othello character development essay

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Othello's Character Development

A study of Othello's character developement from a respectable general into a jealous murderer based on four major extracts.

[u][b]Othello's Transformation of Character[/b][/u] The character of Othello transforms during the course of the play from a respected and revered general to a fallen cynical and ?lascivious? shell of a man, due to the unfortunate sequence of events that transpire through both coincidence and Iago?s evil designs. The play is a tragedy, and as such it shows the protagonist?s fall from grace through a fatal flaw, and causes an unnatural transformation in his character. Here, I will explore Othello?s personality at its two extremities, at the start and end of the play. I will look at the transition that occurs through the four extracts that bring about this drastic change in his character. What is most striking about Othello in the first act is his natural charisma and his skill in communicating with the Venetian elite. His speech is long and flowing, using complex sentences and courteous language to convey intelligence and sophistication. Although he may say, ??Rude am I in my speech,? it is false modesty. He uses flattering epithets when addressing certain figures within the court, such as: ?Most potent, grave, and reverend signors.? This shows that, although his primary business as general is battle, he knows a lot about the way Venetian society works, and uses his knowledge to gain the favour of his peers, which is also shown by his discussions with the Duke. There is a lot of commas and semicolons in his speech to the Senate, which suggests that he is talking slowly, calmly, and carefully. Othello also shows wisdom in his clear perception of people?s characters in the first act (a talent which will later fail him concerning ?Honest Iago?). He gives Brabantio a piece of good advice in the following quote: ?Good signor, you shall more command with years Than with your weapons.? This suggests his wisdom and experience, a worldliness the audience might expect from the travels his military position would have taken him on. Even in this stressful situation, with swords drawn at him and facing arrest, Othello keeps his composure and control of the situation. He embarrasses Brabantio in front of his men, disarming him of his authority and confidence, which ultimately relieves the tension of the scene considerably. He demonstrates his self-assurance which probably gained him respect and admiration from his men and the people of Venice. Othello?s confidence is shown in other examples. In the second extract, his speech to the signors of the Duke?s court shows the clear and calculated execution of his speech. It flows almost poetically, and he makes sure his point is well understood by the men. ?That I have ta?en away this old man?s daughter, It is most true; true I have married her; The very head and front of my offending Hath this extent, no more?? Othello admits to the whole truth in this quote. The audience learns earlier that his confidence lays in his importance to the State. He knows that he is needed, especially considering the present hostility from the Turks, as he is an excellent general. This could be perceived as mere self-assurance, or arrogance. According to Aristotle, the tragic hero must be neither completely good nor completely evil. Perhaps this actually is arrogance, which shows a flaw in his character; a character which, at this stage in the play, seems too good to be true. Also, the quote shows honesty, but that doesn?t necessarily mean Othello is an honest character. He could have been truthful in this instance because he was so sure that he would be acquitted. Also, his advice to the Brabantio could also be perceived as arrogance. There is a void in between extracts two and three, where Othello?s character has undergone the dramatic transformation. There are lots of contrasts which show how Othello?s character has mutated: the tone becomes darker, the language is more metaphorical, and the punctuation is used to stagger the speech, all representing Othello beginning to lose control. Contradicting his earlier statements, Othello later shows a naivety in Act Three when judging the character of Iago. He often calls him ?Honest Iago.? I believe that he sees through Brabantio?s character so well because he is not a Venetian himself, and so can look at their society detachedly. When it comes to Iago, they share a certain feral quality (shown in Iago?s scheming and Othello?s vengefulness), so perhaps Othello cannot judge him in the same manner. He also misjudges Cassio and his wife, Desdemona as a result of Iago?s schemes. ?O, that the slave had forty thousand lives. One is too poor, too weak for my revenge.? Here, Othello shows how easily he has been taken in by Iago?s deceptions. The ?slave? could refer to either Cassio or Desdemona. This quote also shows how he has become consumed by revenge. He believes that one lifetime of punishment for his traitors is not enough to sate his revenge. This does not agree with an earlier portrayal of Othello, who would have risen above such crudeness, such as in dealing with Brabantio. It shows a drastic change in his disposition caused by the exposing of his Achilles? heel. Also, it seems that Iago has made a lasting impression on Othello. Not only does Othello listen to and believe everything he says, he is also contemplating revenge much as Iago did at the start of the play. Another contradiction is his composure shown in Act One, suddenly lost in Act Three. He says ?O, blood, blood, blood!? which shows his pure frustration being vented. His desperation is shown by the repetition, which also serves to bring the point home for the audience. By this point, he has lost control of the situation, contrasting with Act One, where he was always on top. In earlier scenes, Othello takes great care in his speech. However, by now all pretences are thrown out the window. His sentences are short and confused, his speech erratic, and he does not take as long as before to explain his points. Previously, such as when talking to the gentlemen, he made sure there was reason behind his carefully-spoken words. Now he places blame and damnation on many people without justification. ?All my fond love thus do I blow to heaven.? Here, the audience can see how he has condemned himself unnecessarily. In his current temperament, he is too blind to consider the other options. In the third and fourth extracts, he unwittingly sentences many of the people close to him to death. ?Yield up, o love, thy crown and hearted throne To tyrannous hate. Swell, bosom, with thy fraught, For ?tis of aspics? tongues.? This quote portrays Othello?s bleak outlook on his situation. It reveals how he has made his love for Desdemona the most important thing in his life, and thus made it another fatal flaw with which Iago can bring him down. Whereas before, when it was beneficial that his love for Desdemona was his main priority in life, he now finds it a detriment, a trap that has brought him down (which is true, but not in the way he sees it). He also claims metaphorically that his chest is full of the tongues of asps, showing how his heart is poisoned by Desdemona?s betrayal. The swelling seems to represent to the audience the growing paranoia in his heart of Desdemona and her relationship with Cassio, and the descent of Othello?s character before his breaking point. Emphasizing the drastic change in Othello is his sudden change in morals and his standing on many issues. One of these is witchcraft; another is his view on justice. In Venice, before the Duke, he expected a fair and just trial. He expected the infuriated Brabantio to give him a chance to explain his side of the story. ?The very head and front of my offending Hath this extent, no more?? This is what he claims to the Senate: that he loves Desdemona, but was involved in no witchcraft. However, when Iago plants the seeds of Desdemona?s betrayal in Othello?s mind, he takes it in immediately. He sentences the woman he loves to death without question. He is enraged much as Brabantio was, but he has no-one to calm him. It is ironic that he so easily believed Iago?s rumours and took direct action based on them, when if he had done some inquiring first, he could have averted the whole tragedy. As shown here in the third extract, he dismisses his love and accepts that it has gone instantly without any qualms. It shows a transformation that has occurred in his mental health. The changing of scruples shows how his character has been warped by the influence of Iago, who has become his main confidant. ?Now I do see ?tis true. Look here, Iago, All my fond love thus do I blow to heaven. ?Tis gone.? Through examining Othello?s character, I have come to the conclusion that his politeness and humility in front of the gentlemen of Venice was a fa?ade, which fell away when his situation became so desperate he could not hold it up. He tells of his dangerous adventures serving the Venetian Republic, which suggests that he has been exposed to the cruel, untamed side of the world. He tells of his experiences with cannibals and men with heads beneath their shoulders. These encounters must have had some lasting effect on him. He says to the Venetian gentlemen: ??little of this great world can I speak More than pertains to feats of broil and battle.? I believe that beneath Othello?s exterior lies a true character that is savage and wild, created through his experiences with the world. In The Merchant of Venice, Shakespeare shows discrimination of another minority figure in Venice, this time the Jew, Shylock. However, for Othello, he chooses his protagonist to be a Moor. I don?t think either character is of his race out of coincidence. In Shakespeare?s time, Africa was seen as a wild land, and Othello represents a beast from there, that has had its true nature suppressed by the civilized Venice. With enough provocation, the fa?ade presented in Venice falls away, and the true Othello is shown, crude and uncivilized: ?Damn her, lewd minx! O, damn her, damn her!? Here his background and experiences of savagery have shown their effect. He has dispensed of his polite language and dignity in the transformation, stripped of his outer civilized character, leaving just the animalistic core, venting his raw emotions offensive and unsophisticated language. According to Aristotle, a tragedy should take place in one location at one given time. During the period when Shakespeare wrote Othello, Europe was undergoing a classical revival, and Elizabethan and Jacobean literature were greatly influenced by classic values like those of Aristotle and Euripides. In Othello, Shakespeare uses two entirely different locations, which I think he did purposely, to create a tragedy that doesn?t necessarily adhere to the Aristotle rules that were popular at the time. The play is set when civilized Christian Venice were leaders in the war against uncivilized barbarians such as the Turks. I think the drastic change of location from sophisticated Venice to war-torn Cyprus represents the equally-drastic transformation in Othello?s character. His courteous character seen in Venice has left, and instead a vicious and vengeful person has taken its place in Cyprus. ?Arise, black vengeance, from the hollow hell.? He uses dramatic language as he begins to break down. His vocabulary and speech patterns seem to change gradually in the Cyprus setting. His language in Venice was rich and polite, and it did not contain the same cynical and metaphorical quality seen in extracts three and four. Also supporting this seems to be relevance of witchcraft as a theme. In the distant location of Cyprus the possibility of witchcraft seems much more convincing, as the characters are cut off from the civilization they are used to, and more likely to have irrational thoughts. This point is illustrated in Othello?s position on the matter, and of his views that are distorted by his transformation. When Brabantio accuses Othello of using witchcraft to court Desdemona, he dismisses the idea straight away, as do the Venetian elite. Brabantio is enraged for his daughter?s betrayal, so witchcraft seems very believable to him. However, in Cyprus, Othello himself becomes accustomed to the idea when he thinks Desdemona is betraying him. ??I will withdraw To furnish me with some swift means of death For the fair devil.? He describes Desdemona here as the ?fair devil,? suggesting that she is involved in some kind of witchcraft, and he announces his intent to kill her. This shows a major change in Othello?s character, as he is losing grip, and more capable of irrational thoughts which lead him to evil decisions. ~ I have tried to break some of the stereotypical images of Othello that were in my mind before starting the play: such as Othello as a good, heroic character; that he was a genuine civilized Venetian; that he was honest and assured, and rightly-confident in his decisions. I have tried to view him critically, neither as a good nor a bad character, but merely as Shakespeare?s tool for exploring his themes in a life-like form. Othello is a polite character when conversing with the elite of Venice. He often shows wisdom and composure, but I am inclined to think these qualities have been acquired by him through living with the Venetians, and the savage nature seen in the third and fourth extracts is his Moorish nature coming to the fore. I think Othello shows arrogance in the first and second extracts, which could be another fatal flaw he develops which brings about his downfall. When his arrogance and blind self-sureness is removed by fears of Desdemona?s adultery, he descends into the rage that causes his downfall. I have come to see Othello as quite na?ve by the third and fourth extracts. Although he is a good judge of character concerning the Venetians, this talent fails him when it comes to characters of his own kind, like Iago. He develops a desire for revenge, which would not be anticipated by the reader judging his character in the earlier scenes. He loses control of situations, shown by his erratic and emotional speech, and he becomes very condemning, which is a major change, as in the first two extracts he seems fair and just. Othello changes his stance on witchcraft, and he is shown to become untrusting and unjust towards Desdemona. The transition in his character matches the change in locations. Orderly Venice is changed for tempestuous Cyprus, and Othello?s mind changes from assured and confident to confused and cynical. I have come to see similarities between him and Iago which develop during the play. They both pursue an act of revenge, and both become consumed by hate. I think that, due to the views of Shakespeare?s time, the character?s background as a Moor is significant in his transition. Through the course of writing this essay my picture of Othello has changed dramatically, as I have realized that he is not as simple as he first seems. He is not necessarily good, honest, and well-groomed as shown in the first two extracts (but neither is he evil, emphasized to the audience by the true love he shares with Desdemona). I believe his transformation may not be a drastic change in his personality, but a return to his basic animal nature that is brought out to an extreme by Iago?s exploitations of his ?fatal flaws.?

