literary magazines essays

New Writing on Granta.com

Fiction | the online edition, bed of nails, kathy stevens.

‘I should warn you, she said, ketchup on her chin, on the back of her hand. I like to have sex a lot.’

Fiction by Kathy Stevens.

In Conversation | The Online Edition

In conversation, robert gluck & k patrick.

‘Desire charges the landscape with physical upheaval. We become water, weather. And why not? Why describe a character by the hat she is wearing instead of her experience of orgasm?’ Robert Glück and K Patrick on writing desire.

Essays & Memoir | Issue 167

Power metals, nicolas niarchos.

‘The city, which is home to more than 300,000 people, is collapsing into the millions of shallow, square holes that have been cut into the ground.’ Nicolas Niarchos on mineral extraction in Manono, the Democratic Republic of the Congo.

The Material

Camille bordas.

‘Rehearsing in front of the mirror was for actors, according to them, not comedians. It was for vain people. A good comedian was the opposite of vain, they said.’ Fiction by Camille Bordas.

Podcasts | Issue 166

Podcast | andrew o’hagan, andrew o’hagan.

‘The world comes down on your head if you don’t tell people what they already believe to be true.’ Andrew O’Hagan on truth, journalism and fiction.

Granta 167: Extraction

Fiction | issue 167, camilla grudova.

‘“Love is a matter of yeast,” he said.’ A story by Camilla Grudova.

Where the Language Changes

Bathsheba demuth.

‘I am on the hunt for the Russian Empire, or what traces might still exist of its colonial enterprise.’ Bathsheba Demuth travels the Yukon river, following the history of the fur trade and the Nulato massacre.

Nuar Alsadir

‘Boredom is a complicated stink of an emotion, one that is far more layered than we presume.’ Nuar Alsadir on boredom.

Prairie Dogs

Benjamin kunkel.

‘After making sure our guests all had the drinks and/or drugs they required, I put on a Sun Ra record.’ A short story by Benjamin Kunkel.

Drone Wars for Mexico’s Gold Mountains

Anjan sundaram.

‘More than 111,000 people have gone missing in Mexico in the past six years.’ Anjan Sundaram on cartels, conflict and the rate of disappearances in Mexico.

Constructing a Nervous System

Margo jefferson.

Winner of the Rathbones Folio Prize Book of the Year

In this intimate and innovative memoir, Pulitzer prize-winning author Margo Jefferson gives us her own personal and intellectual formation.

From Josephine Baker’s radiant transformations, to Willa Cather’s aesthetics of whiteness, Jefferson shows us how we can find space in cultures that will not make room for us, and how, even in times of stricture, we might learn to construct ourselves.

From the Archive

Essays & memoir | issue 65, a small bengal, nw3, amit chaudhuri.

‘Those who stayed on had their reasons. . . and none of those reasons, it is safe to suppose, had anything to do with an overwhelming attachment to England.’ An essay by Amit Chaudhuri.

Art & Photography | Issue 25

Means of transport, john berger.

‘Use these photos as means of transport. Ride on them. No passes needed. Go close. Imprudently close. They leave every minute.’ John Berger on images of violent dispossession from South Africa and Lesotho.

Essays & Memoir | Issue 8

Sugar daddy, angela carter.

‘However unconsciously, as if that were an excuse, he’d prepared a potentially lethal bed for this daughter’s lover.’ Angela Carter about her father.

Highlights From Granta Books

Sandra newman, £ 18.99, study for obedience, sarah bernstein, £ 9.99, justin torres, £ 14.99, the glutton, a. k. blakemore, the dimensions of a cave, greg jackson, an ordinary youth, walter kempowski, nature's calendar, kiera chapman,rowan jaines,lulah ellender,rebecca warren, every drop is a man's nightmare, megan kamalei kakimoto, £ 12.99, though the bodies fall, noel o'regan, birnam wood, eleanor catton, £ 20.00, sheena patel, £ 8.99, recommended reading, essays & memoir | issue 165, from zanzibar to marbach, abdulrazak gurnah.

‘The tragedies inflicted on the people of East Africa as a result of European rivalries are belittled and forgotten.’ Abdulrazak Gurnah on German East Africa.

Last Week at Marienbad

Lauren oyler.

‘The only thing on the schedule was spa.’ Lauren Oyler on her trip to Marienbad.

Poetry | Issue 162

Ecstatic joy and its variants, peter gizzi.

‘surely this is about water jetting from a spring, / a languid rafting with no particular destination’ Poetry by Peter Gizzi.

Fiction | Issue 111

Missing out, leila aboulela.

‘She had held the day up with pegs; not only her day but his too.’ Fiction by Leila Aboulela.

Subscribe to the Granta newsletters

News, prizes and events, when i sing, mountains dance and chilean poet shortlisted for oxford-weidenfeld translation prize.

When I Sing, Mountains Dance by Irene Sola (trans. Mara Faye Lethem) and Chilean Poet by Alejandro Zambra (trans. Megan McDowell) are both shortlisted for the Oxford-Weidenfeld Translation Prize.

Our Share of Night Shortlisted for The Kitschies

Our Share of Night by Mariana Enriquez (trans. Megan McDowell) is shortlisted for The Kitschies Red Tentacle award, awarded to speculative, sci-fi and fantasy novels.

I’m A Fan Wins a British Book Award

I'm A Fan by Sheena Patel wins the Book of the Year: Discover Award at the British Book Awards.

• Rights and Permissions
• Job Opportunities and Internships
• Terms and Conditions
• Privacy Statement
• Cookie Policy

Granta magazine is run by the Granta Trust (charity number 1184638)

The copyright to all contents of this site is held either by Granta or by the individual authors, and none of the material may be used elsewhere without written permission. For reprint enquiries, contact us .

• 12 Addison Avenue
• London W11 4QR
• United Kingdom
• Tel +44(0)20 7605 1360

The login details that you entered were not correct.

Your subscription is no longer active please visit us here to subscribe., please enter the account details that you created whilst subscribing..

Looking to publish? Meet your dream editor, designer and marketer on Reedsy.

Find the perfect editor for your next book

1 million authors trust the professionals on Reedsy. Come meet them.

Best Fiction Literary Magazines in 2024

Showing 121 magazines that match your search.

The Raven Review

Online magazine for Fiction ,

Based in Central Texas, The Raven Review is a literary magazine that publishes poetry and short fiction that explores the human experience through dark, atmospheric writing. Since 2019, the magazine has been publishing both seasoned and newbie writers with the explicit goal of helping them gain exposure.

Submission guidelines →

🌍 Territory: United States

💰 Submission fee: $0

⏱️ Frequency: 4 times a year

🧑‍💻 Online submissions: Yes

Carolina Quarterly

Print & Online magazine for Fiction ,

The Carolina Quarterly has been publishing established and emergent writers for 65 years. Pieces published in The Carolina Quarterly have appeared in New Stories from the South, Best of the South, Poetry Daily, O. Henry Prize Stories, The Pushcart Prizes, and Best American Short Stories.

🌍 Territory: USA

💰 Submission fee: $3

⏱️ Frequency: 3 times a year

Yale Review

Print magazine for Fiction ,

In a land of quick fixes and short view and in a time of increasingly commercial publishing, the journal has an authority that derives from its commitment to bold established writers and promising newcomers, to both challenging literary work and a range of essays and reviews that can explore the connections between academic disciplines and the broader movements in American society, thought, and culture.

Looking for an editor to polish your manuscript?

The best professionals are already on Reedsy, come meet them. Create your free account to request free quotes today.

Learn more about the Reedsy Marketplace .

Analog Science Fiction and Fact

Analog Science Fiction and Fact Magazine continues to bring together celebrated authors, new talent, and award-winning stories, poems, and articles, as it has since its launch in 1930. Originally published as Astounding Stories of Science Fiction, Analog remains the unparalleled literary magazine in the genre, and rewards readers with realistic stories that reflect both the highest standards of scientific accuracy and the far reaches of the imagination, as well as lively articles about current research on the cutting edge of science.

⏱️ Frequency: 6 times a year

Spellbinder

Spellbinder is a quarterly literary and art magazine which celebrates artists, dramatists and poets, as well as fiction and nonfiction writers. Inclusivity and diversity are at the core of Spellbinder’s ethos. They strongly value being able to provide a platform for an international range of voices from many different backgrounds and cultural experiences.

🌍 Territory: United Kingdom

Michigan Quarterly Review

The Michigan Quarterly Review is an eclectic interdisciplinary journal of arts and culture that seeks to combine the best of poetry, fiction, and creative nonfiction with outstanding critical essays on literary, cultural, social, and political matters.

We publish two print issues a year of compelling poetry, fiction, and literary nonfiction by established writers and new voices alike. We're global in scope, but with a regional bias. Over the years, we've been privileged to feature work by Wendell Berry, Louise Erdrich, Richard Hugo, Seamus Heaney, James Welch, Patricia Goedicke, James Lee Burke, Chris Offutt, Aimee Bender, Steve Almond, and a number of other writers whose work we're fond of.

⏱️ Frequency: 2 times a year

Chicago Quarterly Review

The Chicago Quarterly Review is a nonprofit, independent literary journal publishing the finest short stories, poems, translations and essays by both emerging and established writers. We're proud to have had work from our pages chosen for Best American Short Stories and the Pushcart Prize Anthology as we continue our mission to stimulate, entertain, and inspire.

Commonweal's mission is to provide a forum for civil, reasoned debate on the interaction of faith with contemporary politics and culture. Read by a passionate audience of educated, committed Catholics, as well as readers from many other faith traditions, Commonweal presents well-argued, respectful points of view from across the ideological spectrum.

👀 Average visits: 118,000 /month

⏱️ Frequency: 12 times a year

Outlander Magazine

Outlander is a digital zine and online platform that celebrates the awkward, the eccentric, and the weirdly beautiful. While its website is always open for submission, it also releases four themed issues throughout the year. Outlander is additionally home to THE LAB, an interview platform that amplifies the voices of upcoming creators.

Paris Review

The Paris Review is a quarterly English language literary magazine established in Paris in 1953 by Harold L. Humes, Peter Matthiessen, and George Plimpton. Since relocating to New York City, it has become one of the world's pre-eminent publications of its type.

👀 Average visits: 2,100,000 /month

Curlew Quarterly

Curlew Quarterly, New York’s literary and photo journal, publishes poetry, fiction, and creative non-fiction, which includes nearly all forms of reporting and journalism. Launched in August of 2017, our printed journal and online Daily celebrate the lives, homes, and work of poets, writers, and distinct professionals living in New York, NY.

Shorts is a free online magazine launched in February 2020 with the aim of bringing together writers and creative artists from all over the world. Shorts particularly encourages submissions from marginalised communities, and from new and emerging writers. Shorts was established in a time of growing isolationism on the part of the UK and the US, and aims to combat this by uniting global creatives and nurturing unheard voices. It is an LGBTQ+ friendly platform with a liberal outlook.

Zoetrope All-Story

In 1997, Francis Ford Coppola launched Zoetrope: All-Story, a quarterly magazine devoted to the best new short fiction and one-act plays.

👀 Average visits: 27,700 /month

🧑‍💻 Online submissions: No

Greensboro Review

The Greensboro Review is always on the lookout for new short stories and poems from writers at any stage of their career. The work you’ll find in the pages of the GR rarely conforms to any one theme, subject, or style—our editors read for those “bolts of lightning” that come with a surprising poem or story, the pleasure of spotting something new or discovering a fresh take on the familiar.

Run a literary magazine? Submit it to our directory!

The halls of literary success are paved with authors who got their start appearing in literary magazines — such as Zora Neale Hurston, Truman Capote, William Faulkner, Edith Wharton, Ursula Le Guin, J.D. Salinger, George Saunders, Alice Munro, Flannery O’Connor, and many more. 

For centuries, literary magazines have highlighted works that would otherwise struggle to reach readers. Poetry, short stories, essays are all forms of writing that own very tiny shares in the publishing landscape — except in the world of literary magazines, where they reign supreme.

If you’re an aspiring author, submitting to literary magazines is a great way to get your foot into the door of the publishing industry, as it allows you to build up your credentials and reach readers. That being said, having your work appear in a literary magazine isn’t as easy as hitting “submit.” While they can act as a stepping stone for writers who wish to go on to have a career in publishing, you shouldn’t view literary magazines as simply a means to an end — if only because doing so will very likely reduce your chances of ever actually being featured in one of them.

And on that note, let’s get started with our first tip for getting your work featured in some of the best literary magazines out there.

Tips for submitting to literary magazines 

Ensure you’re submitting to the right places.

When you think of literary magazines, your mind might automatically go to The New Yorker . Or it might go to independent webzines that specialize in very niche genres. Maybe you think of university-funded quarterlies like The New England Review . All this is to say that the range of lit mags out there is broad and the kinds of things they publish also ranges — from short lit fic to flash space operas, and everything in between. 

So before you decide to submit your short stories or poetry to a magazine, make sure you do your due diligence and research what kinds of things they publish, and where your work is really a match.

Don’t submit to tons of publications all at one

“Cast a wide net” shouldn’t be your mantra when it comes to submitting to lit mags. As mentioned, all magazines have their own styles. So spending your time ensuring your submissions are targeted at the right places is much more valuable than sending your writing to as many different publications as possible. Editors can usually scout fairly quickly the pieces that have been submitted en masse, without any regard for their specific publication.

Instead, make a list of the magazines you want to submit to and group them into tiers. Tier One can be your top five magazines, Tier Two your next five favorite, and so on. This is not only a good way to make sure you’re giving each submission care and attention, it’s also a good way to make sure you don’t get the same piece of writing accepted by two different magazines, forcing you to pull your submission from one of them.

When it comes to making your list, don’t only consider what magazines have prestige, huge audiences, or hefty cash payouts. The best magazines to submit to are the ones that you actually enjoy reading. Because chances are those are the magazines that are going to be most interested in the kind of things you’re writing.

Keep your cover letter short and to-the-point

Editors are not won over by cover letters. If you’ve written a great story and have publishing credentials to boot, sure, your cover letter might help win them over. But if your submission isn’t strong, your cover letter is going to mean nil. So let your cover letter mention the important bits, make sure it provides any specific information that’s requested in the submission guidelines, and let your entry do the heavy lifting. 

Typically, a cover letter will mention a couple of the previous places you’ve been published as well as any other relevant experience you might have. You can also add a personal touch by mentioning a previous story or issue you particularly enjoyed.

What your letter shouldn’t mention is every place you’ve been published (up to 5 will suffice). It shouldn’t summarize your entry, your life story, or your “writing journey,” and any previous experience you mention should be related in some way to writing, publishing, or your entry.

Thoroughly edit your story — and follow submission guidelines!

An editor is probably not going to banish an otherwise very strong entry to the slush pile because of a misplaced typo. That being said, they have lots of reading to do, and while most editors won’t consciously read an entry looking for reasons not to like it, at the end of the day they can only accept so many pieces. So if you make their jobs easier by giving them a reason to pass on your piece, they’re going to take it. If it’s not adequately proofread, there’s only so long someone can continue reading even the strongest writing before the spelling errors convince them to stop.

