essay books title

Writing A Book Title In Your Essay – The Right Way

Table of contents

1 APA Style: How to Write Book Titles in Essays
2 APA Style Essay: Writing The Name of The Author
3 MLA Style Essay: Citing a Book Title
4 Chicago Style Essay: Writing the Book Title
5 Writing Various Types of Titles
6 Should We Underline or Italicize Book Titles?

When you are writing an academic essay , the book title and author’s name should be written in italics. However, if the book title is part of a larger work (such as a journal article), it should be underlined instead. So, you’re wondering how to write a book title in an essay?

Writing an essay with a book title can be tricky, particularly because each style guide has its own formatting rules for including titles in the main text. Whether you are using MLA, APA, Chicago, or Harvard referencing styles, you will need to consider how to properly format the book title. For more complicated literature-based assignments, seeking assistance from an admission essay writing service may be wise, as they specialize in writing essays that incorporate academic sources.

In this article, we will explore how to write both titles in an essay properly so that you avoid any mistakes!

APA Style: How to Write Book Titles in Essays

When writing an essay, you must follow the style guide provided by your professor. Some teachers may require you to use APA style and others MLA style. There are some rules on how to quote a book title in an essay. You should use italics and quotation marks when writing book titles in essays. For example: “ The Rape of Nanking: The Forgotten Holocaust of World War II. “

When writing a book title in APA Style , you should be aware of these rules:

Write the book title in italics and place it after the author’s name, which is presented in reverse order (last name first).

Use quotation marks around the headline of a chapter or article.

Capitalize proper names that are not common nouns (names of people, places, organizations), but do not capitalize words such as “and,” “or,” “to,” or “and/or.”

Do not capitalize prepositions that appear at the beginning of titles if they are followed by an article (e.g., “A,” “An”), but do capitalize prepositions at the beginning of titles if they are not followed by articles (“Of”).

The first word of the headline should be capitalized, as well as any other words after a colon or hyphen. For example, “The Elements of Style: Grammar for Everyone” or “Theories of Personality: Critical Perspectives.”

Capitalize proper names and words derived from them (e.g., the names of people, places, organizations), except proper nouns used generically (e.g., ‘a bed’).

APA Style Essay: Writing The Name of The Author

You should always use the full name and surname of the author in your APA essay because this will give proper credit to the writer. If you do not mention the author’s full name, people may not know who wrote what and will think you copied it from somewhere else. This will cause lots of problems for you and your reputation as well.

Make sure that all authors’ names appear in the same format in each entry. For example, if one person’s surname is Smith and another’s is Jones, both have first names starting with “J.” It may seem like they are being cited as different people when they’re actually written differently from each other on separate pages in your paper.

To write an APA essay without any issues, there are certain rules that you need to follow while writing an author’s name in APA essay:

Use only one author’s name in your paper unless there are multiple authors
If there are multiple authors, then use both their last names followed by the initials of their first names
Only use initials of first names when there are three or more authors; otherwise, use full names with their last names

Example: Johnson, M.C., Carlson, M., Smith, J. N., & Hanover, L. E.

MLA Style Essay: Citing a Book Title

Now let’s discuss how to mention a book in an essay. The MLA Handbook for Writers of Research Papers, 7th edition, published by the Modern Language Association (2014), contains detailed rules about how to cite a book title in an essay.

The following guidelines will instruct you on how to refer to a book in an essay in MLA style :

List your sources at the end of your paper, before the works cited page or bibliography.
Use italics for titles of books, magazines, and newspapers, but not for articles within those publications, which should be placed in quotation marks.
Include all relevant book information under two categories: “title” and “author.” In the former category, include the work’s title and its subtitle if there is one; do this even if neither appears on your title page (see below). In the latter category, include only primary authors who have written or edited an entire book; if there are multiple contributors, you should cite them separately under each.

The general format for citing the title of the book in an essay is as follows:

Author’s last name, first initial (Date). Title of Book with Subtitle if there is one. Publisher Name/Location of Publisher; Year Published

Chicago Style Essay: Writing the Book Title

One of the most important things to remember when writing in Chicago style is how to write the title of a book in an essay. To write a good book title in an essay, you should follow these steps:

Write it at the beginning of your sentence.
Capitalize it just like any other noun or proper noun.
Put a comma after the title unless it’s an introductory clause or phrase. For example: “The Firm,” by John Grisham (not “by”) and “The Catcher in the Rye,” by J.D Salinger (not “and”).
In addition to the book’s name, punctuation marks should also be italicized.

For example: Harry Potter and the Half-blood Prince: Children’s Edition

Writing Various Types of Titles

Now that we covered how to write a book title and author in an essay, it’s time to look at some different types of titles. When you write a book title in an essay, several things must be considered. Whether it’s a book, series, chapter title, editor’s name, or author’s name, how you write it depends on where it appears in your paper.

Here are some key rules for writing headings for novels:

Use capital letters to write the title of the novel. For example, The Secret Garden by Frances Hodgson Burnett .
Use italics and capital letters to write the name of the author and his/her other works mentioned in a book title—for example, Jane Austen’s Pride and Prejudice (1813) .

You should use quotation marks when writing headings of short title poems, articles, and stories.

However, before deciding which format to use, it is important to understand the main idea you want to express in your essay. Additionally, you could use essay papers for sale to help you accomplish your goal of writing an essay effectively.

Should We Underline or Italicize Book Titles?

It depends on which style guide you use. The Modern Language Association and Chicago Manual of Style both suggest using italics, while the American Psychological Association suggests using quotation marks with a few exceptions.

The way you write the title of a book in an essay is different depending on the instructions you were given. For example, if you’re writing an essay in APA style, use quotation marks around the book’s name. If you’re writing for MLA or Chicago style , however, italicize the book’s name instead. If you’re writing a handwritten essay instead of using a computer, capitalize and underline the book’s name.

Readers also enjoyed

WHY WAIT? PLACE AN ORDER RIGHT NOW!

Just fill out the form, press the button, and have no worries!

We use cookies to give you the best experience possible. By continuing we’ll assume you board with our cookie policy.

How To Write Book Titles The Proper Way: A Complete Guide For Writers

February 10, 2022

Book titles within essays or papers can be tricky. There are specific rules that are given for how to include a book title in a way that sets it apart from the content of your writing given by the Modern Language Association. However, as with many other things in life, there are exceptions to the rules. This article will guide you through the rules of the writing style guides so that you can include a book’s title in your paper or essay correctly.

How to write book titles:

Style guides and book titles.

When it comes to book titles within text, there are a few different style guides that have rules you can follow, depending on your writing type. The three types that you will encounter most often are; MLA style, Chicago manual of style, and APA. A writing instructor will usually tell you what style guide you are expected to use for a particular essay or paper.

MLA Style Guide

The MLA handbook states that you should always italicize book titles when styling book titles within your text. The exception to this rule are religious texts. You would not italicize the Holy Bible or the sacred books or titles of other religions. Note the following example.

Pam had stayed most of the summer indoors, re-reading her favorite book series. She was already up to Harry Potter and the Philosopher’s Stone , and she didn’t regret not being more active or going outside.

In the above example, the book title is italicized. Fiction titles and nonfiction titles alike must be in italics when within the text.

Series Titles in MLA

In the above example, a book from a series was used. But what if the text had not specified which book from the series Pam was reading? Would it still need to be in italics? The answer is: in this case, yes. In other cases, sometimes.

It’s really not as confusing as it seems. When you are talking about a book series but don’t want or need to include the complete series titles for the purposes of your work, you only have to put words in italics that also appear in the book titles. So, because Harry Potter is part of the title of all of the books in the series, you would italicize his name every time you mention the book.

However, if you were talking about Katniss Everdeen, you would not have to do this, as the book series she is featured in doesn’t use her name in the titles of The Hunger Games series. The same would be true of books like the Nancy Drew books.

Quotation Marks

There are instances in which titles should be placed inside of quotation marks within a paper or essay. This is done when you cite the titles of poems , a chapter title, short stories, articles, or blogs.

So, for example, if you were to write a paper that featured a poem from a book, you would put the book title in italics and the poems cited in quotation marks.

An example of an enduring love poem is “Annabel Lee” from The Complete Tales and Poems of Edgar Allan Poe.

Chapter Title

Another time that quotation marks should be used is when using the title of a chapter. If you are citing a specific chapter of a book, you would enclose the title of the chapter in quotation marks, and the title of the book should be in italics.

The desperation and sadness of a man on death row can be seen in the “Wild Wind Blowing” chapter of Norman Mailer’s The Executioner’s Song.

Short Stories

Short stories are another case. Much like the title of a chapter or poem, in which the title is placed in quotation marks, while the title of the book or collection it is found in is italics. The same can be said for sections, stories, or chapters cited within a literary journal.

Stepping away from his norm of horror and gore, Stephen King writes of trust, love, and regret in his story “The Last Rung on the Ladder,” which can be found in his short story collection Night Shift.

Punctuation Marks

If you are citing a story or title that includes question marks, you need to make sure to italicize the question mark when citing. Keep all punctuation, such as a question mark, comma, ellipses, colon, or exclamation mark, as it is in the original individual books.

If you want a funny and irreverent read, you’ve got to try Are You There, Vodka? It’s Me, Chelsea. Chelsea Handler has done a phenomenal job of being vulgar, relatable, and explaining life from her viewpoint in this hilarious and memorable book.

The Digital Age: Are Book Titles Underlined Anymore?

MLA style used to dictate that a book title should either be in italics or underlined. However, that is no longer the case. As computers started to take over as the major tool used in writing, it became unpopular to underline book titles. Therefore, this rule was dropped from the style guides.

However, it should be mentioned that when handwriting an essay or research paper, many instructors prefer that you underline book titles, as it’s relatively difficult to handwrite italics. If you are in a writing course or a class that is heavy on handwritten work, be sure to ask your instructor or teacher which method they prefer for citing a book title.

How to Come Up with Book Title Ideas

Now that quotation marks, italics, and style guides have been discussed, let’s move on to how you can come up with your own book title. If you’d like a title for your book that sounds interesting and will get a reader’s attention, you may find this article helpful.

Coming up with a good title for your book is a challenging yet essential marketing decision . The right title can make your target audience choose your new book off of the shelf instead of another writer’s work. Your book cover and your book title are quite possibly the most important marketing decisions you will make.

