reading an oral presentation quizlet

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What It Takes to Give a Great Presentation

• Carmine Gallo

Five tips to set yourself apart.

Never underestimate the power of great communication. It can help you land the job of your dreams, attract investors to back your idea, or elevate your stature within your organization. But while there are plenty of good speakers in the world, you can set yourself apart out by being the person who can deliver something great over and over. Here are a few tips for business professionals who want to move from being good speakers to great ones: be concise (the fewer words, the better); never use bullet points (photos and images paired together are more memorable); don’t underestimate the power of your voice (raise and lower it for emphasis); give your audience something extra (unexpected moments will grab their attention); rehearse (the best speakers are the best because they practice — a lot).

I was sitting across the table from a Silicon Valley CEO who had pioneered a technology that touches many of our lives — the flash memory that stores data on smartphones, digital cameras, and computers. He was a frequent guest on CNBC and had been delivering business presentations for at least 20 years before we met. And yet, the CEO wanted to sharpen his public speaking skills.

• Carmine Gallo is a Harvard University instructor, keynote speaker, and author of 10 books translated into 40 languages. Gallo is the author of The Bezos Blueprint: Communication Secrets of the World’s Greatest Salesman  (St. Martin’s Press).

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Oral Presentation Structure

Finally, presentations normally include interaction in the form of questions and answers. This is a great opportunity to provide whatever additional information the audience desires. For fear of omitting something important, most speakers try to say too much in their presentations. A better approach is to be selective in the presentation itself and to allow enough time for questions and answers and, of course, to prepare well by anticipating the questions the audience might have.

As a consequence, and even more strongly than papers, presentations can usefully break the chronology typically used for reporting research. Instead of presenting everything that was done in the order in which it was done, a presentation should focus on getting a main message across in theorem-proof fashion — that is, by stating this message early and then presenting evidence to support it. Identifying this main message early in the preparation process is the key to being selective in your presentation. For example, when reporting on materials and methods, include only those details you think will help convince the audience of your main message — usually little, and sometimes nothing at all.

The opening

• The context as such is best replaced by an attention getter , which is a way to both get everyone's attention fast and link the topic with what the audience already knows (this link provides a more audience-specific form of context).
• The object of the document is here best called the preview because it outlines the body of the presentation. Still, the aim of this element is unchanged — namely, preparing the audience for the structure of the body.
• The opening of a presentation can best state the presentation's main message , just before the preview. The main message is the one sentence you want your audience to remember, if they remember only one. It is your main conclusion, perhaps stated in slightly less technical detail than at the end of your presentation.

In other words, include the following five items in your opening: attention getter , need , task , main message , and preview .

Even if you think of your presentation's body as a tree, you will still deliver the body as a sequence in time — unavoidably, one of your main points will come first, one will come second, and so on. Organize your main points and subpoints into a logical sequence, and reveal this sequence and its logic to your audience with transitions between points and between subpoints. As a rule, place your strongest arguments first and last, and place any weaker arguments between these stronger ones.

The closing

After supporting your main message with evidence in the body, wrap up your oral presentation in three steps: a review , a conclusion , and a close . First, review the main points in your body to help the audience remember them and to prepare the audience for your conclusion. Next, conclude by restating your main message (in more detail now that the audience has heard the body) and complementing it with any other interpretations of your findings. Finally, close the presentation by indicating elegantly and unambiguously to your audience that these are your last words.

Starting and ending forcefully

Revealing your presentation's structure.

To be able to give their full attention to content, audience members need structure — in other words, they need a map of some sort (a table of contents, an object of the document, a preview), and they need to know at any time where they are on that map. A written document includes many visual clues to its structure: section headings, blank lines or indentations indicating paragraphs, and so on. In contrast, an oral presentation has few visual clues. Therefore, even when it is well structured, attendees may easily get lost because they do not see this structure. As a speaker, make sure you reveal your presentation's structure to the audience, with a preview , transitions , and a review .

The preview provides the audience with a map. As in a paper, it usefully comes at the end of the opening (not too early, that is) and outlines the body, not the entire presentation. In other words, it needs to include neither the introduction (which has already been delivered) nor the conclusion (which is obvious). In a presentation with slides, it can usefully show the structure of the body on screen. A slide alone is not enough, however: You must also verbally explain the logic of the body. In addition, the preview should be limited to the main points of the presentation; subpoints can be previewed, if needed, at the beginning of each main point.

Transitions are crucial elements for revealing a presentation's structure, yet they are often underestimated. As a speaker, you obviously know when you are moving from one main point of a presentation to another — but for attendees, these shifts are never obvious. Often, attendees are so involved with a presentation's content that they have no mental attention left to guess at its structure. Tell them where you are in the course of a presentation, while linking the points. One way to do so is to wrap up one point then announce the next by creating a need for it: "So, this is the microstructure we observe consistently in the absence of annealing. But how does it change if we anneal the sample at 450°C for an hour or more? That's my next point. Here is . . . "

Similarly, a review of the body plays an important double role. First, while a good body helps attendees understand the evidence, a review helps them remember it. Second, by recapitulating all the evidence, the review effectively prepares attendees for the conclusion. Accordingly, make time for a review: Resist the temptation to try to say too much, so that you are forced to rush — and to sacrifice the review — at the end.

Ideally, your preview, transitions, and review are well integrated into the presentation. As a counterexample, a preview that says, "First, I am going to talk about . . . , then I will say a few words about . . . and finally . . . " is self-centered and mechanical: It does not tell a story. Instead, include your audience (perhaps with a collective we ) and show the logic of your structure in view of your main message.

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Tips for Presentations: Home

• Tips for speaking in public
• How to reduce anxiety
• Resources (books and video courses)
• How to reference your presentation

Introduction

• A reader chooses when and where to focus attention; a speaker must focus a listener’s attention on what he or she is saying at this moment.
• A reader controls how fast he or she will move through a text; a speaker controls how fast listeners will move through an oral presentation.
• Readers have the option of going back and re-reading; listeners must grasp material as the speaker presents it.
• Readers have many graphic cues about order and importance of points and about the relationship among ideas; listeners rely on the speaker to be their guide and interpreter.

