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Essays on Movie Review

Once in a while, you’ll be asked to do a movie review essay. This task is a great training tool for enhancing critical thinking skills. Essays on movie review aim at presenting a film from the most important scenes, special effects, to exciting moments and may be accompanied by criticism. From an advertising perspective, such a paper is aimed at convincing readers to watch the movie in question. Your writing should let a reader draw a conclusion, i.e, whether the film is worth their time or if they should try something else. Most importantly, your opinion must be independent and accurate. But how can you create a perfect introduction if you don’t have the experience in this type of writing? Relax. A good online writer can do it for you. If you have an idea but need some guidance, simply ask for a professional outline or use evaluation essay examples for students for more insights.

Hook Examples for Movie Review Essays

"a cinematic masterpiece" hook.

"Prepare to be captivated by the sheer brilliance of this cinematic masterpiece. Explore how every frame, performance, and detail contributes to a visual and emotional spectacle."

"Beyond the Screen: Themes and Messages" Hook

"This film transcends entertainment, offering profound themes and powerful messages. Dive into the underlying ideas and social commentary that make it a thought-provoking experience."

"The Journey of Character Development" Hook

"Follow the compelling journey of characters who evolve throughout the film. Analyze their growth, conflicts, and relationships, making this movie a character-driven narrative."

"Visual Delights: Cinematography and Special Effects" Hook

"Be prepared to be visually stunned by the breathtaking cinematography and cutting-edge special effects. Explore how these elements enhance the storytelling and immerse the audience."

"Unforgettable Performances" Hook

"The cast delivers unforgettable performances that breathe life into the characters. Discuss standout acting moments, character dynamics, and the emotional impact of their roles."

"The Soundtrack: Music That Moves" Hook

"The film's soundtrack is more than just music; it's an integral part of the storytelling. Explore how the score enhances emotions, sets the tone, and complements the visuals."

"Cinematic Analysis: Directing and Editing" Hook

"Delve into the meticulous craftsmanship of the director and editor. Analyze their choices in pacing, sequencing, and storytelling techniques that make this film a cinematic triumph."

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How to Write a Movie Review

Last Updated: August 11, 2024 Fact Checked

This article was co-authored by Marissa Levis . Marissa Levis is an English Teacher in the Morris County Vocational School District. She previously worked as an English director at a tutoring center that caters to students in elementary and middle school. She is an expert in creating a curriculum that helps students advance their skills in secondary-level English, focusing on MLA formatting, reading comprehension, writing skills, editing and proofreading, literary analysis, standardized test preparation, and journalism topics. Marissa received her Master of Arts in Teaching from Fairleigh Dickinson University. There are 14 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 5,665,623 times.

Whether a movie is a rotten tomato or a brilliant work of art, if people are watching it, it's worth critiquing. A decent movie review should entertain, persuade and inform, providing an original opinion without giving away too much of the plot. A great movie review can be a work of art in its own right. Read on to learn how to analyze a movie like a professional film critic, come up with an interesting thesis, and write a review as entertaining as your source material.

Sample Movie Reviews

Writing an Intro for a Movie Review

• Comparison to Relevant Event or Movie: "Every day, our leaders, politicians, and pundits call for "revenge"– against terrorist groups, against international rivals, against other political parties. But few of them understand the cold, destructive, and ultimately hollow thrill of revenge as well as the characters of Blue Ruin. "
• Review in a nutshell: "Despite a compelling lead performance by Tom Hanks and a great soundtrack, Forrest Gump never gets out of the shadow of its weak plot and questionable premise."
• Context or Background Information: " Boyhood might be the first movie made where knowing how it was produced–slowly, over 12 years, with the same actors–is just as crucial as the movie itself."

• Using stars, a score out of 10 or 100, or the simple thumbs-up and thumbs-down is a quick way to give your thoughts. You then write about why you chose that rating.
• Great Movie: ABC is the rare movie that succeeds on almost every level, where each character, scene, costume, and joke firing on all cylinders to make a film worth repeated viewings."
• Bad Movie: "It doesn't matter how much you enjoy kung-fu and karate films: with 47 Ronin, you're better off saving your money, your popcorn, and time."
• Okay Movie: "I loved the wildly uneven Interstellar far more than I should have, but that doesn't mean it is perfect. Ultimately, the utter awe and spectacle of space swept me through the admittedly heavy-handed plotting and dialogue."