How to Choose a Good Book Title

Certain criteria should be met if you want to have a good book title , and there are specific steps involved in getting there. You may have assumed up until now that titles of books were just spur of the moment decisions made by authors or publishers, but a lot of work goes into writing good titles.

Grab the Reader’s Attention

As a general rule, you want your reader to remember your title and to sound interesting, even without the reader having seen the cover. There are several ways to do this. You can be a little dark with your title, be controversial, provoke the reader, or even be funny.

There are many examples of such works that use memorable and attention-seeking titles. The following are some different titles that are effective and would most likely provoke a reader to grab them from a shelf for closer inspection.

Burn After Writing (Sharon Jones)
Love in the Time of Cholera (Gabriel Garcia Marquez)
Is Everyone Hanging Out Without Me? (Mindy Kaling)
Are You There, Vodka? It’s Me, Chelsea (Chelsea Handler)
The Devil Wears Prada (Lauren Weisberger)
Chicken Soup for the Soul (various authors)
God Bless You, Dr. Kevorkian (Kurt Vonnegut)

Shorter Titles

If your full title for your book is long, you may end up boring a reader or creating a situation where a reader tries to remember the title of your book, but it’s too long and ends up getting it confused with another book. Although you should always do your best to make sure that there aren’t books by other authors that share a title or have a title similar to your book (more on that in a minute), you don’t want a person to get confused and get the wrong book instead.

Research Your Title Ideas

It’s a good idea to take the titles you have considered for your book and make a list. Then, do your homework. You can use tools like Google Adwords to test out your title to see if there are others like it, or you can simply use any search engine and plug your title ideas into the search bar and see what similar or exact titles of the same words pop up.

Readers are generally busy people. They don’t have the time or the energy to ensure that writers get a title right. They’ll look for the book they are interested in, and if it proves to be too difficult, or if there are other books written that have the same title, they’ll move on to something else.

A writer really has to make sure that they have a title that isn’t going to be ignored, is interesting, isn’t too long, and isn’t too similar to other works.

The same goes for titles of short works within a larger body of work. Short works, like poems or stories, need to have unique titles as well when included in a larger body of work, such as a collection. If stories are similar in nature, be sure to title them differently so that readers will be able to tell them apart, as well.

120 Motivational Quotes About Writing To Inspire A New Writer Like You

How To Register A Kindle On Amazon To Enjoy Your Ebooks In 4 Easy Ways

How To Market A Self-Published Book And Be Profitable In 9 Easy Ways

Link to facebook
Link to linkedin
Link to twitter
Link to youtube
Writing Tips

How to Write Book Titles in Your Essays

3-minute read

26th May 2023

When writing an essay, you’re likely to mention other authors’ works, such as books, papers, and articles. Formatting the titles of these works usually involves using quotation marks or italics.

So how do you write a book title in an essay? Most style guides have a standard for this – be sure to check that first. If you’re unsure, though, check out our guide below.

Italics or Quotation Marks?

As a general rule, you should set titles of longer works in italics , and titles of shorter works go in quotation marks . Longer works include books, journals, TV shows, albums, plays, etc. Here’s an example of a book mention:

Shorter works include poems, articles, chapters of books, episodes of TV shows, songs, etc. If it’s a piece that’s part of a biggHow to Write Book Titles in Your Essayser work, the piece considered a short work:

Exceptions to the Rule

The rule for writing book titles in italics applies specifically to running text . If the book title is standing on its own, as in a heading, there’s no need to italicize it.

Additionally, if the book is part of a larger series and you’re mentioning both the title of the series and that of the individual book, you can consider the book a shorter work. You would set the title of the series in italics and place the book title in quotation marks:

Punctuation in Book Titles

Do you need to apply italics to the punctuation in a book title? The short answer is yes – but only if the punctuation is part of the title:

If the punctuation isn’t part of the title (i.e., the punctuation is part of the sentence containing the title), you shouldn’t include in the italics:

Find this useful?

Subscribe to our newsletter and get writing tips from our editors straight to your inbox.

Summary: Writing Book Titles in Essays

We hope you’ll now feel confident when you’re writing and formatting book titles in your essays. Generally, you should set the title in italics when it’s in running text. Remember, though, to check your style guide. While the standards we’ve covered are the most common, some style guides have different requirements.

And once you finish writing your paper, make sure you send it our way! We’ll make sure any titles are formatted correctly as well as checking your work for grammar, spelling, punctuation, referencing, and more. Submit a free sample to try our service today.

Frequently Asked Questions

How do you write the title of a book in a sentence.

Set the title of the book in italics unless the book is part of a larger work (e.g., a book that’s part of a series):

When do you use quotation marks for titles?

Place titles of shorter works or pieces that are contained in a larger work in quotation marks:

Share this article:

Post A New Comment

Got content that needs a quick turnaround? Let us polish your work. Explore our editorial business services.

How to insert a text box in a google doc.

Google Docs is a powerful collaborative tool, and mastering its features can significantly enhance your...

2-minute read

How to Cite the CDC in APA

If you’re writing about health issues, you might need to reference the Centers for Disease...

5-minute read

Six Product Description Generator Tools for Your Product Copy

Introduction If you’re involved with ecommerce, you’re likely familiar with the often painstaking process of...

What Is a Content Editor?

Are you interested in learning more about the role of a content editor and the...

4-minute read

The Benefits of Using an Online Proofreading Service

Proofreading is important to ensure your writing is clear and concise for your readers. Whether...

6 Online AI Presentation Maker Tools

Creating presentations can be time-consuming and frustrating. Trying to construct a visually appealing and informative...

Make sure your writing is the best it can be with our expert English proofreading and editing.

How to Write Book Titles in Essays: APA, MLA, Chicago Styles

It’s your practical and up-to-point guide on how to write a book title in an essay. You’ll get the formatting rules and examples for citing book and author names in academic papers.

We’ve covered the top three citation styles: APA, Chicago, and MLA.

How to Write the Title of a Book in an Essay

First, remember the general rules of citing book names in academic works.

Here’s how to cite books in essays :

Use capitalization. Every word of a book’s name goes in the title case, except prepositions, articles, and coordinating conjunctions.
Use italics for longer and independent works. Use double quotations for shorter ones (poems, articles, book chapters, or play acts and scenes).
Use single quotations for a book’s title within another title. (When citing monographs about literary works, for example.)

While capitalization rules depend on the citation style, some general tips have a place to be. Please, no capitalization for:

Articles: a, the (unless the book title begins with it)
Coordinating conjunctions and prepositions: of, and, or, but, for, to, nor, in, so (unless the book title begins or ends with it)

Subordinating conjunctions (although, unless, because, if) go in capital letters.

How to Write a Book Title in an Essay: APA

APA (American Psychological Association) is the most popular style for citing academic works. It’s common for the social sciences like Education, Psychology, Sociology, and others. The current edition: 7th (2019).

Book titles in APA stand for:

Italics. (If a book name includes any punctuation, italicize it too.)
Capitalization. (Capitalize all words longer than four letters , regardless of the part of speech. Also, use capital letters for two-part words and those coming after a dash or a colon.)
Double quotations instead of italics. (When citing a short work like an article or a poem; when citing a book chapter or when the book is a part of an anthology.)

For example:

The Lord of the Rings but “The Fellowship of the Ring” (The latter is part of the trilogy.)

Related: How to Cite a Movie in APA Format

How to Write the Name of a Book in an Essay: Chicago

The Chicago Manual of Style is a guide by the University of Chicago. It’s common for fields like History, Fine Arts, and Business. The current edition: 17th (2017).

How to format book titles in Chicago:

Italicize longer and independent works; put shorter ones in double quotations.
Use italics for punctuation within a title.
Capitalize all words except articles (a, the) and ALL prepositions or conjunctions (regardless of length).

For example:

In George Orwell’s 1984 , the author presents a dystopian society characterized by pervasive government surveillance and the suppression of individual freedom. The harrowing events in “Chapter 2,” where Winston Smith begins to rebel against the Party by starting a forbidden diary, mark a pivotal moment in the novel’s exploration of resistance against totalitarianism.

The style resembles the MLA format, but it’s flexible, allowing you to “break the rules if necessary.”

How to Write a Book Title in an Essay: MLA

MLA format stands for the Modern Language Association. It’s common for humanities like Literature, Culture, Linguistics, etc. The current edition: 8th (2016).

How to format books in MLA:

Italicize all words, including punctuation and those of two parts or going after colons and hyphens.
Capitalize all words except articles (a, the) , prepositions, and short conjunctions within a book title.
Use double quotations instead of italics when writing a book chapter or a part of a book series.

In Little Women , Beth March dies in Chapter 40, “The Valley of the Shadow.”

Formatting Book Author Names in Papers

Use the author’s full name (first and last) to format it in your essay for proper credit.

If a book has two authors, use both last names and initials. For works with three or more authors, use the last name of the first one and add “et all.”

No need to italicize author names in papers.

Why Properly Cite Book Titles in Essays

The short answer:

You won’t get a high grade for an essay. Formatting blunders count as mistakes.

The longer answer:

You prove writing skills and an understanding of the rules in academia.
Your papers maintain consistency. It’s critical to stick to criteria to prevent confusion. The consistent format for book headings also serves to better scannability and readability.
You learn to cite different types of references for your future projects.

Do you italicize book titles?

Yes, you put book titles in italics. Please italicize long and stand-alone works: books, movies, webpages, reports, or music albums. Shorter works’ titles (articles, essays, poems, songs, or book chapters) come in quotations. (1)

Do you underline book titles?

Underlining book titles is an outdated practice. Some still use it in handwritten essays, but it’s not a must-follow rule. Neither APA nor MLA (or Chicago) mentions underlining book names in academic papers.

How to use book title capitalization in texts?

Capitalize every word in a book’s title. Exceptions are articles (a, the), prepositions, and short (three or fewer letters) conjunctions in mid-titles.

Are books italicized in all formatting styles?

Yes, book titles come in italics in all styles: APA, MLA, and Chicago. When citing book chapters or a book as a part of a series, use quotation marks instead.

How to write a book author in an essay?

Use the author’s full name when citing their book in your papers. For works with several authors, mention their last names and initials. Unlike book titles, author names come in standard formatting with no italics.

