the lottery 5 paragraph essay

A Summary and Analysis of Shirley Jackson’s ‘The Lottery’

By Dr Oliver Tearle (Loughborough University)

‘The Lottery’ is the best-known story of the American writer Shirley Jackson. Published in the New Yorker in 1948 and collected in The Lottery and Other Stories , the story is about a village where an annual lottery is drawn. However, the fate of the person who draws the ‘winning’ slip is only revealed at the end of the story in a dark twist.

‘The Lottery’ forces us to address some unpleasant aspects of human nature, such as people’s obedience to authority and tradition and their willingness to carry out evil acts in the name of superstition.

You can read ‘The Lottery’ here before proceeding to our summary and analysis of Jackson’s story below. You might also be interested in the following articles we have written on other aspects of the story:

‘The Lottery’: key quotes explained

‘The Lottery’: key themes discussed

‘The Lottery’: main symbols

But for the present, let’s start with a brief summary of the plot of the story.

‘The Lottery’: plot summary

The story takes place one morning between ten o’clock and noon on 27 June, in a village somewhere in (presumably) the USA. The year is not stated. The three hundred villagers are gathering to undertake the annual ritual of the lottery, which is always drawn on this date every year. Some of the children of the village are busy making a pile of stones which they closely guard in the corner of the village square.

The lottery is led by a Mr Summers, who has an old black box. Inside the black box, slips of paper have been inserted, all of them blank apart from one. The head of each household, when called up to the box by Mr Summers, has to remove one slip of paper.

When every household has drawn a slip of paper, the drawn slips are opened. It is discovered that Bill Hutchinson has drawn the marked slip of paper, and it is explained that, next, one person from within his family must be chosen. His family comprises five people: himself, his wife Tessie, and their three children, Bill Jr., Nancy, and Dave.

Bill’s wife, Tessie, isn’t happy that her family has been chosen, and calls for the lottery to be redrawn, claiming that her husband wasn’t given enough time to choose his slip of paper. But the lottery continues: now, each of the five members of the Hutchinson household must draw one slip from the black box. One slip will be marked while the others are not.

Each of the Hutchinsons draw out a slip of paper, starting with the youngest of the children. When they have all drawn a slip, they are instructed to open the folded pieces of paper they have drawn. All of them are blank except for Tessie’s, which has a black mark on it which Mr Summers had made with his pencil the night before.

Now, the significance of the pile of stones the children had been making at the beginning of the story becomes clear. Each of the villagers picks up a stone and they advance on Tessie, keen to get the business over with. One of the villagers throws a stone at Tessie’s head. She protests that this isn’t right and isn’t fair, but the villagers proceed to hurl their stones, presumably stoning her to death.

‘The Lottery’: analysis

‘The Lottery’ is set on 27 June, and was published in the 26 June issue of the New Yorker in 1948. Perhaps surprisingly given its status as one of the canonical stories of the twentieth century, the story was initially met with anger and even a fair amount of hate mail from readers, with many cancelling their subscriptions. What was it within the story that touched a collective nerve?

We may scoff at the Carthaginians sacrificing their children to the gods or the Aztecs doing similar, but Jackson’s point is that every age and every culture has its own illogical and even harmful traditions, which are obeyed in the name of ‘tradition’ and in the superstitious belief that they have a beneficial effect.

To give up the lottery would, in the words of Old Man Warner, be the behaviour of ‘crazy fools’, because he is convinced that the lottery is not only beneficial but essential to the success of the village’s crops. People will die if the lottery is not drawn, because the crops will fail and people will starve as a result. It’s much better to people like Old Man Warner that one person be chosen at random (so the process is ‘fair’) and sacrificed for the collective health of the community.

There are obviously many parallels with other stories here, as well as various ethical thought experiments in moral philosophy. The trolley problem is one. A few years after Jackson’s ‘The Lottery’ was published, Ray Bradbury wrote a story, ‘ The Flying Machine ’, in which a Chinese emperor decides it is better that one man be killed (in order to keep the secret of the flying machine concealed from China’s enemies) than that the man be spared and his invention fall into the wrong hands and a million people be killed in an enemy invasion.

But what makes the lottery in Jackson’s story even more problematic is that there is no evidence that the stoning of one villager does affects the performance of the village crops. Such magical thinking obviously belongs to religious superstition and a belief in an intervening God who demands a sacrifice in recognition of his greatness before he will allow the crops to flourish and people to thrive.

Indeed, in the realms of American literature, such superstition is likely to put us in mind of a writer from the previous century, Nathaniel Hawthorne, whose tales (see ‘ The Minister’s Black Veil ’ for one notable example) often tap into collective superstitions and beliefs among small religious communities in America’s Puritan past.

But even more than Hawthorne, we might compare Jackson’s ‘The Lottery’ with a couple of other twentieth-century stories. The first is another ‘lottery’ story and perhaps the most notable precursor to Jackson’s: Jorge Luis Borges’ 1941 story ‘ The Lottery in Babylon ’, which describes a lottery which began centuries ago and has been going on ever since. Although this lottery initially began as a way of giving away prizes, it eventually developed so that fines would be given out as well as rewards.

In time, participation in the lottery became not optional but compulsory. The extremes between nice prizes and nasty surprises, as it were, became more pronounced: at one end, a lucky winner might be promoted to a high office in Babylon, while at the other end, they might be killed.

Borges’ story is widely regarded as an allegory for totalitarianism, and it’s worth bearing in mind that it was published during the Second World War. Jackson’s lottery story, of course, was published just three years after the end of the war, when news about the full horrors of Nazi Germany and the Holocaust were only beginning to emerge in full.

