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Powerpoint Templates and Google slides for Museum

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This is Museum Exhibit Proposal Report Sample Example Document featuring A4 size content and graphics. It is designed in PowerPoint using various tools. However, you can also access it with Google Slides.

Presenting Art Galleries and Museums in the Metaverse. Our PowerPoint experts have included all the necessary templates, designs, icons, graphs, and other essential material. This deck is well crafted by extensive research. Slides consist of amazing visuals and appropriate content. These PPT slides can be instantly downloaded with just a click. Compatible with all screen types and monitors. Supports Google Slides. Premium Customer Support is available. Suitable for use by managers, employees, and organizations. These slides are easily customizable. You can edit the color, text, icon, and font size to suit your requirements.

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Presenting our Best Museum Mission Statements In Powerpoint And Google Slides Cpb PowerPoint template design. This PowerPoint slide showcases four stages. It is useful to share insightful information on Best Museum Mission Statements. This PPT slide can be easily accessed in standard screen and widescreen aspect ratios. It is also available in various formats like PDF, PNG, and JPG. Not only this, the PowerPoint slideshow is completely editable and you can effortlessly modify the font size, font type, and shapes according to your wish. Our PPT layout is compatible with Google Slides as well, so download and edit it as per your knowledge.

This monotone PowerPoint icon is a great visual representation of a museum ticket. It features a ticket with a barcode and the words Museum Ticket printed on it. Perfect for adding to presentations or documents related to museums or tickets.

This coloured powerpoint icon is perfect for museum stands and presentations. It features a vibrant and eye-catching design, making it the ideal choice for any museum. It is easy to use and provides a professional look to any presentation.

This PowerPoint icon is a bright yellow ticket with a black museum logo. It is the perfect way to illustrate a museum ticket in your presentation and add a splash of colour.

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15 Innovative Museum Display Ideas From Around The World

Last updated on March 28, 2024

This article offers a comprehensive list of innovative museum display ideas gathered from around the world, providing unique inspiration for your next exhibition.

Augmented Reality Guided Tour – Louvre, France

Utilizing Augmented Reality (AR) technology, visitors of the Louvre can view priceless artworks enhanced with digital overlays, providing historical context and artist insights.

The AR guided tour transforms the traditional museum experience into an interactive, information-rich adventure, accessible through a smartphone app.

Patrons engage with the art in a dynamic, personalized way, uncovering hidden stories and details invisible to the naked eye.

Interactive Music History Display – Rock and Roll Hall of Fame, USA

Visitors engage with touch screens to mix tracks from legendary artists, gaining an understanding of music production.

Personalized playlists are crafted based on guests’ interactions with exhibit genres and eras.

Real-time visualizations of rock music’s evolution accompany the auditory journey, offering an immersive educational experience .

Holographic Explorer Experience – The Explorer’s Club, USA

This exhibit recreates historical expeditions using holographic technology , allowing visitors to step into the shoes of famous explorers.

Patrons can interact with 3D holograms of landscapes, artifacts, and figures from different eras.

The technology offers a dynamic learning experience, with visitors able to witness reenactments of pivotal exploration moments.

Sensory Garden Exhibition – Brooklyn Botanical Garden, USA

Visitors engage with a blend of tactile and olfactory experiences as they meander through thematically arranged flora that stimulate the senses. Each section of the exhibition is designed to highlight the unique textures, scents, and colors of an array of plants and flowers.

Informative signage accompanies the sensory stations, giving insights into the botanical characteristics and historical uses of the specimens on display.

Digital Art Installations – Tate Modern, UK

Digital art installations at the Tate Modern incorporate cutting-edge technology to create immersive, interactive experiences for visitors. Patrons can engage with artwork through touch screens , motion sensors , and virtual reality , turning passive observation into an active, participatory event.

These installations often challenge the boundaries of traditional art, offering new ways for audiences to connect with the themes and concepts presented.

Immersive Storytelling – Museum of World Culture, Sweden

The Museum of World Culture in Sweden employs immersive storytelling to captivate visitors’ senses and emotions, placing them in the heart of a cultural narrative.

Through a blend of high-tech visuals, authentic artifacts, and responsive installations, the exhibitions create a dynamic, participatory experience.

This approach allows visitors to actively engage with the stories of diverse cultures, fostering a deeper understanding and connection.

Live Art Presentations – MoMa PS1, USA

Live Art Presentations transform the gallery space into a dynamic studio where visitors can witness the creation process first-hand. Artists engage with audiences, often inviting participation or input, which breaks down the traditional barriers between creator and viewer.

These events foster a unique connection, making art more accessible and providing insight into artistic techniques and concepts.

Sustainable Practices Showcase – National Museum of Nature and Science, Japan

The exhibit demonstrates real-world applications of renewable energy and recycling that visitors can implement in their daily lives.

Featuring interactive displays such as a hands-on wind turbine model and a water purification station , it engages visitors in the science of sustainability.

Educational stations throughout the showcase provide tips for reducing carbon footprints and encourage sustainable living choices.

Fashion Through the Ages – Victoria and Albert Museum, UK

The exhibition presents a chronological display of fashion, showcasing garments and accessories from the 1600s to the present day. Enhanced with multimedia elements, the display allows visitors to explore the evolution of styles, materials, and craftsmanship.

Mannequins and interactive screens provide context, demonstrating the societal influences that shaped each era’s fashion trends.

Living Diorama – Museum of Natural History, USA

Emulating natural habitats, the living diorama integrates live plants and animals to provide an immersive educational experience.

Visitors observe ecosystems in action, illustrating complex environmental relationships.

