one word essay on photography

Essays About Photography: Top 5 Examples Plus Prompts

Discover the joy of photography by reading our guide on how to write essays about photography, including top essay examples and writing prompts. 

It is truly remarkable what pictures can tell you about the time they were taken and their subjects. For example, a well-taken photograph can expose the horrors of conflict in a war-torn country or the pain endured by victims of racial persecution. At the same time, it can also evoke a mother’s joy after seeing her newborn baby for the first time. Photography is crucial to preserving precious moments that deserve to be remembered.

Photography can be considered a form of art. So much intent is put into a picture’s composition, subject, angle, and lighting. There is a lot of talent, thought, and hard work that goes into photography to produce such thought-provoking images, 

If you are writing essays about photography, you can start by reading some examples. 

5 Essay Examples To Inspire You

1. why photography is a great hobby by lillie lane, 2. the importance of photography by emily holty, 3. why i love photography by bob locher.

• 4.  The Shocking History Of Death Photography by Yewande Ade
• 5. ​​Fashion photography by Sara Page

5 Helpful Prompts On Essays About Photography

1. what is your favorite thing to photograph, 2. why is photography so important, 3. should photography be considered an art form, 4. different types of photography, 5. interpretations of photographs.

“Be imaginative when writing your shots. Photography is about the impact of your chances. The odds are good that nobody will care to check over your picture When it is an item in a background. Discover how to produce a fantastic photograph, and take these skills and use them.”

Lane gives readers tips on taking better photos in this essay. These include keeping balance, choosing a subject widely, investing in certain pieces of equipment, and using the appropriate settings for taking pictures. She stresses that photos must appear as natural as possible, and following her advice may help people to get good pictures. 

“No matter where you go photography plays into your life somehow. We don’t realize how big of an impact photography truly has on us until we see the details of our life hidden in a photograph. When you flip through your photo album and start looking for those details you suddenly realize you are truly blessed. A photograph keeps a moment frozen in time so we have it forever. Something like joy becomes clearer as we look deeper into the photograph.”

Holty does an excellent job of describing what makes photography so appealing to many people. You can take a picture of anything you want if you want to remember it, and photos help us look at the intricacies and details of what we see around us every day. Photography also helps us keep memories in our heads and hearts as time passes by, and most of all, it allows us to document the greatness of our world. It is ever-present in our lives, and we will keep taking photos the more adventures we have. 

“Every day in normal circumstances people take thousands of pictures of the Grand Canyon. It takes very little thought to realize that few if any of these pictures will be in any way noteworthy above pictures already taken. But that said, they are OUR pictures, our personal affirmation of the wonderful scene stretched out below us, and that gives them a special validity for us.”

Locher reflects on the role photography played in his life and why he enjoys it so much, partly due to his spirituality. He previously worked in the photographic equipment business and rekindled his love for photography in his 60s. Photography, to him, is a way of affirming and acknowledging God’s creations around him and appreciating the natural world. He also briefly discusses the importance of equipment and post-editing; however, no photo is perfect. 

4.   The Shocking History Of Death Photography by Yewande Ade

“In fact, it was easier for the photographer if the dead person was in a sleeping position because there would be no need to put him or her in an appropriate position or prop the eyes open. The restful pose gave some families comfort because it made them believe that their loved one(s) had passed on happily and to a more peaceful realm. It gave the semblance of death as a painless act like sleep.”

An interesting phenomenon in the history of the camera is post-mortem photography, in which deceased people, usually children, were posed and made to look “alive,” to an extent, so their loved ones could remember them. This was done as a way of mourning; the subjects were made to look as if they were merely asleep to give their loved ones comfort that they had passed on peacefully and happily. Eventually, a reduction in the death rate led to the end of this practice. 

5. ​​ Fashion photography by Sara Page

“Modern fashion photography differs because photographers aim to be extraordinary with their work, they know that extra ordinary will interest the audience much more It is extremely evident that fashion photography has changed and developed throughout the years, however there is not just reason. It is clear that fashion photography has changed and developed because of advancements in technology, change in attitudes and the introduction of celebrities.”

Page’s essay focuses on the history of fashion photography and some techniques used in practice. It dated back to 1911 and astonished the public with glamorous photos of people wearing perfectly-styled outfits. As the years have gone on, photographers have taken the lighting of the photos more into account, as well as their settings. In addition, editing software such as Photoshop has allowed even better photos to be produced. Fashion photography has only become more extravagant with the current social culture. 

In your essay, write about your favorite subject when you take pictures- is it people, landscapes, objects, or something else? Explain why, give examples, and perhaps elaborate on your camera settings or the lighting you look for when taking photos.  

Photography is an important invention that has helped us immensely throughout the years- how exactly? Explain why photography rivals painting and why it is essential. Then, write about its importance to you, the entire world, and humanity. 

Some say photography pales compared to the intricacies of music, painting, sculpture, and even cinema and should not be considered a form of art. For an interesting argumentative essay, determine whether photography is genuine art or not and defend your position. Explore both sides of the topic and give a strong rebuttal against the opposing viewpoint. 

From street photography to food photography to portraiture, many different types of photography are classified according to the subject being captured. Write about at least three types of photography that interest you and what they entail. You may also discuss some similarities between them if any. Check out our list of the top CreativeLive photography courses .

Like other works of art, a photograph can be interpreted differently. Choose a photo you find exciting and describe how you feel about it. What is being portrayed? What emotions are being evoked? What did the photographer want to show here? Reflect on your chosen work and perhaps connect it with your personal life. 

For help with your essays, check out our round-up of the best essay checkers . If you are interested in learning more, check out our essay writing tips !

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How to Create an Engaging Photo Essay (with Examples)

Photo essays tell a story in pictures. They're a great way to improve at photography and story-telling skills at once. Learn how to do create a great one.

Learn | Photography Guides | By Ana Mireles

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Photography is a medium used to tell stories – sometimes they are told in one picture, sometimes you need a whole series. Those series can be photo essays.

If you’ve never done a photo essay before, or you’re simply struggling to find your next project, this article will be of help. I’ll be showing you what a photo essay is and how to go about doing one.

You’ll also find plenty of photo essay ideas and some famous photo essay examples from recent times that will serve you as inspiration.

If you’re ready to get started, let’s jump right in!

Table of Contents

What is a Photo Essay?

A photo essay is a series of images that share an overarching theme as well as a visual and technical coherence to tell a story. Some people refer to a photo essay as a photo series or a photo story – this often happens in photography competitions.

Photographic history is full of famous photo essays. Think about The Great Depression by Dorothea Lange, Like Brother Like Sister by Wolfgang Tillmans, Gandhi’s funeral by Henri Cartier Bresson, amongst others.

What are the types of photo essay?

Despite popular belief, the type of photo essay doesn’t depend on the type of photography that you do – in other words, journalism, documentary, fine art, or any other photographic genre is not a type of photo essay.

Instead, there are two main types of photo essays: narrative and thematic .

As you have probably already guessed, the thematic one presents images pulled together by a topic – for example, global warming. The images can be about animals and nature as well as natural disasters devastating cities. They can happen all over the world or in the same location, and they can be captured in different moments in time – there’s a lot of flexibility.

A narrative photo essa y, on the other hand, tells the story of a character (human or not), portraying a place or an event. For example, a narrative photo essay on coffee would document the process from the planting and harvesting – to the roasting and grinding until it reaches your morning cup.

What are some of the key elements of a photo essay?

• Tell a unique story – A unique story doesn’t mean that you have to photograph something that nobody has done before – that would be almost impossible! It means that you should consider what you’re bringing to the table on a particular topic.
• Put yourself into the work – One of the best ways to make a compelling photo essay is by adding your point of view, which can only be done with your life experiences and the way you see the world.
• Add depth to the concept – The best photo essays are the ones that go past the obvious and dig deeper in the story, going behind the scenes, or examining a day in the life of the subject matter – that’s what pulls in the spectator.
• Nail the technique – Even if the concept and the story are the most important part of a photo essay, it won’t have the same success if it’s poorly executed.
• Build a structure – A photo essay is about telling a thought-provoking story – so, think about it in a narrative way. Which images are going to introduce the topic? Which ones represent a climax? How is it going to end – how do you want the viewer to feel after seeing your photo series?
• Make strong choices – If you really want to convey an emotion and a unique point of view, you’re going to need to make some hard decisions. Which light are you using? Which lens? How many images will there be in the series? etc., and most importantly for a great photo essay is the why behind those choices.

9 Tips for Creating a Photo Essay

Credit: Laura James

1. Choose something you know

To make a good photo essay, you don’t need to travel to an exotic location or document a civil war – I mean, it’s great if you can, but you can start close to home.

Depending on the type of photography you do and the topic you’re looking for in your photographic essay, you can photograph a local event or visit an abandoned building outside your town.

It will be much easier for you to find a unique perspective and tell a better story if you’re already familiar with the subject. Also, consider that you might have to return a few times to the same location to get all the photos you need.

2. Follow your passion

Most photo essays take dedication and passion. If you choose a subject that might be easy, but you’re not really into it – the results won’t be as exciting. Taking photos will always be easier and more fun if you’re covering something you’re passionate about.

3. Take your time

A great photo essay is not done in a few hours. You need to put in the time to research it, conceptualizing it, editing, etc. That’s why I previously recommended following your passion because it takes a lot of dedication, and if you’re not passionate about it – it’s difficult to push through.

4. Write a summary or statement

Photo essays are always accompanied by some text. You can do this in the form of an introduction, write captions for each photo or write it as a conclusion. That’s up to you and how you want to present the work.

5. Learn from the masters

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Making a photographic essay takes a lot of practice and knowledge. A great way to become a better photographer and improve your storytelling skills is by studying the work of others. You can go to art shows, review books and magazines and look at the winners in photo contests – most of the time, there’s a category for photo series.

6. Get a wide variety of photos

Think about a story – a literary one. It usually tells you where the story is happening, who is the main character, and it gives you a few details to make you engage with it, right?

The same thing happens with a visual story in a photo essay – you can do some wide-angle shots to establish the scenes and some close-ups to show the details. Make a shot list to ensure you cover all the different angles.

Some of your pictures should guide the viewer in, while others are more climatic and regard the experience they are taking out of your photos.

7. Follow a consistent look

Both in style and aesthetics, all the images in your series need to be coherent. You can achieve this in different ways, from the choice of lighting, the mood, the post-processing, etc.

8. Be self-critical

Once you have all the photos, make sure you edit them with a good dose of self-criticism. Not all the pictures that you took belong in the photo essay. Choose only the best ones and make sure they tell the full story.

9. Ask for constructive feedback

Often, when we’re working on a photo essay project for a long time, everything makes perfect sense in our heads. However, someone outside the project might not be getting the idea. It’s important that you get honest and constructive criticism to improve your photography.

How to Create a Photo Essay in 5 Steps

Credit: Quang Nguyen Vinh

1. Choose your topic

This is the first step that you need to take to decide if your photo essay is going to be narrative or thematic. Then, choose what is it going to be about?

Ideally, it should be something that you’re interested in, that you have something to say about it, and it can connect with other people.

2. Research your topic

To tell a good story about something, you need to be familiar with that something. This is especially true when you want to go deeper and make a compelling photo essay. Day in the life photo essays are a popular choice, since often, these can be performed with friends and family, whom you already should know well.

3. Plan your photoshoot

Depending on what you’re photographing, this step can be very different from one project to the next. For a fine art project, you might need to find a location, props, models, a shot list, etc., while a documentary photo essay is about planning the best time to do the photos, what gear to bring with you, finding a local guide, etc.

Every photo essay will need different planning, so before taking pictures, put in the required time to get things right.

4. Experiment

It’s one thing to plan your photo shoot and having a shot list that you have to get, or else the photo essay won’t be complete. It’s another thing to miss out on some amazing photo opportunities that you couldn’t foresee.

So, be prepared but also stay open-minded and experiment with different settings, different perspectives, etc.

5. Make a final selection

Editing your work can be one of the hardest parts of doing a photo essay. Sometimes we can be overly critical, and others, we get attached to bad photos because we put a lot of effort into them or we had a great time doing them.

Try to be as objective as possible, don’t be afraid to ask for opinions and make various revisions before settling down on a final cut.

7 Photo Essay Topics, Ideas & Examples

Credit: Michelle Leman

• Architectural photo essay

Using architecture as your main subject, there are tons of photo essay ideas that you can do. For some inspiration, you can check out the work of Francisco Marin – who was trained as an architect and then turned to photography to “explore a different way to perceive things”.

You can also lookup Luisa Lambri. Amongst her series, you’ll find many photo essay examples in which architecture is the subject she uses to explore the relationship between photography and space.

• Process and transformation photo essay

This is one of the best photo essay topics for beginners because the story tells itself. Pick something that has a beginning and an end, for example, pregnancy, the metamorphosis of a butterfly, the life-cycle of a plant, etc.

Keep in mind that these topics are linear and give you an easy way into the narrative flow – however, it might be difficult to find an interesting perspective and a unique point of view.

• A day in the life of ‘X’ photo essay

There are tons of interesting photo essay ideas in this category – you can follow around a celebrity, a worker, your child, etc. You don’t even have to do it about a human subject – think about doing a photo essay about a day in the life of a racing horse, for example – find something that’s interesting for you.

• Time passing by photo essay

It can be a natural site or a landmark photo essay – whatever is close to you will work best as you’ll need to come back multiple times to capture time passing by. For example, how this place changes throughout the seasons or maybe even over the years.

A fun option if you live with family is to document a birthday party each year, seeing how the subject changes over time. This can be combined with a transformation essay or sorts, documenting the changes in interpersonal relationships over time.

• Travel photo essay

Do you want to make the jump from tourist snapshots into a travel photo essay? Research the place you’re going to be travelling to. Then, choose a topic.

If you’re having trouble with how to do this, check out any travel magazine – National Geographic, for example. They won’t do a generic article about Texas – they do an article about the beach life on the Texas Gulf Coast and another one about the diverse flavors of Texas.

The more specific you get, the deeper you can go with the story.

• Socio-political issues photo essay

This is one of the most popular photo essay examples – it falls under the category of photojournalism or documental photography. They are usually thematic, although it’s also possible to do a narrative one.

Depending on your topic of interest, you can choose topics that involve nature – for example, document the effects of global warming. Another idea is to photograph protests or make an education photo essay.

It doesn’t have to be a big global issue; you can choose something specific to your community – are there too many stray dogs? Make a photo essay about a local animal shelter. The topics are endless.

• Behind the scenes photo essay

A behind-the-scenes always make for a good photo story – people are curious to know what happens and how everything comes together before a show.

Depending on your own interests, this can be a photo essay about a fashion show, a theatre play, a concert, and so on. You’ll probably need to get some permissions, though, not only to shoot but also to showcase or publish those images.

4 Best Photo Essays in Recent times

Now that you know all the techniques about it, it might be helpful to look at some photo essay examples to see how you can put the concept into practice. Here are some famous photo essays from recent times to give you some inspiration.

Habibi by Antonio Faccilongo

This photo essay wan the World Press Photo Story of the Year in 2021. Faccilongo explores a very big conflict from a very specific and intimate point of view – how the Israeli-Palestinian war affects the families.

He chose to use a square format because it allows him to give order to things and eliminate unnecessary elements in his pictures.

With this long-term photo essay, he wanted to highlight the sense of absence and melancholy women and families feel towards their husbands away at war.

The project then became a book edited by Sarah Leen and the graphics of Ramon Pez.

Picture This: New Orleans by Mary Ellen Mark

The last assignment before her passing, Mary Ellen Mark travelled to New Orleans to register the city after a decade after Hurricane Katrina.

The images of the project “bring to life the rebirth and resilience of the people at the heart of this tale”, – says CNNMoney, commissioner of the work.

Each survivor of the hurricane has a story, and Mary Ellen Mark was there to record it. Some of them have heartbreaking stories about everything they had to leave behind.

Others have a story of hope – like Sam and Ben, two eight-year-olds born from frozen embryos kept in a hospital that lost power supply during the hurricane, yet they managed to survive.

Selfie by Cindy Sherman

Cindy Sherman is an American photographer whose work is mainly done through self-portraits. With them, she explores the concept of identity, gender stereotypes, as well as visual and cultural codes.

One of her latest photo essays was a collaboration with W Magazine entitled Selfie. In it, the author explores the concept of planned candid photos (‘plandid’).

The work was made for Instagram, as the platform is well known for the conflict between the ‘real self’ and the one people present online. Sherman started using Facetune, Perfect365 and YouCam to alter her appearance on selfies – in Photoshop, you can modify everything, but these apps were designed specifically to “make things prettier”- she says, and that’s what she wants to explore in this photo essay.

Tokyo Compression by Michael Wolf

Michael Wolf has an interest in the broad-gauge topic Life in Cities. From there, many photo essays have been derived – amongst them – Tokyo Compression .

He was horrified by the way people in Tokyo are forced to move to the suburbs because of the high prices of the city. Therefore, they are required to make long commutes facing 1,5 hours of train to start their 8+ hour workday followed by another 1,5 hours to get back home.

To portray this way of life, he photographed the people inside the train pressed against the windows looking exhausted, angry or simply absent due to this way of life.

You can visit his website to see other photo essays that revolve around the topic of life in megacities.

Final Words

It’s not easy to make photo essays, so don’t expect to be great at it right from your first project.

Start off small by choosing a specific subject that’s interesting to you –  that will come from an honest place, and it will be a great practice for some bigger projects along the line.

Whether you like to shoot still life or you’re a travel photographer, I hope these photo essay tips and photo essay examples can help you get started and grow in your photography.

Let us know which topics you are working on right now – we’ll love to hear from you!

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Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.

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Advice for an Unforgettable Photo Essay

Six steps for turning your images into a memorable photo essay, from curating your best work to crafting a title.

A man sits alone on a chair on the side of the road. We see him from above, surrounded by grey cobblestones neatly placed, a broken plastic chair, and some pylons scattered along the curb. A street cat wanders out of the frame and away from the man. He appears lonely, the only person inhabiting the place in which he seems so comfortably seated. As the eye wanders throughout the frame, however, the viewer discovers more: a vast city cast beyond the street and behind the man’s chair. This image closes Sarah Pannell’s photo essay Sehir , a quiet study of urban life.

Possibilities, discovery, and stories: these are some of the most effective elements of a photo essay. Collections of images can help produce a narrative, evoke emotion, and guide the viewer through one or more perspectives. A well-executed photo essay doesn’t rely on a title or any prior knowledge of its creator; it narrates on its own, moving viewers through sensations, lessons, and reactions.

Famous photo essays like Country Doctor by W. Eugene Smith or Gordon Parks’ The Harlem Family are acclaimed for showing a glimpse into the lives of the sick and impoverished. Other well-made photo essays offer a new way to look at the everyday, such as Peter Funch’s much-reposted photo series 42nd and Vanderbilt , for which Funch photographed the same street corner for nine years. As shown by these photographers’ experiences with the medium, a collection of photos can enliven spaces and attitudes. Strong photo essays can give voice to marginalized individuals and shine a spotlight on previously overlooked experiences.

You don’t necessarily need to be a documentary photographer to create a powerful photo essay. Photo essays can showcase any topic, from nature photography to portraiture to wedding shots. We spoke to a few photographers to get their perspectives on what makes a good photo essay, and their tips for how any photographer can get started in this medium. Here are six steps to follow to create a photo essay that tells a memorable story.

Choose a specific topic or theme for your photo essay.

There are two types of photo essays: the narrative and the thematic. Narrative photo essays focus on a story you’re telling the viewer, while thematic photo essays speak to a specific subject.

The most natural method for choosing a topic or theme for your photo essay is to go with what you know. Photograph what you experience. Whether that includes people, objects, or the things you think about throughout the day, accessibility is key here. Common topics or concepts to start with are emotions (depicting sadness or happiness) or experiences (everyday life, city living).

For photographer Sharon Pannen , planning a photo essay is as simple as “picking out a subject you find interesting or you want to make a statement about.”

From Paper & Stories , a photo series by Sharon Pannen for Schön! Magazine.

Consider your photo subjects.

The subjects of your photographs, whether human or not, will fill the space of your photos and influence the mood or idea you’re trying to depict. The subject can determine whether or not your photos are considered interesting. “I always try to find someone that catches my eye. I especially like to see how the light falls on their face and how a certain aesthetic might add to their persona,” says photographer Victoria Wojtan .

While subjects and their interest factor are, well, subjective, when considering your subjects, you should ask yourself about your audience. Do other people want to see this? Is my subject representative of the larger idea my photo essay is trying to convey? Your projects can involve people you know or people you’ve only just met.

“Most projects I work on involve shooting portraits of strangers, so there’s always a tension in approaching someone for a portrait,” says photographer Taylor Dorrell . For Wojtan, that tension can help build trust with a subject and actually leads to more natural images “If there’s tension it’s usually because the person’s new to being photographed by someone for something that’s outside of a candid moment or selfie, and they need guidance for posing. This gives me the opportunity to make them feel more comfortable and let them be themselves. I tend to have a certain idea in mind, but try to allow for organic moments to happen.”

Aim for a variety of images.

Depending on your theme, there are a few types of photos you’ll want to use to anchor your essay. One or two lead photos should slowly introduce the viewer to your topic. These initial photos will function in a similar way to the introductory paragraph in a written essay or news article.

From there, you should consider further developing your narrative by introducing elements like portraiture, close ups, detail shots, and a carefully selected final photo to leave the viewer with the feeling you set out to produce in your photos. Consider your opening and closing images to be the most important elements of your photo essay, and choose them accordingly. You want your first images to hook the viewer, and you also want your final images to leave a lasting impression and perhaps offer a conclusion to the narrative you’ve developed.

Including different types of photos, shot at different ranges, angles, and perspectives, can help engage your viewer and add more texture to your series.

Says photographer Taylor Dorrell: “After I have a group of images, I tend to think about color, composition, the order the images were taken, the subject material, and relevance to the concept.”