Hannah Arendt, whose The Origins of Totalitarianism was published three years after ‘The Lottery’, would later coin the phrase ‘ banality of evil ’ to describe figures like Adolf Eichmann who had presided over the Nazi regime. Such men were not inherently evil, but were aimless and thoroughly ordinary individuals who drifted towards tyranny because they sought power and direction in their lives.

What is Jackson’s story if not the tale of decent and ordinary people collectively taking part in a horrific act, the scapegoating of an individual? Jackson’s greatest masterstroke in ‘The Lottery’ is the sketching in of the everyday details, as though we’re eavesdropping on the inhabitants of a Brueghel painting, so that the villagers strike us as both down-to-earth, ordinary people and yet, at the same time, people we believe would be capable of murder simply because they didn’t view it as such.

These are people who clearly know each other well, families whose children have grown up together, yet they are prepared to turn on one of their neighbours simply because the lottery decrees it. And the villagers may breathe a collective sigh of relief when little Dave, the youngest of the Hutchinson children, reveals his slip of paper to be blank, but Jackson leaves us in no doubt that they would have stoned him if he had been the unlucky victim.

And the other story with which a comparative analysis of ‘The Lottery’ might be undertaken is another tale about the idea of the scapegoat : Ursula K. Le Guin’s 1973 story, ‘ The Ones Who Walk Away from Omelas ’. In Le Guin’s story, the inhabitants of a fictional city, Omelas, enjoy happy and prosperous lives, but only because a child is kept in a state of perpetual suffering somewhere in the city. This miserable child is imprisoned and barely kept alive: the price the inhabitants of Omelas willingly pay for their own bliss.

Or is it? One of the intriguing details of Le Guin’s story is whether we are truly in a magical realm where this one child’s suffering makes everyone else’s joy possible, or whether this is merely – as in Jackson’s ‘The Lottery’ – what the townspeople tell themselves .

Just as men like Old Warner cannot even countenance the idea of abandoning the lottery (imagine if the crops failed!), the people of Omelas cannot even entertain the notion that their belief in their scapegoat may be founded on baseless superstition. They’re making the child suffer, in other words, for nothing, just as Tessie Hutchinson is sacrificed for nothing: the crops will fail or flourish regardless. There are no winners in Jackson’s lottery: just three hundred losers.

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“The Lottery” by Shirley Jackson Essay (Critical Writing)

• To find inspiration for your paper and overcome writer’s block
• As a source of information (ensure proper referencing)
• As a template for you assignment

Introduction

Works cited.

The Lottery i s a 1948 story written by Shirley Jackson. The story is about a small town in the United States that maintains a lottery tradition every year. One resident of this town is chosen randomly by drawing lots, and the rest throw stones at him (Jackson). The first publication of this work caused a broad resonance among readers. In this small work, several urgent and severe societal topics are raised at once – this is the search for a scapegoat, herd feeling, and blind adherence to traditions.

Among the town residents, there is an opinion that the person who “won” the lottery pays for all the evil that has accumulated over the year. The power of tradition and habit stands above the common sense of every inhabitant, except for the victim. Fatal consequences and the settlement of justice takes place with the help of a gambling drawing of lots. The author wanted to show that the strength of the crowd, coupled with a strong sense of habit and tradition, so much clouded the mind that only the victim, left alone against the entire crowd, can realize all the injustice and cruelty of such a tradition.

The work raises questions about how faithful to follow traditions in general and when they need to be revised. Of course, cruelty is brought to the absolute in this story, but the question remains relevant. The society in work is not taught by experience that one randomly taken person can pay for the crowd’s mistakes. The relief that residents feel when they stretch out an unmarked paper completely stops all thought in the direction of injustice. Perhaps a momentary fear of a moment when nothing is known yet would cause a revision of traditions (Nebeker, 101). However, society has gone so far that even the pain of the victim does not stop them.

The work touches on a vast number of topics that project society’s ills, elevated to hyperbole. The heavy and resonant acceptance of this story by readers only proves its literary power. An individual or society as a whole cannot be recouped by randomly drawing a scapegoat. The strength of the crowd must always be regulated by common sense, which is sometimes spoken by the mouth of the victim of the crowd.

Jackson, Shirley. The lottery . Harvard University Press, 2013.

Nebeker, Helen E. “‘The Lottery’: Symbolic Tour de Force.” American Literature 46.1 (1974): 100-108.

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IvyPanda . 2022. "“The Lottery” by Shirley Jackson." July 20, 2022. https://ivypanda.com/essays/the-lottery-by-shirley-jackson-critical-writing-examples/.

1. IvyPanda . "“The Lottery” by Shirley Jackson." July 20, 2022. https://ivypanda.com/essays/the-lottery-by-shirley-jackson-critical-writing-examples/.

Bibliography

IvyPanda . "“The Lottery” by Shirley Jackson." July 20, 2022. https://ivypanda.com/essays/the-lottery-by-shirley-jackson-critical-writing-examples/.

Analysis of 'The Lottery' by Shirley Jackson

Taking Tradition to Task

ThoughtCo / Hilary Allison

• Short Stories
• Best Sellers
• Classic Literature
• Plays & Drama
• Shakespeare
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• Ph.D., English, State University of New York at Albany
• B.A., English, Brown University

When Shirley Jackson's chilling story "The Lottery" was first published in 1948 in The New Yorker , it generated more letters than any fiction the magazine had ever published. Readers were furious, disgusted, occasionally curious, and almost uniformly bewildered.

Public outcry over the story can be partly attributed to The New Yorker 's practice at the time of publishing works without identifying them as fact or fiction. Readers were also presumably still reeling from the horrors of World War II. Yet, though times have changed and we all now know the story is fiction, "The Lottery" has maintained its grip on readers decade after decade.