Image: Business vector created by rawpixel.com - www.freepik.com

Appeal to emotion

• Tell a story. Audiences respond better and be more convinced with stories that data.
• Use examples and anecdotes.
• Use surprises. This could be using a video when the audience thinks they are only getting slides.

What do you need to say?

The information for your presentation usually comes from a paper, case study, analysis, essay, or report. Choose only the key points from your paper. Go back to the question you were asked when you originally wrote your paper.

Design is key

Your presentation needs an introduction, body, and conclusion. Plan what your presentation will look like before you begin. Use only the important points from your paper to plan for sections of your presentation. These points then become the focus.

For each major section of your presentation, follow the 4 S Structure :

• Signpost the point (“First I’m going to point out the problem with...” “My second argument is that...” “It can be concluded that...”)
• State the point clearly and succinctly.
• Support the point with data, cases, description, relevant studies, etc.
• Summarize the point.

It is from these that you then design your slides and choose corresponding images and text.

10/20/30 rule

This rule states that a Power Point presentation should have no more than 10 slides, be 20 minutes long, and use no less than 30-point font.

This rule will keep the presentation on track so that you keep to time, as well as having a presentation that moves at a good pace and that is readable.

Do you need it?

• Use PowerPoint only if it will enhance audience attention, understanding, or retention.
• Be selective about what you put on slides. Don’t put the entire presentation on slides.
• Use visual and audio effects only if they serve your purpose and do not call attention to themselves. Make the technology serve the presentation. Don’t let it dominate.
• These are tools to help you tell your story. Don’t let the tools become the story.

Never read your presentation word for word. A good presentation is one where the presenter makes eye contact with his or her audience over the entire presentation. This means not reading your paper - your eyes are down, you lose your audience.

To help with this, make good notes, use cue cards, or put all notes on one sheet of paper. You can then glance at your notes for prompts. Better yet, learn and understand the material for your presentation, practice, and then use the images and text in your visual presentation as cues.

Tone and pacing

Avoid becoming monotone. Use variations in speed, inflections, and force to enhance your meaning and hold audience attention. Practice pronouncing words with which you are unfamiliar.

Some further points

Often times, a presenter does not notice their voice and body habits, which can be distracting when presenting. Remember, presenting is visual and oral story telling. With this in mind, understanding how a presentation looks and sounds is important. Keep these elements in mind:

Voice - “um,” “uh,” “okay”; everything sounding like a question (raising voice at the end of sentences); nervous laugh at the end of sentences; clearing the throat a lot, reading too quickly.

Body language - flipping hair back, playing with pen/pointer etc., rolling and unrolling notes, pushing sleeves up and down, playing with keys or coins in pockets, stepping back and forth/tapping foot, rocking body, touching face/adjusting glasses, turning rings on hand, waving hands around, tugging at shirt.

Visual aids - flipping overheads/slides too fast, talking to the screen.

Before you start!

Before you start working on your presentation:

• Check emails from your lecturer and the assignment question for how it should be presented,
• Check your learning materials and recommended reading on the course page,
• Read all instructions carefully - make sure you understand them and follow them exactly.

Here are some tips to keep in mind when creating an effective PowerPoint presentation:

• Remember to avoid too much text. You should keep your text brief and include talking points only. Detailed notes can be inserted into the notes section of PowerPoint, but only you should see those notes, unless a professor asks to see your notes to evaluate your PowerPoint as an assignment.
• Be consistent and clear with your font choices. Helvetica is a nice font for presentations. Make sure your font is large enough that an audience in a room would be able to see your text, even if audience members are sitting in the back of the room.
• Be careful with your color choices for text and background. You want to make sure your audience can read your text easily. Black on white text is easiest to read but is also boring for a presentation. Still, when you add color, just be sure you are adding color that works and doesn’t distract.
• Add images. Text on slides for every slide is boring. Add appropriate images to your slides. Relevant charts and graphs are excellent, as are pictures that will connect to your content.
• Make sure your main points are clear. Remember to connect your ideas well and provide background information and transitions when necessary.
• Keep your audience in mind. Your audience will affect the overall tone and appearance of your presentation. Sometimes, humor can be appropriate. Other times, a more serious tone may be necessary. Just as you evaluate your situation any time you write a paper, you should evaluate your situation for creating a PowerPoint presentation.

( Source: PowerPoints - Excelsior Online Writing Lab, licensed under a  Creative Commons Attribution-4.0 International License .)

5 Things Every Presenter Needs To Know About People from Weinschenk on Vimeo .

Wienot films. (2011, May 9). How to give an awesome (PowerPoint) presentation. YouTube. https://www.youtube.com/watch?v=i68a6M5FFBc

• Present Your Data Like a Pro Harvard Business Review article by Joel Schwartzberg

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License

Content included in this guide is adapted from:

• Handout from  St Mary's University
• Tips for Presentations from COM Library Libguides
• Presentation Tips ( The DO-IT Center ) 
• Next: Tips for speaking in public >>
• Last Updated: Apr 11, 2024 10:12 AM
• URL: https://lit.libguides.com/presentations

The Library, Technological University of the Shannon: Midwest

Aesthetics and Delivery

Learning Objectives

• Identify and distinguish methods of delivery
• Discuss the rehearsal process
• Strategize best practices for rehearsal

Having a clear understanding and appreciation for aesthetic choices—including verbal, nonverbal delivery, and the use of presentation aids— will enhance your understanding of public speaking. In reading the previous chapters, you likely thought of speakers who have either exemplified certain qualities or “broken the rules” by, for example, using many vocalized fillers. While understanding these ideas is important, the best path to integrating them in your own presentations is through rehearsal. You will create an exceptional aesthetic experience for your audience, but that starts before you step in front of the audience.

“I already know how to rehearse a speech,” you may be thinking. But like any ability, sport, or game, people proficient in those areas have insight to add. Yes, you could learn to masterfully cook on your own, but having an experienced chef at your side will lead to unexpected insights and increase your proficiency. So, trust us. We are experts.

When you begin the rehearsal process, the first step is figuring out which type of delivery you’ll be executing. There are four main types of delivery that we’ll outline below.

Types of Delivery

The content, purpose, and situation for your presentation will partially dictate how you rehearse because they will inform what type of delivery style you select. There are 4 general types of delivery: impromptu, extemporaneous, the use of a manuscript, and memorized.

