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‘3022’: film review.

Omar Epps and Kate Walsh star in '3022,' John Suits' sci-fi thriller about astronauts trapped aboard a space station after a possible extinction-level event on Earth.

By Frank Scheck

Frank Scheck

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Outer-space thrillers have considerably upped the ante in recent years, thanks to the profusion of such exemplars of the genre as The Martian , Gravity , Interstellar and Ad Astra , among others.  It therefore took no small amount of nerve for director John Suits ( Loitering With Intent , Extracted ) to weigh in with his low-budget offering about trouble aboard a space station. While 3022 , which wasn’t screened in advance for critics, doesn’t prove of the same caliber as those films, it delivers enough tense atmospherics to make it worth checking out for sci-fi fans.

Despite what you may guess from the title, the story is set slightly closer to the present, in the year 2190 to be precise. The action takes place aboard Pangea, a space station on a 10-year mission, populated by a small crew consisting of Captain John Lane (Omar Epps, USA’s Shooter ), his romantic partner Jackie (Kate Walsh, Private Practice ), medical officer Richard (Angus Macfadyen, Braveheart ) and younger astronaut Lisa (Miranda Cosgrove, iCarly ).

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Release date: Nov 22, 2019

After a montage depicting the trip’s happy, early days, set to treacly piano music, the action shifts forward five years, when everyone onboard is clearly the worse for wear. John, in particular, suffers from “night terrors,” which in extreme cases causes him to become violent while sleeping. Jackie pines for the daughter she left behind on earth, and the others are generally feeling the effects of five years in space.

In one of the film’s few lighthearted moments, Lisa sighs, “It was so nice when we got here. We were happy. Richard was showering.”

The group’s emotional instability threatens to cancel the rest of their mission, but before that can happen a mysterious explosion buffets the ship. Richard is left briefly catatonic, and Lisa suffers a serious head injury. More important, it seems that they may have felt the repercussions of an extinction-level event that may have wiped out everyone on Earth and would leave them isolated in space.

It would be too much of a spoiler alert to indicate what happens next, but director Suits successfully ratchets up the tension, although not quite enough to prevent one from hoping that a small alien would burst out of someone’s chest. The film works best when depicting the charged emotional dynamics among its main characters, while the introduction of an additional three-person crew (Enver Gjokaj, Haaz Sleiman and Jorja Fox of CSI ) rescued from another space station leads to more predictable thriller dynamics, especially since they all speak in foreign accents that instantly leads you to believe they’re up to no good.

One of the less effective elements in Ryan Binaco’s screenplay is the use of flash-forwards scattered throughout the film, in which we see a bearded, disheveled John, possibly the only survivor of the ship. The brief episodes are not only tedious, they also inadvertently serve to stop the action cold.

Epps handles the stalwart hero thing well enough by now, Walsh delivers an effectively intense performance, and Cosgrove and Macfadyen manage to invest their turns with some subtle humor. Considering the obvious budget limitations, the special effects and physical aspects of the production are convincing. Less convincing, however, is the sight of astronauts smoking cigarettes, nearly 200 years in the future, no less. It certainly doesn’t bode well for today’s anti-smoking campaigns.

Production: Kew Media Distribution, Squid Farm, Hideout Pictures, Bondit Media Capital, Octane Entertainment, Natural Selection Productions, Title Media Distributor: Saban Films Cast: Omar Epps, Kate Walsh, Miranda Cosgrove, Enver Gjokaj, Haaz Sleiman, Angus Macfadyen, Jorja Fox Director/editor: John Suits Screenwriter: Ryan Bianco Producers: John Suits, Tara L. Craig Executive producers: Ryan Bianco, William V. Bromiley, Shanan Becker, Jonathan Saba, Ness Saban, Jack Campbell, Ryan Noto, Matthew Helderman, Luke Taylor, Shannon Houchins, Potsy Ponciroli, Trevor O’Neill, Kathryn Lyn, Giles Daoust, Catherine Dumonceaux Director of photography: Will Stone Production designer: David Dean Ebert Composer: Jimmy LaValle Costume designer: Adriana Lambarri

Rated R, 91 minutes

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3022 Reviews

Generic...quick and dirty.

