“...We of course assume that the shape and form of post war living is of primary importance to a great many Americans, and that...the house[s]... will be conceived within the spirit of our times, using as far as is practicable, many war-born techniques and materials best suited to the expression of man’s life in the modern world.” - Arts and Architecture
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Rarely does an iconic piece of architecture come as the side dish on a larger property. But that is exactly how Richard Neutra’s Case Study House #20, also known as the Bailey House, has appeared on the market. It’s still totally one-of-a-kind, but now serves as the guesthouse of a sprawling eco-friendly mansion in the Pacific Palisades. Asking $20 million, the entire spread is a private sanctuary of palm trees and architectural pedigree.
Current owners Lorna Jane Clarkson and Bill Clarkson, co-founders of activewear brand Lorna Jane, purchased the property from The Simpsons co-creator Sam Simon, who constructed the main residence in 2010 with solar and toxin-free construction technology. An effortless and easy answer to the sharp, clean lines and rich earth tones of Bailey House, the main house is all white archways and effortless indoor-outdoor floor. That is not to say that the main house does not match the style of Neutra’s work; the two structures exist as a sort of yin and yang, at once distinct and complementary.
Lorna put her design eye to work, collaborating with Twofold LA’s Jenn Pablo and Olivia Korenberg to create the current interiors for both structures. A buyer can snag the estate fully furnished, with some personal pieces off-limits, of course.
In total, the property counts seven bedrooms and seven full bathrooms, with two of each falling within the floorplan of the Bailey House. Featuring a saltwater pool, koi pond, and rolling lawns, the coastal compound is listed with Jacqueline Chernov and Kristin Alexander of Compass .
This article appears in the July 2020 issue of DailyDeeds.
( realtor.com )
In 2015, one of the most interesting properties to hit the market in Southern California was a Pacific Palisades compound owned by Sam Simon , the late co-creator of “The Simpsons” and a prominent philanthropist.
The two-home compound included Richard Neutra ‘s Case Study House #20 from 1948, as well as a contemporary mansion built in 2010, and lush private gardens.
Priced at $18 million five years ago, the proceeds from the sale of the one-of-a-kind property were to be distributed to Simon’s favorite charities.
Lorna Jane Clarkson and Bill Clarkson , co-founders of the activewear brand Lorna Jane, wound up paying $12.5 million for the property in May 2016. Now, after putting their stylish stamp on it, they’ve put it back on the market for $20 million.
(realtor.com)
Although they’ve only owned it for four years, the couple weren’t thinking upscale flip when they bought the property after a three-year SoCal search.
Lorna Jane hails from Brisbane and still spends plenty of time in Australia. They intended this luxe spread to be their California home base, and they say they’ve enjoyed every minute they’ve spent on the estate.
But their plans and priorities have shifted.
“We are spending less time in the U.S.A., so we’re looking for something a little easier to leave vacant for longer periods of time,” says Lorna Jane.
Besides the beautiful homes, she tells us that the foliage was a huge draw.
“One of the reasons we fell in love with the property was because of the well-established and beautifully serene gardens.”
Those green gardens act as a shield against prying eyes.
“The houses are completely hidden from the road and surrounded by lush foliage, ranging from California palms to Australian gum trees—another reason to love the house, because it felt like it had a little bit of Australia,” she says.
The Clarksons also loved the abundance of natural light, the classic architecture, and the idea of “having a separate space (the Bailey House) for a home office and guesthouse,” Lorna Jane says.
Neutra’s Bailey House was built as part of the Case Study House program, commissioned by Arts and Architecture magazine to challenge architects to create low-cost, experimental prototypes using modern materials.
Of the 36 model homes that were designed, only 24 were built. The structure standing on this property is one of the finest examples still standing.
When he owned the property, Simon hired the famous architectural design firm Marmol Radziner to update the Bailey House, while preserving its original glory.
So how did the Clarksons improve on an already premium property?
