writing a book review grade 3

How to Write a Book Review: The Ultimate Guide

WHAT IS A BOOK REVIEW?

Traditionally, book reviews are evaluations of a recently published book in any genre. Usually, around the 500 to 700-word mark, they briefly describe a text’s main elements while appraising the work’s strengths and weaknesses. Published book reviews can appear in newspapers, magazines, and academic journals. They provide the reader with an overview of the book itself and indicate whether or not the reviewer would recommend the book to the reader.

WHAT IS THE PURPOSE OF A BOOK REVIEW?

There was a time when book reviews were a regular appearance in every quality newspaper and many periodicals. They were essential elements in whether or not a book would sell well. A review from a heavyweight critic could often be the deciding factor in whether a book became a bestseller or a damp squib. In the last few decades, however, the book review’s influence has waned considerably, with many potential book buyers preferring to consult customer reviews on Amazon, or sites like Goodreads, before buying. As a result, book review’s appearance in newspapers, journals, and digital media has become less frequent.

WHY BOTHER TEACHING STUDENTS TO WRITE BOOK REVIEWS AT ALL?

Even in the heyday of the book review’s influence, few students who learned the craft of writing a book review became literary critics! The real value of crafting a well-written book review for a student does not lie in their ability to impact book sales. Understanding how to produce a well-written book review helps students to:

●     Engage critically with a text

●     Critically evaluate a text

●     Respond personally to a range of different writing genres

●     Improve their own reading, writing, and thinking skills.

Not to Be Confused with a Book Report!

WHAT’S THE DIFFERENCE BETWEEN A BOOK REVIEW AND A BOOK REPORT?

While the terms are often used interchangeably, there are clear differences in both the purpose and the format of the two genres. Generally speaking, book reports aim to give a more detailed outline of what occurs in a book. A book report on a work of fiction will tend to give a comprehensive account of the characters, major plot lines, and themes in the book. Book reports are usually written around the K-12 age range, while book reviews tend not to be undertaken by those at the younger end of this age range due to the need for the higher-level critical skills required in writing them. At their highest expression, book reviews are written at the college level and by professional critics.

Learn how to write a book review step by step with our complete guide for students and teachers by familiarizing yourself with the structure and features.

BOOK REVIEW STRUCTURE

ANALYZE Evaluate the book with a critical mind.

THOROUGHNESS The whole is greater than the sum of all its parts. Review the book as a WHOLE.

COMPARE Where appropriate compare to similar texts and genres.

THUMBS UP OR DOWN? You are going to have to inevitably recommend or reject this book to potential readers.

BE CONSISTENT Take a stance and stick with it throughout your review.

FEATURES OF A BOOK REVIEW

PAST TENSE You are writing about a book you have already read.

EMOTIVE LANGUAGE Whatever your stance or opinion be passionate about it. Your audience will thank you for it.

VOICE Both active and passive voice are used in recounts.

A COMPLETE UNIT ON REVIEW AND ANALYSIS OF TEXTS

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ELEMENTS OF A BOOK REVIEW

As with any of the writing genres we teach our students, a book review can be helpfully explained in terms of criteria. While there is much to the ‘art’ of writing, there is also, thankfully, a lot of the nuts and bolts that can be listed too. Have students consider the following elements before writing:

●     Title: Often, the title of the book review will correspond to the title of the text itself, but there may also be some examination of the title’s relevance. How does it fit into the purpose of the work as a whole? Does it convey a message or reveal larger themes explored within the work?

●     Author: Within the book review, there may be some discussion of who the author is and what they have written before, especially if it relates to the current work being reviewed. There may be some mention of the author’s style and what they are best known for. If the author has received any awards or prizes, this may also be mentioned within the body of the review.

●     Genre: A book review will identify the genre that the book belongs to, whether fiction or nonfiction, poetry, romance, science-fiction, history etc. The genre will likely tie in, too with who the intended audience for the book is and what the overall purpose of the work is.

●     Book Jacket / Cover: Often, a book’s cover will contain artwork that is worthy of comment. It may contain interesting details related to the text that contribute to, or detract from, the work as a whole.

●     Structure: The book’s structure will often be heavily informed by its genre. Have students examine how the book is organized before writing their review. Does it contain a preface from a guest editor, for example? Is it written in sections or chapters? Does it have a table of contents, index, glossary etc.? While all these details may not make it into the review itself, looking at how the book is structured may reveal some interesting aspects.

●     Publisher and Price: A book review will usually contain details of who publishes the book and its cost. A review will often provide details of where the book is available too.

BOOK REVIEW KEY ELEMENTS

As students read and engage with the work they will review, they will develop a sense of the shape their review will take. This will begin with the summary. Encourage students to take notes during the reading of the work that will help them in writing the summary that will form an essential part of their review. Aspects of the book they may wish to take notes on in a work of fiction may include:

●     Characters: Who are the main characters? What are their motivations? Are they convincingly drawn? Or are they empathetic characters?

●     Themes: What are the main themes of the work? Are there recurring motifs in the work? Is the exploration of the themes deep or surface only?

●     Style: What are the key aspects of the writer’s style? How does it fit into the wider literary world?

●     Plot: What is the story’s main catalyst? What happens in the rising action? What are the story’s subplots? 

A book review will generally begin with a short summary of the work itself. However, it is important not to give too much away, remind students – no spoilers, please! For nonfiction works, this may be a summary of the main arguments of the work, again, without giving too much detail away. In a work of fiction, a book review will often summarise up to the rising action of the piece without going beyond to reveal too much!

The summary should also provide some orientation for the reader. Given the nature of the purpose of a review, it is important that students’ consider their intended audience in the writing of their review. Readers will most likely not have read the book in question and will require some orientation. This is often achieved through introductions to the main characters, themes, primary arguments etc. This will help the reader to gauge whether or not the book is of interest to them.

Once your student has summarized the work, it is time to ‘review’ in earnest. At this point, the student should begin to detail their own opinion of the book. To do this well they should:

i. Make It Personal

Often when teaching essay writing we will talk to our students about the importance of climbing up and down the ladder of abstraction. Just as it is helpful to explore large, more abstract concepts in an essay by bringing it down to Earth, in a book review, it is important that students can relate the characters, themes, ideas etc to their own lives.

Book reviews are meant to be subjective. They are opinion pieces, and opinions grow out of our experiences of life. Encourage students to link the work they are writing about to their own personal life within the body of the review. By making this personal connection to the work, students contextualize their opinions for the readers and help them to understand whether the book will be of interest to them or not in the process.

ii. Make It Universal

Just as it is important to climb down the ladder of abstraction to show how the work relates to individual life, it is important to climb upwards on the ladder too. Students should endeavor to show how the ideas explored in the book relate to the wider world. The may be in the form of the universality of the underlying themes in a work of fiction or, for example, the international implications for arguments expressed in a work of nonfiction.

iii. Support Opinions with Evidence

A book review is a subjective piece of writing by its very nature. However, just because it is subjective does not mean that opinions do not need to be justified. Make sure students understand how to back up their opinions with various forms of evidence, for example, quotations, statistics, and the use of primary and secondary sources.

EDIT AND REVISE YOUR BOOK REVIEW

As with any writing genre, encourage students to polish things up with review and revision at the end. Encourage them to proofread and check for accurate spelling throughout, with particular attention to the author’s name, character names, publisher etc. 

It is good practice too for students to double-check their use of evidence. Are statements supported? Are the statistics used correctly? Are the quotations from the text accurate? Mistakes such as these uncorrected can do great damage to the value of a book review as they can undermine the reader’s confidence in the writer’s judgement.

The discipline of writing book reviews offers students opportunities to develop their writing skills and exercise their critical faculties. Book reviews can be valuable standalone activities or serve as a part of a series of activities engaging with a central text. They can also serve as an effective springboard into later discussion work based on the ideas and issues explored in a particular book. Though the book review does not hold the sway it once did in the mind’s of the reading public, it still serves as an effective teaching tool in our classrooms today.

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

BOOK REVIEW GRAPHIC ORGANIZER (TEMPLATE)

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Book and Movie review writing examples (Student Writing Samples)

Below are a collection of student writing samples of book reviews.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to both read the movie or book review in detail but also the teacher and student guides which highlight some of the key elements of writing a text review

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of book review writing.

We would recommend reading the example either a year above and below, as well as the grade you are currently working with to gain a broader appreciation of this text type .

BOOK REVIEW VIDEO TUTORIALS

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How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to write a book review- a step by step guide.

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Since knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could improve? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “how to write a book review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair:Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with an additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “how to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

What is the difference between a book review and a report?

Who is the target audience for book reviews and book reports, how do book reviews and reports differ in length and content, can i write professional book reviews, what are the key aspects of writing professional book reviews, how can i enhance my book-reviewing skills to write professional reviews, what should be included in a good book review.

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So What Do You Think? Writing a Review

• Resources & Preparation
• Instructional Plan
• Related Resources

Teenagers are often outspoken and opinionated. Writing reviews of the literature they read gives them a chance to express their ideas while developing style and voice. This lesson uses discussion of student opinions about yesterday's lunch or a popular TV show serves as an introduction to the genre of reviews. Students then read and analyze conflicting reviews. After examining samples of movie, music, restaurant, and book reviews, students devise guidelines for writing interesting and informative reviews. They then produce their own reviews of the literature they're reading in class. Finally, students compare their ideas and their pieces with published reviews of the same piece of literature. Though this lesson is illustrated with examples from student and professional reviews of Raymond Carver's writing, the techniques can be used with whatever literature students are reading.

Featured Resources

Components of a Review : This handout gives an overview of what is normally included in a critical review.

Review Guidelines : Students can use these guidelines when writing their own critical reviews.

From Theory to Practice

While it's important for students to learn to read and evaluate critical commentary, "Each reader has a right-and even a responsibility-to form his or her own opinions, based on that reader's reading and understanding of a piece of literature, and to be able to support those opinions with solid reasons" (97).

When students express ideas on an author's work that are also noted by critics, "it presents a perfect opportunity to introduce critical commentary naturally into class discussion in order to promote a deeper understanding of the literature" (100).

Further Reading

Common Core Standards

This resource has been aligned to the Common Core State Standards for states in which they have been adopted. If a state does not appear in the drop-down, CCSS alignments are forthcoming.

State Standards

This lesson has been aligned to standards in the following states. If a state does not appear in the drop-down, standard alignments are not currently available for that state.