William Shakespeare

Ask litcharts ai: the answer to your questions, michael cassio.

Duke of Venice

36 pages • 1 hour read

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Iago is a subordinate of Othello’s and a captain in the Venetian defense forces. Othello passes him over for promotion in favor of the well-spoken, handsome Cassio, although Iago believes he is more experienced. Iago is determined to exact his revenge on Othello for this perceived insult, and also suspects that both Othello and Cassio have had sex with his wife Emilia, even though he has no evidence of this. Iago’s pride, jealousy, and misogyny combine into a destructive malice whose ultimate outcome even Iago can’t entirely predict. Throughout the play, he infects the other characters with his own negative traits, inciting them, and himself, to murder. In addition to driving Othello to kill Desdemona and Roderigo to attempt to kill Cassio, Iago himself kills Roderigo, as well as his wife, Emilia. He has a keen sense of other men’s insecurities and motivations, and in his plots, reduces women to prizes to be won, guarded, and discarded.

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Character Analysis of Shakespeare's Othello

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Above all else, this Othello character analysis reveals that Shakespeare's Othello has gravitas.

A celebrated soldier and trusted leader whose race both defines him “The Moor” and defies his lofty position; it would be rare for a man of race to have such a highly respected position in Venetian society.

Othello and Race

Many of Othello's insecurities are derived from his race and from the perception that he is lowlier than his wife. “Haply for I am Black, And have not those soft parts of conversation That chamberers have…” (Othello, Act 3 Scene 3, Line 267)

Iago and Roderigo describe Othello at the start of the play, without even naming him, using his racial difference to identify him, referring to him as “the Moor”, “an old black ram”. He is even referred to as “the thick lips”. It is generally the morally dubious characters who use his race as a reason to disparage him. The Duke only speaks of him in terms of his achievements and his valor; “Valiant Othello…” ( Act 1 Scene 3 Line 47 )

Unfortunately, Othello’s insecurity gets the better of him and he is moved to kill his wife in a fit of jealousy.