"The Lottery" is one of the most widely known stories in American literature and culture. It has been adapted for radio, theater, television, and even ballet. The Simpsons television show referenced the story in its "Dog of Death" episode in season three.

"The Lottery" is available to subscribers of The New Yorker and The Lottery and Other Stories , a collection of Jackson's work with an introduction by the writer A. M. Homes. You can hear Homes read and discuss the story with fiction editor Deborah Treisman at The New Yorker for free.

Plot Summary

"The Lottery" takes place on June 27, a beautiful summer day, in a small New England village where all the residents gather for their traditional annual lottery. Though the event appears festive, it soon becomes clear that no one wants to win the lottery. Tessie Hutchinson seems unconcerned about the tradition until her family draws the dreaded mark. Then she protests that the process wasn't fair. The winner, it turns out, will be stoned to death by the remaining residents. Tessie wins, and the story closes as the villagers—including her own family members—begin to throw rocks at her.

Dissonant Contrasts

The story achieves its terrifying effect primarily through Jackson's skillful use of contrasts , through which she keeps the reader's expectations at odds with the story's action.

The picturesque setting contrasts sharply with the horrific violence of the conclusion. The story takes place on a beautiful summer day with flowers "blossoming profusely" and the grass "richly green." When the boys begin gathering stones, it seems like typical, playful behavior, and readers might imagine that everyone has gathered for something pleasant like a picnic or a parade.

Just as fine weather and family gatherings might lead us to expect something positive, so, too, does the word "lottery," which usually implies something good for the winner. Learning what the "winner" really gets is all the more horrifying because we have expected the opposite.

Like the peaceful setting, the villagers' casual attitude as they make small talk—some even cracking jokes—belies the violence to come. The narrator's perspective seems completely aligned with the villagers', so events are narrated in the same matter-of-fact, everyday manner the villagers use.

The narrator notes, for instance, that the town is small enough that the lottery can be "through in time to allow the villagers to get home for noon dinner." The men stand around talking of ordinary concerns like "planting and rain, tractors and taxes." The lottery, like "the square dances, the teenage club, the Halloween program," is just another of the "civic activities" conducted by Mr. Summers.

Readers may find that the addition of murder makes the lottery quite different from a square dance, but the villagers and the narrator evidently do not.

Hints of Unease

If the villagers were thoroughly numb to the violence—if Jackson had misled her readers entirely about where the story was heading—I don't think "The Lottery" would still be famous. But as the story progresses, Jackson gives escalating clues indicating something is amiss.

Before the lottery starts, the villagers keep "their distance" from the stool with the black box on it, and they hesitate when Mr. Summers asks for help. This is not necessarily the reaction you might expect from people looking forward to the lottery.

It also seems unexpected that the villagers talk as if drawing the tickets is difficult work that requires a man to do it. Mr. Summers asks Janey Dunbar, "Don't you have a grown boy to do it for you, Janey?" And everyone praises the Watson boy for drawing for his family. "Glad to see your mother's got a man to do it," says someone in the crowd.

The lottery itself is tense. People do not look around at each other. Mr. Summers and the men drawing slips of paper grin "at one another nervously and humorously."

On first reading, these details might strike the reader as odd, but they can be explained in several ways — for instance, people are nervous because they want to win. Yet when Tessie Hutchinson cries, "It wasn't fair!" readers realize there has been an undercurrent of tension and violence in the story all along.

What Does "The Lottery" Mean?

As with many stories, "The Lottery" has many analyses. For instance, the story has been read as a comment on World War II or a Marxist critique of an entrenched social order . Many readers find Tessie Hutchinson to be a reference to Anne Hutchinson , who was banished from the Massachusetts Bay Colony for religious reasons. (But it's worth noting that Tessie doesn't really protest the lottery on principle—she protests only her own death sentence.)

Regardless of which interpretation you favor, "The Lottery" is, at its core, a story about the human capacity for violence, especially when violence is couched in an appeal to tradition or social order.

Jackson's narrator says, "No one liked to upset even as much tradition as was represented by the black box." But although the villagers like to imagine that they're preserving tradition, the truth is that they remember very few details and the box itself is not the original. Rumors swirl about songs and salutes, but no one knows how the tradition started or what the details should be.

The only thing that remains consistent is the violence, which gives some indication of the villagers' priorities (and perhaps all of humanity's). Jackson writes, "Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones."

One of the starkest moments in the story is when the narrator bluntly states, "A stone hit her on the side of the head." From a grammatical standpoint, the sentence is structured so that no one actually threw the stone—it's as if the stone hit Tessie of its own accord. All the villagers participate (even giving Tessie's young son some pebbles to throw), so no one individually takes responsibility for the murder. And that, to me, is Jackson's most compelling explanation of why this barbaric tradition continues.

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The Lottery

Audio: Read by A. M. Homes.|||

The morning of June 27th was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green. The people of the village began to gather in the square, between the post office and the bank, around ten o’clock; in some towns there were so many people that the lottery took two days and had to be started on June 26th, but in this village, where there were only about three hundred people, the whole lottery took only about two hours, so it could begin at ten o’clock in the morning and still be through in time to allow the villagers to get home for noon dinner.

The children assembled first, of course. School was recently over for the summer, and the feeling of liberty sat uneasily on most of them; they tended to gather together quietly for a while before they broke into boisterous play, and their talk was still of the classroom and the teacher, of books and reprimands. Bobby Martin had already stuffed his pockets full of stones, and the other boys soon followed his example, selecting the smoothest and roundest stones; Bobby and Harry Jones and Dickie Delacroix—the villagers pronounced this name “Dellacroy”—eventually made a great pile of stones in one corner of the square and guarded it against the raids of the other boys. The girls stood aside, talking among themselves, looking over their shoulders at the boys, and the very small children rolled in the dust or clung to the hands of their older brothers or sisters.