• Great: "Michael B. Jordan and Octavia Spencer's chemistry would carry Fruitvale Station even if the script wasn't as good. The mid-movie prison scene in particular, where the camera never leaves their faces, shows how much they can convey with nothing but their eyelids, the flashing tension of neck muscles, and a barely cracking voice."
• Bad: " Jurassic World's biggest flaw, a complete lack of relatable female characters, is only further underscored by a laughably unrealistic shot of our heroine running away from a dinosaur – in heels."
• Okay: "At the end of the day, Snowpiercer can't decide what kind of movie it wants to be. The attention to detail in fight scenes, where every weapon, lightbulb, and slick patch of ground is accounted for, doesn't translate to an ending that seems powerful but ultimately says little of substance."

• Does the film reflect on a current event or contemporary issue? It could be the director's way of engaging in a bigger conversation. Look for ways to relate the content of the film to the "real" world.
• Does the film seem to have a message, or does it attempt to elicit a specific response or emotion from the audience? You could discuss whether or not it achieves its own goals.
• Does the film connect with you on a personal level? You could write a review stemming from your own feelings and weave in some personal stories to make it interesting for your readers.

Composing Your Review

• When you name characters in your plot summary, list the actors' names directly afterward in parenthesis.
• Find a place to mention the director's name and the full movie title.
• If you feel you must discuss information that might "spoil" things for readers, warn them first.

• Cinematography: " Her is a world drenched in color, using bright, soft reds and oranges alongside calming whites and grays that both build, and slowly strip away, the feelings of love between the protagonists. Every frame feels like a painting worth sitting in."
• Tone: "Despite the insane loneliness and high stakes of being stuck alone on Mars, The Martian's witty script keeps humor and excitement alive in every scene. Space may be dangerous and scary, but the joy of scientific discovery is intoxicating."
• Music and Sound: " No Country For Old Men's bold decision to skip music entirely pays off in spades. The eerie silence of the desert, punctuated by the brief spells of violent, up-close-and-personal sound effects of hunter and hunted, keeps you constantly on the edge of your seat."
• Acting: "While he's fantastic whenever he's on the move, using his cool stoicism to counteract the rampaging bus, Keanu Reeves can't quite match his costar in the quiet moments of Speed, which falter under his expressionless gaze."

• Keep your writing clear and easy to understand. Don't use too much technical filmmaking jargon, and make your language crisp and accessible.
• Present both the facts and your opinion. For example, you might state something such as, "The Baroque background music was a jarring contrast to the 20th century setting." This is a lot more informative then simply saying, "The music was a strange choice for the movie."

• Great: "In the end, even the characters of Blue Ruin know how pointless their feud is. But revenge, much like every taut minute of this thriller, is far too addictive to give up until the bitter end.""
• Bad: "Much like the oft-mentioned "box of chocolates", Forest Gump has a couple of good little morsels. But most of the scenes, too sweet by half, should have been in the trash long before this movie was put out."
• Okay: "Without the novel, even revolutionary concept, Boyhood may not be a great movie. It might not even be "good.” But the power the film finds in the beauty of passing time and little, inconsequential moments – moments that could only be captured over 12 years of shooting – make Linklater's latest an essential film for anyone interested in the art of film."

Polishing Your Piece

• Ask yourself whether your review stayed true to your thesis. Did your conclusion tie back in with the initial ideas you proposed?
• Decide whether your review contains enough details about the movie. You may need to go back and add more description here and there to give readers a better sense of what the movie's about.
• Decide whether your review is interesting enough as a stand-alone piece of writing. Did you contribute something original to this discussion? What will readers gain from reading your review that they couldn't from simply watching the movie?

Studying Your Source Material

• The title of the film, and the year it came out.
• The director's name.
• The names of the lead actors.

• Make a note every time something sticks out to you, whether it's good or bad. This could be costuming, makeup, set design, music, etc. Think about how this detail relates to the rest of the movie and what it means in the context of your review.
• Take note of patterns you begin to notice as the movie unfolds.
• Use the pause button frequently so you make sure not to miss anything, and rewind as necessary.

