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convention centre M friesz thesis document

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convention center thesis design

Annals of Tourism Research

Deniz Önder

Livenarch VI: Replacing Architecture

Nilgün Kuloğlu

ABSTRACT The social change occurring worldwide due to a range of causes had substantial effects on expectations regarding the industries serving in the field of tourism. Tourism ranks among the top fields affected by such changing social expectations. The efforts on part of the employers in this line of business to meet the changing and/or transforming expectations through architectural products lead to development of touristic architecture with a form based on popular assumptions, regardless of the characteristics of the users involved. In this context, architecture involved in an industry focused on consumption evolves into an object of consumption, so to speak. Contemporary hotel buildings arbitrarily employ architectural elements associated with irrelevant cultures transposed from the past and addressing passing tastes of the users in line with the “fashion” in tourism. This attitude does not seek any theoretical, architectural, artistic or functional quality at all on the conceptual level, and it appears before us as exact copies/replicas of specific architectural forms and elements. Indeed, a quick peek into the backyard of a hotel building that is accessed through Ottoman porticos could lead to a walk on Chinese bridges, culminating in a stay in the highest tower of another section designed to look like a chateau. Architecture as a product for marketing is used and abused to create an environment of hyper reality, bringing about a confused memory on part of its physical and visual users. The most degenerate examples of this state of affairs appears in the form of architectural works virtually “transposed” from their original geographies. Called replicas, these structures appear all around the globe. Imported from a range of cultures, symbols such as the Egyptian Pyramids, the Eiffel Tower and the Statue of Liberty are rendered objects of consumption, severed from their historical, temporal and local context, being offered as a transposed copy instead. This study discusses the “replica” buildings developed in the tourism industry operating in various regions of Turkey in the context of “replacing architecture”. The discussions are conducted through these original buildings as well as their replicas. The cases that are focused on include the Asteria Kremlin Palace, Venezia Palace, Mardan Palace Hotel, Orange County Deluxe and Topkapı Palace. With reference to the cases, such severing of the iconic symbols of global popularity from their original context caused by the virtual “administration” on “any” given holiday destination not only is derogatory for the replica, but also sheds away the value of the original as well as displacing it. In conclusion, a call is made for opening the debate on imitation in architecture once again, which renders the original structures just “worthless” objects through the “consumption”-focused attitude on part of the tourism industry. In this context, the ultimate goal is to underline once again the importance given by architecture to the concepts of “place”, “space”, “context”, “memory” and “identity”. Key Words: Tourism; Replica; Consumption; Identity; Populism.

The Berlage Cahiers #4: Reflexivity

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This paper argues that modern and contemporary architecture's ideal subject is the tourist --that architecture today is designed primarily to be "visited" more than used-- analyzing various examples of architecture from Hannes Meyer and Le Corbusier to David Chipperfield and Rem Koolhaas.

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The Role of Cultural Institutions and Events in the Marketing of Cities and Regions

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The city is a cultural phenomenon in its own right and tells its past, transfers together its memory. Historic buildings are the physical manifestation of memory that makes places significant. The city contains visions of previous generations side by side with an urban and cultural life in a state of constant change and urban development must be combined with the protection of cultural heritage. Preserving cultural and natural heritage , to bring it within reach of all, making cultures and civilizations better known, improving daily living conditions and reducing poverty is what gives meaning to the sustainability of tourism development. Tourism must remain a tool and in no wise a goal in itself, it must be developed with a view to sustainability. This paper addresses the livability and functionality of historic city centers, under the conditions of global change analyzing the influence of tourism development in terms of commercial activities, advertisement and traffic signage in the appearance of historical streetscapes. In many cases, the commercial city center coincides with the historic core, and the challenge of the local authority is to combine commercial activities with the preservation of traditional and historic buildings and public spaces. As part of the historic context of many countries, historic city centers have been through a process of metamorphoses, which involves the satisfaction of new social and commercial needs. This transformation usually involves updating the infrastructure and the historic buildings to accommodate commercial activities, and the insertion of contemporary architecture in existing streetscapes. This is a common process and there is nothing wrong with that; problems begin when historic buildings and places are harmed by this global change. This paper draws on three empirical case studies (Ajman, Sharjah and Dubai) to examine questions tourism development with the introduction of some commercial activities, signage control, and their repercussions on the preservation of historic heritage in terms of build environment considered as regionalist production, and user preference and satisfaction with historic city centers. The objective is to inform those factors that need to be taken into account in the use of the tourism development as a source for the revitalization of the historical and archeological sites. The approach to achieve the objectives is based on two methodologies: • Deductive: A theoretical investigation based on the properties of the historic city center structure, definitions, principles of design, and the dilemma of achieving planning and preservation as much cultural tourism for the tourism development as technical for the physical preservation of the traditional environment. This combines information from literature reviews and the ideas of key figures in the urban conservation field and the place-identity, social identity and identity process as theories for cultural models of the city. • Inductive: The case studies as examples of historical settlements that have undergone much change processes. The study looks to elicit the images of the historical center to support the theoretical propositions of surface and deep structural city elements. The conclusion to this part is based on an analysis of the case study. The research concludes that heritage is a constituent of the cultural tradition, and an important part of societal and community well-being. This comprehensive vision merges both tangible and intangible dimensions; architectural and historical values. There are several ways of defining the importance of preserving heritage.