Impromptu Speaking

Impromptu speaking is the presentation of a short message without advance preparation. You have probably done impromptu speaking many times in informal, conversational settings. Self-introductions in group settings are examples of impromptu speaking: “Hi, my name is Steve, and I’m a volunteer with the Homes for the Brave program.” Another example of impromptu speaking occurs when you answer a question such as, “What did you think of the movie?” Your response has not been preplanned, and you are constructing your arguments and points as you speak. Even worse, you might find yourself going into a meeting and your boss says, “I want

you to talk about the last stage of the project. . .” and you have no warning.

The advantage of this kind of speaking is that it’s spontaneous and responsive in an animated group context. The disadvantage is that the speaker is given little or no time to contemplate the central theme of their message. As a result, the message may be disorganized and difficult for listeners to follow.

Here is a step-by-step guide that may be useful if you are called upon to give an impromptu speech in public:

• Take a moment to collect your thoughts and plan the main point that you want to make (like a mini thesis statement).
• Thank the person for inviting you to speak. Do not make comments about being unprepared, called upon at the last moment, on the spot, or uneasy. In other words, try to avoid being self-deprecating!
• Deliver your message, making your main point as briefly as you can while still covering it adequately and at a pace your listeners can follow.
• If you can use a structure, use numbers if possible: “Two main reasons. . .” or “Three parts of our plan. . .” or “Two side effects of this drug. . .” Past, present, and future or East Coast, Midwest, and West Coast are pre-fab structures.
• Thank the person again for the opportunity to speak.
• Stop talking (it is easy to “ramble on” when you don’t have something prepared). If in front of an audience, don’t keep talking as you move back to your seat.

Impromptu speeches are generally most successful when they are brief and focus on a single point.

We recommend practicing your impromptu speaking regularly and every day. Do you want to work on reducing your vocalized pauses in a formal setting? Cool! You can begin that process by being conscious of your vocalized fillers during informal conversations and settings.

Extemporaneous

Extemporaneous speaking is the presentation of a carefully planned and rehearsed speech, spoken in a conversational manner using brief notes.

Speaking extemporaneously has some advantages. It promotes the likelihood that you, the speaker, will be perceived as knowledgeable and credible since you know the speech well enough that you don’t need to read it. In addition, your audience is likely to pay better attention to the message because it is engaging both verbally and nonverbally. By using notes rather than a full manuscript (or everything that you’re going to say), the extemporaneous speaker can establish and maintain eye contact with the audience and assess how well they are understanding the speech as it progresses. It also allows flexibility; you are working from the strong foundation of an outline, but if you need to delete, add, or rephrase something at the last minute or to adapt to your audience, you can do so. The outline also helps you be aware of main ideas vs. subordinate ones.

Because extemporaneous speaking is the style used in the great majority of public speaking situations, most of the information in the subsequent sections of this chapter is targeted toward this kind of speaking.

Manuscript speaking is the word-for-word iteration of a written message. In a manuscript speech, the speaker maintains their attention on the printed page except when using presentation aids.

The advantage to reading from a manuscript is the exact repetition of original words. This can be extremely important in some circumstances. For example, reading a statement about your organization’s legal responsibilities to customers may require that the original words be exact. In reading one word at a time, in order, the only errors would typically be mispronunciation of a word or stumbling over complex sentence structure. A manuscript speech may also be appropriate at a more formal affair (like a funeral), when your speech must be said exactly as written in order to convey the proper emotion or decorum the situation deserves.

However, there are costs involved in manuscript speaking. First, it’s typically an uninteresting way to present. Unless the speaker has rehearsed the reading as a complete performance animated with vocal expression and gestures (well-known authors often do this for book readings), the presentation tends to be dull. Keeping one’s eyes glued to the script prevents eye contact with the audience. For this kind of “straight” manuscript speech to hold audience attention, the audience must be already interested in the message and speaker before the delivery begins. Finally, because the full notes are required, speakers often require a lectern to place their notes, restricting movement and the ability to engage with the audience. Without something to place the notes on, speakers have to manage full-page speaking notes, and that can be distracting.

It is worth noting that professional speakers, actors, news reporters, and politicians often read from an autocue device, such as a teleprompter, especially when appearing on television, where eye contact with the camera is crucial. With practice, a speaker can achieve a conversational tone and give the impression of speaking extemporaneously and maintaining eye contact while using an autocue device. However, success in this medium depends on two factors: (1) the speaker is already an accomplished public speaker who has learned to use a conversational tone while delivering a prepared script, and (2) the speech is written in a style that sounds conversational.

Memorized speaking is reciting a written message that the speaker has committed to memory. Actors, of course, recite from memory whenever they perform from a script in a stage play, television program, or movie. When it comes to speeches, memorization can be useful when the message needs to be exact and the speaker doesn’t want to be confined by notes.

The advantage to memorization is that it enables the speaker to maintain eye contact with the audience throughout the speech. Being free of notes means that you can move freely around the stage and use your hands to make gestures. If your speech uses presentation aids, this freedom is even more of an advantage.

Memorization, however, can be tricky. First, if you lose your place and start trying to ad lib, the contrast in your style of delivery will alert your audience that something is wrong. If you go completely blank during the presentation, it will be extremely difficult to find your place and keep going. Obviously, memorizing a typical seven-minute classroom speech takes a great deal of time and effort, and if you aren’t used to memorizing, it is very difficult to pull off.

We recommend playing with all 4 types of delivery (though extemporaneous is most common in public speaking). Once you identify what type of delivery style you’ll use in a speech, it’s time to rehearse.

Rehearsal sounds like homework, we know. Rehearsing your speech, however, doesn’t just assist in increasing one’s speech grade. Rehearsing is your commitment to bettering your foundational communication skills for the long haul.

When you rehearse, you are asking: what kind of aesthetic choices do I want to implement? Aesthetic choices can be enhanced or limited based on the situation and context in which you’re speaking, both physically and culturally. For example, if you are speaking outside without a microphone, your embodiment of the speech and aesthetic scene would differ from a speech with a lectern in a small classroom.

This might be a good place to dispel a few myths about public speaking that can influence perceptions of rehearsal:

Myth #1: You are either born a good public speaker or not. While someone may have certain characteristics that are attractive in our cultural understanding of public speaking, good rehearsal will create conditions for everyone to become better speakers.