Another quick way to convince an editor to pass on your entry is to not follow the submission guidelines. If the guidelines ask you to include specific information or to format your story in a certain way, follow those instructions to a tee. If the guide doesn’t tell you how to format your story, go classic: Arial or Times New Roman 12-point font, double-spaced. To ensure your submissions look professional, you can always copy and paste them into our free formatting tool, the Reedsy Book Editor !

Editors do want to like your submission

The publishing world is competitive, so it’s natural for authors to stress about all the little details of submitting to a literary magazine — whether to add page numbers to their document, who to address in their cover letter, whether they’ll stand a chance as a brand new author, etc. And while we did just mention that editors generally won’t put up a fight if you give them a reason to pass on your entry, they also won’t toss aside a submission they love just because the full package isn’t 100% perfect.

Remember, editors are looking for quality art they feel is going to resonate with their readers. If you can provide them with that, they’re going to be on your side.

Don’t just do it for the money or prestige

If you’re submitting to lit mags with the hopes of raking in the cash, you are more than likely going to be disappointed. Sure, there are some big-time magazines out there that offer larger paycheques to their writers and widespread readership, but many of them don’t accept unsolicited submissions — or come with extremely steep competition.

Most literary magazines are run on very tiny budgets that can’t afford to pay the writers they feature. But that doesn’t mean you shouldn’t submit to them. The exposure and credibility an emerging writer can gain from having their work featured across a number of smaller, indie publications are still very valuable and shouldn’t be overlooked.

Have fun — and be proud of what you publish!

Yes, having your work appear in literary magazines can help build up your publishing resume. But if you’re not writing and publishing work you feel really proud of, what’s the point? Readers don’t need more stories that make it into magazines because they follow the right trends or say the right things, we want literature that the author clearly loved writing. 

So, as we mentioned earlier, don’t just submit a piece because you think it’s going to get you somewhere. Submit something because you think it’s strong, unique, and worthwhile. Write and submit work you can proudly stand by! 

Join a community of over 1 million authors

Reedsy is more than just a blog. Become a member today to discover how we can help you publish a beautiful book.

Save your shortlist

Enter your email address to save your shortlist so that you don't lose it!

By continuing, you will also receive Reedsy's weekly publishing tips and access to our free webinars.

We sent over your shortlist. Thank you for using Reedsy's Magazine Directory, happy publishing! 🙌

Bring your short stories to life

Fuse character, story, and conflict with tools in the Reedsy Book Editor. 100% free.

1 million authors trust the professionals on Reedsy. Come meet them.

Enter your email or get started with a social account:

Craft Essays

• Teaching Resources

White and Weird

Tete Draga’s Memorial

Whatcha Gonna Do?

Meditation on a Morning Commute

Complex as the Treaty of Versailles

The Facts of Life, Irish and Unabridged

A Thing of Air

Neurod(i)verse Sounds Like Universe

The Space Between the Shower and the Toilet

Xibalbá :: Ritual

Not the Plan

Mountain Milk

Issue 76 / May 2024

Teaching with Brevity

The brevity blog.

• A Letter to the Brevity Blog Community
• Faster Than a Speeding Adverb
• Getting Ready for My Close-Up
• Why I Write to Timed Prompts
• The Map We Carry: Writing Place

© 2024 Brevity: A Journal of Concise Literary Nonfiction. All Rights Reserved!

Designed by WPSHOWER

Plot Your Novel -- Plot Your Scenes with John Claude Bemis is now open for enrollment. Space is strictly limited. For those interested, you are encouraged to learn more right away.

Written by S. Kalekar January 16th, 2023

30 Magazines Accepting Creative Nonfiction and Essays

These literary magazines and other outlets publish a variety of nonfiction/essays. A few are looking for themed submissions. Some of them pay writers. Most, but not all, of them are open for submissions now. They’re in no particular order.

TOLKA Journal Their website says, “Tolka is a biannual literary journal of non-fiction: publishing essays, reportage, travel writing, auto-fiction, individual stories and the writing that flows in between. We are a journal for writers to express themselves beyond the limits of fixed genres, forms or subjects. … We encourage writers to test the creative boundaries of non-fiction.” They publish work by Irish and international writers, of 2,000-4,000 words. Pay is €500. The deadline is 22 January 2023. Details here .

Vast Chasm They publish “bold work that explores the expansive human experience, including flash and short fiction, creative nonfiction, poetry, and other nonconforming work.” Pay is $50 for prose up to 5,000 words. They read submissions on an ongoing basis. Details here .

Porkbelly Press They read for their chapbook series in January – these can be creative nonfiction such as lyric essays & flash, poetry or prose poems, collections of flash or micro fiction, graphic narratives, sequential artwork, or combinations of the above (tightly linked by theme, image, voice, etc.). Please submit 12 – 26 pages for chapbooks. They are queer friendly and feminist. “Our catalog favors lit & poetry leaning heavily toward fabulism, folklore, & magic—often confessional or intimate poems or personal lyric essay. All work should be tightly linked.” For nonfiction chapbooks, “We particularly enjoy multiple short essays, but will consider a one-essay chap if the essay is just that good. We lean toward braided forms (narratives with 3 or more threads tied together), and also consider things like character sketches, travel narratives, and collections of vignettes.” See guidelines and Submittable pages for further details. Pay is author copies. The deadline for chapbook submissions is 31 January 2023. Also see their reading periods for works in other genres. Details here and here .

The Christian Science Monitor: The Home Forum This news organization accepts pitches from freelancers and writers, and submissions for The Home Forum , where they want “upbeat personal essays of from 600 to 800 words. … For time-sensitive material (seasonal, news-related, holiday- or event-themed), you must submit at least SIX WEEKS in advance.” Also, “These are first-person, nonfiction explorations of how you responded to a place, a person, a situation, an event, or happenings in everyday life. Tell a story with a point; share a funny true tale. Describe a self-discovery. The humor should be gentle. We accept essays on a wide variety of subjects and encourage timely, newsy topics. However, we don’t deal with the topics of death, aging, medicine, or disease. We do not publish work that presents people in helpless or hopeless states.” They pay $250 for these essays. Details here .

The Every Animal Project This is an anthology about courageous animals, and they also will publish work on their website. “Stories must be true (non-fiction). They must relate to non-human animals (of any species) and can be about your personal experiences/growth because of an animal, an issue threatening animals today, or other aspects of the human/non-human animal relationship. For the upcoming anthology, please weave the theme of courage/bravery into your story. We are particularly interested in spotlighting species less familiar to people, like insects, marine animals, and reptiles.” One writer will get an award of $300, another will be awarded $200, and other writers whose work is chosen for the print anthology get $50; writers whose work features online get $20. The deadline is 31 March 2023. Details here .

The Lumiere Review Their website says, “We are intrigued by the inextinguishable sparks of truth and connection, the effervescent meddling of narrative, and the luminous creations that expand on perceptions of genre, language, and form.” They have a call for BIPOC creatives on the Justice theme (deadline – 15 February 2023). For general submissions, they publish creative nonfiction (up to 3,000 words), fiction, and poetry. They publish quarterly, pay $10, and read submissions on an ongoing basis. Details here .

The Four Faced Liar This is a new print journal; they published their first issue in January 2023. They publish creative nonfiction (up to 4,000 words), fiction, poetry, and art. Pay is €200 for short creative nonfiction and fiction, €100 for a poem or piece of flash, and €100 for art. Watch for their next submission period on Twitter . Details here .

Gray’s Sporting Journal This is a magazine about hunting and fishing, and they publish articles on those topics. They also have a feature called Yarns, which is campfire tales – fact or fiction, of 750-1,500 words. They also publish some poetry. Pay is an average of $600 for Yarns, and poems pay $100. Features for the magazine pay more. Details here .

Narrative This magazine publishes work in various genres – nonfiction (including written, audio, and video), fiction, poetry, and drama. They charge a submission fee through the year but during the first two weeks of April, they offer fee-free submissions made specifically in the Open Reading category. They pay $100-500. Details here .

MudRoom Magazine Their website says, “our mission is to provide every writer, emerging and established, the opportunity to both see their work published, and engage with a larger literary community.” They publish essays, essays in translation, fiction, and poetry. Send prose of up to 6,000 words. Pay is $15, and the deadline is 25 January 2023 for their Winter issue. Details here .

The Fieldstone Review This is the literary journal of the University of Saskatchewan. They accept submissions of creative nonfiction (up to 2,500 words), literature & book reviews (of Canadian literature), fiction and poetry, for its 2023 issue. They are reading submissions on the Reversals theme. “Turning points. Twists. Changing fortunes and shifting gears. We want your clever, surprising and dizzying reversals––be it through character, plot or formal elements!” One contributor will get awarded CAD100. The deadline is 1 March 2023. Details here .

The Meadowlark Review This journal is associated with the University of Wyoming. “Based in Laramie, Wyoming, we’re inspired by the American West, but we love work that pushes against the traditional Western narrative, as well as new perspectives, unexpected twists, and pieces that have absolutely nothing to do with the West. We are especially interested in hybrid works and works that break the mold and push the boundaries of today’s literature.” They publish nonfiction, fiction, and poetry. Send work of 10-5,000 words. The deadline is 31 January 2023. Details here .

The Forge Literary Magazine They accept creative nonfiction (up to 3,000 words, but can accept up to 5,000) and fiction. They open on the 1 st of most months for fee-free submissions, and close when the cap is reached. They pay $75. Details here .

fron//tera This is a bilingual print magazine, in Spanish and English. They publish nonfiction (up to 5,000 words), fiction, poetry, art, and submissions can be in Spanish or English; they’ll also publish a couple of short dual-language English and Spanish pieces side by side (see guidelines). They pay $25-50. They’re reading work on the Phantoms theme till 1 February 2023. Details here .

The Healing Muse This is the annual journal of literary and visual art published by SUNY Upstate Medical University’s Center for Bioethics & Humanities. They publish narratives, memoirs, fiction, poetry, and art, particularly but not exclusively focusing on themes of medicine, illness, disability and healing. They accept prose up to 2,500 words. The deadline is 15 April 2023. They also have a poetry prize for medical students and physicians , of $250. Details here .

The Lascaux Review They publish creative nonfiction, fiction, and poetry of literary quality, as well as essays on the craft and business of writing. “Creative nonfiction may include memoirs, chronicles, personal essays, humorous perspectives, literary journalism—anything the author has witnessed, experienced, learned, or discovered. Creative nonfiction should be written in a nonacademic style. For the Bistro (our blog), we’re looking for posts about writing, literature, agents, publishing, hangover recipes—anything to do with the craft and business of writing. Topics must be relevant to our audience, which consists of sophisticated journeyman writers and poets.” Submissions are open year-round. Details here .

The Paris Review They will reopen for prose submissions in March 2023. Currently, they are accepting poetry submissions; the Submittable cap is reached but they will read postal submissions, postmarked till 31 January 2023. They pay. Details here .

Nashville Review This magazine is associated with Vanderbilt University. They publish creative nonfiction (across the spectrum, including memoir excerpts, essays, imaginative meditations, of up to 8,000 words), fiction (including flash and novel excerpts), poetry, translations, and art. They accept submissions of art and comics year-round, and other genres are accepted in January, May, and September. Submissions may close earlier than scheduled if the cap is reached. Pay is $25 for poetry, and $100 for prose. The deadline is 31 January 2023, or until filled. Details here .

Porridge They publish a variety of genres, and are open for online and print issues occasionally. They are always open for their Comfort Food section – “The COMFORT FOODS series publishes creative responses to the relationship between food and culture, identity and cuisine, from people in diaspora or those from various marginalised identities. From eating away exile to 2,000 word philosophical treatises on biryani, we’re here for it. … We’ll accept creative non-fiction, food writing, poetry, and artwork on this theme.” Details here .

Electric Lit They are always open for detailed essay pitches. “Electric Literature’s essays examine books and culture through a personal and critical lens. … Pitches should describe the subject matter of the essay (which must be about books, writing, or narrative media like movies, games, and TV) and give a sense of the argument you plan to make or the story you plan to tell. We welcome thoughtful considerations of new releases, overlooked classics, childhood favorites—anything that can illuminate or be illuminated by the human experience.” They will open for other genres in February ( Recommended Reading – longer fiction, pays $300, open 1-12 February; and The Commuter – poetry, flash, graphic, and experimental narratives, pays $100, open 13-19 February 2023). Details here . Sojournal This is a travel journal, and their tagline is ‘One Image One Story’. “At present we only publish non-fiction travel stories that tell us about the black and white image you have supplied. We have a bias toward clear, concise, understandable work that communicates, surprises or disturbs – writing that bears witness to the world we live in.” Send work of up to 800 words. Details here .

Chicken Soup for the Soul They publish uplifting, true stories and poems. They regularly post themes they are accepting submissions on (currently, these are: Angels ; How stepping outside my comfort zone changed me ; Miracles ; and The power of positive thinking ). They pay $250 for work up to 1,200 words, as well as 10 contributor copies. Details here (also see tabs on the page – Possible book topics, Submissions FAQ, and Submit your story).

Unfortunately, Literary Magazine For nonfiction, “We’re interested in memoir/personal essays, feature articles, and any mix thereof. Shameless navel-gazing is fine by us.” Also, “Send us your work that’s too quirky, too dark, too queer, not the right kind of queer, too female-driven, too literary, not literary enough. Too much, too little, we want to see it all. Our only requirement is that you get your piece rejected elsewhere at least once before submitting to us.” They also publish fiction, art, and poetry. They read submissions in January, April, July, and October. See this Twitter thread to see the kind of work they’d like to see more of. Details here and here .

Miracle Monocle This magazine is associated with the University of Louisville. “For creative nonfiction, please submit one piece of 500-10,000 words. We’re looking for essays with aspects of personal narrative, reporting, and the lyric; we’re also interested in flash. Please do not send excerpts of longer works unless the piece can stand alone.” They also publish fiction, hybrid, poetry, art, and have an award for young Black writers , which pays $200 – for this award, writers must be 25 years old or younger and identify as Black. The deadline is 31 January 2023, or until a submission cap is reached. Details here .

Round Table Literary Journal Their website says, this is “an award-winning, historic print literary journal now in our fifty-sixth year of existence. We publish literary fiction, nonfiction, poetry, and art once a year.” They are associated with Hopkinsville Community College. The deadline is 15 February 2023. Payment is contributor copies. Details here and here .

The Sunlight Press They publish personal essays (750-1,000 words), artists on craft series (up to 1,000 words), fiction, poetry, reviews, and photos. They pay $15-40. Details here .

Terrain.org This is a magazine that focuses on place, climate, and justice. They publish nonfiction (up to 5,000 words), fiction, poetry, and pay a minimum of $50. Submissions by marginalized creators are considered for an annual prize of $500. The deadline is 30 April 2023. Details here .

Motherwell This is a parenting magazine, and they take personal essays on parenting, as well as work on other themes and genres. For personal essays, “We are looking for evocative first-person narratives that have a unique focus, or take a novel angle, on a slice of the parenting experience. We are open to a range of styles and tones: the only requirement is that the essay works on its own terms—be it lyrical, humorous, research-oriented, etc—and conveys something fundamental about its writer. Up to 1,200 words.“ Some of the work they publish is paid, and some is unpaid (see guidelines). Details here . Masque & Spectacle They publish nonfiction essays, literary analysis pieces, and personal essay/memoirs of up to 7,500 words. They also accept fiction, poetry, drama, reviews, art, audio, and video submissions. The deadline is 31 January 2023. Details here .