References:

https://english.csuci.edu/resources/essay-writing-essentials.htm
Essay samples
Essay writing
Writing tips

How to Write a Book Name in an Essay

Last Updated: February 14, 2024 Fact Checked

This article was co-authored by Noah Taxis and by wikiHow staff writer, Danielle Blinka, MA, MPA . Noah Taxis is an English Teacher based in San Francisco, California. He has taught as a credentialed teacher for over four years: first at Mountain View High School as a 9th- and 11th-grade English Teacher, then at UISA (Ukiah Independent Study Academy) as a Middle School Independent Study Teacher. He is now a high school English teacher at St. Ignatius College Preparatory School in San Francisco. He received an MA in Secondary Education and Teaching from Stanford University’s Graduate School of Education. He also received an MA in Comparative and World Literature from the University of Illinois Urbana-Champaign and a BA in International Literary & Visual Studies and English from Tufts University. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 62,960 times.

When you’re writing an essay that includes a book title, it can be confusing to write the title correctly. However, it’s really easy once you know the rules. How you write the title will vary a little bit depending on the style your instructor assigns and if you are typing or handwriting the essay. Luckily, it's easy to follow the rules for writing a book name in an essay.

Writing Help

Typing an Essay in MLA or Chicago Style Format

Step 1 Capitalize the first letter of all nouns, verbs, and adjectives in the book name.

For example, you would write To Kill a Mockingbird , The Lord of the Rings , or Wuthering Heights .

Step 2 Avoid capitalizing articles, prepositions, or coordinating conjunctions.

If you have the book name in front of you, you can just copy it down as it is printed.
Articles include a, an, and the.
Prepositions include at, in, on, of, about, since, from, for, until, during, over, above, under, underneath, below, beneath, near, by, next to, between, among, and opposite.
Coordinating conjunctions include the FANBOYS, which are for, and, not, but, or, yet, and

Step 3 Include punctuation in the italics if it’s part of the title.

For example, you would write the name of William Faulkner’s novel Absalom, Absalom! with both the comma and the exclamation point in italics.

If the highlight bar goes away, try again, making sure that you don’t click anywhere on the page after you highlight the book name.

Step 5 Click the italicize icon to format the title.

Alternatively, you can press the italicize icon before you type the title.
If you’re using Microsoft Word to type your essay, the italicize key may appear if you hover over the highlighted book name.

Step 6 Left click your mouse on another area of the document.

If the next word after your title appears italicized when you resume typing, simply highlight it and click the italicize icon to remove the formatting.

Step 7 Use quotation marks instead of italics if the book is part of an anthology.

For example, The Lord of the Rings trilogy is sometimes published in one volume. In this case, you could write the name of the first novel as "The Fellowship of the Ring" when citing it in an essay.

Typing an Essay in APA Format

Step 1 Capitalize the first word and all words longer than 4 letters.

Capitalize the first letter of the words, not the entire word.
If the word is a two-part hyphenated word in the title, you should capitalize both words. For example, you would write Blue River: The Trial of a Mayor-Elect .
If there is a dash or colon in the title, you should capitalize the word after the punctuation, regardless of how long the word is. As above, you would write Blue River: The Trial of a Mayor-Elect .

Step 2 Include any punctuation in the italics if it’s part of the book name.

For example, you would write Philip K. Dick’s Do Androids Dream of Electric Sheep? with the question mark italicized.

If the book name is not highlighted, left click and drag your cursor again, making sure that you don’t click again anywhere on the page.

Step 4 Click the italicize icon to change the format of the title.

If you are using Microsoft Word, the italics icon may appear when you hover over the highlighted book title. It’s okay to click this key.

Step 5 Move your cursor off of the title.

Handwriting an Essay

Step 1 Capitalize the words according to the style format you are using.

For MLA and Chicago style essays, capitalize the first word of the book name and every word other than articles, prepositions, or coordinating conjunctions. For example, write The Lord of the Rings .
If you’re using APA style, capitalize the first word and all words longer than 4 letters. [9] X Research source This means you would write Public Policy in Local Government .

If you’re writing on lined paper, it may help to follow along the line of the paper. However, make sure your line is dark enough so that your instructor will see that you properly underlined the book name.

Step 3 Underline punctuation if it’s part of the title.

For example, you would write Judy Blume’s Are You There, God? It’s Me, Margaret by underlining the punctuation marks as well as the words.

Expert Interview

Thanks for reading our article! If you’d like to learn more about academic writing, check out our in-depth interview with Noah Taxis .

↑ https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_general_format.html
↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_literature/formatting.html
↑ https://www.grammarly.com/blog/underline-or-italicize-book-titles/
↑ https://askus.library.wwu.edu/faq/116757
↑ https://libguides.up.edu/apa/books_ebooks
↑ https://apastyle.apa.org/style-grammar-guidelines/italics-quotations/italics

Community Q&A

About This Article

Send fan mail to authors

Did this article help you?

Featured Articles

Watch Articles

Terms of Use
Privacy Policy
Do Not Sell or Share My Info
Not Selling Info

wikiHow Tech Help Pro:

Level up your tech skills and stay ahead of the curve

How to Write A BOOK Title In An Essay

Writing a book title in an essay can be confusing. But it is necessary for the credibility and clarity of the write-up. Plus, each writing style has its own rules for formatting titles. Hence, doing such an activity could be a real pain for the students.

Don’t worry, as you are in the right place! Since this interesting article focuses on guiding you about how to write a book title in an essay accurately. So, read it thoroughly before you search for a professional paper writing services provider.

Table of Contents

Understanding Formatting Guidelines

The first step in learning how to write book name in essay is to learn the basics. It means you need to get comfortable with different formatting guidelines. Let’s begin with the style guides.

Different style guides

When writing essays for college , it’s important to know the rules for formatting book titles. The three most popular style guides are MLA, APA, and Chicago.

In MLA format , you should usually italicize book titles. You can also put them in quotation marks when a type of work demands.

For example, a book title like “To Kill a Mockingbird” would be italicized: To Kill a Mockingbird .

However, a chapter title within a book would be placed within quotation marks. For example, “The Ewell Family.”

In APA style , the first word of book titles is capital.

For example, a book title like “The Catcher in the Rye” would be written as The catcher in the rye

Chicago Style

Chicago style demands a book title to be in italics or quotation marks. It is very similar to the MLA style. But Chicago style gives you a bit more leeway to use italics or quotation marks. It’s best to stay consistent with what you pick throughout your essay when using the Chicago style.

Consistency within the Essay

You must be consistent when including the title of a book in an essay. Figure out what style guide you must follow and ensure you stick with it. That means all the book titles you mention should look the same.

For example, if you choose to italicize book titles according to MLA style. Ensure that all book titles in your essay are italicized consistently. Avoid mixing italicization with quotation marks or using different formatting styles within the same essay.

Inconsistency in formatting can confuse readers and undermine the professionalism of your work. Paying attention to detail and maintaining consistency will contribute to your essay’s overall clarity and readability.

Determine the Appropriate Style Guide to Follow

To determine the appropriate style guide to follow for formatting book titles in your essay, consider the following:

Assignment Requirements

See if your teacher or the instructions for the assignment mention a certain style to go by. Stick to that, if they do, to ensure everything is consistent, and you meet the expectations.

Academic Discipline

Your field of study can affect which style guide you should use. For example, humanities and literature students usually use MLA style, while social sciences usually use APA style. It’s important to know what’s typical in your discipline to choose the right guide.

Formatting Book Titles in MLA Style

Humanities and liberal arts disciplines use MLA writing rules. In MLA style, book titles are usually in italics like in APA style. But there can be variations in capitalization and punctuation. Let’s explore each aspect in detail with examples:

In MLA style, book titles are put in italics to make them stand out from the rest of the text.

Titles of shorter works, such as articles or chapters, are enclosed in quotation marks.

Example 1: Italicized Book Title

Fitzgerald, F. Scott. The Great Gatsby .

Example 2: Book Chapter (In Quotation Marks)

Smith, John. “The Art of Persuasion.” Essays on Rhetoric.

Capitalization

In MLA style, follows the title case. It means keep the first letter of each word capital. Capitalize articles, conjunctions, and prepositions only if they are the first or last words in title.

Example 3: Correct Capitalization

Lee, Harper. To Kill a Mockingbird.

Punctuation

In MLA style, there should be no special punctuation like colons or periods between the main title and any subtitles. However, if the book’s title includes a subtitle, a colon should separate it from the main title.

Example 4: Book Title with Subtitle

Gladwell, Malcolm. Outliers: The Story of Success.

Edition and Volume Numbers

To refer to a certain book edition, add the edition number after the book title. If the book is part of a multi-volume work, indicate the volume number after the title as well.

Example 5: Edition and Volume Numbers

Johnson, Mary. Chemistry in Focus. 2nd ed.

Smith, Adam. The Wealth of Nations. Vol. 1.

Translated Titles

If the book you are citing is translated from another language, include the original title and the translator’s name in the citation.

Example 6: Translated Title

Kafka, Franz. The Metamorphosis. Translated by David Wyllie.

It’s important to remember that MLA style is always changing and being updated. So always refer to the latest edition of the MLA Handbook or your institution’s writing guidelines.

Formatting Book Titles in APA Style

Usually the social sciences disciplines use APA (American Psychological Association) style. Let’s look at how you must consider capitalization, punctuation and italics in this writing style.

Just capitalize the first word of any subtitles and proper nouns.

All other words, such as articles (a, an, the), conjunctions (and, but, or), and prepositions (in, on, at), are in lowercase.

Example 1:

“The Power of Habit: Why We Do What We Do in Life and Business”

In APA style, book titles are italicized to distinguish them from the rest of the text.

Do not italicize titles of shorter works, such as articles or chapters. Just enclose them in quotation marks.

Example 2: Italics

Here’s an example of an italicized book title:

The Catcher in the Rye

In APA style, there should be a colon (:) between the main title and any subtitle.

When citing a book title within the text of your paper, use title case and italicize it.

When including book titles in your reference list, use sentence case and italicize it.

Example 3: Punctuation

Here’s an example of proper punctuation and citation within the text and reference list:

In-text citation

According to Smith (2019), The Theory of Everything provides an in-depth analysis of astrophysics.

Reference list citation

Smith, J. (2019). the theory of everything . Publisher.

Include the edition number in parentheses right after the book title when a book has a specific edition.

If a book is part of a multi-volume work, you can also indicate the volume number after the title.

Example 4: Parenthesis

Here are examples of how to format book titles with edition and volume numbers:

Edition Number

Johnson, M. (2022). Chemistry in Focus (2nd ed.).

Volume Number

Smith, A. (2021). History of the United States (Vol. 3).

Include the translator’s name in square brackets if you cite a translated book.