From Taylor Dorrell’s photo essay White Fences : “White Fences is an ongoing photo series that explores the theme of suburban youth in the United States, specifically in the midwest suburb New Albany, Ohio.”

Put your emotions aside.

Self-doubt can easily come into play when working with your own photography. The adage that we are our own worst critics is often true. It can be difficult to objectively select your strongest images when creating a photo essay. This is why putting together photo essays is such a useful practice for developing your curatorial skills.

“The most important part for me is getting outside opinions. I don’t do that enough, and have a bias in selecting images that might not be the most powerful images or the most effective sequence of images,” says Dorrell. Your own perception of a photograph can cloud your ability to judge whether or not it adds to your photo essay. This is especially true when your essay deals with personal subjects. For example, a photo essay about your family may be hard to evaluate, as your own feelings about family members will impact how you take and view the photos. This is where getting feedback from peers can be invaluable to producing a strong series.

Collecting feedback while putting your photo essay together can help you determine the strengths, weaknesses, and gaps within the collection of photos you’ve produced. Ask your friends to tell you their favorites, why they like them, and what they think you’re going for in the work you’ve created. Their opinions can be your guide, not just your own emotions.

Edit your photo selection.

Beyond post-production, the series of photos you select as your essay will determine whether you’ve executed your theme or narrative effectively. Can the photos stand alone, without written words, and tell the story you set out to? Do they make sense together, in a logical sequence? The perfect photo essay will give your audience a full picture of the narrative, theme, or essence you’re looking to capture.

A good method to use to cull your images down is to remove as many as half of your images straight away to see if your narrative is still as strong with fewer photos. Or, perhaps, deciding on a small number you’d like to aim for (maybe just five to ten images) and using this as a method to narrow down to the images that tell your story best.

From Taylor Dorrell’s photo essay Over the Rhine , featured in Vice.

Give your photo essay a title, and add a concise written statement.

Finally, you’ll want to create a title and written statement for your photo essay. This will help position your work and can enable the viewer to fully understand your intention, or at least guide their perspective.

A solid written statement and title will be relevant to your topic, detail your primary objective, and introduce your point of view. It’s an opportunity to clarify your intentions to the viewer and ensure they walk away with a clear interpretation of your work. Depending on your photo essay, you may want to include several paragraphs of text, but even just one or two sentences of background can be enough to expand the viewer’s understanding of your work.

Consider if you’d like to add the written statement at the beginning of your essay to introduce it, or at the end as a conclusion. Either one can be impactful, and it depends how you’d like people to experience your work.

For his photo essay White Fences, excerpted above, Taylor Dorrell wrote only one sentence of introduction. But for his series Over the Rhine, Dorell included a longer written statement to accompany the work, which is “an ongoing photo series that seeks to explore the Cincinnati neighborhood of the same name and its surroundings. The series was started in response to the shooting of Samuel DuBose, an unarmed black man, by officer Ray Tensing of the University of Cincinnati Police, which happened July 19th, 2015.” Dorell’s text goes on to offer more background on the project, setting up the viewer with all the information they need to understand the context of the photo essay.

Depending on the motivations behind your photo essay and what sort of subject it depicts, a longer text may be necessary—or just a few words might be enough.

Looking for a place to share your photo essays with the world? Take a look at our guide to creating a photography website for tips on showcasing your photos online.

Cover image by Taylor Dorrell, from his photo essay Hurricane Over Sugar .

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How to Create a Photo Essay in 9 Steps (with Examples)

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What is a photo essay?

• Photo essays vs photo stories
• How photo essays help you
• 9 Steps to create photo essays

How to share your photo essays

Read Time: 11 minutes

Gather up a handful of images that seem to go together, and voila! It’s a photo essay, right? Well… no. Though, this is a common misconception.

In reality, a photo essay is much more thoughtful and structured than that. When you take the time to craft one, you’re using skills from all facets of our craft – from composition to curation.

In this guide, you’ll learn what makes a photo essay an amazing project that stretches your skills. You’ll also learn exactly how to make one step by step.

• Photo essay vs photo story

A photo essay is a collection of images based around a theme, a topic, a creative approach, or an exploration of an idea. Photo essays balance visual variety with a cohesive style and concept.

What’s the difference between a photo essay and a photo story?

The terms photo essay and photo story are often used interchangeably. Even the dictionary definition of “photo essay” includes using images to convey either a theme or a story.

But in my experience, a photo essay and a photo story are two different things. As you delve into the field of visual storytelling, distinguishing between the two helps you to take a purposeful approach to what you’re making .

The differences ultimately lie in the distinctions between theme, topic and story.

Themes are big-picture concepts. Example: Wildness

Topics are more specific than themes, but still overarching. Example : Wild bears of Yellowstone National Park

Stories are specific instances or experiences that happen within, or provide an example for, a topic or theme. Example: A certain wild bear became habituated to tourists and was relocated to maintain its wildness

Unlike a theme or topic, a story has particular elements that make it a story. They include leading characters, a setting, a narrative arc, conflict, and (usually) resolution.

With that in mind, we can distingush between a photo essay and a photo story.

Themes and Topics vs Stories

A photo essay revolves around a topic, theme, idea, or concept. It visually explores a big-picture something .

This allows a good deal of artistic leeway where a photographer can express their vision, philosophies, opinions, or artistic expression as they create their images.

A photo story  is a portfolio of images that illustrate – you guessed it – a story.

Because of this, there are distinct types of images that a photo story uses that add to the understanding, insight, clarity and meaning to the story for viewers. While they can certainly be artistically crafted and visually stunning, photo stories document something happening, and rely on visual variety for capturing the full experience.

A photo essay doesn’t need to have the same level of structured variety that a photo story requires. It can have images that overlap or are similar, as they each explore various aspects of a theme.

Photo essays can be about any topic. If you live in a city, consider using your nature photography to make an essay about the wildlife that lives in your neighborhood . 

The role of text with photos

A photo story typically runs alongside text that narrates the story. We’re a visual species, and the images help us feel like we are there, experiencing what’s happening. So, the images add significant power to the text, but they’re often a partner to it.

This isn’t always the case, of course. Sometimes photo stories don’t need or use text. It’s like reading a graphic novel that doesn’t use text. Moving through the different images that build on each other ultimately unveils the narrative.

Photo essays don’t need to rely on text to illuminate the images’ theme or topic. The photographer may use captions (or even a text essay), or they may let the images speak for themselves.

Definitions are helpful guidelines (not strict rules)

Some people categorize photo essays as either narrative or thematic. That’s essentially just calling photo stories “narrative photo essays” and photo essays “thematic photo essays.”

But, a story is a defined thing, and any writer/editor will tell you themes and topics are not the same as stories. And we use the word “story” in our daily lives as it’s defined. So, it makes far more sense to name the difference between a photo essay and a photo story, and bask in the same clarity writers enjoy .

Photo stories illustrate a particular experience, event, narrative, something that happened or is happening.

Photo essays explore an idea, concept, topic, theme, creative approach, big-picture something .

Both photo essays and photo stories are immensely powerful visual tools. And yes, the differences between them can certainly be blurred, as is always the case with art.

Simply use this distinction as a general guideline, providing extra clarity around what you’re making and why you’re making it.

To dig into specific types of images used to create powerful photo stories, check out this training: 6 Must-Have Shots for a Photo Story. 

Meanwhile, let’s dig deeper into photo essays.

Capturing amazing wildlife photos requires not only passion and skill but also the right equipment.

This guide breaks down the best options so you can find the perfect camera for your specific needs , whether you're a beginner or pro.

Photo essays are a chance to try new styles or techniques that stretch your skills and creativity. This image was part of an essay exploring simplicity and shape, and helped me learn new skills in black and white post-processing.

How photo essays improve your photography

Creating photo essays is an amazing antidote if you’ve ever felt a lack of direction or purpose in your photography. Photo essays help build your photographic skills in at least 3 important ways.

1. You become more strategic in creating a body of work

It’s easy to get stuck in a rut of photographing whatever pops up in front of you. And when you do, you end up with a collection of stand-alone shots.

These singles may work fine as a print, a quick Instagram post, or an addition to your gallery of shots on your website. But amassing a bunch of one-off shots limits your opportunities as a photographer for everything from exhibits to getting your work published.

Building photo essays pushes you to think strategically about what you photograph, why, and how. You’re working toward a particular deliverable – a cohesive visual essay – with the images you create.

This elevates your skills in crafting your photo essay, and in how you curate the rest of your work, from galleries on your website to selecting images to sell as prints .

2. You become more purposeful in your composition skills

Composition is so much more than just following the rule of thirds, golden spirals, or thinking about the angle of light in a shot.

Composition is also about thinking ahead in what you’re trying to accomplish with a photograph – from what you’re saying through it to its emotional impact on a viewer – and where it fits within a larger body of work.

Photo essays push you to think critically about each shot – from coming up with fresh compositions for familiar subjects, to devising surprising compositions to fit within a collection, to creating compositions that expand on what’s already in a photo essay.

You’re pushed beyond creating a single pleasing frame, which leads you to shoot more thoughtfully and proactively than ever.

(Here’s a podcast episode on switching from reactive shooting to proactive shooting .)

3. You develop strong editing and curation skills

Selecting which images stay, and which get left behind is one of the hardest jobs on a photographer’s to-do list. Mostly, it’s because of emotional attachment.

You might think it’s an amazing shot because you know the effort that went into capturing it. Or perhaps when you look at it, you get a twinge of the joy or exhilaration you felt the moment you captured it. There’s also the second-guessing that goes into which of two similar images is the best – which will people like more? So you’re tempted to just show both.

Ultimately, great photographers appear all the more skilled because they only show their best work. That in and of itself is a skill they’ve developed through years of ruthlessly editing their own work.

Because the most powerful photo essays only show a handful of extraordinary images, you’re bound to develop the very same critical skill (and look all the more talented because of it).

Photo essays are also a great stepping stone to creating photo stories. If you’re interested in moving beyond stand-alone shots and building stories, shooting photo essays will get your creative brain limbered up and ready for the adventure of photo stories.

A photo essay exploring the natural history of a favorite species is an exciting opportunity for an in-depth study. For me, that was a photo essay on emotive images of the American dipper (Cinclus mexicanus) as it hunts in streams. 

9 Simple steps to create your photo essays

1. clarify your theme.

Choose a theme, topic, or concept you want to explore. Spend some time getting crystal clear on what you want to focus on. It helps to write out a few sentences, or even a few paragraphs noting:

• What you want the essay to be about
• What kinds of images you want to create as part of it
• How you’ll photograph the images
• The style, techniques, or gear you might use to create your images
• What “success” looks like when you’re done with your photo essay

You don’t have to stick to what you write down, of course. It can change during the image creation process. But fleshing your idea out on paper goes a long way in clarifying your photo essay theme and how you’ll go about creating it.

2. Create your images

Grab your camera and head outside!

As you’re photographing your essay, allow yourself some freedom to experiment. Try unusual compositions or techniques that are new to you.

Stretch your style a little, or “try on” the style of other photographers you admire who have photographed similar subjects.

Photo essays are wonderful opportunities to push yourself outside of your comfort zone and grow as a photographer .

Remember that a photo essay is a visually cohesive collection of images that make sense together. So, while you might stretch yourself into new terrain as you shoot, try to keep that approach, style, or strategy consistent.

Don’t be afraid to create lots of images. It’s great to have lots to choose from in the editing process, which comes up next.

3. Pull together your wide edit

Once you’ve created your images, pull together all the images that might make the cut. This could be as many as 40-60 images. Include anything you want to consider for the final essay in the wide edit.

From here, start weeding out images that:

• are weaker in composition or subject matter
• stand out like a sore thumb from the rest of the collection
• Are similar to other stronger images in the collection

It’s helpful to review the images at thumbnail size. You make more instinctive decisions and can more easily see the body of work as a whole. If an image is strong even at thumbnail size to stand out from similar frames while also partnering well with other images in the collection, that’s a good sign it’s strong enough for the essay.

4. Post-process your images for a cohesive look

Now it’s time to post-process the images. Use whatever editing software you’re comfortable with to polish your images.

Again, a photo essay has a cohesive visual look. If you use presets, filters, or other tools, use them across all the images.

5. Finalize your selection

It’s time to make the tough decisions. Select only the strongest for your photo essay from your group of images.

Each image should be strong enough to stand on its own and make sense as part of the whole group.

Many photo essays range from 8-12 images. But of course, it varies based on the essay. The number of images you have in your final photo essay is up to you.

Remember, less is more. A photo essay is most powerful when each image deserves to be included.

6. Put your images in a purposeful order

Create a visual flow with your images. Decide which image is first, and build from there. Use compositions, colors, and subject matter to decide which image goes next, then next, then next in the order.

Think of it like music: notes are arranged in a way that builds energy, or slows it down, surprise listeners with a new refrain, or drop into a familiar chorus. How the notes are ordered creates emotional arcs for listeners.

How you order your images is similar.

Think of the experience a viewer will have as they look at one image, then the next, and the next. Order your images so they create the experience you want your audience to have.

7. Get feedback

The best photographers make space for feedback, even when it’s tough to hear. Your work benefits from not just hearing feedback, but listening to it and applying what you learn from it.

Show your photo essay to people who have different sensibilities or tastes. Friends, family members, fellow photographers – anyone you trust to give you honest feedback.

Watch their reactions and hear what they say about what they’re seeing. Use their feedback to guide you in the next step.

8. Refine, revise, and finalize

Let your photo essay marinate for a little while. Take a day or two away from it. Then use your freshened eyes and the feedback you received from the previous step to refine your essay.

Swap out any selects you might want to change and reorder the images if needed.

9. Add captions

Even if you don’t plan on displaying captions with your images, captioning your images is a great practice to get into. It gives context, story, and important information to each image. And, more than likely, you will want to use these captions at some point when you share your photo essay, which we dive into later in this article.

Add captions to the image files using Lightroom, Bridge, or other software programs.

Create a document, such as a Google or Word doc, with captions for each image.

In your captions, share a bit about the story behind the image, or the creation process. Add whatever makes sense to share that provides a greater understanding of the image and its purpose.

Photo essays allow you to explore deliberate style choices, such as a focus on shapes, patterns, textures, and lines. Since each photo is part of a larger essay, it encourages you to be bold with choices you might not otherwise make. 

5 Examples of amazing nature photo essays

1. “how the water shapes us” from the nature conservancy.

This gorgeous essay, crafted with the work of multiple photographers, explores the people and places within the Mississippi River basin. Through the images, we gain a sense of how the water influences life from the headwater all the way to the Gulf of Mexico. Notice how each photographer is tasked with the same theme, yet approaches it with their own distinct style and vision. It is a wonderful example of the sheer level of visual variety you can have while maintaining a consistent style or theme.

View it here

2. “A Cyclist on the English Landscape” from New York Times’ The World Through A Lens series

This photo essay is a series of self-portraits by travel photographer Roff Smith while “stuck” at home during the pandemic. As he peddled the roads making portraits, the project evolved into a “celebration of traveling at home”. It’s a great example of how visually consistent you can be inside a theme while making each image completely unique.

3. “Vermont, Dressed In Snow” from New York Times’ The World Through A Lens series

This essay by aerial photographer Caleb Kenna uses a very common photo essay theme: snow. Because all images are aerial photographs, there’s a consistency to them. Yet, the compositions are utterly unique from one another. It’s a great example of keeping viewers surprised as they move from one image to the next while still maintaining a clear focus on the theme.

4. “Starling-Studded Skies” from bioGraphic Magazine

This beautiful essay is by Kathryn Cooper, a physicist trained in bioinformatics, and a talented photographer. She used a 19th century photographic technique, chronophotography, to create images that give us a look at the art and science of starling murmurations. She states: “I’m interested in the transient moments when chaos briefly changes to order, and thousands of individual bodies appear to move as one.” This essay is a great example of deep exploration of a concept using a specific photographic technique.

View it here   (Note: must be viewed on desktop)

5. “These Scrappy Photos Capture the Action-Packed World Beneath a Bird Feeder” from Audubon Magazine

This photo essay from conservation photographer Carla Rhodes explores the wildlife that takes advantage of the bounty of food waiting under bird feeders . Using remote camera photography , Rhodes gives viewers a unique ground-level perspective and captures moments that make us feel like we’re in conversation with friends in the Hundred Acre Woods. This essay is a great example of how perspective, personality, and chance can all come into play as you explore both an idea and a technique.

25 Ideas for creative photo essays you can make

The possibilities for photo essays are truly endless – from the concepts you explore to the techniques you use and styles you apply.

Choose an idea, hone your unique perspective on it, then start applying the 9 simple steps from above. 

• The life of a plant or animal (your favorite species, a species living in your yard, etc)
• The many shapes of a single species (a tree species, a bird species, etc)
• How a place changes over time
• The various moods of a place
• A conservation issue you care about
• Math in nature
• Urban nature
• Seasonal changes
• Your yard as a space for nature
• Shifting climate and its impacts
• Human impacts on environments
• Elements: Water, wind, fire, earth
• Day in the life (of a person, a place, a stream, a tree…)
• Outdoor recreation (birding, kayaking, hiking, naturalist journaling…)
• Wildlife rehabilitation
• Lunar cycles
• Sunlight and shadows
• Your local watershed
• Coexistence

As you zero in on a photo essay theme, consider two things: what most excites you about an idea, and what about it pushes you out of your comfort zone. The heady mix of joy and challenge will ensure you stick with it. 

Your photo essay is ready for the world! Decide how you’d like to make an impact with your work. You might use one or several of the options below.

1. Share it on your website

Create a gallery or a scrollytelling page on your website. This is a great way to drive traffic to your website where people can peruse your photo essay and the rest of the photography you have.

Putting it on your website and optimizing your images for SEO helps you build organic traffic and potentially be discovered by a broader audience, including photo editors.

2. Create a scrollytelling web page

If you enjoy the experience of immersive visual experiences, consider making one using your essay. And no, you don’t have to be a whiz at code to make it happen.

Shorthand helps you build web pages with scrollytelling techniques that make a big impression on viewers. Their free plan allows you to publish 3 essays or stories.

3. Create a Medium post

If you don’t have a website and want to keep things simple, a post on Medium is a great option.

Though it’s known for being a platform for bloggers, it’s also possible to add images to a post for a simple scroll.

And, because readers can discover and share posts, it’s a good place for your photos to get the attention of people who might not otherwise come across it.

4. Share it on Instagram

Instagram has changed a lot over the last couple of years, but it’s still a place for photographers to share their work thoughtfully.

There are at least 3 great ways to share your photo essay on the platform.

– Create a single post for each image. Add a caption. Publish one post per day until the full essay is on your feed. Share each post via Instagram Stories to bring more attention and interaction to your photo essay.

– Create a carousel post. You can add up 10 photos to a carousel post, so you may need to create two of them for your full photo essay. Or you might create a series of carousel posts using 3-4 images in each.

– Create a Reel featuring your images as a video.  The algorithm heavily favors reels, so turning your photo essay into a video experience can get it out to a larger audience.

I ran a “create a reel” challenge in my membership community. One member created a reel with her still images around a serious conservation issue. It gathered a ton of attention and landed her opportunities to share her message through YouTube and podcast interviews and publishing opportunities. Watch it here.

5. Exhibit it locally

Reach out to local galleries, cafes, pubs, or even the public library to see if they’re interested in hanging your photo essay for display. Many local businesses and organizations happily support the work of local artists.

6. Pitch your photo essay to publications

One of the best ways to reach an audience with your work is to get it published. Find publications that are a great fit for the theme and style of your photo essay, then pitch your essay for consideration. You gain a fantastic opportunity to share your work widely and can earn a paycheck at the same time.

Remember that if you want to get your photo essay published, you may want to hold back from sharing it publicly before you pitch it to publications.

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What is a Photo Essay? 9 Photo Essay Examples You Can Recreate

A photo essay is a series of photographs that tell a story. Unlike a written essay, a photo essay focuses on visuals instead of words. With a photo essay, you can stretch your creative limits and explore new ways to connect with your audience. Whatever your photography skill level, you can recreate your own fun and creative photo essay.

9 Photo Essay Examples You Can Recreate

• Photowalk Photo Essay
• Transformation Photo Essay
• Day in the Life Photo Essay
• Event Photo Essay
• Building Photo Essay
• Historic Site or Landmark Photo Essay
• Behind the Scenes Photo Essay
• Family Photo Essay
• Education Photo Essay

Stories are important to all of us. While some people gravitate to written stories, others are much more attuned to visual imagery. With a photo essay, you can tell a story without writing a word. Your use of composition, contrast, color, and perspective in photography will convey ideas and evoke emotions.

To explore narrative photography, you can use basic photographic equipment. You can buy a camera or even use your smartphone to get started. While lighting, lenses, and post-processing software can enhance your photos, they aren’t necessary to achieve good results.

Whether you need to complete a photo essay assignment or want to pursue one for fun or professional purposes, you can use these photo essay ideas for your photography inspiration . Once you know the answer to “what is a photo essay?” and find out how fun it is to create one, you’ll likely be motivated to continue your forays into photographic storytelling.

1 . Photowalk Photo Essay

One popular photo essay example is a photowalk. Simply put, a photowalk is time you set aside to walk around a city, town, or a natural site and take photos. Some cities even have photowalk tours led by professional photographers. On these tours, you can learn the basics about how to operate your camera, practice photography composition techniques, and understand how to look for unique shots that help tell your story.

Set aside at least two to three hours for your photowalk. Even if you’re photographing a familiar place—like your own home town—try to look at it through new eyes. Imagine yourself as a first-time visitor or pretend you’re trying to educate a tourist about the area.

Walk around slowly and look for different ways to capture the mood and energy of your location. If you’re in a city, capture wide shots of streets, close-ups of interesting features on buildings, street signs, and candid shots of people. Look for small details that give the city character and life. And try some new concepts—like reflection picture ideas—by looking for opportunities to photographs reflections in mirrored buildings, puddles, fountains, or bodies of water.