“When we first moved in, the main house had been empty for a year and had a very modern and masculine feel, with a lot of brushed steel, busy tiles, and terrazzo countertops,” Lorna Jane explains.
“While the look had worked for the previous owner, it wasn’t the kind of aesthetic that Bill and I were looking for.”
Lorna Jane told us the couple divided and conquered. Bill focused on the garden and outdoor spaces, while she took on the interior design.
“The Bailey House had been decorated in a traditional midcentury way … so together with the girls from Twofold LA , I gave that a more organic and modern makeover.”
To tone down the main home’s masculine feel, she replaced the home’s entry tiles, remodeled the powder room, and updated the kitchen.
For the main living spaces, she says, “We shipped some of our favorite pieces from our Sunshine Coast beach house in Australia, and we used that to furnish the main living area, dining, and study. We then bought complementary pieces from local merchants.”
Because the home is surrounded by mature foliage, Simon had foregone window treatments. The Clarksons softened the prominent arched windows with the addition of sheer drapery throughout.
“We chose iron hardware and delicate mother-of-pearl and wooden bead trimming, for some bohemian touches,” says Lorna Jane.
The couple wanted the house to have a West Coast beachy vibe, she says, since they were looking for “a sanctuary where we could recharge and unwind.”
So their updates made use of natural materials like oiled white oak, wool, nubby linens, jute, and aged limestone. They kept the color palette understated.
“There is so much light and color from the surrounding gardens that floods into both homes. We decided to stick to neutrals and soft muted tones, to complement the views of the gardens,” Lorna Jane says.
An added perk for the new buyers? All the sumptuous furnishings, with the exclusion of select personal pieces, are included in the asking price.
The property’s total living space is now 8,959 square feet, with seven bedrooms, 7.5 bathrooms, and multiple rooms that could be used for workspace. The immaculate, manicured grounds include an infinity pool, koi pond, and a fire pit.
“The gardens are the perfect backdrop for yoga, meditation, and informal dining, without disrupting everyday life in the main residence,” says Lorna Jane.
There’s also ample room for another home to be built on the premises, if a buyer is feeling ambitious.
Jacqueline Chernov of the Jacqueline Chernov Team at Compass has the listing.
Lisa Johnson Mandell is an award-winning writer who covers lifestyle, entertainment, real estate, design, and travel. Find her on AtHomeInHollywood.com
But this is no ordinary celebrity party pad; the unusual property is a showstopper even for the ritzy Pacific Palisades real estate market, and is actually comprised of two different homes. First is Case Study 20 Bailey House, designed by famed architect Richard Neutra and fully restored by Simon. [...] The second part of the estate is a certified LEED Gold, four-bedroom contemporary main house, which Simon built in 2010. — forbes.com
The entire estate, including both Case Study 20 and Simon's 2010 four-bedroom, is listed at $18M.
Wow. He had a whole other house as a collectible item. I wonder what that does to his Leed "Gold" rating.
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Mapping the homes that helped to define an era
Los Angeles is full of fantastic residential architecture styles, from Spanish Colonial Revival to Streamline Moderne. But the modernist Case Study Houses , sponsored by Arts & Architecture and designed between the 1940s and 1960s, are both native to Southern California and particularly emblematic of the region.
The Case Study series showcased homes commissioned by the magazine and designed by some of the most influential designers and architects of the era, including Charles and Ray Eames, Richard Neutra, and Pierre Koenig. The residences were intended to be relatively affordable, replicable houses for post-World War II family living, with an emphasis on “new materials and new techniques in house construction,” as the magazine’s program intro put it.
Technological innovation and practical, economical design features were emphasized—though the homes’ scintillating locations, on roomy lots in neighborhoods like Pacific Palisades and the Hollywood Hills , gave them a luxurious allure.
With the help of photographer Julius Shulman , who shot most of the homes, the most impressive of the homes came to represent not only new styles of home design, but the postwar lifestyle of the booming Southern California region.