This dynamic exhibit evolves, offering fresh insights with each visit.

Light and Shadow Projections – Museum of Illusions, USA

Light and shadow projections elevate the ambiance of a museum by playing with visual perception, creating a dynamic and interactive space for visitors. These installations cast intricate patterns or tell stories across walls and floors as guests move, adding an element of surprise and wonder. The Museum of Illusions utilizes this technique to challenge the senses, seamlessly blending art with optical illusions to engage its audience.

Interactive Dance Displays – National Dance Museum, Argentina

Visitors engage with motion-sensor floors that mimic their movements with corresponding dance projections, offering an interactive learning experience.

Real-time feedback through the system allows guests to improve their dance skills while learning about different styles.

The display also features famous dance performances that guests can shadow, facilitating a deeper connection to the art of dance.

Antique Carousel Display – The Merry-Go-Round Museum, USA

The Merry-Go-Round Museum features a working antique carousel, offering visitors an interactive experience that combines historical education with whimsical enjoyment. Original, intricately carved horses and chariots are on display, showcasing the craftsmanship of an era gone by.

Surrounding exhibits provide context, detailing the carousel’s evolution and the cultural significance of amusement rides.

Space-themed Exhibitions – The Space Museum, USA

Space-themed exhibitions immerse visitors in the cosmic realm through life-size spacecraft models and simulations of celestial phenomena. Interactive displays allow guests to experience the sensations of space travel and astronaut life.

The use of authentic NASA artifacts and educational touchscreens engages learners of all ages in exploring the final frontier.

VR History Experiences – Smithsonian National Museum of American History, USA

Visitors don the latest VR headsets to relive pivotal moments in American history, from the signing of the Declaration of Independence to the first moon landing.

The immersive simulations offer a dynamic learning environment, making complex historical events accessible and engaging.

This interactive display connects audiences of all ages with the nation’s past through firsthand virtual experiences.

Ideas Elsewhere

• https://museumenvironments.com/planning-the-affordable-museum-exhibit-9-tips/
• https://www.katapult.co.uk/10-of-the-best-interactive-museum-exhibition-ideas-for-curators
• https://paretimobilewalls.com/blog/museum-exhibit-design-ideas/
• https://www.exhibitstudios.com/blog/museum-exhibit-designs/
• http://www.stephpearson.com/ideas-on-display-blog

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Écomusée du fier monde

State Darwin Museum

Anna kliukina, state darwin museum vavilova street, 57 117292, moscow russia, [email protected], www.darwinmuseum.ru, moscow, russia intermuseum 2016 festival grand-prix / icom russia award, the projects of the state darwin museum.

The State Darwin Museum is the largest in the world and the only museum of evolution in Russia. It was founded in 1907. Today the exposition occupies an area of about 5,000 square meters and there are about 60 temporary exhibitions in the museum each year.

The State Darwin Museum has been awarded the Grand Prix for the second time (the first Grand Prix was won in 2007) because all four presented projects reached the final.

The exhibition project "Birds. Technology of perfection" became a finalist in the category "The best project in presentation and interpretation of tangible and intangible cultural heritage".

The interactive exhibition "Birds. Technology of perfection" was based on the museumrs"s ornithological collections and dedicated to the unique abilities of birds. The curator of the project is Natalia Mikhailova.

This project not only revealed the rich ornithological collection of the museum, but also involved visitors in the process of understanding the overall scientific picture of the world. The items from the partner museums exposed interdisciplinary logical connections between biology, technical science, art, and physics.

Scientists and leading experts became consultants of the project. They told visitors about their scientific pursuits throughout the exhibition. The partners were the State Moscow and Saint Petersburg Universities, Research Institutes of the Russian Academy of Sciences.

The main objects of the exhibition were presented not only as living organisms, but also as unique "biomechanisms" determined by the laws of physics and affecting different spheres of human activity. The exhibition was based on the principles of universal design.

The multimedia dynamic models and interactive exhibits especially created for the exhibition gave a wonderful opportunity to conduct some experiments and carry out an extensive educational program including lectures, master classes, film screenings, and meetings with young naturalists, scientists, art historians.

This project was made possible due to the well-coordinated work of our partners: the Experimentanium Science Museum, the Museum of Humans, the Paleontological Institute, the Institute of Ecology and Evolution, the Memorial Museum of Professor N.E. Zhukovsky, and the Central Air Force Museum.

The project "DNA-investigation" became a finalist in the category "The best project in museum education".

The project established a modern laboratory for biochemical research and developed a course named "DNA- investigation". The author is A.S. Rubtsov. The project expanded forms of educational work with students in the museum. It made the application of modern DNA analysis available to everyone, for example, in the diagnosis of hereditary and infectious diseases.

The company ZAO "NPF DNA-Technology" provided some expensive equipment and methodical assistance for the lessons in the laboratory. The staff of the Vavilov Institute of General Genetics gave scientific advice on choosing the most relevant topics for studies. The school teachers developed optimal forms of studies .

During their independent work in the classroom students acquire skills of working with modern laboratory equipment. This contributes to the development of scientific thinking, creative skills and team spirit. The program includes three lessons teaching basic DNA analysis.

During the "Extract your DNA" classes students independently collect their own DNA from the saliva cells. The classes "What does a sausage hide?" help to find the DNA of soybeans and genetically modified organisms (GMOs) in frankfurters and sausages.

The lesson "Are you a sprinter or a marathoner?" tells about the angiotensin gene of the converting enzyme which affects sporting achievements. The project broadens and deepens the knowledge of molecular biology.