NCTE/IRA National Standards for the English Language Arts

• 1. Students read a wide range of print and nonprint texts to build an understanding of texts, of themselves, and of the cultures of the United States and the world; to acquire new information; to respond to the needs and demands of society and the workplace; and for personal fulfillment. Among these texts are fiction and nonfiction, classic and contemporary works.
• 3. Students apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts. They draw on their prior experience, their interactions with other readers and writers, their knowledge of word meaning and of other texts, their word identification strategies, and their understanding of textual features (e.g., sound-letter correspondence, sentence structure, context, graphics).
• 4. Students adjust their use of spoken, written, and visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for different purposes.
• 5. Students employ a wide range of strategies as they write and use different writing process elements appropriately to communicate with different audiences for a variety of purposes.
• 6. Students apply knowledge of language structure, language conventions (e.g., spelling and punctuation), media techniques, figurative language, and genre to create, critique, and discuss print and nonprint texts.
• 7. Students conduct research on issues and interests by generating ideas and questions, and by posing problems. They gather, evaluate, and synthesize data from a variety of sources (e.g., print and nonprint texts, artifacts, people) to communicate their discoveries in ways that suit their purpose and audience.
• 8. Students use a variety of technological and information resources (e.g., libraries, databases, computer networks, video) to gather and synthesize information and to create and communicate knowledge.
• 9. Students develop an understanding of and respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.
• 12. Students use spoken, written, and visual language to accomplish their own purposes (e.g., for learning, enjoyment, persuasion, and the exchange of information).

Materials and Technology

• Sample reviews of various types (movie, music, restaurant, book, etc.), both print and online
• Specific reviews of the literature students are reading
• Components of a Review
• Creating Classroom Discussion about Reviews
• Student Example of a Book Review
• Review Guidelines
• Writing a Review Checklist
• Student Reflection Sheet

Preparation

• two conflicting reviews of a current movie, television show, or CD with which students are likely familiar.
• reviews specific to the writer(s) who students are reading. The Stauffer Library Reference and  Book Reviews in the Yahoo! Directory may be helpful in finding those reviews.
• Make appropriate number of copies of handouts.
• Test the ReadWriteThink Pinting Press on your computers to familiarize yourself with the tool and ensure that you have the Flash plug-in installed. You can download the plug-in from the technical support page.

Student Objectives

Students will

• read a variety of different kinds of reviews.
• determine the qualities and characteristics of an effective review.
• use critical thinking skills to formulate their own opinions about a writer's work.
• apply their knowledge to write their own reviews.
• compare their ideas and their work to that of professional reviewers.

Session One

• In this first class session, work to generate interest in writing a review-and to convince students that they do have strong and valid opinions.
• If lunch was "gross," what made it so?
• If the show was "really funny," why did it make them laugh?
• Ask students why they go to certain movies, buy specific CDs, or choose to eat in particular restaurants. Encourage them to explore where they get their "recommendations" from.
• Invite students to share both positive and negative experiences they have had as a result of listening to someone else's opinion.
• Lead the discussion to a point where students begin to see that word-of-mouth recommendations and published reviews essentially serve the same purpose: to comment on and evaluate a work or an event.
• Share two conflicting reviews with students.
• the kind of information included in both reviews.
• the specific points the reviewers agree and disagree about.
• any differences in focus between the reviews.
• which review is more entertaining—and why.
• which review is more convincing—and why.
• Ask students to list various kinds of reviews and to suggest where they can find these reviews (newspapers, magazines, journals, and online).
• For homework, ask each student bring one to three reviews to class.

Session Two

• In this second session, focus on helping students determine the qualities and characteristics of a good review.
• the name of what is being reviewed
• a clear statement of the reviewer's opinion (i.e., a thesis)
• specific examples that support the reviewer's opinion
• a particular tone (use of humor, sarcasm, authority, etc.).
• book reviews may include quotations from the work.
• restaurant reviews may discuss atmosphere.
• both music and literary reviews may trace developments in the writer/musician's history.
• Each small group should choose one review to read to the class along with their own short oral analysis.
• As a conclusion to the activity, the class as a whole should compile a list on the board or on chart paper of qualities that contribute to a good review. If desired, share the Components of a Review handout, which reviews the parts of a review.
• The teacher should collect all reviews students brought in for homework for use in future sessions.

Session Three

• In this third session, work to get students to focus on the particular attributes of a book review in preparation for writing their own reviews of the literature they're reading.
• Ideally, the teacher should have a selection of book reviews from those collected from students the previous day. In case students have not brought in book reviews, the teacher should have such reviews available. These reviews should be carefully chosen so that their content is accessible to students. It's best if some reviews focus on works students may have read while others are of work unfamiliar to students.)
• In small groups of three or four, have students examine a book review and break it down into its components to determine how the introduction, the body, and the conclusion allow the writer to make his/her points.
• Next, students should examine the particular style of their group's review and determine how the writer achieves a unique voice. Each group should try to determine the tone of their review (i.e., pompous and authoritative, humorous, enthusiastic, analytical, etc.) by noting such things as word choice, sentence structure, and use of detail. If students have collected reviews written by the same reviewer, these "elusive" qualities may be easier to spot.
• Invite a class discussion about how a review combines the informative aspects of straight journalism with the "pizzazz" of personal narrative.
• Where did your review appear?
• What do you know about this publication?
• Who do you think the audience for this publication would be?
• What would a reader who had read the book take from the review?
• What would a reader unfamiliar with the book take from the review?
• By the end of the session, ask students to compile a class list of broad, basic guidelines for writing a review. Example guidelines are also available.
• Invite students to begin writing the first draft of a review based on the particular piece(s) of literature the class is studying.
• If students are reading one book, that one work would be the focus of the review.
• If students are reading more than one work (i.e., a number of short stories, poems, or essays) by an author, the review can cover any or all of this material.
• Ask students to design a rating system to include with the written review. The system can be as traditional as 1-5 stars or something more creative.

NOTE: Older students tend to get the style and tone of a review quite quickly, while younger students often produce something more like a book report in the early drafts. Writing instruction should be geared to the ability of each class.

• Use the Writing a Review Checklist as a guide to help students draft and edit their reviews.

Session Four

• In this fourth session, introduce critical commentary into class discussion.
• When the students have completed their reviews, invite them to publish their reviews using one of the options on the ReadWriteThink Printing Press . Print them when they are complete.
• With their final drafts complete, have students read professionally written reviews on the same text and compare their ideas as well as their writing to these reviews. Depending on the accessibility of these reviews, you can collect all published material or students can be assigned this task. (It's for this reason that this aspect of the assignment works best if the writers reviewed are contemporary.)
• When comparing their reviews with the published pieces, students should find points that are raised in both. This process demystifies critical commentary and allows students to feel comfortable discussing the work of reviewers. For example, one of my students writes of his appreciation of Carver's "deadpan humor."
• Teachers can use such excerpts to generate lively classroom discussion. If desired, use the this suggestion for creating a classroom discussion.
• After all students have reacted to each excerpt, invite the class to break into pairs or small groups, with each group responsible for sifting through the material on one of the papers.
• Finally, have students present conclusions based on their peers' responses to the critical commentary.
• a classroom bulletin board displaying reviews, accompanied by artwork and photographs of the authors.
• a class compilation of reviews. Students can use the ReadWriteThink Printing Press to compile their reviews in a reader-friendly format.
• a class publication with all reviews collected in a booklet, brochure, or binder and saved for future classes who will be studying the same author. This collection can be added to over the years to create an "historical perspective" on a particular works/authors.
• submissions to print and online publications that seek reviews. (Note: Teen Ink seeks student written reviews on all topics.)
• writing an individual response to a review to then share with the class.
• revising and rewriting their own original reviews to address points raised by the professional reviewer.
• working with a partner and each taking a side in response to a review, with one student proving the reviewer is "right" and the other proving him/her "wrong."
• When students are comparing different types of reviews, invite them to use the Venn Diagram interactive.

Student Assessment / Reflections

• Grade the review as a complete writing assignment.
• As students write and revise their reviews, guide their work with the Review Checklist , a worksheet that outlines the vital features of a good review and asks students to verify that their final review includes these specific features. This checklist can be used by the teacher in evaluating the review.
• Students can assess their own work and learning by completing a Reflection Sheet that is handed in with the review. As with all reflection sheets, the form should include 4–5 questions that make writers really think about their pieces and the process that led to their creation.
• Publish student reviews using one of the options listed above to provide further feedback and assessment for students.
• Calendar Activities
• Professional Library
• Student Interactives
• Lesson Plans

The interactive Printing Press is designed to assist students in creating newspapers, brochures, and flyers.

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Book Review Writing Examples

Examples: learn from the efforts of others.

Learning how to write strong reviews takes time and not a little effort. Reading the reviews others have done can help you get a feel for the flow and flavor of reviews.

If I Never Forever Endeavor Review by Hayden, age 4, Southeast Michigan Mensa

This book was about a bird who didn't yet know how to fly.

The bird has to decide if it will try to fly, but it was not sure if it wants to. The bird thought, "If I never forever endeavor" then I won't ever learn. On one wing, he worries he might fail and on the other wing he thinks of how he may succeed. He worries that if he tries, he may get lost in the world. That makes him want to stay in his nest where he's safe.

I think this book would help other children to learn that trying new things can be scary, but sometimes when we try, we can find things that make us happy too. And this book will help others know that mistakes are okay and part of learning.

My favorite part is that the bird tried and learned that she could fly. I also liked that I read this book because it gave me a chance to talk to mom about making mistakes and how I don't like making them. Then I learned they are good and part of learning.

Boys and girls who are 3 to 8 years old would like this book because it teaches about trying a new thing and how it's important to get past being scared so you can learn new things.

I give the book 5 stars since I think it's important for other children to learn about courage.

Flesh & Blood So Cheap Review by Umar B., age 8, Central New Jersy Mensa

I liked this book. People who are interested in national disasters and US history as well as immigration will most probably be interested in reading this book.

Readers can gain knowledge of what it was like to work in New York City in the early 1900s. One of the things that was especially interesting was that there were no safety laws at work. Also, there was a big contrast between the rich and the poor. Some people may not like this book because it is very depressing, but it is an important event in history to remember.

This book was very well written. It has black and white photos along with descriptions of the photos. These photos give us a better idea of what people's lives were like. This book is suitable for 9-20 year olds.

I give this book 5 stars.

Galaxy Zach: Journey to Juno Review by Young Mensan Connor C., age 6, Boston Mensa

Journey To Juno is the second book of the Galaxy Zack series. It is just as good as the first one. It's awesome!

Zack joins the Sprockets Academy Explorers Club at school. They fly on a special trip to Juno, a new planet no one has ever visited. Zack gets paired up with Seth, the class bully, and that's dreadful but Zack is excited when he finds a huge galaxy gemmite. A gemmite that large had not been found in 100 years! Kids will love this book!

Boys and girls will both like it. It's an easy chapter book with pictures on every page. I love the illustrations. I think ages 6-8 would like this but younger kids would like the story being read to them.