A total of 36 houses and apartment buildings were commissioned; a couple dozen were built, and about 20 still stand in the greater Los Angeles area (there’s also one in Northern California, a set near San Diego, and a small apartment complex in Phoenix). Some have been remodeled, but others have been well preserved. Eleven were added to the National Register of Historic Places in 2013.
Here’s a guide to all the houses left to see—but keep in mind that, true to LA form, most are still private residences. The Eames and Stahl houses, two of the most famous Case Study Houses, are regularly open to visitors.
As for the unconventional house numbering, post-1962 A&A publisher David Travers writes that the explanation is “inexplicable, locked in the past.”
J.R. Davidson (with Greta Davidson) designed this house in 1948 (it was actually his second go at Case Study House No. 1). It was intended for “a hypothetical family" with two working parents and was designed to require "minimum maintenance.”
Case Study House No. 2 was designed in 1947 by Sumner Spaulding and John Rex. Arts & Architecture wrote that the home’s layout “achieves a sense of spaciousness and flexibility,” with an open living area and glass doors that lead out to adjoining terraces.
View this post on Instagram A post shared by Samuel Dematraz (@samueldematraz) on Oct 28, 2018 at 1:07am PDT
Case Study House No. 7 was designed in 1948 by Thornton M. Abell. It has a “three-zone living area,” with space for study, activity, and relaxation/conversation; the areas can be separated by sliding panels or combined.
Legendary designer couple Charles and Ray Eames designed the Eames House in 1949 and even Arts & Architecture seemed kind of blown away by it. The home is built into a hillside behind a row of Eucalyptus trees on a bluff above Pacific Palisades. It's recognizable by its bright blue, red, and yellow panels. The Eameses lived in the house until their deaths. It’s now open to visitors five days per week, though reservations are required.
The Entenza House was built in 1949 and designed by Charles Eames and Eero Saarinen for Arts & Architecture editor John Entenza. According to the magazine, “In general, the purpose was to enclose as much space as possible within a reasonably simple construction.”
Case Study House No. 10 was designed in 1947 by Kemper Nomland. The house is built on several levels to mold into its sloping site. Recently restored, the home sold to Kristen Wiig in 2017.
Designed by J.R. Davidson in 1947, Case Study House No. 15 has south walls made of huge glass panels. Its flagstone patio and indoor floor are at the same level for that seamless indoor-outdoor feel. According to the magazine, the floorplan “is basically that of another Davidson house, Case Study House No. 11,” which has been demolished.
View this post on Instagram A post shared by Samuel Dematraz (@samueldematraz) on Nov 15, 2018 at 6:13am PST
Craig Ellwood’s Case Study House for 1953 is usually numbered as 16 in the Case Study series . It has a modular steel structure and “the basic plan is a four-foot modular rectangle.” But the interior walls stick out past the exterior walls to bring the indoors out and the outdoors in. The Bel Air house hit the market in November with a $3 million price tag.
Case Study House No. 17 (A) was designed by Rodney Walker in 1947. A tight budget kept the house at just 1,560 square feet, “but more space was gained through the use of many glass areas.” The house also has a large front terrace with a fireplace that connects the indoor living room fireplace. The house has been remodeled .
View this post on Instagram A post shared by Case Study House #17, 1947 (@casestudy17) on Jun 11, 2016 at 2:20pm PDT
Case Study House No. 17 (B) was designed in 1956 by Craig Ellwood, but “governed by a specific program set forth by the client.” Ellwood took into account the clients' collection of contemporary paintings and made the living room “purposely undersized” to work best for small gatherings. The house was extensively remodeled in the sixties by Hollywood Regency architect John Elgin Woolf and his partner, interior designer Robert Koch Woolf.