One could argue that Othello is easily manipulated but as an honest man himself, he has no reason to doubt Iago. “The Moor is of a free and open nature, That thinks men honest that but seem to be so,” (Iago, Act 1 Scene 3, Line 391). Having said that, he more readily believes Iago than his own wife but again this is probably because of his own insecurities. “By the world, I think my wife be honest and think she is not. I think that thou art just, and think thou art not.” (Act 3 Scene 3, Line 388-390)

Othello’s Integrity

One of Othello’s admirable qualities is that he believes that men should be transparent and honest as he is; “Certain, men should be what they seem” (Act 3 Scene 3 Line 134). This juxtaposition between Othello’s transparency and Iago’s duality identifies him as a sympathetic character despite his actions. Othello is manipulated by the truly evil and duplicitous Iago who has so few redeeming qualities.

Pride is also one of Othello’s weaknesses; for him, his wife’s alleged affair confounds his belief that he is a lesser man, that he cannot live up to her expectations and her position in society; her need for a conventional White man is a critical blow to his achieved position. “For naught, I did in hate, but all in honour” ( Act 5 Scene 2 , Line 301).

Othello is clearly very much in love with Desdemona and in killing her he denies himself his own happiness; which heightens the tragedy. Iago’s true Machiavellian victory is that he orchestrates Othello having to take responsibility for his own downfall.

Othello and Iago

Iago’s hatred of Othello is profound; he does not employ him as his lieutenant and there is a suggestion that he bedded Emilia previous to his relationship with Desdemona. The relationship between Othello and Emilia is never corroborated but Emilia has a very negative opinion of Othello, possibly based on dealings with her own husband?

Emilia says to Desdemona of Othello “I would you had never seen him” (Act 5 Scene 1, Line 17) presumably this is out of love and loyalty to her friend as opposed to a lingering affection for him.

Othello would be very attractive to someone in Emilia’s position; he is very demonstrative in his love for Desdemona but sadly this turns sour and his character becomes more recognizable to Emilia as a result.

Othello is brave and celebrated which could also account for Iago’s intense hatred of him. Jealousy defines Othello and also the characters associated with his downfall.

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Read our detailed notes on the play Othello by William Shakespeare. Our notes cover Othello summary, themes, characters, and a detailed analysis.

Introduction

Othello, also titled The Tragedy of Othello, The Moor of Venice, is a tragic play written by William Shakespeare in 1603 (as accepted by most scholars). The play was first staged on November 1st, 1604 and 1st published in 1622 by Thomas Walkley. The idea of comes from Italian writer’s play The Moorish Captain, published in 1565. Shakespeare molded the play and fit it according to his own age and place.

The time and place of the setting of play is the 16th century during the war between Venice and Turkey and set in Venice, respectively. Othello is the protagonist of the play who marries to Desdemona despite the difference between their ages. Iago, the antagonist of the play, interrupted the play by convincing Othello that Desdemona is unfaithful. The main themes of the play include love, an inconsistency of the military heroism, and fear of isolation. The symbols of the play are the handkerchief, and the song “willow”.

Othello by William Shakespeare Summary

The play opens on the street of Venice, in the mid of conversation between Roderigo, a wealthy man, and Iago, the antagonist. Earlier Roderigo has been remunerating Iago to help in marrying Desdemona, however, now they have learned that Desdemona has just got married to Othello, a general whom Iago served. Iago claims that he hates Othello as he, in favor of soldier Cassio, has promoted to the rank of lieutenant and passed over Iago.

Iago and Roderigo go to inform Brabanzio that his daughter Desdemona has been kidnapped and married to Othello, the Moor. Brabanzio gathers some officers in search of Othello. Iago plays a double game and goes to Othello before Brabanzio finds him out, not wanting that his hatred for Othello reveals to him.

Meanwhile, Cassio comes to Othello in an emergency with a message from the duke that his (Othello’s) helps is needed in a matter of Turkish invasion. Soon Brabanzio, along with Roderigo and some other officer, arrives at Othello’s place to accuse him of stealing his daughter via witchcraft. There they find out that Othello is gone to have a meeting with the duke so Brabanzio decides to accuse Othello in front of the duke and accumulated senate.

The plan of Brabanzio backfires. The Senate and the duke are on the side of Othello and shows sympathy toward him. Othello is given a chance to defend himself. He explains that he doesn’t marry Desdemona through witchcraft but impressed her through his stories of travels and adventures in wars. The duke seems to be convincing with Othello’s explanation.

Moreover, Desdemona herself enters and defends her choice and her husband. Disappointed Brabanzio acquiesces and lets the meeting to resume. The duke, in the meeting, expresses that Othello must go to aid the protection against the Turks. Desdemona insisted to accompany her husband on the war.

The following day, in Cyprus, the news arrives that the Turkish Fleet has been worn-out at sea. In the meanwhile, three of the ships from Venice arrived safely and didn’t suffer the same fate. Cassio, Iago, Iago’s wife (Emilia) Roderigo, Desdemona, and Othello all landed safely at Cyprus.

Othello was in the last ship and arrives late from his wife, Desdemona. When he arrives, he meets his wife and announces they will celebrating their triumph over Turks this evening.

After the announcement, everyone leaves for their rooms, but Roderigo stays and complains to Iago that he will not be able to break up Othello’s marriage. Iago guarantees him that soon Desdemona will get bored of Othello as he is ugly and will find someone else for sexual satisfaction.

Moreover, he warns Roderigo of that “someone” and claims him to be Cassio. Iago, at the same time, directs Roderigo to have a fight with Cassio at the celebration by disgracing him. To ruin Othello, the 1st step should be to eliminate Cassio from Othello’s life, says Iago in isolation.

At the evening celebration, Roderigo does what he was directed to do. The drunk Cassio starts chasing Roderigo across the stage. When Governor Montano attempts to calm Cassio, Cassio bashes at him. Roderigo is sent by Iago to raise alarm in the town.

Rodrigo rings the alarm due to which Othello arrives in an emergency to investigate the matter (Othello had left the party earlier in order to celebrate her marriage life with his wife, Desdemona). When Othello inquires about the matter, Iago pretends as if he doesn’t want to involve Cassio, however, conveys the matter indirectly.

Consequently, Othello asks Cassio to surrender his rank of lieutenant. Extremely dishearten by this treatment, Cassio laments before Iago that his reputation has been ruined forever. Iago cunningly convinces Cassio that if he wants to restore his position before Othello, he must use the favor of Desdemona as an intermediary person. Iago plans that he will frame Desdemona and Cassio as lovers to Othello to make him jealous and his target, simultaneously will be achieved.

For reconciliation with Othello, Othello arranges some instrumentalists to play underneath Othello’s window. Irritated with this, Othello asks his clown to go and send the instrumentalists away. Cassio asks Othello’s clown to send Emilia to him in order to arrange a meeting with Desdemona.