Full Review | Original Score: 1/4 | Mar 27, 2020

Delivers enough tense atmospherics to make it worth checking out for sci-fi fans.

Full Review | Nov 23, 2019

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Directed by John Suits

Mankind's last hope.

A group of astronauts living in the haunting emptiness of deep space struggle to cope after Earth suffers an extinction-level event.

Omar Epps Kate Walsh Angus Macfadyen Jorja Fox Miranda Cosgrove Enver Gjokaj Haaz Sleiman Audrey Looye Brent Yoshida Sara Tomko Brandon English

Director Director

Producers producers.

John Suits Tara L. Craig

Writer Writer

Ryan Binaco

Editor Editor

Cinematography cinematography, executive producers exec. producers.

Luke Taylor Ness Saban Jonathan Saba Potsy Ponciroli Trevor O'Neil Ryan Noto Shannon Houchins Matthew Helderman Catherine Dumonceaux Giles Daoust Jack Campbell Bill Bromiley Shanan Becker Kathryn Lyn

Stunts Stunts

Brandon Shealy Richie Parker Rosslyn Luke Aaron Hawley Van Ayasit

Composer Composer

Jimmy LaValle

Hideout Pictures Natural Selection The Squid Farm

Alternative Titles

3022: 지구 대폭발, 3022 - Életben maradtak

Science Fiction

Monsters, aliens, sci-fi and the apocalypse Imaginative space odysseys and alien encounters Action-packed space and alien sagas Thought-provoking sci-fi action and future technology Dangerous technology and the apocalypse Show All…

Releases by Date

Theatrical limited, 22 nov 2019, 01 oct 2020, 07 jan 2020, 16 oct 2020, releases by country.

• Physical 16
• Theatrical T
• Theatrical limited R

90 mins   More at IMDb TMDb Report this page

Popular reviews

Review by Dina ▪️🔹 ★★★ 1

iCarly was the best part

Review by Kaleb ★★ 3

The biggest problem with this movie is it doesn’t feel like it’s actually set in 3022. It feels older then Alien honestly. The acting is good enough to keep this from being awful, because it doesn’t have much really going for it.

Review by London ★

Real real REAL bad. Regularly forgets it's characters reasons for living, their motivations, and their personalities. It's just small clusters of terrible dialogue attempting to grasp ideas that are too large for the creators to convey properly. It's very poorly strung together, and very early on the movie eliminates the only two interesting characters.

Its very very dull and that was surprising as hell. It has moments of insanely dumb dialogue or god awful CG that were fun to laugh at, but the vast majority of the run time is spent waiting for something engaging or interesting to happen. It sadly never really comes.

Review by Arf Ortiyef ★½ 1

when it finally got to the last scene after what felt like three hours, my only thought was, "wow. those utility shelves look just like mine."

Review by dani ★★★

miranda cosgrove did not live life, breathe air && certainly did not know she wasn’t gunna get there

Review by Logan Corsaut

if this isnt about the space olympics im suing

Review by MovieQueenz ★★

As good as the trailer for this movie made it, it sadly just didn’t do it for me. Found it difficult to engage with the storyline and found myself constantly distracted and unfocused throughout the movie

Sadly it just didn’t do it for me

Review by GrandOldBastard ★★½

I'll sit through anything for milf goddess Kate Walsh.

Review by MisterBibs ★★

Why not, right?

The blurb you saw on the Letterbox page explains the gist of the movie: there's a space station, something happens to Earth, and we deal with people who aren't handling it very well.

It's not a bad movie overall, it's just kinda... there. The actors do quite well for what they are asked to do, but what they are asked to do is the kind of cliched "people alone on a space ship" stuff you've seen a lot of times before.