2 . Transformation Photo Essay

With a transformation photography essay, you can tell the story about change over time. One of the most popular photostory examples, a transformation essay can document a mom-to-be’s pregnancy or a child’s growth from infancy into the toddler years. But people don’t need to be the focus of a transformation essay. You can take photos of a house that is being built or an urban area undergoing revitalization.

You can also create a photo narrative to document a short-term change. Maybe you want to capture images of your growing garden or your move from one home to another. These examples of photo essays are powerful ways of telling the story of life’s changes—both large and small.

3 . Day in the Life Photo Essay

Want a unique way to tell a person’s story? Or, perhaps you want to introduce people to a career or activity. You may want to consider a day in the life essay.

With this photostory example, your narrative focuses on a specific subject for an entire day. For example, if you are photographing a farmer, you’ll want to arrive early in the morning and shadow the farmer as he or she performs daily tasks. Capture a mix of candid shots of the farmer at work and add landscapes and still life of equipment for added context. And if you are at a farm, don’t forget to get a few shots of the animals for added character, charm, or even a dose of humor. These types of photography essay examples are great practice if you are considering pursuing photojournalism. They also help you learn and improve your candid portrait skills.

4 . Event Photo Essay

Events are happening in your local area all the time, and they can make great photo essays. With a little research, you can quickly find many events that you could photograph. There may be bake sales, fundraisers, concerts, art shows, farm markets, block parties, and other non profit event ideas . You could also focus on a personal event, such as a birthday or graduation.

At most events, your primary emphasis will be on capturing candid photos of people in action. You can also capture backgrounds or objects to set the scene. For example, at a birthday party, you’ll want to take photos of the cake and presents.

For a local or community event, you can share your photos with the event organizer. Or, you may be able to post them on social media and tag the event sponsor. This is a great way to gain recognition and build your reputation as a talented photographer.

5. Building Photo Essay

Many buildings can be a compelling subject for a photographic essay. Always make sure that you have permission to enter and photograph the building. Once you do, look for interesting shots and angles that convey the personality, purpose, and history of the building. You may also be able to photograph the comings and goings of people that visit or work in the building during the day.

Some photographers love to explore and photograph abandoned buildings. With these types of photos, you can provide a window into the past. Definitely make sure you gain permission before entering an abandoned building and take caution since some can have unsafe elements and structures.

6. Historic Site or Landmark Photo Essay

Taking a series of photos of a historic site or landmark can be a great experience. You can learn to capture the same site from different angles to help portray its character and tell its story. And you can also photograph how people visit and engage with the site or landmark. Take photos at different times of day and in varied lighting to capture all its nuances and moods.

You can also use your photographic essay to help your audience understand the history of your chosen location. For example, if you want to provide perspective on the Civil War, a visit to a battleground can be meaningful. You can also visit a site when reenactors are present to share insight on how life used to be in days gone by.

7 . Behind the Scenes Photo Essay

Another fun essay idea is taking photos “behind the scenes” at an event. Maybe you can chronicle all the work that goes into a holiday festival from the early morning set-up to the late-night teardown. Think of the lead event planner as the main character of your story and build the story about him or her.

Or, you can go backstage at a drama production. Capture photos of actors and actresses as they transform their looks with costuming and makeup. Show the lead nervously pacing in the wings before taking center stage. Focus the work of stagehands, lighting designers, and makeup artists who never see the spotlight but bring a vital role in bringing the play to life.

8. Family Photo Essay

If you enjoy photographing people, why not explore photo story ideas about families and relationships? You can focus on interactions between two family members—such as a father and a daughter—or convey a message about a family as a whole.

Sometimes these type of photo essays can be all about the fun and joy of living in a close-knit family. But sometimes they can be powerful portraits of challenging social topics. Images of a family from another country can be a meaningful photo essay on immigration. You could also create a photo essay on depression by capturing families who are coping with one member’s illness.

For these projects on difficult topics, you may want to compose a photo essay with captions. These captions can feature quotes from family members or document your own observations. Although approaching hard topics isn’t easy, these types of photos can have lasting impact and value.

9. Education Photo Essay

Opportunities for education photo essays are everywhere—from small preschools to community colleges and universities. You can seek permission to take photos at public or private schools or even focus on alternative educational paths, like homeschooling.

Your education photo essay can take many forms. For example, you can design a photo essay of an experienced teacher at a high school. Take photos of him or her in action in the classroom, show quiet moments grading papers, and capture a shared laugh between colleagues in the teacher’s lounge.

Alternatively, you can focus on a specific subject—such as science and technology. Or aim to portray a specific grade level, document activities club or sport, or portray the social environment. A photo essay on food choices in the cafeteria can be thought-provoking or even funny. There are many potential directions to pursue and many great essay examples.

While education is an excellent topic for a photo essay for students, education can be a great source of inspiration for any photographer.

Why Should You Create a Photo Essay?

Ultimately, photographers are storytellers. Think of what a photographer does during a typical photo shoot. He or she will take a series of photos that helps convey the essence of the subject—whether that is a person, location, or inanimate object. For example, a family portrait session tells the story of a family—who they are, their personalities, and the closeness of their relationship.

Learning how to make a photo essay can help you become a better storyteller—and a better photographer. You’ll cultivate key photography skills that you can carry with you no matter where your photography journey leads.

If you simply want to document life’s moments on social media, you may find that a single picture doesn’t always tell the full story. Reviewing photo essay examples and experimenting with your own essay ideas can help you choose meaningful collections of photos to share with friends and family online.

Learning how to create photo essays can also help you work towards professional photography ambitions. You’ll often find that bloggers tell photographic stories. For example, think of cooking blogs that show you each step in making a recipe. Photo essays are also a mainstay of journalism. You’ll often find photo essays examples in many media outlets—everywhere from national magazines to local community newspapers. And the best travel photographers on Instagram tell great stories with their photos, too.

With a photo essay, you can explore many moods and emotions. Some of the best photo essays tell serious stories, but some are humorous, and others aim to evoke action.

You can raise awareness with a photo essay on racism or a photo essay on poverty. A photo essay on bullying can help change the social climate for students at a school. Or, you can document a fun day at the beach or an amusement park. You have control of the themes, photographic elements, and the story you want to tell.

5 Steps to Create a Photo Essay

Every photo essay will be different, but you can use a standard process. Following these five steps will guide you through every phase of your photo essay project—from brainstorming creative essay topics to creating a photo essay to share with others.

Step 1: Choose Your Photo Essay Topics

Just about any topic you can imagine can form the foundation for a photo essay. You may choose to focus on a specific event, such as a wedding, performance, or festival. Or you may want to cover a topic over a set span of time, such as documenting a child’s first year. You could also focus on a city or natural area across the seasons to tell a story of changing activities or landscapes.

Since the best photo essays convey meaning and emotion, choose a topic of interest. Your passion for the subject matter will shine through each photograph and touch your viewer’s hearts and minds.

Step 2: Conduct Upfront Research

Much of the work in a good-quality photo essay begins before you take your first photo. It’s always a good idea to do some research on your planned topic.

Imagine you’re going to take photos of a downtown area throughout the year. You should spend some time learning the history of the area. Talk with local residents and business owners and find out about planned events. With these insights, you’ll be able to plan ahead and be prepared to take photos that reflect the area’s unique personality and lifestyles.

For any topic you choose, gather information first. This may involve internet searches, library research, interviews, or spending time observing your subject.

Step 3: Storyboard Your Ideas

After you have done some research and have a good sense of the story you want to tell, you can create a storyboard. With a storyboard, you can write or sketch out the ideal pictures you want to capture to convey your message.

You can turn your storyboard into a “shot list” that you can bring with you on site. A shot list can be especially helpful when you are at a one-time event and want to capture specific shots for your photo essay. If you’ve never created a photo essay before, start with ten shot ideas. Think of each shot as a sentence in your story. And aim to make each shot evoke specific ideas or emotions.

Step 4: Capture Images

Your storyboard and shot list will be important guides to help you make the most of each shoot. Be sure to set aside enough time to capture all the shots you need—especially if you are photographing a one-time event. And allow yourself to explore your ideas using different photography composition, perspective, and color contrast techniques.

You may need to take a hundred images or more to get ten perfect ones for your photographic essay. Or, you may find that you want to add more photos to your story and expand your picture essay concept.

Also, remember to look for special unplanned, moments that help tell your story. Sometimes, spontaneous photos that aren’t on your shot list can be full of meaning. A mix of planning and flexibility almost always yields the best results.

Step 5: Edit and Organize Photos to Tell Your Story

After capturing your images, you can work on compiling your photo story. To create your photo essay, you will need to make decisions about which images portray your themes and messages. At times, this can mean setting aside beautiful images that aren’t a perfect fit. You can use your shot list and storyboard as a guide but be open to including photos that weren’t in your original plans.

You may want to use photo editing software—such as Adobe Lightroom or Photoshop— to enhance and change photographs. With these tools, you can adjust lighting and white balance, perform color corrections, crop, or perform other edits. If you have a signature photo editing style, you may want to use Photoshop Actions or Lightroom Presets to give all your photos a consistent look and feel.

You order a photo book from one of the best photo printing websites to publish your photo story. You can add them to an album on a photo sharing site, such as Flickr or Google Photos. Also, you could focus on building a website dedicated to documenting your concepts through visual photo essays. If so, you may want to use SEO for photographers to improve your website’s ranking in search engine results. You could even publish your photo essay on social media. Another thing to consider is whether you want to include text captures or simply tell your story through photographs.

Choose the medium that feels like the best space to share your photo essay ideas and vision with your audiences. You should think of your photo essay as your own personal form of art and expression when deciding where and how to publish it.

Photo Essays Can Help You Become a Better Photographer

Whatever your photography ambitions may be, learning to take a photo essay can help you grow. Even simple essay topics can help you gain skills and stretch your photographic limits. With a photo essay, you start to think about how a series of photographs work together to tell a complete story. You’ll consider how different shots work together, explore options for perspective and composition, and change the way you look at the world.

Before you start taking photos, you should review photo essay examples. You can find interesting pictures to analyze and photo story examples online, in books, or in classic publications, like Life Magazine . Don’t forget to look at news websites for photojournalism examples to broaden your perspective. This review process will help you in brainstorming simple essay topics for your first photo story and give you ideas for the future as well.

Ideas and inspiration for photo essay topics are everywhere. You can visit a park or go out into your own backyard to pursue a photo essay on nature. Or, you can focus on the day in the life of someone you admire with a photo essay of a teacher, fireman, or community leader. Buildings, events, families, and landmarks are all great subjects for concept essay topics. If you are feeling stuck coming up with ideas for essays, just set aside a few hours to walk around your city or town and take photos. This type of photowalk can be a great source of material.

You’ll soon find that advanced planning is critical to your success. Brainstorming topics, conducting research, creating a storyboard, and outlining a shot list can help ensure you capture the photos you need to tell your story. After you’ve finished shooting, you’ll need to decide where to house your photo essay. You may need to come up with photo album title ideas, write captions, and choose the best medium and layout.

Without question, creating a photo essay can be a valuable experience for any photographer. That’s true whether you’re an amateur completing a high school assignment or a pro looking to hone new skills. You can start small with an essay on a subject you know well and then move into conquering difficult ideas. Maybe you’ll want to create a photo essay on mental illness or a photo essay on climate change. Or maybe there’s another cause that is close to your heart.

Whatever your passion, you can bring it to life with a photo essay.

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How to Make a Photo Essay: 5 Tips for Impactful Results

A Post By: Christina N Dickson

Want to tell meaningful stories with your photos? That’s what a photo essay is all about: conveying concepts and narratives through a series of carefully chosen images.

While telling a story with photos can be a daunting task, there are several easy tips and techniques you can use in your photo essays to create striking, stunning, eye-opening results.

And that’s what I’m going to share in this article: five photo essay tips that you can immediately apply to your photography. You’ll leave as a better photo essayist than when you arrived!

Let’s get started.

What is a photo essay?

A photo essay is a collection of images placed in a specific order to convey certain emotions , specific concepts, or a progression of events.

In other words:

The photo essay tells stories just like a normal piece of writing , except with images instead of words. (Here, I’m using the term “story” loosely; as mentioned above, photo essays can encapsulate emotions or concepts in addition to traditional, time-based narratives.)

Plenty of world-class photojournalists use photo essays, including Lauren Greenfield, James Nachtwey, and Joachim Ladefoged. But the photo essay format isn’t exclusive to professionals, and photo essays don’t need to cover dramatic events such as wars, natural disasters, and social issues. Whether you are a complete beginner, a hobbyist, or a professional, the photo essay is a great way to bring your images to life, tell relevant stories about your own surroundings, and touch your family, friends, and coworkers.

So without further ado, let’s look at five easy tips to take your photo essays to the next level, starting with:

1. Find a topic you care about

Every good photo essay should start with an idea .

Otherwise, you’ll be shooting without a purpose – and while such an approach may eventually lead to an interesting series of photos, it’s far, far easier to begin with a topic and only then take out your camera.

As I emphasized above, a photo essay can be about anything. You don’t need to fixate on “classic” photo essay themes, such as war and poverty. Instead, you might focus on local issues that matter to you (think of problems plaguing your community). You can also think about interesting stories worth telling, even if they don’t have an activism angle.

For instance, is there an area undergoing major development? Try documenting the work from start to finish. Is there a particular park or nature area you love? Create a series of images that communicate its beauty.

One key item to remember:

Photo essays are most powerful when you, as the photographer, care about the subject. Whether you choose to document something major and public, like an environmental crisis, or whether you choose to document something small and intimate, like the first month of a newborn in the family, make sure you focus on a topic that matters to you .

Otherwise, you’ll struggle to finish the essay – and even if you do successfully complete it, viewers will likely notice your lack of passion.

2. Do your research

The best photo essays involve some real work. Don’t just walk around and shoot with abandon; instead, try to understand your subject.

That way, you can capture a more authentic series of photos.

For instance, if you document a newborn’s first month , spend time with the family. Discover who the parents are, what culture they are from, and their parenting philosophy.

If you cover the process of a school’s drama production, talk with the teachers, actors, and stagehands; investigate the general interest of the student body; find out how the school is financing the production and keeping costs down.

If you photograph a birthday party, check out the theme, the decorations they plan on using, what the birthday kid hopes to get for their gifts.

If you’re passionate about your topic, the research should come easy. You should enjoy learning the backstory.

And then, when it comes time to actually shoot, you’ll have a much clearer understanding of the topic. You’ll know the key players in the story, the key ideas, and the key locations. You’ll be able to hone in on what matters and block out the flashy distractions.

Make sense?

3. Find the right angle

Once you’ve done your research, you’ll know your topic inside and out.

At which point you’ll need to ask yourself:

What is the real, authentic story I want to tell?

Every story has a hundred different angles and perspectives. And trying to share the story from every perspective is a recipe for failure.

Instead, pick a single angle and focus on it. If you’re documenting a local issue, do you want to focus on how it affects children? The physical area? The economy? If you’re documenting a newborn’s first month, do you want to focus on the interaction between the newborn and the parents? The growth of the newborn? The newborn’s emotions?

As you’ll find out during your research, even stories that seem to be completely one-sided have plenty of hidden perspectives to draw on.

So think about your story carefully. In general, I recommend you approach it from the angle you’re most passionate about (consider the previous tip!), but you’re always free to explore different perspectives.

4. Convey emotion

Not all photo essays must convey emotion. But the most powerful ones do.

After all, think of the stories that you know and love. Your favorite books, movies, and TV shows. Do they touch you on an emotional level?

Don’t get me wrong: Every photo essay shouldn’t cover a sappy, heartstring-tugging tale. You can always focus on conveying other emotions: anger, joy, fear, hurt, excitement.

(Of course, if your story is sappy and heartstring-tugging, that’s fine, too – just don’t force it!)

How do you convey emotions, though? There’s no one set way, but you can include photos of meaningful scenes – human interactions generally work well here! – or you can simply show emotion on the faces of your photographic subjects . Really, the best way to communicate emotions through your photos is to feel the emotions yourself; they’ll bleed over into your work for a unique result.

5. Plan your shots

Once you’ve done the research and determined the angle and emotions you’d like to convey, I recommend you sit down, take out a pen and paper, and plan your photo essay .

Should you extensively visualize each photo? Should you walk through the venue, imagining possible compositions ?

Honestly, that’s up to you, and it’ll depend on how you like to work. I do recommend that beginners start out by creating a “shot list” for the essay. Here, you should describe the main subject, the narrative purpose of the image, plus any lighting or composition notes. Once you become more experienced, you can be looser in your planning, though I still recommend you at least think about the different shots you want to capture.

You can start by planning 10 shots. Each one should emphasize a different concept or emotion, but make sure to keep a consistent thread running through every composition; after all, the end goal is to create a powerful series of images that tell a story.

One final tip:

While you should stick to your plan pretty closely, at least at first, don’t ignore the potential for spontaneity. If you see a possible shot, take it! You can later evaluate whether it’s a worthwhile addition to your essay.

Photo essay tips: final words

Now that you’ve finished this article, you know all about what photo essays are, and – hopefully! – how to create a beautiful essay of your own.

Just remember: storytelling takes practice, but you don’t have to be an incredible writer to pull off a powerful photo essay. All you need is a bit of photographic technique, some creativity, and a lot of heart.

Once you start to tell stories with your photos, your portfolio will never be the same!

Now over to you:

Do you have any tips for doing photo essays? Do you have any essays you’re proud of? Share them in the comments below!

Read more from our Tips & Tutorials category

is a visionary artist and philanthropist in Portland Oregon. Her work includes wedding photography www.BrideInspired.com and leadership with www.RevMediaBlog.com .

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17 Awesome Photo Essay Examples You Should Try Yourself

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If you’re looking for a photo essay example (or 17!), you’ve come to the right place. But what is the purpose of a photo essay? A photo essay is intended to tell a story or evoke emotion from the viewers through a series of photographs. They allow you to be creative and fully explore an idea. But how do you make one yourself? Here’s a list of photo essay examples. Choose one that you can easily do based on your photographic level and equipment.

Top 17 Photo Essay Examples

Here are some fantastic ideas to get you inspired to create your own photo essays!

17. Photograph a Protest

16. Transformation Photo Essays

15. Photograph the Same Place

14. Create a Photowalk

13. Follow the Change

12. Photograph a Local Event

11. Photograph an Abandoned Building

10. Behind the Scenes of a Photo Shoot

9. Capture Street Fashion

8. Landmark Photo Essay

7. Fathers & Children

6. A Day In the Life

5. Education Photo Essay

4. Fictitious Meals

3. Photograph Coffee Shops Using Cafenol

2. Photograph the Photographers

1. Capture the Neighbors

Photo essays tell stories. And there are plenty of amazingly interesting stories to tell! Photographing photo essays is a great way to practice your photography skills while having fun. You might even learn something! These photo essay examples are here to provide you with the inspiration to go out and tell your own stories through photos!

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How to Create a Photo Essay

The photographic essay, also called a photo essay or photo story, is a powerful way for photographers to tell a story with their images. If you are interested in creating your own photo essay, this article will guide you through the whole process, from finding a story to shoot to the basics of crafting your first visual narrative.

Table of Contents

What is a photo essay.

A photo essay tells a story visually. Just like the kind you read, the photo essay offers a complete rendering of a subject or situation using a series of carefully crafted and curated images. Photo stories have a theme, and each image backs up that overarching theme which is defined in the photo essay’s title and is sometimes supported with text.

From documentary to narrative to essay, photo stories are designed to move their audience, to inspire a certain action, awareness, or emotion. Photo stories are not just a collection of cool photos. They must use their visual power to capture viewers’ attention and remain unforgettable.

History of the Photo Story

In the “old days”, that is, before 1948, magazines ran photo stories very different from what we know today. They were staged, preconceived by an editor, not a truthful observation of life. Along came a photographer named W. Eugene Smith, who worked for Life magazine.

Deciding to follow a rural doctor for six weeks, he gathered material for a photo essay that really showed what it was like to be in that doctor’s shoes, always on the go to help his scattered patients. Smith’s piece, “ Country Doctor ,” shook other photographers out of their scripted stupor and revolutionized the way photographers report what they see.

From then on, photojournalism gained life and an audience through the lenses of legends like Robert Capa, Dorothea Lange, David “Chim” Seymour, Gordon Parks, Werner Bischof, and Henri Cartier-Bresson. The Vietnam War provided many examples for photo stories as represented by Philip Jones Griffiths, Catherine Leroy, and many more.

More recently, photo stories have found a sturdy home online thanks to the ease of publishing a series of photos digitally versus in print. Lynsey Addario, Peter Essick, and Adam Ferguson represent a few of the photographers pushing visual storytelling today.

Ways to Find Photo Stories and Themes

Photo stories exist all around, right in the midst of everyday life and in the fray of current events. A good place to begin developing a photo essay is by choosing a general theme.

Topics that Interest You

The best expression comes from the heart, so why not choose a topic that interests you. Maybe it’s a social issue, an environmental one, or just something you’re curious about. Find what moves you and share that with the world.

Personal Experiences

The more you’ve lived, the more you have to tell. This doesn’t necessarily mean age, it can also refer to experiences, big and small. If you know a subject better than most, like what it’s like to recover from a car crash, you’re an expert on the matter and therefore you have a story to tell. Also, consider the things you read and see or watch, like news or history, and incorporate that into your search for a story.

Problem/Solution

Problems abound in the world. But so do solutions. Photojournalists can present either, or both. Have a look at something that’s wrong in society and show why it’s a problem. Or find a problem that’s been resolved and show the struggle it took to get there. Even better, take your time shooting your story — sometimes it can take years — and document how a wrong is righted.

Day-in-the-Life

One of the most popular formats, day-in-the-life photo stories present microcosms of life that relate to the bigger picture. In a similar vein, behind-the-scenes photo stories show viewers what life is really like for others, especially in situations that are difficult or impossible to access. Events represent another simple yet powerful theme for documenting and storytelling with a camera.

Types of Photo Stories

Most photo stories concern people. If it’s about something like the environment, for example, the photo story can showcase the people involved. In either case, the impactful photo story will present the challenges and dilemmas of the human condition, viscerally.