When the clown departs, Iago again fills in Cassio’s mind that he should meet Desdemona in complete isolation. For this Iago will help him to get Othello out of the way. Iago makes Othello and another gentleman to inspect the town’s fortification.

Desdemona seems to be quite sympathetic to Cassio when he tells her the whole story. Desdemona assures him that she will help him so that Othello forgives him and return him his former rank of Lieutenant. When Cassio was leaving Desdemona’s room, Iago and Othello reaches there and watch him leave. On Othello’s confirmation that whether he was Cassio or not, Iago starts igniting a fire of jealousy in Othello.

Due to this, Othello turns out to be upset and moody. Iago, to achieve his goal, suggests to Othello that Cassio and Desdemona might have some affair. On the other hand, Desdemona’s favor toward Cassio adds to Othello’s conviction that Desdemona is unfaithful to him.

Soon after a conservation between Othello and Iago, Desdemona comes to call Othello for a dinner where she finds that Othello is feeling unwell. She offers her handkerchief that he find too small and eventfully it fells down. This handkerchief is picked by Emilia remembering that Iago always wanted her to steal it from Desdemona.

Emilia gives the handkerchief to Iago that makes him overjoyed. Iago places the handkerchief in Cassio’s room as proof of Desdemona’s affair with Cassio. On Othello’s demand for evidence for the unfaithfulness of his wife, Iago tells him that he sees Cassio wiping his beard with the handkerchief that he gave Desdemona as a gift. On that point, Othello vows to avenge Desdemona and Cassio, while Iago vows to help him in this regard.

Later that evening, Othello demands from Desdemona to return him the handkerchief he gifted her, Desdemona says that she doesn’t have it and changes the topic. This makes Othello super angry and burst out. Later, Cassio comes across the handkerchief in his chamber and wonders about it. He gives that handkerchief to Bianca, a prostitute to copy its embroidery for him.

Too much consumed by jealousy, Othello falls into abstraction and has fits of epilepsy. Othello writes something on the ground, meanwhile, Cassio enters but Iago tells him to return a few minutes back. Here Iago plays another game. He, on the one side, tells Othello, as he recovers, that he is going to arrange a meeting with Cassio where he will confess his affair with Desdemona while on the other side he asks Cassio to say something about Bianca.

This creates a misunderstanding once more and Othello’s suspicions were confirmed. The scene catches fire when Bianca herself enters with the handkerchief chiding Cassio for making her a copy of it for him and he received it as a token of love given by some other woman. Desdemona also enters and gives Othello a letter from Venice. Othello is called back to home and instructed to appoint Cassio in place of him. This makes Othello super angry and strikes Desdemona.

Desdemona and Othello have fought and Othello accuses her of being a whore. Desdemona protested that was accompanied by Emilia but he ignores her and asks her to wait for her in the bedchamber tonight. Desdemona waits for him while sends Emilia away. Meanwhile, Iago convinces Roderigo that if he wants Desdemona he should kill Cassio.

Roderigo was instructed by Iago to kill Cassio, However, in an attempt to kill Cassio, Roderigo gets wounded by Cassio. Watching the scene and taking advantage of the moment, Iago attacks Cassio but fails to kill him rather wounds him. Othello, by hearing Cassio’s cry, assumes that he has been murdered by Iago as he had promised him to do so. Shortly after they discover that Roderigo has been killed. The clown takes Cassio to dress his wounds.

Meanwhile, in the bedchamber, Othello prepares himself to kill his sleeping wife. Desdemona wakes up and begged Othello. She confirms him her innocence but Othello oppresses her. Emilia enters with the news of Rodrigo’s death and Othello asks her if Cassio is dead or not that Emilia negates.

Soon Othello wounds Desdemona, she cries out claiming that she has committed a suicide. Emilia returns hearing the cries and asks Othello that what happened. He tells her that he has killed Desdemona for her faithfulness that was brought into attention by Iago.

Everyone else comes to the bedchamber. Emilia realizes immediately that what has been done by Iago and speaks up. Iago tries to silence Emilia. Othello, at first sided Iago and refers the handkerchief as a proof.

However, this confusion soon dispatches when Emilia tells him that she found the handkerchief and gave it to Iago. The crushed Othello attempts to kill Iago but he soon flees away after killing Emilia. He is immediately caught by the clowns. Othello tries to kill Iago but is disarmed. Othello makes a speech and kills himself. The ended with Lodovico’s speech who announces to hand over Othello’s house to Graziano and orders the execution of Iago.

Themes in Othello

Love and the discordancy of military heroism.

As Othello was a soldier, we see throughout the play that his married life is much affected. Just as he gets married, he is sent to Cyprus. In Cyprus when he tries to enjoy his marriage, an emergency alarm is rung in the whole town, though the matter was not that serious. We see that he asks for “fit disposition” for his wife.

While, on the other hand, we see Desdemona be very compromising a d compassionate wife. She only accompanies Othello to Cyprus but supports her and seems to be calm and untroubled with his husband’s going war. She doesn’t mind when she is awakened by the emergency alarm, however, was more curious than furious. Desdemona supports Othello in every situation and never let him feel down regarding any matter. She may also be called as Othello’s “rational warrior” and he, too, feels happy when she is around during everything.

Othello’s marriage to Desdemona provides Othello a certificate to enter to a Venetian society, previously, this society, in the play, seems to be fearful of Othello’s social status in white society; however, his marriage earn him a respect in Venetian’s society as a soldier.

Othello, consider that his success in love is just because he is a successful soldier, as he wins Desdemona’s heart by telling him the stories of wars, military travels, etc.

Moreover, Othello goes to Cyprus to fight against Turks, however, they are drowned by the natural disaster and Othello doesn’t get a chance to show his battle skills to Desdemona.

In Cyprus, they have nothing left to do. The last time we find him doing a military action is when he views fortification and that too was an extremely short scene in Act Ⅲ. Othello starts feeling uneasy in his private setting for not getting a chance to prove his manhood in public or in court.

Moreover, Iago takes advantage of the situation by calling his “epilepsy fit” the passion most unsuitable for such a brave soldier. Moreover, Iago also backbites Cassio and mentions him to Othello that Cassio has a very low opinion of him and think him as an enfeebling dream.

Othello confuses his identities (being soldier and lover) while desperately adhering to his former identity i.e. of a soldier.  The manifestation of his possessiveness rapidly transfers from the conformist i.e. “Farewell the peaceful mind” to the bizarre. One can easily guess that Othello is leaving bad habit and is completely occupied with his identity as a soldier.

However, his attitude to discerning is rather warranted by its seductiveness to the spectators as well. The audience and the Critics both seem to find comfort and nobility in the final speech of Othello plus the anecdote he tells but still, he depends upon his identity as a soldier to deliver that speech not a lover and attempts to make the audience forget about his disastrous marital life.