"The world in hands" project is a model program for social and cultural rehabilitation and integration of deaf-blind into society. The project became a finalist in the category" The best project in the field of working with disabled and people with special needs".

A program of social and cultural rehabilitation for deaf-blind people in the process of studying nature was developed in the State Darwin Museum in Russia for the first time. The author is T.S. Kubasova. The program was developed for the most demanding audience including visitors with no visual or hearing abilities and complications in communication. The partners were the Society of Deaf-Blind Social Support, Sergiev Possad Home for Blind and Deaf Children, Deaf-blind Charitable Foundation, "Reakomp" Institution of Professional Rehabilitation and Training of the Society of the Blind, and with participation of the visually and hearing impaired since childhood, candidate of philosophical Sciences, President of The European Deaf-blind Union (EDbU) S.A. Sirotkin.

The specialists of the museum used collections and a methodical cabinet. The program helped to open the world for the people with complex sensory impairments, because it involved all human physical senses. This was not only an opportunity to expand the competence of the deaf-blind but also an attempt to work out a strategy for better communication.

The program expanded cooperation with public organisations of the deaf-blind, blind and deaf. With their support the museum implemented a pilot project of artists with different sensitivity of vision and hearing "TRANSCRIPTION OF NOISE". It was created on the principles of universal design and was available for disabled people.

The project was supported by the Civic Chamber of the Russian Federation, the Deaf-blind Support Fund "So-edinenie" (Connection) and was included into a special program of the 6th Moscow Biennale of Contemporary Art. The Museum continues to work with the disabled people and keeps implementing new projects every year.

The project "Inhabitants of stone jungle" is devoted to solving the problem of stray animals in the city. It reached the finals in the category "The best project in social interaction".

The traveling exhibition "Inhabitants of stone jungle" and an extensive educational program were created in cooperation with many partners including "Association Exhibition halls of Moscow", Moscow Zoo, International charitable fund for animal support, a shelter for dogs, "Royal Canin" company, photo club "35" patriotic club "Edinstvo", Kuzminskiy forest park, "Purina" company, cultural-educational centre "Arkhe", Lab Digest-theater, and citizens of Moscow.

The traveling exhibition began the discussion and search for a solution to the comfortable cohabitation of people and animals in the city. Educational activities helped to involve a wide audience of all ages. The modular design helped to transport the exhibition to different halls.

The exhibition program included a wide range of activities: meetings with veterinarians and dog trainers, charity events, lectures, creative competitions, festivals, press conferences, an environmental quest (over 100 events). 16 animals found a new home thanks to the photo exhibition "It's better at home!". Over 12 000 people actively participated in the project.

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How to Design Museum Interiors: Display Cases to Protect & Highlight the Art

• Written by Lilly Cao
• Published on April 01, 2020

Museums are complex organizations: curators, exhibition designers, conservationists, editors, and marketers have to work together to ensure that artworks in galleries and exhibitions are properly displayed to the public. Instrumental to this process is the use of effective display cases, which must both protect the art and highlight it aesthetically. Below, we delineate some of these visual and practical considerations with photographic examples from Goppion , giving some indication how one should choose which display cases to use.

Obviously, different types of artworks require different methods of display. Paintings need frames; sculptures and other freestanding objects may need pedestals or vertical display cases; while books, papers, or other similar objects are often shown in table cases. These considerations must be dealt with on a case-by-case basis with the features of the object and of the overall set-up of the gallery or exhibition in mind. For example, certain sculptures are meant to be viewed frontally, eliminating the need for an all-glass case built for sculptures in the round. Likewise, some paintings require special kinds of frames, particularly those with three-dimensional aspects or heavy impasto. The object itself is therefore the primary consideration for choosing display cases, indicating what type of case should be used or whether they are needed at all.

Preventative Conservation

Considering the object isn’t limited to displaying at its best – practical concerns, such as physical and chemical protection, are fundamental to the decision process. These concerns can be influenced by a variety of factors such as the age of the object, the materials it is made out of, the conditions of the gallery space or museum building, and the number of visitors expected to come into close proximity to the work. Some sculptures or other freestanding objects may not need a display case at all. However, for others, airtight protection is imperative, ensuring that the object doesn’t deteriorate or degrade over time. For delicate objects such as these, designers must choose display options that can provide the necessary environmental conditions.

Presentation

For many artworks, of arrangement display is an important question that isn’t always solved directly by the object requirements: should this artist’s notebook be placed in a horizontal display case, in a vertical freestanding display, or in a case against the wall? What about this statuette? Or even this relief or this painting – do they need to be on the wall, or would placing them in a freestanding case with a reinforced back be more effective? Often, the limitations of the space or curatorial intentions will help resolve these issues and determine which case is best for each artwork’s display.

Of course, the design of the case itself is incredibly important. A good case should effectively highlight the artwork but must not distract from it. It should also not distract from the overall design of the gallery or exhibition, be it simply the 'white cube' template or a more complex aesthetic. Thus, exhibition designers have to decide between all glass cases, wooden frames, metal frames, or painted frames. If they choose frames, they have to consider the thickness of the frames, the uniformity of this decision among the rest of the exhibit, and the precise coloring of the frames.

Interactivity

For special displays or galleries, interactive display cases can help make an exhibition more fun for children or more education for adults. However, and unfortunately, this is still an unusual choice, and they are often overlooked. For special educational exhibits aiming to create an interactive or immersive environment – or even to save space – these types of display cases should be a strong consideration.

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Tanks, cannons, a Bailey Bridge...