My favorite parts are the galactic blast game (it is similar to baseball except there are robots playing), recess at Zack's school where everything is 3-D holographic images, the rainbow river in a crystal cave on Juno, and the galaxy gemmite that Zack finds on Juno. I also loved when a life-size holographic image of his Earth friend appears in Zack's room because he calls him on a hyperphone. I give this book one hundred stars! There is a "to be continued" at the end so you have to read the next book see what's in store. I can't wait to find out what happens!!!

I Capture the Castle Review by Lauren W., age 17, Mensa in Georgia

Dodie Smith's novel I Capture the Castle is a journey through the mind of a young writer as she attempts to chronicle her daily life. Seventeen-year-old Cassandra Mortmain has recently learned to speed-write, and she decides to work on her writing skills by describing the actions and conversations of those around her.

Cassandra lives in a fourteenth-century English castle with an interesting cast of characters: her beautiful older sister, Rose; her rather unsociable author father and his second wife, artist-model Topaz; Stephen, the garden boy; a cat and a bull terrier; and sometimes her brother Thomas when he is home from school. One fateful day they make the acquaintance of the Cotton family, including the two sons, and a web of tangled relationships ensues.

While I definitely recommend this book to other readers, I would recommend it to older teenagers, mainly because it will resonate better with them. The writing is tame enough that younger teens could also read it, but most of the characters are adults or on the verge of adulthood. Older readers would take the most from it since they can not only relate, but they may also better pick up on and appreciate Cassandra's sometimes subtle humor.

Over the course of the novel, Cassandra undergoes a definite transformation from child to mature young adult, even though it's only over the course of several months. I love that I could see into her mindset and read exactly what she was feeling when she thought out situations. Her thoughts flowed well and moved the book along very quickly.

Cassandra's narrative voice is wonderful. She is serious at times, but also very witty, which makes for an engaging read. It feels absolutely real, as though I'm reading someone's actual journal. Sometimes I forget that I am reading a story and not a real-life account. Her emotions and the dialogue are so genuine, and they are spot-on for a seventeen-year-old girl in her situation.

Cassandra has many wonderful insights on life, on topics ranging from writing to faith to matters of the heart. I personally have had some of the same thoughts as Cassandra, except Ms. Smith was able to put them into words.

Capture the Castle should be essential reading for aspiring writers, those looking for historical fiction or romance, or anyone who loves reading amazing classic books. Dodie Smith is an exceptional writer, and I Capture the Castle is a book that will never become obsolete.

Frankenstein's Cat Review by Zander H., age 12, Mid-America Mensa

I appreciated Frankenstein's Cat for its fascinating explanation about the often baffling subject of bioengineering and its sister sciences. Emily Anthes explains the many sides of today's modern technology, such as gene modification, cloning, pharmaceutical products (from the farm), prosthesis, animal tag and tracking and gene cryogenics. This book provides a well-rounded summary of these complicated sciences without being boring or simply factual. Her real world examples take us on a journey from the farm, to the pet store and then from the pharmacy to the frozen arc.

Have you ever wondered if the neighborhood cat is spying on you? Read about Operation Acoustic Kitty and find out if this feline fantasy fiction or fact. Do you think bugs are creepy? What about a zombified cyborg beetle? Is Fido so special that you want two of him? Money can buy you an almost exact copy of your pooch BUT don't expect the same personality. Emily Anthes makes you crave more information. She makes you want to know the future of Earth's flora and fauna, as well as humanity itself.

I would highly recommend this book to anyone who desires a guide to the future of biological science and technology. Frankenstein's Cat is best read by the light of a glow-in-the-dark fish, while cuddling your favorite cloned dog and drinking a glass of genetically modified milk.

About Marsupials Review by Connor C., age 6, Boston Mensa

About Marsupials is the title so the book is about...marsupials, of course. It's non-fiction. I really think everyone would like the book. I think someone who likes animals would especially like to read it.

The glossary of facts in the back of About Marsupials is the most useful part. I thought the most interesting parts were that some marsupials have their pouch at their back legs and one marsupial, the Yellow-footed Rock Wallaby, is very small but can jump 13 feet wide!

Kids in the 4-8 age range would like this book. Even though it's not a story book, 4 year olds would like the few words on each page and they would love the beautiful pictures. But older kids would like it because of all the facts in the back of the book. There's a lot of information for each animal. I think boys and girls (and parents) would enjoy reading it. This book is very interesting. I give it 4 stars.

Mapping the World Review by Umar A., age 10, Central New Jersey Mensa

Every day, people around the world use maps. Whether it is an airplane pilot or businessman, housewife or museum group, maps have always and will continue to provide useful information for all.

Mapping the World talks about the uses of maps, as well as how to differentiate between the type of map projection and type of map.

In this series, we travel to the past and learn about historical mapmakers, from Claudius Ptolemy (who stated the idea that the Earth is at the center of the universe) to Gerardus Mercator (who created one of the most widely used map projections) and more. This series goes into tremendous detail on the cartographer's life and maps. We then journey to the present era to learn about map projections and the diverse types of maps used today. You might ask, "What is the difference between the two? They sound the same to me." No map projection is perfect, because you cannot really flatten a sphere into a rectangle. An uncolored projection could be used in many ways. We could use it for population concentration, highways, land elevation, and so many other things!

For example, we could make a topographic map of the U.S., which shows land elevation. We could make it a colorful map that shows the amount of pollution in different areas, or it could be a population map, or it could even be a map that shows the 50 states, their capitals and borders! Our last step in this amazing excursion is the near future, where we see some hypothetical solutions as to what maps will be used for. Currently, we are working on better virtual map technology.

Now, scientists have been able to put maps on phones. Back in the early 1900s, people had to lug a lot of maps around to find your way from place to place, or just keep asking for directions. Now, all the information is on a phone or global positioning system (GPS). It is amazing how much maps have changed technology and the world in this century.

The Mapping the World 8-book set goes into amazing levels of detail. It is a long read, but it gives an immense range and amount of information that you would not find in any other book or series on maps. The flowing way the chapters and books are organized makes it easy to link passages from different books in this series together. Mapping the World is a treasure box, filled with the seeds of cartography. Collect and plant them, and you soon will have the fruits of cartography, beneficial to those who want to be cartographers. Use this series to the utmost, then the fruits of mapping will be sweet for all who endeavor to succeed in cartography.

This series of lessons was designed to meet the needs of gifted children for extension beyond the standard curriculum with the greatest ease of use for the educator. The lessons may be given to the students for individual self-guided work, or they may be taught in a classroom or a home-school setting. Assessment strategies and rubrics are included at the end of each section. The rubrics often include a column for "scholar points," which are invitations for students to extend their efforts beyond that which is required, incorporating creativity or higher level technical skills.

How To Write A Book Review: 6 Steps To Take

Adiba Jaigirdar

Adiba Jaigirdar is an Irish-Bangladeshi writer, poet, and teacher. She resides in Dublin, Ireland and has an MA in postcolonial studies. She is currently working on her own postcolonial novel and hopes that someday it will see the light of day outside of her computer screen. Twitter:  @adiba_j

View All posts by Adiba Jaigirdar

Whether you’re a student, a novice blogger, or just someone looking to become a more active user of Goodreads, writing a book review is an important skill to have! Here are six steps for how to write a book review for school and beyond. 

1. Begin with a brief summary of the book

This is probably the best way to introduce any review because it gives context. But make sure to not go into too much detail. Keep it short and sweet since an official summary can be found through a quick google search!

2. Pick out the most important aspects of the book

I usually break this down with character, world-building, themes, and plot. But this might vary between books, genres, and your tastes!

Dedicate a paragraph to each of these important aspects, discussing how well the author dealt with it, along with what you enjoyed and what you didn’t enjoy.

3. Include brief quotes as examples

Including quotes is always a great idea, because it gives examples for everything that you’re saying! If your review talks about a character being particularly witty, a witty line from the character lets your readers see exactly what kind of witty character you’re dealing with here.

But be careful: lengthy quotes can take up big chunks of space and overpower your review. Short quotes will usually get your points across while letting your work shine through.

4. Write a conclusion that summarises everything

Like your introduction, keep your conclusion short and sweet! It should bring up the main points of your review, along with your overall opinion of the book.

5. Find similar books

A great way to wrap up a review is to find similar books to the one you’re reviewing. So you can say, “if you were a fan of X book, I think you’ll definitely like this one!”

You can also be more specific, looking at the exact things that might make two books similar. So you can suggest something like…“if you liked that the main character in X book was a kick-ass superhero, then you’ll love the main character of this book!”

6. Give it a star rating

A star rating is obviously encouraged in a lot of review sites, but they’re not necessary! If you do want to give a star rating, you can go the conventional “out of five/ten” route. You could also try something slightly less conventional, and break down your star-rating into different categories for character/plot/world-building, etc.

Now go forth and review! And share any tips you have for how to write a book review in the comments.

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• Read and write
• Writing practice
• Level 3 writing

Book review

Read the book review, then do the exercises and write a comment to practise writing in English.

• Do the preparation activity to help you with words from the text.
• Read the text then play the game to check your understanding.
• You can also print the worksheets for more practice.
• Remember to read our discussion question and leave a comment!

Preparation

Title: charlie and the chocolate factory, author: roald dahl, what's the book about.

The book is about a boy called Charlie. His family is very poor – they don't have much money and they don't have much food.

There is a chocolate factory near Charlie's house. It is Willy Wonka's factory. Willy Wonka invites five children to visit the chocolate factory. The factory is amazing! One child wins a very special prize. Is Charlie the winner?

My favourite character

My favourite character is Charlie because he is very kind. I don't like the other children because they are horrible!

My opinion of the book

This book is great! I love the incredible chocolates and sweets in the factory.

Words to describe the book

• interesting

Star rating

I give Charlie and the Chocolate Factory 5 stars.

5 stars = Fantastic! 4 stars = Very good! 3 stars = OK 2 stars = Bad 1 star = Terrible!

Review by: Gabrielle (age 12)

Top tips for writing book reviews!

• Start with the title and author.
• Explain the story but don't say the ending.
• Give your opinion of the book.
• Use adjectives to describe the book.

What kinds of books do you like reading? Tell us about your favourite book!

In my opinion Pokémon is the best book and movie in the world and I love it and It’s awesome. Pokémon was created by Satoshi Tajiri .My favorite character is Ash from Palet town . He is training to be the best of Pokémon going from the Kanto Region to the Galel Region . The Pokémon world is the most fascinating place in the world. You Catch Pokémon with your starter Pokemon once you have seven Pokémon you can battle a Jim leader. If you beat the Jim leader you get a badge and you keep on doing that until you have 108 badges then you can battle against the master of Pokémon if you win you are the master but if you lose you are just a normal trainer. I love reading Pokémon maybe you should read it bye!!!