Example 5: Translated Thesis

Here’s an example of how to format a translated book title:

Kundera, M. (1984). The Unbearable Lightness of Being [Original title: Nesnesitelná lehkost bytí].

Translated by M. Henry.

Formatting Book Titles in Chicago Style

The Chicago Manual of Style is mostly used in the humanities and social sciences disciplines. Chicago style follows two systems, namely Author-Date System and the notes and bibliography system. Let’s explore both of them.

Author-Date System

In the author-date system, you include:

In-text citations with the author’s last name
The publication year
A corresponding entry in the reference list

Italicization

In the author-date system, book titles are italicized. It makes them Distinguish from other elements in the citation.

Chicago style uses a title case for book titles in the author-date system. It means the first letter of the title, subtitles, and any major words are capitalized.

There should be a period at the end of the full book citation in the reference list.

Example 1: In-Text Citation

Example 2: Reference List Citation

Smith, John. 2019. The Theory of Everything . Publisher.

Notes and Bibliography System

You use footnotes or endnotes in the notes and bibliography system for in-text citations and a bibliography for the full list of references.

Similar to the author-date system, book titles are italicized in the notes and bibliography system.

In the notes and bibliography system, the Chicago style uses headline-style capitalization for book titles. It means that the first letter of the first and last words of the title are capitalized.

Put a period at the end of each full bibliographic entry in the notes and bibliography system.

Example 3: Footnote/Endnote Citation

John Smith, The Theory of Everything (Publisher, 2019), 25.

Example 4: Bibliography Citation

Smith, John. The Theory of Everything . Publisher, 2019.

You may include the edition number after the title, and for multi-volume works, the volume number after the title.

Example 5: Edition Number

Johnson, Mary. Chemistry in Focus . 2nd ed.

Example 6: Volume Number

Smith, Adam. The Wealth of Nations . Vol. 1.

For translated works, include the original title and the translator’s name in the citation.

Example 7: Translated Title

Kafka, Franz. The Metamorphosis . Translated by David Wyllie.

Citation of Book Titles in Other Situations

Let’s highlight some unusual circumstances of including a title of book in essay. Starting with:

Book titles within quotations

If you’re citing a direct quote from a book in your essay, you may need to put the book title in quotes. Generally, you should use double quotation marks for this.

For example:

According to Mark Twain, “The secret of getting ahead is getting started.”

In the novel 1984, George Orwell explores the theme of government surveillance through the famous line, “Big Brother is watching you.”

By using double quotation marks, you indicate that the words within the quotation marks are taken directly from the book.

Book Titles in Footnotes or Endnotes

In academic writing, footnotes or endnotes can be added to give extra info or credits. When including book titles, how you format them depends on the citation style you’re using.

In Chicago Style, book titles in footnotes or endnotes should usually be italicized or in quotation marks.

For Example:

Jane Austen, Pride and Prejudice (New York: Penguin Classics, 2002), 45.

Harper Lee, To Kill a Mockingbird , (New York: Harper Perennial, 2006), 77.

Handling Foreign language book titles

Follow these rules for citing a book in a foreign language. You should keep the original language title, especially if it’s a popular work.

Italicize the foreign language book title following the same guidelines as you would for an English book title. Include a translation in parentheses if necessary.

Use the original foreign language title in sentence case without italics or quotation marks. Include a translation in brackets if needed.

Italicize or use quotation marks for foreign language book titles, following the same guidelines as you would for an English book title. Include a translation if required.

Special Cases

In certain situations, you might need to format book titles differently. Like if you’re talking about a poem or play. These types of works have their own rules for formatting titles. Let’s get to know them briefly.

Typically, you’d put poem titles in quotation marks and longer pieces of poetry, like epics, in italics. It’s worth checking the style guide you’re using, though, since the rules can vary.

You’ll usually see the title written in italics when it comes to plays. The names of characters or speakers within the play are usually written with a mix of upper- and lowercase letters, without quotation marks.

Best Practices for Including Book Titles in Essays

Double-check formatting guidelines.

It’s super important to double-check the formatting rules for book titles when writing an essay since each style guide has its own rules. You need to make sure you’re following them properly.

Proofreading for Accuracy and Consistency

Look out for mistakes in how you’ve done the capitals, italics, and quotes. Double-check any extra rules that might apply to foreign language books, poems, plays, and other special cases.

Seek Assistance from Style Guides or Writing Resources

It’s a good idea to get help from style guides or writing tools when you are stuck with citations. You can also buy cheap essay from a well-reputed writing services provider.

It’s super important to get book titles in essays right. Not just for clarity but also to show you’re a pro. Ensure that you stick to the accurate style guide. It could be MLA, APA, or Chicago. Plus, there are special rules for poems and more.

Furthermore, if you need a professional to help you out with citations, do count on the expertise of our writers . They are always available to get you out of your troubles of how to write book titles in essays.

Order Original Papers & Essays

Your First Custom Paper Sample is on Us!

Timely Deliveries

No Plagiarism & AI

100% Refund

Try Our Free Paper Writing Service

Related blogs.

Connections with Writers and support

Privacy and Confidentiality Guarantee

Average Quality Score

How to Write a Book Title in MLA Formatting

by Joe Bunting | 2 comments

Free Book Planning Course! Sign up for our 3-part book planning course and make your book writing easy . It expires soon, though, so don’t wait. Sign up here before the deadline!

You're writing a paper for school and suddenly you stop in the middle of the sentence. You have to write a book title, but you don't how to format it. How do you format a book title in MLA style? Good news: you're in the write place (sorry, I had to).

In this post, we'll talk about MLA style and formatting, whether it's appropriate for your project, and most importantly, how to write a book title in MLA style.

How to Write a Book Title in MLA Formatting

What Is MLA?

MLA stands for Modern Language Association, a society primarily based in the United States but with international standing, that has a mission to “strengthen the study and teaching of language and literature”. Founded in the late 1800s by an American novelist and professor, MLA publishes a set of resources used by students and teachers, including the MLA Handbook for Writers of Research Papers .

The MLA handbook is one of the main style manuals for students and scholars in the world, especially for anyone studying literature, film, or theater.

Should You Format Based on MLA Style?

If you're writing a paper for a class in literature, theater, or film, absolutely use MLA style. Outside of that, it depends. Here are the most frequent style guides associated with various disciplines:

Literature, Film, Theater: MLA
Psychology: APA
Science (Physics, Biology, Chemistry): CSE or APA
Journalism: AP
Mathematics: AMA
Publishing: Chicago

You can find a full list of international style guides here .

Now that you know if you should be using MLA style, how do you format a book title with it?

How to Format a Book Title in MLA Style: Example

In MLA style, book titles are italicized, as so:

Henry Thorough argues in Walden that the best life is lived in deliberate simplicity so as to discover what life truly is about.

In fact, most style guides, including MLA and Chicago style, require book titles to be italicized , not underlined.

If the book title has a subtitle, the subtitle should be italicized as well and separated by a colon to be formatted correctly for MLA style, as in:

Natural History of the Intellect: the last lectures of Ralph Waldo Emerson

Should You Underline Book Titles in MLA Style?

If you are using MLA style, you should not underline book titles. Instead, italicize the titles.

However, AP style, the guide used by journalists, suggests putting titles in quotation marks, not italicization.

Still, I wouldn't recommend underlining a book's title. In fact, I couldn't find a single style guide that requires book titles to be underlined, but if you know of one that does, let me know in the comments!

Which style guide do you use most? MLA? Chicago? APA? AP? Or do you just write based on your own rules?! Let me know in the comments .

Let's cement this formatting lesson in our minds by putting it to use right away with the following writing exercise .

What are your favorite books of all time? Write about what you love about them and why they are your favorites for fifteen minutes . Make sure to use the correct formatting for each title!

When your time is up, post your practice in the comments section . And if you post, please be sure to read a few practices by other writers and share your feedback with them.

Happy writing!

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

how do you format the title if you’re writing on paper and can’t italicize?

When writing by hand, you can underline book titles.

Submit a Comment Cancel reply

Your email address will not be published. Required fields are marked *

Submit Comment

Join over 450,000 readers who are saying YES to practice. You’ll also get a free copy of our eBook 14 Prompts :

Popular Resources

Book Writing Tips & Guides Creativity & Inspiration Tips Writing Prompts Grammar & Vocab Resources Best Book Writing Software ProWritingAid Review Writing Teacher Resources Publisher Rocket Review Scrivener Review Gifts for Writers

Books By Our Writers

You've got it! Just us where to send your guide.

Enter your email to get our free 10-step guide to becoming a writer.

You've got it! Just us where to send your book.

Enter your first name and email to get our free book, 14 Prompts.

Want to Get Published?

Enter your email to get our free interactive checklist to writing and publishing a book.

How to Write a Book Title in an Essay (MLA, APA etc.)

Formatting your essay correctly ensures that you get full recognition for the hard work you put into it. Wondering what to do? There are two scenarios that lead you to the question of "how to write a book title in an essay":

You have not been required to use a particular style guide, in which case consistency remains important.
You have been instructed to use a particular style guide. You now simply need to ensure that you are familiar with its rules.

Regardless of which of these scenarios holds true for you, this guide is here to help.

How to Write a Book Title in an Essay

Many style manuals call on writers use title case and italics to format a book title. Title case rules vary slightly from one style guide to the next, but generally capitalize all important words — nouns, pronouns, verbs, and adverbs. Conjunctions and prepositions are not capitalized unless they are very long (generally more than four letters) or they appear at the beginning or end of a book title.

Writers who are not required to work with a specific style manual can't go wrong if they stick to this style. Some examples would be:

To Kill a Mockingbird by Harper Lee
The Gift of Fear and Other Survival Signals That Protect us From Violence by Gavin de Becker
The Cat With a Feathery Tail and Other Stories by Enid Blyton

If, on the other hand, you're required to use a style guide, it will likely be one of these:

MLA, commonly used in disciplines relating to literature and social sciences.
APA, commonly used in psychology and other sciences.
Chicago, often used in the publishing industry.
Harvard style, commonly used in philosophy and social sciences.

These are certainly not the only "big players" in the style guide world, but they're ones it's good to be familiar with. There is overlap between these styles, but there are also major differences — so knowing one definitely does not mean you know the others, too.

Guidelines for Writing a Book Title in an Essay

Looking for a short and sharp answer, so you can get on with the rest of your essay? This is it.