The Sun This venerable magazine charges for online submissions via Submittable, but not for submissions by post, of essays, fiction, and poetry. Online submission of photos is not charged. Payment for regular essays starts at $300. And online submissions for themed short nonfiction pieces for the Readers Write section are fee-free – their upcoming themes are Idols , due 1 February, and Privacy , due 1 March 2023; payment for Readers Write is magazine subscription. Details here and here .

Bio:  S. Kalekar is the pseudonym of a regular contributor to this magazine. She can be reached  here .

We Send You Publishers Seeking Submissions.

Sign up for our free e-magazine and we will send you reviews of publishers seeking short stories, poetry, essays, and books.

Subscribe now and we'll send you a free copy of our book Submit, Publish, Repeat

Enter Your Email Address:

June 11, 2024

Free Talk: How to Increase Your Chance of a Literary Magazine Acceptance by 50%

  You can download the slides here, and take a look at the sample submission tracker here. Shannan Mann is the Founding Editor of ONLY POEMS. She has been awarded or placed for the Palette Love and Eros Prize, Rattle Poetry Prize, and Auburn Witness Poetry Prize among others. Her poems appear in Poetry Daily,…

Available to watch right now, completely free.

May 17, 2024

Free Talk: The Art & Craft of Sound in Creative Writing with Michael Kleber-Diggs

June 24, 2024

21 Terrific Small Presses Open to Direct Submissions

We review a lot of wonderful small presses here, and we also list even more here, here, and here (although some of these lists include large presses also). We also feature a lot of these presses in our biannually updated guide, which you can download here. This list doesn’t include all of our favorites, but…

University of Texas Press: Now Accepting Book Proposals

An established publisher of nonfiction and memoir with good distribution.

Black Bed Sheet Books: Accepting Queries

Publisher of horror, science fiction and fantasy books with international distribution.

Aurora Metro Books: Now Accepting Manuscript Submissions

An established indie publisher of adult & young adult fiction. No agent required.

• Entire Site Manuscript Publishers Literary Journals Search

A little something about you, the author. Nothing lengthy, just an overview.