There are three general types of photo stories.

Narrative Story

Narrative deals with complications and their resolution, problems, and solutions. If there appears to be no resolution, at least the struggle to find one can provide material for a photo essay. Some sort of narrative thread must push the story from beginning to middle to end, just like what you see in a good movie.

A good story also requires action, which in this case must be visual. Good stories are page-turners, whether they’re a Kerouac tale or a series of photos demonstrating the difficulties of single parenting. Adventure stories are one good example of photographic narrative storytelling.

The term “photo story” is generally used interchangeably with “photo essay”, but some photographers hold that there are subtle differences between the two. The essay type of photo story implies opinion, they argue. Essays make a point. They are the opposite of facts-only news. A photo story essay makes a case for something, like showing the danger and consequences of illegal fireworks or advocating for the preservation of a forest.

Documentary

On the other hand, documentaries lack opinion. Their purpose is to inform without adding judgment. Documentaries present the facts and let viewers decide. They illustrate something that’s occurring but they don’t always include a narrative story or an opinionated approach. Historical places, current events, and unique lifestyles always make for good documentary photo stories.

How to Craft a Photo Essay

Several elements come into play when putting together a photo essay. Once you’ve found a theme, it’s time to give your project a name. While out shooting, jot down titles that come to mind. Consider the title a magazine headline that explains in few words what the whole story is about.

Choose your photos according to whether or not they relate to and support the photo essay’s title. Reject those photos that don’t. If your collection seems to suggest a different angle, a different title, don’t be afraid to rename it. Sometimes stories develop organically. But if your title can’t assemble and define your selection of photos, maybe it’s too vague. Don’t rush it. Identify the theme, take the photos and the photo essay will take shape.

Certain techniques help tell the photo essay.

A photo essay is composed of a diversity of views, angles, and focal lengths. While masters like Henri Cartier-Bresson could capture a photo essay with a single prime lens, in his case a 50mm, the rest of us are wise to rely on multiple focal lengths. Just like what we see in the movies, a story is told with wide shots that set the scene, medium shots that tell the story, and close-ups that reveal character and emotion.

Unique angles make viewers curious and interested, and they break the monotony of standard photography. Consider working black-and-white into your photo essay. The photo essay lends itself well to reportage exclusively in monochrome, as the legends have demonstrated since W. Eugene Smith.

Visual Consistency

The idea of a photo essay is to create a whole, not a bunch of random parts. Think gestalt. The images must interact with each other. Repetition helps achieve this end. Recurring themes, moods, styles, people, things, and perspectives work to unify a project even if the photos tell different parts of the story.

Text can augment the impact of a photo essay. A photo may be worth a thousand words, but it doesn’t always replace them. Captions can be as short as a complete sentence, as long as a paragraph, or longer. Make sure to take notes in case you want to add captions. Some photo stories, however, function just fine without words.

Tell a Story as a Photographer

Few genres of photography have moved people like the photo essay. Since its inception, the art of visual storytelling has captivated audiences. Photo stories show viewers things they had never seen, have moved masses to action, and have inspired video documentaries. Today, photo stories retain their power and place, in part thanks to the internet. Every photographer should experiment with a photo essay or two.

The method of crafting a photo essay is simple yet complicated, just like life. Careful attention must be paid to the selection of images, the choice of title, and the techniques used in shooting. But follow these guidelines and the photo stories will come. Seek issues and experiences that inspire you and go photograph them with the intention of telling a complete story. The viewing world will thank you.

Image credits: Header photo shows the May 13, 1957 story in LIFE magazine titled, “ The Tough Miracle Man of Vietnam .” Stock photos from Depositphotos

Home — Essay Samples — Arts & Culture — Photography — Exploring Through the Lens: My Passion for Photography

Exploring Through The Lens: My Passion for Photography

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Exploring the Picture Essay: Tips, Best Practices, and Examples

April 18, 2023

Words by Jeff Cardello

A picture essay lets you harness the power of images to tell stories, evoke emotions, and convey a sense of place, time, and perspective.

Picture essays drop viewers right into the action, letting them see things through the camera’s lens, offering insights and understanding that isn’t possible through words alone. From static pages of photos, to carousels and animated articles, photo essays come in many forms. With no-code tools like Vev , it’s now easier than ever for journalists, designers, and publishers to create immersive, visually-led digital content to make their stories stand out from the crowd. Here’s everything you need to know about crafting stunning picture essays — from techniques and best practices through to world-class examples.

What is a Picture Essay?

Picture essays, also known as photo essays, are a form of visual storytelling . They are composed of a series of photos which together form a narrative or communicate information or ideas. They can have a clear beginning, middle, and end, but aren’t necessarily bound to linear narratives. Whether used for a chronological story or capturing a moment in time, all of the photos share a common theme that connects them.

Photo essays are often accompanied by text, providing context or conveying additional details. This can range from the most basic information such as titles, dates, or locations, or a caption helping to narrate the visual story. Some picture essays may rely solely on the imagery, while others may include more text to create a scrollytelling piece of content, with text even overlaid on the photos. The key to a picture essay is that the driver and focus is the visuals.

The Origins of the Picture Essay

Photography emerged as a documentary form at the beginning of the 20th century. Many cite Lewis Hine and the work he did between 1911 and 1916 in bringing attention to the harsh realities of child labor in the United States as one of the earliest examples of the picture essay. In 1948, the photographer W. Eugene Smith published a picture essay titled “Country Doctor” following a physician in rural Colorado and showing his work with the patients as well as what he did in his downtime. This is another notable example that elevated picture-taking into a journalistic art form.

Lewis Hine’s photos captured the hardships of children in the workplace and were instrumental in changing American labor laws.

Picture essays have remained an important part of journalism, having kept pace from its black-and-white beginnings to the high-resolution full-color images of today’s digital media.

Design Techniques for the Perfect Picture Essay

Scrollytelling images.

Scrollytelling images smoothly fade from one photo to the next as someone moves through a website, often with overlaid text to help describe what is happening in the images. This a subtle, yet effective way to break up content, and makes sure that each photo captures the attention of those scrolling.

Scroll Speed

Scroll speed is an effect that controls how reactive elements are to scrolling. Varying how reactive elements are to scrolling gives them a sense of distinction, rather than having them all lumped together in one long block. For example, a lower setting like 10% will make a photo move slower than one that’s set at 90%. This technique creates a scroll animation that keeps readers engaged in the picture essay. 

Scroll Progress Bars

A website full of photos often presents a lengthy amount of content for visitors to navigate through, especially if it’s a single page. Scroll progress bars , often tucked into the top of the screen, show visitors where they’re at and urge them to keep scrolling to the end.

Image Comparison Slider

When you want to display photos that show the before and after of something, an image comparison slider makes it possible to communicate changes through a single interactive image.

Clickable Image Hotspots

Photo essays rely on images to tell much of their stories, but text also provides context and additional information, clickable hotspots, also known as labeled images , maximize screen space and give visitors control in revealing details.

Image Carousels

Image carousels let visitors click, scroll, or drag through a series of images and are generally navigated horizontally, but may take other forms.

Best Practices for Picture Essay Design

• Know the story you want to tell: Identify the main points you want to visually communicate. Photo essays can tell a linear story but also be used to convey a sense of atmosphere or feeling. 
• Use different types of shots: Photographs can become monotonous when they’re all the same. Mix up things with different angles, close-up shots, different compositions, and other variations to keep your picture essays interesting.
• Choose only the best images: Photos shouldn’t only look good, but be relevant to the story you’re telling. 
• Know your audience: Keep in mind the target demographic the photo essay is intended for and make sure the style and tone are in line with who they are. 
• Keep things moving: Utilize scroll-triggered transitions, animations, and other points of interactivity to guide visitors through and keep their attention.

10 Aspirational Picture Essay Examples

From egmont to taranaki.

From Egmont to Taranaki is a picture essay built with Vev that’s both a personal story and a history lesson. It recounts the author John Campbell’s travels through the New Zealand countryside with a terminally ill friend while also delving into the painful past of how the indigenous Maori became dispossessed of these very spaces. Much like the twists and turns of the road, this photo essay bounces back between John’s memories and the history of this land.

Along with photos showing the beautiful green landscape and delightfully greasy food that John enjoyed with his friend during their travels, there are also animated effects. Fade-ins, text scrolling over fixed images, and parallax break the content up and keep up your momentum as you move through it.

Food for Thought

From sheep grazing on the rocky hillsides of Kyrgyzstan to fishermen casting their nets into the blue waters off of Indonesia, Food for Thought depicts where food comes from across the globe. The photos are big and brilliant, capturing the people tasked with the hard work of food production, the geography, as well as the animals and crops they are responsible for.

Each section uses a fixed image parallax scrolling effect that functions as a sliding window drawing the next image into place. There’s also a great use of hot spots, represented by circular icons that visitors can click on in learning more.

With its handsome metallic luster and Art Deco geometry, Bialetti’s pots help so many start their days with an easy way to brew cups of dark and delicious coffee.

They have a long and interesting history that can be traced back to 1933 when Italian engineer Alfonso Bialetti introduced its stovetop coffee maker. Bialetti tells its story through images showing where Alfonso drew his inspiration, product photos, and advertisements over the years. Along with a comprehensive timeline of visuals, you’ll also find plenty of motion in the form of parallax scrolling, animations, and other dynamic visuals. The scroll progress bar at the top is also a nice touch, showing people where they are in this one-page design.

Witnesses to History Keepers of Memory

Witnesses to History Keepers of Memory is an interactive photo essay put together by the Montreal Holocaust Museum. Pictured are Holocaust survivors along with the items they still have that accompanied them through detainment.

The main gallery of photos has much in terms of interactivity with hover-triggered animations, and a previous and next button letting you flip through them. The cursor turns into an eye icon, and clicking through on any of the photos brings you to a new screen that tells the story of the person pictured.

Seeing these people today, along with these personal items is a strong reminder that this terrible period of history wasn’t that long ago, and shows the strength and resilience of those who went through it.

Hakai Autonomous Ocean

Gliders are submersible robots used by scientists to explore what’s beneath the ocean and to gather data. They’re a relatively new technology, free from propellers, which harness ocean currents to move them through the water. The Autonomous Ocean begins with video footage of the sea rushing by and text telling how one of these $150,000 robots was experiencing trouble. It’s a dramatic opening that makes you want to keep reading to find out what happened.

Built with Vev, this single-page website is full of photographs showing oceanic gliders in action and how scientists use them. Scrollytelling images provide smooth transitions fading from one photo to the next, with accompanying text moving over them. This design also features a clever image comparison slider, displaying both the internal and external features of this submersible.

Moma Strange Brew

Viewed at a distance, John Klines’ art installation entitled Skittles looks like a refrigerator of fancy juices that you might find at any upscale grocer. The labels affixed to these juices reveal that inside these bottles are ingredients like yoga mat, fake plant, and shopping bag. All that looks delicious and nutritious from afar is something far grosser, making this art piece a funny and satirical take on consumerism.

This photo essay shows the steps involved in creating this piece, moving you through each stage of how this humorous and thought-provoking art piece came to be.

Picture essays are a documentary form of visual storytelling , and non-profits use them to bring attention to the problems of the world, and what they're doing to help solve them.

The United Nations Children’s Fund, more commonly known as UNICEF, is committed to the rights and health of children. This picture essay , featuring work by photographer Jan Grarup, covers UNICEF’s Denmark warehouse, where medicines and other essential goods are stored, and the people in countries like Haiti, Lebanon, and Uganda that these items reach.

Photos show shelves full of supplies, the places they’re sent out to, and the hospitals where they’re so desperately needed. You see the hardships that people face, and how UNICEF’s work helps improve their lives. It’s a breathtaking piece of photojournalism showing why their humanitarian work is so important.

The Guardian 

Slippery slope? Alpine tourism in the face of climate crisis covers climate change and how it impacts the Alps. This photo essay not only shows scenes of winter tourism, but what the Alps are like year-round. This gives an in-depth look at the interrelationships between the people, landscape, and ecosystem and the cascade of effects that global warming causes. 

Because this photo essay focuses on two very different times of the year, you’ll find several image comparison sliders showing what the Alps look like in the winter, and what they look like after the snow melts. Image comparison sliders work perfectly comparing different times of the year, and maximizing screen space.

The Naija Story

Since Nigeria declared its independence from Britain in October of 1960, they have had both turmoil and triumphs. Naija Story communicates Nigeria’s history, bringing visitors to who they are as a country today.

This design is divided into sections covering topics like politics, technology, and entertainment. Photo essays are an effective medium for history, and Naija Story uses them to highlight the events that have shaped Nigeria in these individual sections.

Along with photos, there are scroll-triggered animations that shift the visuals and text into place, as well as lines that connect all of these events making them simple to follow. There’s so much to learn about Nigeria, and it’s all conveyed in an artistic, yet easy-to-understand way.

Ukrainian Ballerina Uprooted by War Flies High Again

Ending our exploration of picture essays is this piece from Reuters, which tells the story of ballet dancer Ganna Muromtseva who fled from war-torn Ukraine, and whose journey brought her to the Hungary State Opera where she got to be a part of their performance of Swan Lake. With a well-balanced mix of writing and photos that show her life both on the stage and off, visitors get a personal look into her life.

Along with candid photography, there’s also a nice sense of interactivity. As visitors scroll text moves over the photos, giving context. There are also fade-ins as one moves from one image to the next, which also adds dynamics to the visuals.

Create Stunning Picture Essays in Vev

If you have a story you’d like to tell through photos, Vev offers a multitude of creative possibilities to bring it to life. With image comparison sliders, carousels, scroll animations, and other pre-built elements, we make it possible to create visually captivating editorial content just as you imagined it — without needing to write a line of code. When your design is ready, publish it to any existing website through Vev or embed your Vev project into your existing CMS.

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How To Create a Meaningful Photography Essay In 5 Steps

The storytelling nature of photography is no secret. It has been used for a century to narrate stories in a very peculiar and effective way. Narrative photographic projects have great power, and regardless of the level of experience and maturity of the photographer, they are very appealing. Find out how to create a meaningful photography essay in 5 steps.

Photography is an amazing art form that portrays interesting stories, events, adventures, life stories, experiences, history and has been around for a very long time having great influence in human life and emotions. Photography freezes the moment and records real life happenings that can be cherished for a lifetime and beyond. To make a good photograph, the photographer needs to look for perfect locations, light, subjects and add a little creativity to it.

Rather than a single image, a set or collections of images are always more powerful in telling a story, bringing in emotions within the viewer and taking/guiding the viewer through the path of the story. It is self consistent, self explanatory and doesn't another person to help with any form of narration. Besides these, photography essays can be a powerful source to bring out suppressed problems in the societies and other issues that are often overlooked.

Photographic essays invite us to research a topic or a theme in depth. Documentary photography is perhaps one of the closest things to “narrative” as we traditionally know it. Even though times have changed, and photography has been open to more independent photographers who don't have the same resource bonanza as the editorial or journalistic photographers of previous decades, this new democracy opens the door to the freedom of speech – a freedom that doesn't have to obey any media interests whatsoever.

Alright, But What Is A Photography Essay In The First Place?

A photo essay is a narrative that uses a group or series of photographs to tell a story, evoke emotions or emphasize a specific concept. The camera plays a utilitarian role, and is pretty far from what the final result can convey to those who read it (either completely or just partially). Photography essays can be either just photographs or photographs with comments, captions or text that accompany them to complete the story.

Some examples of photography essays include collage (simplest form of telling a story), an article, a book, an art show or exhibition, part of a website or a dedicated website and so on. Earlier photography essays were printed in the printing press, but in recent times they have moved to the web which is better in terms of easy access, but will not have a similar effect to looking and reading one physically.

What Elements Should A Photography Essay Include?

Being a narrative in a very holistic form, a photography essay should include the following elements in the most extreme cases:

• Introduction
• Contextualization
• Development
• Continuation

Not all essays will allow such a complex storyline, but we can take some of these elements to formulate an idea of what an essay should include. Therefore, a photo essay is a way to tell a story from beginning to end, with substance and a meaningful content.

Most photographic essays require preparation, organization and direction. Photographic essays began to be published in the 1930s after magazines saw that a story could best be told if text was accompanied by photographs. It is no coincidence that, by this time, cameras had evolved such that they could capture images quickly enough to freeze motion.

Also around this time, portability came into the picture, thanks to the practical nature of 35mm film . It was LIFE magazine that coined the term “Photographic Essay”. One of the most classic photography essays they published is “ Country Doctor ” by W. Eugene Smith . This essay documented Dr. Ceriani’s working life as a traveling doctor in rural areas of the United States.

An essay can be short, mid- or long-term according to various factors that can affect the image recording process. After achieving a certain number of images, the editing process can take place and the story can begin its narrative course. Some things that can affect the recording process are the limited resources we endure while working abroad, and limited access to the subject or the circumstances-recurrence ratio.

Here Are The 5 Steps Involved In Creating A Photography Essay:

1. pick a topic.

Obvious indeed, but choosing a good topic can be difficult without prior research. This is perhaps the hardest part of creating a photographic essay.

The wisest way to approach this is to select a topic that won't be so hard to access – not just because it might be easy. Since it will be accessible, the risk of frustration will be lower than it is when handling a difficult topic. Experience will eventually lead us into working with trickier subjects.

A photo essay doesn't need to always be dramatic and dense. They can be done just for the fun of it, or to discover new possibilities for the photographic narrative. Some topics that are generous when they are addressed are:

• Everyday Work  

2. Choosing The Subjects Correctly

When working on a photographic essay, it is important to choose subjects correctly to keep ourselves within a certain scope. Check to see if your subjects are suitable or the story you are planning to tell and if the stories made with them will be interesting for your target audience.

Even if you don't have a human subject to portray, making use of personification can always be a good guide to avoid losing course. For example, you can focus on silence by stating that the images attempted to capture the presence of silence.

Also, solitude can be addressed without any human elements, but still maintain the purpose of capturing “the human footprint”, for example.

3. Quantity Of Images

It is important to define the number of pictures we are willing to present on our final essay. Defining that number is important for a couple of reasons.

• The first one is because it will set the bar of our project's scope (critical when we start to consider our resources).
• The second one is our readers. The story should be told from start to finish with high impact, just like a short novel or a story. If we stuff our essay with “filler” images, it will ultimately lose its power.  

4. Execution

Let the fun part begin! After defining the previous three elements, we can start shooting to create a great storytelling essay.   Shooting story telling photographs for a photography essay need to be powerful just like how you would shoot individual images to tell a story. Look for perfect light, relevant locations relating to the story to be told, perfect subjects for the story and also compositional guidelines.

Always have introductory and closing images just like how you would have an introduction and conclusion to any essay. Shoot at different light, angles, perspectives, etc. and finalise during the editing part the images that will work together to complete the photography essay.

Editing must not be confused with post-processing, which is an important element of the production of the final photographs. Editing refers to the precise selection of the images that will be included in the essay. There is no perfect quantity or order. You (or your editor) will have to be very objective to select the perfect mix to tell the story the way you want it to be told.

Ak yourself questions like, do the photographs speak the story or will they require accompanying text, is the sequence or series logical, do they stand together and complete the story from start to finish, etc. Try and tell the story with minimal images by avoiding repetition as that can bore the viewers.

Who Can Create A Photography Essay?

Some photographers believe that only photojournalists or documentary photographers can create photography essays. That is not the case – photo essays can be created on any topics like nature, wedding, events, portraits, travel, etc.

Constant planning, execution and checking can and should be applied to all the stages discussed above. You will need to have a powerful title and written text that is strong and concise. Sometimes longer text may be required.

Photo essays are a great way to improve not just as photographers, but as storytellers, too. Viewing photo essays with a reader's mindset will give you a better feeling of photography’s storytelling power.

About Author

Federico has a decade of experience in documentary photography , and is a University Professor in photography and research methodology . He's a scientist studying the social uses of photography in contemporary culture who writes about photography and develops documentary projects. Other activities Federico is involved in photography are curation, critique, education, mentoring, outreach and reviews. Get to know him better here .

Dear Federico, this is a very informative, to the point article for everyone who wants to enter the world of creating photo essays. Currently, I am teaching photography at one of the well known institutes in India and I am playing a role of a honeybee. I am creating a blend of my experience along with such articles and letting the student know what are the pros and cons of various genres of photography and how to go about it. I am obviously giving you credit for this article. Thanks and you are welcome to India. You will love my country!

Frederico, thank you for this article about photo essays! I am both a digital photographer and a freelance writer, and this idea combines both of my passions. What are the most successful photo essays that you have done that you can share?

Hi, Thank you for the article, very interesting, something I would really love to try. I do have one question though, how do I know whether a photo essay would be a success, who would judge it?

I have emailed Frederico asking permission to reprint this article in my photo club’s digital newsletter (www.spsphoto.org). I would like your permission as well. We are having a photo essay competition this month. I will include links to the original article, as well as yours and Federico’s website. Thank you.

Fine by us, Linda. Thanks for asking first.

Thank you, and Federico, for permission to reprint. I am sure my photo club members will appreciate this timely article for our annual photo essay competition !

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Table of Contents

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194 Photography Essay Topic Ideas & Examples

🏆 best photography topic ideas & essay examples, 👍 good essay topics on photography, 🎓 simple & easy photography essay titles, 💡 most interesting photography topics to write about, 🔍 interesting topics to write about photography, ❓ photography essay questions.

