rajamarthanda kannada movie review

Rajamarthanda Movie Review: A fitting tribute to Chiranjeevi Sarja's devoted fanbase

Rating: ( 2.5 / 5).

Rajamarthanda bids a regal farewell to late actor Chiranjeevi Sarja’s cinematic journey. Directed by Ram Narayan, this film’s unique aspect is the involvement of Chiranjeevi’s sibling, Dhruva Sarja, who lends his voice to the protagonist, Raja (portrayed by Chiranjeevi Sarja).

Cast: Chiranjeevi Sarja, Deepti Sati, Sumitra, and Devaraj

Director: Ram Narayan

The film introduces Raja, a wandering soul, who lives with his grandmother, Sumithra. We also meet Geetha (Deepti Sati), a dedicated medical scholar who researches split personality disorder. Their paths serendipitously intersect, piquing Geetha’s interest in Raja’s distinctive behaviour during confrontations, inciting her desire to delve deeper into his psyche. However, as the plot unfolds, it becomes evident that Raja’s erratic behaviour is not a result of a psychological disorder but rather an expression of his ‘Royal lineage’.

As Raja unravels the mysteries of his heritage and the tragic demise of his parents, the film takes a revenge-driven turn.

Raja, the son of Veera Marthanda (Devaraj), discovers that a treacherous manager and his son, Shiva (Bajarangi Loki), were responsible for the ruthless act that claimed his family. Fate, however, had different plans, leading Raja and his grandmother into a life of exile. The remainder of the film delves into Raja’s relentless pursuit of vengeance.

Rajamarthanda , which initially hinted at a split personality disorder, eventually unfolds as a quintessential revenge drama. This film, which had its inception in 2017, exudes a certain nostalgic charm. While the storyline is engaging, it adheres to the familiar tropes of the genre.

On the technical front, Rajamarthanda has some laudable efforts from the cinematographer, editor and music composer, elevating the film’s visual and auditory appeal. Chiranjeevi Sarja’s farewell performance serves as a fitting tribute to his devoted fanbase. He displays his exquisite artistry in the grandiose frames and delivers a distinctive dialect. Dhruva admirably strives to match his brother’s on-screen presence.

The ensemble cast significantly contributes to the storytelling. Their performances enhance the film’s overall impact, making it a compelling watch for all Chiranjeevi Sarja fans who wish to savour one last glimpse of his cinematic journey. Rajamarthanda encapsulates the essence of an actor’s farewell, brimming with both nostalgia and admiration.

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Rajamartanda

While the Heroine, a young medical student is researching why split personality exists in humans, she is introduced to the Hero who often behaves strangely. While the Heroine, a young medical student is researching why split personality exists in humans, she is introduced to the Hero who often behaves strangely. While the Heroine, a young medical student is researching why split personality exists in humans, she is introduced to the Hero who often behaves strangely.

• K. Ramnarayan
• Chiranjeevi Sarja
• Vineet Kumar

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• October 6, 2023 (India)
• Sri Maadeshwara Productions
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• Runtime 2 hours 15 minutes

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Home > Videos > Chiranjeevi Sarjas Final Cinematic Masterpiece Movie Rajamarthanda Public Review

Chiranjeevi Sarjas Final Cinematic Masterpiece Movie Rajamarthanda Public Review

Chiranjeevi Sarja's final cinematic masterpiece, "Rajamarthanda," is a compelling and riveting tale that showcases his exceptional talent and dedication to the craft. In this video, we invite fans, movie enthusiasts, and critics to share their thoughts, emotions, and heartfelt tributes to this incredible actor who left us too soon. "Rajamarthanda" is a rollercoaster of emotions, filled with stellar performances, gripping storytelling, and soul-stirring music. As we watch this masterpiece, we are reminded of Chiranjeevi Sarja's enduring legacy and the indelible mark he left on the world of cinema. Join us as we celebrate Chiranjeevi Sarja's remarkable journey in "Rajamarthanda." Share your reviews, anecdotes, and memories related to the film and the actor. Let's come together to remember and honor the late star who continues to shine brightly in our hearts.

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• ENGLISH HINDI MALAYALAM TAMIL TELUGU KANNADA BENGALI  

Raja Marthanda Kannada Movie

Raja Marthanda is a 2023 Indian movie directed by K Ram Narayan starring Chiranjeevi Sarja, Deepti Sati, Meghashree Gowda and Triveni Rao. The feature film is produced by Shivakumar Nagaraj and the music composed by Arjun Janya.

Director: K Ram Narayan Producer: Shivakumar Nagaraj Music Director: Arjun Janya Editor: Venkatesh UDV

'Raja Marthanda' review: A fitting tribute to Chiranjeevi Sarja's devoted fanbase

Raja Marthanda bids a regal farewell to late actor Chiranjeevi Sarja’s cinematic journey. Directed by Ram Narayan, this film’s unique aspect is the involvement of Chiranjeevi’s sibling, Dhruva Sarja, who lends his voice to the protagonist, Raja (portrayed by Chiranjeevi Sarja).