Upon arrival, the visitor is immediately struck by the outdoor exhibits. Tanks, cannons, a Bailey Bridge, and a Liberty marker are on display as a taste of a unique and authentic collection. Inside the museum, the visitor discovers the rest of the Leloup collection.

The exhibition covers nearly 24,200 sq ft. 10,000 extraordinary items, including 40 vehicles, tanks and cannons, most of which were found in Normandy, are displayed in scenes that are as striking as they are breathtaking, plunging the visitor into the heart of history.  

What to see in the Museum

A museum like no other on the coast […]. The chronological civil and military scenes reconstructed with breathtaking realism, are as many threads that take us for witness. The soundtracks restore those of this painful period, and complete your immersion in the heart of history […] The staging is thought-provoking, especially in these troubled times. One is subjugated by the intelligence of men, by so much savoir-faire and technology… Le Petit Futé  

Magnificent museum with impeccable and realistic scenographies. The portrait gallery at the exit is just poignant and superb. This museum is a must-see. Valérie Toupet, February 2022 (Google review)

  Impressive ! Matthieu Ducruix, April 2022 (Google review)

  One of the best D-Day museums you will find. Their collection is in such good condition that you almost wonder if this war ended only a few years ago […] Finally, the staff is very pleasant and will welcome you with a smile. The official dragondoors, July 2022 (Google review)

Michel Leloup, a forestry developer and sawyer in the South of Normandy, used wrecks from the Battle of Normandy and surplus equipment of Allied armies to transport wood used for the reconstruction of Normandy.

In a sawmill in Normandy Michel Leloup found a German half-track, identical to the one he used to work with after the war. This was the beginning of a collection that he completed over 40 years.

Part of the collection was displayed in an old cheese factory in Falaise ; there was nothing at the time that related the encirclement of the 7th German Army and the end of the Battle of Normandy.

Acquisition of land at Omaha Beach. The objective is to keep the collection in Normandy and to display most of it to a large public.

Excavation works and land servicing in order to build a museum specially designed and dedicated to the collection. Realization of preliminary designs for the Overlord Museum.

Construction of the Overlord Museum – Omaha Beach with 15,000 sq. ft of exhibition space. Designed with an adapted museography and intended to pay tribute to the protagonists of the time, Overlord Museum – Omaha Beach wants to be a place of memory, of the preservation of the historical and technical heritage and a solemn place of reflection.

Opening of the Overlord Museum on June 5, in the presence of veterans. The official inauguration by civil and military authorities took place on June 20.

70th Anniversary of D-Day and the Battle of Normandy. Visit of Veterans. Gathering of various types of tanks which took part in the battle, including the « Fury » tank featured in the eponymous movie starring Brad Pitt, on the 2nd US Armored Division.

On the occasion of the 2nd anniversary of the museum and the 71st anniversary of D-Day, the Overlord Museum welcomed 18 actors of the American TV series Band of Brothers, and many veterans for a gala evening. All proceeds from the event were donated to the World War II Foundation whose aim is to promote remembrance and support veterans.

The Overlord Museum – Omaha Beach celebrated the 75th Anniversary of the Normandy landings. From June 5 to June 10, in partnership with the « Musée des Blindées de Saumur », several dozen vehicles, including heavy tanks and light tracked vehicles, were on display on the Museum’s outdoor show ground.

During the commemorations of June 6, the Overlord Museum – Omaha Beach received the Best Defense Foundation who came with 35 American veterans

Overlord Museum celebrates its 10th anniversary on June 5, 2023 during the third Edition of the Overlord Military Events.

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Ekaterina Selezneva State Tretyakov Gallery, Moscow

Sep 10, 2014

300 likes | 554 Views

"Europe, Russia, Europe:" Dreams and Reality of International Exhibitional Exchanges. Ekaterina Selezneva State Tretyakov Gallery, Moscow. Silent Pond by Gustav Klimt Leopold Museum, Vienna. Self-Portrait by Zahari Zograph The National Gallery, Sofia.

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Presentation Transcript

"Europe, Russia, Europe:" Dreams and Reality of International Exhibitional Exchanges Ekaterina Selezneva State Tretyakov Gallery, Moscow

Silent Pond by Gustav KlimtLeopold Museum, Vienna

Self-Portrait by ZahariZographThe National Gallery, Sofia

The Golden Bough by Joseph Mallord William Turner The Tate, London

Self-Portrait by Adam ManyokiHungarian National Gallery, Budapest

Portrait of Johann the Steady by Lucas Cranach the ElderStaatliche Kunstsammlungen, Dresden

Painting with Fingers III-An Eagle by Georg BaselitzMuseum Kuppersmuhle fur ModerneKunst, Duisburg

The Reception of Lord Byron at Messologhi by TheodoroaVryzakisNational Gallery- AlexandrosSoutzos Museum, Anthens

Homage to Carlo Crivelli by Richard MortensenStatens Museum for Kunst, Copenhagen

An Allegory by Sean KeatingThe National Gallery of Ireland , Dublin

St. Paul, the Hermit by Jose de RiberaNational Prado Museum, Mardrid

Dora MaarVistada 15-8-83 by Antonio SauraMuseoNacional Centro de Arte Reina Sofia, Madrid

Venus Blindfolding Cupid by Titian VecellioGalleria Borghese, Rome

Madonna Enthroned between St. George, St. Nicholas, and DonorsMakarios III Foundation, Nicosia

Ladies on the Beach by Jekabs KazaksLatvian National Museum of Art, Riga

Tilto Street in Vilnius by MstislavDobuzhnskyLithuanian art Museum, Vilnius

View of Luxembourg from Fetshenhof by Nicolas LiezLuxembourg National Museum of Art and History