Soon the men began to gather, surveying their own children, speaking of planting and rain, tractors and taxes. They stood together, away from the pile of stones in the corner, and their jokes were quiet and they smiled rather than laughed. The women, wearing faded house dresses and sweaters, came shortly after their menfolk. They greeted one another and exchanged bits of gossip as they went to join their husbands. Soon the women, standing by their husbands, began to call to their children, and the children came reluctantly, having to be called four or five times. Bobby Martin ducked under his mother’s grasping hand and ran, laughing, back to the pile of stones. His father spoke up sharply, and Bobby came quickly and took his place between his father and his oldest brother.

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The lottery was conducted—as were the square dances, the teen-age club, the Halloween program—by Mr. Summers, who had time and energy to devote to civic activities. He was a round-faced, jovial man and he ran the coal business, and people were sorry for him, because he had no children and his wife was a scold. When he arrived in the square, carrying the black wooden box, there was a murmur of conversation among the villagers, and he waved and called, “Little late today, folks.” The postmaster, Mr. Graves, followed him, carrying a three-legged stool, and the stool was put in the center of the square and Mr. Summers set the black box down on it. The villagers kept their distance, leaving a space between themselves and the stool, and when Mr. Summers said, “Some of you fellows want to give me a hand?,” there was a hesitation before two men, Mr. Martin and his oldest son, Baxter, came forward to hold the box steady on the stool while Mr. Summers stirred up the papers inside it.

The original paraphernalia for the lottery had been lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born. Mr. Summers spoke frequently to the villagers about making a new box, but no one liked to upset even as much tradition as was represented by the black box. There was a story that the present box had been made with some pieces of the box that had preceded it, the one that had been constructed when the first people settled down to make a village here. Every year, after the lottery, Mr. Summers began talking again about a new box, but every year the subject was allowed to fade off without anything’s being done. The black box grew shabbier each year; by now it was no longer completely black but splintered badly along one side to show the original wood color, and in some places faded or stained.

Mr. Martin and his oldest son, Baxter, held the black box securely on the stool until Mr. Summers had stirred the papers thoroughly with his hand. Because so much of the ritual had been forgotten or discarded, Mr. Summers had been successful in having slips of paper substituted for the chips of wood that had been used for generations. Chips of wood, Mr. Summers had argued, had been all very well when the village was tiny, but now that the population was more than three hundred and likely to keep on growing, it was necessary to use something that would fit more easily into the black box. The night before the lottery, Mr. Summers and Mr. Graves made up the slips of paper and put them into the box, and it was then taken to the safe of Mr. Summers’ coal company and locked up until Mr. Summers was ready to take it to the square next morning. The rest of the year, the box was put away, sometimes one place, sometimes another; it had spent one year in Mr. Graves’ barn and another year underfoot in the post office, and sometimes it was set on a shelf in the Martin grocery and left there.

There was a great deal of fussing to be done before Mr. Summers declared the lottery open. There were the lists to make up—of heads of families, heads of households in each family, members of each household in each family. There was the proper swearing-in of Mr. Summers by the postmaster, as the official of the lottery; at one time, some people remembered, there had been a recital of some sort, performed by the official of the lottery, a perfunctory, tuneless chant that had been rattled off duly each year; some people believed that the official of the lottery used to stand just so when he said or sang it, others believed that he was supposed to walk among the people, but years and years ago this part of the ritual had been allowed to lapse. There had been, also, a ritual salute, which the official of the lottery had had to use in addressing each person who came up to draw from the box, but this also had changed with time, until now it was felt necessary only for the official to speak to each person approaching. Mr. Summers was very good at all this; in his clean white shirt and blue jeans, with one hand resting carelessly on the black box, he seemed very proper and important as he talked interminably to Mr. Graves and the Martins.

Just as Mr. Summers finally left off talking and turned to the assembled villagers, Mrs. Hutchinson came hurriedly along the path to the square, her sweater thrown over her shoulders, and slid into place in the back of the crowd. “Clean forgot what day it was,” she said to Mrs. Delacroix, who stood next to her, and they both laughed softly. “Thought my old man was out back stacking wood,” Mrs. Hutchinson went on, “and then I looked out the window and the kids was gone, and then I remembered it was the twenty-seventh and came a-running.” She dried her hands on her apron, and Mrs. Delacroix said, “You’re in time, though. They’re still talking away up there.”

Mrs. Hutchinson craned her neck to see through the crowd and found her husband and children standing near the front. She tapped Mrs. Delacroix on the arm as a farewell and began to make her way through the crowd. The people separated good-humoredly to let her through; two or three people said, in voices just loud enough to be heard across the crowd, “Here comes your Mrs., Hutchinson,” and “Bill, she made it after all.” Mrs. Hutchinson reached her husband, and Mr. Summers, who had been waiting, said cheerfully, “Thought we were going to have to get on without you, Tessie.” Mrs. Hutchinson said, grinning, “Wouldn’t have me leave m’dishes in the sink, now, would you, Joe?,” and soft laughter ran through the crowd as the people stirred back into position after Mrs. Hutchinson’s arrival.

“Well, now,” Mr. Summers said soberly, “guess we better get started, get this over with, so’s we can go back to work. Anybody ain’t here?”

“Dunbar,” several people said. “Dunbar, Dunbar.”

Mr. Summers consulted his list. “Clyde Dunbar,” he said. “That’s right. He’s broke his leg, hasn’t he? Who’s drawing for him?”