• 180 Literary Journals for Creative Writers
• 182 Short Fiction Publishers
• Authors Publish Magazine
• Back Issues
• Confirmation: The Authors Publish Introduction to Marketing Your Book
• Download “How to Publish Your Book!”
• Download Page: How to Market Your Novel on Facebook
• Download Page: Self-Publishing Success – 8 Case Studies
• Download Page: Submit, Publish, Repeat
• Download Page: Submit, Publish, Repeat –– 4th Edition
• Download Page: Submit, Publish, Repeat: 3rd Edition
• Download Page: The 2015 Guide to Manuscript Publishers
• Download Page: The Unofficial Goodreads Author Guide
• Download: “The Authors Publish Compendium of Writing Prompts”
• Download: Get Your Book Published
• Download: The Authors Publish Compendium of Writing Prompts
• Emily Harstone
• Free Book: 8 Ways Through Publisher’s Block
• Free Books from Authors Publish Press
• Free Lecture & Discussion: Senior Book Publicist Isabella Nugent on Setting Yourself Up for Success
• Free Lecture from Kim Addonizio: Make a Book – Shaping Your Poetry Manuscript
• Free Lecture: Everyday Activities to Improve Your Writing
• Free Lecture: How to Publish Your Writing in Literary Journals
• Free Lecture: How to Write a Book that Keeps Readers Up All Night
• Free Lecture: How to Write Layered Stories that Keep Readers Glued to the Page with Nev March
• Free Lecture: Introduction to Diversity Reading for Authors
• Free Lecture: Passion, Professionalized – How to Build an Authentic & Thriving Writing Career
• Free Lecture: The Art of Book Reviewing — How to Write & Get Paid for Book Reviews
• Free Lecture: The Art of Fresh Imagery in Poetry
• Free Lecture: The Art of the Zuihitsu with Eugenia Leigh
• Free Lecture: The Magic of Productivity – How to Write Effortlessly and Quickly
• Free Lecture: Write Like a Wild Thing – 6 Lessons on Crafting an Unforgettable Story
• Free Lectures from Award Winning Authors & Publishing Professionals
• How to Promote Your Book
• How to Revise Your Writing for Publication, While Honoring Your Vision as an Author
• How to Write a Dynamic Act One ‒ A Guide for Novelists
• How to Write With Surprising Perspectives — What Dutch Masters Can Teach Us About Telling Stories
• Lecture: How to Keep Readers Glued to Every Page of Your Book with Microplotting
• Lecture: How to Publish Your Creative Writing in Literary Journals
• Lecture: How to Write a Memoir that Wins Over Readers and Publishers
• Lecture: How to Write Opening Pages that Hook Readers and Publishers
• Lecture: How to Write Romance Novels Readers Will Love
• Lecture: The Art of Collaboration With Vi Khi Nao
• Lecture: The Art of Poetic Efficiency – Strategies for Elevating Your Prose and Poetry
• Lecture: The First Twenty Pages
• Lecture: The Magic of Metaphor – How to Create Vivid Metaphors that Can Transform Your Writing
• Lecture: Tips and Tricks for Revising Your Manuscript to Make It Shine
• Lecture: Writing from Dreams
• Lecture: Writing to Save the World with Danté Stewart
• New Front Page
• Now Available: The 2017 Guide to Manuscript Publishers
• Now Available: The 2018 Guide to Manuscript Publishers
• Office Hours With Ella Peary
• Poem to Book: The Poet’s Path to a Traditional Publisher
• Privacy Policy
• Random Prompt
• River Woman, River Demon Pre-Order Event: Discussing Book Marketing With Jennifer Givhan and Her Book Publicist, Isabella Nugent
• Submit to Authors Publish Magazine
• Submit, Publish, Repeat: 2023 Edition
• Taming the Wild Beast: Making Inspiration Work for You
• Test Live Stream
• Thank You for Attending the Lecture
• Thank You For Subscribing
• The 2018 Guide to Manuscript Publishers — 172 Traditional Book Publishers
• The 2019 Guide to Manuscript Publishers – 178 Traditional Book Publishers
• The 2023 Guide to Manuscript Publishers – 280 Traditional Book Publishers
• The Art of Narrative Structures
• The Authors Publish Guide to Children’s and Young Adult Publishing – Second Edition
• The Authors Publish Guide to Manuscript Submission
• The Authors Publish Guide to Manuscript Submission (Fifth Edition)
• The Authors Publish Guide to Memoir Writing and Publishing
• The Authors Publish Quick-Start Guide to Flash Fiction
• The First Twenty Pages
• The Six Month Novel Writing Plan: Download Page
• The Writer’s Workshop – Office Hours with Emily Harstone
• How to Add a Document to a Discussion
• How to Mark All of the Lessons in a Thinkific Course “Complete”
• How to Navigate a Thinkific Course
• How to Start a Discussion on Thinkific
• How to Upload an Assignment in Thinkific
• We Help Authors Find the Right Publisher for Their Books
• Welcome to Authors Publish: We Help Writers Get Published
• Work With Us
• Writing from the Upside Down – Stranger Things, Duende, & Subverting Expectations
• Your Book On The Kindle!
• February 2024
• January 2024
• December 2023
• November 2023
• October 2023
• September 2023
• August 2023
• February 2023
• January 2023
• December 2022
• November 2022
• October 2022
• September 2022
• August 2022
• February 2022
• January 2022
• December 2021
• November 2021
• October 2021
• September 2021
• August 2021
• February 2021
• January 2021
• December 2020
• November 2020
• October 2020
• September 2020
• August 2020
• February 2020
• January 2020
• December 2019
• November 2019
• October 2019
• September 2019
• August 2019
• February 2019
• January 2019
• December 2018
• November 2018
• October 2018
• September 2018
• August 2018
• February 2018
• January 2018
• December 2017
• November 2017
• October 2017
• September 2017
• August 2017
• February 2017
• January 2017
• December 2016
• November 2016
• October 2016
• September 2016
• August 2016
• February 2016
• January 2016
• December 2015
• November 2015
• October 2015
• September 2015
• August 2015
• February 2015
• January 2015
• December 2014
• November 2014
• October 2014
• September 2014
• August 2014
• February 2014
• January 2014
• December 2013
• November 2013
• October 2013
• September 2013
• August 2013
• Announcement 1
• Calls for Submissions 92
• Case Studies 9
• Completely ready unscheduled article 3
• Issue Two Hundred Twenty Two 1
• Issue Eight 4
• Issue Eighteen 5
• Issue Eighty 6
• Issue Eighty-Eight 6
• Issue Eighty-Five 6
• Issue Eighty-Four 5
• Issue Eighty-Nine 7
• Issue Eighty-One 6
• Issue Eighty-Seven 4
• Issue Eighty-Six 6
• Issue Eighty-Three 5
• Issue Eighty-Two 4
• Issue Eleven 5
• Issue Fifteen 4
• Issue Fifty 6
• Issue Fifty Eight 6
• Issue Fifty Five 6
• Issue Fifty Four 5
• Issue Fifty Nine 5
• Issue Fifty One 6
• Issue Fifty Seven 5
• Issue Fifty Six 6
• Issue Fifty Three 4
• Issue Fifty Two 6
• Issue Five 4
• Issue Five Hundred 3
• Issue Five Hundred Eight 3
• Issue Five Hundred Eighteen 5
• Issue Five Hundred Eleven 5
• Issue Five Hundred Fifteen 4
• Issue Five Hundred Fifty 4
• Issue Five Hundred Fifty Eight 4
• Issue Five Hundred Fifty Five 4
• Issue Five Hundred Fifty Four 5
• Issue Five Hundred Fifty Nine 4
• Issue Five Hundred Fifty One 4
• Issue Five Hundred Fifty Seven 4
• Issue Five Hundred Fifty Six 3
• Issue Five Hundred Fifty Three 4
• Issue Five Hundred Fifty Two 5
• Issue Five Hundred Five 4
• Issue Five Hundred Forty 5
• Issue Five Hundred Forty Eight 4
• Issue Five Hundred Forty Five 4
• Issue Five Hundred Forty Four 5
• Issue Five Hundred Forty Nine 4
• Issue Five Hundred Forty One 4
• Issue Five Hundred Forty Seven 4
• Issue Five Hundred Forty Six 4
• Issue Five Hundred Forty Three 3
• Issue Five Hundred Forty Two 3
• Issue Five Hundred Four 4
• Issue Five Hundred Fourteen 6
• Issue Five Hundred Nine 4
• Issue Five Hundred Nineteen 4
• Issue Five Hundred One 5
• Issue Five Hundred Seven 4
• Issue Five Hundred Seventeen 3
• Issue Five Hundred Seventy 4
• Issue Five Hundred Seventy Five 4
• Issue Five Hundred Seventy Four 4
• Issue Five Hundred Seventy One 4
• Issue Five Hundred Seventy Seven 4
• Issue Five Hundred Seventy Six 3
• Issue Five Hundred Seventy Three 3
• Issue Five Hundred Seventy Two 3
• Issue Five Hundred Six 4
• Issue Five Hundred Sixteen 5
• Issue Five Hundred Sixty 2
• Issue Five Hundred Sixty Eight 4
• Issue Five Hundred Sixty Five 3
• Issue Five Hundred Sixty Four 4
• Issue Five Hundred Sixty Nine 4
• Issue Five Hundred Sixty One 3
• Issue Five Hundred Sixty Seven 4
• Issue Five Hundred Sixty Six 4
• Issue Five Hundred Sixty Three 4
• Issue Five Hundred Sixty Two 4
• Issue Five Hundred Ten 3
• Issue Five Hundred Thirteen 3
• Issue Five Hundred Thirty 4
• Issue Five Hundred Thirty Eight 4
• Issue Five Hundred Thirty Five 3
• Issue Five Hundred Thirty Four 3
• Issue Five Hundred Thirty Nine 3
• Issue Five Hundred Thirty One 4
• Issue Five Hundred Thirty Seven 4
• Issue Five Hundred Thirty Six 4
• Issue Five Hundred Thirty Three 4
• Issue Five Hundred Thirty Two 4
• Issue Five Hundred Three 4
• Issue Five Hundred Twelve 3
• Issue Five Hundred Twenty 5
• Issue Five Hundred Twenty Eight 4
• Issue Five Hundred Twenty Five 3
• Issue Five Hundred Twenty Four 4
• Issue Five Hundred Twenty Nine 4
• Issue Five Hundred Twenty One 3
• Issue Five Hundred Twenty Seven 4
• Issue Five Hundred Twenty Six 4
• Issue Five Hundred Twenty Three 3
• Issue Five Hundred Twenty Two 4
• Issue Five Hundred Two 4
• Issue Forty 4
• Issue Forty Eight 5
• Issue Forty Five 6
• Issue Forty Four 6
• Issue Forty Nine 6
• Issue Forty One 4
• Issue Forty Seven 5
• Issue Forty Six 6
• Issue Forty Three 5
• Issue Forty Two 5
• Issue Four 5
• Issue Four Hundred 3
• Issue Four Hundred Eight 2
• Issue Four Hundred Eighteen 4
• Issue Four Hundred Eighty 4
• Issue Four Hundred Eighty Eight 4
• Issue Four Hundred Eighty Five 5
• Issue Four Hundred Eighty Four 3
• Issue Four Hundred Eighty Nine 4
• Issue Four Hundred Eighty One 4
• Issue Four Hundred Eighty Seven 3
• Issue Four Hundred Eighty Six 4
• Issue Four Hundred Eighty Three 4
• Issue Four Hundred Eighty Two 3
• Issue Four Hundred Eleven 3
• Issue Four Hundred Fifteen 3
• Issue Four Hundred Fifty 3
• Issue Four Hundred Fifty Eight 4
• Issue Four Hundred Fifty Five 4
• Issue Four Hundred Fifty Four 4
• Issue Four Hundred Fifty Nine 4
• Issue Four Hundred Fifty One 3
• Issue Four Hundred Fifty Seven 4
• Issue Four Hundred Fifty Six 4
• Issue Four Hundred Fifty Three 4
• Issue Four Hundred Fifty Two 4
• Issue Four Hundred Five 4
• Issue Four Hundred Forty 4
• Issue Four Hundred Forty Eight 3
• Issue Four Hundred Forty Five 3
• Issue Four Hundred Forty Four 4
• Issue Four Hundred Forty Nine 3
• Issue Four Hundred Forty One 3
• Issue Four Hundred Forty Seven 3
• Issue Four Hundred Forty Six 3
• Issue Four Hundred Forty Three 2
• Issue Four Hundred Forty Two 5
• Issue Four Hundred Four 3
• Issue Four Hundred Fourteen 4
• Issue Four Hundred Nine 5
• Issue Four Hundred Nineteen 4
• Issue Four Hundred Ninety 4
• Issue Four Hundred Ninety Eight 4
• Issue Four Hundred Ninety Five 3
• Issue Four Hundred Ninety Four 4
• Issue Four Hundred Ninety Nine 3
• Issue Four Hundred Ninety One 3
• Issue Four Hundred Ninety Seven 3
• Issue Four Hundred Ninety Six 4
• Issue Four Hundred Ninety Three 4
• Issue Four Hundred Ninety Two 5
• Issue Four Hundred One 3
• Issue Four Hundred Seven 3
• Issue Four Hundred Seventeen 3
• Issue Four Hundred Seventy 4
• Issue Four Hundred Seventy Eight 4
• Issue Four Hundred Seventy Five 4
• Issue Four Hundred Seventy Four 4
• Issue Four Hundred Seventy Nine 4
• Issue Four Hundred Seventy One 5
• Issue Four Hundred Seventy Seven 4
• Issue Four Hundred Seventy Six 3
• Issue Four Hundred Seventy Three 3
• Issue Four Hundred Seventy Two 4
• Issue Four Hundred Six 4
• Issue Four Hundred Sixteen 3
• Issue Four Hundred Sixty 3
• Issue Four Hundred Sixty Eight 4
• Issue Four Hundred Sixty Five 5
• Issue Four Hundred Sixty Four 4
• Issue Four Hundred Sixty Nine 2
• Issue Four Hundred Sixty One 3
• Issue Four Hundred Sixty Seven 4
• Issue Four Hundred Sixty Six 4
• Issue Four Hundred Sixty Three 4
• Issue Four Hundred Sixty Two 4
• Issue Four Hundred Ten 3
• Issue Four Hundred Thirteen 3
• Issue Four Hundred Thirty 3
• Issue Four Hundred Thirty Eight 3
• Issue Four Hundred Thirty Five 4
• Issue Four Hundred Thirty Four 3
• Issue Four Hundred Thirty Nine 4
• Issue Four Hundred Thirty One 4
• Issue Four Hundred Thirty Seven 4
• Issue Four Hundred Thirty Six 4
• Issue Four Hundred Thirty Three 3
• Issue Four Hundred Thirty Two 3
• Issue Four Hundred Three 4
• Issue Four Hundred Twelve 3
• Issue Four Hundred Twenty 3
• Issue Four Hundred Twenty Eight 3
• Issue Four Hundred Twenty Five 3
• Issue Four Hundred Twenty Four 4
• Issue Four Hundred Twenty Nine 3
• Issue Four Hundred Twenty One 3
• Issue Four Hundred Twenty Seven 4
• Issue Four Hundred Twenty Six 3
• Issue Four Hundred Twenty Three 4
• Issue Four Hundred Twenty Two 4
• Issue Four Hundred Two 3
• Issue Fourteen 4
• Issue Nine 5
• Issue Nineteen 4
• Issue Ninety 5
• Issue Ninety-Eight 3
• Issue Ninety-Five 4
• Issue Ninety-Four 4
• Issue Ninety-Nine 3
• Issue Ninety-one 6
• Issue Ninety-Seven 2
• Issue Ninety-Six 3
• Issue Ninety-Three 5
• Issue Ninety-Two 4
• Issue Nintey-Three 1
• Issue One 5
• Issue One Hundred 4
• Issue One Hundred Eight 3
• Issue One Hundred Eighteen 3
• Issue One Hundred Eighty 3
• Issue One Hundred Eighty Eight 3
• Issue One Hundred Eighty Five 3
• Issue One Hundred Eighty Four 3
• Issue One Hundred Eighty Nine 3
• Issue One Hundred Eighty One 4
• Issue One Hundred Eighty Seven 3
• Issue One Hundred Eighty Six 3
• Issue One Hundred Eighty Three 3
• Issue One Hundred Eighty Two 3
• Issue One Hundred Eleven 3
• Issue One Hundred Fifteen 4
• Issue One Hundred Fifty 3
• Issue One Hundred Fifty Eight 3
• Issue One Hundred Fifty Five 2
• Issue One Hundred Fifty Four 3
• Issue One Hundred Fifty Nine 4
• Issue One Hundred Fifty One 2
• Issue One Hundred Fifty Seven 3
• Issue One Hundred Fifty Six 4
• Issue One Hundred Fifty Three 2
• Issue One Hundred Fifty Two 6
• Issue One Hundred Five 3
• Issue One Hundred Forty 3
• Issue One Hundred Forty Eight 4
• Issue One Hundred Forty Five 4
• Issue One Hundred Forty Four 2
• Issue One Hundred Forty Nine 4
• Issue One Hundred Forty One 3
• Issue One Hundred Forty Seven 3
• Issue One Hundred Forty Six 4
• Issue One Hundred Forty Three 4
• Issue One Hundred Forty Two 3
• Issue One Hundred Four 4
• Issue One Hundred Fourteen 4
• Issue One Hundred Nine 3
• Issue One Hundred Nineteen 5
• Issue One Hundred Ninety 3
• Issue One Hundred Ninety Eight 3
• Issue One Hundred Ninety Five 4
• Issue One Hundred Ninety Four 3
• Issue One Hundred Ninety Nine 4
• issue One Hundred Ninety One 3
• Issue One Hundred Ninety Seven 2
• Issue One Hundred Ninety Six 3
• Issue One Hundred Ninety Three 3
• Issue One Hundred Ninety Two 3
• Issue One Hundred One 3
• Issue One Hundred Seven 3
• Issue One Hundred Seventeen 3
• Issue One Hundred Seventy 4
• Issue One Hundred Seventy Eight 3
• Issue One Hundred Seventy Five 3
• Issue One Hundred Seventy Four 3
• Issue One Hundred Seventy Nine 3
• Issue One Hundred Seventy One 4
• Issue One Hundred Seventy Seven 2
• Issue One Hundred Seventy Six 3
• Issue One Hundred Seventy Three 3
• Issue One Hundred Seventy Two 2
• Issue One Hundred Six 3
• Issue One Hundred Sixteen 4
• Issue One Hundred Sixty 4
• Issue One Hundred Sixty Eight 4
• Issue One Hundred Sixty Five 3
• Issue One Hundred Sixty Four 3
• Issue One Hundred Sixty Nine 3
• Issue One Hundred Sixty One 4
• Issue One Hundred Sixty Seven 3
• Issue One Hundred Sixty Six 2
• Issue One Hundred Sixty Three 4
• Issue One Hundred Sixty Two 4
• Issue One Hundred Ten 4
• Issue One Hundred Thirteen 4
• Issue One Hundred Thirty 4
• Issue One Hundred Thirty Eight 3
• Issue One Hundred Thirty Five 4
• Issue One Hundred Thirty Four 7
• Issue One Hundred Thirty Nine 4
• Issue One Hundred Thirty One 4
• Issue One Hundred Thirty Seven 3
• Issue One Hundred Thirty Six 4
• Issue One Hundred Thirty Three 4
• Issue One Hundred Thirty Two 5
• Issue One Hundred Three 3
• Issue One Hundred Twelve 2
• Issue One Hundred Twenty 4
• Issue One Hundred Twenty Eight 4
• Issue One Hundred Twenty Five 3
• Issue One Hundred Twenty Four 4
• Issue One Hundred Twenty Nine 4
• Issue One Hundred Twenty One 4
• Issue One Hundred Twenty Seven 4
• Issue One Hundred Twenty Six 4
• Issue One Hundred Twenty Three 5
• Issue One Hundred Twenty Two 3
• Issue One Hundred Two 3
• Issue Seven 4
• Issue Seventeen 5
• Issue Seventy 5
• Issue Seventy-Eight 6
• Issue Seventy-Five 7
• Issue Seventy-Four 6
• Issue Seventy-Nine 6
• Issue Seventy-One 6
• Issue Seventy-Seven 6
• Issue Seventy-Six 6
• Issue Seventy-Three 5
• Issue Seventy-Two 6
• Issue Six 4
• Issue Six Hundred Thirty Four 1
• Issue Sixteen 5
• Issue Sixty 7
• Issue Sixty Eight 6
• Issue Sixty Five 5
• Issue Sixty Four 5
• Issue Sixty Nine 6
• Issue Sixty One 5
• Issue Sixty Seven 6
• Issue Sixty Six 6
• Issue Sixty Three 5
• Issue Sixty Two 6
• Issue Ten 5
• Issue Thirteen 5
• Issue Thirty 7
• Issue Thirty Eight 4
• Issue Thirty Five 3
• Issue Thirty Four 6
• Issue Thirty Nine 5
• Issue Thirty One 5
• Issue Thirty Seven 5
• Issue Thirty Six 4
• Issue Thirty Three 7
• Issue Thirty Two 5
• Issue Thirty Two 1
• Issue Three 5
• Issue Three Hundred 3
• Issue Three Hundred and Eighty 4
• Issue Three Hundred and Sixty Five 2
• Issue Three Hundred Eight 4
• Issue Three Hundred Eighteen 3
• Issue Three Hundred Eighty Eight 4
• Issue Three Hundred Eighty Five 4
• Issue Three Hundred Eighty Four 4
• Issue Three Hundred Eighty Nine 4
• Issue Three Hundred Eighty One 4
• Issue Three Hundred Eighty Seven 4
• Issue Three Hundred Eighty Six 3
• Issue Three Hundred Eighty Three 4
• Issue Three Hundred Eighty Two 3
• Issue Three Hundred Eleven 3
• Issue Three Hundred Fifteen 4
• Issue Three Hundred Fifty 4
• Issue Three Hundred Fifty Eight 4
• Issue Three Hundred Fifty Five 3
• Issue Three Hundred Fifty Four 4
• Issue Three Hundred Fifty Nine 3
• Issue Three Hundred Fifty One 3
• Issue Three Hundred Fifty Seven 3
• Issue Three Hundred Fifty Six 3
• Issue Three Hundred Fifty Three 3
• Issue Three Hundred Fifty Two 3
• Issue Three Hundred Five 3
• Issue Three Hundred Forty 3
• Issue Three Hundred Forty Eight 3
• Issue Three Hundred Forty Five 3
• Issue Three Hundred Forty Four 3
• Issue Three Hundred Forty Nine 3
• Issue Three Hundred Forty One 4
• Issue Three Hundred Forty Seven 3
• Issue Three Hundred Forty Six 3
• Issue Three Hundred Forty Three 3
• Issue Three Hundred Forty Two 3
• Issue Three Hundred Four 3
• Issue Three Hundred Fourteen 3
• Issue Three Hundred Nine 3
• Issue Three Hundred Nineteen 4
• Issue Three Hundred Ninety 3
• Issue Three Hundred Ninety Eight 3
• Issue Three Hundred Ninety Five 3
• Issue Three Hundred Ninety Four 3
• Issue Three Hundred Ninety Nine 3
• Issue Three Hundred Ninety One 3
• Issue Three Hundred Ninety Seven 4
• Issue Three Hundred Ninety Six 4
• Issue Three Hundred Ninety Three 4
• Issue Three Hundred Ninety Two 5
• Issue Three Hundred One 3
• Issue Three Hundred Seven 3
• Issue Three Hundred Seventeen 3
• Issue Three Hundred Seventy 3
• Issue Three Hundred Seventy Eight 3
• Issue Three Hundred Seventy Five 3
• Issue Three Hundred Seventy Four 3
• Issue Three Hundred Seventy Nine 4
• Issue Three Hundred Seventy One 3
• Issue Three Hundred Seventy Seven 3
• Issue Three Hundred Seventy Six 4
• Issue Three Hundred Seventy Three 3
• Issue Three Hundred Seventy Two 3
• Issue Three Hundred Six 4
• Issue Three Hundred Sixteen 3
• Issue Three Hundred Sixty 3
• Issue Three Hundred Sixty Eight 3
• Issue Three Hundred Sixty Four 4
• Issue Three Hundred Sixty Nine 3
• Issue Three Hundred Sixty One 4
• Issue Three Hundred Sixty Seven 5
• Issue Three Hundred Sixty Six 5
• Issue Three Hundred Sixty Three 4
• Issue Three Hundred Sixty Two 3
• Issue Three Hundred Ten 3
• Issue Three Hundred Thirteen 3
• Issue Three Hundred Thirty 2
• Issue Three Hundred Thirty Eight 4
• Issue Three Hundred Thirty Five 2
• Issue Three Hundred Thirty Four 3
• Issue Three Hundred Thirty Nine 3
• Issue Three Hundred Thirty One 2
• Issue Three Hundred Thirty Seven 4
• Issue Three Hundred Thirty Six 3
• Issue Three Hundred Thirty Three 3
• Issue Three Hundred Thirty Two 3
• Issue Three Hundred Three 3
• Issue Three Hundred Twelve 3
• Issue Three Hundred Twenty 3
• Issue Three Hundred Twenty Eight 4
• Issue Three Hundred Twenty Five 3
• Issue Three Hundred Twenty Four 4
• Issue Three Hundred Twenty Nine 4
• Issue Three Hundred Twenty One 3
• Issue Three Hundred Twenty Seven 3
• Issue three hundred twenty six 2
• Issue Three Hundred Twenty Three 4
• Issue Three Hundred Twenty Two 3
• Issue Three Hundred Two 4
• Issue Thrity Five 1
• Issue Twelve 4
• Issue Twenty 5
• Issue Twenty Eight 5
• Issue Twenty Five 4
• Issue Twenty Four 4
• Issue Twenty Nine 4
• Issue Twenty One 5
• Issue Twenty Seven 3
• Issue Twenty Six 4
• Issue Twenty Three 4
• Issue Twenty Two 5
• Issue Two 4
• Issue Two Hundred 4
• Issue Two Hundred Eight 3
• Issue Two Hundred Eighteen 1
• Issue Two Hundred Eighty 2
• Issue Two Hundred Eighty Eight 3
• Issue Two Hundred Eighty Five 3
• Issue Two Hundred Eighty Four 3
• Issue Two Hundred Eighty Nine 2
• Issue Two Hundred Eighty One 4
• Issue Two Hundred Eighty Seven 3
• Issue Two Hundred Eighty Six 4
• Issue Two Hundred Eighty Three 2
• Issue Two Hundred Eighty Two 3
• Issue Two Hundred Eleven 3
• Issue Two Hundred Fifteen 3
• Issue Two Hundred Fifty 3
• Issue Two Hundred Fifty Eight 3
• Issue Two Hundred Fifty Five 3
• Issue Two Hundred Fifty Four 3
• Issue Two Hundred Fifty Nine 2
• Issue Two Hundred Fifty One 3
• Issue Two Hundred Fifty Seven 2
• Issue Two Hundred Fifty Six 3
• Issue Two Hundred Fifty Three 1
• Issue Two Hundred Fifty Two 3
• Issue Two Hundred Five 3
• Issue Two Hundred Forty 3
• Issue Two Hundred Forty Eight 3
• Issue Two Hundred Forty Five 2
• Issue Two Hundred Forty Four 3
• Issue Two Hundred Forty Nine 3
• Issue Two Hundred Forty One 3
• Issue Two Hundred Forty Seven 3
• Issue Two Hundred Forty Six 2
• Issue Two Hundred Forty Three 1
• Issue Two Hundred Forty Two 2
• Issue Two Hundred Four 2
• Issue Two Hundred Fourteen 3
• Issue Two Hundred Nine 3
• Issue Two Hundred Nineteen 3
• Issue Two Hundred Ninety 3
• Issue Two Hundred Ninety Eight 4
• Issue Two Hundred Ninety Five 2
• Issue Two Hundred Ninety Four 3
• Issue Two Hundred Ninety Nine 3
• Issue Two Hundred Ninety One 4
• Issue Two Hundred Ninety Seven 4
• Issue Two Hundred Ninety Six 3
• Issue Two Hundred Ninety Three 4
• Issue Two Hundred Ninety Two 3
• Issue Two Hundred One 3
• Issue Two Hundred Seven 3
• Issue Two Hundred Seventeen 3
• Issue Two Hundred Seventy 3
• Issue Two Hundred Seventy Eight 3
• Issue Two Hundred Seventy Five 3
• Issue Two Hundred Seventy Four 3
• Issue Two Hundred Seventy Nine 3
• Issue Two Hundred Seventy One 2
• Issue Two Hundred Seventy Seven 3
• Issue Two Hundred Seventy Six 3
• Issue Two Hundred Seventy Three 3
• Issue Two Hundred Seventy Two 3
• Issue Two Hundred Six 3
• Issue Two Hundred Sixteen 3
• Issue Two Hundred Sixty 3
• Issue Two Hundred Sixty Eight 3
• Issue Two Hundred Sixty Five 4
• Issue Two Hundred Sixty Four 3
• Issue Two Hundred Sixty Nine 3
• Issue Two Hundred Sixty One 3
• Issue Two Hundred Sixty Seven 3
• Issue Two Hundred Sixty Six 3
• Issue Two Hundred Sixty Three 6
• Issue Two Hundred Sixty Two 3
• Issue Two Hundred Ten 2
• Issue Two Hundred Thirteen 4
• Issue Two Hundred Thirty 4
• Issue Two Hundred Thirty Eight 4
• Issue Two Hundred Thirty Five 4
• Issue Two Hundred Thirty Four 3
• Issue Two Hundred Thirty Nine 2
• Issue Two Hundred Thirty One 2
• Issue Two Hundred Thirty Seven 2
• Issue Two Hundred Thirty Six 4
• Issue Two Hundred Thirty Three 3
• Issue Two Hundred Thirty Two 3
• Issue Two Hundred Three 3
• Issue Two Hundred Twelve 3
• Issue Two Hundred Twenty 3
• Issue Two Hundred Twenty Eight 4
• Issue Two Hundred Twenty Five 3
• Issue Two Hundred Twenty Four 4
• Issue Two Hundred Twenty Nine 3
• Issue Two Hundred Twenty One 4
• Issue Two Hundred Twenty Seven 2
• Issue Two Hundred Twenty Six 4
• Issue Two Hundred Twenty Three 2
• Issue Two Hundred Twenty Two 3
• Issue Two Hundred Two 3
• No Fee Contest 1
• One Hundred Forty Seven 1
• Letter from the Editor 8
• Always open to submissions 40
• Anthology 4
• Chapbooks 2
• Creative Non Fiction 267
• Electronic 4
• Fiction 391
• Paying Market 50
• Translation 3
• Academic 17
• Accept Previously Published Work 1
• All Genres 29
• Chick Lit 5
• Children's Books 114
• Christian 29
• Cookbooks 15
• Gift Books 15
• Graphic Novel 6
• Historical Fiction 20
• Literary Fiction 65
• New Adult 4
• Non Fiction 182
• Offers Advances 8
• Paranormal 16
• Science Fiction 61
• Self Help 7
• Southern Fiction 2
• Speculative Fiction 8
• Women's Fiction 17
• Young Adult 79
• Issue Four 1
• Issue Six 1
• Issue Three 1
• Issue Two 1
• Publishing Guides 76
• Publishing Industry News 1
• Quote of the Week 78
• Self Publishing 22
• Issue One Hundred Ninety One 1
• Special Issue 364
• Success Stories 6
• The Authors Publish Fund for Literary Journals 1
• The Other Side of the Desk 5
• Uncategorized 108
• Writing Prompt 85

