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Art History Resources- Guidelines for Analysis of Art
- Formal Analysis Paper Examples
Guidelines for Writing Art History Research Papers- Oral Report Guidelines
- Annual Arkansas College Art History Symposium
Writing a paper for an art history course is similar to the analytical, research-based papers that you may have written in English literature courses or history courses. Although art historical research and writing does include the analysis of written documents, there are distinctive differences between art history writing and other disciplines because the primary documents are works of art. A key reference guide for researching and analyzing works of art and for writing art history papers is the 10th edition (or later) of Sylvan Barnet’s work, A Short Guide to Writing about Art . Barnet directs students through the steps of thinking about a research topic, collecting information, and then writing and documenting a paper. A website with helpful tips for writing art history papers is posted by the University of North Carolina. Wesleyan University Writing Center has a useful guide for finding online writing resources. The following are basic guidelines that you must use when documenting research papers for any art history class at UA Little Rock. Solid, thoughtful research and correct documentation of the sources used in this research (i.e., footnotes/endnotes, bibliography, and illustrations**) are essential. Additionally, these guidelines remind students about plagiarism, a serious academic offense. Paper FormatResearch papers should be in a 12-point font, double-spaced. Ample margins should be left for the instructor’s comments. All margins should be one inch to allow for comments. Number all pages. The cover sheet for the paper should include the following information: title of paper, your name, course title and number, course instructor, and date paper is submitted. A simple presentation of a paper is sufficient. Staple the pages together at the upper left or put them in a simple three-ring folder or binder. Do not put individual pages in plastic sleeves. Documentation of ResourcesThe Chicago Manual of Style (CMS), as described in the most recent edition of Sylvan Barnet’s A Short Guide to Writing about Art is the department standard. Although you may have used MLA style for English papers or other disciplines, the Chicago Style is required for all students taking art history courses at UA Little Rock. There are significant differences between MLA style and Chicago Style. A “Quick Guide” for the Chicago Manual of Style footnote and bibliography format is found http://www.chicagomanualofstyle.org/tools_citationguide.html. The footnote examples are numbered and the bibliography example is last. Please note that the place of publication and the publisher are enclosed in parentheses in the footnote, but they are not in parentheses in the bibliography. Examples of CMS for some types of note and bibliography references are given below in this Guideline. Arabic numbers are used for footnotes. Some word processing programs may have Roman numerals as a choice, but the standard is Arabic numbers. The use of super script numbers, as given in examples below, is the standard in UA Little Rock art history papers. The chapter “Manuscript Form” in the Barnet book (10th edition or later) provides models for the correct forms for footnotes/endnotes and the bibliography. For example, the note form for the FIRST REFERENCE to a book with a single author is: 1 Bruce Cole, Italian Art 1250-1550 (New York: New York University Press, 1971), 134. But the BIBLIOGRAPHIC FORM for that same book is: Cole, Bruce. Italian Art 1250-1550. New York: New York University Press. 1971. The FIRST REFERENCE to a journal article (in a periodical that is paginated by volume) with a single author in a footnote is: 2 Anne H. Van Buren, “Madame Cézanne’s Fashions and the Dates of Her Portraits,” Art Quarterly 29 (1966): 199. The FIRST REFERENCE to a journal article (in a periodical that is paginated by volume) with a single author in the BIBLIOGRAPHY is: Van Buren, Anne H. “Madame Cézanne’s Fashions and the Dates of Her Portraits.” Art Quarterly 29 (1966): 185-204. If you reference an article that you found through an electronic database such as JSTOR, you do not include the url for JSTOR or the date accessed in either the footnote or the bibliography. This is because the article is one that was originally printed in a hard-copy journal; what you located through JSTOR is simply a copy of printed pages. Your citation follows the same format for an article in a bound volume that you may have pulled from the library shelves. If, however, you use an article that originally was in an electronic format and is available only on-line, then follow the “non-print” forms listed below. B. Non-PrintCitations for Internet sources such as online journals or scholarly web sites should follow the form described in Barnet’s chapter, “Writing a Research Paper.” For example, the footnote or endnote reference given by Barnet for a web site is: 3 Nigel Strudwick, Egyptology Resources , with the assistance of The Isaac Newton Institute for Mathematical Sciences, Cambridge University, 1994, revised 16 June 2008, http://www.newton.ac.uk/egypt/ , 24 July 2008. If you use microform or microfilm resources, consult the most recent edition of Kate Turabian, A Manual of Term Paper, Theses and Dissertations. A copy of Turabian is available at the reference desk in the main library. C. Visual Documentation (Illustrations)Art history papers require visual documentation such as photographs, photocopies, or scanned images of the art works you discuss. In the chapter “Manuscript Form” in A Short Guide to Writing about Art, Barnet explains how to identify illustrations or “figures” in the text of your paper and how to caption the visual material. Each photograph, photocopy, or scanned image should appear on a single sheet of paper unless two images and their captions will fit on a single sheet of paper with one inch margins on all sides. Note also that the title of a work of art is always italicized. Within the text, the reference to the illustration is enclosed in parentheses and placed at the end of the sentence. A period for the sentence comes after the parenthetical reference to the illustration. For UA Little Rcok art history papers, illustrations are placed at the end of the paper, not within the text. Illustration are not supplied as a Powerpoint presentation or as separate .jpgs submitted in an electronic format. Edvard Munch’s painting The Scream, dated 1893, represents a highly personal, expressive response to an experience the artist had while walking one evening (Figure 1). The caption that accompanies the illustration at the end of the paper would read: Figure 1. Edvard Munch, The Scream, 1893. Tempera and casein on cardboard, 36 x 29″ (91.3 