• Photograph Description: Nature The photograph reflects a marvelous landscape combining the elements of human interference in the form of buildings; it is necessary to underline the fact that the picture is to be referred to as representational […]
• Photography Comparison and Contrast The focus on the naked parts of the body, like dirty and scratched hands, necks, and faces, allows for learning about the terror and horror of that period. In my photo, the style differs due […]
• Personal Interest in Photography Most of Cotton’s photographs were devoted to the exploration of the serenity and beauty in the natural world, as can be seen in the photographs below.
• The Connection of History and Photography Overall, photography falls under the visual sources of chronological data that historians can use to understand and write about recorded events.
• Invention of Photography and Its Social Impact Although photography was invented in its full form only in 1835, an understanding of the social impact that was a result of the invention of photography is rightly portrayed by Azoulay in his article “The […]
• Photography’s Impact on Society The pictures taken from scenes of dying soldiers in the American civil war are some of the reasons that evoked strong emotions, which led to the end of the war.
• Eastman Kodak and Photographic Film Industry Major Changes This kind of study enables the marketer to evaluate the performance of the company in the market. Therefore, the application of the model is inevitable in case the market is to understand the performance of […]
• Photography Exhibition: Examples of the Works This is an outstanding piece of art which made me, for instance, think of our world and humanity: first of all I thought about the perfection of the both, and then I passed to contemplations […]
• Pathos, Ethos, and Logos in Photography The audience’s personal experiences affects its interpretation of what the picture depicts, it might be close to the communication the photographer had wished to convey or a totally different perspective.
• Photography as a Mass Medium To demonstrate this fact, the study explores the works of Sontag in her article titled, On Photography, and shows how digital photography changes her analysis about the “photographic way of seeing” life.
• Photography: An Artist Statement In the first image, I arranged the details in the composition to guide the observer through the place I captured by the camera. With the help of the play of the light and shadow, I […]
• Yosemite National Park and Connecting With the History of Photography By the time the Yosemite series was started, Carleton Watkins was a famous master of the so called wet-collodion technique that made use of the “mammoth” plates made of glass to allow for the better […]
• Impacts of Photography on Advertising So as to discuss this topic, this paper shall: trace the development of photography on advertising; discuss the positive impacts of photography on advertising; and discuss the negative impacts of photography on advertising.
• Andy Goldsworthy: Sculptor and Photographer Besides, the vast majority of artworks of this sculptor are installed in nature in the woods, fields, plains, at the ponds, or rivers.
• Concept of Documentary Photography The purpose of composition in this case is to bring out a distinction between the different elements of a work that is being portrayed in such a manner that the elements of the work that […]
• Sports Photography and Its Evolution The death of Niepce was announced in 1833, but the experiment was still been performed by Daguerre and he succeeded in the development of the daguerreotype finally in 1837.
• Note-Taking and Crime Scene Photography Concerning the effectiveness of notes, generally, they should contain a high level of detail, and straightforwardness and cover all areas of the crime scene.
• The Beauty of Photography: An Opinion However, ultimately, I leaned toward the DSLR cameras and still photography rather than the motion of the film. As a result, good photos make one look at the situation from a different angle, capturing a […]
• Photographs in a Written Society Visual literature requires one to have the ability to analyze, interpret, and understand images with the aim of acquiring meaning through the cultural context in which the image exists.
• Reflection of Photographic Arts The knowledge influences the choice of image and the position of the subject in the photograph. The knowledge of the fundamentals of photographic arts creates a world of possibilities.
• Photography: Art Creation & Reflection The thematic connection between the two pieces is based on the illusionary vision of the simple scenes and experimental approach to the art of photography.
• Dream Deferred: Timeless Relevance. Poem and Photograph Review The relevance of showcasing social inequality through voices and faces of the Afro-Americans in the United States draws the parallel between the historical and contemporary context.
• Nikki S. Lee and Photography Considered to be one of a kind, the unique nature of this exhibition placed her in the limelight. In ‘The Seniors Project’, Lee managed to transform herself to fit the image of an old woman […]
• Photography: Critical Analysis The vertical, restive position of the pencil in each of the slides is indicative of a resort to have finished a particular task, presumably that of writing on the foolscap, with the pencil resting in […]
• Dharker’s Postcards From God Book and Carter’s Family Photograph Human poverty might have many colors, and the worth of the chosen non-literary work is in the possibility of conveying the struggle in the face of inevitability.
• Photography Ethics, Reliability, and Principles As a result, it is often possible to guarantee that the photo provided in the news is not a product of Photoshop.
• Social Documentary Photography Then and Now In the first place, he tried to inform people about the diversity of life in the city, which was a common trend for the beginning of the twentieth century.
• Melancholy Objects in Photography The purpose of this paper is to develop a critical evaluation of Sontag’s claim of melancholy and Photography, with reference to a photograph taken for a tombstone in a cemetery. In fact, the grave looks […]
• Photographs Depicting Sufferings of Real People Recording reality may run counter to the goals and ideals of the person making the recording. The dilemma of reaction to shocking photographs is often limited by the viewer’s psychological predisposition and internal values.
• Photography of Global Disasters: Violence or Not? There is a moral dilemma in people’s urge to respond to suffering photographs of others by either just looking at the pictures or doing something to stop the disaster.
• Robinson, Emerson, and Photography as an Art Both of them viewed the newly created form of image capture as a medium for the expression of art, but their views on the nature of the movement were radically different.
• Steve McCurry’s Photographs This approach has revealed the impacts of war on the lives of many people across the globe. McCurry had the opportunity to capture the portrait of a monk in Tibet.
• The Impact of Nineteenth Century Photography on Visual Representation and the Development of Visual Culture The essay concludes with a showcasing of a number of nineteenth century photographs that illustrate the wide range of uses, particularly in the realm of portraiture, that photographers of the nineteenth century employed the photographic […]
• Photography as a Career It is of essence to note that a number of variations exist in the field of photography, for example, self-employment and commercial photographing are just some of the ways one can successfully earn a living […]
• History in Abbass Studios Ltd. Fonds’ Photographs The approximate creation date of the collection is mentioned as 1940 the year when the eldest of the Abbass brothers became interested in photography. George was in charge of the office and the studio.
• Lighting in Painting, Film, and Photography Due to the lack of detail and the unobstructed silhouette lighting, the viewer can witness the anguish of the photography’s subject. Finally, “The Entombment of Christ” is a famous example of chiaroscuro lighting in art.
• The “Close Enough” Exhibition of Photographs Each of the authors presents their vision of connections and relations in global moments, communities, and individual subjects.”Close Enough” deserves a lot of attention in the context of its importance and significance to the world […]
• The Photograph “Melissa Shook in a Lonely Home” by Elizabeth Hammer Munemura The presentation of the idea of malnourished flowers in the room depicts the state of homelessness in the series. The photograph was taken behind the scenes to familiarize the actors and actresses involved in the […]
• Matthew Brandt’s Approach to Photography The artist labors over the production of his images, turning the creation of his work into grueling physical labor by utilizing long-forgotten techniques acquired from the earliest photographers in the tradition of photography, making his […]
• Walter Benjamin’s Article: The Invention of Photography In “The Work of Art in the Age of Mechanical Reproduction”, Walter Benjamin discusses how the invention of photography and other mechanical reproduction forms has changed how people perceive works of art.
• Canadian Regional Geography in Photographs Because of the combination of two types of climate and the terrain, there is a wide difference of ecosystems. The second image is likely Atlantic Canada, as there are fishermen on it, while the most […]
• Photography as Quick-Paced Creative Medium Photography is interesting since it helps keeps memories alive and prosperous because it freezes a scene that lasts forever. In capturing moments of importance and beauty, photography helps one revisit memories in a way otherwise […]
• The Background of Photography and the History of Racial Strife Overall, Ardizonne argues that Day’s work was destructive to the political discourse, based on an assessment of the pictures and the content of the anthropological section.
• The Visual Argument in the Photograph The photograph and the remark appeal to pathos, striving to first show the emotions of the child in the picture and then accentuating how the words shown through the hand around the boy’s neck can […]
• The Search for Truth: Early Photography, Realism, and Impressionism European colonialism led to the popularity of ethnography and the emergence of Orientalism the Western representation of the Middle East visually or literary.
• Special Features of the Photography by Luc Delahaye and Ansel Adams The above photograph is one of the works by Ansel Adams, who is recognized as a pioneer in the evolutionary field of expertise.
• Jeff Wall, a Contemporary Photographer and His Works Most of the photographer’s works are staged, depicting everyday scenes related to the problems of representation and the history of art.
• Significance of the Photographs Created by T. Simon and J. Riis In turn, Riis presents a unique perspective on the immorality of the Victorian neighborhoods serving as evidence of erroneous people’s attitudes towards appropriateness.
• Photographer Lene and The Heart Project Lene has had an opportunity to work in a large variety of creative mediums, utilizing the skills acquired in a number of projects. The use of paint, charcoal, and mosaic in her art creates a […]
• “Tom Torlino Student File” Photograph Analysis The before and after photo of a native American student is vivid evidence of American influence on the disappearing cultural heritage. What was the impact of such boarding schools on the identity and values of […]
• An Analysis of a Photograph By Mike Wells This spread of technology-enabled many people to document the environment around them and allowed millions of people to relate to stories of others told through photographs.”A Starving Boy and a Missionary” is one of the […]
• The History of Photography of the Nineteenth and Twentieth Century They assured the recognition of photography as a kind of art. Alfred Stieglitz created a series of clouds photographs that combined the technical and aesthetic principles of his work.
• Ethics in the Age of Digital Photography by Long In his article, ‘Ethics in the age of digital photography,’ Long expresses his concern over the problem of “the public…losing faith” in photojournalists.
• Composing With Light or Color in Photography Light, shadow and color are the components of an image. The balance between each element affects the quality of the image.
• Photography in the E-Business: Marketing Strategy Business owners or those in the photography business are now thinking of possible and probably the best way to reach a wider market in the most fashionable and quickest way.
• Photography, Impression and Alfred Stieglitz A striking example of this is the emergence of photography as a category of art after the invention of the camera.
• Macro Photography: Features, Techniques, and Common Mistakes It is customary to call macro photography the shooting of objects comparable in size to the size of a film frame or much smaller than it.
• Town Photography Studio Online Branding In order to convince our potential customers about the quality of our new product, we need to use attractive images of the new product which can easily capture the attention of our potential customers.
• Photographer Diane Arbus’ Creativity Analysis Therefore, Arbus showed consistency with the portrayed ugliness of the subjects in the photographs. This enabled Arbus to capture moments that genuinely depicted the feelings of the people in their environment.
• Chris Hondros: War Photographer This leads the author of the current paper to discovering the key three topics that have to be covered in order to evaluate Hondros’ contribution to war photography during the first decade of the 21st […]
• Jack Dykinga’s Photography In addition, this use of light adds to the beauty of color harmony and color saturation in the picture. Because of the duly chosen perspective and the angle of shooting along with the time of […]
• Margaret Bourke-White: A Historically Significant Photographer Among Bourke-White’s exclusive works are the photos of the First Five-Year Plan in the Soviet Union, the daily struggle of the Allied infantrymen in the Italian campaign, the siege of Moscow, and the conflict between […]
• Julia Margaret Cameron: A British Photographer As the photographer later wrote in her unfinished memoir “Annals of my glass house”, from the moment of the first shot, the camera had become a link to the world of artists, scientists, and writers.
• HDRI and Tonal Mapping in Photography The science of High dynamic range imaging has developed the dynamic range of processing, transmission, and representation of imaging photography beyond the traditional forms.
• Photography: Robin Fox’s Proof of Concept The subject and concept of the exhibition is as unique as it can be and the gallery is the best place where the photos can be exhibited.
• Horst Wackerbath and His Great Photography This mystic twist in Wackerbath’s work keeps people looking out for more of his works in a bid to try to understand not only how he manages to pull such a delicate feat, but also […]
• Knowing Andy Warhol’s Life and Photography The Post-Modernist Movement of pop art and culture in the latter half of the twentieth century was a revolutionary movement and it was started by the American artist Andy Warhol’s very amundane’ looking paintings of […]
• Without Sanctuary: Lynching Photography The photographs in Without Sanctuary provide a record of the intolerance and racism that was standard in the United States at the turn of the twentieth century.
• Ansel Adams and John Sexton: World Photography The first assumption that we can make about these works is that both of them achieve an effect of optical illusion and this is one of the most difficult tasks for a photographer to carry […]
• Has Digital Technology Improved the Quality of Photographs? In the case of our apple, most of the wavelengths are absorbed with the exception of those that lie on the red end of the spectrum.
• Photograph Works by Laura McPhee This particular feature in the works of Laura McPhee impresses the viewer owing to the mastership of the photographer in playing with the background and foreground.
• Evaluating Evidence: Paperwork and Photographs The paperwork evidence is one of the main evidence, as it is the prejudicial evidence of the witness, who walked the cemetery and saw the act of vandalism of the tomb.
• Photography Exhibition “Threads” in Melbourne The subject matter of the photograph under consideration is the nature of identity or, to be more exact, the exploration of it.
• Pia Johnson’s Photography Exhibition The main aim of the photographer is to stop the time and to make people to be delighted by the beauty of the picture, as the time is the substance which flows fast and the […]
• Photo Art: Photographic Exhibition This is the photo produced by Samantha Everton in 2009 as a part of her Vintage Dolls series: The photo is installed in a frame during the exhibition to ensure the considerable attention the viewers […]
• The Exhibition “The Arlen Ness Photographic Exhibition” Watching the landscape in reality and the same view on the photo, the viewer may not notice the difference as the professional photographer, the artist tries to make his/her photos so realistic and inconceivable that […]
• “China and Its People in Early Photographs” by John Thompson In spite of the fact the majority of his works are believed to be documentaries, Johnson is often referred to a photojournalist, because he often focused attention on the social aspect of human relationships, it […]
• Photography: Brief History of Invention At that time all images produced were in black and white and eventually all masters of the art came to believe that the only artistic way to record photographic images was in black and white. […]
• Visual Art and Photography Ice Sculpting is truly an art of its own, and even though this style of art is not permanent, unless a person were to place the item into the freezer, this would still be categorized […]
• Photographic Pioneer: Paul Strand One of her eyes is a stone eye and with the other eye she is trying to view something on her left side.
• Edward Steichen in History of Photography Edward Steichen is one of the central figures in the history of photos. The astonishing sale charge of the print is, in part, featured to its one-of-a-kind personality and to its curiosity.
• Contribution of Modernity to Photography and Film Movements Modernity in visual arts and cinema is part of the ever-changing world, wherein the establishment of ideas, different people in the world of art participates in experimenting with the forms and styles of art, thus […]
• History of Photography: Brief Overview of the Most Exciting and Impressive Ways of Cultural Representation Photography is one of the most interesting and impressive ways and techniques of culture representation. For instance, photography documented the culture of the 1920s and world wars, the Great Depression-era, and the liberation movement.
• History of Photography: Road and Poplar Trees Analysis The picture artistically depicts the distance between the poplar trees making the trees on the right side to be smaller than the left side.
• Snapshot vs. Fine-Art Photography in Digital Age The scale of distribution of everyday photography is associated with the improvement of photographic technology and the spread of electronic and digital technologies, making exploring snapshot photography particularly relevant. To analyse the functions of snapshot […]
• Publishing Controversial Photographs: To Be or Not To Be? Harte took some pictures of the rescue operation, including an image capturing the moment when the rescuers found the body of a drowned boy and showed it to the family.
• Imogen Cunningham, an American Female Photographer The high contrast and neutral tones of the image bring to the viewer’s attention a variety of details, including the woman’s hair, her wrinkles, and the unevenness of her skin.
• Edward Weston’s Modernist Photographs More attention should be paid to the analysis of Weston’s photographs and the comparison of their style to my photographs. The object in my black-and-white photograph looks like a kind of tubes, which texture is […]
• ”Preferences for Photographic Art Among Hospitalized Patients With Cancer” by Hanson ET Al. The opinions of stakeholders, who are patients and nursing staff, as well as the outcomes of treatment, are factors that influence the response to the research question.
• Philosophy of Photography as an Art In conclusion, it is necessary to stress that photography is a specific form of art that involves the use of technology.
• Photography Changes Who We Think We Might Be This essay is interesting and was chosen because Bergen is famous for her acting and not for photography, yet she clearly has a passion for this trade.
• Andreas Gursky’s “The Rhine II” Photography In The Rhine II, the photographer attempts to deliver “an accurate image of a modern river” and invites viewers to see the river enclosed in the deep-colored stripes of grass, concrete, and the clouded sky.
• Photography: Is It Possible to Recapture the Past? The problem of photography is twofold: the problem of representation, and the presumption of reality that the photographic images elicits in the viewer the pervasive belief that a photograph depicts a referent, a real “how […]
• Photography: A Cultural History In the middle of the 1850s, there were many photographers, whose projects caused people’s admiration, and the works of Edouard Baldus, Imperial Library of the Louvre, and Roger Fenton, Rievaulx Abbey, may be considered as […]
• A Critique of a Photographer’s Works: Matthew Abbott Matthew Abbott underlines one simple fact that Istanbul is the only place where East has all chances to meet West, this is why it is hard to predict the traditions and interests of Turkish people, […]
• Richard Drew’s Photography: Visualizing September 11 This would have ensured that I had accommodated the rights of media, clients, society, and other stakeholders while still adhering to media ethics.
• Hector Mediavilla Photographic Series “The Congolese Sape” The photographer’s decision to organize the order of photographs influences the viewer’s interpretation of the image. The photographer captures an image from a focal position; the decision to capture the image is influenced by the […]
• “Memorial Day” by Anthony Suau: Photography Analysis The background of the image is blurry, indicating that when Suau took the photograph, he had one central area of focus and opted to indiscriminately isolate the other items in the shot.
• Photography and Society Through History: Political and Ideological Functions Another example of a thoroughly politicized photo, which during the course of the thirties was meant to promote the cause of Communism, is Alexander Rodchenko’s Pioneer with Trumpet:
• Michael Lesy’s Wisconsin Death Trip: Photograph Analysis As highlighted by the focus of the light and the enlargement of the image, this makes the ribs of the horse to be the photo’s point of focus.
• Modern Art: Painting, Sculpture, Architecture, Photography Duchamp and his work have a connection through the refusal to accept the views of the majority of artists and art lovers.
• Perspectives on Photography In his essay, John Berger states that the war in Vietnam was one of the most influential transformations of the world.
• “Film und Foto” Exhibition and Surrealism in Photography Surrealism is considered to be a cultural movement of the early twentieth century and is commonly reflected in the works of art and writings.
• The History of War Photography The purpose of this report is to identify basic trends in the development of war photography and determine the conceptual, stylistic, and technical changes observed in the course of its formation.
• Fascination With Crime Through the Art of Photography The image is not for the faint of heart; however, it is fascinating in a way it is shot. It is evident that the robber fired a bullet into the camera to hide his identity.
• Timothy Hogan’s Photography Taking into consideration the infinite backing from the greatest producers, retouchers, and workshops in the professional photography niche, it is quite reasonable that Hogan and his team managed to furnace the lifelong contacts that provide […]
• The “We Are All Equal” Photography by Haley Bell In spite of the fact that the photograph is rather straightforward in its message, it is important to focus on this image of a young white woman’s hand with words saying that we are all […]
• The Photograph Description and Criticism In this picture, the foreground is where the woman is seated and the background depicts transparent window of the apartment The photograph was likely taken in a broad daylight since outside the apartment to be […]
• Photography Company’s Public Relations Campaign The accomplishment of each aim will be performed following the specificity of the targeted audience that is supposed to be composed of the middle-class population of the Seattle Area. In the meantime, they expect that […]
• Child Labor, Great Depression and World War II in Photographs The impression is of isolation and yearning for daylight, freedom, and a childhood foregone, in the midst of a machine-dominated world.
• Hine’s Indianapolis and Kruger’s Help! Photography Nevertheless, unlike Lewis Hine, Barbara Kruger chooses to combine different media, and in this way, she departs from the canons of the modernist art. Overall, this comparison indicates that the works of Lewis Hine and […]
• The Photography Gallery in Melbourne The photos are mounted on glass and owing to the fact that the setting is indoor, a lot of lighting is applied to prevent any darkness.
• Melbourne’ Keith Gallery: Photography Analysis However, at the entrance of the gallery, I took a picture that shows the entry of the gallery that has photos on it.
• The Basic Critical Theory for Photography According to Berger, images depend on the way of seeing of the person who has taken them. Berger insists that ‘publicity images’ and ‘advertising images’ have the same meanings.
• Lewis Hine’s Photography Art Being born at the age of great changes and stresses, Lewis since his childhood was interested in the imprinting of some great moments of the history of American society.
• Technologies: Amateur Film vs. Cell Phone Photography An analysis of the advantages and disadvantages of the two forms of photography concludes the paper. Cellphone and film cameras have apertures that regulate the quantity of light passing to the sensor and film, respectively.
• Photography in Arabic Countries New and new tendencies and fashion took over the generations of European and American photographers, while for the photographers of Arabic and Middle Eastern countries the art of taking pictures was still new.
• The Pool’ Pictures Balance in Photography Because of the unique combination of urban background and the green elements, as well as the presence of such details as the cast iron, the change in the pictures of the pool not only shows […]
• The Photography of the Arctic Ice Panoramic View The vivid play of light and color in the picture brings out the striking separation of the detached mass from the main iceberg.
• Photograph Discussion: Physical Elements and Content Telling from the photograph, the three boys were part of the group playing games in the background and were called to attention by the photographer.
• Photography: Finding Beauty in the Ordinary Therefore, the beauty that the photo represents is largely derived from the actual object. While Sontang acknowledges that the close-up is a reflection of truth, it is still subject to the photographer’s viewpoint.
• The Photographic Approaches Towards American Culture of Robert Frank and Gary Winogrand Frank practiced many forms of photography and he did photography both for the commercial and fashion purposes and was considered an influential American photographer who was also a mentor to many young American artists.
• Photographic Approaches for Manuel Alvarez Bravo and Ann Parker In this review, a comparison is made of the photographic approaches of Ann Parker and Manuel Alvarez Bravo, looking for similarities and differences in their art.
• Surrealist Photography and Experimental Photography These two techniques showcase objects in an in-depth manner, concentrating specifically on the surroundings of the image and creation of an abstract form of art that shaped the history of photography.
• Photography and Beauty Perception His resistance stemmed from the fact that in the early decades of photography, photographs were meant to idealize images and for a picture to be considered beautiful, its subject had to be something beautiful.
• Privacy and Photography in Public Places According to the protectors of privacy, it is inappropriate to take photographs and circulate them without the consent of the individuals.
• Araki Nobuyoshi and Photography He promoted a new genre of art which is up to date cherished in Japan and other parts of the world.
• Photographic Approaches Towards Landscapes: Peter Henry Emerson He insisted that science was a core part of art and photography and thus, he endeavored to prove how the two were completely dependent. He was able to capture the economical effects of the depression […]
• A Comparison of Photographic Approaches Towards American Culture Siskind, on the other hand, used photography as a skylight into the subconscious minds of Americans and a technique to react to the dirty happenings experienced in World War II.
• Photography of High-End Art However, in order to capture the beauty and uniqueness of the original artwork, as well as incorporate a range of innuendoes concerning the artist, the era that the art was created in, etc, very specific […]
• The Description of Nature in Jack Dykinga’ Photographs There are several aspects of these photographs that I would like to discuss, namely the interplay of light and shadow and structured space. This is the main lesson that I learned from the works of […]
• Jack Dykinga’s Outdoor Photography The works of Jack Dykinga have longed appealed to because this photographer is always able to emphasize the beauty of nature by paying attention to color patterns and space.
• Weegee and Goldin’s Photography This paper compares Weegee and Goldin’s photography to address the connection between the middle years of the twentieth century, when photography began to expose realities in life, and the modern distrustful era.
• Mads Nissen, a Danish Documentary Photographer He has helped in expressing the plight of the minority groups in the society and also in championing of human rights of the people all over the world.
• History of Photography Culture Thus, as a result of the credibility, reliability and realism of photography, the development of photography was closely related to the industrial revolution, the scientific revolution and advancement in philosophy.
• Critical Analysis of Barthes’s Camera Lucida-Reflections on Photography He maintained that a picture has a potential to create deceitfulness in the fantasy of ‘what is’, where the description of ‘What was’ is so specific.
• The Development of Lithography and Photography in the Nineteenth Century For this reason, when the reproduction techniques of lithography and photography came up, most of the artists at the time viewed this as a gold mine. As to whether lithography and photography resulted in a […]
• “Escaping to Reality: Fashion Photography in the 1990s” by Elliot Smedley Written by Elliot Smedley, “Escaping to Reality: Fashion Photography in the 1990s” explores how contemporary fashion photography is adopting realistic styles by using realistic activities contrary to ideal styles that had dominated art and photography […]
• Surrealism in Photography Surrealism, which started after the World War I, in photography is one of the indicators of most important revolutions that have taken place over the history in the area of photography.
• The Art of Photography: Seizing the Moment Flying The vividness of the gender stereotypes which the art of photography disclosed was incredible, because of the new ideas of gender gap and the gender prejudices which the boldest photographers dared to take picture of.
• Exhibitions at the International Center of Photography Focusing on the photographs by Chim, it is possible to feel as the part of the European society between the 1930s and 1950s.
• Photographer Jeff Wall and His Paintings The room is clearly in a state of disarray as the dishes and several other things in the room are unattended to.
• Photography Art in 20th Century In its turn, this reflected the fact that during the course of the 20th century’s initial phase, the classical conventions of physics have been thoroughly revised, due to the emergence of the Theory of Relativity.
• Gordon Parks, an American Photographer After the death of his mother in 1926, Parks was forced to move to Minneapolis, where he made a living by affiliating himself with a number of odd jobs, such as the job of a […]
• Photography: Jimmy Nelson’s Piece of Art According to Nelson, the Maasai are part of the few tribes in the world that are quickly fading due to civilization and the increasing need for the world to form a global community.
• Photographer – Robert Frank This element is evidenced by Rodeo which was taken in 1954 in New York city because one can not identify the face of the guy who is leaning on the dustbin but since Robert’s photos […]
• Social Uses of Photography: Post-Mortem Photographs The art of photography was invented by Louis Daguerre in the 18th century; this invention promoted the representatives of the middle class family with an opportunity to memorize the events and people and not to […]
• The Exhibit Twilight Visions at the International Center of Photography The medium of photography in the post World War I period was almost too deliciously convenient a vehicle for certain proponents of the Dadaists and the Surrealists.
• Evolution of Photography: Trying to Seize the Moment In his book A Concise History of Photography, Helmut Gernsheim takes the reader onto a time travel, explaining the origins of photography and telling about the opportunities that photography offers.
• What Is the Difference Between Film and Digital Photography?
• What Is the Most Popular Photography Website?
• How Does Photography Affect the Social and Political Arena?
• How Photography Has Changed Our View of the World?
• Why Was Post-Mortem Photography Popular?
• When Was Photography First Invented?
• How Romanticism and Photography Shaped Western Modernitymodern?
• What Was Photography Originally Called?
• How Digital Processes Change Photography?
• What Photography Can and Really Should Document?
• What Is the Best Photography Course for Beginners?
• Why Photography Is an Art?
• What Would the World Be Like Without Photography?
• How Photography Has Changed Changing Business Environment?
• How Did Joseph Nicephore Contribute to the Early Development of Photography?
• What Is the Target Market for Portrait Photography?
• What Are the 4 Styles of Photography?
• How Has Fashion Photography Changed and Developed Over the Years?
• How Did Photography Reflect the Values and Stereotypes That Underlay European Colonialism?
• Why Is Photography So Important?
• How Does Photography Affect Our Lives?
• Which Type of Camera Is Best for Photography?
• Why Is Digital Photography Better Than Traditional?
• How Are Music and Photography Related?
• What Are the 7 Principles of Photography?
• How Did Female Surrealists Aim to Subvert the Male Gaze Within Surrealist Photography?
• How Photography Works and Has Evolved?
• How Have Photography and Photojournalism Transformed Media?
• What Was the Effect of Photography on Painting in the Nineteenth Century?
• What Makes a Good Food Photography?
• Music Topics
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• Cell Phone Ideas
• Chicago (A-D)
• Chicago (N-B)