Myth #2: Practice makes perfect. It is possible to practice incorrectly, so in that case, practice will make permanent, not perfect. There is a right way and a wrong way to practice a speech, musical instrument, or sport.

Myth #3 : Public speaking is just reading what you wrote or reading and talking at the same time . For example: I (one of your authors) often hear envy over my public speaking abilities, but I certainly was not blessed with a universal speaking gene. Instead, I spent years doing debate, speech, and performance to practice writing arguments, responding to ideas, and crafting a public speaking persona. When I do presentations, I spend lots of time workshopping the speech “on my feet” to determine the best type of delivery, where to emphasize, when to move, while considering the entire scene that’s being created. Because I have practiced a lot, though, I am more confident about these decisions during the rehearsal process so I perform more consistently.

Have you found yourself using one of these myths? Sadly, we often rely on these myths to talk ourselves into believing that public speaking isn’t for us – never was and never will be.

You might also, for example, have attempted rehearsal in the past and thought, “How am I supposed to remember all these words and all these bodily movements at the same time?! It’s impossible!” It’s true: there’s a lot going on when you give a public speech, and focusing on your aesthetic delivery requires a conscious effort. Think about the classic party trick of rubbing your belly and patting your head at the same time. In the first attempt, you may have struggled (like some of us!). With practice, though, you can find strategies that allow you to accomplish this task that, at first glance, was too much.

One major misconception about rehearsal is that it begins when your speech is completely written. Start rehearsing as soon as you can. Too often, speakers wait until the entire speech is complete – it’s been created, written, and is on paper. We recommend, however, embedding rehearsal workshops throughout your speech preparation. Why?

Rehearsal and workshopping will assist you in translating the written argument into verbal form. “How does this sound?” or “I think I know another example that would work well here.” Using rehearsal to workshop content allows you to listen to the sound of your argument out loud rather than reading on paper only.

Rehearsal, thus, is an ongoing process and part of your entire public speaking preparation. So, now what? What does a good rehearsal consist of?

Check the Space

We’ve been a broken record, we know, but we’ll say it again: think about the context – including the space that you’re speaking in. The space—and resources available within it—will influence your rehearsal because you’ll know the spatial opportunities and constraints. Let’s talk through some key questions that you should ask of the space.

Is there a lectern or podium? If so, should I use it? Many speaking spaces include a lectern or a podium (see Image 11.1) . A lectern is a small raised surface, usually with a slanted top, where a speaker can place notes during a speech. A podium is a raised platform or stage. Both the lectern and podium allow speakers stability while they present, and there’s the added bonus of having some place to rest your speaking notes.

However, even for experienced speakers, it is all too tempting to grip the edges of the lectern with both

hands for security (like we discussed in Chapter 9). You might even wish you could hide behind it. Remember, too, that opting to keep your hands at your sides will not be visible to your audience. Be aware of these temptations so you can manage them effectively and present yourself to your audience in a manner they will perceive as confident.

If you opt to use a lectern, your rehearsal should integrate a similar structure. As you rehearse, try stepping to the side or front of the lectern when speaking with free hands, only occasionally standing at the lectern to consult your notes. This will enhance your eye contact as well as free up your hands for gesturing.

What size is the space? If you are accustomed to being in a classroom of a certain size, you will need to make adjustments when speaking in a smaller or larger space.

A large auditorium can be intimidating. Most of us are used to sitting in the seats, not standing on the stage! Because it may be difficult to find a space that large while you rehearse, keep a few things in mind:

• Be aware that your voice is likely to echo, especially if far fewer people are in the space than it can hold, so you will want to speak more slowly than usual and make use of pauses to mark the ends of phrases and sentences. When you rehearse, slow down to account for the echo – listen to find ways to speak slowly while avoiding a robotic tone.
• Your facial expressions and gestures should be larger so that they are visible from farther away. If you are using presentation aids, they need to be large enough to be visible from the back of the auditorium. Of course, if you can get the audience to move to the front, that is the best situation, but it tends not to happen.

Limited space is not as disconcerting for most speakers as enormous space, and it has the advantage of minimizing the tendency to pace back and forth while you speak. A small space does call for more careful management of note cards and presentation aids, as your audience will be able to see up close what you are doing with your hands.

What about acoustics? The acoustics of your speaking space can often dictate an audience’s ability to hear and comprehend what you’re saying. If you are speaking outside, your voice is likely to carry and be less insulated than a theatre or small classroom. Remember, if your audience can’t hear you, they can’t experience your speech.

Check for a microphone: using a microphone will amplify your voice, so it is a good choice to increase your

volume in an open or large acoustic space. Remember that a microphone may require that you slow down for the sound to carry. Check to see if it is handheld or can be clipped on. This may seem like a small difference, but it will affect your ability to move and gesture, so this small detail can make a larger impact on your aesthetic choices.

If you have never spoken with a microphone, ask to do a sound check and use that time to perform the first few lines of your speech to get an understanding of how your language will sound through a microphone in that space.

Workshop Strategies

Rehearsal means workshopping the embodiment of your speech. This is key because, as we’ve discussed, a speech is experienced differently by the audience than if they were reading it on a page. The sooner you begin and the sooner you become comfortable with rehearsal, the better your content will translate to the audience. To assist, let’s talk through some rehearsal strategies and best practices. Rather than a linear process, view these processes and strategies as circular or recursive – continue returning to each throughout rehearsal.

Conduct a self-assessment : We often hear, “oh no; I hate to listen to myself talk.” And we get it. It can feel strange to self-assess. While difficult and sometimes frustrating, it’s important to know what kind of speaker you are and what you’d like to improve. For example, are you often quiet and asked to speak up? Or, conversely, are you a loud talker whose booming voice fills up the room with ease?

These general questions about your communication style can begin giving insight into your strengths as a speaker, and the answers will be your focus areas during rehearsal. If you know that you’re a quick-talker, you’ll want to pay attention to pace and consciously integrate additional pauses. If you struggle with eye contact, asking a friend to rehearse with you can increase your comfort with engaging through eye contact.

However, you can only gain so much about your speaking strengths by investigating your general communication style. The best way to get a baseline understanding of your speaking style is to—you guessed it – watch yourself give a speech. Yes, this may feel awkward. But it’s worth it. When watching, we recommend that you identify any aesthetic choices that emerge more than once. After all, you’re looking for key areas to improve, so you want to hone in on things that seem to trip you up over and over.