The Incredulity of St. Thomas by MattiaPretiNational Museum of Fine Arts, Valletta

Pieta by ErszebetBaerveldtStedelijk Museum De Lakenhal, Leiden

St. Stanislaw of SzczepanowThe National Museum, Kracow

The Back of a Bench from the Royal Factory de Louca, LisbonMuseu National do Azulejo, Lisbon

The Lamentation – Holy ShroudThe National Museum of Art of Romania, Bucharest

The Prayer by Constantin BrancusiThe National Museum of Art of Romania, Bucharest

Virgin Mary for “Annunciation Group” by Unknown sculptor from Bratislava or ViennaDeposited to Slovak National Gallery, Bratislava from Cathdic Cathedral, Velky Biel

Boys Playing on the Shore by Albert EdefletThe Finnish National Gallery, Anteneum Art Museum, Helsinki

Still Life with Green Cupboard by Henri MatisseCentre Georges Pompidou, Paris

The Ages of the Worker by Leon FredericMusee d’Orsay, Paris

In Orgy by Lars NilsonModernaMuseet, Stockholm

Father and Son by JaanToomikArt Museum of Estonia, Tallinn

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Presentations

Experience a family concert, a special DVD presentation, a presentation from a dynamic speaker, or even a live drama during your visit. You’ll learn more about God’s Word and God’s world during these special, family-friendly presentations.

Divided Nation: Culture in Chaos and a Conflicted Church

One blood, one race: the origin of “races”, will they stand: parenting kids to face the giants, animal encounters, answers news, the last adam, zookeeper chats, snakes alive, after their kind, creation vs. evolution: why it matters, avery foley, only one race: the biblical answer to racism, dinosaurs and the bible: solving the mystery, bryan osborne, the age of the earth: thousands or millions, what about aliens and ufos, dr. danny faulkner, creation vs. evolution: does worldview impact how we interpret the evidence, dr. gabriela haynes, creation vs. evolution: why it matters, dr. georgia purdom, galápagos: the birthplace of evolution, dr. jennifer hall rivera, the forensic science behind god's fingerprint design, dr. terry mortenson, did god create over millions of years, millions of years: unscientific and catastrophic ideas, protecting children in a sexualized society, heidi st. john, how to keep your child in the faith, israel wayne, ​creation or evolution: where did all the species come from, karina altman, kevin hadsall, fossils and rocks: record of creation and the flood, corrie ten boom: a light in dark places, live performance, how to think about “facts”, patricia engler, marx is back—so now what, rockets, aliens, and the bible, science vs. the bible: why the debate, unlocking science live: up in flames, roger patterson, unlocking science live: up in the air, preparing teens for purity and relationships, sarah and andrew hancock, off the couch into creation, the wild brothers, dinosaurs in the biblical worldview, tim chaffey, blind and yet she sees–fanny crosby’s life and work, vickie gaynier, prepare to believe.

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SPECIAL FEATURE: 8th Moscow International Biennale of Contemporary Art

Artists: Stephan Balkenhol, Georg Baselitz, Alexander Brodsky, Evgenia Buravleva, VALIE EXPORT, Harm Weistra & Eddi Bal, Sonja Gangl, Evgeny Granilshchikov, Alex Katz, Andrey Kuzkin, Maria Kulagina, Halla bint Khalid, Rashid al Khalifa, Mohammed Khoja, Maria Lassnig, Leyla, Alexey Luka, Orhan Mammadov, Tony Matelli, Muntean / Rosenblum, Hermann Nitsch, Pavel Otdelnov, Paola Pivi, Egor Plotnikov, Vitaly Pushnitsky, Neo Rauch, Gerhard Richter, Natalia Sitnikova, Maria Suvorova, Lijun Fang, Xenia Hausner, Zhang Huan

Exhibition title: The Main Project “Orienteering And Positioning”

Venue: State Tretyakov Gallery, Moscow, Russia

Date: October 31, 2019 – January 22, 2020

Curator: Dmitri Tcherniakov

Architects : Sergei Tchoban, Agniya Sterligova

Designer : Igor Gurovich

Photography: Kiki Petratou / All images copyright and courtesy of the artists and Moscow International Biennale of Contemporary Art

Moscow Biennale aims to be not only a particular powerful event, but also a new institutional project that strengthens relationships between curators, art historians, managers, federal authorities, sponsors and trustees, mass media and public opinion on contemporary art both in and outside Russia itself. It is the organisers’ intention that the Moscow Biennale will be a reproducible strong structure that finds its place in the network of other major international art forums.

The Main Project of the 8th Moscow Biennale consists of more than 50 works of 34 artists from 11 countries: Austria, Azerbaijan, Bahrain, China, France, Germany, Italy, the Netherlands, Russia, Saudi Arabia, the USA.

For the first time one of the world’s leading museums – Albertina (Vienna, Austria) – became a partner of the Moscow Biennale. The masterpieces of 11 artists of the XX century will come from the collection of Albertina Museum.

Dmitri Tcherniakov, the curator Main Project of the 8th Moscow International Biennale of Contemporary Art:

«This is my first experience of curatorial work in such a large project. I am very glad that something like this happened in my life. This experience connects a lot of things in my life, because, as I said, the visual is a very important part of what I do and what I love in the theater. Therefore, this is the main motivation. As I always say, I am in favor of expanding the boundaries between hermetic arts, which are usually rarely interested in each other.