View this post on Instagram A post shared by BAUKUNST™ El Arte de Construir (@i_volante) on Aug 13, 2017 at 4:42pm PDT
Case Study House No. 18 (A) was designed by Rodney Walker in 1948. The house is oriented toward the ocean, but set back from the cliff edge it sits on to avoid noise issues. As A&A says, "High above the ocean, the privacy of the open south and east exposures of Case Study House No. 18 can be threatened only by an occasional sea-gull." The house features a "bricked garden room" separated from the living room by a two-sided fireplace.
View this post on Instagram A post shared by CaseStudyHouse18A (@casestudyhouse18a) on Oct 6, 2018 at 8:44pm PDT
Case Study House No. 18 (B) was designed by Craig Ellwood in 1958. Ellwood didn’t attempt to hide that the house was prefabricated (the magazine explains that he believed “that the increasing cost of labor and the decline of the craftsman will within not too many years force a complete mechanization of residential construction methods”). The components of the house, however, are “strongly defined with color: ceiling and panels are off-white and the steel framework is blue.” According to A&A' s website, the house has been remodeled.
View this post on Instagram A post shared by MCM Daily (@dc_hillier) on Oct 29, 2018 at 8:32pm PDT
This two-bedroom house was meant “to serve young parents who find they can afford just that much,” according to architect Richard Neutra’s description. He also wrote that he used several different kinds of natural wood in the house.
The Bass House was designed in 1958 by Buff, Straub, and Hensman for famed graphic designer Saul Bass. It's “unique in that it was based upon the experimental use of several prefabricated Douglas fir plywood products as part of the structural concept,” including hollow-core plywood vaults that covered the central part of the house.
Pierre Koenig designed Case Study House No. 21 in 1958. It was originally completely surrounded by water, with a walkway and driveway spanning the moat at the front door and carport, respectively. The house was severely messed with over the years, but restored in the ’90s with help from Koenig.
Pierre Koenig's Stahl House , designed in 1960, is probably the most famous house in Los Angeles, thanks to an iconic photo by Julius Shulman . The house isn't much to look at from the street, but its backside is mostly glass surrounding a cliff's-edge pool. Tours are available Mondays, Wednesdays, and Friday—but book well ahead of time, as they sell out quickly.
The unnumbered Case Study House for 1950 was designed by Raphael Soriano. It's rectangular, with living room and bedrooms facing out to the view. However, in the kitchen and eating areas, the house “turns upon itself and living develops around a large kitchen-dining plan opening upon a terrace which leads directly into the living room interrupted only by the mass of two fireplaces.” According to A&A 's website, the house has been remodeled.
The two-story Frank House was designed by Killingsworth, Brady, and Smith and Associates in 1962 and it sits on a canal in Long Beach. A reflecting pool with stepping stones leads to its huge front door and inside to an 18-foot high courtyard. The house sold in 2015 with some unfortunate remodeling .
Case Study House No. 28 was designed in 1966 by Conrad Buff and Donald Hensman. According to the magazine, “the architects were asked to design a house that incorporated face brick as the primary structural material to demonstrate its particular advantages.” They came up with a plan for two symmetrical wings joined by glass galleries.
Anatomy of a home.
Above: Saul and Dr. Ruth Bass poolside at Case Study House #20(B). Located in Altadena, California the home was designed by Buff, Straub, and Hensman in 1958. Photo: Julius Shulman / Getty Archives
Each house must be capable of duplication and in no sense be an individual ‘performance’… It is important that the best material available be used in the best possible way in order to arrive at a ‘good’ solution of each problem, which in the overall program will be general enough to be of practical assistance to the average American in search of a home in which he can afford to live.” John Entenza, editor of Arts & Architecture Magazine of the Case Study House program
It has always struck me as a little odd that there are two Case Study Houses numbered 20. Perhaps John Entenza, editor of Arts & Architecture magazine who spearheaded the Case Study House program (and himself lived in CSH #9), simply lost count when assigning the commissions. The first Case Study House 20(A) is the Stuart Bailey House located in the Pacific Palisades and designed by architect Richard Neutra in 1948. The second Case Study House number 20 was built ten years later. Designed by the architectural firm of Buff, Straub Hensman Case Study House 20(B) – the Bass House – is located in Altadena, California and was completed in 1958. This article is about the latter, the ‘B’ house.