With that in mind, we recommend two ways to approach conducting a self-assessment: start with general questions and move toward specific examples. Figure 11.1 guides you through this process.

In conducting a self-assessment, your main goal is identifying opportunities for improvement and understanding your current strengths. The more comfortable you become with self-assessing, the less likely you’ll finish a speech and say, “I have no idea what I just did.”

Rehearse with all speaking materials : Rehearse with everything that you’ll speak with. Too often, speakers use their full outline (or even a full manuscript) when rehearsing and make a speaking outline right before standing up to speak. This makes effectiveness difficult, and understandably so. If you’re used to looking down at a full-length paper, using a notecard and a few keywords will feel radically strange and different in the moment.

Instead, rehearse with everything that you’ll speak with, including your speaking notes (check out Chapter 6 for assistance on creating a speaking outline). Speaking notes are your friend, and workshopping with your notes will create consistency and familiarity when you formally speak.

There are benefits beyond familiarity. You can, for example, create cues on your notes that communicate with your future speaking self. Do you have trouble with projection? Use a green highlighter on your speaking notes to remind yourself to “speak up!” The more you rehearse with that green mark, the more confidently and consciously you can work on projecting.

In addition to speaking notes, you should rehearse with any other materials that will be present – a presentational aid, a table, a chair, etc. If you’re using PowerPoint, you’ll want to rehearse with a clicker since you’ll likely have an additional device to hold. As you rehearse, ask: “do I need to hold this the entire time? Can I seamlessly place it on a table nearby? How long does the audience need to experience each slide?”

The more you integrate these materials into your rehearsal, the more seamless they’ll appear the day that you speak. Rather than be burdensome or awkward, they will be part of the speaking experience.

Start over and over and over: That’s right. Rehearsal is an over-and-over-and-over again process not a one-time-through ordeal. While a self-assessment is a key part of rehearsal, you may be unable to video yourself prior to a speech or presentation. In that case, starting over and workshopping repeatedly will be key.

As you begin workshopping, listen to the argumentative flow of your content: does this make sense? Can an idea be clarified? Does the transition connect the main points fully? How does the concluding thought leave the audience? Listening to the arguments will allow you to make aesthetic and delivery choices that will enhance that information.

Try it different ways. Listen. Try it another way. Listen. Do it again.

Successful rehearsal is a process of self-reflection and being comfortable critiquing your own presentational style. You can always (and we recommend) ask others for help – feedback will provide you with different perspectives. These techniques, however, should always happen before the day of your speech. We provide some day-of recommendations below.

The Day of Your Speech

Rehearsal continues until the moment you speak, including the day-of preparation. There are a few day-of rehearsal techniques that we recommend.

Warm up your voice . Have you ever begun talking and instead of a clear, articulate sentence, your voice sounded scratchy and awkward? Perhaps you had to clear your throat for your voice to return. That’s because your muscles weren’t warmed up. When you begin your speech, you want your voice and vocal cords to be warmed up to allow higher blood flow to reduce hoarseness. Consider the following warm-up exercises:

• Avoid holding tenseness by dropping the shoulders and taking a few deep breaths.
• Open your mouth as wide as possible, close it, and open it again.
• Warm up the tongue by rolling the tongue a few times (you know the sound!)
• Select a few words and work to over-enunciate them by placing extra emphasis as you speak out loud.

These are just a few suggestions to get your vocals warmed up. We know these sound a bit weird, and we don’t often see people standing in the hallway stretching out their mouth or vocal cords. But that’s OK! Find a private spot and try to be comfortable in warming up your vocals.

Warm up your body . Your speech is a full-body experience, so warming up your body is key. Because public speaking is embodied, you want to feel connected with all parts of your body so that you can comfortably and confidently engage. There is no “right way” to warm up, so use warm-up techniques that work best for you. We enjoy deep breathing, stretching, and shaking out the limbs.

Warming up your body can also help reduce the jittery feelings of communication anxiety. If you’re feeling anxious, try implementing strategies to reduce communication apprehension. We recommend looking back over the last section of Chapter 1 – the section provides suggestions on how to reduce and/or manage communication apprehension.

Finally, trust yourself. You have worked hard. You know your stuff. Help the audience experience that time and labor.

This chapter has concluded Part 3 on creating an aesthetic experience. We worked to identify key delivery techniques – impromptu, extemporaneous, manuscript, and memorized.

You now have helpful starting places when workshopping a speech. Rehearse. Rehearse. Rehearse.

Media Attributions

• ChrisElrod2017 © ChrisElrod is licensed under a CC BY-SA (Attribution ShareAlike) license
• SennMicrophone © ChrisEngelsma is licensed under a CC BY-SA (Attribution ShareAlike) license

Speak Out, Call In: Public Speaking as Advocacy Copyright © 2019 by Meggie Mapes is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Advice to Students on Preparing for Oral Presentations

At-home/in-class activity.

Instructors may want to share this page with students as they are preparing for a presentation. What would they add to this list? What has their previous experience been? You may want to ask students to write a reflection on one or two items here that they have had strong positive or negative responses to, either as a presenter or as an audience member, in the past. You may also want to ask students to work together in class to build a collaborative rubric for assessing oral presentations (or class participation ), after reviewing this list of criteria.