In General, what is creativity? Creativity, if we talk simly – is the creation of something new, so we all do it in its own way and in different genres. Therefore, I am very grateful that all this happened, and thank you to Sergei Tchoban, who made a great project, and the organization of the Moscow Biennale, Julia Muzikiantskaya, and all the artists who is participating in the Main Project. Unfortunately, many artists who planned to take part in this project couldn’t do it and I express them my apologies. The exhibition, I hope, will impress visitors. The Project will be opened on October 31st»

Julia Muzikantskaya, the president of the Moscow International Biennale of Contemporary Art:

«The main project of the 8th Moscow Biennale is the extraordinary and bright exhibition. It seems to me that no one has ever done something of this kind, which is not surprising. I would like to thank the unique team of curators: Dmitri Tcherniakov, architects Sergei Tchoban and Agniya Sterligova and, of course, one of the leading world’s museums – Albertina. The main idea of any Biennale is the dialogue of artists, the creative interaction. It was important for us that Russian artists would have the opportunity for this dialogue with the recognized celebrities of the world and their best art works. Of course, this was made possible mainly because our partners and trustees. I would like to emphasize that for many years the creation of the new pieces for Moscow Biennale has become possible due to the support of Leonard Blavatnik.

Let me express my gratitude to our constant partners – Transneft, Gazprombank, Ingosstrakh, Metropol and Azimut hotels and new and, I hope, also constant – MTS and Aeroflot.

I would like to thank the Deputy Prime Minister of Russia O.U. Golodets and the Minister of Culture V.R. Medinsky, the Moscow government for the support provided.

Special thanks to Zelfira Tregulova and the team of State Tretyakov Gallery.»

Klaus Albrecht Schröder, general director of Albertina

«For many years the Albertina Museum has had close partnerships with renowned Russian museums.

Exhibitions at the State Hermitage Museum and the State Russian Museum in St. Petersburg as well as co-operations with the Pushkin Museum are now followed for the first time by a co-operation with the Tretyakow Gallery.

In the Main project of the 8th Moscow Biennale, the Albertina Museum is presenting important positions of contemporary art from their rich collections. Many of these artists will be presented for the first time in Russia»

Zelfira Tregulova, the general director of the State Tretyakov Gallery:

“I think it is very important that such a significant event as the Moscow Biennale should continue to live and be held regularly. Russia, which is not presented often at international art exhibitions and fairs, should indicate that contemporary art is interesting, lively and relevant in our country.

It is very important that the participation of the contemporary art collection from the famous Albertina Museum in Vienna and the exhibiting of the most important contemporary artists’ works are planned during the Moscow Biennale in 2019. Most of those artists have become classics, and it is very important that their works will be shown in the space, where during the late 1980s-early 1990s the breakthrough exhibitions of the great artists, including Rauschenberg, Tinguely, Gilbert&George, Rosenquist, and many others were held. The presentation of works created in recent years by Russian artists is also very important. It emphasizes the continuity of the tradition of the presence of contemporary art – both International and Russian, in the space of the State Tretyakov Gallery on Krymsky Val.”

Sergei Tchoban, the architect and author of the exposition design of the Main Project of the 8th Moscow International Biennale of Contemporary Art:

«My participation in the 8th Moscow International Biennale of Contemporary Art as the author of the exhibition design is a great honor for me and a very interesting creative challenge, and I am highly grateful to the organizers for their trust. The design of the exhibition, which was developed together with Agniya Sterligova, is based on the idea of the city of artists. Various parts are interpreted as separate “buildings” and “squares”, the content and form of which are dictated by the intentions of the artists participating in the exhibition. I hope that the visitors will see the space of the exhibition as a series of successively shown large-scale spaces, and each of them is full of bright and unexpected works of modern art.»

Harm Weistra & Eddi Bal, Requiem for a Falling Man , 2019, Dibond, mounting scarf, video

The Main Project “Orienteering And Positioning” , 2019, exhibition view, State Tretyakov Gallery, 8th Moscow International Biennale of Contemporary Art

Herman Nitsch, Actions , 1962 – 2005

Stephan Balkenhol, Six standing men with black trousers and white shirts , 2013, Painted cedar of Lebanon, The ALBERTINA Museum, Vienna – The ESSL Collection

Tony Matelli, Couple , 2015, Polyester, silicone, polyurethane, wood, steel, oil paints, hair, Collection of Ekaterina & Vladimir Semenikhin

Alexey Luka, Shelter , 2019, wood, plywood, banner fabric, found objects, metal, acrylic

Valery Koshlyakov, Angel castle , 1994, Corrugated cardboard, tempera, mixed media, Collection of Ekaterina & Vladimir Semenikhin

Zhang Huan, CPR foundation day is 1984 , 2011, Ashes of incense on canvas

Egor Plotnikov, A minute for awake , 2019, Wood, paper, acrylic

Alexander Brodsky, 1992, Roads , 2019, Installation

Rashid al Khalifa, Maze , 2018, Enamel on Stainless Steel

Gerhard Richter, Abstract Picture, Nr. 611 – 1 ., 1986, Oil on canvas, The ALBERINA Museum, Vienna, The Batliner Collection

Evgeny Granilshchikov, Tactics , 2019, Video Installation

Maria Kulagina, Catcher , 2019, Mixed media

Neo Rauch, Let’s move on to the next , 2015, Oil on canvas, The ALBERTINA Museum, Vienna – The ESSL Collection

Muntean / Rosenblum, Untitled (Before we know it…) , 2000, Acrylic on canvas, The ALBERTINA Museum, Vienna – The ESSL Collection