This quick guide will help you reference the book title of your choosing in the body of your essay, but what about your Works Cited pages? Each style guide offers different rules, and we'll use the same book as an example to illustrate the differences.

MLA uses the following format: Author Last Name, First Name. Title of Book . City of Publication, Publisher, Publication Year. Example: Card, Orson Scott. Ender's Game. Tor Books, 1985. (You only have to detail the city of publication if the book was published before 1900, the publisher has offices in many localities, or the publisher is not known in the US.)
APA uses the following format: Author Last Name, First Name. (Year of Publication). Title of book. Example: Card, Orson Scott. (1985). Ender's game.
Chicago style uses the following format: Author Last Name, First Name. Book Title: Subtitle . Place of publication: Publisher, Year. Example: Card, Orson Scott. Ender's Game . Tor Books, 1985.
Harvard uses the following format: Author Last Name, First Initial. (Publication Year). Title . ed. City: Publisher. Example: Card, O. (1985). Ender's Game. Tor Books.

If, after researching, you cannot find relevant information about publication years, publishers, or the city in which a book was published, you may omit it. For a full guide, it is always best to have a physical copy of the latest edition of the style manual you are using. You can, however, get by without this if you need to.

Should you still not know what to do, it will be helpful for you to know that you can "generate" citations for a particular style manual with the help of online tools like Cite Me . These are not always accurate, so if you decide to use one, always check the citation manually.

Why Is Proper Formatting Important?

All of the well-known style manuals ultimately serve the very same set of purposes, although they were each developed for a particular niche. The goals of these style manuals are both explicit and implicit:

Following a style guide ensures consistency throughout a document, in this case an essay.
Consistency ensures that reader's understand precisely what the writer is talking about, without exerting any effort on figuring that out. Clarity is especially important in academic writing.
By using a style guide within a certain discipline, you show that you understand the rules within that discipline. This adds credibility to your voice as a writer. You have done your homework, have ideally bought the style manual, and are part of the "in group".
Sticking to a certain style guide makes it easier for relevant parties to check your references, which they can then use to perform further research.

Students are increasingly asked to refer to style guides at all levels, including in high school. In this case, formatting your essay correctly, in accordance with the right style manual, serves two additional purposes:

You'll lose points if you don't do it right, offering you an additional reason to do your research.
Getting used to these formats prepares you for further education. If you are in high school, it prepares you for college-level writing. If you are an undergraduate student, it prepares you for academic work at the graduate and post-graduate levels.

Can you start an essay with a book title?

Yes, you can start an essay with a book title. This is a valid stylistic choice, but you will always want to consider your introduction carefully.

How do you write a book title in handwriting?

Students sometimes ask whether it is acceptable to underline book titles instead of italicizing them. This practice indeed stems from a time in which most students wrote their essays by hand. Although it has largely fallen out of practice now, you can still underline a book title if you are handwriting your essay.

How do you write a book title and chapter in an essay?

You should mention the chapter title first: "Rat" from Ender's Game by Orson Scott Card. Consult the relevant style manual to ensure you get the formatting right.

Can you shorten a book title in an essay?

Yes, you can. Reference the full title the first time you mention it (for example: Furiously Happy: A Funny Book About Horrible Things ). The next time you mention the book, you may simply refer to Furiously Happy .

How to Write the Date in MLA Format
How To Write A Movie Title In An Essay
Someone Walked Over My Grave - Meaning and Origin
14 Tips to Help you Write An Essay Fast
Go Pound Sand - Meaning, Usage and Origin
How to Write a DBQ (APUSH) Essay?

How to Write a Book Title and Author in an Essay?

This post may contains affiliate links. If you click and buy we may make a commission, at no additional charge to you. Please see our disclosure policy for more details.

So, you’re writing an essay, and you’re referencing a book. But how on earth do you write and cite the title and the author’s name correctly?

Do you use quotation marks? Italics? Punctuation? And what about capitalization?

The answer is a little more complicated than you might think. It all depends on the style of essay you’re writing, but once you’ve familiarized yourself with the rules for each one, it’s easy to mention and cite any book title and author’s name correctly, so you can get top marks from your instructor, each and every time.

Table of Contents

The Correct Way to Write a Book’s Title And Author in an Essay

In this post, we’ll look at the three most common essay formats used in the US and learn how to properly display book titles and author names in each one.

The Most Popular Essay Formats

The three most commonly used essay formats found in schools, universities, and higher education institutions across America are known as APA, MLA, and Chicago style.

The format your professor assigns will depend on the subject matter, the department, the purpose of the essay, and the instructor’s individual preferences.

APA stands for the American Psychological Association. This is the go-to format for scientific essays, including many social and behavioural sciences.

MLA stands for Modern Language Association and is the most frequently used format in humanities and liberal arts subjects, such as literature and history.

Chicago format, also known as Turabian after its creator, Kate L. Turabian, is commonly used in the publishing world and also in subjects such as anthropology, history, and selected social sciences.

Why is Using The Correct Format so Important?

The short answer is that you’ll receive a lower grade if you don’t.

But of course, there are many good reasons why proper formatting is important when writing papers and essays.

1. Consistency

Formats like APA, MLA, and Chicago provide a strict set of criteria to stick to throughout an essay, ensuring consistency.

Consistency avoids confusion for the reader and helps them to quickly and easily identify what the writer is trying to say.

2. References And Research

Sticking with one style or format makes it easier for readers to check citations and conduct further research into the chosen topic.

3. Demonstrating Understanding

In academic settings, adhering to a particular style guide, such as APA, MLA, or Chicago, demonstrates your understanding of the rules and principles of written material within that field.

This shows that you don’t just understand the subject; you also know how to write about it.

4. Preparation For Future Studies

Suppose you’re a high school student or a college undergrad, familiarizing yourself with the basic principles of essay formatting. In that case, it is a great way to prepare yourself for your future academic pursuits, especially if you plan to progress onto a graduate or postgraduate program.

How to Write a Book’s Title in The Main Body of an APA Style Essay?

Here are the key rules to remember when writing book titles in the main body of an APA-style essay:

Use quotation marks (not italics) on either side of the book’s title (with the exception of the holy texts like the Bible and reference works like dictionaries and almanacs).
The first word of the title should be capitalized.
All words and terms containing more than four letters or symbols should be capitalized.
Any two-part words containing a hyphen should be capitalized.
Words placed directly after a colon or dash should also be capitalized.

For example, “Slaughterhouse-Five”

How to Write a Book’s Title in The Main Body of an MLA or Chicago Style Essay?

MLA and Chicago-style essays use similar rules when it comes to mentioning book titles in the main body of an essay. Here are the key things to remember when using either of these formats:

The book’s title should be displayed in italics (not quotation marks), with the exception of holy texts like the Bible.
If the title contains punctuation, this should be italicized, too.
All verbs, nouns, and adjectives should be capitalized.
If you’re referring to a chapter or mentioning a book alongside the series it belongs to, use quotation marks, not italics.

For example,

O ne Flew Over the Cuckoo’s Nest by Ken Kesey, or “A Clash of Kings” from A Song of Ice and Fire by George R.R. Martin

1. Avoid Capitalizing Minor Words

Unless they appear as the first word in a title, the following words should be displayed in lowercase.

Prepositions , such as on, in, at, and from.
Articles , such as the, a, and an.
Coordinating conjunctions , such as so, and, yet, but, and for.

This might sound a little complex at first, but it’s pretty simple and intuitive once you get the hang of it.

99% of the time, the book’s title as it is displayed on the front cover is correct for both MLA and Chicago-style essays.

How to Write a Book’s Title in The Main Body of a Handwritten Essay?

Handwritten essays used to be the norm, but these days, they’re most definitely the exception.

Still, there may be some instances where you’re asked to handwrite an essay rather than type it, in which case, you should follow the rules below.

1. Capitalization

The capitalization rules for writing book titles in the main body of a handwritten essay are the same as with typed essays.

So, if you’re handwriting an APA-style essay, make sure to capitalize the first letter of the first word in the title and do the same for every word containing more than four letters.

And when handwriting an MLA or Chicago-style essay, capitalize the first letter of the first word of the title and do the same for every word except for articles, prepositions, or coordinating conjunctions.

2. Underlining

No matter the format, book titles should always be underlined when handwriting an essay

Underline the complete title, including any words that come after a colon or dash
Underline any punctuation that appears in the book’s title
Avoid underlining each word separately; always use one continuous line
Make your line as straight as possible by using a ruler or following the line on the paper

How to Cite a Book And its Author in a References or Works Cited Page?

So, now you know how to write the title of a book mentioned in the body of an essay.

But what do you do when you need to cite a book and its author in your references or works cited page?

To keep it simple, I’ll use Lucy Maud Montgomery’s 1908 classic children’s novel , Anne of Green Gables, as an example for each essay style.

1. Book Citations in APA Style

Here’s the proper format for citing authors and their book titles in APA:

Last Name, First Names. (Year the book was published). Book title .

For example, Montgomery, Lucy Maud. (1908). Anne of Green Gables.

2. Book Citations in MLA Style

Here’s the proper format for citing authors and their book titles in MLA:

Last Name, First Names. Book title . City of Publication, Publisher, Year the book was published.

Note: You only need to include the city of publication if the book was published before 1900 or if the publisher is not based in the US.

For example, Montgomery, Lucy Maud. Anne of Green Gables. L.C. Page & Co., 1908.

3. Book Citations in Chicago Style

Here’s the proper format for citing authors and their book titles in Chicago style:

Last Name, First Names. Book Title: Subtitle . City of publication: Publisher, Year the book was published.

Note: Just like with MLA style, you only need to include the city of publication if the book was published before 1900 or if the publisher is not based in the US.

For example, Montgomery, Lucy Maud. Anne of Green Gables . L.C. Page & Co., 1908.

4. Book Citations in a Hand Written Essay

If you’re handwriting an essay, you’ll no doubt be handwriting your references or works cited page, too.

In this case, you should still follow the appropriate formatting rules above in relation to the chosen essay style.

But where a title appears in italics in a printed essay, in a handwritten essay, it should be neatly underlined instead.

Missing Information

If you’ve searched high and low for a book’s publisher, publication date, or the city in which it was published, but you still can’t find the information, it’s generally acceptable to leave it out.

Essay writing is a skill that takes practice, and at first, the rules and principles of the different formats can seem complex. This is especially true when you’re writing about books and their authors or citing other people’s work.

But hopefully, this post has helped explain the structures used in each of the most commonly used formats so that next time you write an essay, you can be confident that you’re doing it right.