Guide to Oral/Signed Communication in Writing Classrooms

To reflect on past oral presentations and prepare for upcoming ones

oral presentations

Things to Think About Before Presentations:

Students may also benefit from viewing this series of YouTube videos by a former WR student on the skills of eye contact, posture, gestures, fluency, etc. for presentations, debates, or speeches. PART 1: Elocution and General Concerns 
(adapted from Well Spoken by Erik Palmer, 2011)

• For this class, your audience is a group of intelligent adults interested in the course topic, but who do not necessarily know much about your specific project.
• Other assignments in other classes might require you to gear your presentation to a very different type of audience. Consider this carefully as you prepare.
• Check assignment guidelines to make sure you meet all requirements.
• Choose to present material that YOU find interesting and engaging.
• Clarify any terms or ideas your audience might need explained or introduced.
• Connect your topic to your audience’s experiences and interests.
• Exclude information that is not essential and avoid repetition and generalization.
• Organization
• Grab attention with an opening that makes your audience want to learn more. Strategies include a challenge, a provocative question, a powerful quote, a surprising statistic, an unusual or unexpected fact, a poignant story, or a “teaser.”
• Choose the best organizational strategy. Possibilities include chronological/sequential, problem & solution, compare and contrast, and topical.
• Provide clear “signposts” to make it clear how you are transitioning to new ideas.
• Give a powerful closing that quickly reviews major points and perhaps leaves listeners with a memorable thought, a call to action, or other engaging ending.
• Visual Aids
• Use a minimum of visual aids–only ones that are a) relevant to the talk, b) important (in that they don’t just repeat what you say), c) accessible, both mentally and visually, and d) as simple as possible.
• PowerPoint slides should make no sense without you; in other words, your audience should need you to explain what is on them.
• Despite very natural fears of speaking in public, try to appear calm and confident.
• Do your best to identify and avoid nervous ticks and habits like playing with hair, adjusting clothing, rocking back and forth, continuously smiling or giggling, mangling notes, or saying “like,” “um,” or “uh.”
• Choose a way to stand that feels comfortable for you.
• Try to stand relatively still except for purposeful movement like gestures, crossing to a different location, and stepping forward or backward or side to side to emphasize points or transitions in your presentation.
• Try not to slouch, whether standing or sitting down.
• Don’t dwell on mistakes, which happen to everybody.
• Some strategies to help you calm down and maintain poise include visualizing the room/audience and reviewing the speech in your mind, or taking three long breaths before you go up to present, and another after you’re in place.
• Speak loudly enough so that everyone can comfortably hear every word.
• Enunciate (even over-enunciate if necessary) so each word can be heard.
• Practice pronunciation (and possibly grammar) beforehand.
• Demonstrate your enthusiasm by putting life into your voice.
• Emphasize some words and phrases with emotion and volume.
• Eye Contact
• Make near-continuous eye contact with your audience, surveying all individual faces as you speak in order to make people feel involved and also in order to see how they are responding. Use key words, not complete sentences, on notes.
• Familiarize yourself with your material so that you are not too dependent on looking at your notes as you speak. However, unless you are reciting a memorized passage for an assignment, you shouldn’t feel the need to memorize every word of your speech and remember it perfectly. You should be able to discuss your points in a conversational style. Effective eye contact is often dependent on a skillful combination of “extemporaneity,” “leadership,” and “retrieval” (see terms below).
• Use hands, body movement, and facial expressions to convey or emphasize points.
• Match motion to your words by holding up fingers when counting, using gestures to describe sound or motion, or prompting your audience–saying, “Raise your hand” while raising hand or “Look…” while pointing.
• Practice so that you don’t speak too slowly or too quickly out of nervousness.
• Use pacing to enhance your message–some parts should be faster or slower.
• Use pauses as a powerful tool for emphasis and dramatic effect.

PART 2: Extemporaneity

• Be familiar with material so that you can depart from your “script.”
• When others are speaking, don’t just wait for your turn to say something; listen carefully to what others say–a good discussion or Q & A should not be a series of isolated points, but should instead grow as participants respond to, debate, and add on to previous responses. Your audience will be more engaged if you genuinely consider and address their thoughts and concerns.

PART 3: Leadership/Authority

• You should be able to project in an oral or signed context the mastery you’ve achieved concerning the specific topic of your major research paper.
• Consider not just your narrow project or argument but also more general background regarding your broader topic that your audience might not know.
• Connect presentation to class concerns, and the interests of audience members.

PART 4: Retrieval

• When it comes to perfect memorization, there is no substitute for time and practice. Get a friend to read along as you recite to correct any small errors.

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14.1 Four Methods of Delivery

Learning objectives.

• Differentiate among the four methods of speech delivery.
• Understand when to use each of the four methods of speech delivery.

Maryland GovPics – House of Ruth Luncheon – CC BY 2.0.

The easiest approach to speech delivery is not always the best. Substantial work goes into the careful preparation of an interesting and ethical message, so it is understandable that students may have the impulse to avoid “messing it up” by simply reading it word for word. But students who do this miss out on one of the major reasons for studying public speaking: to learn ways to “connect” with one’s audience and to increase one’s confidence in doing so. You already know how to read, and you already know how to talk. But public speaking is neither reading nor talking.

Speaking in public has more formality than talking. During a speech, you should present yourself professionally. This doesn’t mean you must wear a suit or “dress up” (unless your instructor asks you to), but it does mean making yourself presentable by being well groomed and wearing clean, appropriate clothes. It also means being prepared to use language correctly and appropriately for the audience and the topic, to make eye contact with your audience, and to look like you know your topic very well.

While speaking has more formality than talking, it has less formality than reading. Speaking allows for meaningful pauses, eye contact, small changes in word order, and vocal emphasis. Reading is a more or less exact replication of words on paper without the use of any nonverbal interpretation. Speaking, as you will realize if you think about excellent speakers you have seen and heard, provides a more animated message.

The next sections introduce four methods of delivery that can help you balance between too much and too little formality when giving a public speech.

Impromptu Speaking

Impromptu speaking is the presentation of a short message without advance preparation. Impromptu speeches often occur when someone is asked to “say a few words” or give a toast on a special occasion. You have probably done impromptu speaking many times in informal, conversational settings. Self-introductions in group settings are examples of impromptu speaking: “Hi, my name is Steve, and I’m a volunteer with the Homes for the Brave program.” Another example of impromptu speaking occurs when you answer a question such as, “What did you think of the documentary?”

The advantage of this kind of speaking is that it’s spontaneous and responsive in an animated group context. The disadvantage is that the speaker is given little or no time to contemplate the central theme of his or her message. As a result, the message may be disorganized and difficult for listeners to follow.

Here is a step-by-step guide that may be useful if you are called upon to give an impromptu speech in public.

• Take a moment to collect your thoughts and plan the main point you want to make.
• Thank the person for inviting you to speak.
• Deliver your message, making your main point as briefly as you can while still covering it adequately and at a pace your listeners can follow.
• Thank the person again for the opportunity to speak.
• Stop talking.

As you can see, impromptu speeches are generally most successful when they are brief and focus on a single point.