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How to create a photo essay

• Author Picfair
• Level Intermediate
• Reading Time 8 minutes

Cover images by James Gourley

Create a meaningful set of images by producing a photo essay or story

A photographic essay is a deeper and more meaningful way to use your photography than a single image tends to be. Typically associated with documentary and news-gathering, a photo essay doesn’t necessarily have to follow those genres, but can be used as a way to tell a longer or more in-depth story about all manner of subjects. Creating a photo essay however is about more than just taking a set of images and presenting them as one package. They require more forethought, planning and editing than many other forms of photography, but the results are often more rewarding, too. Follow our guide below if it’s something you’d like to consider putting together. ‍ ‍

1 Find a story

The first thing you will need to do is to figure out what you want to do your photo essay on.

"Inspiration can come from anywhere, but a good starting to place is to look at news sources to see if something catches your eye."

Inspiration can come from anywhere, but a good starting to place is to look at news sources to see if something catches your eye. If you’re not sure where to begin, you could start by looking at what’s going on in your local area - if nothing else, it’ll make the practicalities easier. Start jotting down ideas that you can explore and figure out exactly why you want to do it. Try to be as active as you can in discovering what’s going on in the world and eventually something will keep your attention for long enough that it will seem like the right idea.

‍ 2 Do your research

‍ Next, try and find out as much as you can about whatever it is you want to create your photo story on.

"If you find that others have done photo essays on the same or similar subject, then that’s something you should be aware of."

Importantly, you’ll need to see what else already exists out there - if anything - on your story. If you find that others have done photo essays on the same or similar subject, then that’s something you should be aware of. That’s not to say that you can’t also do one, but it pays to be prepared so that you can perhaps approach it in a different way. You’ll also need to do some research into the practicalities that will be required to help you along the way. You’ll need to look into people you should be contacting, how you will get to the destination (if it’s not local), any requirements you need for visiting the location, any restrictions on what you can and cannot shoot and so on. Doing as much research ahead of time as possible will make the project run smoothly when it comes to actually shooting it. ‍

3 Make a structured plan  

Once your research is complete, it’s time to make a detailed and structured plan about how you’re going to go about shooting your photo essay. It doesn’t have to be completely rigid so as to disallow flexibility, but sorting out shoot times, shoot dates, shoot locations will give you something to work with, even if things eventually go off plan. Some photo essays can be shot in an afternoon, others might take several months or even years to complete. Having an idea of how long you want to spend on a particular project can help focus your mind and give you an end date for when you might want to publish the essay. It’s also useful to tell subjects and those involved with the shoot a rough timeline of events. You might find it helpful to organise everything together in one easily accessible place - such as online calendars and spreadsheets, so you can quickly refer to anything you need to.

4 Tell a story

Your photo essay needs to be more than just a set of images on a similar theme.

"...including some introductory or contextualising shots before you get into the heart of the subject matter is a good approach."

Think of it exactly like a story, which usually requires a beginning, a middle and an end. That’s a very simplistic way of putting it, but photographically, including some introductory or contextualising shots before you get into the heart of the subject matter is a good approach. There might not necessarily be a neat “resolution” to whatever story you’re trying to tell, and it might not always be a happy ending, but having that at least in your mind as you go along can help to create a neatly-packaged story that has a definite and well-constructed narrative.

5 Stick with a cohesive style

Exactly how you’re going to shoot your photo essay is entirely up to you, but in order for your story to have a cohesive look, it’s usually best if you stick to the same style throughout.

"With a photo essay, you want the images to hang extremely well together as a set, so keeping things consistent will help you do that..."

That could be as simple as not mixing black and white and colour, always using a particular lens, always shooting in a particular way, or even applying the same post-processing techniques to the finished shots. With a photo essay, you want the images to hang extremely well together as a set, so keeping things consistent will help you do that - that is, unless you’re actively trying to use disparate styles as an artistic or storytelling technique. ‍

5 Create a strong edit

The chances are that in the process of creating your photo essay, you will have shot dozens, if not hundreds of images.

"It can help to step away from your essay for at least a few days if you can to give yourself some distance and perspective - don’t be afraid to be brutal and keep your final selection down to only those that are the strongest or the best."

For the final edit of your photo story, you need to make sure that the images selected to appear are the strongest of the set, with each adding something unique to the finished story. Try to avoid “padding out” your story with too many fillers, even if you think they are strong images on their own. It’s a good idea to avoid too much repetition, and here again you should look to include images that create a strong story arc with a defined beginning, middle and end. It can help to step away from your essay for at least a few days if you can to give yourself some distance and perspective - don’t be afraid to be brutal and keep your final selection down to only those that are the strongest or the best. There’s no defined number for how many images should be included in a final story, but as a general rule, you’ll probably want it to be under 20 for the most impact.  ‍

6 Ask for input

It’s very easy to get so close to your subject and your images that you become blind to any flaws in them, or the structure of your story. Asking for advice and input from somebody you trust can help to tighten up your story even further.

"Asking for advice and input from somebody you trust can help to tighten up your story even further."

In certain situations, it can be helpful to ask the subject of the photographs themselves what they think, to make it more of a collaborative process - but you should be able to determine whether that’s appropriate on a case-by-case basis. If you have any contacts who are photographers, editors or publishers, asking them to cast an eye over your finished story is a good idea, too. ‍

7 Add some text  

It can be a good idea to add some text or individual captions for a photo essay, to give some background information and context to whatever is shown in the pictures. If you’re not a writer, try to keep it as basic as possible - including things such as names, locations and dates. A short introduction to the piece to give some background information is useful, too. Ask somebody you trust to check it over for sense, clarity and mistakes.

8 Get the story seen

Once your story is complete and you’re happy with it, the next stage is to get it seen - also known as, the hard part.

"Once your story is complete and you’re happy with it, the next stage is to get it seen - also known as, the hard part."

A sensible first step is to create an album on your Picfair store which is dedicated to your photo essay. That way, anybody who is looking for that particular piece won’t have to wade through all of your other work to find it. ‍ You can then start sending out information about the work to editors and publishers, including a link to the album on your Picfair page as an easy way for them to look at it.

Editor's tip: ‍ If you're not sure where to begin with pitching to publishers, be sure to check our how to pitch guide .

Expertly crafted guides and tutorials brought to you directly from the Team Picfair.

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Ten examples of immersive photo essays

By Marissa Sapega — Contributing Writer

Photo essays are one of the most powerful forms of storytelling in the last century. From the great depression photographer W. Eugene Smith to the photojournalism of National Geographic or Life Magazine , the best photo essays entertain, educate, and move readers more than words alone ever could. 

But photo essays have changed. Over the last decade, web publishing technologies — including web browsers and file formats — have improved by leaps and bounds. A good photo essays today is more than a collection of images. It’s a truly interactive, immersive, and multimedia experiences.

In this guide, we introduce 10 stunning examples of visually arresting interactive photo essays to fuel your creative juices.

Now, let's set the scene with a short introduction to immersive, interactive photo essays on the web.

What do the BBC, Tripadvisor, and Penguin have in common? They craft stunning, interactive web content with Shorthand. And so can you! Publish your first story for free — no code or web design skills required. Sign up now.

The rise of immersive, interactive photo essays

What is an immersive, interactive photo essay? Let's take these terms one at a time. 

An immersive photo essay uses rich media and story design to capture and keep the reader's attention. Immersive content is typically free of the most distracting elements of the web, such as pop-ups, skyscrapers, and other intrusions on the reading experience.

As a basic rule of thumb, immersive content respects the reader's attention. 

An interactive photo essay is one that allows the reader to control how the content appears. It may include interactive elements, like maps and embedded applications.

More commonly, modern interactive photo stories use a technique known as scrollytelling . Scrollytelling stories allow the reader to trigger animations and other visual effects as they scroll. Many of the examples in this guide use scrollytelling techniques. Read more scrollytelling examples .

Until relatively recently, immersive, interactive photo essays could only be created with the help of a designer or web developer. But with the rise of digital storytelling platforms , anyone can create compelling, dynamic stories without writing a single line of code.

If you're looking to learn more about how to create a photo essay — or are looking for more photo essay ideas  — check out our introduction to photo essays . 

Photo essay topics

If you’re looking for photo essay examples, chances are you’re looking to create a photo essay for yourself. If you’re just getting started, you might want some guidance on exactly what kinds of topics make for great photo essays.

More experienced photographers — feel free to skip this section. But for those who are just starting out, here’s a quick list of classic photo essay subject matter, for all types of photo essays.

• Local events. A great way to start out is photograph local events in your community, such as a high school fundraiser. A bonus is that you’ll have a ready
• Historic sites. Another classic photo essay topic is an exploration of a historic site. This could be a building, a monument, or even just a specific location that has significance.
• Profile of a person. A great way to get to know someone is to profile them in a photo essay. This could be a family member, friend, or even just someone you’ve met.
• Animals in captivity. Another popular subject matter for photo essays is animals in captivity, whether that’s at a zoo or elsewhere.
• A day in the life. Have you ever wondered what it’s like to live someone else’s life for a day? Why not find out and document it in a photo essay?
• Street photography. Another great way to practice your photography skills is to head out into the streets and photograph the everyday lives of people around you. The world has plenty of photo essays of cities like New York and London. But what about street photography in your own backyard?
• Still life photography. Still life photography is all about capturing inanimate objects on film. This could be anything from flowers to furniture to food. It’s a great way to practice your photography skills and learn about composition
• Landscapes . Landscape photography is one of the most popular genres, and for good reason. There are endless possibilities when it comes to finding interesting subjects to shoot. So get out there and start exploring!
• Abandoned buildings. There’s something fascinating about abandoned buildings. They offer a glimpse into the past, and can be eerily beautiful. If you have any in your area, they make for great photo essay subjects.
• Lifestyles. Document someone who lives a lifestyle that’s different from your own. This could be a portrayal of an everyday person, or it could be someone with an unusual job or hobby.
• Social issues. Take photos depicting significant social issues in your community, remembering to respect your subjects.

Ten inspiring photo essay examples

Pink lagoon and peculiar galaxies — July’s best science images

In Pink lagoon and peculiar galaxies , Nature present a mesmerising series of images from the natural world. Highlights include:

• a blink-and-you’ll-miss-it photo of rare albino orcas performing feats of synchronized swimming;
• an arresting aerial view of the aftermath of the flash floods in Germany; and,
• a scarlet gawping Venus flytrap sea anemone. 

The best part? Nature publishes similarly powerful photo essays every month, showcasing some of the best and most creative photography of the natural world anywhere on the web.

Vanishing Lands

Vanishing lands — an ominously interesting photo essay from media company Stuff — opens with a bucolic visual featuring meandering sheep flanked by breathtaking mountains that blur into obscurity.

Soon, more awe-inspiring photos of breathtaking New Zealand farmland appear, accompanied by expressive prose whose tone matches the visuals’ stark beauty.

In this unflinchingly honest photographic essay, Stuff takes the viewer behind the scenes with a day in the life of a high country sheep farmer facing an uncertain future. One stunning photo fades into the next as you scroll through, broken only by the occasional noteworthy quote and accompanying narrative.

Olympic photos: Emotion runs high

This emotionally wrought sports story from NBC begins with a close-up of an anxious Simone Biles, her expression exemplifying the tension and frustration echoed on so many of her fellow athletes’ faces.

The subtitle puts it perfectly: “The agony—and thrill—of competition at the Olympics is written all over their faces.”

Devastation, disappointment, and defeat take centre stage in this piece — but not all the subjects of the photos in this compelling photography essay depict misery. Some of the images, like that taken of the gold medal-winning Russian artistic gymnasts, manage to project the athletes’ joy almost beyond the edges of the screen.

The NBC editors who created this visual story chose to display the series of photos using the entire screen width and limit the copy to simple captions, letting the visuals speak for themselves. The result is a riveting montage of photographs that manage to capture the overarching sentiment of the 2020 Olympic Games.

James Epp: A Twist of the Hand

In A Twist of the Hand , the Museum of Classical Archaeology at the University of Cambridge have produced a gorgeous photo essay. This online art show showcases artist James Epp’s installation, combining photographs of the exhibit with images of museum prints and authentic artefacts.

As you scroll down, close-up shots of the installation make you feel like you’re physically wandering among the ancient sculptures, able to examine hairline spider cracks and tiny divots marking the surface of every antiquated figure. In between the photos—and often flanked by museum prints—are James Epp's musings about what inspired him to create the pieces. It’s an absorbing virtual gallery that will no doubt inspire real life visits to the exhibition.

The Café Racer Revolution

Though it’s a cleverly built piece of interactive content marketing , Honda’s “ Café Racer Revolution ” is also a great photo essay. Alongside information about the latest and greatest motorcycles Honda has to offer, it details the history of the bikers who sought to employ motorcycles (specifically “café racers”) as a way to forge an identity for themselves and project a “statement of individuality.”

Scroll down, and nostalgic black-and-white photos give way to contemporary action shots featuring fully decked-out motorcyclists on various Honda models.

Dynamic photos of bikes rotate them 360 degrees when you mouse over them, and text superimposed over flashy shots rolls smoothly down the screen as you scroll. This photo essay will stir a longing to hit the open road for anyone who has ever dreamed of owning one of Honda’s zippy bikes.

Built to keep Black from white

In Built to keep Black from white , NBC News and BridgeDetroit have built a stunning narrative photo essay that encapsulates the history of Detroit’s Birwood Wall — a literal dividing line intended to separate neighborhoods inhabited by people of different races. 

The piece begins with a brief history of the concrete barrier. Between paragraphs of text, it weaves in quotes from residents who grew up as the wall was erected and a short video. Animated maps highlighting the affected neighborhoods unspool across the screen as you scroll down, accompanied by brief explanations of what the maps represent.

In the series of photographs that follow, contemporary images transition into decades-old shots of the wall when it was newly constructed. This is followed by images of original real estate documents, resident portraits, and additional animated maps — each considering the issue from different angles.

The piece ends with an interactive display of how Detroit’s racial makeup has changed over the past several decades, from majority white to black, and how the wall has impacted the lives of its residents who lived (and died) within its borders.

The story of Black Lives Matter in sport

The BBC pairs illustrations and bold imagery in this photo essay on how athletes participated in the Black Lives Matter movement . At the start, a narrow column of text leads into an iconic image of American football players kneeling during the pre-game national anthem in a solemn protest against police brutality. 

The first excerpt, a summary of Trayvon Martin’s death in 2012, draws you in with piercing prose capped off with photographs that bleed into one another. Every account in the photo essay follows this layout.

WaterAid Climate Stories

Climate change affects everyone on the planet, but some people are feeling the effects more than others. WaterAid’s scrollytelling photo essay illuminates the plight of individuals living in areas where extreme weather conditions — caused by climate change — have drastically impacted the water supply and environment, endangering their livelihoods and ability to survive.

This climate change story starts with an engrossing video that provides an up-close and personal look at the devastation that climate change-induced droughts have wreaked on people and the environment. As you scroll down, images of massively depleted bodies of water with superimposed text and quotes unfold before your eyes. It’s an efficient way to drive home the critical message WaterAid wants to convey: climate change is real, and it’s harming real people.

Each extreme weather story focuses on an individual to help viewers empathise and understand that climate change has real, drastic consequences for millions of people worldwide. The piece ends with a call to action to learn more about and financially support WaterAid’s fight to assist people living in the desperate situations depicted in the essay.

28 Days in Afghanistan

In this piece, Australian photo-journalist Andrew Quilty tells the story of the four weeks he spent in Afghanistan . He captures daily events ranging from the mundane—like a casual visit to his barber—to jarring. More than one photo documents blood-spattered victims of violence.

Viewers must scroll through the piece to follow Andrew’s daily musings and the striking photos that accompany them. His photo essay is a powerful example of how scrollytelling is transforming the art of long-form journalism .

La carrera lunática de Musk y Bezos (Musk and Bezos' lunatic careers)

Billionaires Elon Musk and Jeff Bezos are angling to conquer the final frontier: space.

El Periódico captures their story via a whimsically illustrated photo essay, filled with neon line drawings and bold photos of the massive spaceships, the hangars that house them, and footprints on the moon. La carrera lunática de Musk y Bezos describes the battle between the two titans’ space companies (Blue Origin and SpaceX) for the honor of partially funding NASA’s next mission to the moon.