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I read a book called: A Rienda Suelta, it is in spanish. I like because it has horses.BY:María Victoria

English courses for children aged 6-17

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Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

• First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
• Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
• Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
• How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

• Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
• What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

• The name of the author and the book title and the main theme.
• Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
• The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
• The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
• Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

• Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
• With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
• Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
• Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
• A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Writing an Excellent Book Review: A Step-by-Step Guide

‘ So many books, so little time ’, said Frank Zappa. We all love to read storybooks. They are filled with amazing characters, beautiful pictures and so many more things. These books welcome us into their fascinating world, spark our imagination and curiosity and, above all, they bring joy to our life. We then want to share our experience of reading a particular book with our family and friends. Some of us might find it tough to remember all the details at that time. One way of remembering all the wonderful details of the book is by writing them down. So, let’s learn how to write a book review today!

Tips on how to write a book review for children

There are many reasons for learning to write a book review. It helps us share our thoughts and feelings about the book, strengthens our writing skills and sharpens our thinking skills. Now, are you ready to write a book review? Here are a few things that you would want to cover in your book review. Pick up the latest book you have read and let’s get started!

Title, author and other details

Before you even begin to write your book review, you need to write down the title of the book and the name of the author. You may also want to write the name of the illustrator who created the beautiful images in the book. Another good practice would be to write the name of the publisher. You are most likely to find this information on the cover page of your book. 

Here’s the order: 

• Title of the book
• Name of the author
• Name of the illustrator
• Name of the publisher

Book ratings

A Book review is all about your opinion of the book. Hence, you should include something that lets the reader know instantly if you liked or disliked the book. One way of doing this is to give it a rating out of 10 or use the 5-star method. For example, you could give all 5 stars to a great book and 2 stars to a book that you didn’t really like. Remember that your book review must be in line with these ratings, so do this at the end, but leave some room for it on top of the page so that the reader notices it instantly. 

Here’s the rating guide:

• ⭐⭐⭐⭐⭐ – I loved this book, and I think everyone else will love it too. 
• ⭐⭐⭐⭐ – I liked this book, and I think most of my friends would like it. 
• ⭐⭐⭐ – It’s a good book, and many will enjoy reading it. 
• ⭐⭐ – I didn’t like this book, but a few of my friends would like it. 
• ⭐ – I didn’t like this book at all, and most of my friends will agree with me. 

Summarise the book

Summarise the book in less than 100 words. Be mindful and do not give away too much information about the story. While summarising the book, remember to not give away the surprises in the book. You could describe where the story takes place and the main event in the story.

Here are a few things you can include in your summary:

• Moral of the story or a lesson learned from reading the story.
• Place and main event of the story; just don’t reveal the surprise here.
• Main characters and what kind of people they are. 
• How easy is the book to understand?

Share things that you liked and disliked about the book

Start by writing about three things that you really liked about the book. You could talk about the words used, the characters and how the story began or ended. Then you could cover things that you disliked in the book; it could be the pictures or even the way the story ended. 

Here are a few things you could talk about:

• Did you like the way the story was written–beginning, middle and end?
• Did you like the ending? Why or why not? Could it be better?
• Were the characters and their thoughts explained well?
• Were the words easy to understand?
• Were there pictures? Did you like them? Why or why not?
• Was the story interesting or dull? Why or why not?

These pointers will help you write a book review that covers almost everything about the book. At the end of it, you could also mention if you would like your family and friends to read it as soon as possible or if they can pick another book to read. Remember that writing a book review is not always easy; initially you may find it very hard, but soon with practice you will get better. So keep writing! All the best! 

Did you find these tips helpful? Do leave a book review of your favourite book in the comments section. 

Also read, 

• A Step-By-Step Poetry Writing Guide For Children
• Seven-Day Challenge To Help Your Child Write Their Very First Story
• The Ultimate Checklist For Language Development

About the Author

Mekhala Joshi

“Me-kha-la!” That happens at least once when she introduces herself to new people. She wholeheartedly believes in the quote by Arthur Rubinstein that says – “if you love life, life will love you back”. She is an organizational psychologist and psychometrician. She was a class teacher of 36 adorable girls for two years, grades 2 & 3, as a part of the Teach For India Fellowship. These little girls have a special place in her heart, and when she writes for children, she writes for them!

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August 21, 2023

I am loving your articles. As a volunteer who have worked for Teach for India, i can appreciate that you wrote this article by putting yourself in the shoes of them. Because whenever there is a presentation, or a speech by a visitor to the college or school, I use to do the same. My focus was on giving high quality feedback at the end of the lecture so i use to jot down all the important ideas discussed.

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How to Write a Book Review: Awesome Guide

A book review allows students to illustrate the author's intentions of writing the piece, as well as create a criticism of the book — as a whole. In other words, form an opinion of the author's presented ideas. Check out this guide from EssayPro - book review writing service to learn how to write a book review successfully.

What Is a Book Review?

You may prosper, “what is a book review?”. Book reviews are commonly assigned students to allow them to show a clear understanding of the novel. And to check if the students have actually read the book. The essay format is highly important for your consideration, take a look at the book review format below.

Book reviews are assigned to allow students to present their own opinion regarding the author’s ideas included in the book or passage. They are a form of literary criticism that analyzes the author’s ideas, writing techniques, and quality. A book analysis is entirely opinion-based, in relevance to the book. They are good practice for those who wish to become editors, due to the fact, editing requires a lot of criticism.

Book Review Template

The book review format includes an introduction, body, and conclusion.

• Introduction
• Describe the book cover and title.
• Include any subtitles at this stage.
• Include the Author’s Name.
• Write a brief description of the novel.
• Briefly introduce the main points of the body in your book review.
• Avoid mentioning any opinions at this time.
• Use about 3 quotations from the author’s novel.
• Summarize the quotations in your own words.
• Mention your own point-of-view of the quotation.
• Remember to keep every point included in its own paragraph.
• In brief, summarize the quotations.
• In brief, summarize the explanations.
• Finish with a concluding sentence.
• This can include your final opinion of the book.
• Star-Rating (Optional).

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How to Write a Book Review: Step-By-Step

Writing a book review is something that can be done with every novel. Book reviews can apply to all novels, no matter the genre. Some genres may be harder than others. On the other hand, the book review format remains the same. Take a look at these step-by-step instructions from our professional writers to learn how to write a book review in-depth.

Step 1: Planning

Create an essay outline which includes all of the main points you wish to summarise in your book analysis. Include information about the characters, details of the plot, and some other important parts of your chosen novel. Reserve a body paragraph for each point you wish to talk about.

Consider these points before writing:

• What is the plot of the book? Understanding the plot enables you to write an effective review.
• Is the plot gripping? Does the plot make you want to continue reading the novel? Did you enjoy the plot? Does it manage to grab a reader’s attention?
• Are the writing techniques used by the author effective? Does the writer imply factors in-between the lines? What are they?
• Are the characters believable? Are the characters logical? Does the book make the characters are real while reading?
• Would you recommend the book to anyone? The most important thing: would you tell others to read this book? Is it good enough? Is it bad?
• What could be better? Keep in mind the quotes that could have been presented better. Criticize the writer.

Step 2: Introduction

Presumably, you have chosen your book. To begin, mention the book title and author’s name. Talk about the cover of the book. Write a thesis statement regarding the fictitious story or non-fictional novel. Which briefly describes the quoted material in the book review.

Step 3: Body

Choose a specific chapter or scenario to summarise. Include about 3 quotes in the body. Create summaries of each quote in your own words. It is also encouraged to include your own point-of-view and the way you interpret the quote. It is highly important to have one quote per paragraph.

Step 4: Conclusion

Write a summary of the summarised quotations and explanations, included in the body paragraphs. After doing so, finish book analysis with a concluding sentence to show the bigger picture of the book. Think to yourself, “Is it worth reading?”, and answer the question in black and white. However, write in-between the lines. Avoid stating “I like/dislike this book.”

Step 5: Rate the Book (Optional)

After writing a book review, you may want to include a rating. Including a star-rating provides further insight into the quality of the book, to your readers. Book reviews with star-ratings can be more effective, compared to those which don’t. Though, this is entirely optional.

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Dive into literary analysis with EssayPro . Our experts can help you craft insightful book reviews that delve deep into the themes, characters, and narratives of your chosen books. Enhance your understanding and appreciation of literature with us.

Writing Tips

Here is the list of tips for the book review:

• A long introduction can certainly lower one’s grade: keep the beginning short. Readers don’t like to read the long introduction for any essay style.
• It is advisable to write book reviews about fiction: it is not a must. Though, reviewing fiction can be far more effective than writing about a piece of nonfiction
• Avoid Comparing: avoid comparing your chosen novel with other books you have previously read. Doing so can be confusing for the reader.
• Opinion Matters: including your own point-of-view is something that is often encouraged when writing book reviews.
• Refer to Templates: a book review template can help a student get a clearer understanding of the required writing style.
• Don’t be Afraid to Criticize: usually, your own opinion isn’t required for academic papers below Ph.D. level. On the other hand, for book reviews, there’s an exception.
• Use Positivity: include a fair amount of positive comments and criticism.
• Review The Chosen Novel: avoid making things up. Review only what is presented in the chosen book.
• Enjoyed the book? If you loved reading the book, state it. Doing so makes your book analysis more personalized.

Writing a book review is something worth thinking about. Professors commonly assign this form of an assignment to students to enable them to express a grasp of a novel. Following the book review format is highly useful for beginners, as well as reading step-by-step instructions. Writing tips is also useful for people who are new to this essay type. If you need a book review or essay, ask our book report writing services ' write paper for me ' and we'll give you a hand asap!

We also recommend that everyone read the article about essay topics . It will help broaden your horizons in writing a book review as well as other papers.

Book Review Examples

Referring to a book review example is highly useful to those who wish to get a clearer understanding of how to review a book. Take a look at our examples written by our professional writers. Click on the button to open the book review examples and feel free to use them as a reference.

Book review

Kenneth Grahame’s ‘The Wind in the Willows’

Kenneth Grahame’s ‘The Wind in the Willows’ is a novel aimed at youngsters. The plot, itself, is not American humor, but that of Great Britain. In terms of sarcasm, and British-related jokes. The novel illustrates a fair mix of the relationships between the human-like animals, and wildlife. The narrative acts as an important milestone in post-Victorian children’s literature.

Book Review

Dr. John’s ‘Pollution’

Dr. John’s ‘Pollution’ consists of 3 major parts. The first part is all about the polluted ocean. The second being about the pollution of the sky. The third part is an in-depth study of how humans can resolve these issues. The book is a piece of non-fiction that focuses on modern-day pollution ordeals faced by both animals and humans on Planet Earth. It also focuses on climate change, being the result of the global pollution ordeal.

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How To Write A Book Review?

What to include in a book review, what is a book review.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

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EL Education Curriculum

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• ELA G3:M3:U2:L8

Writing a Book Review: Analyzing a Model

In this lesson, daily learning targets, ongoing assessment.