Really, the problem is that there's not a ton of meat on the bones. There are things that happen , sure, but if you've seen a sci-fi disaster film, you kinda see where it's going.

And I'm hesitant to say this because it's kinda a spoiler, but like I said, the Plot Going Forward Event kinda doesn't get any explanation. Sure, within the context of the movie it makes sense that there's not, but... shit, still annoying.

Review by JulesLarson ★★

Omar Epps gets his Solaris at an inconceivable cost! Gotta respect it.

Review by Explosive Action ★★★½

A clarification for those mistaking the title; it refers to the duration of the mission, not the year it takes place. 3022 days.

Review by Yolkysasquatch ★

Wow, only 874 LB users have watched this, I feel special! I think it’s best for everyone that we keep that number from increasing.

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3022 (2019)

Submitted by taiga.

The French astronauts kill their captain and attack Captain John Laine (Omar Epps) and engineer Jackie Miller (Kate Walsh) after learning the life support systems on Pangea will support them for only one month instead of three years as first estimated.

Laine and Miller kill them in self-defense, but in the struggle one of the French astronauts triggers the planned explosion to separate Pangea into two halves.

Miller is trapped on Station Two and Laine cannot reach her from Station One because the shuttle is damaged. Station Two drifts away as Laine promises Miller over the intercom that he will find her.

Three years later Laine continues to search, his hope for Miller’s survival sustaining him just as Miller’s hope for her daughter’s survival had sustained her.

On day 3022 of his shift he locates Station Two and boards it using the repaired shuttle. Miller is weak but alive, and the two are reunited.

• Actor: Angus Macfadyen , Jorja Fox , Kate Walsh , Omar Epps
• Director: John Suits
• Genre: Sci-Fi

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Simultaneously overstuffed and undernourished, frantic and meandering, “Amsterdam” is one big, star-studded, hot mess of a movie.

Christian Bale , Margot Robbie , John David Washington , Robert De Niro , Anya Taylor-Joy , Rami Malek , Chris Rock , Michael Shannon , Zoe Saldana , Alessandro Nivola and many more major names: How can you amass this cast and go so wrong? Simply putting them in a room and watching them chit-chat for two-plus hours—or say nothing at all, for that matter—would have been infinitely more interesting. Alas, David O. Russell has concocted all manner of adventures and detours, wacky hijinks, and elaborate asides to occupy his actors, none of which is nearly as clever or charming as he seems to think.

Over and over again, I asked myself as I was watching “Amsterdam”: What is this movie about? Where are we going with this? I’d have to stop and find my bearings: What exactly is happening now? And not in a thrilling, stimulating way, as in “ Memento ,” for example, or “ Cats .” It’s all a dizzying piffle—until it stops dead in its tracks and forces several of its stars to make lengthy speeches elucidating the points Russell himself did not make over the previous two rambling hours. The grand finale gives us some interminable, treacly narration, explaining the importance of love and kindness over the film’s images of bohemian rhapsody we’d just seen not too long ago. 

As is the case in so many of the writer/director’s other movies, we have the sensation as we’re watching that anything could happen at any moment. He typically employs such verve in his camerawork and takes such ambitious tonal swings that you wonder in amazement how he manages to keep it all cohesive and intact. This time, he doesn’t. Because “Amsterdam” lacks the compelling visual language of “ Three Kings ” or “ American Hustle ,” for instance, and it lacks characters with heart-on-their-sleeve humanity like he shows us in “ The Fighter ” or “ Silver Linings Playbook .” Despite the prodigious talent on display here, not a single figure on screen feels like a real person. Each is a collection of idiosyncrasies, some more intriguing than others.

To put it in the simplest terms possible, Bale and Washington play longtime best friends suspected of a murder they didn’t commit. While trying to uncover the truth about what’s going on, they stumble upon an even larger and more sinister plot. Russell’s script jumps around in time from 1933 New York to 1918 Amsterdam and back again, but he’s using this time frame—and the fascist ideologies that rose to prominence then—to make a statement about what’s been going on the past several years in right-wing American politics. Ultimately, he hammers us over the head with this point. But first, whimsy.

