneth Branagh's latest Agatha Christie reboot is necessary. How 'Death on the Nile' movie makes changes ...
First published in November 1937 as Agatha Christie's 25th novel, Death on the Nile continues to be one of the author's most familiar and revered tales. The intricate plot involves a celebrity heiress, a jilted lover, a river cruise, and a cold-blooded murder, with the famous detective Hercule Poirot attempting to piece it all together.
The best-known screen version of the story, made in 1978, played the book for grins, and occasionally wholehearted laughs: Peter Ustinov 's Hercule Poirot, Christie's Belgian detective, was ...
Death Comes as the End is a historical mystery novel by Agatha Christie, first published in the US by Dodd, Mead and Company in October 1944 [1] and in the UK by the Collins Crime Club in March of the following year. [2] The US Edition retailed at $2.00 [1] and the UK edition at seven shillings and sixpence (7/6). [2]It is the only one of Christie's novels not to be set in the 20th century ...
On his third try, Kenneth Branagh gets an Agatha Christie movie right. I had mostly given up on the once-heinous mystery series, dragging myself to his new "A Haunting in Venice" like I was ...
Death on the Nile. Hardcover - Special Edition, October 1, 2020. by Agatha Christie (Author) 4.7 616 ratings. See all formats and editions. Agatha Christie's most exotic murder mystery in a sumptuous hardback Special Edition. The tranquillity of a cruise along the Nile is shattered by the discovery that Linnet Ridgeway has been shot through ...
The play is based on her 1937 novel Death on the Nile which in itself started off as a play which Christie called Moon on the Nile.Once written, she decided it would do better as a book and she only resurrected the play version in 1942 when she was in the middle of writing the theatrical version of And Then There Were None and her actor friend Francis L. Sullivan was looking for a play in ...
Law professor and investment banker Ragnar Jonasson loves Agatha Christie's puzzle mysteries so much that, starting at the age of 17, he translated more than a dozen of them into his native Icelandic.. It should come as no surprise, then, that most of his own mysteries, 13 in all, have the same intricate plotting, multiple red herrings and startling twists that Christie was known for.