Extemporaneous Speaking

Extemporaneous speaking is the presentation of a carefully planned and rehearsed speech, spoken in a conversational manner using brief notes. By using notes rather than a full manuscript, the extemporaneous speaker can establish and maintain eye contact with the audience and assess how well they are understanding the speech as it progresses. The opportunity to assess is also an opportunity to restate more clearly any idea or concept that the audience seems to have trouble grasping.

For instance, suppose you are speaking about workplace safety and you use the term “sleep deprivation.” If you notice your audience’s eyes glazing over, this might not be a result of their own sleep deprivation, but rather an indication of their uncertainty about what you mean. If this happens, you can add a short explanation; for example, “sleep deprivation is sleep loss serious enough to threaten one’s cognition, hand-to-eye coordination, judgment, and emotional health.” You might also (or instead) provide a concrete example to illustrate the idea. Then you can resume your message, having clarified an important concept.

Speaking extemporaneously has some advantages. It promotes the likelihood that you, the speaker, will be perceived as knowledgeable and credible. In addition, your audience is likely to pay better attention to the message because it is engaging both verbally and nonverbally. The disadvantage of extemporaneous speaking is that it requires a great deal of preparation for both the verbal and the nonverbal components of the speech. Adequate preparation cannot be achieved the day before you’re scheduled to speak.

Because extemporaneous speaking is the style used in the great majority of public speaking situations, most of the information in this chapter is targeted to this kind of speaking.

Speaking from a Manuscript

Manuscript speaking is the word-for-word iteration of a written message. In a manuscript speech, the speaker maintains his or her attention on the printed page except when using visual aids.

The advantage to reading from a manuscript is the exact repetition of original words. As we mentioned at the beginning of this chapter, in some circumstances this can be extremely important. For example, reading a statement about your organization’s legal responsibilities to customers may require that the original words be exact. In reading one word at a time, in order, the only errors would typically be mispronunciation of a word or stumbling over complex sentence structure.

However, there are costs involved in manuscript speaking. First, it’s typically an uninteresting way to present. Unless the speaker has rehearsed the reading as a complete performance animated with vocal expression and gestures (as poets do in a poetry slam and actors do in a reader’s theater), the presentation tends to be dull. Keeping one’s eyes glued to the script precludes eye contact with the audience. For this kind of “straight” manuscript speech to hold audience attention, the audience must be already interested in the message before the delivery begins.

It is worth noting that professional speakers, actors, news reporters, and politicians often read from an autocue device, such as a TelePrompTer, especially when appearing on television, where eye contact with the camera is crucial. With practice, a speaker can achieve a conversational tone and give the impression of speaking extemporaneously while using an autocue device. However, success in this medium depends on two factors: (1) the speaker is already an accomplished public speaker who has learned to use a conversational tone while delivering a prepared script, and (2) the speech is written in a style that sounds conversational.

Speaking from Memory

Memorized speaking is the rote recitation of a written message that the speaker has committed to memory. Actors, of course, recite from memory whenever they perform from a script in a stage play, television program, or movie scene. When it comes to speeches, memorization can be useful when the message needs to be exact and the speaker doesn’t want to be confined by notes.

The advantage to memorization is that it enables the speaker to maintain eye contact with the audience throughout the speech. Being free of notes means that you can move freely around the stage and use your hands to make gestures. If your speech uses visual aids, this freedom is even more of an advantage. However, there are some real and potential costs. First, unless you also plan and memorize every vocal cue (the subtle but meaningful variations in speech delivery, which can include the use of pitch, tone, volume, and pace), gesture, and facial expression, your presentation will be flat and uninteresting, and even the most fascinating topic will suffer. You might end up speaking in a monotone or a sing-song repetitive delivery pattern. You might also present your speech in a rapid “machine-gun” style that fails to emphasize the most important points. Second, if you lose your place and start trying to ad lib, the contrast in your style of delivery will alert your audience that something is wrong. More frighteningly, if you go completely blank during the presentation, it will be extremely difficult to find your place and keep going.

Key Takeaways

• There are four main kinds of speech delivery: impromptu, extemporaneous, manuscript, and memorized.
• Impromptu speaking involves delivering a message on the spur of the moment, as when someone is asked to “say a few words.”
• Extemporaneous speaking consists of delivering a speech in a conversational fashion using notes. This is the style most speeches call for.
• Manuscript speaking consists of reading a fully scripted speech. It is useful when a message needs to be delivered in precise words.
• Memorized speaking consists of reciting a scripted speech from memory. Memorization allows the speaker to be free of notes.
• Find a short newspaper story. Read it out loud to a classroom partner. Then, using only one notecard, tell the classroom partner in your own words what the story said. Listen to your partner’s observations about the differences in your delivery.
• In a group of four or five students, ask each student to give a one-minute impromptu speech answering the question, “What is the most important personal quality for academic success?”
• Watch the evening news. Observe the differences between news anchors using a TelePrompTer and interviewees who are using no notes of any kind. What differences do you observe?

Stand up, Speak out Copyright © 2016 by University of Minnesota is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Citing Sources in an Oral Presentation

Citing your sources just means telling where you got particular ideas or bits of information that did not originate in your own head. Sometimes this is called giving credit , attributing , or referencing .

When you cite sources in an oral presentation, there are 3 basic parts

• Orally cite sources of what you say
• Adapt a citation format to cite the sources of what is written on your visuals
• Have a full reference list handy for answering questions

Citing Orally

What Makes Citing Orally Special

In an oral presentation, your audience can’t flip back and forth between in-text citations and a reference list, nor can they look for a footnote or an endnote: you need to tell them where the information, idea, or words come from as you say it . Since listening to a live presentation is a linear process (you can’t skim or jump around and hear it out of chronological order), it’s best to introduce the source before you present the information, so your audience members are ready to evaluate the information with the source (and your view of it) in mind when they hear the material from the source. The citation needs to be brief, because it’s hard to digest the citation while evaluating the information, both of which are given within a few seconds’ time.