Bale’s Burt Berendsen is a folksy doctor with a glass eye that keeps falling out. He’s hooked on his own homemade pain meds, which cause him to collapse to the ground—which also causes his eye to fall out. Bale is doing intense shtick throughout; he is committed to the bit. Washington’s Harold Woodman served with him in the same racially mixed Army battalion in France during WWI; he’s now an attorney, and the more levelheaded of the two. When their beloved general dies suspiciously, his daughter (a distractingly stiff Taylor Swift ) asks them to investigate.

But soon, they’re on the run, inspiring a flashback to how they met in the first place. This is actually the most entertaining part of the film. Russell luxuriates in the duo’s wistful memories of their post-war years in Amsterdam with Robbie’s Valerie Voze, the nurse who cared for them when they were injured and quickly became their co-conspirator in all kinds of boozy escapades. The celebrated cinematographer Emmanuel Lubezki , a multiple Oscar winner for his work with Alfonso Cuaron (“ Gravity ”) and Alejandro Gonzalez Inarritu (“ Birdman ,” “ The Revenant ”), eases up on the sepia tones that often feel so smothering in an effort to capture a feeling of nostalgia. There’s real life and joy to these sequences in Amsterdam that’s missing elsewhere. Robbie, a brunette for a change, looks impossibly luminous—but her character is also a Manic Pixie Dream Girl, a secretly wealthy heiress who turns bullet shrapnel into art. It’s a heavy-handed metaphor for the healing presence she provides in Burt and Harold’s lives.

That’s what’s so frustrating about “Amsterdam”: It’ll offer a scene or an interaction or a performance here or there that’s legitimately entertaining and maybe comes close to hitting the mark Russell is trying to hit. Several duos and subplots along the way might have made for a more interesting movie than the one we got: Malek and Taylor-Joy as Valerie’s snobby, striving brother and sister-in-law, for example, are a bizarre hoot. (And here’s a great place to stop and mention the spectacular costume design, the work of J.R. Hawbaker and the legendary Albert Wolsky . The period detail is varied and vivid, but the dresses Taylor-Joy wears, all in bold shades of red, are especially inspired.) Nivola and Matthias Schoenaerts as mismatched cops who can’t stand each other can be amusing, and it seems like they’re really trying to infuse their characters with traits and motivations beyond what’s on the page. Shannon and Mike Myers as a pair of spies are good for a goofy laugh or two, nothing more.

But despite these sporadic moments of enjoyment, “Amsterdam” is ultimately so convoluted and tedious that it obliterates such glimmers of goodwill. It’s so weighed down by its overlong running time and self-indulgent sense of importance that its core message about the simple need for human decency feels like a cynical afterthought. And whispering the word “Amsterdam” throughout, as several of the characters do, doesn’t even begin to cast the magic spell it seeks to conjure.

Now playing in theaters. 

Christy Lemire

Christy Lemire is a longtime film critic who has written for RogerEbert.com since 2013. Before that, she was the film critic for The Associated Press for nearly 15 years and co-hosted the public television series “Ebert Presents At the Movies” opposite Ignatiy Vishnevetsky, with Roger Ebert serving as managing editor. Read her answers to our Movie Love Questionnaire here .

• Christian Bale as Burt Berendsen
• John David Washington as Harold Woodman
• Margot Robbie as Valerie Voze
• Robert De Niro as General Gil Dillenbeck
• Anya Taylor-Joy as Libby Voze
• Rami Malek as Tom Voze
• Chris Rock as Milton King
• Zoe Saldaña as Irma St. Clair
• Mike Myers as Paul Canterbury
• Michael Shannon as Henry Norcross
• Timothy Olyphant as Taron Milfax
• Andrea Riseborough as Beatrice Vandenheuvel
• Taylor Swift as Liz Meekins
• Matthias Schoenaerts as Detective Lem Getweiler
• Alessandro Nivola as Detective Hiltz
• Ed Begley Jr. as General Bill Meekins
• Daniel Pemberton
• David O. Russell

Cinematographer

• Emmanuel Lubezki
• Jay Cassidy

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Who's Involved:

Miranda Cosgrove, Kate Walsh, Haaz Sleiman, Omar Epps, John Suits, Angus MacFayden, Ryan Binaco, Enver Gjokaj, Jorja Fox

Release Date:

Friday, November 22, 2019 Limited

Plot: What's the story about?