“Me, I guess,” a woman said, and Mr. Summers turned to look at her. “Wife draws for her husband,” Mr. Summers said. “Don’t you have a grown boy to do it for you, Janey?” Although Mr. Summers and everyone else in the village knew the answer perfectly well, it was the business of the official of the lottery to ask such questions formally. Mr. Summers waited with an expression of polite interest while Mrs. Dunbar answered.

“Horace’s not but sixteen yet,” Mrs. Dunbar said regretfully. “Guess I gotta fill in for the old man this year.”

“Right,” Mr. Summers said. He made a note on the list he was holding. Then he asked, “Watson boy drawing this year?”

A tall boy in the crowd raised his hand. “Here,” he said. “I’m drawing for m’mother and me.” He blinked his eyes nervously and ducked his head as several voices in the crowd said things like “Good fellow, Jack,” and “Glad to see your mother’s got a man to do it.”

“Well,” Mr. Summers said, “guess that’s everyone. Old Man Warner make it?”

“Here,” a voice said, and Mr. Summers nodded.

A sudden hush fell on the crowd as Mr. Summers cleared his throat and looked at the list. “All ready?” he called. “Now, I’ll read the names—heads of families first—and the men come up and take a paper out of the box. Keep the paper folded in your hand without looking at it until everyone has had a turn. Everything clear?”

The people had done it so many times that they only half listened to the directions; most of them were quiet, wetting their lips, not looking around. Then Mr. Summers raised one hand high and said, “Adams.” A man disengaged himself from the crowd and came forward. “Hi, Steve,” Mr. Summers said, and Mr. Adams said, “Hi, Joe.” They grinned at one another humorlessly and nervously. Then Mr. Adams reached into the black box and took out a folded paper. He held it firmly by one corner as he turned and went hastily back to his place in the crowd, where he stood a little apart from his family, not looking down at his hand.

“Allen,” Mr. Summers said. “Anderson. . . . Bentham.”

“Seems like there’s no time at all between lotteries any more,” Mrs. Delacroix said to Mrs. Graves in the back row. “Seems like we got through with the last one only last week.”

“Time sure goes fast,” Mrs. Graves said.

“Clark. . . . Delacroix.”

“There goes my old man,” Mrs. Delacroix said. She held her breath while her husband went forward.

“Dunbar,” Mr. Summers said, and Mrs. Dunbar went steadily to the box while one of the women said, “Go on, Janey,” and another said, “There she goes.”

“We’re next,” Mrs. Graves said. She watched while Mr. Graves came around from the side of the box, greeted Mr. Summers gravely, and selected a slip of paper from the box. By now, all through the crowd there were men holding the small folded papers in their large hands, turning them over and over nervously. Mrs. Dunbar and her two sons stood together, Mrs. Dunbar holding the slip of paper.

“Harburt. . . . Hutchinson.”

“Get up there, Bill,” Mrs. Hutchinson said, and the people near her laughed.

“They do say,” Mr. Adams said to Old Man Warner, who stood next to him, “that over in the north village they’re talking of giving up the lottery.”

Old Man Warner snorted. “Pack of crazy fools,” he said. “Listening to the young folks, nothing’s good enough for them . Next thing you know, they’ll be wanting to go back to living in caves, nobody work any more, live that way for a while. Used to be a saying about ‘Lottery in June, corn be heavy soon.’ First thing you know, we’d all be eating stewed chickweed and acorns. There’s always been a lottery,” he added petulantly. “Bad enough to see young Joe Summers up there joking with everybody.”

“Some places have already quit lotteries,” Mrs. Adams said.

“Nothing but trouble in that ,” Old Man Warner said stoutly. “Pack of young fools.”

“Martin.” And Bobby Martin watched his father go forward. “Overdyke. . . . Percy.”

“I wish they’d hurry,” Mrs. Dunbar said to her older son. “I wish they’d hurry.”

“They’re almost through,” her son said.

“You get ready to run tell Dad,” Mrs. Dunbar said.

Mr. Summers called his own name and then stepped forward precisely and selected a slip from the box. Then he called, “Warner.”

“Seventy-seventh year I been in the lottery,” Old Man Warner said as he went through the crowd. “Seventy-seventh time.”

“Watson.” The tall boy came awkwardly through the crowd. Someone said, “Don’t be nervous, Jack,” and Mr. Summers said, “Take your time, son.”

After that, there was a long pause, a breathless pause, until Mr. Summers, holding his slip of paper in the air, said, “All right, fellows.” For a minute, no one moved, and then all the slips of paper were opened. Suddenly, all the women began to speak at once, saying, “Who is it?,” “Who’s got it?,” “Is it the Dunbars?,” “Is it the Watsons?” Then the voices began to say, “It’s Hutchinson. It’s Bill,” “Bill Hutchinson’s got it.”

“Go tell your father,” Mrs. Dunbar said to her older son.

People began to look around to see the Hutchinsons. Bill Hutchinson was standing quiet, staring down at the paper in his hand. Suddenly, Tessie Hutchinson shouted to Mr. Summers, “You didn’t give him time enough to take any paper he wanted. I saw you. It wasn’t fair!”

“Be a good sport, Tessie,” Mrs. Delacroix called, and Mrs. Graves said, “All of us took the same chance.”

“Shut up, Tessie,” Bill Hutchinson said.

“Well, everyone,” Mr. Summers said, “that was done pretty fast, and now we’ve got to be hurrying a little more to get done in time.” He consulted his next list. “Bill,” he said, “you draw for the Hutchinson family. You got any other households in the Hutchinsons?”

“There’s Don and Eva,” Mrs. Hutchinson yelled. “Make them take their chance!”

“Daughters draw with their husbands’ families, Tessie,” Mr. Summers said gently. “You know that as well as anyone else.”

“It wasn’t fair ,” Tessie said.