Library Locations at the Kent Campus

Architecture Library
Fashion Library
Map Library
Performing Arts Library
Special Collections and Archives

Regional Campus Libraries

East Liverpool
College of Podiatric Medicine

Kent State University
APA Style - 7th edition
Specific Rules for Authors & Titles

APA Style - 7th edition: Specific Rules for Authors & Titles

Basic Information

Rules for Writing Author and Editor Information

Rules for writing titles.

Media Sources
Internet Sources
In-text Citations
Reference Lists

There are certain things to keep in mind when writing the author's name according to APA style. Authors may be individual people, multiple people, groups (institutions or organizations), or a combination of people and groups.

You must include all the authors up to 20 for individual items. For example, if you are using an article that has 19 authors you must list them all out on your reference page.
Use initials for the first and middle names of authors. Use one space between initials.
All names are inverted (last name, first initial).
Do not hyphenate a name unless it is hyphenated on the item.
Separate the author's names with a comma and use the ampersand symbol "&" before the last author listed.
Spell out the name of any organization that is listed as an author.
If there is no author listed, the item title moves in front of the publication date and is used.

An item that you use may have an editor instead of an author or in the case of audiovisual materials a writer or director.

For editors follow the same rules above and put the abbreviation (Ed.) or (Eds.) behind the name(s).
For audiovisual materials follow the same rules as above and put the specialized role (Writer) (Director) behind the name.

Zhang, Y. H. (one author)

Arnec, A., & Lavbic, D. (two authors)

Kent State University (organization as author)

Barr, M. J. (Ed.). (1 editor)

Powell, R. R., & Westbrook, L. (Eds.). (2 editors)

here are certain things to keep in mind when writing a title according to APA style.

Book titles are italicized and written using sentence case (only the first word of a title, subtitle, or proper noun are capitalized).
Book chapter titles are written using sentence case and are not italicized.
Journal titles are italicized and written using title case (all the important words are capitalized).
Article titles are written using sentence case and are not italicized.
Webpages and websites are italicized and written using sentence case.

Publication manual of the American Psychological Association (book title, American Psychological Association is a proper noun so it is capitalized)

Student perspective of plagiarism (book chapter title)

Internet plagiarism in higher education: Tendencies, trigging factors and reasons among teacher candidates (article title, Tendencies is the first word of a sub-title so it is capitalized)

Assessment & Evaluation in Higher Education (journal title)

<< Previous: Basic Information
Next: Books >>
Last Updated: Jul 14, 2023 4:23 PM
URL: https://libguides.library.kent.edu/apa7

Street Address

Mailing address, quick links.

How Are We Doing?
Student Jobs

Information

Accessibility
Emergency Information
For Our Alumni
For the Media
Jobs & Employment
Life at KSU
Privacy Statement
Technology Support
Website Feedback

Book Title Generator

10,000+ good book titles to inspire you..

Generate a random story title that’s relevant to your genre. You can pick between fantasy, crime, mystery, romance, or sci-fi. Simply click the button below to get started.

The International Bestseller

Sharing Season

How to come up with book title ideas.

Need an original book title, and fast? We got you. Here are 8 ways to come up with book title ideas.

1. Start free writing to find keywords

Write absolutely anything that comes into your head: words, phrases, names, places, adjectives — the works. You’ll be surprised how much workable content comes out from such a strange exercise.

2. Experiment with word patterns

Obviously, we’re not advocating plagiarism, but try playing around with formats like:

“The _____ of _______”

“______ and the _____”

These will work for certain genres, though they are by no means the only patterns you can play around with. Have you noticed how many blockbuster thrillers these days feature the word “woman” or “ girl” somewhere in the title?

3. Draw inspiration from your characters

If your central character has a quirky name or a title (like Doctor or Detective) you can definitely incorporate this into your book title. Just look at Jane Eyre, Percy Jackson, or Harry Potter, for instance — working with one or more or your characters’ names is a surefire way to get some title ideas down. Equally, you can add a little detail, like Thomas Hardy’s Jude the Obscure, to add a little color to a name and make it title-worthy.

4. Keep your setting in mind

Is your book set somewhere particularly interesting or significant? Even if your title isn’t just where the action takes place (like Middlemarch by George Eliot), it’s something to have in the back of your mind. You can include other details, like The Wizard of Oz by L. Frank Baum or Picnic at Hanging Rock by Joan Lindsay, to give your readers a sense of action and character, as well as setting (which tend to be linked).

5. Look for book title ideas in famous phrases

Think Harper Lee’s To Kill A Mockingbird here — this is a central symbol and significant piece of dialogue in the novel. It’s enigmatic (what does it even mean? Is it a warning? An instruction?) and makes us really sit up when these words appear in the text itself. Try and think of your inspiration for writing your book or sum up your central theme in a few words, and see if these inspire anything.

6. Analyze the book titles of other books

You might be surprised at how many books refer to other works in their titles ( The Fault in Our Stars by John Green comes from Shakespeare’s Julius Caesar , and Steinbeck’s Of Mice and Men takes its inspiration from a Robert Burns poem). Going this route allows authors to use an already beautiful and poetic turn of phrase that alludes to a theme in their own book. From Ernest Hemingway’s For Whom the Bell Tolls to Philip Pullman’s His Dark Materials , so many books have used this technique that might also work for you.

7. Don’t forget the subtitle

In non-fiction publishing, there’s a trend of evocative or abstract titles, followed by a subtitle that communicates the content (and is packed with delicious keywords that the Amazon search engine can’t resist). This is also another way to get around long titles — and to add a little panache to an otherwise dry subject matter. In the United States, it’s also quite common to have “A Novel” as a subtitle (if, you know, it’s a novel). In the United Kingdom, this practice is much rarer.

8. Generate a book name through a book title generator

If you’ve gone through all of the above and are still wringing out your brain trying to come up with the golden formula — fear not! There are other ways to get the cogs whirring and inspiration brewing, such as title generators.

And speaking of cogs whirring, let us present you with the...

15 best book titles of all time

Witty, eye-catching, memorable — these famous book titles have it all. Without further ado, here are 15 best book titles you can take inspiration from.

I Know Why The Caged Bird Sings by Maya Angelou
East of Eden by John Steinbeck
The Sun Also Rises by Ernest Hemingway
Do Androids Dream of Electric Sheep? by Philip K. Dick
The Curious Incident of the Dog in the Night-Time by Mark Haddon
Cloudy with a Chance of Meatballs by Judi Barrett
Pride and Prejudice and Zombies by Seth Grahame-Smith
The House of Mirth by Edith Wharton
Are You There, Vodka? It's Me, Chelsea by Chelsea Handler
And Then There Were None by Agatha Christie
Their Eyes Were Watching God by Zora Neale Hurston
The Devil Wears Prada by Lauren Weisberger
Brave New World by Aldous Huxley
Bury My Heart at Wounded Knee by Dee Brown
The Man Who Was Thursday by G.K. Chesterton

Looking for even more story title ideas?

If you’re agonizing over your book title, you’re not alone! Some of the best book titles today emerged only after much teeth gnashing. The Sun Also Rises was once titled Fiesta ; Pride and Prejudice was once First Impressions . Then there was F. Scott Fitzgerald, who reportedly took forever to think of a good title. He ultimately discarded a dozen ( Gold-Hatted Gatsby , The High-Bouncing Lover , and Trimalchio in West Egg included) before reluctantly picking The Great Gatsby .

So it’s tough out there for a novelist, which is why we built this generator: to try and give you some inspiration. Any of the titles that you score through it are yours to use. We’d be even more delighted if you dropped us the success story at [email protected] ! If you find that you need even more of a spark beyond our generator, the Internet’s got you covered. Here are some of our other favorite generators on the web:

Fantasy Book Title Generators : Fantasy Name Generator , Serendipity: Fantasy Novel Titles

Sci-Fi Novel Title Generators : Book Title Creator , Story Title Generator

Romance Book Title Generators : Romance Title Generator

Crime Book Title Generators : Tara Sparling’s Crime Thriller Titles , Ruddenberg’s Generator

Mystery Novel Title Generators : The Generator .

Or if you think that generators are fun and all — but that you’d rather create your own book title? Great 👍 Kick off with this post, which is all about how to choose your book title . And once you've got the words down, make sure you capitalize your title correctly .

Find the perfect editor for your next book

Over 1 million authors trust the professionals on Reedsy. Come meet them.

Find the perfect editor for your book.

Learn more about Reedsy

Reedsy | Editors working on manuscript | 2021-10

Submitting your manuscript?

Professional editors help your manuscript stand out for the right reasons.

1 million authors trust the professionals on Reedsy. Come meet them.

Enter your email or get started with a social account:

Craft and Criticism
Fiction and Poetry
News and Culture
Lit Hub Radio
Reading Lists

Literary Criticism
Craft and Advice
In Conversation
On Translation
Short Story
From the Novel
Bookstores and Libraries
Film and TV
Art and Photography
Freeman’s
The Virtual Book Channel
Behind the Mic
Beyond the Page
The Cosmic Library
The Critic and Her Publics
Emergence Magazine
Fiction/Non/Fiction
First Draft: A Dialogue on Writing
The History of Literature
I’m a Writer But
Lit Century
Tor Presents: Voyage Into Genre
Windham-Campbell Prizes Podcast
Write-minded
The Best of the Decade
Best Reviewed Books
BookMarks Daily Giveaway
The Daily Thrill
CrimeReads Daily Giveaway

The 10 Best Essay Collections of the Decade

Ever tried. ever failed. no matter..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , and the best memoirs of the decade , and we have now reached the fifth list in our series: the best essay collections published in English between 2010 and 2019.

The following books were chosen after much debate (and several rounds of voting) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Ten

Oliver sacks, the mind’s eye (2010).