Technical How-To

• According to Joseph X, a professor of Yada Yada at Blah Blah University,…
• Farooq Y, author of the well-researched 2010 study, Early American Nutrition and Politics , argues that…
• Katherine Z, a journalist writing for the prestigious New York Times , offers this example….
• Give your audience just enough detail to help them understand who provided the idea or information and how credible the source is.
• If your source is original research (e.g. you conducted a survey, interview, experiment, or observation), just simply tell your audience what you did.
• You might choose give your audience a brief (a couple of sentences) overview of how you did your research, much like the “methodology” part of a scientific study or the “literature review” in a scholarly article in the social sciences and humanities. This can work well when you combine original research and published resources, when you work with different fields (e.g. both popular press articles and scholarly articles), or when you rely heavily on one or two sources that you present up front.
• Pause slightly after the introductory phrase, then read the quote expressively so that the quote sounds like a second voice. Pause slightly again after the quote to indicate switching back to your own voice. This is the best method, but not easy to master quickly. The two methods below, while not preferable, are also acceptable.
• Say “Quote” immediately before you start reading the quote, and then say “Endquote” immediately after the last words of the quote.
• If people can see you clearly, you can use “air quotes” by holding up one or both of your hands and moving your pointer and index fingers up and down, as if you were drawing quotation marks in the air.

Citing on Visuals

What Makes Citing on Visuals Special

In the same way that you cite the source of everything in your paper that did not originate in your own head, you must also cite the sources of the text and images that appear on your visuals.  You need to cite-as-you-go on your visuals too, because your audience can’t page back and forth in your PowerPoint. Again, keep in mind how much information your audience can handle at once.  Remember the public speaking maxim: your visuals should guide your audience’s attention and support what you’re saying, not distract from what you’re saying.

• Use a smaller font
• Use italics for the source (and then use underlining, not italics, for book titles)
• Use a different color
• Make the citation big enough so people can see it from anywhere in the room.
• Don’t make your slides too busy. It’s okay if you don’t have enough space for all the information you would put on a formally formatted reference list. If trimming your citation, leave in the most important information: e.g. the author’s name, the title of the book or article, the sponsor and title of a website, the title of any book or journal the work is in (in the case of an article), and the date.
• If your visual is a mashup, you still need to cite the sources of information, quotes, and images: in short, credit everything that someone else made that appears in your mashup. Use the same brief methods in the mashup that you use for other visual aids—sort of like the names and descriptions that flash on the screen when people are interviewed in a documentary or in a newscast. Make sure that you leave the citations showing long enough that someone can read them. If you add a source list and/or a set of credits at the end (don’t forget to credit the music!), make sure they scroll slowly enough that the average person can read them.

The Full and Formal Source List

Why Have a Formal Source List Available?

You might get questions that require you to refer to sources that you used in your full study, but did not use in the presentation. If you have a formal source list available, it can remind you of author names, titles, dates, and other specific information your audience might want. You might also need to repeat specific information about a source you mentioned orally or give information that was too much to put on the visual.

• Put your list in a conventional format such as MLA style, APA style, Chicago style. If your presentation is based on a paper you wrote, you can simply use the list at the end of the paper.
• Make your list easily available to you in hard copy so that you can retrieve it during the presentation or follow-up question period.
• Make sure you save an electronic copy of the reference list so that you can easily email it to an audience member if needed.
• Should you put this list as a slide at the end of the presentation? Only if you can fit it all on one slide that’s easily readable from all positions in the room. Using multiple slides often doesn’t work well because either you flip too quickly through them for them to be useful, or different audience members are interested in sources on different slides. While it might be good to have such a group of slides “just in case,” a better solution would be ready with a couple of hard copies you can hand out, if needed.

Additional Resources

• Documentation and citation
• Check out information literacy tutorials

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Oral Presentation

12th - university.

20 questions

Introducing new   Paper mode

No student devices needed.   Know more

The purpose of an Informative Oral Presentation is

To make the audience laugh

To share factual information about a specific topic

To waste time in class

To show your audience how to perfom a task

During an oral presentation, the speaker should

sway back and forth

use a strong, clear voice

know his/her informatiion

both b & c

Which is NOT a formal way of beginning your speech

Good afternoon ladies and gentleman

Lightening is a shocking subject

Hey what's up?

When buying a car, there are many decisions to make.

When giving your presentation, it is ok to

stare at your power point slides

make eye contact with your audience

speak in a soft, unclear manner

Oral presentations are written not spoken

Which of these pictures shows a good example of eye contact?

Appropriate gestures can help to emphasise your points when you are speaking.

Which of these is an example of fluent presentation?

Have you ever wondered what it would be like to travel to every single country in the world? Today I'm going to show you just that.

My… um... presentation is about… um… travelling to lots of… ah… different countries.

Yeah, I'm gonna tell you about travel and stuff, and… you know… about all these like really awesome countries.

When you present, the volume of your voice should be:

Very quiet so everyone has to pay attention to hear you.

Shouting volume - as loud as you can make it.

Loud enough that you can be heard clearly.

A good oral presenter speaks at what speed?

As quickly as possible to get the presentation done.

Very slowly so that everyone can make notes.

At a steady speed with no variation.

At a comfortable speed, with some variety of pace for emphasis.

From the picture, which part of the oral presentation is this?

Introduction

When preparing for your presentation, you should think of these following things EXCEPT

Coffee break

Purpose of your talk

• 13. Multiple Choice Edit 20 seconds 1 pt When giving a presentation in front of an audience you should do all of the following except for: A. Speak loud and clear B. Provide handouts if needed C. Dress professionally D. Look at your screen and not the audience

What is the biggest problem with this slide?

1. The text is too small

2. The colors make it hard to read

3. The typeface is inappropriate

4. Nothing, it's fine

• 15. Multiple Choice Edit 30 seconds 1 pt The part of the introduction that catches the reader's attention is called the...? Hook Background Information Thesis Statement Claim 

An good introduction must include ____________.

A hook and introduction of topic

A hook, introduction of topic and yourself

A loud scream

An outline, a hook, an introduction of yourself and the topic

A good presentation must end with a memorable statement. Why?

To wake up the audience after your boring presentation

To indicate that your presentation is finished

The audience might remember your presentation

I don't think it's a good idea to do that

The best way to help nervousness when giving a speech is to

get over it

practice and prepare

forget about the audience

A good closing should include _____________.

a summary and a memorable statement

a summary, memorable statement and a "thanks" for the audience

a memorable statement and outline

nothing.... just say goodbye and thanks

Write down several techniques that you can use in creating hook for grab you audience attention

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