“I guess not, Joe,” Bill Hutchinson said regretfully. “My daughter draws with her husband’s family, that’s only fair. And I’ve got no other family except the kids.”

“Then, as far as drawing for families is concerned, it’s you,” Mr. Summers said in explanation, “and as far as drawing for households is concerned, that’s you, too. Right?”

“Right,” Bill Hutchinson said.

“How many kids, Bill?” Mr. Summers asked formally.

“Three,” Bill Hutchinson said. “There’s Bill, Jr., and Nancy, and little Dave. And Tessie and me.”

“All right, then,” Mr. Summers said. “Harry, you got their tickets back?”

Mr. Graves nodded and held up the slips of paper. “Put them in the box, then,” Mr. Summers directed. “Take Bill’s and put it in.”

“I think we ought to start over,” Mrs. Hutchinson said, as quietly as she could. “I tell you it wasn’t fair . You didn’t give him time enough to choose. Every body saw that.”

Mr. Graves had selected the five slips and put them in the box, and he dropped all the papers but those onto the ground, where the breeze caught them and lifted them off.

“Listen, everybody,” Mrs. Hutchinson was saying to the people around her.

“Ready, Bill?” Mr. Summers asked, and Bill Hutchinson, with one quick glance around at his wife and children, nodded.

“Remember,” Mr. Summers said, “take the slips and keep them folded until each person has taken one. Harry, you help little Dave.” Mr. Graves took the hand of the little boy, who came willingly with him up to the box. “Take a paper out of the box, Davy,” Mr. Summers said. Davy put his hand into the box and laughed. “Take just one paper,” Mr. Summers said. “Harry, you hold it for him.” Mr. Graves took the child’s hand and removed the folded paper from the tight fist and held it while little Dave stood next to him and looked up at him wonderingly.

“Nancy next,” Mr. Summers said. Nancy was twelve, and her school friends breathed heavily as she went forward, switching her skirt, and took a slip daintily from the box. “Bill, Jr.,” Mr. Summers said, and Billy, his face red and his feet overlarge, nearly knocked the box over as he got a paper out. “Tessie,” Mr. Summers said. She hesitated for a minute, looking around defiantly, and then set her lips and went up to the box. She snatched a paper out and held it behind her.

“Bill,” Mr. Summers said, and Bill Hutchinson reached into the box and felt around, bringing his hand out at last with the slip of paper in it.

The crowd was quiet. A girl whispered, “I hope it’s not Nancy,” and the sound of the whisper reached the edges of the crowd.

“It’s not the way it used to be,” Old Man Warner said clearly. “People ain’t the way they used to be.”

“All right,” Mr. Summers said. “Open the papers. Harry, you open little Dave’s.”

Mr. Graves opened the slip of paper and there was a general sigh through the crowd as he held it up and everyone could see that it was blank. Nancy and Bill, Jr., opened theirs at the same time, and both beamed and laughed, turning around to the crowd and holding their slips of paper above their heads.

“Tessie,” Mr. Summers said. There was a pause, and then Mr. Summers looked at Bill Hutchinson, and Bill unfolded his paper and showed it. It was blank.

“It’s Tessie,” Mr. Summers said, and his voice was hushed. “Show us her paper, Bill.”

Bill Hutchinson went over to his wife and forced the slip of paper out of her hand. It had a black spot on it, the black spot Mr. Summers had made the night before with the heavy pencil in the coal-company office. Bill Hutchinson held it up, and there was a stir in the crowd.

“All right, folks,” Mr. Summers said. “Let’s finish quickly.”

Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones. The pile of stones the boys had made earlier was ready; there were stones on the ground with the blowing scraps of paper that had come out of the box. Mrs. Delacroix selected a stone so large she had to pick it up with both hands and turned to Mrs. Dunbar. “Come on,” she said. “Hurry up.”

Mrs. Dunbar had small stones in both hands, and she said, gasping for breath. “I can’t run at all. You’ll have to go ahead and I’ll catch up with you.”

The children had stones already, and someone gave little Davy Hutchinson a few pebbles.

Tessie Hutchinson was in the center of a cleared space by now, and she held her hands out desperately as the villagers moved in on her. “It isn’t fair,” she said. A stone hit her on the side of the head.

Old Man Warner was saying, “Come on, come on, everyone.” Steve Adams was in the front of the crowd of villagers, with Mrs. Graves beside him.

“It isn’t fair, it isn’t right,” Mrs. Hutchinson screamed, and then they were upon her. ♦

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The Lottery

Shirley jackson.

Ask LitCharts AI: The answer to your questions

Welcome to the LitCharts study guide on Shirley Jackson's The Lottery . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

The Lottery: Introduction

The lottery: plot summary, the lottery: detailed summary & analysis, the lottery: themes, the lottery: quotes, the lottery: characters, the lottery: symbols, the lottery: theme wheel, brief biography of shirley jackson.

Historical Context of The Lottery

Other books related to the lottery.

• Full Title: The Lottery
• Where Written: North Bennington, Vermont
• When Published: June 26, 1948
• Literary Period: Modernism
• Genre: Realistic Fiction; Dystopian Literature
• Setting: A rural small town, mid-twentieth century
• Climax: Tessie Hutchinson is stoned to death by her neighbors, which reveals the purpose of the mysterious annual lottery.
• Antagonist: The tradition of the lottery, the human inclination toward violence
• Point of View: Third Person

Extra Credit for The Lottery

Readers’ Responses. When the New Yorker published “The Lottery” in June of 1948, the magazine received hundreds of written responses to the piece, which were characterized, according to Jackson, with “bewilderment, speculation, and old-fashioned abuse.” Many readers went so far as to cancel their subscriptions to the New Yorker due to its publication of the story. The reaction to the story was so dramatic that Jackson issued a statement about it in the San Francisco Chronicle , explaining her purpose in crafting the story as an attempt to “shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.”