About Us: We're dedicated to helping authors build their writing careers. We send you reviews of publishers accepting submissions, and articles to help you become a successful, published, author. Everything is free and delivered via email. You can view our privacy policy here. To get started sign up for our free email newsletter .

Current Issue

With its latest city issue, World Literature Today showcases Buenos Aires, Argentina, in a cover feature that gathers nine porteño writers, guest-edited by Kit Maude. Additional highlights include the latest installments of the columns “Bearing Witness” and “Untranslatable.” + the book review section offers up the best new books from around the world, and interviews, reading lists, poetry, essays, and a postcard from Bordeaux make the May issue your perfect summer reading companion.

WLT  Weekly

Sects, Cults, and Heretical Messiahs: Raoul Vaneigem’s Resistance to Christianity

Announcing Publication of the RESISTIR Latin America Online Poetry Anthology

Most read content.

From Climate Crisis to Polycrisis

Three Poems from Ireland

10 Questions for Hwang Bo-reum

E-NEWSLETTER

Join the mailing list, news & events.

World Literature Today Announces Finalists for 2025 NSK Neustadt Prize for Children’s and Young Adult Literature

Jury Announced for the 2025 NSK Neustadt Prize for Children’s and Young Adult Literature

World Literature Today Announces 2024 Student Translation Prize Winners

Feature Section

That time I took all the buses in Buenos Aires in order to write a book about taking all the buses in Buenos Aires

Taking all the buses of Buenos Aires, a writer on a mission makes the city his own.

Structured Poetry

Buenos Aires is many things, including a city for walking, snapping photographs, and writing poetry in notebooks while nibbling a medialuna in a coffee shop. Porteña writer Cecilia Pavón lets us peek into her notebooks as she wonders, Why can’t life be just drinking coffee and writing in notebooks with soft covers?

Utterly Supernova’s Ride through Buenos Aires

“Seasons don’t exist anymore, they declare, complain, it’s all come undone. Blame Derrida. And then comes the rain and the cold. And that’s what really gets you, they’re the worst.”

Featured Book Reviews

Alexandria: The City That Changed the World

Sweet Malida

Zilka Joseph

Seasons at the Patch

Kerry Shawn Keys

Reading Genesis

Marilynne Robinson

Scary Story

Alberto Chimal. Trans. D. P. Snyder

Your Absence Is Darkness

Jón Kalman Stefánsson. Trans. Philip Roughton

“Some of our people will hate you as they hate themselves. / You must create a life / without giving them all your life’s attention,” from “Rite of Baptism,” by Pádraig Ó Tuama

Two Romanian American Poems

“The manual couldn’t be clearer about how even moisture / trapped in sugar could ruin the melangeur, / so when the granite wheels screech and some unseen / plastic insert breaks, you anger, but decide not to let // an inattention so small dictate how you should love,” from “Melangeur,” by Mihaela Moscaliuc

Dead Horse Bay

“n the free circulation of commodities, there is no center or edge. We are all part of the same untraceable sludge,” from “Dead Horse Bay,” by Santiago Acosta (trans. by Tiffany Troy & The Women in Translation Project)

Fiction & Creative Nonfiction

End of Maneuvers

“I’d never gone into the cemetery by bicycle. I’d always gone around—it didn’t seem right to use its streets as a shortcut. But it wasn’t really a shortcut, more a passage into another dimension.”

Today Is Yesterday

“Recently arrived in Buenos Aires—not a city but a dangerous miracle, buzzing with electricity like a tract of unequal promises—I lived alone, and on summer nights I liked to sleep on the floor, the window open, watching bad movies on channel 13 past midnight.”

It’s 2050, and five African nations have surrendered their sovereignty to form a new nation. Alande Mukumbi, the new president of Embo, is determined to prove the naysayers wrong. 

The Proudest Street in the World: A Brief History of the Buenos Aires Pride March

Each November, Buenos Aires’s Pride march proceeds down a ten-block stretch that is the “spine of Argentine history,” fulfilling Eva Perón’s famous prediction: “I shall return, and I shall be multitudes.”

Reflecting on his love of football, Oliverio Coelho has an epiphany: some players on the pitch stand out, not just for their skill, but their intelligence, and it is these players that establish the beat for the expression of political solidarity that, in these difficult times, is the ultimate goal.

Reading Dostoevsky Now, from the Margins

Against increasing calls to “cancel” Dostoevsky due to the Russian nationalism espoused in his writings, Ani Kokobobo chooses to hold on to a Dostoevsky of the margins, a Dostoevsky who tests us ethically when we rationalize horrible means to justify an imagined greater good.

7 Questions for Sébastien Delot

Seven questions for Sébastien Delot, curator of the exhibit Etel Adnan, Between East and West (February 1–June 30, 2024) at the King Abdulaziz Center for World Culture (Ithra) in Saudi Arabia.

A Griot of the Black German Experience: A Conversation with Katharina Oguntoye

Karlos K. Hill interviews Katharina Oguntoye, a renowned Black German educator, activist, and community leader, as part of his ongoing column Bearing Witness, which highlights the efforts of cultural figures doing works of essential good around issues of social justice.

8 Questions for Isabel Zapata

Eight questions for (and eight answers from) Isabel Zapata, in whose new collection, A Whale is a Country, animals are concrete, fully drawn fellow beings, and we are invited to see them in new ways. 

Previous Issues

January 2024

November 2023

September 2023

View more back issues on our website , or visit JSTOR for archival issues dating back to 1927 .

Tell us what you think about the current issue or about the website by filling out our form .

Subscribe Or donate! 

• The 19 Best Literary Magazines You Should Be Reading in 2023

In the world of literature, storytelling is king. Whether it’s a gripping novel, a haunting poem, or a thought-provoking essay, what ultimately draws us in and keeps us hooked is the power of a well-told story. And what better way to explore the vast and diverse landscape of storytelling than through the pages of a literary magazine?

Literary magazines provide a platform for both established and emerging writers to share their stories, their experiences, and their unique perspectives on the world. From the experimental to the traditional, the humorous to the thought-provoking, the stories found in these magazines push boundaries and challenge us to see the world in new ways.

But with so many literary magazines out there, how do you know which ones are worth your time? In this article, we’ll explore some of the best literary magazines available today, each one offering its own unique brand of storytelling magic. Whether you’re a seasoned reader or just starting to dip your toes into the world of literature, these magazines are sure to provide a rich and rewarding reading experience. So settle in, grab a cup of tea, and let’s dive into the world of literary storytelling.

The Paris Review

The Paris Review is a leading literary magazine that has been publishing since 1953. It features interviews with prominent writers, as well as stories, poetry, and essays. It is known for publishing the first works of many now-famous writers, including Jack Kerouac, Philip Roth, and V. S. Naipaul.

Granta is a British literary magazine that has been publishing for over 130 years. It features fiction, non-fiction, and poetry from established and emerging writers from around the world. Granta is known for its themed issues, which explore various topics from a literary perspective.

McSweeney’s

McSweeney’s is an independent publishing house that produces a literary magazine, as well as books and other projects. The magazine features humor, fiction, and non-fiction, and is known for its unique design and typography.

The Los Angeles Review

The Los Angeles Review is a quarterly literary magazine that publishes poetry, fiction, creative nonfiction, and book reviews. It is known for its commitment to publishing diverse voices, with an emphasis on writers from the West Coast.

BOMB Magazine

BOMB Magazine is a quarterly publication that features interviews with artists, writers, and filmmakers, as well as works of fiction and poetry. It is known for its in-depth interviews with prominent writers and artists.

VQR Online is the online version of the Virginia Quarterly Review, a literary magazine that has been publishing since 1925. The online version features original works of fiction, poetry, and non-fiction, as well as multimedia content, including videos and podcasts.

n+1 is a literary magazine that focuses on contemporary culture and politics. It features fiction, essays, and reviews, as well as translations of works from other languages. n+1 has been praised for its fresh and critical voice.

The White Review

The White Review is a quarterly literary magazine that features fiction, poetry, and essays, as well as interviews with writers and artists. It is known for its commitment to publishing new and experimental works.

Electric Lit

Electric Lit is an online literary magazine that features fiction, non-fiction, and poetry, as well as critical essays and reviews. It is known for its commitment to publishing diverse voices and promoting emerging writers.

Music & Literature

Music & Literature is a biannual literary magazine that features works of fiction, poetry, and non-fiction, as well as interviews with writers, musicians, and artists. It is known for its innovative approach to publishing, which combines literature with music and other art forms.

The Stinging Fly

The Stinging Fly is an Irish literary magazine that features poetry, fiction, and non-fiction, as well as interviews with writers and artists. It is known for its commitment to promoting emerging Irish writers.

Flaneur Magazine

Flaneur Magazine is a biannual publication that explores different neighborhoods around the world through literature and photography. Each issue focuses on a specific neighborhood, providing a unique perspective on the area.

Freeman’s

Freeman’s is a biannual literary magazine that features works of fiction, non-fiction, and poetry, as well as interviews with writers and artists. It is known for its themed issues, which explore different topics from a literary perspective.

Guernica Mag

Guernica Mag is an online literary magazine that features fiction, non-fiction, and poetry, as well as interviews with writers and artists. It is known for its commitment to promoting social justice issues through literature.

Visions is an online literary magazine that features original works of fiction, poetry, and non-fiction, as well as artwork and photography. It is known for its commitment to publishing new and experimental works.

ThreePenny Review

ThreePenny Review is a quarterly literary magazine that features fiction, poetry, and essays, as well as book reviews. It is known for its commitment to publishing works from emerging writers, as well as established ones.

American Chordata

American Chordata is a biannual literary magazine that features works of fiction, non-fiction, and poetry, as well as artwork and photography. It is known for its commitment to publishing diverse voices and promoting emerging writers.

Zoetrope: All-Story

Zoetrope: All-Story is a quarterly literary magazine that features fiction, non-fiction, and poetry, as well as artwork and photography. It is known for its commitment to publishing works from emerging writers, as well as established ones.

New Criterion

New Criterion is a monthly literary magazine that features literary and cultural criticism, as well as essays and reviews. It is known for its conservative perspective and its commitment to high literary standards.

And that, my dear reader, is the magic of literary magazines. They are portals to other worlds, other stories, other lives. They are the doorways that lead us to new perspectives, and the keys that unlock our imaginations. As a writer and reader, I can attest to the immense value of these magazines in shaping and expanding our literary horizons. So go forth, dear reader, and seek out these literary gems. The world of storytelling is waiting for you, and the possibilities are endless.

Leave a Comment

Save my name, email, and website in this browser for the next time I comment.

Next post: Examples of Breaking the Fourth Wall

Previous post: Collaborative Storytelling: The Art of Writing Together

We’re all natural born storytellers. We live in stories. It’s stories that define is. This blog is dedicated to exploring the power of stories.

• What Is Magical Realism?
• The Anatomy of Metafiction: A Story About Storytelling
• Breaking The Fourth Wall: Transforming Stories With Narrative Alchemy
• Examples of Breaking the Fourth Wall
• Storytelling Books

This site rocks the Classic Responsive Skin for Thesis .

11 Indie Literary Magazines You Should Be Reading

Reading Lists

Steven watson, founder of stack, recommends print lit mags.

Independent magazines are notorious outsiders. Generally made with lots of passion and not much cash, they’re gloriously uncommercial artefacts of our current age of creative independence, in which virtually anyone with an internet connection and an Adobe Creative Cloud license can publish their own professional quality print magazine. Of course the fact that pretty much anyone can now be their own editor-in-chief and creative director means that lots of the work committed to print isn’t all that good, but there are some extraordinary gems out there waiting to be found, and that’s what we spend our days doing.