Vitaly Pushnitsky, Forest , 2019, & Character 2019, Oil on Canvas, wood

Alex Katz, Roses 2. , 1998, Oil on canvas, The ALBERTINA Museum, Vienna – The ESSL Collection

Alex Katz, Jessica , 2017, Oil on canvas, The ALBERTINA Museum, Vienna – The Batliner Collection

Lijun Fang, 2014.9.30 ., 2004, Acrylic on canvas, The ALBERTINA Museum, Vienna – The ESSL Collection

Lijun Fang, Untitled , 2005, Acrylic on canvas, The ALBERTINA Museum, Vienna – The ESSL Collection

Orhan Mammadov, The Idea of Saving Aesthetics , 2019, Multimedia Installation

Orhan Mammadov, The Idea of Saving Aesthetics, 2019, Multimedia Installation

Halla bint Khalid, Punching Bag , 2019, Leather, filling

Halla bint Khalid, Housekeeping , 2019, Broom, mop, duster and resin bucket

Mohammed Khoja, The Driving Jacket , 2018, Satin

Paola Pivi, 2019, installation view

Andrey Kuzkin, Prayers and Heroes , 2016 – 2019, Bread, salt, wood, acrylic, metal, pva

Georg Baselitz, My parents by Dix (Remix) , 2005, Oil on canvas, The ALBERTINA Museum, Vienna – Permanent loan of the Viehof Collection

Georg Baselitz, Larry (Remix) , 2006, Oil on canvas, The ALBERTINA Museum, Vienna – Permanent loan of the Viehof Collection

Evgeniya Buravleva, Midday , 2019, Oil on canvas

Pavel Otdelnov, MSW ‘Timokhovo’ , 2019, Oil on canvas

Leyla, All is sacred , 2019, Multimedia installation

Xenia Hausner, Scorpio Night , 1995, Acrylic and varnish on pressboard, The ALBERTINA Museum, Vienna – The Batliner Collection

Natalia Sitnikova, Prometheus , 2019, Oil on Canvas, tempera / Apostle Peter, 2019, Oil on Canvas, tempera

Archaeopteryx — one of Field Museum's greatest acquisitions — emerged from briefcase in Switzerland hotel

The rare fossil of a birdlike creature said to be the missing link between dinosaurs and birds went on display monday..

An artist’s illustration of what Archaeopteryx may have looked like when it inhabited the planet about 150 million years ago. On Monday, the Field Museum unveiled an extremely rare fossil specimen of the birdlike creature.

Courtesy Field Museum

When Pete Makovicky first sets eyes on a new dinosaur fossil, it’s typically after it emerges from the dust and debris of a rock formation.

Until 2019, he’d never seen one come out of a briefcase in a Swiss hotel.

But that’s where the Field Museum’s then-chief dinosaur scientist found himself in the spring that year — accompanied by a small group that had flown in from Chicago to meet a businessman from the Middle East.

Field Museum experts got a first glimpse of the Archaeopteryx fossil, encased in this limestone slab. The museum’s paleontologists would go on to spend hundreds of hours scraping away excess limestone to unearth the rare specimen.

Field Museum

In the privacy of a Zurich conference room, the businessman opened the briefcase, and the Chicago visitors stared bug-eyed at what was inside.

“Really, no other living paleontologist had seen one in the raw state,” said Makovicky, now a professor at the University of Minnesota. “So it was a very sort of exciting moment for me.”

Embedded in a creamy limestone slab, measuring about 6 by 12 inches, lay the contorted fossil of Archaeopteryx (ar-key-AHP-ter-icks) — a birdlike, holy grail creature of sorts, which when first discovered in 1861 helped prove Charles Darwin’s then-controversial theory of evolution.

The Field Museum’s Archaeopteryx specimen after fossil preparers Akiko Shinya and Connie Van Beek spent hundreds of hours removing excess stone and dust.

Anthony Vazquez/Sun-Times

Even though gritty limestone concealed much of the specimen, Makovicky saw enough of its immaculately preserved ribs, vertebrae and feather impressions to get excited. He ultimately recommended that the Field buy it.

On Monday, the Field unveiled its Archaeopteryx, one of only about a dozen such specimens ever found and the only one housed in a “major natural history museum in the Western Hemisphere,” according to the Field. The fossil specimen arrived in Chicago in 2022.

The fossil will remain at its current location near the entrance to Griffin Halls through June 9. It will return some time in the fall in a permanent installation.

It’s a relatively tiny fossil. Even so, Julian Siggers, the Field’s president and CEO, has called the Archaeopteryx the museum’s “most significant fossil acquisition since Sue, the T. rex.”

A closeup of the skull of a fossil called Archaeopteryx, which was unveiled Monday at Chicago’s Field Museum. With feathers, hollow bones, clawed wings, fifty tiny teeth and a long bony tail, it is the earliest known dinosaur that also qualifies as a bird. The museum becomes one of the few places on the planet to see a real Archaeopteryx fossil.

Ⓒ Delaney Drummond 2023

Archaeopteryx lived about 150 million years ago, a dinosaur with feathers, hollow bones, tiny teeth and clawed wings. Much about its lifestyle remains unknown. Could it fly? Perhaps, but not very well, Field scientists said. And it was small too — the Field’s specimen is about the size of a pigeon.

In the 19th century, some saw Archaeopteryx remains and couldn’t figure out what it was, with some thinking it might be an angel, according to London’s Natural History Museum.

The first specimen was discovered just two years after the publication of Darwin’s “On the Origin of Species.” A lot of people at the time didn’t believe that animals could evolve. The Archaeopteryx appeared to prove otherwise — that dinosaurs had evolved into birds.