The Danger of Isolation

In the play Othello, the action shifts to Cyprus from the city of Venice. The city of Cyprus faces little some external dander that is why it is highly protected by military defenses and natural forces as well. the army of Turks is destroyed by the natural disaster and once Othello, Desdemona, Iago, Roderigo, Cassio, and Emilia, the main characters of the play, reach Cyprus, they have nothing else to do but to spy and make prey on one another.

Throughout the play, isolation among characters imparts special effect, for instance. The soliloquies of Iago provide us knowledge of what he is going to do; the standing apart of Othello while the conversation between Iago and Cassio is going on. Everyone leaves the stage while Othello is alone with dead bodies of Emilia and Desdemona for some time.

More importantly, Othello is considered a man from another nation and is subject to isolation because of his physical appearance and the color of his skin. Iago manipulates the distance among character to achieve his cunning plans.

The characters in the play cannot be isolated, however, the play delivers a lesson that to isolate oneself in order to preserve oneself causes an ultimate self-destruction. In the play, such isolation causes the disastrous deaths of the main Character: Iago, Othello, Roderigo, and even Emilia falls in this category.

Othello Characters Analysis

He is the protagonist and the hero of the play. Othello, a Moor, and an army general at the city of Venice, has an expressive personality and powerful stature. He is respected by everyone around him. Despite his high status, he never gets rid of his insecurities due to his age, race, and life as a soldier. He is master of “free and open” nature that has been used by Iago to screw his love for his life partner, Desdemona, and changes it to prevailing and disparaging distrust.

She is the daughter of the senator of Venetian society, Brabanzio. When the plays open, we come to know that Othello and Desdemona are married secretly. However, in many ways, we see that Desdemona is stereotypical, pure and humble. Desdemona is very strong-minded and confident. She defends her marriage by jesting bawdily towards Iago and responds to Othello’s jealousy with dignity.

He is Othello’s ensign (an ancient job), and the antagonist of the play. He is about Twenty-eight years old. He deliberately hates Othello just because he has been promoted to the rank of lieutenant. Iago’s seeks revenge from the Othello by making him against his dear ones. His motivations, throughout the play, are never expressed clearly as if they originate in obsessive and he seems to find aesthetic joy in destruction and manipulation people.

A young and inexperienced soldier and Othello’s Lieutenant, whose higher status position is begrudged by Iago. He is truly faithful to Othello and is extremely ashamed of being caught up in the brawl and consequently loses his position as lieutenant. His youth, good looks, and friendship with Desdemona are being used by Iago to make Othello jealous of him and play on Othello’s insecurities.

She is Iago’s wife and attendant to Desdemona. She is a pessimistic and worldly woman, deeply attached to Desdemona and suspicious of her husband.

He is a jealous person and wants to marry Desdemona. He is a young, foolish and rich person who is assured that if he offers some money to Iago, he will help him to marry Desdemona. He gets frustrated when he knows about Desdemona’s marriage with Othello and then Othello takes her to Cyprus. Desperate enough to get Desdemona, he agrees to help Iago to kill Cassio.

She is a prostitute in Cyprus who is much more interested in Cassio, his regular customer. Cassio makes her believe that he will marry her.

He is Desdemona’s father. He is senator of Venetian society who is somewhat loudmouthed and arrogant person. Othello was also his friend who marries his daughter.

Duke Of Venice

He is the only official authority in the city of Venice. He has the great respect for Othello for being a soldier and military servant. In this play, his role is limited to the reconciliation of Othello and Brabanzio in act 1 and then direct Othello to Cyprus.

He was the governor of Cyprus before Othello was appointed. He appears in Act 2 when he verifies the status of the war and waits for Venetians to come.

He is a kinsman of Brabanzio and acts as a messenger from Venice to Cyprus. He appears in Act 4 with a letter for Othello to return to Venice while placing Cassio in his place as the governor of Cyprus.

He, too, is a kinsman who escorts Lodovico to Cyprus. In the middle of the final he reveals a news that Desdemona’s father, Brabanzio has died.

He is Othello’s servant. He only appears in two scenes i.e. Act 3 scene 4 and Act 4 scene 1. His arrivals echo and twist the action and confrontations of the main plots. For instance, his jests on the word “lie” and forestall Othello’s muddle of two connotations of that word.

Othello Literary Analysis

The play  Othello  is a story of a soldier who is an honorable and principled army general who encountered much military success, but due to errors in judgment and status as an outsider in the Venetian society, destroys his most cherished relationship and himself. The play opens in the grandeur style of military romance reciting on the Mediterranean Sea.

Conversely, the drama ends with a suffocating end in a bedchamber where the protagonist, Othello, kills himself after murdering his innocent wife. The play transfers from huge facades that deliver a background for Othello’s valor to central spaces that offer, both factually and metaphorically, no possibility to breathe.

The contracting trajectory of the play suggests that deleterious sentiments like distrust put a sensitive choke hold on an individual, throttling their capability to think undoubtedly and therefore averting them from performing rationally. The play distinctions the grounds in which Othello is self-assured and influential, such as the external world of an encounter, with the internal spaces in which he is less confident and able to be effortlessly operated.

The tenor of the play  Othello  mainly mirrors Iago’s view of the world that is considered as pessimism and misgiving. Iago couriers his pessimism often, and predominantly in opening acts of the play. When Roderigo comes to know about Desdemona’s marriage with Othello, he feels so shameful and calls it his virtue, however, Iago condemns him that virtue is a fig and reject the idea that person’s character is set in stone. Iago’s pessimistic attitude of life averts him from feeling regret or sorrowful for his deeds.

According to Iago, he just workouts his willpower on others and cannot be seized responsible if those others are deficient of their inborn disbelief and doubt. To Iago, Othello’s unexperienced confidence in a “truthful Iago” is the real trick, not Iago’s deceitfulness.

The pessimism of Iago sets the platform for the suspicious tone in the second half of the play. When Othello progressively drops in Iago’s influence, just like Iago, he too instigates to speak wary remarks that boom Iago’s skeptical worldview. Othello, not only starts referring to the falseness and unfaithfulness of women but also calls Desdemona a “whore” on her face. His growing uncertainty echoes an all-consuming obsession that strengthens the fervors of distrust.

As he develops progressively paranoid, he inclines into a close to schizophrenic misperception. In an instant of no reason, he suggests that nature would devote herself is such a surveillance passion without some directions. Othello claims that he would not feel so intensely bothered if nothing had actually occurred amid Cassio and Desdemona. Consequently, since he does feel troubled, the custody of infidelity must be well started. Othello who usually is so rational, eloquent, and self-possessed, here employs a disordered reason that platforms the tone of fear that surpasses the play.

More From William Shakespeare

• A Midsummer Night’s Dream
• The Merchant of Venice
• Twelfth Night
• The Taming of the Shrew
• As You Like It
• Much Ado About Nothing
• The Comedy of Errors

92 Exceptional Topics for Othello Essay

Shakespeare’s Othello is an extraordinary play that incorporates a huge variety of themes and symbols. You can find examples of allusions and imagery that are intriguing to analyze.That’s why our team prepared this list! Check our topics and choose one to write an outstanding Othello essay.