As you scroll down, white and fluorescent yellow words on a black background roll smoothly over images. The team at El Periódico slips in stylistic animations to break up the text—such as rocket ships with shimmering “vapour trails”—then ups the ante with a series of moon images that transition into portraits of the 12 U.S. astronauts who visited the celestial body.

The photo essay ends with the question: “Who will be the next to leave their footprints on the dusty lunar soil?” At the time of publishing, NASA had not yet decided between the two companies. (Spoiler alert: SpaceX won .)

Marissa Sapega is a seasoned writer, editor, and digital marketer with a background in web and graphic design.

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Be it in light or shadow: Photography and the Essay

… a photo is a literary narrative, ya know what I mean… — Garry Winogrand

… as I watched the play of shadow and light on the fine bone structure of Joyce’s face, I thought of the portrait I could do of him that very moment. Gisèle Freund

Brian Dillon describes the non-method of essay writing — because it’s not strictly a form that has method — eloquently in his recent book Essayism (2017), which takes something from Anne Carson, E.M. Cioran, William H. Gass and a whole host of other stylish essayists, fusing scholarly research with autobiography. This philosophy — because essay writing is a way of living, too — is also present in Dillon’s essay Photographs , and in the work of many other literary essays on photography, including Roland Barthes’ Camera Lucida (1980) to name merely the obvious. Perhaps some of the most pleasurable essays on photography are to be found as fragments in Carol Mavor’s Black and Blue (2012). In chapter 4, Summer Was Inside the Marble , in a section titled I REMEMBER, Mavor writes on a c.1851 photograph by William Henry Fox Talbot and Guillaume Apollinaire’s 1918 poem Il pleut ( It’s raining ):

I am looking for summer inside a black marble.

I see raindrops like black marbles, like Talbot’s photomicrographs of plant stems.

I see; I hear the calligraphic rain of Guillaume Apollinaire’s Il pleut :

It’s raining women’s voices as if they died even in memory. And it’s raining you as well as marvellous encounters of my life O little drops [ o gouttelettes ].

I taste the black light, like Barthes’s drops of black milk, like Apollinaire’s drops of black rain. 

Writer Marina Warner notes that Carol Mavor has ‘developed a unique way of responding to images and to their uses by artists and writers: with appetite and fastidious delicacy, she brings the full sensorium synaesthetically into play.’ Indeed, Black and Blue is a complex and beautifully composed book, which considers writing on various photographs as a task both for scholarship and for the urgency of personal experience. The essay becomes the vessel in which, as William H. Gass writes in Finding a Form (1996), experience collides with insight to produce language which is ‘the very instrument and organ of the mind.’  

The relationship between the ways in which the photographic might describe literature, and the literary might describe the photograph is a regular occurrence in the history of photography, as we shall see. Carol Mavor describes Marcel Proust’s In Search of Lost Time (1871-1922) as “photographic”; Virginia Woolf writes of Julia Margaret Cameron that her photographs ‘reflect her literary friendships and tastes’; William Henry Fox Talbot associates photography with literature — because books sit still, such is their wont to be photographed — in the above image from 1845, which I borrow from the first page of Jane M. Rabb’s Literature & Photography (1995), where it sits uncaptioned in the form of a visual epigraph — which is to say, a conjoining of the literary and the photographic.

Various historic conceptions of the photographic image have seen it described as the act of “writing with light”. One interpretation of the etymology of the word photography in Greek translates into “light writing”. In considering photography (Greek:  fotografía ) is the production of images made with light (Greek:  phōtós ) and finds a relation to the word writing (Greek:  grafí ), it is no wonder that various photographers have had literature in mind when making images. In his essay Photography or Light Writing (1999), Jean Baudrillard asserts: ‘… no matter which photographic technique is used, there is always one thing, and one thing only, that remains: the light. Photo-graphy: The writing of light.’ Walker Evans wrote that he turned to photography — following his infatuation with the writing of authors such as Flaubert and Baudelaire — as it was, in his mind, the ‘most literary of the graphic arts.’

Conversely, various writers have had photography close at hand when putting pen to paper. The American writer William Carlos Williams was deeply interested in photography due in part to his friendship with Alfred Stieglitz who, incidentally, Walker Evans thought was ‘too arty’ a photographer. Henry Fox Talbot suggested the word “skiagraphy” for his own invention, which conjoins “ skiá ” (shadow) to “ grafí ” (writing). Thus, photography is a compound, both linguistically and culturally. To an uncertain extent — lest we over-egg the pudding — photography is writing, be it in light or shadow.

Photography changes nothing. Violence continues, poverty continues. Children are still being killed in stupid wars. Letizia Battaglia

One might identify at least two modes of writing the photographic image. Although distinguishing between the following may be unproductive, here I want to think about photography’s specific relationship to the essay, as opposed to fiction. This is not to suggest some kind of specious separation between essays on photography as things that deal in reality, and fiction writing on the photographic image as a thing bound to the make-believe, but rather to concentrate on the convoluted relation between two things that cannot be fully separated. The photographic image is both a document and a fiction all at once. Likewise, the essay seems to have a hard time staying in the realm of reality, whatever that might be.

Returning to Adorno’s The Essay as Form , he suggests that where meaning is produced in the essay it does so through the ‘spontaneity of subjective fantasy’. As is the case with the photograph, we might also conceive of the essay as the writer’s meandering consanguinity with the real world. But not only the real world, as the essay strays into reverie, speculation, ignis fatuus  — things not altogether real. The essay is a mode of writing that might be produced in order to understand the meaning of photography, but also a form — as it takes various shapes — that writes on the photograph, to the photograph or with the photograph as a means to get closer to it. Essays might describe the bone structure of things, but they also — I think in their most appealing shape — engage the play of light and shadow in considering a particular subject or phenomena. The stuff around the edges; the tertiary; the unexpected. Like Lucretius’ flying simulacra, the essay engages ‘atom-thin and lightning fast’ images as they slip off the surface of the objects they once constituted and float around looking to be interpreted. At least that’s the way I see it, if you’ll permit me the spontaneity of subjective fantasy.  

One history of photography is a history of writing. Rabb’s Literature & Photography demonstrates this well as she traces the interactions of the photographic and the literary from the middle of the nineteenth century to 1990. Containing a number of essays on photography or photographers by notable writers, alongside fiction writing in which photography plays a crucial part in character or plot development, Literature & Photography confirms, in no less than 100 examples, the various reciprocations between two celebrated cultural forms. In a 2009 book, Photography and Literature  — which swaps around the word literature with the word photography to form its title, and prefers the less ornate “and” to the ampersand — the French writer François Brunet suggests: ‘the invention of photography must be envisioned squarely in its written condition.’ In a review of Brunet’s book, the American writer Alan Trachtenburg notes: ‘photography frees itself from painting, aligns itself with writing, and then, in the current condition of “interaction,” arrives at a hybrid state between the visual and the written, now charged with the mission “to image literature”’.

In her The Miracle of Analogy (2015) — the first of a two-volume history of photography by the American writer Kaja Silverman — the well-trodden notion that sees the photograph named as an indexical or representational thing is replaced with a description of the photographic image as the linguistic and literary form of analogy. Instead of the photograph offering meaning through memoriam or remembrance — as an image that traces linear time from past to present to future — Silverman’s photography is trapped between similarity with the real world and ontological difference to it. Profoundly, the photograph is an ‘authorless and untranscendable thing’ that structures Being. She quotes Walt Whitman’s Leaves of Grass (1902) in order to expand her definition of this “in-between” state of photography, and thus makes a second allusion to things literary. Silverman’s Whitman-like photography is ‘spherical’, ‘grown’, ‘ungrown’, ‘gaseous’, ‘watery’; tied between being all lives and all deaths; all civilisations and all languages — both human and computational — across all time. Moreover, citing the philosopher Maurice Merleau-Ponty, Silverman calls her photography as analogy a “chiasmus” — like the upside-down image of the camera obscura, this photography places the very nature of Being crosswise. In this sense, photographs are back-to-front sentences, syntactically disordered; forever inversed and transposed.        

Let’s surmise a strange parallel. In order to make a photograph, one might undertake similar mental and physical processes as when one writes (simply, identify a position and compose it). Or alternatively, we might talk about photographs and come to an understanding of their meaning in the same way as we do with writing: we can consider the semiotics of the photograph, or the image-as-text, as several have done before, including Roland Barthes, Allan Sekula and Laura Mulvey. In a 2009 essay, Ari J. Blatt uses the word “phototextuality” to refer to the hybridisation of photography and literature. We can also conceive of the digital photograph as a written code, a machine language, a series of 1s and 0s. Binary code forms the image as data and the digital photograph is constituted by what programmers refer to as low-level or high-level language. Indeed, the hottest topic in contemporary photography theory might just be discussions had between those that advocate a “semiotic reading” of the photograph, and those that are bit-by-bit building a philosophy of the photograph as an “image of computation”. What is linguistic about the photograph is constructed, and what is visual about the photograph is projected, or conjured in relation to whatever we might call reality (which some neuropsychologists posit to be a construction too). Photography and writing can’t be precisely the same thing — be the relation literary or computational — but there are evident parallels nonetheless.

What might this mean in terms of style where essays on photography are concerned, and what of it might be absorbed, or rejected? What I want to ask — but may not be able to properly answer here — is what is the politics of essay writing on photography? In my view, when we think about writing on photography, we are in essence thinking about the relationship between photography (object of enquiry), style (the form and manner of execution) and politics (the social meaning of the writing produced). As Ariella Azoulay demonstrates in Civil Imagination: A Political Ontology of Photography (2009), the photograph is political; and if the photograph is also literary, we find photography, literature and politics in close proximity if not complete amalgamation.

The reason I might both accept and resist the “principal elements of style”, as Strunk & White phrase it, aside having never formally learned any aspect of it beyond GCSE English (and therefore I count myself a keen novice), is because style also simultaneously reveals a politics; a way of organising the social world of writing on photography. Or put differently, style is socially constructed. Psychological research into the ways in which written expression takes place sees the process of writing broken down into three areas of inquiry: cognitive, social-constructivist and neuro-developmental. Sparing the detail here, and by offering a sweep of Kim Fitzer’s essay Review of Theoretical and Applied Issues in Written Language Expression (2003), her research specifies that the process of writing is dynamic. Writers move back-and-forth (like chiasmi, forms that criss-cross) between visualising, note-taking, planning, writing and editing in no particular order.

The social-constructivist view relates the principal elements of written expression as they are found in the university and in published works — vocabulary, knowledge of grammar etc. — to social privilege. This is where the question of style in writing gets interesting. The more privileged you are, i.e. the more access you have had to education, the more you’ll be able to demonstrate your ability to execute the canonical toolkit associated with “good writing”, whatever that is (I think good writing is sometimes Susan Sontag, but it is also Kendrick Lamar). One shouldn’t fixate on the vague and subjective definition of “good writing”, more on the possibilities and politics of the essay as a genre.

Unfortunately, this toolkit — a socially constructed academic vocabulary (because I don’t what to call it literary) — has been majoritively defined by men socialised white. If one looks at the literature on “writing and photography” most cited — take for example Mark Durden’s Fifty Key Writers on Photography (37 white men, 12 white women, 1 woman of colour), or Alan Trachtenburg’s Classic Essays on Photography (26 white men, 2 white women, 1 anonymous author, 0 people of colour), or most university reading lists produced in photography departments — one should justifiably ask where are all the women’s voices, the queer voices, the black and brown voices, the gender-fluid voices? As Jean-Jacques Lecercle writes in A Marxist Philosophy of Language (2006), ‘language is also a history, a culture, a conception of the world — not merely a dictionary and a grammar.’ What world has writing on photography conceived of to date, and what world do we want it to live in going forward?

There are some more positive exceptions to the rule of male-dominant bibliographies, including Karen Beckman and Liliane Weissberg’s On Writing with Photography (2013), which situates itself in relationship to, as the authors write, ‘a much broader view of what writing might mean, and in doing so, it makes room for different media, genres, registers and practices that have hitherto been somewhat overlooked.’ Various writers contribute chapters to this volume, including an essay by Xiaojue Wang on the Chinese writer Zhang Ailing that considers the spectral qualities of history and photography in the work of one of China’s celebrated modern writers. Similarly, Liz Heron and Val Williams’ Illuminations: Women Writing on Photography from the 1850s to the Present (1996) does important work demonstrating that writing on photography by women has always been a significant part of the history of the medium, despite numerous examples of obliviousness — ignorance, disregard — on the part of some men. In their introduction the authors ask the questions: ‘Why women? Why leave men out of this ample and capacious selection? It must seem perverse when men have such an active and prominent presence in the world of photography. One good reason is that very self-perpetuating dominance.’

A discussion of photography and the essay must take these questions into account. Language is, after all, not used innocently (the artist Alfredo Jaar says the same of images). To paraphrase Lecercle and quote Jaar directly: words, like photographs, represent an ‘ideological conception of the world’. Following a similar political logic, Lucy Lippard and Carol Naggar have written on the idea of de-colonising photography, and 2002 saw the publication of Deborah Willis’ Reflections in Black: A History of Black Photographers 1840 to the Present . Such important scholarly work, and also such excellent writing, asks for a consideration of the way the histories of marginalised people are thought, taught and read. The work doesn’t stop at the tokenistic statistical novelty of diversifying reading lists or collections of essays on photography, but in what I want to call the “de-centring of literary whiteness”. In their Reading, Writing and the Rhetoric of Whiteness (2012), Wendy Ryden and Ian Marshall note that various scholars of critical whiteness studies have considered writing as a space that could — and this sounds like part of what the essay form already does — ‘retain a faith in the quotidian’.  

With this in mind, we should embrace diverse use of vocabulary and not suppress forms of colloquial language that often remain invisible in spaces such as public art galleries and universities. This position is not to be confused with an anti-intellectual polemic against the stylistics of “literary sophistication”, but instead to make a socialist point with regard to the inclusion of various idiolects in coming to an understanding of what writing on photography has been, and might become. Valuable work has been done with respect to language ideology in the field of linguistic anthropology, and the conclusions are not pretty (white dominance; white denials of complicity). Despite what Strunk & White say, and in opposition to what George Orwell would later write in an essay celebrated for all the wrong reasons, Politics and the English Language (1946), let’s forgo the rules. As Kendrick Lamar suggests, ‘build your own pyramids, write your own hieroglyphs.’ Idiolects are, after all, individual, subjectively developed phenomena.

As Elena Gualtieri writes in a discussion of Virginia Woolf, the essay has ‘become in modern times a vehicle of vanity and exhibitionism, encouraging its writers to indulge their taste for a good turn of phrase without providing any food for thought’. This gets to the heart of the essay-gone-wrong (Woolf calls it small-talk); the essay which says nothing, baroque as it stumbles along, drunk and well dressed. Instead, better essays might be conceptually idiosyncratic and simultaneously grounded in research, but they should not reject pleonasm, because we want more than information from language, don’t we? A wide vocabulary is good, when paired with something else substantial (form and substance are chiasmi too). Essays probably should have something to say, even if that something is no particular single thing, more a cluster of apothegms. Images float and the essay floats with them. These issues are far from simple, and politics is never far away when one confronts them.

With the language ideology of writing on photography in mind, I want to call the Strunk & White principles of style — held in such high esteem as they were —  white-English-turn-of-the-20C-style . Tight, white sentences. A syntax of privilege. This particular politics of communication requires some sort of counterbalance. In Strunk & White’s discussion of the “necessary” use of definite, concrete language, they assert with respect to canonical writers such as Homer, Dante and Shakespeare that what makes them great is they have the ability to ‘call up pictures.’ Up to where, one might ask? Up to the elite highpoint of literary genius? “Great writers” sit on top of something and call their images up, so it would seem. How can this logic be reversed? It requires an antidote; a clamour of contemporary voices. ‘Nasal voices like a larynx infused with helium’ writes Harris Elliott in his essay Act Like a Wasteman, That’s Not Me (2016), might provide us a counterpoint from which to consider the various voices that constitute the history of writing on photography. In this way, the essay form reaches a heightened pitch at which words unravel into multiple cultural positions. The canon of essays on photography must become more diverse in order to pay homage to the original compositional incongruity of the literary essay, as pioneered by writers such as Virginia Woolf, who wanted essays to be protean and experimental. The form has always strived for stylistic diversity, expansion, multitudes.   

When I speak or write, I visualise what I say in something like a series of photographs. But these are not the pictures of Strunk & White. Sometimes, to write personally on the photographic image is to pull down the brick wall of theoretical vocabulary. Or better, to combine flowery vocabulary with the lingua franca of everyday experience. We can have theory chat and literary parlance alongside colloquial speech, after all. This is what Lecercle gets at when he describes the complex ‘temporal layering’ of language, and it is, more generally, what the essay excels in.

Take the photo above. That collection of books in Fox Talbot’s library, they all float around for me, forming a mental image that might be taken apart and analysed through description, association, analogy, even contradiction. In one sense, I must reconstitute the photograph in order to write on it, or write with it, or even through it, as if some tunnel made of paper or pixels. In considering this photograph I can smell dust; I think of, and I see, the books as brown although I know the image is fixed within the muddy tones of its salt-based printing process. They have patina, these books; they appear and are impressed upon me. They remind me of libraries, which are spaces I have never liked, but always liked the idea of. I’ve probably never read any of them, these books. I wonder what they are? What can I do with them, these books I don’t know, in a photograph? Like Strunk & White’s principal elements, the books here are orderly, lofty. When I write about them I want to take them apart and not put them back together as they are. I want to contradict the normative values of description, association: I want to reconstitute this image in order to understand its politics. I want to “call the image down”.

— Daniel C. Blight

Daniel C. Blight is a writer based in London. He is lecturer in Historical & Critical Studies in Photography, School of Media, University of Brighton; visiting tutor in Critical & Historical Studies, School of Arts & Humanities, Royal College of Art and co-editor of  Loose Associations , a periodical of new writing on image culture published by The Photographers’ Gallery.

Bibliography

Adorno, T., “The Essay as Form” in Notes to Literature: Volume 1 . New York: Columbia University Press, 1991.

Azoulay, A., Civil Imagination: A Political Ontology of Photography . London: Verso, 2009.

Baudrillard, J., “Photography or Light Writing: Literalness of the Image” in Impossible Exchange . Trans. Chris Turner. London: Verso, 2001.

Beckman, K. and Weissberg, L., On Writing with Photography . Minneapolis: University of Minnesota Press, 2013.

Blatt, A. J., “Phototextuality: Photography, criticism, fiction” in Visual Studies , 24:2, pp. 108-121. London: Routledge, 2009.

Dillon, B.,  Essayism . London: Fitzcarraldo, 2017.

Dillon, B., “Photographs” in In the Dark Room . London: Fitzcarraldo, 2018.

Evans, W. cited in Rabb, J.M., “William Carlos Williams: Sermon With a Camera, 1938” in Literature and Photography: Interactions 1840-1990 . Albuquerque: University of New Mexico Press, 1995.

Fitzer, L., “Review of Theoretical and Applied Issue in Written Language Expression” in Canadian Journal of School Psychology , 18:1, pp. 203-221, 2003.

Freund, G., Three Days with Joyce . New York: Persea, 1985.

Gualtieri, E., “The essay as form: Virginia Woolf and the Literary Tradition” in Textual Practice , 12:1, pp. 49-67, 1998.

Heron, L and Williams, V., Illuminations: Women Writing on Photography from the 1850s to Present . Durham, N.C.: Duke University Press, 1996.

Lamar, K., “Hiii Power” in Section.80 [Sound Recording]. Carson: Top Dawg Entertainment, 2011.

Lecercle, J-J., A Marxist Philosophy of Language . Trans. Gregory Elliott. Boston: Brill, 1996.

Mavor, C., Black and Blue: The Bruising Passion of Camera Lucida, La Jetée , Sans Soleil, and Hiroshima mon amour . London: Duke University Press, 2004.

Orwell, G., “Politics and the English Language” in Horizon , 13:76, pp. 252-265, 1946.

Rabb, J.M. Literature and Photography: Interactions 1840-1990 . Albuquerque: University of New Mexico Press, 1995.

Ryden, W and Marshall, I., Reading, Writing and the Rhetoric of Whiteness . London: Routledge, 2011.

Silverman, K. The Miracle of Analogy or The History of Photography, Part 1 . Stanford: Stanford University Press, 2015.

Strunk, W. Jnr. And White, E.B., The Elements of Style , 4th edition. Cambridge: Pearson, 1999.

Trachtenberg, A., Classic Essays on Photography . New Haven: Leete’s Island Books, 1980.

Willis, D., Reflections in Black: A History of Black Photographers 1840 to the Present . London: W. W. Norton, 2002.

Woolf, V., “Julia Margaret Cameron” in Victorian Photographs . London: Hogarth Press, 1926.

Essay on Photography as a Hobby

Students are often asked to write an essay on Photography as a Hobby in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Photography as a Hobby

The joy of photography.

Photography is a fantastic hobby. It allows us to capture moments, express creativity, and explore the world around us.

Learning and Creativity

Photography helps us to learn about light, color, and composition. It also encourages creativity as we look for unique perspectives.

Preserving Memories

Photographs help us to remember special moments. They can bring back feelings and details that might otherwise be forgotten.

Exploring the World

Photography encourages us to explore. We might seek out new places to capture, or find beauty in everyday scenes.

Sharing and Connecting

250 words essay on photography as a hobby, introduction.

Photography, once exclusive to professionals, has become a widespread hobby thanks to technological advancements. The rise of digital cameras and smartphones has democratised the art, allowing anyone to experiment with light, angles, and composition.

The Power of Photography

Photography is more than just capturing images. It’s a creative outlet that allows for self-expression and storytelling. The power of a photograph lies in its ability to freeze a moment in time, preserving emotions and details that might otherwise be forgotten.