• Technology and Multimedia

Supporting English Language Learners

Universal design for learning, closing & assessments, you are here:.

• ELA Grade 3
• ELA G3:M3:U2

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These are the CCS Standards addressed in this lesson:

• RL.3.10: By the end of the year, read and comprehend literature, including stories, dramas, and poetry, at the high end of the grades 2-3 text complexity band independently and proficiently.
• RI.3.10: By the end of the year, read and comprehend informational texts, including history/social studies, science, and technical texts, at the high end of the grades 2-3 text complexity band independently and proficiently.
• W.3.1: Write opinion pieces on topics or texts, supporting a point of view with reasons.
• W.3.4: With guidance and support from adults, produce writing in which the development and organization are appropriate to task and purpose.
• W.3.5: With guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, and editing.
• SL.3.1: Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grade 3 topics and texts , building on others' ideas and expressing their own clearly.
• I can use the  Painted Essay (r)  structure to analyze a model. ( W.3.1 )
• The Painted Essay (r) template ( W.3.1 )
• Strategically group students into pairs for work throughout the lesson.
• Prepare: Independent reading review. Consider using the Independent Reading: Sample Plans (see the Tools page ).
• Review the Painting an Essay Plan from Module 1, Unit 3, Lesson 5 to familiarize yourself with the color-coding and the purpose of each choice of color.
• Post: Learning target and applicable anchor charts (see Materials list).

Tech and Multimedia

• Continue to use the technology tools recommended throughout Modules 1-2 to create anchor charts to share with families, to record students as they participate in discussions and protocols to review with students later and to share with families, and for students to listen to and annotate text, record ideas on note-catchers, and word-process writing.
• Opening A: Consider finding examples of age-appropriate online book reviews to share with students.

Supports guided in part by CA ELD Standards 3.I.B.6 , 3.I.C.10 , 3.I.C.12 , and 3.I.A.4

Important points in the lesson itself

• The basic design of this lesson supports ELLs with opportunities to unpack a visual model. The familiarity of the  Painted Essay(r) structure, used in Modules 1-2, allows students to focus on the language and content in their book reviews rather than on a new writing structure.
• ELLs may find it challenging to determine the gist of the proof paragraphs in Work Time A, as the reasons introducing each paragraph are stated less explicitly than those in previous Painted Essay models (e.g., the Reading Contract and Poison-Dart Frog models), Remind students to think about the structure of the Painted Essay as they determine the gist of each paragraph and assure them that they will participate in Language Dives in Lessons 10-11 to better understand the reasons stated in each.

Levels of support

For lighter support:

• During Work Time A, encourage students to expand their sentences. Challenge them to include more than one piece of evidence to explain how they determined the gist, using various linking words to do so. (Example: "I know this because ____. Additionally, _____.")

For heavier support:

• For Work Time A, create an interactive model of the Painted Essay template to support students with the model book review structure throughout the unit:
• Enlarge the Painted Essay template to display on the construction board.
• Make a copy of the Introductory Paragraph strips from Lesson 9 from the model book review. Color-code them according to the Painted Essay colors. Repeat for the Proof Paragraph strips in Lessons 10-11.
• Use a removable fastener to attach each Introductory Paragraph strip to the introduction paragraph of the enlarged Painted Essay template. Repeat for the Proof Paragraph strips.
• In this lesson, after sharing the gist of the introductory paragraph as a class, model detaching each point from the introductory paragraph and placing it next to the corresponding proof paragraph, concretely grounding students in the purpose of each section of the model book review.
• Multiple Means of Representation (MMR): In the basic structure of this lesson, students get multiple representation cues with the color-coding provided by the  Painted Essay(r) template. However, some students may find covering the entire essay in one lesson overwhelming. Consider chunking the explicit instruction for each part of the essay into multiple lessons to provide time for students to comprehend new information.
• Multiple Means of Action and Expression (MMAE): This lesson offers several opportunities for students to engage in discussion with partners. Continue to support those who may need it with expressive language by providing sentence frames to help them organize their thoughts.
• Multiple Means of Engagement (MME): In this lesson, students have opportunities to share ideas and thinking with classmates. Continue to support students' engagement and self-regulatory skills during these activities by modeling and providing sentence frames as necessary.

Key:  Lesson-Specific Vocabulary (L);  Text-Specific Vocabulary (T);  Vocabulary Used in Writing (W)

• Painted Essay(r) , structure, analyze (L)
• Performance Task anchor chart (begun in Unit 1, Lesson 1)
• End of Unit 2 Assessment, Part II Prompt (one per student and one to display; see Assessment Overview and Resources)
• Model Book Review: Peter Pan in Kensington Gardens (one per student and one to display)
• Model Book Review: Peter Pan in Kensington Gardens (example, for teacher reference)
• Colored pencils (red, yellow, blue, green; one of each per student)
• The  Painted Essay(r) template (from Module 1; one per student)
• Painting an Essay lesson plan (from Module 1; for teacher reference)
• Working to Become Ethical People anchor chart (begun in Module 1)
• Independent Reading: Sample Plans (for teacher reference; see the Tools page )
• Recommending Peter Pan (from Lesson 6; one per student)

Materials from Previous Lessons

New materials.

Each unit in the 3-5 Language Arts Curriculum has two standards-based assessments built in, one mid-unit assessment and one end of unit assessment. The module concludes with a performance task at the end of Unit 3 to synthesize their understanding of what they accomplished through supported, standards-based writing.

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Blog – Posted on Friday, Mar 29

17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

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What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

Hopefully, this post has given you a better idea of how to write a book review. You might be wondering how to put all of this knowledge into action now! Many book reviewers start out by setting up a book blog. If you don’t have time to research the intricacies of HTML, check out Reedsy Discovery — where you can read indie books for free and review them without going through the hassle of creating a blog. To register as a book reviewer , go here .

And if you’d like to see even more book review examples, simply go to this directory of book review blogs and click on any one of them to see a wealth of good book reviews. Beyond that, it's up to you to pick up a book and pen — and start reviewing!

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Lesson 3: Writing book reviews: The Island and The City

This lesson is organised around the Teaching and Learning Cycle.

Links to the Victorian Curriculum – English

Reading and viewing, language: text structure and organisation.

Level 5: 

• Understand how texts vary in purpose, structure and topic as well as the degree of formality ( Content description VCELA309 )

Reading and Viewing, Literature: Examining literature

• Recognise that ideas in literary texts can be conveyed from different viewpoints, which can lead to different kinds of interpretations and responses ( Content description VCELT315 )

Reading and Viewing, Literacy: Interpreting, analysing, evaluating

• Use comprehension strategies to analyse information, integrating and linking ideas from a variety of print and digital sources ( Content description VCELY319 )

Level 6: 

• Select, navigate and read increasingly complex texts for a range of purposes, applying appropriate text processing strategies to recall information and consolidate meaning ( Content description VCELY346 )

Writing, Language: Expressing and developing ideas

• Understand how noun groups/phrases and adjective groups/phrases can be expanded in a variety of ways to provide a fuller description of the person, place, thing or idea ( Content description VCELA324 )
• Understand the use of vocabulary to express greater precision of meaning, and know that words can have different meanings in different contexts ( Content description VCELA325 )

Writing, Literacy: Creating texts

Level 5:

• Plan, draft and publish imaginative, informative and persuasive print and multimodal texts, choosing text structures, language features, images and sound appropriate to purpose and audience ( Content description VCELY329 )

Links to the Victorian Curriculum – English as an Additional Language (EAL)

Reading and viewing.

Level BL:

• Read simple, familiar texts with assistance (VCEALC184)
• Give a personal response to a text (VCEALC188)
• Participate in activities around class texts (VCEALC190)
• Engage with a small range of picture books in the classroom (VCEALA197)
• Recognise and explore texts in different media and modes (VCEALL199)
• Understand and explore the basic layout and conventions of simple texts (VCEALL200)
• Acquire information from simple images, with teacher direction and support (VCEALC186)

Level B1:

• Understand the purpose and basic organisational features of simple text types (VCEALL280)
• Engage with a diverse range of picture books that reflect a variety of cultural beliefs, practices and views (VCEALA277)
• Incorporate learnt vocabulary into writing (VCEALL315)
• Understand a range of simple texts based on predictable language structures and vocabulary (VCEALC264)
• Participate in simple group activities on shared texts, with some support (VCEALC270)
• Identify and compare differences between text types (VCEALL279)
• Provide responses to texts (VCEALC268)
• Acquire some information from a small range of images (VCEALC266)

Level B2:

• Understand the purpose and organisational features of common text types (VCEALL361)
• Engage with a diverse range of texts that reflect a variety of cultural beliefs, practices and views (VCEALA437)
• Use modelled vocabulary appropriately (VCEALL395)
• Read simple, unfamiliar informative, imaginative and persuasive texts, with support (VCEALC345)
• Contribute to group activities on shared texts (VCEALC351)
• Identify informative, imaginative and persuasive texts when reading texts or listening to texts read aloud (VCEALL360)
• Express a personal response to an imaginative text or elements of the text (VCEALC349)
• Acquire information from different types of visual representations in text (VCEALC347)

Level B3:

• Interpret the purpose and organisational features of different text types (VCEALL440)
• Engage with a diverse range of texts reflecting a variety of cultures and perspectives (VCEALA437)
• Use a range of key vocabulary appropriately (VCEALL474)
• Access, interpret and evaluate information from a range of print and digital texts, including visual, multimodal and interactive (VCEALC424)
• Contribute actively to group activities on shared texts (VCEALC430)
• Identify and compare a range of different text types (VCEALL439)
• Express a personal response to a small range of imaginative texts (VCEALC428)
• Interpret and explain information from a range of images in text (VCEALC426)
• Use topic-specific vocabulary encountered in classroom activities (VCEALL235)
• Use high-frequency words accurately, although sometimes repetitively (VCEALL234)
• Create basic texts, with support and modelling (VCEALA220)
• Use basic descriptive words (VCEALL232)
• Contribute ideas to shared writing activities (VCEALA221)
• Understand the difference between writing and drawing, and that writing changes according to context and purpose (VCEALA219)
• Use formulaic structures (VCEALL314)
• Create short, simple texts for particular purposes, with some support and modelling (VCEALA300)
• Use a small range of simple descriptive phrases (VCEALL312)
• Rewrite after correction, discussion or prompting (VCEALA302)
• Use repetition for effect (VCEALL316)
• Contribute to shared simple brainstorming of ideas and identify relevant vocabulary to be incorporated into the written work (VCEALA301)
• Write using language that largely reflects features of spoken language (VCEALA299)
• Use a varied and appropriate vocabulary (VCEALL394)
• Create a small range of texts based on modelling (VCEALA380)
• Draft a piece of writing focusing on meaning, and revise after rereading or discussion (VCEALA382)
• Use simple extended descriptive phrases (VCEALL392)
• Select some descriptive vocabulary appropriate to context (VCEALL396)
• Plan, with support, the format of a text according to its communicative purpose (VCEALA381)
• Write using language that is beginning to reflect the features of written language more than the features of spoken language (VCEALA379)
• Use some antonyms and synonyms (VCEALL473)
• Use own experience and perspectives to elaborate and support a viewpoint (VCEALA459)
• Follow a simple planning, drafting and revision process when writing (VCEALA461)
• Write using extended descriptive phrases (VCEALL471)
• Create mood and feeling through the selection of appropriate vocabulary and idiom (VCEALL475)
• Plan individually and review own writing (VCEALA460)
• Present work appropriately for purpose and audience (VCEALA458)

Theory/practice connections

Students' school experiences will expose them to a variety of text types. Working with text types involves organising language to meet a social purpose (Humphrey, Droga & Feez, 2012). 