The film introduces Raja, a wandering soul, who lives with his grandmother, Sumithra. We also meet Geetha (Deepti Sati), a dedicated medical scholar who researches split personality disorder. Their paths serendipitously intersect, piquing Geetha’s interest in Raja’s distinctive behaviour during confrontations, inciting her desire to delve deeper into his psyche. However, as the plot unfolds, it becomes evident that Raja’s erratic behaviour is not a result of a psychological disorder but rather an expression of his ‘Royal lineage’.

As Raja unravels the mysteries of his heritage and the tragic demise of his parents, the film takes a revenge-driven turn. Raja, the son of Veera Marthanda (Devaraj), discovers that a treacherous manager and his son, Shiva (Bajarangi Loki), were responsible for the ruthless act that claimed his family. Fate, however, had different plans, leading Raja and his grandmother into a life of exile. The remainder of the film delves into Raja’s relentless pursuit of vengeance.

Raja Marthanda, which initially hinted at a split personality disorder, eventually unfolds as a quintessential revenge drama. This film, which had its inception in 2017, exudes a certain nostalgic charm. While the storyline is engaging, it adheres to the familiar tropes of the genre.

On the technical front, Raja Marthanda has some laudable efforts from the cinematographer, editor and music composer, elevating the film’s visual and auditory appeal. Chiranjeevi Sarja’s farewell performance serves as a fitting tribute to his devoted fanbase. He displays his exquisite artistry in the grandiose frames and delivers a distinctive dialect. Dhruva admirably strives to match his brother’s on-screen presence.

The ensemble cast significantly contributes to the storytelling. Their performances enhance the film’s overall impact, making it a compelling watch for all Chiranjeevi Sarja fans who wish to savour one last glimpse of his cinematic journey. Raja Marthanda encapsulates the essence of an actor’s farewell, brimming with both nostalgia and admiration.

Name: Raja Marthanda Cast: Chiranjeevi Sarja, Deepti Sati, Sumitra, and Devaraj Director: Ram Narayan Rating: 2.5/5

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Rangamarthanda Review: Performances Dominate The Plot

Movie: Rangamarthanda Rating: 3/5 Banner: Rajashyamala Entertainments and Housefull Movies Cast: Prakash Raj, Brahmanandam, Ramya Krishna, Anasuya, Adarsh Balakrishna, Shivathmika, Rahul Sipligunj, Bhadram, and others Dialogues: Akella Siva Prasad Music: Ilayaraja Cinematography: Raj Nelli Editor: Pavan VK Art: Dattatreya Jhansi Producers: Kalipu Madhu and S Venkat Reddy Screenplay and Direction: Krishna Vamsi Release Date: March 22, 2023

"Rangamarthanda" has received a great deal of praise since its early premiere screenings. Positive feedback flooded social media.

Is the film really that good? Let's find out...

Story: Raghava Rao (Prakash Raj) receives the title Rangamarthanda for his outstanding performances but retires from the stage to spend more time with his wife Raju garu (Ramya Krishna) and children.

Rangarao (Aadarsh Balakrishna) and Sri (Shivathmika Rajashekar) are their children. Rangarao marries Geeta (Anasuya Bharadwaj), and Sri marries Rahul (Rahul Sipligunj). Raghava Rao leaves all of his money and assets to his children, hoping that they will look after him and his wife.

However, Raghava Rao encounters surprises in this chapter of his life, particularly their children's failure to treat him with the same love and respect he had shown them.

Artistes’ Performances: Three actors delivered powerful performances. Naturally, Prakash Raj in the title role walks away with laurels. His acting in the scenes set in the world of stage play appears a little theatrical, but he is fantastic in the scenes with his children. He's fantastic as a distraught parent. 

Brahmanandam is a pleasant surprise. The veteran comedian steals the show in his full-length non-comedic role. He even breaks down in tears. Be on the lookout for his scene with Prakash Raj, in which he plays Duryodhana and Karna while lying in a hospital bed.

Ramya Krishna adds a touch of her brilliance to the mix in a more understated way.

Rahul Sipligunj stands out from the crowd with his genuine performance. Shivathmika demonstrates that she has great acting potential. Anasuya and Adarsh Balakrishna play their stereotypical roles well.

Technical Excellence: Maestro Ilayaraja has composed music that complements this theme. "Damidi" is catchy. A song performed by the maestro himself plays in the background, adding gravitas to the story.

The editing should have been more precise. The dialogue flows naturally with the story. The camera work is satisfactory.

Highlights: Performances by Prakash Raj and Brahmanandam Emotional scenes The hospital scene involving Brahmanandam

Drawback: Old school scenes Cliched narrative

Analysis In spite of the fact that "Rangamarthanda" is a remake of the critically acclaimed Marathi film "Natsamrat," the story is not unfamiliar to Telugu viewers. The central drama is one that we are all familiar with from old films like "Samsaram Oka Chadarangam" and "Soorigadu," or from television shows. However, the Marathi film shed new light on acting and the curse of actors, who must live the lives created for them by writers and directors while simultaneously confronting the harsh realities of the real world.