Architectural model of Case Study House 20(B) – the Bass House located in Altadena, California and completed in 1958. Shown in the model the barrel-vaulted roof with allowed for more natural light into the home. Photo: Julius Shulman / Getty Archives
Architectural model of Case Study House 20(B) – the Bass House located in Altadena, California and completed in 1958. To the center left of the image you can see the representation of a large tree that the owners insisted remain on site. Photo: Julius Shulman / Getty Archives
Case Study House 20B differs is many ways from many of the other Case Study Houses with one of the primary differences is that the home is framed in wood rather than steel. Working closely with the owners – renowned graphic illustrator Saul Bass and his wife biochemist Dr. Ruth Bass – the architects were very interested in the possibilities of wood as it pertained to mass production in home construction. The home owners also wanted a house that was more sculptural in form so features such as curved interior ceiling, barrel-vaulted roof, and circular brick fireplace were incorporated to reflect a home that was well suited to the home owner’s needs and desires. An unusual request of the Bass’ was that a large tree that was located on the site remain with the result being one wall of the home resting against the massive trunk of the tree as it soars through the open lattice of the terrace roof. The tree has since been removed.
Elevation of Case Study House #20(B) designed by Buff, Straub, and Hensman in 1958.
Floor plan of Case Study House #20(B) designed by Buff, Straub, and Hensman in 1958.
Case study House 20(B) is one of my personal favorites of the Case Study Program. It also happened to one of the smallest and was the least expensive of the Case Study Houses to build. CSH 20(B) also demonstrates quite well that the relationship between the architects and the home owners need not be a clash of personal ‘wants’ versus design ‘solutions’. The result is a home that, like so many well-designed modern homes of the era, is a masterstroke of architecture that offers an almost seamless blend of interior and exterior spaces with an open plan that allows for natural light from all sides as well as the vaulted ceiling. CSH 20(B) is also a brilliant testament that functional and attractive design can be achieved on a relatively modest budget. It’s a wonderful house that’s still there today, although I believe the barrel-vaulted roof has been replaced with a flat one.
Case Study House 20(B) as it is today. Photo: Kansas Sebastian / flickr
Click here for the original August, 1959 Arts & Architecture magazine article about Case Study House #20(B)
Saul Bass (1920 – 1996) was instrumental in create a new American Minimalism in modern graphic design. With economy of color and utilizing almost rough, elemental forms his designs have become icons of the era, with many of his logo and corporate identity works still in use today.
Saul Bass (May 8, 1920 – April 25, 1996) was an American graphic designer and Academy Award winning filmmaker, best known for his design of motion picture title sequences, film posters, and corporate logos.
During his 40-year career Bass worked for some of Hollywood’s most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin Scorsese. Among his most famous title sequences are the animated paper cut-out of a heroin addict’s arm for Preminger’s The Man with the Golden Arm, the credits racing up and down what eventually becomes a high-angle shot of a skyscraper in Hitchcock’s North by Northwest, and the disjointed text that races together and apart in Psycho.
Bass designed some of the most iconic corporate logos in North America, including the Bell System logo in 1969, as well as AT&T’s globe logo in 1983 after the breakup of the Bell System. He also designed Continental Airlines’ 1968 jet stream logo and United Airlines’ 1974 tulip logo, which became some of the most recognized airline industry logos of the era.
The iconic designs of Illustrator Saul Bass. Click on image for full view
The whimsical signature of illustrator Saul Bass
Check out these great book about the case study program and Saul Bass!