Banned in the Union of South Africa. The story was banned in South Africa, a fact which (as Jackson’s husband later reported) pleased Jackson. He wrote that she "was always proud that the Union of South Africa banned ‘The Lottery,’ and she felt that they at least understood the story.”

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Home — Essay Samples — Literature — Shirley Jackson — “The Lottery” by Shirley Jackson

"The Lottery" by Shirley Jackson

• Categories: Shirley Jackson The Lottery

About this sample

Words: 1133 |

Published: Sep 19, 2019

Words: 1133 | Pages: 2 | 6 min read

Works Cited

• Jackson, S. (1948). The Lottery. The New Yorker, 27(26), 20-25.
• Kosenko, P. (2010). A Reading of Shirley Jackson's "The Lottery". Journal of Modern Literature, 33(3), 155-165.
• Leeming, D. A. (2013). Aeschylus' "Agamemnon" and Shirley Jackson's "The Lottery": Disturbing the Universe. Literature and Theology, 27(1), 54-65.
• Mellard, J. M. (2011). Demonstrating the Importance of Ritual in Shirley Jackson's "The Lottery". Journal of the Short Story in English, (56), 95-105.
• Oppenheimer, J. (2016). When Shirley Jackson’s "The Lottery" Was Not Fiction. The New Yorker. Retrieved from https://www.newyorker.com/books/page-turner/when-shirley-jacksons-the-lottery-was-not-fiction
• Parks, R. (2005). Shirley Jackson: A Study of the Short Fiction. Twayne Publishers.
• Polman, L. (2010). The Lottery's Enduring Impact. Humanities, 31(1), 28-31.
• Reilly, C. (2015). The Haunting of Hill House: Shirley Jackson and Modern Horror. Journal of Popular Film and Television, 43(4), 218-228.
• Van Spanckeren, K. (2019). Shirley Jackson (1916–1965). In American Women Writers: A Critical Reference Guide from Colonial Times to the Present (Vol. 3, pp. 139-148). Routledge.
• Wagner-Martin, L. (2017). New Essays on The Lottery: A Collection of Critical Essays. Routledge.

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Ultimate guide to writing a five paragraph essay.

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Understanding the Structure of a Five Paragraph Essay

When writing a five paragraph essay, it is important to understand the basic structure that makes up this type of essay. The five paragraph essay consists of an introduction, three body paragraphs, and a conclusion.

Introduction: The introduction is the first paragraph of the essay and sets the tone for the rest of the piece. It should include a hook to grab the reader’s attention, a thesis statement that presents the main idea of the essay, and a brief overview of what will be discussed in the body paragraphs.

Body Paragraphs: The body paragraphs make up the core of the essay and each paragraph should focus on a single point that supports the thesis statement. These paragraphs should include a topic sentence that introduces the main idea, supporting details or evidence, and explanations or analysis of how the evidence supports the thesis.

Conclusion: The conclusion is the final paragraph of the essay and it should summarize the main points discussed in the body paragraphs. It should restate the thesis in different words, and provide a closing thought or reflection on the topic.

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One of the most critical elements of a successful five-paragraph essay is a strong thesis statement. Your thesis statement should clearly and concisely present the main argument or point you will be making in your essay. It serves as the foundation for the entire essay, guiding the reader on what to expect and helping you stay focused throughout your writing.

When choosing a thesis statement, it’s important to make sure it is specific, debatable, and relevant to your topic. Avoid vague statements or generalizations, as they will weaken your argument and fail to provide a clear direction for your essay. Instead, choose a thesis statement that is narrow enough to be effectively supported within the confines of a five-paragraph essay, but broad enough to allow for meaningful discussion.

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When crafting the body paragraphs of your five paragraph essay, it is crucial to develop strong and coherent supporting arguments that back up your thesis statement. Each body paragraph should focus on a single supporting argument that contributes to the overall discussion of your topic.

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Editing and proofreading are crucial steps in the writing process that can make a significant difference in the clarity and effectiveness of your essay. Here are some tips to help you polish your writing:

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Tips for Successful Writing: Practice and Feedback

Writing is a skill that improves with practice. The more you write, the better you will become. Set aside time each day to practice writing essays, paragraph by paragraph. This consistent practice will help you develop your writing skills and grow more confident in expressing your ideas.

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Latah County Human Rights Task Force

Strengthening the bonds of community to embrace diversity and reject bigotry..

2024 Art and Essay Contest Winners

2023-2024 Martin Luther King Jr. Art & Essay Contest –

Latah County Human Rights Task Force Theme: FREEDOM OF EXPRESSION AND OUR LIBRARIES        

ART WINNERS

Grades 1-3 Art Topic: Draw a picture about a book that has taught you something important.

Cordelia Haley – Megan Cueller’s 2 nd grade class- Lena Whitmore.     

            After listening to her teacher read books about Martin Luther King, Jr., Cordelia drew a picture of two people, one holding up a sign that says “Justice,” the other holding up a sign that says, “We Want Jobs.”                                                                                         

Cece Rose Ristene – Peggy Quesnell’s [K’nell] 2 nd grade class – St. Mary’s.                                          Cece read a book about a dog who helps other animals. It taught her that being a friend is fun and that being nice is important.

Eduarda Gurge – Jessica Jones’ 3 rd grade art class – Moscow Charter.                          Eduarda drew “The Great Kapak Tree” with animals in its branches and a rainbow on top. Eduarda learned about the rain forest.

Grades 4-5 Art Topic: Create a drawing or poster celebrating an aspect of the library that you value most.