In one scene, Prakash Raj and Brahmanandam's characters, two friends, are praising their wonderful wives for allowing them to follow their dreams and grow as actors. They feel guilty because they had more extramarital affairs than awards, and they don't know if their sins can be forgiven.

In another scene, a recently widowed Brahmanandam sits on his hospital bed, acting out a scene from one of their plays before suddenly asking his friend to help him die.

Such sequences make a lot of difference to this sentimental drama. Without these scenes, this film would have become another clichéd sentiment drama about the generation gap between parents and children.

The film effectively juggles two very different genres, depicting the lives of retired actors and a family drama. However, the emotional thread of children and parents experiencing a disconnect drives much of the story. The children are not villains or bad, but their parents suffer from the clash of opinions and tastes. The daughter-in-law feels stifled by her husband's dad's traditionalist ways. Furthermore, their own daughter has them moved downstairs so they won't embarrass her and her husband in front of guests. These are the same tired plot devices found in countless other family dramas. Unfortunately, "Rangamarthanda" focuses on these cliched scenes in an attempt to move us to tears. Despite the generic nature of the scenes, the film ultimately accomplishes its goals.

Krishna Vamsi’s “Rangamarthanda” primarily gets emotional scenes right, whether they are clichéd or new. Plus, the performances are strong. Brahmanandam, Prakash Raj, and Ramya Krishna make the film work with their acting.

Krishna Vamsi is bold to present a film that deals with the sentiment sequences in an era where only commercial entertainers dominate the scene. It would have been a superb film if it weren't for the fact that it recycles tired plot devices and scenes from films made more than a decade ago. The narration is also very predictable, which is a major flaw.

All in all, strong acting and a few genuinely moving scenes make "Rangamarthanda" worth watching. It may not work for all people, but those who like sentiment dramas will enjoy it.

Bottom line:  Sentimental Show

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Rangamarthanda Review

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In this section, we are going to review 'Rangamarthanda', which hit the screens on March 22.

Raghava Rao (Prakash Raj) is a former theatre artist of repute. He is found living a desolate life ostensibly after his son (Adarsh Balakrishna) and daughter-in-law (Anasuya Bharadwaj) shooed him away. The film takes us through his chequered journey with a special emphasis on his emotions, sentiments, ideology, and his special bond with his loyal wife (Ramya Krishna) and childless friend (Brahmanandam).

While remaking the Marathi film 'Natasamrat' (2016), Krishna Vamsi appears to be playing to his strengths. One of these strengths is his ability to portray the not-so-complex relationships within a semi-joint family. Additionally, he seems to appreciate it when his actors deliver theatrical performances in emotional scenes, a style of expressionism that has worked well for him in the past, up until the film 'Mahatma'.

The film under review appears to espouse old-school sensibilities, revolving around a family torn apart by inter-generational conflict. Prakash Raj plays a protagonist who is portrayed as virtuous but ultimately pays a price for taking himself too seriously. After spending decades as a celebrated theater artist and earning numerous accolades, he proudly announces his retirement, only to discover that the younger generation in his family does not share his ideology and values.

At some point, the film relies too heavily on inter-generational conflict without fully exploring the protagonist Raghava Rao's own shortcomings. He is far from being a perfect husband (he admits to infidelity in the presence of his friend), yet judges his own daughter based on a singular incident. If everyone was like Raghava Rao, the family system would collapse overnight. This brings us to the stretch where Raghava Rao and his timid wife set out on a self-destructive path overnight.

The conflicts are contrived to reach a predetermined plot. Krishna Vamsi could have made more of an effort to make the friction in the family look authentic. Instead, the focus is always on making everything appear cathartic. The young women are catalysts  - for the worse.

The film works more as a friendship tale rather than a family drama peopled with stock characters. Had it not been for the theatre/stage-acting backdrop, the dialogues (by Akella Sivaprasad) wouldn't have come to life.

Maestro Ilaiyaraaja's music is soulful. 'Puvvai Virise Pranam' reaches the zenith through its music and Sirivennela Sitaramasastry's lyrics. 'Nannu Nannu Ga' and the Telangana folk song headlined by Prakash Raj and Rahul Sipligunj are enjoyable. The cinematography is functional, while the editing is far from satisfactory.

Prakash Raj delivers a phenomenal performance. Brahmanandam is endearing, and this is his first all-out serious outing in many years. His banter and camaraderie with his onscreen friend evoke pathos. Shivathmika Rajasekhar is superb in an emotional scene where she has to look regretful. Rahul is a natural. Anasuya Bharadwaj is good. Ramya Krishna looks somewhat out of place in the scenes where she has to keep mum.

'Rangamarthanda' is an average film that relies heavily on performances and dialogue.

Rating: 3 / 5.0

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