We suggest you the following ideas:

• Elaborate on religious symbolism. What hell & heaven imagery is present in “Othello”? Explain how Desdemona can be compared to the Virgin Mary; how both Othello and Iago are associated with the Devil. Describe Othello’s “fall from grace.”
• Explore the deception and bending the reality . Who doesn’t lie in the play and why? Who does? Comment on various types of deception that are apparent in “Othello”: from lying out of love to manipulating through trickery.
• Talk about Othello’s weaknesses . What character traits or views do you consider crucial for the plot? How does Iago use Othello’s weaknesses against him? Mention how Othello’s feelings and mood change throughout the play due to his flaws.
• Comment on Iago’s manipulations . Who does Iago control? How and why does he create his web of lies? Add how Iago views himself as a director of his play. Who is hurt due to his lies and actions?
• Examine Emilia’s lines in Act 4, Scene 3. What does she say about marriage and infidelity? Why is her speech about womanhood considered a feminist one? Elaborate on whether such thoughts were common for Shakespeare’s period and why the author decided to include them in the play.
• Compare Desdemona and Bianca. How are the women often contrasted in the play? How does the critical contrast, Desdemona’s virtue vs. Bianca’s sexual freedom, affect men’s attitude towards the respective women? Explore how both characters are more complex than the characteristics above.
• Analyze the topic of redemption in “Othello.” Who found redemption by the end of the play? For whom is it unattainable? Explain the journey of a tragic hero in terms of his downfall and the necessity of redemption.
• Elaborate on Iago’s motivation. Why does he start his play within “Othello”? What motivates him to control, hurt, and even murder other characters? Explain why there are many possible reasons as Iago may hide the whole truth even from the audience.
• Discuss heroism in “Othello.” Whose actions may be considered heroic? Who sincerely tries to act like a hero? Speculate on whether Iago may desire to be viewed as a heroic figure. Does Othello show heroism?
• Talk about Cassio’s character. What do we know about his flaws and strength? Mention his problem with alcohol and attitude towards Bianca. How does the end of the play change his character? Add how this change may be the reason for his happy ending and success.
• Explore the villain of the play. Who can be considered the main antagonist? Comment on a few characters in the play who act as villains, including the main one, Othello.
• Analyze the conflict of passion and love in “Othello.” What does Othello feel towards Desdemona? Which of the emotions prevails? Explain why his actions and words are easy to interpret as passion, while his suicide may prove that he was in love with Desdemona.
• Comment on the central conflict. When does it arise in the plot? Why did Shakespeare introduce the conflict later in the play? Explain how every event from this moment leads to a catastrophe. How is it both natural and staged by the villain?
• Examine the irony in “Othello.” What type of irony is present in the play? For what purposes does Shakespeare use it? Mention how humor adds more value to the characterization and the play’s tone.
• Consider the tone of the play What atmosphere is introduced in Act 1, and how does it change in Act 2? Mention how the stormy weather corresponds to this shift. Comment on the drastic changes in the tone that are apparent by the end of the play.
• Compare “Othello’s” Desdemona to “Hamlet’s” Ophelia. How do these female characters affect the plot of the respective plays? What influence do they and their fates have on the main Othello and Hamlet? Consider both of their tragic stories and their relationships with the main characters.
• Analyze the character of Desdemona. What are her essential qualities? How do men in the play treat her? Explore her disobedience to her father, banter with Iago, and death. Dive into her relationships with Othello and Emilia. How do Desdemona’s character traits and actions make her a perfect woman of the time?
• Discuss gender roles during the Elizabethan period How are male and female roles presented in “Othello”? How does Shakespeare comment on his time? Express what Elizabethan society expected from women and what sins were considered unacceptable.
• Comment on “Othello” as an Aristotelian Tragedy. What is a tragedy, according to this Greek philosopher? Explain how the play satisfies all the qualifications for tragedy as defined by Aristotle.
• Talk about Othello’s gullibility. What makes Othello so naive? Do his straightforwardness and gullibility make him more or less realistic and relatable? You can compare him to such characters as Hamlet, who lack naivety yet suffer through similar tragic events as Othello.
• Elaborate on Desdemona’s and Othello’s relationship. How does it change throughout the play? Explain how Othello’s capability of creating a healthy and loving relationship that we see at the beginning of “Othello” goes against prejudice.
• Explore the theme of racism in “Othello.” What characters have prejudice about Othello due to his race? Express how Othello’s speech and actions during the significant part of the play run contrary to the unreasonable expectations of his enemies.
• Consider Othello’s suicide. What leads Othello to it? Why may an audience respect it and view it as a redemption for a fallen hero? Does suicide strengthen Othello’s heroism? Elaborate on this action in terms of Othello as a tragic hero.
• Compare and contrast “Othello” and “The Blind Owl.” What is the role of women and love in these literary works? Compare the main characters of “Othello” and “The Blind Owl,” comment on the murder and suicide.
• Examine Emilia’s short interaction with Bianca in Act 4. Why is Emilia so harsh towards Bianca and disapproves of everything she says? Does she protect her husband’s deeds, or is she simply biased about Bianca? Comment on misogynistic behavior even among women during the period when the play was written.
• Analyze various symbols from the play. Speculate on the meaning of such objects as wedding sheets from Act 4 Scene 3. What is the significance of a candle from Act 5 Scene 2? Provide a short analysis of each one with examples from the text.
• Elaborate on Brabantio’s character. What’s his attitude towards Othello before he learns about his marriage to Desdemona? Why is he so opposed to this marriage anyway? Comment on Brabantio’s hurt honor and later death.
• Talk about Desdemona’s devotion to her husband . Where does it come from? Do her loyalty and devotion prevent her from understanding Othello’s anger towards her? Speculate why they can’t reach each other at the end of the play and solve their problems by discussing them.
• Consider Iago’s control over Roderigo. How does Iago manipulate Roderigo? Why does Roderigo trust him and obeys up to giving Iago his jewelry? Mention how Roderigo tried to escape the control once, but Iago didn’t let it happen.
• Compare Othello’s and Desdemona’s relationship with that of Iago and Emilia. Which relationship was first to be struck by jealousy? Elaborate on Iago’s control and lack of interest towards Emilia instead of Othello’s devotion to Desdemona. Has Iago ever experienced the same level of jealousy (in his love life) as Othello?
• Discuss the significance of race in the play . Was racism a standard way of thinking when “Othello” was written? Explain how the play reflects the Elizabethan era, its racial prejudice, and its cultural context.
• Comment on Desdemona’s and Emilia’s friendship. Are they close? What do they discuss, particularly in Act 4, Scene 3? Express how Emilia proved her devotion to her mistress in Act 5 Scene 2. Why did Emilia lie to Desdemona about the handkerchief a few scenes before?
• Analyze Iago’s hatred . Who doesn’t Iago hate? Where do his hatred and anger come from? Speculate on his nature and hidden reasons for his negative emotions. Mention the language that he uses and what’s unique about it.
• Talk about Roderigo’s character. What’s his goal? Why does he trust Iago and follow his demand? Elaborate on the moment when he tries to escape Iago’s control and fails. What’s his role in the play?
• Explore animal imagery in “Othello.” Why is Othello constantly compared to animals throughout the play? Provide quotes where Iago calls him “Barbary horse” and so on and explain what it means concerning racism and prejudice.
• Compare two plays: “Othello” and “Oedipus.” What are these tragedies based on? How do “Othello” and “Oedipus” end? Explain the reasons for the downfall of the hero that happens in both plays. What characters tried to prevent such a tragic end?
• Examine Othello’s pride and honor. How are these aspects tied to his race and reputation? Mention how his uselessness during the war could’ve affected his pride and make Othello more susceptible to Iago’s manipulation. How does a thought of Desdemona’s infidelity hurt Othello’s pride?
• Compare Othello’s and Bianca’s jealous behavior. Who takes the possibility of their lover’s infidelity better? Summarize their reasons for jealousy and their actions after gaining such a suspicion. Why is it intriguing that Bianca trusts her love interest more than Othello does?
• Consider Othello as the outsider . When do we find out that he doesn’t belong to the community? Mention how it’s uncommon for tragic heroes to be an outcast from the start of the play. How does Iago use it against Othello? How does his status as an outsider contribute to his downfall?
• Discuss Iago’s misogyny. What does he say about women? How does he treat women in the play, particularly his wife? Analyze his banter with Desdemona in Act 2, Scene 1, and his point of view.
• Talk about Desdemona’s independence from her father. Why does Desdemona decide to disobey Brabantio’s will and elope with Othello? Was it common for the time? Explain how Desdemona both showed her independence and immediately became obedient to another man.
• Compare the treatment of women in “Othello” and “Oedipus.” How did Shakespeare and Sophocles describe women in their plays? What role do these characters play in the stories? Analyze how men treat and talk about women in the plays. How does it reflect the period when “Othello” and “Oedipus” were written?
• Elaborate on Emilia’s assistance to Iago. Why does she help him in obtaining Desdemona’s handkerchief? Did she know anything about Iago’s plan? Express how Emilia tried to gain her husband’s approval covering his deeds. Why does she betray him in Act 5 Scene 2?
• Compare two movie adaptations of the play. Find two films based on “Othello” and analyze the alternations from the play in each of them. Which movie is more accurate to the source material? Which one do you prefer?
• Comment on Iago’s control over Othello. Why does Othello believe him more than Desdemona or any other character in the play? Did Iago do anything to gain this trust? Explain how Iago uses language to make Othello blind to his manipulations.