• Direction: Consider the director and how he or she choose to portray/explain the events in the story. If the movie was slow, or didn't include things you thought were necessary, you can attribute this to the director. If you've seen other movies directed by the same person, compare them and determine which you like the most.
• Cinematography: What techniques were used to film the movie? What setting and background elements helped to create a certain tone?
• Writing: Evaluate the script, including dialogue and characterization. Did you feel like the plot was inventive and unpredictable or boring and weak? Did the characters' words seem credible to you?
• Editing: Was the movie choppy or did it flow smoothly from scene to scene? Did they incorporate a montage to help build the story? And was this obstructive to the narrative or did it help it? Did they use long cuts to help accentuate an actor's acting ability or many reaction shots to show a group's reaction to an event or dialogue? If visual effects were used were the plates well-chosen and were the composited effects part of a seamless experience? (Whether the effects looked realistic or not is not the jurisdiction of an editor, however, they do choose the footage to be sent off to the compositors, so this could still affect the film.)
• Costume design: Did the clothing choices fit the style of the movie? Did they contribute to the overall tone, rather than digressing from it?
• Set design: Consider how the setting of the film influenced its other elements. Did it add or subtract from the experience for you? If the movie was filmed in a real place, was this location well-chosen?
• Score or soundtrack: Did it work with the scenes? Was it over/under-used? Was it suspenseful? Amusing? Irritating? A soundtrack can make or break a movie, especially if the songs have a particular message or meaning to them.

Expert Q&A

• If you don't like the movie, don't be abusive and mean. If possible, avoid watching the movies that you would surely hate. Thanks Helpful 1 Not Helpful 0
• Understand that just because the movie isn't to your taste, that doesn't mean you should give it a bad review. A good reviewer helps people find movie's they will like. Since you don't have the same taste in movies as everyone else, you need to be able to tell people if they will enjoy the movie, even if you didn't. Thanks Helpful 0 Not Helpful 0
• Structure is very important; try categorizing the different parts of the film and commenting on each of those individually. Deciding how good each thing is will help you come to a more accurate conclusion. For example, things like acting, special effects, cinematography, think about how good each of those are. Thanks Helpful 0 Not Helpful 0

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Expert Interview

Thanks for reading our article! If you’d like to learn more about writing, check out our in-depth interview with Marissa Levis .

• ↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_film/terminology_and_starting_prompts.html
• ↑ https://www.spiritofbaraka.com/how-write-a-movie-review
• ↑ https://www.nyfa.edu/student-resources/9-tips-for-writing-a-film-review/
• ↑ https://en.oxforddictionaries.com/writing-help/top-tips-for-writing-a-review
• ↑ https://writingcenter.unc.edu/tips-and-tools/summary-using-it-wisely/
• ↑ https://twp.duke.edu/sites/twp.duke.edu/files/file-attachments/film-review-1.original.pdf
• ↑ https://www.dailywritingtips.com/7-tips-for-writing-a-film-review/
• ↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_film/film_writing_sample_analysis.html
• ↑ https://learning.hccs.edu/faculty/onnyx.bei/dual-credit/movie-review-writing-guide
• ↑ https://writingcenter.unc.edu/tips-and-tools/conclusions/
• ↑ https://www.grammarly.com/blog/how-to-write-a-movie-review/
• ↑ https://gustavus.edu/writingcenter/handoutdocs/editing_proofreading.php
• ↑ https://writingcenter.unc.edu/tips-and-tools/editing-and-proofreading/
• ↑ https://edusson.com/blog/how-to-write-movie-review

About This Article

To write a movie review, start with a compelling fact or opinion to hook your readers, like "Despite a great performance by Tom Hanks, Forrest Gump never overcomes its weak plot." Then, elaborate on your opinion of the movie right off the bat so readers know where you stand. Once your opinion is clear, provide examples from the movie that prove your point, like specific scenes, dialogue, songs, or camera shots. To learn how to study a film closely before you write a review, scroll down! Did this summary help you? Yes No

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Spider-Man: No Way Home

The best of “Spider-Man: No Way Home” reminded me why I used to love comic books, especially the ones about a boy named Peter Parker. There was a playful unpredictability to them that has often been missing from modern superhero movies, which feel so precisely calculated. Yes, of course, “No Way Home” is incredibly calculated, a way to make more headlines after killing off so many of its event characters in Phase 3, but it’s also a film that’s often bursting with creative joy.