Students can be assisted to compose texts, which meet specific social purposes by using scaffolds or proformas. However, it is important to ensure that students are aware that there are many ways in which texts can be organised to meet a social purpose. For example, an information text could be a graph, a diagram, a visual text with symbols, a verbal text etc. 

Additional resources 

• examples of reviews in paper format and links to online sites
• proforma for writing a review.

Learning intentions

We are learning to review books.

Success criteria

• I can state the purpose of reviews.
• I can place reviews along a continuum of formality.
• I know how to structure a written review.
• I can use language to show judgement and language to persuade.

Individual, partner, small group, whole class.

Learning sequence

Occurs over several sessions

• Clearly state the learning intention and explain to students that they will work in small groups, to plan a library display, promoting Armin Greder's work. To prepare for this task students re-read The Island and The City. They may also have access to other books Armin Greder has illustrated, such as I am Thomas, The Great Bear and An Ordinary Day. 
• Students negotiate how to present the display and create a plan of action. The display must include a synopsis of the books, presentation of the texts' themes and book reviews.

Supporting students to write reviews: Building the field of knowledge - The purpose of reviews

• Conduct a floor storming activity, where students sit around cards with words or images from reviews. For example: highly recommended, great, suitable for young children, should, must, thumbs up icon, smiley face icon, tick icon, three stars. Discuss when they have heard these words used or seen such icons. Lead students to the notion of reviews and brainstorm experiences with reviews in their lives. This could include reviews they see on cooking shows, after a football match, movie recommendations etc. Students create a definition for ‘reviews’.

Deconstructing reviews

• Provide students with a number of written reviews, including online links to reviews. Students match each review with the definition of a review previously created. Consider if the definition needs to be modified.
• Students create a list of commonalities found in reviews – these could include structure of the texts, the use of vocabulary, purpose, use of visuals etc.
• On a language continuum from least formal language to most formal language, plot where most of the reviews occur.  Encourage students to explain why (Many reviews use more informal language, directly speaking to the reader and referencing the reader with the pronoun ‘you’. This serves to strengthen the relationship between writer and reader, and encourage the reader to accept the opinions and recommendations of the review).

Modelling reviews

• Present students with a scaffold of a book review, as an example of one way of structuring this type of writing. E.g.
• Introduction: Introductory sentence presenting the book and author. Information about the type of book
• Offer information about the book, which the reader will find of interest – a character description, themes of the text, setting, use of interesting language etc. Any important quotes from the text can be included in this section. Each idea should be included in a new paragraph. This section will include the language of judgement
• The reviewer’s response – likes and dislikes about the book
• The suggested audience for whom the book is written
• Recommendation to read or not to read, referring back to the text.  This section will include language to persuade. 
• With the use of the above scaffold, model the writing an exemplar text. Make explicit to students the language of judgement, to show the writer’s view towards the text.  For example: The endearing characters, The entertaining story, The fast-moving plot. (A simple way of including judgement is through the build up of the noun group.)Also, model the language of persuasion.  I highly recommend this book, if you are interested in history.  It is a must read!

Jointly construct text

• Students work in small groups to jointly construct two paragraphs for an Armin Greder text. One paragraph will include the language of judgement, the other will include the language of persuasion. Project students’ writing onto an interactive whiteboard, to use for peer feedback and editing. Use examples from the students’ text to create charts for language of judgement and persuasion, for later reference.
• Students complete a cloze activity, using the reviews used earlier on, where language of judgement or persuasion have been removed. Once completed students can check their responses against the original text. Assessment: This can be used as a language assessment activity.

Independent construction of text

• Students write their own reviews based on The Island and The City.
• Students present their work to peers for feedback and editing.
• Students collaborate to construct their author display for the school library.

Differentiation

Reviews can take on different degrees of formality. More able students can be involved in experimentation of how language can change, to make it more/less formal. These students can consider when a more formal review would be better suited.

The structure of the review can be further scaffolded by slowing down the pace of the teaching. Each day, the teacher can model the sections of the review, across several days.  Students could participate in a joint construction and then write independently about that section. For students who need extra assistance with writing, guided writing or interactive writing session may be appropriate.

Our website uses a free tool to translate into other languages. This tool is a guide and may not be accurate. For more, see: Information in your language

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All 28 jack reacher books, ranked worst to best.

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Reacher Season 3: Cast, Story & Everything We Know

10 jack reacher book traits that alan ritchson's reacher has nailed, 10 jack reacher book moments we want to see in reacher season 3.

• The hit Amazon Prime Video series takes its inspiration from Lee Child's Jack Reacher novels.
• All 28 novels chronicle the action-packed adventures of the military investigator turned drifter.
• Newcomers to Jack Reacher can take what the full canon offers.

Reacher expertly takes its inspiration from Lee Child's Jack Reacher novels. For decades, all 28 novels chronicle the action-packed adventures of the military investigator turned drifter. Although not every book in the series is a masterpiece, it has consistently delivered incredible page-turners. Lee Child’s enduring character has transcended the page through movie and television adaptations, including a Tom Cruise film franchise and most recently the hit Amazon Prime Video Reacher starring Alan Ritchson . Movies lifted plot lines directly from printed chapters, further cementing the literary stories’ cinematic promise through the adaptation process itself.

Now with over 20 books chronicling his exploits, Reacher’s world provides extensive terrain for mining the taciturn veteran’s mysterious background and death-defying escapades going back to his military police days. For newcomers inspired by fiery explosions onscreen or devotees debating each book’s place among the intricate mythos, taking measure of the full canon offers guidance through exhilarating moments testing one man’s wits and will from small towns to the global stage. Whether these books are an introduction or an old favorite, gauging the most essential embodiment of Reacher’s blunt force justice provides a blueprint into the wandering character’s iconic appeal.

Prime Video's Reacher is coming back for a third season, and there are already a ton of exciting updates about the upcoming episodes.

28 Blue Moon (2019)

A convoluted and gratuitous installment.

The 24th novel in the Jack Reacher series, Blue Moon, was released in 2019 and is widely considered to be the worst of the bunch. Unfortunately, the plot of Blue Moon involving Albanian and Ukrainian mobsters in a small town was more convoluted than previous installments. The action aligns with Reacher's character, but the frequent violence and loss of life comes across as gratuitous.

Many critics felt that Blue Moon relied too much on recurring elements of Child's series.

Reacher works through moral dilemmas as usual, but his white knight persona feels unrealistic. While still delivering on series staples, aspects of this entry didn't fully captivate. The frequent deaths and do-goodery are hallmarks of the series , but in Blue Moon , they fail to compel. Many critics felt that Blue Moon relied too much on recurring elements of Child's series, which — by the 24th entry — had more-or-less become tropes. Blue Moon was a Jack Reacher novel that tried to play it safe, but unfortunatley this just led to it feeling formulaic.

27 The Sentinel (2020)

An uninteresting story.

Released during the Covid-19 pandemic in 2020, The Sentinel was the 25th Jack Reacher novel. While it was an improvement on 2019's Blue Moon, it still failed to live up to earlier entries in the franchise as far as many readers and critics were concerned. The main flaw found in The Sentinel is the awkward writing, since Lee Child co-wrote this book with his brother Andrew (the pair are named James and Andrew Grant, though they write under the pseudonyms of Lee and Andrew Child).

The plot about criminals tampering with elections is too similar to real-life news, taking readers out of the fantasy elements.

The story doesn't create interest like other Reacher books , making it less enjoyable. Also, the plot about criminals tampering with elections is too similar to real-life news, taking readers out of the fantasy elements. Those who know Reacher's Rules well can see inconsistencies in the story. Due to the odd writing, unrealistic plot, and errors, this book ranks low in the series.

26 Nothing To Lose (2008)

Simplistic writing.

Released in 2008, Nothing To Lose is the 12th novel in the Jack Reacher series, and by far the worst one released in the 2000s — and many critics found that it was far too similar to the 1972 novel First Blood by David Morrell, upon which the first Rambo movie was based. Situated in the fictional twin towns of Hope and Despair, Colorado, the setting in this installment fails to fully pull the reader into the narrative . The recycling plant disguising the criminals' questionable operation is written as too simplistic to be believable as a thoroughly guarded base of operations.

While the scale of the antagonists' enterprise is acknowledged as vast, their thin disguise detracts from the story's ability to immerse the reader in a world of high intrigue and high stakes. Where past books in the series have expertly combined setting, characters, and other elements, this addition misses the mark.

25 Make Me (2015)

The partnership between jack reacher and michelle chang fails to resonate.

2015 saw the 20th novel in the Jack Reacher series — Make Me — and, sadly, the story failed to live up to how much an important milestone for the franchise reaching 20 books was. In Make Me , the relationship between Reacher and Change follows expected lines, with Reacher, typically morally upright, teaming up routinely with Chang, an ex-FBI agent. There is also a lackluster romantic subplot between the two characters. As a result, this part of the book is largely forgettable.

It would likely be difficult to recall specific details about this story.

While Child is far from a one-trick-pony as far as authors go, Make Me definitely left the impression that he's stronger when writing tense action than he is at writing romance. Despite the extensive book, it would likely be difficult to recall specific details about this story. This underscores the narrative's overall lack of impact, especially when contrasted with more compelling installments like Night School . The unremarkable nature of Reacher's time with Chang contributes heavily to Make Me 's weak attempt at engagement.

24 The Midnight Line (2017)

Interesting characters, but it ultimately falls short.

The 22nd Jack Reacher novel was 2017's The Midnight Line, and in this story Reacher finds himself caught in an investigation into an illegal opioid trade in the American Midwest. In The Midnight Line , the story falls short, as Lee Child's attempt to experiment with a different approach ultimately doesn't pay off. It attempted to incorporate aspects of real-life critiques of pharameceutical companies, which many readers and critics felt didn't quite work.