Halfway through a 10-year mission, a group of astronauts become unstable, overcome by the isolation of deep space. While they prepare to return home, Earth is hit by a catastrophic event. The haunting emptiness of space becomes the least of their concerns as they fight to survive against unforeseen threats.

2.94 / 5 stars ( 18 users)

Poll: Will you see 3022?

Who stars in 3022: Cast List

Devil You Know, Almost Christmas  

Under the Tuscan Sun, Girls Trip  

Miranda Cosgrove

Despicable Me 4, Despicable Me 3  

Enver Gjokaj

Haaz Sleiman

Breaking Fast  

Angus MacFayden

Who's making 3022: Crew List

A look at the 3022 behind-the-scenes crew and production team. The film's director John Suits last directed Pandemic and The Scribbler . The film's writer Ryan Binaco last wrote To Leslie and Big Rig .

Screenwriter

Ryan Binaco

Production Companies

Watch 3022 trailers & videos.

Official Trailer

Production: what we know about 3022, filming timeline.

• 2019 - October : The film was set to Completed  status.

3022 Release Date: When was the film released?

3022 was a Limited release in 2019 on Friday, November 22, 2019 . There were 9 other movies released on the same date, including A Beautiful Day in the Neighborhood , Frozen 2 and 21 Bridges . As a Limited release, 3022 will only be shown in select movie theaters across major markets. Please check Fandango and Atom Tickets to see if the film is playing in your area.

3022 DVD & Blu-ray Release Date: When was the film released?

3022 was released on DVD & Blu-ray on Tuesday, January 7 , 2020 .

3022 VOD & Digital: When was the film released digitally?

3022 was released across all major streaming and cable platforms on Friday, November 22 , 2019 . Digital rental or purchase allows you to instantly stream and download to watch anywhere and anytime on your favorite devices. Available from various digital retailers including Amazon Video, iTunes, Google Play, Apple, Vudu and others.

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• Sat., Mar. 21, 2020
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• added the US DVD release date of January 7, 2020
• changed the title from "3022 Movie" to "3022"
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3022 (2019) Stream and Watch Online

Watch '3022' online.

Want to behold the glory that is ' 3022 ' on your TV, phone, or tablet? Hunting down a streaming service to buy, rent, download, or watch the John Suits-directed movie via subscription can be tricky, so we here at Moviefone want to take the pressure off. Below, you'll find a number of top-tier streaming and cable services - including rental, purchase, and subscription choices - along with the availability of '3022' on each platform when they are available. Now, before we get into the nitty-gritty of how you can watch '3022' right now, here are some finer points about the Hideout Pictures, Natural Selection, The Squid Farm science fiction flick. Released November 22nd, 2019, '3022' stars Omar Epps , Kate Walsh , Angus Macfadyen , Jorja Fox The R movie has a runtime of about 1 hr 30 min, and received a user score of 53 (out of 100) on TMDb, which assembled reviews from 208 top users. What, so now you want to know what the movie's about? Here's the plot: "A group of astronauts living in the haunting emptiness of deep space struggle to cope after Earth suffers an extinction-level event." '3022' is currently available to rent, purchase, or stream via subscription on Microsoft Store, Apple iTunes, Vudu, Amazon Video, Google Play Movies, Pluto TV, and YouTube .

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3022 (2019)

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A group of astronauts living in the haunting emptiness of deep space struggle to cope after Earth suffers an extinction-level event.

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