Quinten Rowley – Jessica Jones’ 4 th grade art class – Moscow Charter.                        Quinten drew a boy enjoying the Latah County Library because it offers “So Many Choices!”

Haylee Cohee – Jessica Jones’ 5 th grade art class – Moscow Charter.                                        Hayley drew “The Wonderful Wizard of Oz” and shelves of books. She included quotes like “When in doubt, go to the library” by J.K. Rowling and “The library is a wilderness of books” by Henry David Thoreau.

EXCERPTS FROM WINNING ESSAYS

Grades 1-3: Essay Topic: Write a paragraph about a book from your school or public library that taught you something important .

Cordelia Haley – Megan Cuellar’s 2 nd grade class – Lena Whitmore “What I learned from books about Martin Luther King. Stand up for what you believe no matter what. Don’t fight with fists, fight with words. No matter what time it is, there’s always work to do!”

Leo Johnson – Sophia Curet’s 3 rd grade class -St. Mary’s Elementary “In the story “Being Frank” by Donna Earnhardt I learned that you should always tell the truth but say it nicely. In this story Frank says the truth but he says it in an unkind way. His grandpa shows him how to tell the truth in a nice way. I really enjoyed this book because it’s a really fun story and it teaches you a good lesson.”

Grades 4-5 Essay Topic: Write a three paragraph thank-you letter to your school or public library discussing an aspect of the library that you value most .

Fern Newlan – Shannon Nierman’s 4 th grade class – St Mary’s

“People who have libraries sometimes overlook the information they provide…. Here are a few things that libraries provide: books, computers and most importantly knowledge. I’m going to thank the people who write the books.” Among others, she thanks author Barbra O’Conner who “relates to the real world. She shows us that not everything is perfect, but you might find you were supposed to be here all along.”

Catherine Apt – Wes Bascom’s 4 th grade class – McDonald Elementary

“At a young age, Storytime encouraged my interest in reading and helped develop my creativity. It allowed me to be more open minded about different ideas and pushed me to be a creative thinker.” “I have discovered new books by browsing, which has allowed me to find some of my new favorite books. Thank you for having such a fun variety of materials and activities for me to experience throughout my childhood.”

Amy Zhou – Kathryn Bonzo’s 4 th grade class – Moscow Charter School

“Libraries want humans and our civilization to have openness for all to be educated and also give us freedom to read, write, and listen which is essential to our democracy.” “The thing I value most about the library is the huge selection of books. I love reading and the library has books for me to read. Thank you for being a generous provider.

Naya Lee – Jordyn Rauer’s 5 th grade class – Lena Whitmore

“My favorite subject is reading, so our school library is very important to me. I love that all students have a wide selection of books to choose from, so that they can all find something that they love.” “I am so glad to have our librarian, Mrs. Marone and her library so that all the kids in our school can have free and easy access to wonderful books.”

Emily Scout Heward – Kate Roll’s 5 th grade class– Lena Whitmore

“I’m little but I’m old enough to know that our library is AWESOME, BEAUTFUL, WONDERFUL, CREATIVE, CALMING and so much more. If we don’t have libraries, we might not have books! When I’m 80 I want to be able to visit our library and show many more generations this wonderful creation.”

FACT TIME! Did you know that the library of congress is the largest library in the world! They have 167 million items on 838 miles of bookshelves!!”

Grades 6-8 Essay Topic: Write a five-paragraph essay explaining why freedom of expression is important to your library and to our democracy.

Nora Algarni – Tiffany Scripter’s 7 th grade English class – Moscow Middle School

“If a student reads a book, they might get an opinion on something that could change the future. A book could change a whole generation, and it could change the whole world. So, limiting students from the access of information is not the best option. Let teenagers explore the libraries and have their opinion and thoughts… This is why freedom of expression should be important everywhere because everyone should express themselves and share their opinions with the world.”

Lillian Camin – Tiffany Scripter’s 7 th grade English class – Moscow Middle School –

“Freedom of expression can be very important to both school and public libraries as well. According to the American Library Association Library Bill of Rights, all library resources have to be provided and given to establish interests, and to give enlightenment and information to everyone.” “ I believe that freedom of expression is important for democracies. I think this because of the sharing of ideas and open opinions that help democracies run. One of these reasons is that we have to gain opinions to make decisions and we have to make decisions if we want to govern ourselves.”

Grades 9-12 Essay Topic: Research the current debate over the freedom of expression in school and public libraries. Write a report on this debate, then draw your own conclusions.

Morgan Apt – Rachel Lyons’ Junior Advanced Placement class – Moscow High School –” I believe that the removal of books and censorship in public libraries is drastic and unnecessary. Allowing children to have access to information that is not age appropriate is not ideal. However, violating people’s rights to access material containing any type of perspective or idea is too extreme a measure to prevent children from exposure to harmful information. Additionally, the government could use the removal of inappropriate books to their advantage, disposing not only of books that could be damaging to children, but books that don’t align with certain personal or political beliefs. …. Freedom of expression is heavily valued in a democracy, and literature is a prime example of where differing perspectives and viewpoints are shared…. as allowed under the First Amendment. “

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The French retreat from Moscow, and other historical essays Paperback – August 1, 2010

• Print length 296 pages
• Language English
• Publisher Nabu Press
• Publication date August 1, 2010
• Dimensions 7.44 x 0.62 x 9.69 inches
• ISBN-10 1176613448
• ISBN-13 978-1176613447
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Product details

• Publisher ‏ : ‎ Nabu Press (August 1, 2010)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 296 pages
• ISBN-10 ‏ : ‎ 1176613448
• ISBN-13 ‏ : ‎ 978-1176613447
• Item Weight ‏ : ‎ 1.17 pounds
• Dimensions ‏ : ‎ 7.44 x 0.62 x 9.69 inches

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