• Explore the theme of jealousy Who suffers from jealousy in the play? Elaborate on various types of jealousy presented in “Othello” (professional and personal) and how characters deal with this emotion.
• Analyze Othello’s changes throughout the play. What traits and behavior does he obtain and why? Does he become more himself by the end of the play than he was before, or it’s the opposite? Add a few examples of more animalistic behavior that Othello showed. Why did its features escalate and then disappear during Act 5 Scene 2?
• Discuss Iago’s plan. When does Iago come up with an idea? Who helps him? Add a couple of sentences about Iago’s motivation and his enjoyment that comes from manipulating people around him.
• Compare and contrast Othello and Oedipus Rex . What character traits do they have in common? What features of their respective journeys do they share? Elaborate on each person and their stories, analyzing the challenges that they face.
• Examine “Othello” in Shakespearean Theater. How did theatres look like when “Othello” was written? Could actors propose ideas and changes during the repetitions of a play? Express how “Othello” was initially performed and what these early performances looked like. When was it published?
• Explore the relationship between Othello and Cassio. Was their friendship strong before Iago’s web of lies? Why was it easy for Othello to believe that Cassio had an affair with Desdemona? Explain how their relationship changed throughout the play.
• Talk about murders in “Othello.” Why did Othello and Iago kill their respective wives? Why did Iago decide to kill Roderigo? Speculate on what causes murders in the play and how it’s connected to the themes of the play. Why did Cassio, whose death was planned by Iago early in “Othello,” survived?
• Analyze Tim Nelson’s 2001 movie “O.” How did the director adapt the play? How did the change of the setting affect “Othello”? Explain why this play is cinematically adaptable. How did Tim Nelson change the characters?
• Comment on the language of the play. What does the way Othello speaks say about him? How is the power of words highlighted in the play? Explain how Iago uses ambiguous and deceptive language to manipulate other characters.
• Examine Othello’s misogyny. What words and actions indicate that sexism has an impact on Othello’s worldview? How does he treat women around him? Mention how quickly he believes that Desdemona cheats on him, even though he doesn’t see any “ocular proof.”
• Elaborate on the way Iago changed by the end of the play. What causes changes in his behavior? Does he become eviler and more himself? Explain how he started from verbal manipulation and ended with murdering two people. Why did he get caught?
• Talk about possible interpretations of “Othello.” How may a person analyze Shakespeare’s works? How have interpretations of “Othello” changed over the years? Comment on the power of historical context.
• Explore the meaning behind the handkerchief. What’s its role in the play? What does this object symbolize? Express how it has a different meaning for every character: Desdemona considers it a symbol of love, while Othello starts to see it as a symbol of betrayal. Add how the handkerchief’s meaning changes.
• Express how “Othello” is experienced by a reader . Given that this is a play primarily performed on stage rather than written analyze it as a text. Are stage directions clear? What’s the focus of each scene? What catches your attention?
• Compare an Elizabethan audience’s reaction to “Othello” with today’s reception. How was the play perceived during Shakespeare’s time? Why do critics find more and more flaws in “Othello” over the years? Mention the role of historical context and how Shakespeare used classical references to entertain his audience.
• Analyze Othello’s character traits. What are his essential qualities? What traits are obtained (or revealed) due to Iago’s manipulations?
• Speculate on the moral of the story . What did Shakespeare want to say? Was it a lesson about jealousy and trust? Or did he try to show how a person can ruin a perfect life via his actions? Analyze all the possible explanations about the moral of the play. What’s Shakespeare’s comment on deception?
• Examine Iago’s jealousy. What’s Iago jealous about? Who is he jealous of? List and analyze all his professional and personal reasons to be jealous of Othello and Cassio. Does he explain them to the audience?
• Shakespeare’s influence on the Renaissance period . How does “Othello” represent this period? What common motifs for the Renaissance did Shakespeare develop in the play? Comment on the author’s contributions to the time via “Othello.”
• Discuss Giuseppe Verdi’s opera “Othello.” What changes did Verdi make in his opera? Why did he exclude Act 1 of the play? Add data about first performances and Verdi’s demands concerning the leading singers.
• Elaborate on the Willow song. Where does it appear? Why does Desdemona recall it? Speculate period what this song may symbolize and mention circumstances that forced Emilia to recite it in Act 5 Scene 2.
• Compare the play with its movie adaptation. How did the director of the film modify “Othello”? Is this play cinematically adaptable? Elaborate on changes in the movie and the director’s goal (whether it was adapting the story to fit another period or making it more accurate and close to the text).
• Explore the setting of “Othello.” Where do the events take place? How did the historical context affect the choice of scenery? Mention the details that highlight differences between Cyprus and Venice. What influence does the change of location have on the characters?
• Talk about Othello’s leadership skills . Do we see them in the play? How did these skills help Othello in gaining his reputation? Elaborate on Othello as a leader according to Machiavelli’s ideas.
• Comment on the theme of family. Who keeps in contact with their family in “Othello”? Who has a strong emotional connection to their roots? Elaborate on the relationship between Desdemona and her father.
• Consider Shakespeare’s impact on theatre . Was the social influence theme unusual for the theatre of his time period? What was new about the play for this era? Explain what themes and contemporary tone theatre borrowed from “Othello.”
• Examine Othello’s soliloquy in Act 5 Scene 2. What does it explain to the audience about his character? Does it count as a part of his redemption? Comment on the lines that convey Othello’s intelligence and racism. Can it be considered a suicide note?
• Compare Othello and Leontes from “The Winter’s Tale.” What traits do the characters have in common? What similar issues and conflicts do they face? Elaborate on the different ways that characters chose to solve their problems.
• Talk about Emilia. What role does she play in “Othello”? Does she change throughout the play? Explain why she helps her husband during the significant part of the play but then betrays him, revealing his plan to the characters around. Analyze the moments when she decides to keep silent or talk during the events of the play.
• Compare Othello’s jealousy to Iago’s one. What are the key differences? What is the foundation for their jealousy? Analyze the roots of the jealous behavior of Othello and Iago. How do they deal with this feeling?
• Elaborate on the point of view. What’s intriguing in watching or reading the play from Iago’s point of view? Why does Iago talk to an audience? Explain how the villain makes the listeners or readers his accomplices.
• Comment on Othello’s emotions . Analyze his feelings throughout the play. Explain how he’s eager to follow his emotions and base his decisions on them. How does it affect his journey?
• Explore the banter in Act 2, Scene 1. What do Iago and Desdemona argue about? Is it a serious discussion? Comment on each point of view and how Desdemona doesn’t take Iago’s words seriously.
• Examine the theme of betrayal. Why is loyalty presented as both a curse and virtue? Who uses it to their advantage, and who suffers from it? Express how Iago uses the fear of betrayal against Othello. How does the handkerchief start to symbolize betrayal to Othello?
• Analyze violence in “Othello.” Who acts violently in the play? How do characters fight and commit murder? Elaborate on Othello’s and Iago’s cruelty that they demonstrate in Act 5.
• Consider one of Iago’s monologues. Elaborate on the purpose of him explaining his plans and motivation. Does he tell only the truth or hide something even from the audience? Are there moments when he gains sympathy from the listeners?
• Discuss Iago’s moral grounds . Does he have any? Or is he inherently evil? Analyze his evil actions and schemes, providing examples from the play. Does he have a line that he can’t cross?
• Elaborate on the appearance vs. reality theme. How does Iago hide the reality of things from almost every character? Who is too straightforward and naive to suspect Iago? Mention how characters are blind to Iago’s lies up to the last scene of the play, when Emilia understands everything and reveals Iago’s plan.
• Talk about Desdemona’s death. How did she die? Did she suspect that Othello may want to murder her? Analyze Desdemona’s last attempt to protect her husband, claiming that he’s innocent, and she committed suicide. Does it make her a perfect wife for that time?
• Speculate on Othello’s transformation from a hero to a villain . What unique features does his journey demonstrate? What does Othello’s path have in common with Macbeth’s one? Elaborate on the role of fear and hope in Othello’s story. Did he redeem himself in the end?
• Comment on the passage of time. How many days does the play take? Why are there inconsistencies? Examine various theories about the duration of action and scenes where time could’ve elapsed.
• Explore Cassio’s misogyny. How does he treat his girlfriend to her face and behind her back? Analyze his dialogue with Iago in Act 4, where they talk about Bianca. Why does he act more attentive around Desdemona?
• Elaborate on the minor characters . Who are the critical minor characters? What role do they play in the plot progression? Briefly explain why they are vital for the story, as minor characters help us see the action from the inside, determine the path of the tragic hero, and develop the world of “Othello.”
• Examine the character of Iago . What are his crucial character traits? What role does he play in “Othello”? How does he affect other characters? Explain his motivation and his actions in the play. Why does he have a few soliloquies?
• Discuss the theme of love. How does love affect the characters of the play? Who suffers from love? Explain how “Othello” explores both platonic and romantic love; how love is often mistaken for other feelings.
• Consider the significance of evidence in “Othello.” How does the play demonstrate the significance of “ocular proof”? Explain how “Othello” can be helpful for policemen, lawyers, and other people who deal with evidence regularly.
• Analyze the clown scenes (Act 3, Scenes 1 and 4). Why did Shakespeare introduce the clown? What role does it play in the play? Elaborate on why “Othello” needs comic relief and a moment to take a breath.