Director Jon Watts and his team have delivered a true event movie, a double-sized crossover issue of a comic book that the young me would have waited in line to read first, excitedly turning every page with breathless anticipation of the next twist and turn. And yet they generally avoid getting weighed down by the expectations fans have for this film, somehow sidestepping the cluttered traps of other crowded part threes. “No Way Home” is crowded, but it’s also surprisingly spry, inventive, and just purely entertaining, leading to a final act that not only earns its emotions but pays off some of the ones you may have about this character that you forgot.

Note: I will very carefully avoid spoilers but stay offline until you see it because there are going to be landmines on social media.

“No Way Home” picks up immediately after the end of “Spider-Man: Far From Home,” with the sound of that film’s closing scene playing over the Marvel logo. Mysterio has revealed the identity of the man in the red tights, which means nothing will ever be the same for Peter Parker ( Tom Holland ). With an almost slapstick energy, “No Way Home” opens with a series of scenes about the pitfalls of super-fame, particularly how it impacts Peter’s girlfriend M.J. (Zendaya) and best bud Ned ( Jacob Batalon ). It reaches a peak when M.I.T. denies all three of them admission, citing the controversy about Peter’s identity and the roles his buddies played in his super-adventures.

Peter has a plan. The “wizard” he met when he saved half the population with The Avengers can cast a spell and make it all go away. So he asks Dr. Strange ( Benedict Cumberbatch ) to make the world forget that Spider-Man is Peter Parker, which, of course, immediately backfires. He doesn’t want M.J. or Ned or Aunt May ( Marisa Tomei ) to forget everything they’ve been through together, and so the spell gets derailed in the middle of it. Strange barely gets it under control. And then Doc Ock ( Alfred Molina ) and the Green Goblin ( Willem Dafoe ) show up.

As the previews have revealed, “Spider-Man: No Way Home” weaves characters and mythology from the other cinematic iterations of this character into the universe of the current one, but I’m happy to report that it’s more than a casting gimmick. My concern going in was that this would merely be a case of “ Batman Forever ” or even “ Spider-Man 3 ,” where more was often the enemy of good. It’s not. The villains that return from the Sam Raimi and Marc Webb films don’t overcrowd the narrative as much as they speak to a theme that emerges in the film that ties this entire series back to the other ones. For a generation, the line about Spidey was “With great power comes great responsibility.” “Spider-Man: No Way Home” is about the modern Peter Parker learning what that means. (It also helps a great deal to have actors like Molina and Dafoe in villain roles again given how the lack of memorable villains has been a problem in the MCU.)

So many modern superhero movies have confronted what it means to be a superhero, but this is the first time it’s really been foregrounded in the current run of Peter Parker, which turns “No Way Home” into something of a graduation story. It’s the one in which Parker has to grow up and deal with not just the fame that comes with Spider-Man but how his decisions will have more impact than most kids planning to go to college. It asks some interesting questions about empathy as Peter is put in a position to basically try to save the men who tried to kill other multiverse iterations of him. And it playfully becomes a commentary on correcting mistakes of the past not just in the life of Holland’s Parker but those of characters (and even filmmakers) made long before he stepped into the role. “No way Home” is about the weight of heroic decisions. Even the right ones mean you may not be able to go home again.

Watts hasn’t gotten enough credit in his other two Spider-Man movies for his action and “No Way Home” should correct that. There are two major sequences—a stunner in a mirror dimension in which Spidey fights Strange, and the climactic one—but it’s also filled with expertly rendered minor action beats throughout. There’s a fluidity to the action here that’s underrated as Mauro Fiore ’s camera swoops and dives with Spider-Man. And the big final showdown doesn’t succumb to the common over-done hollowness of MCU climaxes because it has undeniable emotional weight. I also want to note that Michael Giacchino ’s score here is one of the best in the MCU, by far. It’s one of the few themes in the entire cinematic universe that feels heroic.