Stack searches out the best independent magazines and delivers them to thousands of readers around the world every month—you never know what you’re going to get next, but you do know it will be a beautiful, intelligent print magazine you probably wouldn’t otherwise have come across. We pride ourselves on delivering a wide range of magazines covering all sorts of subjects, but for the following list we’ve focused on the literary magazines we’re currently enjoying the most.

The White Review

One of London’s most revered independent literary magazines, The White Review mixes outstanding fiction, essays and poetry with beautiful art and photography all wrapped up in a lovely, thick print edition. Launched in 2011, its founding aim was to provide “a space for a new generation to express itself unconstrained by form, subject or genre”, and today it publishes in monthly online editions, but it’s the roughly triannual print version that we love. The current issue looks at first glance like a sort of bookish fashion magazine, with its cover featuring a photograph by artist Elad Lassry, but the content inside ranges far and wide, covering subjects including migration and asylum, LGBTQ+ spaces, race and disability. Essential and important, but with a fantastic lightness of touch, a new issue of The White Review is always eagerly anticipated in the Stack office.  

Freeman’s looks like a book but it self-defines as a magazine. “I think a magazine is tracking and engaging with culture,” explains editor John Freeman, who used to head up Granta . “It has an ongoingness, whereas an anthology freezes a moment, perhaps, and puts it in two covers.” The fifth issue is about power: it’s topical, but in a pleasurably sideways way. One of the most beautiful things here is a poem by Julia Alvarez that reimagines Penelope, happy alone, disappointed when Odysseus finally comes home: “He’s back, disguised as an old man/ to test my virtue… I would be rid of him.”

The plaything of one extraordinary tinkerer, science-fiction magazine Visions is a testament to the power of passion. Creative technologist and sci-fi fan Mathieu Triay began the project by making Marvin Visions, the typeface that he uses for titles throughout the magazine and its website. Licensing the typeface online generated enough money to pay for printing the first issue, and he uses the magazine as a platform for both new and established science-fiction writers. In the latest issue, for example, multi-award winning author Robert Silverberg’s story “Caliban” is set in an alarmingly lithe, glistening future, as seen through the eyes of a man who has become the only relic of our messy, hairy times. Silverberg locates his smooth sexualization a hundred-odd years into the future, but in “Hyperbeauty,” the non-fiction essay that follows it, master’s student Raquel Hollman seems to respond to Silverberg by showing how our world is already uncomfortably sexualized and dominated by ideals of “perfect beauty.”

American Chordata

One of the defining characteristics of New York-based American Chordata is that it looks really good. Mixing short stories and poetry with photography, the pictures aren’t specially commissioned. Instead, art director Bobby Doherty mines the internet for art all year long, and then sets his favorites next to the text in a strange, non-illustrative way, almost like collage. In the most recent issue—AC’s ninth—Tatu Gustafsson’s grainy CCTV images of a lonely figure standing by the sides of roads are dropped throughout Angela Woodward’s disturbing short story “Decoy Animals,” the writing and images each intensifying the other. [Editor’s note: Erin Bartnett, associate editor at Recommended Reading, is also the fiction editor at American Chordata.]

The Stinging Fly

An Irish literary magazine of new writing, The Stinging Fly has excellent pedigree—Sally Rooney is a contributing editor, and on these pages there’s an echo of her attention to the minute detail of how we see ourselves and are seen by others. The current issue is fronted by a brilliantly fleshy artwork by Irish Japanese painter Shane Berkery, which sets the tone for the intimate and personal reflections that run through the fiction and poetry inside.

Founded by Francis Ford Coppola in 1997, Zoetrope was originally conceived as a way to inspire independent movie-making, by providing a space for writers to publish their short fiction and plays. The magazine’s role-call of contributors is ludicrously star-spangled—the rotating guest-designer spot has been filled by Bowie and Lynch, to name only Davids. But what makes this magazine remarkable is how lightly it wears its famous names. Virtually unknown here in the U.K., and boasting just a thousand or so Instagram followers, you get the feeling the only thing its editors really care about is the quality of the fiction. 

This London-based journal of sexuality and erotics was started in 2018 by the Feeld dating app, and it’s run today by editor Maria Dimitrova, who works with editorial independence to assemble an inventive series of poems and short stories that explore the frontiers of sexual life. Of course any literary magazine stands or falls on the strength of its writing, and Mal brings together some exceptional talent: the latest issue includes an original piece by cult author Chris Kraus and a short story by Luke Brown that was commended in the Best Original Fiction category at this year’s Stack Awards. 

Worms is a literary magazine about style: writing style, but also sartorial. We are all worms, Clem Macleod explains in her editor’s letter, and “in the end, we’re going to be eaten by them. As a Worm, you will fertilise your mind with glorious words.” Using clothes as a way of worming your way into a writer’s work is a contentious business. Traditionally understood to be something frivolous women like, clothes are depicted here to be so much more interesting. Author Natasha Stagg is interviewed, and the first question she is asked is whether everyday dressing is a sort of curation of self. This idea—that dressing up can be a way of slipping out of your identity and trying on another—is most fully realized in a feature towards the middle, where Clem goes to visit a box of the late punk writer Kathy Acker’s clothes, and tries some on. Acker is the cover star, and the whole issue is a homage to her. The clothes are “unwashed, crumpled” and “musky”; a mass of Vivienne Westwood, Commes Des Garcons and Betsey Johnson. Trying on your dead hero’s outfits is thrillingly intimate. As readers, we feel that we should like to do this intimate thing, too.

The Lifted Brow

“A quarterly attack journal from Australia and the world,” The Lifted Brow is based in Melbourne and sets out to showcase the most inventive and accomplished experimental storytelling. The result includes fiction and non-fiction, poetry and comics, and frequently gives a voice to groups that aren’t commonly heard. Last year’s 40th edition, for example, was re-branded Blak Brow , and was created entirely by Aboriginal and Torres Strait Islander women, born out of the conviction that “blak” women’s writing can “transcend off the pages and topple the patriarchy.”

Somesuch Stories

The fourth issue of this U.K. literary journal is themed “redemption,” a word editor Suze Olbrich defines as borderline archaic. But the idea of absolution still sticks its pins into us. In a largely secular world, we share what Olbrich calls a “gnarly yearning for liberation from guilt; for forgiveness—for salvation.” It’s a great theme, and while the stories on these pages are uneven, when they’re good, they’re very very good. Like Luke Turner’s beautiful, ambivalent essay on cruising, looking back on encounters he is now old enough to recognize as abusive. And Kieran Yates’ fan fiction about women of color in popular culture; from Padma Patil, to Ursula from The Little Mermaid .

Mekong Review

Launched in 2015 at the Kampot Writers and Readers Festival in Cambodia, the Mekong Review was created as a platform for the literary scene in Southeast Asia. Over the years its influence has spread, and today it publishes essays, interviews, poetry and fiction drawn from across Asia and Australasia. It’s proud to claim no political allegiance, and the current issue includes thoughtful and critical reviews and essays inspired by the protests in Hong Kong, as well as politically-inflected commentary from Thailand, Malaysia, China, Myanmar and beyond.

Take a break from the news

We publish your favorite authors—even the ones you haven't read yet. Get new fiction, essays, and poetry delivered to your inbox.

YOUR INBOX IS LIT

Enjoy strange, diverting work from The Commuter on Mondays, absorbing fiction from Recommended Reading on Wednesdays, and a roundup of our best work of the week on Fridays. Personalize your subscription preferences here.

ARTICLE CONTINUES AFTER ADVERTISEMENT

9 Books that Celebrate the Legacy of Martin Luther King, Jr.

Writing that reminds us why we can’t wait for progress

Jan 20 - Dianca London Read

More like this.

Driving Around San Francisco with a Famous Antiwar Hero

Tony was charismatic. He was brave. He’d help steal the Pentagon Papers.

Jun 13 - Francine Prose

23 Indie Presses to Support After the Close of Small Press Distribution

These independent publishers play a vital role in shaping today's literary landscape. Here's how you can support them

Apr 26 - Vivienne Germain & Willem Marx

Electric Literature’s Favorite Indie Bookstores

Bookstores we love from Minnesota to Tennessee

Apr 26 - Kristina Busch

DON’T MISS OUT

Sign up for our newsletter to get submission announcements and stay on top of our best work.

COACHING + PUBLISHING

FORMATTING + DESIGN

FREELANCE COMMUNITY

• Literary Magazines That Pay Writers: Pitch These 20 Markets

Arnita Williams

Write for literary magazines: 11 tips for freelancers

Want to write creative non-fiction, essays, short stories, or poetry…and get paid? There’s an often overlooked niche for your creative work: literary magazines.

If you have a journal of creative work tucked away in a desk drawer, it’s time fetch it. Literary magazines will pay you for:

• Non-fiction
• Flash fiction
• Non-academic essays
• Photography
• Interviews of emerging artists, or 
• Recent book reviews 

There’s a mix of markets in the literary magazine niche that welcome emerging and seasoned writers, as well as some pubs that offer a combination of both. 

Although a few literary magazines and journals may be difficult to break into, take advantage of opportunities to submit your work to be read by distinguished authors and editors when the markets are open.

Grab your unpublished work, review the list of literary magazines that pay writers, and submit your best work. 

Ready to get started? Check out this list of 20 literary magazines that pay freelancers:

This literary magazine offers an assortment of exceptional essays, poems, stories, and translations. 

TIP: This pub seeks fictional short stories, and non-fiction literary essays, memoirs, reviews. Journalism or academic work is not accepted.

Contact: Email Co-Editor Sven Birkerts

Rate: Pays $20 per page, up to $300

2. Allegory

Online magazine published bi-annually in May and November, which specializes in fantasy, horror, and science fiction.

TIP: Seeks original work “with a twist.” No sex or violence. But you can’t go wrong with funny submissions.

Contact: Email Publisher and Managing Editor Ty Drago

Rate: Non-Fiction pays $15 per article | Fiction pays $15 per story

Publishes literary and artwork quarterly, which covers art, fiction, non-fiction, and poetry.

TIP: Pays expenses of non-fiction writers on assignment.

Contact: Editor Briony Bax  

Rate: Contact editor.

4. American Poetry Review

This bi-monthly magazine publishes literary prose and contemporary poetry, which covers fiction, non-fiction, and poetry.

Contact: Editor-in-Chief Elizabeth Scanlon : 

Rate: $1 per line for Poetry | $60 per page for prose

5. Ancient Paths

Online publication, which publishes top-quality poetry, short fiction, and spiritual themes on art. 

TIP: This is a great platform on which new poets and storytellers can begin having their work published.

Contact: Email Skylar Burris

Rate: $1.25 per work published | $1.25 per poem

6. Bennington Review

Publishes a variety of literary works: poetry, fiction, creative nonfiction, and film writing.

TIP: Submissions will be accepted September 1, 2022. Check submission guidelines for details.

Contact: Email Managing Editor Katrina Turner

Rate: $100 for 1 – 6 pages of typeset prose. $200 for 7+ typeset pages. $20 per poem.

7. Copper Nickel

This national literary journal publishes fiction, non-fiction, and poetry works, which is maintained at the University of Colorado Denver.

TIP: Needs non-fiction essays. Submit poetry to editors, Brian Barker and Nicky Beer. Joanna Luloff is the fiction and non-fiction editor. Teague Bohlen is also a fiction editor.

Contact: Email Editor/Managing Editor Wayne Miller  

Rate: $30 per printed page / non-fiction, fiction, and poetry 

8. Frontier Poetry

This literary magazine publishes poetry from new, emerging, and establishing poets.

Contact: Email Associate Editor Jeni De La O or Editor-in-Chief I.S. Jones  

Rate: $50 – $150 for poetry

9. Grain Magazine

A quarterly literary magazine of eclectic writing, available in print.

Contact: Email Editor Mari-Lou Rowley

Rate: Poetry $5 – $250

10. Longleaf Review

A quarterly online literary journal that believes “everyone has a story to tell,” and where everyone is welcome. It is an excellent platform for new creative writers.

Follow submission guidelines to present your creative fiction, nonfiction, poetry, and hybrid works.

Contact: Email Editor Paige Perez

Rate: $20 per piece.

11. New Letters

This quarterly magazine covers fiction, nonfiction, and poetry.

TIP: In need of “creative nonfiction or personal essays.” Any subject, style, or genre. Exceptions: Not interested in footnoted scholarly or critical essays, or commercial-type essays. No self-help, how-to, or non-literary work.

Contact: Email Editor-in-Chief Christie Hodgen

Rate: Pays $15-$50 up to 5,000 words, also pays expenses of writers on assignment for nonfiction. Pays $15-$50 up to 5,000 words for fiction. Poetry pays $10 – $25 with unlimited word count.

12. New Reader Magazine

This quarterly arts and literature journal that covers fiction, flash fiction, nonfiction, poetry, memoirs, interviews, and lyrical essays.

Contact: Email Managing Editor Joseph Chino Castanares

Rate: Poetry starts @ $5 per piece |  Fiction, Memoirs, Reportage, Interviews, Lyrical Essays start at $10 per piece |  Fiction over 1,000 words starts @ $20.

13. Ninth Letter

Ninth Letter is a literary journal published by the Department of English at the University of Illinois, which publishes “prose and poetry that experiment with form, narrative, and non-traditional subject matter, as well as more traditional literary work.”

TIP: The editorial staff rotates, and there is a different editor assigned to nonfiction, fiction, and poetry. Check the submission guidelines for the appropriate editor.

Contact: Email Editor Jodee Stanley 

Rate: Nonfiction, fiction, and poetry pays $25 per printed page.  

14. One Story

This literary magazine actually publishes one story every three to four weeks, which its readers are sent by mail as a printed copy.

TIP: One Story currently needs short fiction stories “that are strong enough to stand alone-the best you can give.”

Contact: Email publisher Maribeth Batcha

Rate: Pays $500 for 3,000 – 8,000 words.

In addition to “news, reviews, letters, and features, this pub covers tons of poetry and artwork.

TIP: Needs essays, reviews, and technical feature stories. Check submission guidelines, as content needs change.

Contact: Email Editor Carole Baldock

Rate: $50 for nonfiction

16. Paris Review

Publishes fiction, nonfiction, and poetry on a quarterly basis of high-quality. 

Contact: Email Editor Emily Stokes

Rate: $100 per poem. Pays $1,000 – $3,000 for fiction and pays expenses of writers on assignment for nonfiction projects. 

Publishes poetry quarterly in-print and daily online.

TIP : An excellent publication for emerging poets.

Contact: Email editor Timothy Green  

Rate: $50 per poem for online contributors, and $100 per poem for in-print contributors.

18. ThreePenny Review

A general-interest literary magazine published quarterly, which publishes nonfiction, fiction, and poetry.

TIP: Nonfiction, the genre most open to freelance writers. Check submission guidelines.

Contact: Email: Editor Wendy Lesser

Rate: Nonfiction – $400 for 1,500 – 4,000 words. 

This literary magazine covers the gamut of poetry, fiction, short fiction, nonfiction, photography, multimedia, and essays, which publishes quarterly.