x 73.7 cm). Nasjonalgalleriet, Oslo, Norway. Plagiarism is a form of thievery and is illegal. According to Webster’s New World Dictionary, to plagiarize is to “take and pass off as one’s own the ideas, writings, etc. of another.” Barnet has some useful guidelines for acknowledging sources in his chapter “Manuscript Form;” review them so that you will not be mguilty of theft. Another useful website regarding plagiarism is provided by Cornell University, http://plagiarism.arts.cornell.edu/tutorial/index.cfm Plagiarism is a serious offense, and students should understand that checking papers for plagiarized content is easy to do with Internet resources. Plagiarism will be reported as academic dishonesty to the Dean of Students; see Section VI of the Student Handbook which cites plagiarism as a specific violation. Take care that you fully and accurately acknowledge the source of another author, whether you are quoting the material verbatim or paraphrasing. Borrowing the idea of another author by merely changing some or even all of your source’s words does not allow you to claim the ideas as your own. You must credit both direct quotes and your paraphrases. Again, Barnet’s chapter “Manuscript Form” sets out clear guidelines for avoiding plagiarism. VISIT OUR GALLERIES SEE UPCOMING EXHIBITS - School of Art and Design
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Recent Newsabstract art , painting , sculpture , or graphic art in which the portrayal of things from the visible world plays little or no part. All art consists largely of elements that can be called abstract—elements of form, colour, line, tone, and texture. Prior to the 20th century these abstract elements were employed by artists to describe, illustrate, or reproduce the world of nature and of human civilization—and exposition dominated over expressive function. Abstract art in its strictest sense has its origins in the 19th century. The period characterized by so vast a body of elaborately representational art produced for the sake of illustrating anecdote also produced a number of painters who examined the mechanism of light and visual perception. The period of Romanticism had put forward ideas about art that denied classicism’s emphasis on imitation and idealization and had instead stressed the role of imagination and of the unconscious as the essential creative factors. Gradually many painters of this period began to accept the new freedom and the new responsibilities implied in the coalescence of these attitudes. Maurice Denis ’s statement of 1890, “It should be remembered that a picture—before being a war-horse, a nude, or an anecdote of some sort—is essentially a flat surface covered with colours assembled in a certain order,” summarizes the feeling among the Symbolist and Post-Impressionist artists of his time. All the major movements of the first two decades of the 20th century, including Fauvism , Expressionism , Cubism , and Futurism , in some way emphasized the gap between art and natural appearances. There is, however, a deep distinction between abstracting from appearances, even if to the point of unrecognizability, and making works of art out of forms not drawn from the visible world. During the four or five years preceding World War I , such artists as Robert Delaunay , Wassily Kandinsky , Kazimir Malevich , and Vladimir Tatlin turned to fundamentally abstract art. (Kandinsky was traditionally regarded as having been the first modern artist to paint purely abstract pictures containing no recognizable objects, in 1910–11. That narrative, however, was later questioned, especially in the 21st century with the renewed interest in Swedish artist Hilma af Klint. She painted her first abstract work in 1906 but with a different goal than achieving pure abstraction.) The majority of even the progressive artists regarded the abandonment of every degree of representation with disfavour, however. During World War I the emergence of the de Stijl group in the Netherlands and of the Dada group in Zürich further widened the spectrum of abstract art. Abstract art did not flourish between World Wars I and II. Beset by totalitarian politics and by art movements placing renewed emphasis on imagery, such as Surrealism and socially critical Realism, it received little notice. But after World War II an energetic American school of abstract painting called Abstract Expressionism emerged and had wide influence. Beginning in the 1950s abstract art was an accepted and widely practiced approach within European and American painting and sculpture. Abstract art puzzled and indeed confused many people, but for those who accepted its nonreferential language there is no doubt as to its value and achievements. See also modern art . Home / Essay Samples / Art / Art Movements / Abstract Art Abstract Art Essay ExamplesThe history of japanese art before 1333. Art has existed for a long time and has influenced us in many ways. It helps us understand who we are, it tells us stories from centuries and give us the details of the life of the past. Back in the ancient times, art was... Analysis of the Works of 20th Century Abstract ArtistsIn this essay, I will consider 20th century abstract artists such as Albers and Bass and others. Many of them lived at different times and in different places, but thanks to their work they became known. They both showed how important the art of experimenting... Why Abstract Art is Considered ArtAbstracting our thoughts to nothingness seems complicated. Through meditation some believe they can achieve a state of mind of complete blankness. The definition of abstraction is nothing more than an idea or thought which does not have a physical or concrete existence. Hard to visualise... Analysis of the Main Themes and Elements in Abstract Expressionism ArtIn post World War II abstract expressionism was the art movement that took over American art culture in the 1940s, after being developed in New York by the New York School of art; a club made up of select artists. Abstract expressionism borrowed elements from... The Beginning and Development of Abstract ExpressionismArt before the Second World War was predominantly centered around Paris and other European centers. The turn of the twentieth-century brought along with it an expansive range of movements attempting to move further from the old classicism and naturalism. The idea was that the turn... Francis Picabia: Synthesizing Inner Emotions and Exterior EventsAs one of the important figures who studied from what the Cubists have achieved and came out from their success, Francis Picabia gradually found his way of interpreting the relation between subject matter and the image. 1912 to 1914 was an important period of time... Trying to find an excellent essay sample but no results? Don’t waste your time and get a professional writer to help! You may also like- Photography
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