Though Modernism is sometimes criticized for imposing universal rules on different people and areas, it was Richard J. Neutra 's (April 8, 1892 – April 16, 1970) intense client focus that won him acclaim. His personalized and flexible version of modernism created a series of private homes that were—and still are—highly sought after, making him one of the United States' most significant mid-century modernists. His architecture of simple geometry and airy steel and glass became the subject of the iconic photographs of Julius Schulman , and came to stand for an entire era of American design.
Born in Vienna to a wealthy family, Neutra's early career is a who's who of European architecture: he studied under Adolf Loos at the Vienna University of Technology and took a job in the office of Erich Mendelsohn after briefly being the chief architect of the German town of Luckenwalde in 1921. After emigrating to America in 1923, Neutra continued to mingle with the biggest stars of architectural society, working under Frank Lloyd Wright before establishing himself as the West Coast architect by completing his Lovell House in 1929.
Neutra's classic mid-century houses proved incredibly popular both then and now; popularity that was aided by the prefabricated elements of his designs. The essential airy lightness of a Neutra house could be easily replicated across the West Coast, and then personalized by the attentive Neutra to create a house that fit the client and the landscape in a way that other mass-produced styles struggled to achieve. Though Neutra once tried to move to the Soviet Union to bring his prefabricated style to workers' housing, Neutra's homes perhaps ironically became emblems of the American Dream on the surging mid-century West Coast.
The famous Schulman photographs of Neutra's homes embodied American optimism, blending sales with art and showing a vision of a glamorous lifestyle that entered the public mind in a way that few modernists can claim to have achieved. The Objectivist philosopher Ayn Rand once lived in his now demolished von Sternberg house, something that Neutra himself might not have been too keen on. Given his enduring popularity, it is surprising that a large amount of Neutra's work has recently been demolished, but recent efforts by his son mean that his designs are now once again being built—it seems his vision of life is one that still holds currency.
Find out more about Richard Neutra's most well-known projects via the thumbnails below, and more coverage of Neutra via the links below those:
A Virtual Look Into Richard Neutra's Unbuilt Case Study House #13, The Alpha House
A Virtual Look Into Richard Neutra's Case Study House #20, the Bailey House
Monocle 24 Visit Richard Neutra's Residences in Los Angeles
Farewell to Richard Neutra's Cyclorama Center in Gettysburg
The Neutra Embassy Building in Karachi, Pakistan: A Petition to Save Modernism
Build Your Own Neutra Home!
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Described as the ‘centrepiece’ of the Sam Simon estate, Case Study House #20 was designed by Richard Neutra in 1948.
Simon, one of the creators of The Simpsons, bought the house in 2004. It is for sale through The Agency .
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829. Richard Neutra /// Case Study House 20A (Stuart Bailey House) /// Pacific Palisades, California, USA /// 1948
OfHouses presents Case Study Houses, part II . (Photos: © Julius Shulman. Source: The Getty Research Institute, Julius Shulman Archive.)
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The site, which overlooks the Pacific, also hosted three other case study houses, including Charles and Ray Eames' house of 1949. Entenza sold one lot to Stuart Bailey, a 30-year-old dentist, who turned to Richard Neutra to design his home on the recommendation of a friend.
Published on May 10, 2017. Share. The Bailey house—one of Richard Neutra 's four Case Study designs for Arts & Architecture —forms one of five Bluff houses, standing high above the ocean ...
When the no. 20 was built, Richard Neutra was the most well-known and respected architect taking part in the Case Study Houses program. The main features of this house, simple lines and an extensive use of glass, steel and wood, were the architect signature for most of his late 40s projects. The assignment was to build an affordable house for a ...
View 16 Photos. Set on a lush, 1.53-acre lot in the Los Angeles neighborhood of Pacific Palisades, Case Study House #20 was designed by Richard Neutra in 1948. The pioneering architect was approached by the Baileys, a young couple, to build an affordable house that could easily be expanded as their family (and wallets) grew with time.