Toward the end of his life, maybe suspecting or sensing that it was coming to a close, Dr. Oliver Sacks tended to focus his efforts on sweeping intellectual projects like On the Move (a memoir), The River of Consciousness (a hybrid intellectual history), and Hallucinations (a book-length meditation on, what else, hallucinations). But in 2010, he gave us one more classic in the style that first made him famous, a form he revolutionized and brought into the contemporary literary canon: the medical case study as essay. In The Mind’s Eye , Sacks focuses on vision, expanding the notion to embrace not only how we see the world, but also how we map that world onto our brains when our eyes are closed and we’re communing with the deeper recesses of consciousness. Relaying histories of patients and public figures, as well as his own history of ocular cancer (the condition that would eventually spread and contribute to his death), Sacks uses vision as a lens through which to see all of what makes us human, what binds us together, and what keeps us painfully apart. The essays that make up this collection are quintessential Sacks: sensitive, searching, with an expertise that conveys scientific information and experimentation in terms we can not only comprehend, but which also expand how we see life carrying on around us. The case studies of “Stereo Sue,” of the concert pianist Lillian Kalir, and of Howard, the mystery novelist who can no longer read, are highlights of the collection, but each essay is a kind of gem, mined and polished by one of the great storytellers of our era. –Dwyer Murphy, CrimeReads Managing Editor

John Jeremiah Sullivan, Pulphead (2011)

The American essay was having a moment at the beginning of the decade, and Pulphead was smack in the middle. Without any hard data, I can tell you that this collection of John Jeremiah Sullivan’s magazine features—published primarily in GQ , but also in The Paris Review , and Harper’s —was the only full book of essays most of my literary friends had read since Slouching Towards Bethlehem , and probably one of the only full books of essays they had even heard of.

Well, we all picked a good one. Every essay in Pulphead is brilliant and entertaining, and illuminates some small corner of the American experience—even if it’s just one house, with Sullivan and an aging writer inside (“Mr. Lytle” is in fact a standout in a collection with no filler; fittingly, it won a National Magazine Award and a Pushcart Prize). But what are they about? Oh, Axl Rose, Christian Rock festivals, living around the filming of One Tree Hill , the Tea Party movement, Michael Jackson, Bunny Wailer, the influence of animals, and by god, the Miz (of Real World/Road Rules Challenge fame).

But as Dan Kois has pointed out , what connects these essays, apart from their general tone and excellence, is “their author’s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects’ and his own foibles.” They are also extremely well written, drawing much from fictional techniques and sentence craft, their literary pleasures so acute and remarkable that James Wood began his review of the collection in The New Yorker with a quiz: “Are the following sentences the beginnings of essays or of short stories?” (It was not a hard quiz, considering the context.)

It’s hard not to feel, reading this collection, like someone reached into your brain, took out the half-baked stuff you talk about with your friends, researched it, lived it, and represented it to you smarter and better and more thoroughly than you ever could. So read it in awe if you must, but read it. –Emily Temple, Senior Editor

Aleksandar Hemon, The Book of My Lives (2013)

Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. While it is, of course, objectively remarkable that anyone could write so beautifully in a language they learned in their twenties, what I admire most about Hemon’s work is the way in which he infuses every essay and story and novel with both a deep humanity and a controlled (but never subdued) fury. He can also be damn funny. Hemon grew up in Sarajevo and left in 1992 to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare. This extraordinary memoir-in-essays is many things: it’s a love letter to both the family that raised him and the family he built in exile; it’s a rich, joyous, and complex portrait of a place the 90s made synonymous with war and devastation; and it’s an elegy for the wrenching loss of precious things. There’s an essay about coming of age in Sarajevo and another about why he can’t bring himself to leave Chicago. There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. I am not exaggerating when I say that the collection’s devastating final piece, “The Aquarium”—which details his infant daughter’s brain tumor and the agonizing months which led up to her death—remains the most painful essay I have ever read. –Dan Sheehan, Book Marks Editor

Robin Wall Kimmerer, Braiding Sweetgrass (2013)

Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. Robin Wall Kimmerer’s gorgeously rendered argument for why and how we should keep going, there’s one that especially hits home: her account of professor-turned-forester Franz Dolp. When Dolp, several decades ago, revisited the farm that he had once shared with his ex-wife, he found a scene of destruction: The farm’s new owners had razed the land where he had tried to build a life. “I sat among the stumps and the swirling red dust and I cried,” he wrote in his journal.

So many in my generation (and younger) feel this kind of helplessness–and considerable rage–at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia. Kimmerer’s essays describe her personal experience as a Potawotami woman, plant ecologist, and teacher alongside stories of the many ways that humans have lived in relationship to other species. Whether describing Dolp’s work–he left the stumps for a life of forest restoration on the Oregon coast–or the work of others in maple sugar harvesting, creating black ash baskets, or planting a Three Sisters garden of corn, beans, and squash, she brings hope. “In ripe ears and swelling fruit, they counsel us that all gifts are multiplied in relationship,” she writes of the Three Sisters, which all sustain one another as they grow. “This is how the world keeps going.” –Corinne Segal, Senior Editor

Hilton Als, White Girls (2013)

In a world where we are so often reduced to one essential self, Hilton Als’ breathtaking book of critical essays, White Girls , which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book. It’s one of the only works of critical thinking that doesn’t ask the reader, its author or anyone he writes about to stoop before the doorframe of complete legibility before entering. Something he also permitted the subjects and readers of his first book, the glorious book-length essay, The Women , a series of riffs and psychological portraits of Dorothy Dean, Owen Dodson, and the author’s own mother, among others. One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. To read White Girls now is to experience the utter freedom of this gift and to marvel at Als’ tremendous versatility and intelligence.

He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. He’s also wired enough to know how the art world builds reputations on the nod of rich white patrons, a significant collision in a time when Jean-Michel Basquiat is America’s most expensive modern artist. Als’ swerving and always moving grip on performance means he’s especially good on describing the effect of art which is volatile and unstable and built on the mingling of made-up concepts and the hard fact of their effect on behavior, such as race. Writing on Flannery O’Connor for instance he alone puts a finger on her “uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.” From Eminem to Richard Pryor, André Leon Talley to Michael Jackson, Als enters the life and work of numerous artists here who turn the fascinations of race and with whiteness into fury and song and describes the complexity of their beauty like his life depended upon it. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture. –John Freeman, Executive Editor

Eula Biss, On Immunity (2014)

We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential 2014 essay collection, On Immunity . As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence.

Five years on from its publication, it is dismaying that On Immunity feels as urgent (and necessary) a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda. But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat (and important) trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think. –Jonny Diamond, Editor-in-Chief

Rebecca Solnit, The Mother of All Questions (2016)

When Rebecca Solnit’s essay, “Men Explain Things to Me,” was published in 2008, it quickly became a cultural phenomenon unlike almost any other in recent memory, assigning language to a behavior that almost every woman has witnessed—mansplaining—and, in the course of identifying that behavior, spurring a movement, online and offline, to share the ways in which patriarchal arrogance has intersected all our lives. (It would also come to be the titular essay in her collection published in 2014.) The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women. Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives.

The Mother of All Questions, comprised of essays written between 2014 and 2016, in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Solnit also acknowledges that labels like “woman,” and other gendered labels, are identities that are fluid in reality; in reviewing the book for The New Yorker , Moira Donegan suggested that, “One useful working definition of a woman might be ‘someone who experiences misogyny.'” Whichever words we use, Solnit writes in the introduction to the book that “when words break through unspeakability, what was tolerated by a society sometimes becomes intolerable.” This storytelling work has always been vital; it continues to be vital, and in this book, it is brilliantly done. –Corinne Segal, Senior Editor

Valeria Luiselli, Tell Me How It Ends (2017)

The newly minted MacArthur fellow Valeria Luiselli’s four-part (but really six-part) essay Tell Me How It Ends: An Essay in Forty Questions was inspired by her time spent volunteering at the federal immigration court in New York City, working as an interpreter for undocumented, unaccompanied migrant children who crossed the U.S.-Mexico border. Written concurrently with her novel Lost Children Archive (a fictional exploration of the same topic), Luiselli’s essay offers a fascinating conceit, the fashioning of an argument from the questions on the government intake form given to these children to process their arrivals. (Aside from the fact that this essay is a heartbreaking masterpiece, this is such a good conceit—transforming a cold, reproducible administrative document into highly personal literature.) Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they (both Mexican citizens) wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. But the real point of the essay is to actually delve into the real stories of some of these children, which are agonizing, as well as to gravely, clearly expose what literally happens, procedural, when they do arrive—from forms to courts, as they’re swallowed by a bureaucratic vortex. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico (as well as other countries in Central America, more broadly) as it has evolved to our current, adverse moment. Tell Me How It Ends is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-than-100-pages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country. –Olivia Rutigliano, CrimeReads Editorial Fellow

Zadie Smith, Feel Free (2018)

In the essay “Meet Justin Bieber!” in Feel Free , Zadie Smith writes that her interest in Justin Bieber is not an interest in the interiority of the singer himself, but in “the idea of the love object”. This essay—in which Smith imagines a meeting between Bieber and the late philosopher Martin Buber (“Bieber and Buber are alternative spellings of the same German surname,” she explains in one of many winning footnotes. “Who am I to ignore these hints from the universe?”). Smith allows that this premise is a bit premise -y: “I know, I know.” Still, the resulting essay is a very funny, very smart, and un-tricky exploration of individuality and true “meeting,” with a dash of late capitalism thrown in for good measure. The melding of high and low culture is the bread and butter of pretty much every prestige publication on the internet these days (and certainly of the Twitter feeds of all “public intellectuals”), but the essays in Smith’s collection don’t feel familiar—perhaps because hers is, as we’ve long known, an uncommon skill. Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing. “She contains multitudes, but her point is we all do,” writes Hermione Hoby in her review of the collection in The New Republic . “At the same time, we are, in our endless difference, nobody but ourselves.” –Jessie Gaynor, Social Media Editor

Tressie McMillan Cottom, Thick: And Other Essays (2019)

Tressie McMillan Cottom is an academic who has transcended the ivory tower to become the sort of public intellectual who can easily appear on radio or television talk shows to discuss race, gender, and capitalism. Her collection of essays reflects this duality, blending scholarly work with memoir to create a collection on the black female experience in postmodern America that’s “intersectional analysis with a side of pop culture.” The essays range from an analysis of sexual violence, to populist politics, to social media, but in centering her own experiences throughout, the collection becomes something unlike other pieces of criticism of contemporary culture. In explaining the title, she reflects on what an editor had said about her work: “I was too readable to be academic, too deep to be popular, too country black to be literary, and too naïve to show the rigor of my thinking in the complexity of my prose. I had wanted to create something meaningful that sounded not only like me, but like all of me. It was too thick.” One of the most powerful essays in the book is “Dying to be Competent” which begins with her unpacking the idiocy of LinkedIn (and the myth of meritocracy) and ends with a description of her miscarriage, the mishandling of black woman’s pain, and a condemnation of healthcare bureaucracy. A finalist for the 2019 National Book Award for Nonfiction, Thick confirms McMillan Cottom as one of our most fearless public intellectuals and one of the most vital. –Emily Firetog, Deputy Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Elif Batuman, The Possessed (2010)