Contact: Email Editor Paul Reyes

Rate: Poetry pays $200 per poem, up to 4 poems. For 5+ poems, pay is usually $1,000+. Short fiction pays $1,000 +. Personal essays and literary criticism pay $1,000+ at .25 cents per word, depending on length.

20. ZYZZYVA

Publishes a mix of curated works of fiction, nonfiction, poetry of established and new talent of contemporary arts. 

TIP: Will begin accepting submissions September 1 st . Check submission guidelines .

Contact: Email: Managing Editor Oscar Villalon

Rate: Pays $50 for each nonfiction piece, plus expenses paid for writers on assignment. Pays $50 for fiction, and $50 for poetry.

Looking for some insider tips about how to pitch literary magazines, land assignments, and get paid? Check out these 11 tips to get started:

• Read the guidelines and back issues of lit mags to which you want to submit work. 
• Find the right contact info. Submit your literary work to the appropriate editor. 
• Watch for literary magazines and journals that have specific editors assigned exclusively to poetry, fiction, nonfiction, art, essays, interviews, book reviews, and photography. Here is some literary advice from agents.
• Only submit your work during the dates specified by the publication . Some pubs only accept literary work during specific times of the year. The submission schedule can be found within the guidelines.
• Literary magazines are competitive and can be tough to break into. They only have a limited number of spots available; this is so editors can carefully read each piece.
• Make your submission stand out. Since the market is so competitive, with editors overwhelmed with submissions, they read quickly with an eye to reject a piece. This process narrows the selection process. So, make your piece stand out above the rest.
• Take a different approach. To make your piece stand out, lit mags and journals seek fresh, “different and original” creative literary pieces-knock the editor off their feet and sweep them away!
• Don’t fear the online submission process. Submitting your literary work may require that you submit the finished piece via an “online submission manager.” The most used submission manager is called “submittable,” which is available on the submission page of the lit mag or journal.
• No academic essays. Although a few lit mags and journals are published by universities, they are not looking for academic essays.
• A small fee is charged by some lit pubs upon submission of your work, as a reading fee; about $3 per submission, and the fee could be higher.
• If you’re seeking alternative ways to get your literary work published , some magazines have literary competitions, which offer monetary rewards to the winner of $1,000+.

So, get your creative juices flowing, or dust-off your cherished unpublished literary work, go forth, and share it with the world.

Do you write for literary magazines? Tell us about it in the comments.

Previous Post

How to Get Into Gonzo Journalism

How To Find Food Writing Jobs -- 7 Places to Look

Related Posts

9 Aging Well and Seniors Magazines and Websites that Pay Freelancers

Seniors magazines and websites abound in the niche of aging well, although they don’t all pay writers. We found ones that both pay writers and have circulation rates in the millions.

Where to Sell Short Stories: 7 Places That Pay

If you are a writer trying to grow your career or start to make money from your craft, you most likely have wondered where to sell short stories.

Get Paid to Write: 23 Sites That Pay Freelancers $100+

In this list of sites that pay freelance writers, we’ve identified new markets we haven’t featured before. And even though these sites represent a variety of different niches, they all have one thing in common.

These are sites that pay $100 or more for blog posts, articles, essays, tutorials, and other types of writing assignments.

A Love Letter to Cricket, the Bookish Child’s Bible

For young magazine readers with literary pretensions, it wasn’t just our best option; it was our only option.

April 1976 cover, by Quentin Blake. Credit... Cricket magazine

Supported by

• Share full article

By Sadie Stein

Sadie Stein is an editor at the Book Review.

• June 21, 2024

I first encountered Cricket, the literary magazine for children, at the home of my best friend, Elaine. Elaine was the most sophisticated child I knew. She always chose coffee ice cream. The tooth fairy brought her not crumpled dollar bills but smooth stones painted with miniature landscapes. She had traveled a lot, visiting family, and the Inwood apartment where she lived with her parents was filled with art and books and the smells of the elaborate meals her father cooked — the fact that he worked nights, and so was available to take us to museums after school, was itself glamorous. Even the apple juice they served us, in vividly painted Turkish tea glasses, tasted richer and finer than any I had ever tasted.

Cricket was beautiful. Its logo looked as if it had been painted by a calligraphy brush, moving from elegant but clear lettering into a delicate image of its namesake insect. The cover of the first issue I remember seeing featured a Margot Zemach illustration of a regal tiger reclining on a green bench; the back cover showed the equally regal back of his head. Inside were poems, stories, cartoons; work by Madhur Jaffrey and Hilary Knight — but also by other children, my age and younger.

After that, I started looking for Cricket at the library. I read it conscientiously, aware that it signified something about the kind of child I wanted to be. And when my birthday came, around five months later, I requested a subscription. My parents were happy to oblige. It was the first magazine I’d ever received in the mail. Each issue was a delight, a challenge — and slightly scary. These were thick, book-quality magazines, with volume numbers, to be treated not as disposable objects but as treasures. The title, I would learn, was a reference to an Isaac Bashevis Singer story in which a cricket chirps continuously, “telling a story that would never end.”

I wasn’t allowed to read Highlights. I guess my mother didn’t think it was good literature. So I had to covertly mainline “Goofus and Gallant” at the dentist’s office, as I would later sneak the Baby-Sitters Club books . (Ranger Rick was for that alien species, animal kids.)

For those of us with literary or artistic pretensions — however amorphous — Cricket wasn’t just our best option; it was our only option.

I’ll admit it: I didn’t always keep on top of my Crickets. Sometimes schoolwork took precedence, or I became absorbed in a book that wasn’t “good literature” or in a Newbery-winning novel where a child experiences tragedy. Crickets would then accumulate in a reproachful stack — an early lesson in the pile-of-serious-magazine-induced guilt I’ve always felt needs its own German compound word.

We are having trouble retrieving the article content.

Please enable JavaScript in your browser settings.

Thank you for your patience while we verify access. If you are in Reader mode please exit and  log into  your Times account, or  subscribe  for all of The Times.

Thank you for your patience while we verify access.

Already a subscriber?  Log in .

Want all of The Times?  Subscribe .

Advertisement

Literary Legacy

The foundation for the Writers Institute began in 1964; today, it is both a bustling hub and quiet place for creative writing majors to pen their works.

Two years before the first creative writing course was approved for the curriculum, seven student editors and three faculty advisors published the university’s first student literary magazine, Focus. Described in the course catalog as “a means of communication for the best creative expressions of literary and artistic nature,” the magazine teetered between making new waves and barely staying afloat. When Gary Fincke became advisor to Focus in 1982, its trajectory was reset. And so was his.

A lecturer in English at the time, Fincke had just completed his first year of teaching the lone creative writing course at Susquehanna, and by 1986, he was leading four creative writing workshops and welcoming six or more visiting authors to campus each year. His entrepreneurial vision and forward thinking for what should come next is why Fincke’s name has become synonymous with all things writing at Susquehanna University.

Fincke’s proposal to establish a writing community was endorsed by then Dean of the School of Arts and Sciences Don Housley , and in 1993, this dream of “what could be” was realized.

“The university and especially Don Housley supported the creation of the Writers Institute and me as director,” Fincke recalls. “My ‘job’ was to find ways to call attention to Susquehanna by creating opportunities in creative writing.”

The rest, as they say, is history. Fincke was on his way to building a program that became more than he imagined.

Grant awards from the President’s Fund for Excellence and the 1994 Charles B. Degenstein Foundation fueled rapid growth. By 1996, the creative writing major was approved and, according to Fincke, it had nine “eager volunteers.” Soon after the first two classes (1999, 2000) graduated, the number of faculty expanded to three and the number of creative writing majors surged.

The ushering in of these new writers was marked by new student literary magazines dedicated to the three genres that comprise the creative writing program: Essay, for creative nonfiction; and RiverCraft, for fiction and poetry. Focus was renamed in 1993 as The Susquehanna Review, and in 2003 it was launched as a national undergraduate magazine.

Its roots established in the Department of English & Creative Writing, formerly located in the English Cottage on University Avenue and then the lower level of Hassinger Hall, the Writers Institute moved to its own building on University Avenue in 2010. It has permanence, regardless of its location, because the Writers Institute supports and funds the creative writing endeavors at the university — literary magazines, chapbook publications, workshops, the senior reading series, prize-winning and prize-granting journals, a summer workshop for high school students, and the Seavey Visiting Writers Series.

In terms of physical space, the Writers Institute is to a creative writing major what a laboratory is to a science major, a studio to an art major, and a radio station to a broadcasting major. “The Writers Institute serves as a nucleus for our community,” says Karla Kelsey , professor of English & creative writing. “The space naturally blends the work creative writing majors do in the classroom with the community that the Writers Institute fosters. It represents the function of the Writers Institute to hold space for creative interaction and growth.”

It is a place that is as much a quiet retreat for a student to be introspective and reflective as it is a boisterous hub for workshops and literary club members to brainstorm and collaborate. It houses inspiration — whether through the critique of peers and faculty or within the covers of the books and publications that line the bookshelves.

“I was here for our move into the building on University Avenue,” recalls Glen Retief , associate professor of English & creative writing. “That created a magical space on campus where writing and creativity were celebrated — where students continue to sit all morning or all afternoon, reading quietly or writing in front of books and chapbooks published by alumni who came before them, faculty, visitors and even their peers.”

A must-see stop for aspiring writers while on a tour of Susquehanna’s campus, the Writers Institute is a recruitment tool all its own. “I first visited the Writers Institute the summer before my senior year of high school during the Summer Writers Workshop,” says Nala Washington ’24 , a creative writing major with a minor in women and gender studies from Temple Hills, Maryland. “I fell in love with the building, people and professors, and appreciated how every aspect motivated me to become better, to work harder and to be greater.”

Washington will pursue a Master of Fine Arts in poetry from Texas State University. “The Writers Institute has been home to some of the biggest and bravest voices, and I’m proud that it now includes my own,” she adds.

Throughout the past three decades, hundreds of young writers have been inspired by the Writers Institute to foster creative lives.

“Our writing majors who applied to graduate programs had a nearly 100% acceptance rate, and many received funding to continue their education,” boasts Fincke. “Our alumni began to publish or teach, and several became lawyers, librarians, agents and editors.”

Graduate successes include Devon Taylor ’04 , who is a senior editor at The New York Times and part of the Gimlet Media team that has been honored with a Pulitzer Prize and Peabody Award for the podcast Stolen: Surviving St. Michael’s; Nick Martell ’16 , who secured a three-book publishing deal with Simon & Schuster for his epic fantasy series Legacy of the King ; and Catherine Pierce ’00, H’23 , who was named poet laureate of the state of Mississippi. Pierce, now a professor of English and co-director of the creative writing program at Mississippi State University, was among Fincke’s first cohort of graduates who majored all four years in creative writing.

The connections that writers form at Susquehanna support them in their careers and personal lives. “The Writers Institute is based on energy, connection,  Mercenary commitment and vision,” Catherine Zobal Dent , associate professor of English & creative writing and director of the Writers Institute, says. “We train new generations by making space for them to connect to each other as well as to the wider world of creative writing and literature.”

Sarah Gzemski ’13 , business coordinator of the University of Arizona Poetry Center and executive director of Neomi Press, says, “The instruction I received at the Writers Institute exposed me and my peers to a large literary world of which we are still a part. When I entered graduate school and the workforce, I realized I had learned so much in my time at Susquehanna, not just about the craft of writing, but also about the publishing world and how to be a contributing member of the community.”

Retief, who in 2015 became Fincke’s f irst successor as director of the Writers Institute, adds, “Consistently, I have watched the creative writing program help students find their voices on the page and hone the skills they need to be not just great writers but effective communicators as well — attuned to their genre, their audience and their craft.”

Matthew Neill Null , assistant professor of English & creative writing, attributes the success of the institute to its creative programming and the community it fosters.“What makes the Writers Institute unique is the vibrancy of the writing community at Susquehanna,” he says, “with so many public readings, literary magazines, visiting writers and other opportunities for engagement. It functions more like a graduate program. It’s rare for an undergraduate creative writing program to have such a large, lively writing community. It’s central to life here.”

Fincke retired in 2017 as Emeritus Charles B. Degenstein Professor of English and Creative Writing. The award-winning poet and author continues to write and publish. Reflecting on his 37-year career at Susquehanna, he says, “I couldn’t have been happier coming to work each day. I had a dream job, recruiting and teaching talented students and having excellent writers as colleagues.”

• Tools and Resources
• Customer Services
• African Literatures
• Asian Literatures
• British and Irish Literatures
• Latin American and Caribbean Literatures
• North American Literatures
• Oceanic Literatures
• Slavic and Eastern European Literatures
• West Asian Literatures, including Middle East
• Western European Literatures
• Ancient Literatures (before 500)
• Middle Ages and Renaissance (500-1600)
• Enlightenment and Early Modern (1600-1800)
• 19th Century (1800-1900)
• 20th and 21st Century (1900-present)
• Children’s Literature
• Cultural Studies
• Film, TV, and Media
• Literary Theory
• Non-Fiction and Life Writing
• Print Culture and Digital Humanities
• Theater and Drama
• Share This Facebook LinkedIn Twitter

Article contents

The latin american chronicle.

• Claudia Darrigrandi Claudia Darrigrandi Adolfo Ibáñez University
• https://doi.org/10.1093/acrefore/9780190201098.013.1429
• Published online: 22 May 2024

The Latin American chronicle has a rich tradition, yet its status within the academic field remains variable across the continent. The term “Latin American chronicle” encompasses a wide range of nonfiction writings that blend journalism and literature, published in newspapers, magazines, and books.

The Latin American chronicle possesses a sense of social importance that renders it an appealing genre, and during the first decades of the 21st century, the genre gained widespread recognition. Several factors contribute to this attribute, including: the genre’s origins and its diverse manifestations since the 16th century; its hybrid nature that blends features from literature, journalism, and the social sciences; its cultural manifestation as a social and cultural practice; the convictions of the chroniclers and their attributed functions to the chronicle; and the growing interest of the reading audience. The appeal enveloping Latin American chronicles is related to a mode of conducting journalism, a perspective of what constitutes journalism and literature, and the attitudes of chroniclers toward their contemporary time and events in the Latin American context.

Part of the appeal of this genre has to do with the challenges of providing a clear definition of it. Chronicle and narrative journalism are not synonymous, although in certain contexts, they may appear interchangeable. Narrative journalism, as the name suggests, pertains to the field of journalism. Concisely stated, it involves incorporating literary techniques into journalistic writing, whether in the form of an article, chronicle, column, or reportage. Similarly, the term crónica in Latin America has encompassed various writing genres and journalistic forms, including profiles, interviews, reportages, columns, and articles. Nevertheless, the chronicle is a distinct genre within narrative journalism, and despite the challenge of providing a precise definition, it exhibits its own qualities. A straightforward way to define the Latin American crónica is as a journalistic-literary genre, primarily published in magazines and newspapers from the late 19th century to the 21st century, which explores an event or fact.