The main house and Richard Neutra-designed Case Study House #20 sit on over an acre of land with room for an additional 3,000-square-foot home. Now another one of Neutra's linear homes has come to market: Case Study House #20, otherwise known as the Bailey House, is available for purchase as part of a two-building compound in Pacific Palisades.
219 Chautauqua Boulevard, Pacific Palisades, LA, CA 90272Built for Dr. and Mrs. Stuart J. BaileyHouse published in "Arts & Architecture" December 1948.
A rare offering in the heart of Pacific Palisades features two residences on one property: a contemporary LEED Gold Certified main house, and Richard Neutra's Case Study House #20.. Neutra, the most significant and respected architect to participate in the Case Study, designed The Bailey House with simple lines and modular interiors that seamlessly open up to the elegant grounds.
Neutra's Case Study House #20—the Bailey House—appeared on the market last summer as the guest house on a two-residence estate in Pacific Palisades. This winter, the estate sold. According to public records, the architecturally significant home represented $11.25 million of a total closing that amounted to over $17 million.
Check on Architonic. Image 1 of 4 from gallery of A Virtual Look Into Richard Neutra's Case Study House #20, the Bailey House. Courtesy of Archilogic.
Designed in 1947 by architect Richard Neutra, the Case Study House #20, Bailey House (located 219 Chatauqua) also accounted for a growing family. From the on-set, the family expressed their desire to grow and they also wanted to have the ability to expand the home, as well. Consequently, Neutra also worked on the additions throughout the home's early life.
But that is exactly how Richard Neutra's Case Study House #20, also known as the Bailey House, has appeared on the market. It's still totally one-of-a-kind, but now serves as the guesthouse of a sprawling eco-friendly mansion in the Pacific Palisades. Asking $20 million, the entire spread is a private sanctuary of palm trees and ...
The two-home compound included Richard Neutra 's Case Study House #20 from 1948, as well as a contemporary mansion built in 2010, and lush private gardens. Priced at $18 million five years ago ...
First is Case Study 20 Bailey House, designed by famed architect Richard Neutra and fully restored by Simon. The second part of the estate is a certified LEED Gold, four-bedroom contemporary main house, which Simon built in 2010. — forbes.com
Case Study House No. 10. Case Study House No. 10 was designed in 1947 by Kemper Nomland. The house is built on several levels to mold into its sloping site. Recently restored, the home sold to ...
The first Case Study House 20 (A) is the Stuart Bailey House located in the Pacific Palisades and designed by architect Richard Neutra in 1948. The second Case Study House number 20 was built ten years later. Designed by the architectural firm of Buff, Straub Hensman Case Study House 20 (B) - the Bass House - is located in Altadena ...
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A Virtual Look Into Richard Neutra's Case Study House #20, the Bailey House. Monocle 24 Visit Richard Neutra's Residences in Los Angeles. Farewell to Richard Neutra's Cyclorama Center in Gettysburg.
Simon, one of the creators of The Simpsons, bought the house in 2004. It is for sale through The Agency. Described as the 'centrepiece' of the Sam Simon estate, Case Study House #20 was designed by Richard Neutra in 1948. Simon, one of the creators of The Simpsons, bought the house in 2004.
219 Chautauqua Boulevard, Pacific Palisades, LA, CA 90272Built for Dr. and Mrs. Stuart J. BaileyHouse published in "Arts & Architecture" December 1948 interior, living room and patio, lamp by Greta Grossman and armchairs by Alvar Aalto, ca. 1948.
Esther McCoy papers / Series 9: Photographs and Slides / 9.3: Case Study Houses Sponsor Funding for the processing and digitization of this collection was provided by the John Randolph Haynes and Dora Haynes Foundation and the Terra Foundation for American Art. Extent (Photographs by Julius Shulman have not been scanned) Date circa 1947-1948 ...
829. Richard Neutra /// Case Study House 20A (Stuart Bailey House) /// Pacific Palisades, California, USA /// 1948. OfHouses presents Case Study Houses, part II ...