With so much to love about “No Way Home,” the only shame is that it’s not a bit more tightly presented. There’s no reason for this movie to be 148 minutes, especially given how much the first half has a habit of repeating its themes and plot points. Watts (and the MCU in general) has a habit of over-explaining things and there’s a sharper version of “No Way Home” that trusts its audience a bit more, allowing them to unpack the themes that these characters have a habit of explicitly stating. And, no offense to Batalon, turning Ned into a major character baffles me a bit. He always feels like a distraction from what really works here. On the other hand, this is the first of these three films that has allowed Zendaya and Holland’s chemistry to shine. In particular, she nails the emotional final beats of her character in a way that adds weight to a film that can feel a bit airy in terms of performance.

“Spider-Man: No Way Home” could have just been a greatest hits, a way to pull different projects into the same IP just because the producers can. Some will see it that way just on premise alone, but there’s more going on here than the previews would have you believe. It’s about what historic heroes and villains mean to us in the first place—why we care so much and what we consider a victory over evil. More than any movie in the MCU that I can remember, it made me want to dig out my old box of Spider-Man comic books. That’s a heroic accomplishment.

In theaters on December 17 th .

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

• Tom Holland as Peter Parker / Spider-Man
• Zendaya as Michelle 'MJ' Jones
• Benedict Cumberbatch as Stephen Strange / Doctor Strange
• Jon Favreau as Harold 'Happy' Hogan
• Jacob Batalon as Ned Leeds
• Marisa Tomei as May Parker
• Alfred Molina as Otto Octavius / Doctor Octopus
• Jamie Foxx as Max Dillon / Electro
• Willem Dafoe as Norman Osborn / Green Goblin
• Tony Revolori as Eugene 'Flash' Thompson
• Angourie Rice as Betty Brant
• Martin Starr as Mr. Harrington
• Hannibal Buress as Coach Wilson
• J.B. Smoove as Mr. Dell
• J.K. Simmons as J. Jonah Jameson
• Benedict Wong as Wong
• Chris McKenna
• Erik Sommers

Cinematographer

• Mauro Fiore
• Michael Giacchino

Writer (based on the Marvel comic book by)

• Steve Ditko

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Wednesday, february 15, 2023, last minute tips for 2022 spm, english.(movie review) - for weak students.

To begin with, Jurassic is one of my favourite movies. 5 series have been released since 1997 and my favourite part is part 4, Jurassic world which was released in 2015. The main characters in this movie are Claire and Owen, who tried their best to save two young boys' lives from the disastrous attack by Dinosaurs.

      Moreover, the graphics were mind-blowing and kept the viewer on the edge of their seats. Besides, The scene of a humongous(giant)aquatic dinosaur leaping out of a lagoon to eat a shark has been extensively reworked (Edited). It was one of the blockbuster movies in 2015 and the franchise company earned a profit of about 1.004 billion USD.

    Despite all the positive feedback, one drawback of this movie; there was no antagonist character who lead to the fatal attack like in all other series of Jurassic films. Hence, it was something unusual for a Jurassic storyline. However, the twist turns were the icing on the cake. They were able to make the viewers, immensely involved with the movie.

      In a nutshell, I would rate this movie, 9/10. The well-written script enables people of any age to enjoy this movie. Last but not least, I strongly recommend this movie to everyone out there to watch this movie and be mesmerized just as how I did.

LAST MINUTE TIPS FOR 2022 SPM, ENGLISH.(BOOK REVIEW)

To begin with, Jurassic is one of my favourite books. 5 series have been released since 1997 and my favourite one, chapter 4, the Jurassic World was released in 2015. The main characters in this story were Claire and Owen, who tried their best to save two young boys' lives from the disastrous attack of Dinosaurs.

      Moreover, the storylines were mind-blowing and had keep the viewer on the edge of their seats. Besides, The description of how a humongous(giant)aquatic dinosaur leapt out of a lagoon is to eat a shark had been extensively reworked (Edited) by the editors’ team. This book was one of the bestsellers in 2015 and the franchise company earned a profit of about 1.004 billion USD.

    Despite all the positive feedback, there was also a drawback in this movie; there was no antagonist character who lead to the fatal attack like in all other series of Jurassic movies. Hence, I could say it was something unusual for the Jurassic storyline. However, the twist turns were the icing on the cake. They were able to make the viewers to be involved with the movie.

      In a nutshell, I would rate this book, 9/10. The well-written script enables people of any age to enjoy reading this book.  Last but not least, I strongly recommend this book to everyone out there to read and be mesmerized just as how I did.

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