While sharing a similar feeling to Nothing to Lose , this book distinguishes itself with the introduction of the character Rose, who is acknowledged as a positive aspect. However, the deviation from the traditional Reacher narrative seems to be the book's downfall , as the experimentation with a new style fails to resonate. The effort to innovate doesn't yield the anticipated results, impacting the overall quality and reception of the book in comparison to others in the series.

23 Past Tense (2018)

Unorthodox storytelling misses the mark.

2018's Past Tense was the 23rd Jack Reacher novel. While it was a slight improvement on 2017's The Midnight Line, it was also quite experimental as far as Child's Jack Reacher books go — a decision that both helped and hindered it, but on the whole didn't quite pay off as well as it could have. Despite having a somewhat dry tone and some notably creepy segments that are riveting to read, Past Tense faces criticism mainly due to its unorthodox creative direction.

The inclusion of a bonus backstory, a compelling woodland setting, and the presence of a group of human game-hunting antagonists elevates the book above some later works.

However, the installment manages to salvage its shortcomings through notable strengths . The inclusion of a bonus backstory, a compelling woodland setting, and the presence of a group of human game-hunting antagonists elevates the book above some later works. Additionally, the narrative benefits from Reacher's adept close combat skills, showcased in suspenseful nighttime encounters, and the incorporation of well-executed Reacher point-of-view kills.

22 No Plan B (2022)

Not as good as earlier novels.

No Plan B, the 27th novel in the Jack Reacher series, was released in 2022 . Much like 2019's Blue Moon, No Plan B fell short of reader and critic expectations because it played things too safe, relying too much on what had made earlier novels successful without trying anything new (when it came to both the plot and the writing style).

No Plan B delivers what is expected: an action-packed and plot-driven Jack Reacher thriller. However, this installment falls short of recapturing the magic of earlier releases when the character first debuted. While still an objectively strong and fast-paced story, it lacks the spark that made readers fall for Child's almost self-parodying style. For a subjective ranking system tapping into that nostalgia, No Plan B ranks lower than hoped, even though it objectively hits the Reacher marks.

21 A Wanted Man (2012)

A necessary story, but unable to stand on its own.

2012's A Wanted Man is the 17th Jack Reacher novel, and while it's not one of the worst, it's definitely not one of the best either. A Wanted Man delivers an energetic plot continuing the Nebraska storyline — picking up after the events of Worth Dying For following a slight muddying of the timeline in 2011's The Affair — but is ultimately a low point in the series when the franchise is appraised as a whole.

Despite the high stakes involving a burnt corpse and threats reaching the highest levels, the story itself feels missable.

A Wanted Man starts strong, with Reacher decoding blinks from a kidnapping victim to uncover a conspiracy. Despite the high stakes involving a burnt corpse and threats reaching the highest levels, the story itself feels missable. While needed to transition Reacher out of Nebraska after previous installments, this sequel lacks the impact to truly grab readers. As a result, A Wanted Man comes across more as a bridge in the broader series rather than a story able to stand on its own.

It's almost universally agreed upon that Alan Ritchson is the perfect Jack Reacher, especially since he nails some key Reacher traits from the books.

20 Personal (2014)

Fails to fully captivate despite delivering all the expected jack reacher thrills.

The 19th novel in the Jack Reacher series, 2014's Personal, is another example of an entry in the franchise that felt far too by-the-numbers to stand out, with Child falling back on the formula of his proven successes without breaching any new narrative ground. The plot of Personal hits the usual beats, with Reacher uncovering an assassination attempt in Paris tied to his past in the military.

However, the pieces feel too familiar, lacking the creativity to craft a truly standout story. The stakes feel more routine than past books, and the exploration of Reacher’s history covers well-worn ground. As a result, Personal comes across as too formulaic , with the series elements failing to combine into a narrative that hooks readers. It moves briskly without slowing down, but lacks the innovation and intrigue to rank among the most gripping installments.

19 The Secret (2023)

Enjoyable, but not as thrilling as it could be.

The most recent Jack Reacher novel was 2023's The Secret, which was the 28th in the series (the next, due later on in 2024, is set to be titled In Too Deep). The Secret offers intriguing insights into Reacher's past while delivering on action, but characterization shortcomings weigh it down. The early 1990s setting proves fascinating, and the prose moves briskly between investigative phases. Descriptions of hand-to-hand combat also showcase Reacher's physical prowess as expected.

While the spy craft details entertain, The Secret misses opportunities to resonate emotionally or use its prequel status to fully enrich Reacher's enigmatic persona.

However, the narrative lacks cohesion, with an initial mystery abandoned abruptly. More disappointingly, the young Reacher on display fails to reveal revelatory dimensions about what molded him into a wandering hero . While the spy craft details entertain, The Secret misses opportunities to resonate emotionally or use its prequel status to fully enrich Reacher's enigmatic persona. It was an improvement on 2022's No PLan B, at least, hopefully signalling that the franchise is back on an upwards trajectory.

18 Night School (2016)

A disappointing conclusion.

2016 saw the arrival of the 21st Jack Reacher novel, and Night School was a marked improvement on 2015's Make Me - though it still failed to live up to the best Jack Reacher books from earlier in the franchise. Night School delivers an intriguing premise, pairing Reacher with former colleague Frances Neagley against neo-Nazis transporting nuclear material.

The setup of Night School promises a classic thriller tracing back to Reacher’s military days. However, the conclusion ultimately disappoints . Just as events build toward an expected dramatic, high-stakes finale worthy of the nuclear threat, the story ends abruptly. The resolution feels rushed rather than truly earned after the groundwork has been laid. Still, it’s easy to appreciate the chance to see more of his past with Neagley, even if the ending fails to fully capitalize on a compelling narrative.

17 Running Blind (2000)

The execution leaves some of the intrigue unfulfilled.

The 4th Jack Reacher novel arrived at the turn of the millenium in 2000, and after the success of the initial trilogy, Running Blind felt like Lee Child's first miss when it came to Jack Reach stories. Running Blind offers an intriguing premise, with Reacher hunting a brilliant serial killer targeting his former cases. The elaborate military-connected setup creates an insider feel that creatively expands Reacher’s past.

Having Reacher working to uncover a serial killer makes for an interesting genre-blend

Having Reacher working to uncover a serial killer makes for an interesting genre-blend — mixing the core elements of the previous three Jack Reacher books with more traditional crime novels — which Running Blind pulls of reasonably well. However, outside the core mystery, there are moments where the book drags. The lack of action through lengthy stretches makes it less engaging as a thriller. Still, the serial killer’s inventive methods using camouflage paint and lack of any marks on victims prove memorably unsettling.

16 The Enemy (2004)

Lacks excitement, but serves a key narrative purpose.

The 8th Jack Reacher novel, 2004's The Enemy , is one of the most interesting in the franchise, as it was the first that played around in the timeline. While The Enemy lacks excitement as a thriller, with minimal action or suspense, it serves a key narrative purpose as the first Jack Reacher novel chronologically . It was set in the late 1980s and early 1990s, which made for some interesting changes in itself, and having a younger Reacher as the protagonist meant Child could experiment with the character a great deal more than usual.

The prequel explores the factors leading to Reacher leaving the military, disillusioned by bureaucracy and eroding values. Important events take place that shape Reacher's worldview and rootless future. While the plot itself underwhelms, The Enemy resonates in its character study of Reacher. It's especially fascinating to see Reacher work while still serving in the military, as being pinned down by the codes and values he then had to follow during this period of his life influenced his decisions in ways that aren't present later in the character's timeline.

15 Echo Burning (2001)

A classic vigilante premise.

Echo Burning was the 5th novel in the Jack Reacher franchise, and was widely considered a return to form after 2000's Running Blind . Echo Burning delivers a classic vigilante premise with Reacher playing ranch hand to investigate a woman’s claims of abuse. His fish-out-of-water Texan journey evokes film noir tones. However, familiar tropes like a damsel in distress and precocious child feel dated rather than fresh.

Reacher's doubts around Carmen, the woman who reaches out to him for help, definitely make for some intriguing twists in the narrative.

The Western flair shows Reacher’s adaptability, but the story’s trajectory stays safely predictable . While the bar fight and confrontations with the woman’s menacing husband capture Child’s gritty style, the plot lacks the innovation to truly grab attention. While Echo Burning doesn't rank as one of the worst Jack Reacher novels by a long stretch, it's also nowhere near as memorable as the best of them — though Reacher's doubts around Carmen, the woman who reaches out to him for help, definitely make for some intriguing twists in the narrative.

14 Without Fail (2002)

A high-stakes, briskly-paced reacher novel.

Following on from Echo Burning, the 6th Jack Reacher novel, 2002's Without Fail , is still considered by many as one of the best in the franchise, especially when it comes to pacing and overall writing quality. Without Fail is a strong Reacher novel due to its intense cat-and-mouse thriller narrative. Reacher leverages his logical intellect, tactical skills, and thirst for vengeance to outmaneuver a threat to the Vice President.

The stakes are high throughout this briskly-paced plot involving political assassination and betrayal. Lee Child further expands Reacher’s backstory through the haunting presence of his late brother. The vivid writing makes classic scenes like the stakeout unfold cinematically in readers' minds. Altogether, the emotional ties, high intrigue, and expertly crafted tension cement Without Fail as a prime example of Reacher’s compelling possibilities as a complex hero.

13 Never Go Back (2013)

Adrenaline-fueled and introspective.

2013's Never Go Back is the 18th Jack Reacher novel, and directly follows on from the narrative arc established in an earlier story, 2010's 61 Hours. As one of the more gripping books in Lee Child’s series, Never Go Back thrives on reuniting Jack Reacher with the 110th MP unit he once called home. By colliding Reacher’s past and present, Child strikes an emotional chord while crafting a breakneck thriller.

This combination of character exploration and intense action made Never Go Back one of the most intense Jack Reacher novels to read.

The nonstop momentum of Never Go Back proves amplified with threats tied to Reacher’s own team. For those invested in the wandering protagonist, the deepened personal stakes interwoven with high conspiracy offer immense satisfaction . Child continues building out the Reacher legend, making the action heavier through ties to his roots now under attack. This combination of character exploration and intense action made Never Go Back one of the most intense Jack Reacher novels to read.

Jack Reacher: Never Go Back (2015), the second movie in the Tom Cruise Jack Reacher franchise, is adapted from this book.

Based on Lee Child's Persuader novel, Amazon Prime Video's Reacher season 3 needs to include some key Jack Reacher book moments in order to succeed.

12 Better Off Dead (2021)

A collaboration that works well.

2021's Better Off Dead is the 26th novel in the franchise. It takes place in San Francisco, and is also one of the few Jack Reach books to be written in the 1st person (the first since 2014's Personal). Better Off Dead captures Reacher doing what he does best: hunting bad guys with wit and grit. However, unlike some other entries where this feels formulaic or uninspired, Better Off Dead manages to capture the core of what made the franchise so successful when it debuted.