A new exhibit at the Field Museum celebrates the fossil of an Archaeopteryx — touted to be the missing link between dinosaurs and birds.

All of the specimens to date have been found embedded in a limestone quarry in southern Germany. Millions of years ago, the land was quite different — a large, tropical lagoon surrounded by subtropical islands.

A private fossil collector found the Field’s specimen some time before 1990, according to the museum. It then remained in private hands before coming to Chicago.

Makovicky, who continues to work as a Field research associate, says he’s never in his near-30 years of paleontology experienced anything quite like the meeting in Zurich.

“This was the first and only experience for me,” he said. “I usually go out and dig this stuff up.”

The meeting wasn’t quite cloak and dagger, but odd nonetheless, he said.

“At the time, [the seller] didn’t tell us he was the seller,” Makovicky said. “He pretended to be a representative of the seller.”

The seller told the Chicago group that they could take photographs, but the camera’s data card would have to remain with him, Makovicky said.

Museum staff have taken pains to detail how their specimen was obtained. They note that while a 2015 German law prohibits the removal of newly discovered Archaeopteryx fossils from the country, the Field’s specimen was sold and removed 25 years before the law went into effect.

“We are confident that the removal of the fossil from Germany was compliant with laws that were in effect at the time,” Field spokeswoman Bridgette Russell told the Chicago Sun-Times last week.

Of course, the fossil that Makovicky first saw back in 2019 doesn’t look like that today. The Field’s fossil preparators, Akiko Shinya and Connie Van Beek, have spent hundreds of hours in a lab hunched over the specimen, delicately picking and grinding away at the excess sedimentary rock to expose the fossil.

Makovicky, who had been able to sneak a look at the work on the Archaeopteryx since its arrival at the Field, says his former employer is right to be excited about what it has in its collection.

“It turned out to be better than expected,” he said. “The skull is phenomenal, both in its preservation and the fortuitous way it was preserved. It’s providing a lot of new and interesting scientific insights.”

• Field Museum researcher names groundbreaking new fossil after Sir David Attenborough
• Restaurants team with Field Museum to highlight merits of blood as an ingredient
• Field Museum’s newest dinosaur is crowned ‘Sobek’ the Spinosaurus

Spain’s Prado Museum confirms rediscovery of…

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Uconn suspends fraternity amid assault charges against former president following hazing incident, things to do entertainment, spain’s prado museum confirms rediscovery of lost caravaggio. painting will be unveiled may 27.

MADRID (AP) — A painting whose auction in Spain was halted in 2021 on suspicion that it might be a Caravaggio has been confirmed as a work by the Italian Baroque master, Spain’s Prado Museum announced Monday.

The painting, once considered to have been lost, will be unveiled to the public for the first time in the museum later this month.

The Prado said in a statement the work titled “Ecce Homo” (Latin for Behold The Man) by Michelangelo Merisi da Caravaggio will go on display from May 27 until October as a special one-piece exhibition following an agreement with its new owner, who has not been identified.

After October, the work will be be moved to the Prado’s permanent collection for a further four months.

“Since its reappearance at an auction three years ago, Ecce Homo has represented one of the greatest discoveries in the history of art,” the museum said.

“Painted by the great Italian artist around 1605-09 and believed to have once been part of the private collection of Phillip IV of Spain, the painting is one of around only 60 known works by Caravaggio in existence, and thus one of the most valuable old master artworks in the world,” the Prado added.

In April 2021, Spanish authorities halted an auction of the work, which was then attributed to a disciple of a 17th-century Spanish painter, José de Ribera. They also put an export ban on it after the museum alerted the government it could be a Caravaggio.

The painting was due to be auctioned with a starting price tag of 1,500 euros ($1,600). The value of an authentic Caravaggio would stretch into tens of millions of euros (dollars), if not more.

Prado Museum Director Miguel Falomir said that since then the owners carried out studies and proceeded with the painting’s restoration, which led to the discovery “that it is, in fact, a work by Caravaggio and a work that arrived in Spain in the 17th century.”

The painting is not allowed to leave Spain without government permission.

Falomir said it had been in the hands of a family in Madrid since the 19th century. The family was allowed to sell it privately earlier this year following an agreement with the Madrid regional government. The new owner wanted the public presentation of the piece to take place in the Prado Museum.

“For our part, we are more than happy to be the stage to present this new unshown work of Caravaggio to the public and critics,” Falomir said in a video statement released by the museum.

The oil-on-canvas work depicts the Biblical passage of the Ecce Homo, in which Jesus Christ is presented to the crowds before being crucified. The work measures 111 by 86 centimeters (44 by 34 inches). The painting was known as early as the 1600s, but experts later lost track of it.

The Prado said four of the most authoritative experts on Caravaggio and Baroque painting “all share the same passionate certainty: that Ecce Homo is a masterpiece by the Italian artist.”

One of the experts, Maria Cristina Terzaghi, was quoted as saying, “The speed of consensus around the work being a Caravaggio upon its rediscovery was absolutely unprecedented in the critical history of the painter, on whom scholars have rarely agreed, at least in the last forty years.”

The Prado said that since April 2021, the work has been under the custodianship of the Colnaghi art gallery in collaboration with experts. The painting was restored by specialist Andrea Cipriani and his team under the supervision of experts from the Madrid regional government.

“In the last hundred years, no artist more than Caravaggio, with his adventurous biography and unmistakable style, has fascinated audiences of all ages and engaged scholars from halfway around the world. This work therefore presents one of the greatest discoveries in the history of art,” said Jorge Coll, CEO of Colnaghi, which co-signed the press release.

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