Thanks for checking our topics out! We hope now you’re ready to write your Othello essay. For more information, consider other articles about the play below or try our topic generator .

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Study Guide Menu

• Play’s Plot Explored
• Act 1 Scene 1
• Act 1 Scene 2
• Act 1 Scene 3
• Act 2 Scenes 1-2
• Act 2 Scene 3
• Act‌ ‌3‌ ‌Scenes‌ ‌1-2
• Act‌ ‌3‌ ‌Scene‌ ‌3
• Act 3 Scene 4
• Act‌ ‌4‌ ‌Scene‌ ‌1
• Act 4 Scene 2
• Act‌ ‌4‌ ‌Scene‌ ‌3
• Act‌ ‌5‌ ‌Scene‌ ‌1
• Act 5 Scene 2
• Characters Analysis
• Important Quotes
• Essay Samples
• Topics‌ for‌ ‌Essay‌
• William Shakespeare
• Chicago (A-D)
• Chicago (N-B)

IvyPanda. (2023, August 13). 92 Exceptional Topics for Othello Essay. https://ivypanda.com/lit/othello-study-guide/topics-for-essay/

"92 Exceptional Topics for Othello Essay." IvyPanda , 13 Aug. 2023, ivypanda.com/lit/othello-study-guide/topics-for-essay/.

IvyPanda . (2023) '92 Exceptional Topics for Othello Essay'. 13 August.

IvyPanda . 2023. "92 Exceptional Topics for Othello Essay." August 13, 2023. https://ivypanda.com/lit/othello-study-guide/topics-for-essay/.

1. IvyPanda . "92 Exceptional Topics for Othello Essay." August 13, 2023. https://ivypanda.com/lit/othello-study-guide/topics-for-essay/.

Bibliography

IvyPanda . "92 Exceptional Topics for Othello Essay." August 13, 2023. https://ivypanda.com/lit/othello-study-guide/topics-for-essay/.

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