Co-written by Andrew Child, Lee Child’s brother, Better Off Dead nails the adventurous spirit that makes the wandering protagonist so magnetic. Creative scenarios like Reacher posing as his own corpse allow Child to flex his writing chops. While a tonal shift from Lee Child’s solo efforts, Better Off Dead ultimately retains the crucial ingredients of Reacher’s fierce charm and an electrifying setting, creating a satisfying thriller.

11 Die Trying (1998)

Reveals interesting and hidden depths.

1998's Die Trying is the second Jack Reacher novel written by Lee Child, and it's the book that proved to readers that its hero more more than a single-story protagonist, and had the depth and appeal to carry on many more stories beyond his debut. With an insight into what makes Reacher tick, Die Trying cements key components of the wandering protagonist's appeal. This was especially noteworthy since the book was written in the 3rd person rather than from Reacher's perspective, a style that would then continue throughout most of the Jack Reacher novels.

Child expertly amps up tension once Reacher becomes ensnared with separatist militants.

Though the opening stretches in confined spaces, Child expertly amps up tension once Reacher becomes ensnared with separatist militants. The antihero's composure breaks under pressure, despite his gift for calculation and inventive ruthlessness. Frances Neagley also makes an interesting character with her haphephobia condition . While tighter pacing throughout would improve its ranking, Die Trying immerses readers in formative experiences that reveal Reacher's hidden depths.

10 The Hard Way (2006)

A compelling read.

The 10th Jack Reacher novel was The Hard Way, which was released in 2006, and the first in the franchise that saw Reacher travel outside the US. The Hard Way draws power from Reacher wandering the vivid chaos of New York before confronting threats abroad, travelling to rural England for an intense gun battle in — of all places — a farm in Norfolk. Child uses the setting not just for kinetic action, but to underscore the character’s contradictions.

His compassion and ruthless, calculating nature coexist with subtle melancholy. An atypical detective story structure packs an emotional punch as Reacher investigates an elusive foe. False leads and intense legwork make the eventual face-off with Lane's private mercenary army cutthroat, as well as emotionally resonant. Keeping Reacher adaptable and injecting introspection between brutal showdowns deepens the protagonist, compelling readers to follow him wherever the road takes.

9 The Affair (2011)

Adds intrigue to the jack reacher mythos.

The Affair arrived in 2010 and is the 16th Jack Reacher novel, and is yet another that was written in the 1st person. It's also another entry that plays with the timeline, as it takes place six month before Killing Floor and is chronologically the fourth story in the franchise. The Affair sees the typically detached protagonist navigate graphic desire during his trip to Mississippi.

For those seeking more dimension from the stoic vigilante, The Affair delivers on learning what makes Reacher tick.

Raw intimacy fills gaps in formative experiences and relationships that humanize his persona beyond just brute force. While R-rated scenes in the book can feel controversial, the emotional insights resonate. This risky creative choice to elucidate Reacher’s backstory at a heated railroad crossing ultimately deepens the complexity around a character often defined more by cerebral calculation than fiery feeling. For those seeking more dimension from the stoic vigilante, The Affair delivers on learning what makes Reacher tick.

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When to Stream 'Bridgerton' Season 3 on Netflix and What to Know

This spring is all about Polin. The two-part season premieres tomorrow.

Luke Newton and Nicola Coughlan star in season 3.

It's mid-May, which means the premiere of Bridgerton season 3 is just a short carriage ride away. The Netflix series known for soirees, scandals and sweltering hot romances is turning things over to Colin Bridgerton and Penelope Featherington, a pair known as "Polin" for short.

Based on Julia Quinn's Bridgerton book series, Netflix's hugely popular Regency-era show follows the fictional Bridgerton siblings and (so far) details their love stories. The third season will be the first not to follow the order of Quinn's novels, twirling past the third book about Colin's brother Benedict to focus on the fourth. (But that doesn't mean the show won't get to Benedict eventually.) Whereas last season told Anthony and Kate's enemies-to-lovers saga, this season could potentially push Polin from close pals to something more.

Season 3 is a two-parter, with release dates in May and June. Bridgerton will return for season 4, but here's what you need to know about the next sure-to-be-swoon-worthy season of the show.

When does season 3 drop?

Grab a quill (or a more contemporary writing utensil) because you need to jot down two release dates for  Bridgerton's third season .

The first date, marking the release of the first four episodes, is  May 16 , and the remaining four episodes arrive on  June 13 . You should be able to watch the new drops beginning at  3 a.m. ET/midnight PT.

Carries Bridgerton

New to Netflix? You can opt for an ad-free or ad-supported plan to watch all of Bridgerton and the spin-off Queen Charlotte: A Bridgerton Story. Note that if you choose Netflix's $7 per month plan with ads, some titles will be off-limits due to licensing restrictions (the Sydney Sweeney-starring rom-com Anyone but You is one example). Read more about the streamer in our review .

Here are all the episodes in the two-part season:

Episode 1 - Out of the Shadows

Episode 2 - How Bright the Moon

Episode 3 - Forces of Nature

Episode 4 - Old Friends

Episode 5 - Tick Tock

Episode 6 - Romancing Mister Bridgerton

Episode 7 - Joining of Hands

Episode 8 - Into the Light

What can I expect this season?

Bridgerton is set in London in the early 1800s (well, a fantasy version ) and has rotated between the romances of Daphne Bridgerton (Phoebe Dynevor) and Simon Basset/the Duke of Hastings (Regé-Jean Page), and Anthony Bridgerton (Jonathan Bailey) and Kate Sharma (Simone Ashley). Now, Colin (Luke Newton), the third Bridgerton son, and Penelope (Nicola Coughlan), the third Featherington daughter, are finally the main characters, and audiences will find out "how (or if...)" they go from friends to lovers, according to Netflix.  

In addition to friendship, hidden feelings have been part of Polin's journey so far. Season 3 showrunner Jess Brownell told Entertainment Weekly  that setup made it the right time to have Polin's season. "We've spent two seasons really getting to know Penn and Colin. We've been watching Penn's crush and seeing how oblivious Colin is to it. That's a dynamic that you can only play out for so long before something has to change," Brownell told the magazine.

Nicola Coughlan sports some new dresses in season 3. 

Season 3 won't be a promenade in the park for Colin following the events of the season 2 finale. The season will catch up with Polin after Pen overheard Colin saying he would never dream of courting her. Brownell told the magazine that, in terms of recovering from that, "we're going to make him work for it." 

If Colin previously had the upper hand, that'll no longer be the case in season 3. Newton  told Bustle  "Nic and I have talked so many times about how Colin always held the power in their relationship because of how she felt toward him. It was fun to play the complete swap of that, of how she gains this power and confidence. We flipped everything on its head."

The full synopsis, please

If you're desperate for details like you'd be the contents of a thrilling scandal sheet, Netflix has provided a lengthy synopsis about Bridgerton season 3. The rundown includes some spoilers related to a certain Lady Whistledown. (If you don't know what I mean, better bail now and watch some Bridgerton).

Per Netflix, season 3 "finds Penelope Featherington has finally given up on her long-held crush on Colin Bridgerton after hearing his disparaging words about her last season. She has, however, decided it's time to take a husband, preferably one who will provide her with enough independence to continue her double life as Lady Whistledown, far away from her mother and sisters. But lacking in confidence, Penelope's attempts on the marriage mart fail spectacularly."

I'm hoping this scene makes it into the initial episode drop.

"Meanwhile," according to Netflix, "Colin has returned from his summer travels with a new look and a serious sense of swagger. But he's disheartened to realize that Penelope, the one person who always appreciated him as he was, is giving him the cold shoulder. Eager to win back her friendship, Colin offers to mentor Penelope in the ways of confidence to help her find a husband this season. But when his lessons start working a little too well, Colin must grapple with whether his feelings for Penelope are truly just friendly. Complicating matters for Penelope is her rift with Eloise (Claudia Jessie), who has found a new friend in a very unlikely place, while Penelope's growing presence in the ton makes it all the more difficult to keep her Lady Whistledown alter ego a secret."

Who's in the cast

In addition to Newton, Coughlan, Jessie, Ashley and Bailey, the season 3 returning cast includes Luke Thompson as Benedict, Golda Rosheuvel as Queen Charlotte, Adjoa Andoh as Lady Danbury, Ruth Gemmell as Violet Bridgerton, Lorraine Ashbourne as Mrs. Varley, Harriet Cains as Philipa Featherington, Bessie Carter as Prudence Featherington, Jessica Madsen as Cressida Cowper, Florence Hunt as Hyacinth Bridgerton, Martins Imhangbe as Will Mondrich, Will Tilston as Gregory Bridgerton, Polly Walker as Portia Featherington and Julie Andrews as the voice of Lady Whistledown.

Hannah Dodd is taking over as Francesca Bridgerton, and other new cast members include Daniel Francis as Marcus Anderson, James Phoon as Harry Dankworth and Sam Phillips as Lord Debling, Pen's mysterious suitor. Page, who starred in season 1 alongside Dynevor, confirmed via Instagram that he won't be in this season, and the same might apply to Dynevor, who told Screenrant she's "just excited to watch (season 3) as a viewer."

The Bridgerton clan.

Will there be a season 4 of Bridgerton? Which sibling is next?

Yes! Netflix renewed Bridgerton for seasons 3 and 4 back in 2021, but which Bridgerton sibling season 4 will center on is still anyone's guess. There's a book for each of the eight siblings, and while the show has strayed from their order, executive producer Shonda Rimes told Entertainment Tonight the aim is to follow each of the sib's romantic stories (presumably over eight seasons). Benedict, who would have been up if the show stuck to Quinn's sequence, could be the chosen one for season 4. 

The end of season 3 will include clues as to which sibling is up next, according to Brownell in an interview with TV Insider . 

Is there a trailer?

Indeed. In  the official trailer , Eloise is clinging to Cressida instead of her usual bestie Pen. That definitely has to do with Pen and Eloise's heavy fight last season, but it's still tough to see Pen's pained facial expression.

Colin, now looking "sturdier" than ever, wants to help Pen in her quest to find a husband and escape the Featherington household. But the consequences of the finale haven't played out for them, either. Will friendships mend? Will Penelope find a match? The prolonged eye contact in this trailer is giving me my suspicions.

What else can I watch right now?

Season 3 won't leave out last season's love match -- enemies-turned-lovers Kate and Anthony. They still seem happy together, according to the following clip, which includes Dodd, the new actress playing Francesca.

In another peek at season 3 , Pen and Colin's chemistry is on display while Pen appears to be practicing for the real deal with her favorite Bridgerton son. There's also this tense clip showing Pen confronting Colin about his stinging words last season. It's a bit spoiler-y if you'd rather wait to watch the confrontation on the show.

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