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A convention center : a typological approach to the design of an institutional building

dc.contributor.advisorTom Chastain.en_US
dc.contributor.authorLloyd, Peter, 1947-en_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Architecture.en_US
dc.date.accessioned2013-08-22T18:41:06Z
dc.date.available2013-08-22T18:41:06Z
dc.date.copyright1989en_US
dc.date.issued1989en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/79948
dc.descriptionThesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1989.en_US
dc.descriptionIncludes bibliographical references (p. 64-67).en_US
dc.description.abstractIf the analysis of an architectural design problem suggests the use of references and historical precedents, how should these be selected? Once selected, how can similarities or contradictions between the references and the problem at hand be evaluated? Simply put, how can a body of references be assembled and then made part of the design process? As a concept, type provides a part of the answer to these questions. Since there is no consensus on the meaning and viability of this idea within a design process, the first part of this study is a discussion intended to define and clarify the term. The second part of the study is a design exploration that takes up some of the issues raised in this discussion. Since the project is a convention center, a form of building for which no precedents are widely agreed upon, the question of how to conceptualize a new building type is posed. One of the oldest institutional building types, the monastery, is assessed as a possible prototype. The assumption is not that the Cistercian monastery was a convention center all along, but that the basic morphology of its plan suggests planning principles with a wider institutional application. This hypothesis is tested by using these principles to evaluate the plans of several twentieth-century buildings.en_US
dc.description.statementofresponsibilityby Peter Lloyd.en_US
dc.format.extentiii, 67 p.en_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleA convention center : a typological approach to the design of an institutional buildingen_US
dc.typeThesisen_US
dc.description.degreeM.Arch.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc20681651en_US

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Proven Results...

Final Decision34.4%
Significant Influence33.0%
Recommend Vendors26.7%
Santa Clara, CA 2022 1,253
Santa Clara, CA 20191,869
Santa Clara, CA 20181,604
Electronics
Electronics Mfg., Computers/Subsystems,
Instrumentation & Controls
19.6%
Medical11.3%
Automotive6.2%
Machinery5.3%
Aerospace/Aviation3.7%
Hardware3.5%
Government/Defense 2.6%
Energy/Utilities 2.6%

convention center thesis design

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  1. Convention Centre, Gift City by Nirav Rathod

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    International Convention Center, Dwarka, Delhi. Architectural Design Thesis 2015. Chitkara School of Planning and Architecture, Chitkara University, Punjab

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    Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1989. ... The second part of the study is a design exploration that takes up some of the issues raised in this discussion. Since the project is a convention center, a form of building for which no precedents are widely agreed upon, the question of how to ...

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    Dissertation CONVENTION CENTRE - Free download as Word Doc (.doc / .docx), PDF File (.pdf), Text File (.txt) or read online for free. This document provides an introduction and overview of convention centre design and spaces. It discusses how convention centres have expanded beyond their buildings to encompass surrounding districts with retail, entertainment, dining and cultural venues to ...

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    Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1989. ... The second part of the study is a design exploration that takes up some of the issues raised in this discussion. Since the project is a convention center, a form of building for which no precedents are widely agreed upon, the question of how to ...

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    The award winner is selected based on his or her leadership, creativity, and out-of-the-box thinking brought to design/test of chips, boards, or systems, with particular attention paid to areas of signal and power integrity. ... Venue: Santa Clara Convention Center 5001 Great America Pkwy Santa Clara, CA. Expo: Wednesday, January 29, ...

  19. 2024 Santa Clara Manufacturing Trade Show

    Entering its 36th year in Northern California, the Design-2-Part Show is the most efficient place to meet hundreds of high-quality American suppliers of custom parts, stock parts, and manufacturing services. ... The Santa Clara Convention Center with its central location, easy highway access, and free parking, is the perfect location for you to ...

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    Over 250 speakers include: November 20-21, 2019, Santa Clara, The IDTechEx Show! presents the latest emerging technologies at one event. Eight conference tracks, one exhibition, from materials and manufacturing innovations to end user case studies, covering: Meet the full value chain across these topics at this one event.

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    298670330.pdf - Free download as PDF File (.pdf), Text File (.txt) or view presentation slides online. This document is a thesis report for an architectural student's proposed design of an International Convention Centre in Vizag, India. It begins with an introduction and proposition. It then examines major convention centre elements and presents case studies of three existing convention centres.

  23. 24 Santa Clara, CA

    Northern California Design-2-Part Show ... Santa Clara Convention Center Wednesday 9:30 - 4:00 • Thursday 9:30 - 3:30. Market at a Glance: As of 2023, the state of California is home to 23,078 manufacturers employing 1,385,974 workers. Total manufacturing output equaled $394.83 billion.