Benefits of Photography as a Hobby

Photography offers numerous benefits. It enhances observational skills, as a good photograph often requires noticing subtle details. It encourages patience and focus, as the perfect shot might require waiting for the right light or moment. Additionally, photography can serve as a therapeutic outlet, providing a way to express feelings or experiences that are difficult to articulate in words.

Exploring Different Genres

The world of photography is wide and diverse. There are numerous genres to explore, from landscape and wildlife photography to portrait and street photography. Each genre requires different skills and perspectives, providing ample opportunities for learning and growth.

In conclusion, photography as a hobby is a rewarding pursuit that offers a unique blend of creativity, technical skill, and personal expression. Whether you’re capturing a stunning sunset, a candid moment, or a carefully composed still life, each photograph is a reflection of how you see the world.

500 Words Essay on Photography as a Hobby

Introduction to photography as a hobby, the art of seeing.

Photography as a hobby is more than just taking pictures; it’s about developing an ‘eye’ for the extraordinary in the ordinary. It forces individuals to observe their surroundings with a degree of mindfulness and detail that often goes overlooked. This practice of closely observing and capturing the world around us can lead to a deeper appreciation for life’s nuances, fostering a sense of wonder and curiosity.

Skills and Knowledge

Pursuing photography as a hobby necessitates the acquisition of a unique set of skills and knowledge. Understanding the technical aspects, such as aperture, shutter speed, and ISO, is crucial for capturing high-quality images. Moreover, knowledge of composition techniques, like the rule of thirds or leading lines, can significantly enhance the aesthetic value of pictures. This continuous learning process keeps the hobby challenging and engaging.

Expressing and Communicating

Community and connection.

The photography community is a vibrant and diverse space, filled with individuals who share a passion for the craft. Engaging with this community, whether through photography clubs, online forums, or exhibitions, can offer support, inspiration, and opportunities for collaboration. This sense of connection can enrich the experience of photography as a hobby.

Health Benefits

Beyond the artistic and social benefits, photography as a hobby can also contribute to one’s well-being. The act of going out to take photographs encourages physical activity. Additionally, the focus required to compose and capture a shot can have a meditative effect, reducing stress and promoting mental health.

If you’re looking for more, here are essays on other interesting topics:

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Photography Essay Examples That Will Boost Your Knowledge

After composing various essays for learners across the globe, we have come to realize that students taking a photography course can have excellent practical skills but have a hard time communicating their ideas through the text. And that is where our writing service comes in. As our customer, you access photography essay examples based on different topics. As a result, you can read various samples that will inspire or give you an idea on how to draft your next piece.

It becomes easier to write an effective piece after reading through the samples available on our site. Thanks to our collection containing various academic tasks, students interested in knowing more about their subject can practice, gain more knowledge, and improve their skills. Besides, each assignment is worked on by a professional with extensive experience in that specific photography field of study. Therefore, you will learn more about the proper structure, format, and the correct way to add references to your content.

Whether you want to know how to write a level photography essay or have an assignment that covers digital video and advertising, you can get assistance from us. Our experts will be happy to give you content that meets all your requirements. No topic is too complex for our writer to tackle. So give us your specifications, pick a deadline, and your ideal expert will complete the order as per the agreement.

Table of Contents

What an Essay About Photography Should Include

Assignments about photography are great for gauging your writing skills and for the professor to see whether or not you have understood the material taught in class. Unlike other academic projects such as a thesis or dissertation that requires extensive research, an essay about photography involves analyzing a specific image or a collection of photos and coming up with meaningful content. However, just like any other homework, your task must follow the standard structure containing an introduction, body, and conclusion. Remember, a single image can evoke emotion and create a meaningful narrative.

A well-written photo essay will contain the following crucial details:

• A topic or a theme

Many types of photography can motivate scholars to enroll in such a course. You can be passionate about fashion, street, portrait, or fine art photography. Regardless of where your interest is when it comes to composing top-notch content that will improve your academic performance, you need to base your composition on a specific topic. You can opt to go with a narrative perspective as it helps the writer to focus on storytelling. On the other hand, you can choose a thematic essay that centers on a specific theme or subject.

• Discern what the artist is conveying

What is great about the power of photography essay is that just like any other form of art, photos are subjective which means, there are so many different angles you can choose to use to defend your argument. By observing the photograph, you can be able to get a lot of information. The trick is to look at compositions, emotions, use of light, angles, and colors used to gather data points that will defend your claims.

• Support your main points

Use the information you have gathered from the photo as well as visual evidence to prove to your professor why the specific interpretation you have chosen is the correct one. The introduction should capture attention by providing a brief background story of the photographs from which your essay is based on. The body of your paper should defend your main points by pointing out to the specifics of the pictures such as movement, amount of light or lack of it, the use of color, and how the photographer frames the image. The conclusion should reiterate the key issues and summarize the way they prove your claims.

Photography Essay Ideas That Evoke Emotion or Tell a Story

When it comes to composing a photography paper worthy of praise, your images must tell a story and evoke emotion. Pictures that raise awareness on an important cause or documenting someone you believe has an interesting career are some of the great ideas that can make your essay unique.

Shots from a local event, a protest, weather, climate change, wildlife, native culture, mouthwatering cuisine, subcultures, life-changing moments, and sports can be great sources of photography essay ideas.

When you have a series of images or a specific picture that interests you and is also related, then it becomes easier to craft a composition that appeals to your professor. While such projects can be a lot of fun, there are times when doing assignments is burdensome.

Maybe you have various commitments like two jobs, a lack of exceptional writing skills, or no motivation to compose a lengthy project. Whatever the reasons that are causing you not to work on your project, none of them should result in a poor score. Our vetted experts are ready to give you academic assistance at an affordable rate. So when you do not feel inspired to write an essay on photography in 300 words or any other task, hire our specialists, and you will receive plagiarism free content.

Good Photography Essay Topics That You Can Use

Everyone has a specific topic that they are interested in. The best way to get good ideas is to focus on what you are passionate about. Amazing things about your favorite pet, how cameras have evolved over the years, interesting things about a unique landscape, unsung heroes, and underwater life are some of the photography essay topics that you can write about.

The trick to composing excellent work is to ensure that the snapshots you are incorporating augments with the issue you are discussing. Sometimes the topics available online do not stimulate your creativity. In such cases, you can ask a professional to give you unique issues. However, not every online writer is an expert in photography.

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Photography Essay | Essay on Photography for Students and Children in English

February 14, 2024 by sastry

Photography Essay: The idea of colours floating across a sheet of paper forming either familiar shapes or new creations is appealing to the eye. In reality, though it is much more than just the beads of colour. Photography can capture someone’s heart and soul. Even the simplest photo has a story that tails along with it. It is an escape from the real world; a creation that narrows on one particular subject and carefully details their every move and emotion.

You can read more  Essay Writing  about articles, events, people, sports, technology many more.

Long and Short Essays on Photography for Kids and Students in English

Given below are two essays in English for students and children about the topic of ‘Photography’ in both long and short form. The first essay is a long essay on the Photography of 400-500 words. This long essay about Photography is suitable for students of class 7, 8, 9 and 10, and also for competitive exam aspirants. The second essay is a short essay on Photography of 150-300 words. These are suitable for students and children in class 6 and below.

Long Essay on Photography 500 Words in English

Below we have given a long essay on Photography of 500 words is helpful for classes 7, 8, 9 and 10 and Competitive Exam Aspirants. This long essay on the topic is suitable for students of class 7 to class 10, and also for competitive exam aspirants.

Photography was invented, about a century ago. In those early days, only simple box-cameras were available to take simple black and white pictures. Photographic techniques and equipments have come a long way since then. Exploding flash guns have progressed to compact electronic flash unit, box-cameras to sophisticated computerised reflex cameras, stills to movies, black-and-white to full glorious colours and part-time dabblers to highly paid professionals.

On a summer day in 1827, Joseph Nicephore Niepce made the first Photographic image with a camera obscura. Prior to Niepce people just used the camera obscura for viewing or drawing purposes not for making photographs. Joseph Nicephore Niepce’s heliographs or sun prints as they were called were the prototype for the modern photograph, by letting light draw the picture. In almost every sphere of human activity nowadays, photography has now come to play a very significant role.

Photography as a hobby is perhaps the most popular of all its uses. Cameras and films are now cheap and easy to use. ‘Instamatic’ cameras have largely eliminated the hit-or-miss techniques of yesteryears.

The use of camera phones has made life so easy and entertaining. It has a vast usage and is one of the best modern age techniques so far. Anybody with a pair of eyes and hands can take reasonably good pictures. We see amateur photographers all over the place, especially in holiday resorts and recreational areas.

Tourist and sightseers are never without cameras. Pictures and snapshots of important events, wonderful times and places or memories to be precise, are all recorded in photographs. They are our link to the past.

Newspapers and magazines would never be what they are today without photography. Photographs enliven these periodicals with pictures of people and places. “A picture is worth a thousand words”, so goes the old saying.

A well-clicked photograph is worth more than a thousand words. It describes a scene infinitely better than mere words can depict. Besides making newspapers and magazines attractive, photography provides jobs to numerous professionals who roam around the world in search of pictures.

‘Eyes work more than ears’ is a widespread fact. Use of photographs helps people to retain better. Photographs/images get quickly captured in our mind and stays in our memory for a relatively longer time. That’s why it is also said that many people have photographic memory wherein whatever they see gets stored in their mind and helps in remembering things quicker and in a better way. This proven fact has been rightly harnessed by the educationist wherein they use more and more of pictures in text books and while teaching.

Modern printing processes make extensive use of photographic techniques. Off-set printing and photocopying are examples of what photography is doing for us. Such is the versatility of photography. All the books and magazines are now made by photographic processes.

In another field of human activity that is medicine, photography is extensively used. X-ray photography is now a common thing in hospitals. They help doctors in the diagnosis of diseases. In addition, X-rays can be used in treatment of certain diseases. Nowadays, with the invention of fibre optics where light can be directed through thin tubes, doctors can see and probe into the insides of patients as never before. They can then photograph all they see in full colour. Such techniques were unheard of just a decade or so ago.

Short Essay on Photography 300 Words in English

Below we have given a short essay on Photography is for Classes 1, 2, 3, 4, 5 and 6. This short essay on the topic is suitable for students of class 6 and below.

Photography is also employed in meteorology. Weather forecasting by satellites is now a routine thing. It is also accurate.

Pictures of other planets and celestial objects are always wonderful to look at. Space probes approaching the giant planets of Jupiter and Saturn have taken sharp and clear pictures for us to unravel the mysteries of the universe. All these are made possible by the wonders of photography.

Photography provides us with sights of deep-sea sharks, microscopic bacteria, constellations-a million light years away, ravishing beauties and our passport pictures. A person sitting at the remotest area of any part of the world can enjoy the view of any wonder of the world. Its use is wide and varied and of tremendous importance to us. Non-existence of photography in the earlier times has left us with a very bleak image of our ancestors.

In the contemporary world the practical applications of the photographic medium are legion; it is an important tool in education, medicine, commerce, criminology and the milifary. Its scientific applications include aerial mapping and surveying geology, reconnaissance, meteorology archaeology and anthropology. New techniques such as holography, a means of creating three-dimensional image in space, continue to expand the medium’s technological and creative horizons. In astronomy the Charge Coupled Device (CCD) can detect and register even a single photon of light.

By the end of 20th century, digital imaging and processing and computer-based techniques had made it possible to manipulate images in many ways, creating revolutionary changes in the world of photography.

Photography Essay Word Meanings for Simple Understanding

• Exploding – to shatter with a loud noise
• Flash guns – a type of electronic flash incorporated in a camera
• Sophisticated – advanced, refined, highly developed
• Stills – motionless images
• Dabblers – one who engages in an activity superficially or without serious intent
• Prototype – example, standard, model
• Instamatic – a series of inexpensive, easy to load camera made by kodak
• Amateur – non-professional
• Recreational – amusement, pleasure
• Enliven – inspire, excite, enhance
• Harnessed – managed, controlled
• Versatility – having a wide variety of skills, having varied uses a functions
• Diagnosis – identification, detection
• Probe – inquiry, examine, investigate
• Celestial – heavenly, astronomical
• Unravel – solve, explain
• Ravishing – enchanting, gorgeous
• Bleak – dim, discouraging, hopeless
• Legion – numerous, countless
• Aerial – of, in, or produced by the air
• Reconnaissance – survey, exploration, investigation
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Women Who Shaped History

A Smithsonian magazine special report

History | July 9, 2024

Meet Vivian Maier, the Reclusive Nanny Who Secretly Became One of the Best Street Photographers of the 20th Century

The self-taught artist is getting her first museum exhibition in New York City, where she nurtured her nascent interest in photography

Ellen Wexler

Assistant Editor, Humanities

Vivian Maier took more than 150,000 photographs as she scoured the streets of New York and Chicago. She rarely looked at them; often, she didn’t even develop the negatives. Without any formal training, she created a sprawling body of work that demonstrated a wholly original way of looking at the world. Today, she is considered one of the best street photographers of the 20th century.

Maier’s photos provide audiences with a tantalizing peek behind the curtain into a remarkable mind. But she never intended to have an audience. A nanny by trade, she rarely showed anyone her prints. In her final years, she stashed five decades of work in storage lockers, which she eventually stopped paying for. Their contents went to auction in 2007.

Many of Maier’s photos ended up with amateur historian John Maloof , who purchased 30,000 negatives for about $400. In the years that followed, he sought out other collectors who had purchased boxes from the same lockers. He didn’t learn the photographer’s identity until 2009, when he found her name scrawled on an envelope among the negatives. A quick Google search revealed that Maier had died just a few days earlier. Uncertain of how to proceed, Maloof started posting her images online.

“I guess my question is, what do I do with this stuff?” he wrote in a Flickr post . “Is this type of work worthy of exhibitions, a book? Or do bodies of work like this come up often? Any direction would be great.”

Maier quickly became a sensation. Everyone wanted to know about the recluse who had so adeptly captured 20th-century America. Her life and work have since been the subject of a best-selling book , a documentary and exhibitions around the world .

Now, the self-taught photographer is headlining her first major American retrospective. “ Vivian Maier: Unseen Work ,” which is currently on view at Fotografiska New York, features some 230 pieces from the 1950s through the 1990s, including black-and-white and color photos, vintage and modern prints, films, and sound recordings. The show is also billed as the first museum exhibition in Maier’s hometown, the city where she nurtured her nascent interest in photography.

Born in New York City in 1926, Maier grew up mostly in France, where she began experimenting with a Kodak Brownie , an affordable early camera designed for amateurs. After returning to New York in 1951, she purchased a Rolleiflex , a high-end camera held at the waist, and began developing her signature style: images of everyday life framed with a stark humor and intuitive understanding of human emotion. She started working as a governess, a role that allowed her to spend hours wandering the city, children in tow, as she snapped away.

She left New York about five years later, when she secured a job as a nanny for three boys—John, Lane and Matthew Gensburg—in the Chicago suburbs. The family was devoted to Maier, though they knew very little about her. The boys remember attending art films and picking wild strawberries as her charges, but they don’t recall her ever mentioning any family or friends. Their parents knew that Maier traveled—they would hire a replacement nanny in her absence—but they didn’t know where she went.

“You really wouldn’t ask her about it at all,” Nancy Gensburg, the boys’ mother, told Chicago magazine in 2010. “I mean, you could, but she was private. Period.”

Despite Maier’s reclusive tendencies, the Gensburgs knew about her photography. It would have been difficult to hide. After all, she lived with the family and had a private bathroom, which she used as a darkroom to develop black-and-white photos herself. The Gensburgs frequently witnessed her taking photos; on rare occasions, she even showed them her prints.

Maier stayed with the Gensburgs until the early 1970s, when the boys were too old for a nanny. She spent the next few decades working in other caretaking roles, though she doesn’t appear to have developed a similar relationship with these families, who viewed her as a competent caregiver with an eccentric personality. Most never saw her prints, though they do remember her moving into their homes with hundreds of boxes of photos in tow.

“I once saw her taking a picture inside a refuse can,” talk show host Phil Donahue, who employed Maier as a nanny for less than a year, told Chicago magazine. “I never remotely thought that what she was doing would have some special artistic value.”

Meanwhile, the Gensburgs kept in touch. As Maier grew older, they took care of her, eventually moving her to a nursing home. They never knew about the storage lockers. When she died at age 83, a short obituary appeared in the Chicago Tribune , describing her as a “second mother” to the three boys, a “free and kindred spirit,” and a “movie critic and photographer extraordinaire.”

Maier’s mysterious backstory is a large part of her present-day appeal. Fans are captivated by the photos, but they’re also intrigued by the reclusive nanny who developed her talents in secret. “Vivian Maier the mystery, the discovery and the work—those three parts together are difficult to separate,” Anne Morin, curator of the new exhibition, tells CNN .

The show is meant to focus on the work rather than the mystery. As Morin says to the Art Newspaper , she hopes to avoid “imposing an overexposed interpretation of her character.” Instead, the exhibition aims to elevate Maier’s name to the level of other famous street photographers—such as Robert Frank and Diane Arbus —and take on the daunting task of examining her large oeuvre.

“In ten years, we could do another completely different show,” Morin tells CNN. “She has more than enough material to bring to the table.”

The subjects of Maier’s street photos ran the gamut, but she often turned her lens toward “people on the margins of society who weren’t usually photographed and of whom images were rarely published,” per a statement from Fotografiska New York. The Gensburg boys recall her taking them all over the city, adamant that they witness what life was like beyond the confines of their affluent suburb.

The exhibition is organized thematically, with sections devoted to Maier’s famous street photos, her experimental abstract compositions and her stylized self-portraits. The self-portraits, which frequently incorporate mirrors and reflections, amplify her enigmatic qualities, usually showing her with a deadpan, focused expression. Her voice can be heard in numerous audio recordings, which play throughout the exhibition. As such, even as the show focuses on the work, Maier the person is still a frequent presence in it.

“The paradox of Vivian Maier is that the lifetime of anonymity that has captured the public imagination persists in the work,” writes art critic Arthur Lubow for the New York Times , adding, “An artist uses a camera as a tool of self-expression. Maier was a supremely gifted chameleon. After immersing myself in her work, other than detecting a certain wryness, I could not get much sense of her sensibility.”

The artist undoubtedly possessed a curiosity about her immediate surroundings, which she photographed with a “lack of self-consciousness,” Sophie Wright, the New York museum’s director, tells CNN. “There’s no audience in mind.” There is no evidence that Maier wondered about her viewers—or that she ever imagined having viewers in the first place. They, however, will never stop wondering about her.

“ Vivian Maier: Unseen Work ” is on view at Fotografiska New York through September 29.

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Ellen Wexler | | READ MORE

Ellen Wexler is Smithsonian magazine’s assistant digital editor, humanities.

Independence Day of India, 15 August 2024: History, Significance, Facts and all you need to know

The history of Indian independence

Democracy challenged

‘A Crisis Coming’: The Twin Threats to American Democracy

Credit... Photo illustration by Matt Chase

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By David Leonhardt

David Leonhardt is a senior writer at The Times who won the Pulitzer Prize for his coverage of the Great Recession.

• Published Sept. 17, 2022 Updated June 21, 2023

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The United States has experienced deep political turmoil several times before over the past century. The Great Depression caused Americans to doubt the country’s economic system. World War II and the Cold War presented threats from global totalitarian movements. The 1960s and ’70s were marred by assassinations, riots, a losing war and a disgraced president.

These earlier periods were each more alarming in some ways than anything that has happened in the United States recently. Yet during each of those previous times of tumult, the basic dynamics of American democracy held firm. Candidates who won the most votes were able to take power and attempt to address the country’s problems.

The current period is different. As a result, the United States today finds itself in a situation with little historical precedent. American democracy is facing two distinct threats, which together represent the most serious challenge to the country’s governing ideals in decades.

The first threat is acute: a growing movement inside one of the country’s two major parties — the Republican Party — to refuse to accept defeat in an election.

The violent Jan. 6, 2021, attack on Congress , meant to prevent the certification of President Biden’s election, was the clearest manifestation of this movement, but it has continued since then. Hundreds of elected Republican officials around the country falsely claim that the 2020 election was rigged. Some of them are running for statewide offices that would oversee future elections, potentially putting them in position to overturn an election in 2024 or beyond.

“There is the possibility, for the first time in American history, that a legitimately elected president will not be able to take office,” said Yascha Mounk, a political scientist at Johns Hopkins University who studies democracy.

Vote Margins by State in Presidential Elections since 1988

Senate representation by state.

Residents of less populated states like Wyoming and North Dakota, who are disproportionately white, have outsize influence.

1 voter in Wyoming

has similar representation as

1 voter in North Dakota

6 voters in Connecticut

7 voters in Alabama

18 voters in Michigan

59 voters in California

has similar

representation as

Landslides in 2020 House Elections

There were about twice as many districts where a Democratic House candidate won by at least 50 percentage points as there were districts where a Republican candidate won by as much.

Landslide (one candidate won

by at least 50 percentage points)

Barbara Lee

Calif. District 13

Jerry Nadler

N.Y. District 10

Diana DeGette

Colo. District 1

Donald Payne Jr.

N.J. District 10

Jesús García

Ill. District 4

Landslide (one candidate won by at least 50 percentage points)

Presidential Appointments of Supreme Court Justices

Supreme Court appointments

Presidential election winners

Popular vote

Electoral College

Party that nominated a justice

David H. Souter (until 2009)

Clarence Thomas

Ruth Bader Ginsburg (until 2020)

Stephen G. Breyer (until 2022)

John G. Roberts Jr.

Samuel A. Alito Jr.

Sonia Sotomayor

Elena Kagan

Neil M. Gorsuch

Brett M. Kavanaugh

Amy Coney Barrett

Ketanji Brown Jackson

Supreme Court

Presidential election

nominated a justice

Souter (until 2009)

Ginsburg (until 2020)

Breyer (until 2022)

State Legislators and Election Lies

The share of Republican state legislators who have taken steps, as of May 2022, to discredit or overturn the 2020 presidential election results

Pennsylvania

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