Since 2012, the Latin American chronicle has captured the attention of publishers, readers, and researchers, prompting discussions about its origin as a hybrid genre. There is some debate as to whether its roots come from the historical chronicle—or Crónica de Indias— or from Latin American chronicle published around the turn of the 20th century (1880–1920). Each choice implies, to some extent, different trends concerning its ethos. While the reference to Crónica de Indias conveys a particular mission linked to showing and exposing what the writer or journalist witnessed, in the Spanish and Brazilian modernist chronicle, documentary writing is less compelling than the style itself. As there is no agreement on whether it is possible to construct a genealogy of the crónica latinoamericana , what it is true is that the term crónica latinoamericana conveys much more than a literary, journalistic, or hybrid genre. Historically, the Latin American chronicle has provided a platform for expressions not typically found in other literary genres, fulfilling a societal and cultural need by virtue of its profound commitment to the contemporary moment.

• Latin American chronicle
• Crónica de Indias
• Latin American modernism
• non-fiction
• narrative journalism
• literary journalism

You do not currently have access to this article

Please login to access the full content.

Access to the full content requires a subscription

Printed from Oxford Research Encyclopedias, Literature. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy and Legal Notice).

date: 24 June 2024

• Cookie Policy
• Privacy Policy
• Legal Notice
• Accessibility
• [185.126.86.119]
• 185.126.86.119

Character limit 500 /500

• Subscriptions

By clicking Sign In, you agree to our Terms and Conditions and that you have read our Privacy Policy .

Sign In Up with your social account

We won't post to any of your accounts

Your password must include:

• Min 8 characters
• Min 1 lowercase character
• Min 1 uppercase character
• Min 1 number

Bridgerton’s Nicola Coughlan Addresses Rumors of a Deleted Polin Sex Scene After Fan Backlash

Bridgerton ‘s Nicola Coughlan weighed in on fan speculation that Penelope and Colin had more sex scenes that weren’t featured on the show.

Coughlan, 37, replied via Instagram on Friday, June 21, to viewers questioning what moments didn’t make the final cut, writing, “Aaah this is just a rumor! I think you got all the Polin we had but there’s lots of BTS still to share.”

The actress’ clarification came shortly after producer Tom Verica also shut down the rumors. “Not sure where this all came from but these claims are false,” he wrote in his Instagram comments section on Wednesday, June 19, after sharing photos from the set. “The supposed scenes … don’t exist.”

Since season 3 wrapped up on June 13, fans have claimed there were more scenes between Colin ( Luke Newton ) and Penelope (Coughlan) that didn’t see the light of day. The couple was the focus of the third season, but some viewers felt they were sidelined in the second half. As a result, social media users spread rumors about sex scenes they thought were scrapped at the last second from the show.

Related: Every 'Bridgerton' Season 3 Deleted Scene: Unseen Steamy Moments and More

Based on Julia Quinn ‘s novel Romancing Mr. Bridgerton , season 3 focused on Colin and Penelope’s love story after their friendship became a staple of the past two seasons. After being on the show before becoming the leads, Coughlan admitted there was some pressure.

“Luke and I read the books at the beginning of season 1, and it was funny to us. We were like, ‘Imagine if we have to kiss and do this,'” she recalled to Entertainment Tonight in June 2023. “And then season 3 came on and we were like, ‘Oh, God.’ And then it’s like, it’s my friend. I have to kiss my friend. And you can’t pretend to kiss someone, you have to really kiss them. It’s a spicy one. It’s a lot of the stuff from the books that the fans expect has made it into the show.”

Related: Let's Discuss Penelope, Colin's Steamiest 'Bridgerton' Season 3 Moments

Coughlan later praised Newton, 31, for making her feel “really taken care of” while filming the streamier sequences.

“We really had each other’s backs and also then we could just have a laugh about it like, the way that we just, like, lying under a blanket being like, ‘I should chill now,’” she told AP Entertainment in February, to which Newton added, “Yeah, halfway through the day you just relax and you’re like, ‘I don’t really care if I’m naked.’”

You have successfully subscribed.

Subscribe to newsletters

By signing up, I agree to the Terms and Privacy Policy and to receive emails from Us Weekly

Deal of the Day

Check our latest news in Google News

Check our latest news in Apple News

Bridgerton showrunner Jess Brownell recently promised that Colin and Penelope will continue to appear on the show after finding their happily ever after.

Related: Bridgerton's Steamiest Sex Scenes Throughout the Seasons

“Colin and Penelope will absolutely follow suit with past couples in terms of being more in the ensemble, so that our main couple next season can come to the foreground. But I do think that there is a bit more to tell story-wise with Whistledown,” she teased to Entertainment Weekly earlier this month about Penelope’s not-so-secret identity as gossip writer Lady Whistledown. “Whistledown has been the narrative glue of every season. Now that Penelope’s out publicly as Whistledown, I want to see more of what that’s like. So, we will continue with them next season for sure.”

Bridgerton is currently streaming on Netflix.

In this article

Nicola Coughlan

More Stories

• Skip to primary navigation
• Skip to main content
• Skip to primary sidebar

Literary Magazines

The Big List of Literary Magazines

7th-Circle Pyrite

October 18, 2023 by Every Writer

April 2, 2023 by Every Writer

Angie’s DIARY | Online Writing Magazine

April 17, 2023 by Every Writer

Antigonish Review, The

August 22, 2017 by Every Writer

ART TIMES Literary Journal and Resource for the Fine and Performing Arts

July 22, 2017 by Every Writer

Beaks of Eagles: A Journal About Men’s Nature

October 14, 2012 by Every Writer

BLACKBERRY: a magazine

Brain, Child: The Magazine for Thinking Mothers

April 18, 2023 by Every Writer

Carolina Quarterly, The

June 18, 2014 by Every Writer

Chamber Magazine, The

April 23, 2023 by Every Writer

Cleaver Magazine

April 20, 2023 by Karen Rile

Clever Magazine (links to site)

April 27, 2009 by Every Writer

CONSEQUENCE magazine

Cumberland River Review

April 20, 2023 by Every Writer

Dreamers Creative Writing

Drunk Monkeys

April 21, 2023 by Every Writer

Empty Mirror

April 19, 2023 by Every Writer

Escape into Life (links to site)

Flint Hills Review

April 22, 2023 by Every Writer

October 8, 2023 by Every Writer

Griffith REVIEW

April 22, 2024 by Every Writer

James Gunn’s Ad Astra

April 26, 2023 by Every Writer

Kudzu Review

November 11, 2011 by Every Writer

Literary Yard

Little Patuxent Review

April 28, 2023 by Every Writer

Memoir Magazine

November 18, 2017 by Every Writer

June 1, 2017 by Every Writer

Streetlight Magazine

March 29, 2013 by Every Writer

The Cumberland River Review

September 3, 2012 by Every Writer

The Drum Literary Magazine

November 25, 2017 by Every Writer

The FictionWeek Literary Review

August 1, 2017 by Every Writer

The Florida Review

August 1, 2018 by Every Writer

The Hedgehog Review

November 3, 2011 by Every Writer

The Literary Yard

March 23, 2013 by Every Writer

May 16, 2013 by Every Writer

The Missing Slate

July 9, 2017 by The Missing Slate

The Nelligan Review

February 3, 2023 by Every Writer

The Paris-American

September 4, 2012 by Every Writer

June 25, 2012 by Every Writer

The Renaissance

April 13, 2024 by Every Writer

The Subtopian Magazine

August 7, 2012 by Every Writer

Whisperings

April 4, 2014 by Every Writer

Words Apart

September 21, 2011 by Every Writer

Jump to navigation Skip to content

Search form

• P&W on Facebook
• P&W on Twitter
• P&W on Instagram

Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we’ve published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests database, the most trusted resource for legitimate writing contests available anywhere.

Find a home for your poems, stories, essays, and reviews by researching the publications vetted by our editorial staff. In the Literary Magazines database you’ll find editorial policies, submission guidelines, contact information—everything you need to know before submitting your work to the publications that share your vision for your work.

Whether you’re pursuing the publication of your first book or your fifth, use the Small Presses database to research potential publishers, including submission guidelines, tips from the editors, contact information, and more.

Research more than one hundred agents who represent poets, fiction writers, and creative nonfiction writers, plus details about the kinds of books they’re interested in representing, their clients, and the best way to contact them.

Every week a new publishing professional shares advice, anecdotes, insights, and new ways of thinking about writing and the business of books.

Find publishers ready to read your work now with our Open Reading Periods page, a continually updated resource listing all the literary magazines and small presses currently open for submissions.

Since our founding in 1970, Poets & Writers has served as an information clearinghouse of all matters related to writing. While the range of inquiries has been broad, common themes have emerged over time. Our Top Topics for Writers addresses the most popular and pressing issues, including literary agents, copyright, MFA programs, and self-publishing.

Our series of subject-based handbooks (PDF format; $4.99 each) provide information and advice from authors, literary agents, editors, and publishers. Now available: The Poets & Writers Guide to Publicity and Promotion, The Poets & Writers Guide to the Book Deal, The Poets & Writers Guide to Literary Agents, The Poets & Writers Guide to MFA Programs, and The Poets & Writers Guide to Writing Contests.

Find a home for your work by consulting our searchable databases of writing contests, literary magazines, small presses, literary agents, and more.

Poets & Writers lists readings, workshops, and other literary events held in cities across the country. Whether you are an author on book tour or the curator of a reading series, the Literary Events Calendar can help you find your audience.

Get the Word Out is a new publicity incubator for debut fiction writers and poets.

Research newspapers, magazines, websites, and other publications that consistently publish book reviews using the Review Outlets database, which includes information about publishing schedules, submission guidelines, fees, and more.

Well over ten thousand poets and writers maintain listings in this essential resource for writers interested in connecting with their peers, as well as editors, agents, and reading series coordinators looking for authors. Apply today to join the growing community of writers who stay in touch and informed using the Poets & Writers Directory.

Let the world know about your work by posting your events on our literary events calendar, apply to be included in our directory of writers, and more.

Find a writers group to join or create your own with Poets & Writers Groups. Everything you need to connect, communicate, and collaborate with other poets and writers—all in one place.

Find information about more than two hundred full- and low-residency programs in creative writing in our MFA Programs database, which includes details about deadlines, funding, class size, core faculty, and more. Also included is information about more than fifty MA and PhD programs.

Whether you are looking to meet up with fellow writers, agents, and editors, or trying to find the perfect environment to fuel your writing practice, the Conferences & Residencies is the essential resource for information about well over three hundred writing conferences, writers residencies, and literary festivals around the world.

Discover historical sites, independent bookstores, literary archives, writing centers, and writers spaces in cities across the country using the Literary Places database—the best starting point for any literary journey, whether it’s for research or inspiration.

Search for jobs in education, publishing, the arts, and more within our free, frequently updated job listings for writers and poets.

Establish new connections and enjoy the company of your peers using our searchable databases of MFA programs and writers retreats, apply to be included in our directory of writers, and more.

• Register for Classes

Each year the Readings & Workshops program provides support to hundreds of writers participating in literary readings and conducting writing workshops. Learn more about this program, our special events, projects, and supporters, and how to contact us.

The Maureen Egen Writers Exchange Award introduces emerging writers to the New York City literary community, providing them with a network for professional advancement.

Find information about how Poets & Writers provides support to hundreds of writers participating in literary readings and conducting writing workshops.

Bring the literary world to your door—at half the newsstand price. Available in print and digital editions, Poets & Writers Magazine is a must-have for writers who are serious about their craft.

View the contents and read select essays, articles, interviews, and profiles from the current issue of the award-winning Poets & Writers Magazine .

Read essays, articles, interviews, profiles, and other select content from Poets & Writers Magazine as well as Online Exclusives.

View the covers and contents of every issue of Poets & Writers Magazine , from the current edition all the way back to the first black-and-white issue in 1987.

Every day the editors of Poets & Writers Magazine scan the headlines—publishing reports, literary dispatches, academic announcements, and more—for all the news that creative writers need to know.

In our weekly series of craft essays, some of the best and brightest minds in contemporary literature explore their craft in compact form, articulating their thoughts about creative obsessions and curiosities in a working notebook of lessons about the art of writing.

The Time Is Now offers weekly writing prompts in poetry, fiction, and creative nonfiction to help you stay committed to your writing practice throughout the year. Sign up to get The Time Is Now, as well as a weekly book recommendation for guidance and inspiration, delivered to your inbox.

Every week a new author shares books, art, music, writing prompts, films—anything and everything—that has inspired and shaped the creative process.

Listen to original audio recordings of authors featured in Poets & Writers Magazine . Browse the archive of more than 400 author readings.

Ads in Poets & Writers Magazine and on pw.org are the best ways to reach a readership of serious poets and literary prose writers. Our audience trusts our editorial content and looks to it, and to relevant advertising, for information and guidance.

Start, renew, or give a subscription to Poets & Writers Magazine ; change your address; check your account; pay your bill; report a missed issue; contact us.

Peruse paid listings of writing contests, conferences, workshops, editing services, calls for submissions, and more.

Poets & Writers is pleased to provide free subscriptions to Poets & Writers Magazine to award-winning young writers and to high school creative writing teachers for use in their classrooms.

Read select articles from the award-winning magazine and consult the most comprehensive listing of literary grants and awards, deadlines, and prizewinners available in print.

• Subscribe Now

Literary Magazines

Find a home for your poems, stories, essays, and reviews by researching the publications vetted by our editorial staff and listed in the Literary Magazines database. Here you’ll find editorial policies, submission guidelines, and contact information—everything you need to determine which publications match your vision for your writing and your writing life. Use the filters below to find magazines with reading periods that are open now or opening soon (within the next thirty days), accept unsolicited submissions, and match all of your criteria for the perfect publisher of your work.

No literary magazines were found in our database to match your criteria. Please browse our literary magazine database by selecting a corresponding letter below.

Elizabeth Hoover Wins 2024 Pat Holt Prize for Critical Arts Writing

Author: Emmanuel Henderson

June 17, 2024

Lambda Literary is delighted to announce Elizabeth Hoover as the winner of the Pat Holt Prize for Critical Arts Writing!

The Pat Holt Prize for Critical Arts Writing is presented in memory of the celebrated author and long-time SF Chronicle book review editor Patricia Holt and honors LGBTQ Critical Writing on Arts & Literature. The award will go an LGBTQ arts critic or literary reviewer committed to examining queer works of art and culture, as Holt ground-breakingly did for 16 years. This award is made possible by Lesbians for Good, a fund of the Horizons Foundation, and includes a cash prize of $4,000.

About Elizabeth Hoover

Elizabeth Hoover is the author of the archive is all in present tense, winner of the 2021 Barrow Street Book Prize. Her creative nonfiction has appeared in the North American Review , the Kenyon Review , and StoryQuarterly and her writing about art, pop culture, and books has appeared in Bitch, Paper, The Art Newspaper and the Washington Post .  She is an assistant professor at Webster University, where she teaches such classes as LGBTQ+ Literature, Genderqueer Frankenstein, and Archival Poetics. 

The judges left the following comment on Hoover’s submission:

Hoover’s work is extremely well written, unique in perspective and clearly expressed without pretension and self-importance. This is a review in context of lived experience. Her writing is relatable and inspiring.

Related posts:

About: Emmanuel Henderson

• Pat Holt Prize for Critical Arts Writing

Subscribe to our newsletter

Do you believe in the power of queer books? Support free expression and queer creativity with a donation to Lambda Literary today. DONATE HERE