In The Possessed Elif Batuman indulges her love of Russian literature and the result is hilarious and remarkable. Each essay of the collection chronicles some adventure or other that she had while in graduate school for Comparative Literature and each is more unpredictable than the next. There’s the time a “well-known 20th-centuryist” gave a graduate student the finger; and the time when Batuman ended up living in Samarkand, Uzbekistan, for a summer; and the time that she convinced herself Tolstoy was murdered and spent the length of the Tolstoy Conference in Yasnaya Polyana considering clues and motives. Rich in historic detail about Russian authors and literature and thoughtfully constructed, each essay is an amalgam of critical analysis, cultural criticism, and serious contemplation of big ideas like that of identity, intellectual legacy, and authorship. With wit and a serpentine-like shape to her narratives, Batuman adopts a form reminiscent of a Socratic discourse, setting up questions at the beginning of her essays and then following digressions that more or less entreat the reader to synthesize the answer for herself. The digressions are always amusing and arguably the backbone of the collection, relaying absurd anecdotes with foreign scholars or awkward, surreal encounters with Eastern European strangers. Central also to the collection are Batuman’s intellectual asides where she entertains a theory—like the “problem of the person”: the inability to ever wholly capture one’s character—that ultimately layer the book’s themes. “You are certainly my most entertaining student,” a professor said to Batuman. But she is also curious and enthusiastic and reflective and so knowledgeable that she might even convince you (she has me!) that you too love Russian literature as much as she does. –Eleni Theodoropoulos, Editorial Fellow

Roxane Gay, Bad Feminist (2014)

Roxane Gay’s now-classic essay collection is a book that will make you laugh, think, cry, and then wonder, how can cultural criticism be this fun? My favorite essays in the book include Gay’s musings on competitive Scrabble, her stranded-in-academia dispatches, and her joyous film and television criticism, but given the breadth of topics Roxane Gay can discuss in an entertaining manner, there’s something for everyone in this one. This book is accessible because feminism itself should be accessible – Roxane Gay is as likely to draw inspiration from YA novels, or middle-brow shows about friendship, as she is to introduce concepts from the academic world, and if there’s anyone I trust to bridge the gap between high culture, low culture, and pop culture, it’s the Goddess of Twitter. I used to host a book club dedicated to radical reads, and this was one of the first picks for the club; a week after the book club met, I spied a few of the attendees meeting in the café of the bookstore, and found out that they had bonded so much over discussing Bad Feminist that they couldn’t wait for the next meeting of the book club to keep discussing politics and intersectionality, and that, in a nutshell, is the power of Roxane. –Molly Odintz, CrimeReads Associate Editor

Rivka Galchen, Little Labors (2016)

Generally, I find stories about the trials and tribulations of child-having to be of limited appeal—useful, maybe, insofar as they offer validation that other people have also endured the bizarre realities of living with a tiny human, but otherwise liable to drift into the musings of parents thrilled at the simple fact of their own fecundity, as if they were the first ones to figure the process out (or not). But Little Labors is not simply an essay collection about motherhood, perhaps because Galchen initially “didn’t want to write about” her new baby—mostly, she writes, “because I had never been interested in babies, or mothers; in fact, those subjects had seemed perfectly not interesting to me.” Like many new mothers, though, Galchen soon discovered her baby—which she refers to sometimes as “the puma”—to be a preoccupying thought, demanding to be written about. Galchen’s interest isn’t just in her own progeny, but in babies in literature (“Literature has more dogs than babies, and also more abortions”), The Pillow Book , the eleventh-century collection of musings by Sei Shōnagon, and writers who are mothers. There are sections that made me laugh out loud, like when Galchen continually finds herself in an elevator with a neighbor who never fails to remark on the puma’s size. There are also deeper, darker musings, like the realization that the baby means “that it’s not permissible to die. There are days when this does not feel good.” It is a slim collection that I happened to read at the perfect time, and it remains one of my favorites of the decade. –Emily Firetog, Deputy Editor

Charlie Fox, This Young Monster (2017)

On social media as in his writing, British art critic Charlie Fox rejects lucidity for allusion and doesn’t quite answer the Twitter textbox’s persistent question: “What’s happening?” These days, it’s hard to tell. This Young Monster (2017), Fox’s first book,was published a few months after Donald Trump’s election, and at one point Fox takes a swipe at a man he judges “direct from a nightmare and just a repulsive fucking goon.” Fox doesn’t linger on politics, though, since most of the monsters he looks at “embody otherness and make it into art, ripping any conventional idea of beauty to shreds and replacing it with something weird and troubling of their own invention.”

If clichés are loathed because they conform to what philosopher Georges Bataille called “the common measure,” then monsters are rebellious non-sequiturs, comedic or horrific derailments from a classical ideal. Perverts in the most literal sense, monsters have gone astray from some “proper” course. The book’s nine chapters, which are about a specific monster or type of monster, are full of callbacks to familiar and lesser-known media. Fox cites visual art, film, songs, and books with the screwy buoyancy of a savant. Take one of his essays, “Spook House,” framed as a stage play with two principal characters, Klaus (“an intoxicated young skinhead vampire”) and Hermione (“a teen sorceress with green skin and jet-black hair” who looks more like The Wicked Witch than her namesake). The chorus is a troupe of trick-or-treaters. Using the filmmaker Cameron Jamie as a starting point, the rest is free association on gothic decadence and Detroit and L.A. as cities of the dead. All the while, Klaus quotes from Artforum , Dazed & Confused , and Time Out. It’s a technical feat that makes fictionalized dialogue a conveyor belt for cultural criticism.

In Fox’s imagination, David Bowie and the Hydra coexist alongside Peter Pan, Dennis Hopper, and the maenads. Fox’s book reaches for the monster’s mask, not really to peel it off but to feel and smell the rubber schnoz, to know how it’s made before making sure it’s still snugly set. With a stylistic blend of arthouse suavity and B-movie chic, This Young Monster considers how monsters in culture are made. Aren’t the scariest things made in post-production? Isn’t the creature just duplicity, like a looping choir or a dubbed scream? –Aaron Robertson, Assistant Editor

Elena Passarello, Animals Strike Curious Poses (2017)

Elena Passarello’s collection of essays Animals Strike Curious Poses picks out infamous animals and grants them the voice, narrative, and history they deserve. Not only is a collection like this relevant during the sixth extinction but it is an ambitious historical and anthropological undertaking, which Passarello has tackled with thorough research and a playful tone that rather than compromise her subject, complicates and humanizes it. Passarello’s intention is to investigate the role of animals across the span of human civilization and in doing so, to construct a timeline of humanity as told through people’s interactions with said animals. “Of all the images that make our world, animal images are particularly buried inside us,” Passarello writes in her first essay, to introduce us to the object of the book and also to the oldest of her chosen characters: Yuka, a 39,000-year-old mummified woolly mammoth discovered in the Siberian permafrost in 2010. It was an occasion so remarkable and so unfathomable given the span of human civilization that Passarello says of Yuka: “Since language is epically younger than both thought and experience, ‘woolly mammoth’ means, to a human brain, something more like time.” The essay ends with a character placing a hand on a cave drawing of a woolly mammoth, accompanied by a phrase which encapsulates the author’s vision for the book: “And he becomes the mammoth so he can envision the mammoth.” In Passarello’s hands the imagined boundaries between the animal, natural, and human world disintegrate and what emerges is a cohesive if baffling integrated history of life. With the accuracy and tenacity of a journalist and the spirit of a storyteller, Elena Passarello has assembled a modern bestiary worthy of contemplation and awe. –Eleni Theodoropoulos, Editorial Fellow

Esmé Weijun Wang, The Collected Schizophrenias (2019)

Esmé Weijun Wang’s collection of essays is a kaleidoscopic look at mental health and the lives affected by the schizophrenias. Each essay takes on a different aspect of the topic, but you’ll want to read them together for a holistic perspective. Esmé Weijun Wang generously begins The Collected Schizophrenias by acknowledging the stereotype, “Schizophrenia terrifies. It is the archetypal disorder of lunacy.” From there, she walks us through the technical language, breaks down the Diagnostic and Statistical Manual ( DSM-5 )’s clinical definition. And then she gets very personal, telling us about how she came to her own diagnosis and the way it’s touched her daily life (her relationships, her ideas about motherhood). Esmé Weijun Wang is uniquely situated to write about this topic. As a former lab researcher at Stanford, she turns a precise, analytical eye to her experience while simultaneously unfolding everything with great patience for her reader. Throughout, she brilliantly dissects the language around mental health. (On saying “a person living with bipolar disorder” instead of using “bipolar” as the sole subject: “…we are not our diseases. We are instead individuals with disorders and malfunctions. Our conditions lie over us like smallpox blankets; we are one thing and the illness is another.”) She pinpoints the ways she arms herself against anticipated reactions to the schizophrenias: high fashion, having attended an Ivy League institution. In a particularly piercing essay, she traces mental illness back through her family tree. She also places her story within more mainstream cultural contexts, calling on groundbreaking exposés about the dangerous of institutionalization and depictions of mental illness in television and film (like the infamous Slender Man case, in which two young girls stab their best friend because an invented Internet figure told them to). At once intimate and far-reaching, The Collected Schizophrenias is an informative and important (and let’s not forget artful) work. I’ve never read a collection quite so beautifully-written and laid-bare as this. –Katie Yee, Book Marks Assistant Editor

Ross Gay, The Book of Delights (2019)

When Ross Gay began writing what would become The Book of Delights, he envisioned it as a project of daily essays, each focused on a moment or point of delight in his day. This plan quickly disintegrated; on day four, he skipped his self-imposed assignment and decided to “in honor and love, delight in blowing it off.” (Clearly, “blowing it off” is a relative term here, as he still produced the book.) Ross Gay is a generous teacher of how to live, and this moment of reveling in self-compassion is one lesson among many in The Book of Delights , which wanders from moments of connection with strangers to a shade of “red I don’t think I actually have words for,” a text from a friend reading “I love you breadfruit,” and “the sun like a guiding hand on my back, saying everything is possible. Everything .”

Gay does not linger on any one subject for long, creating the sense that delight is a product not of extenuating circumstances, but of our attention; his attunement to the possibilities of a single day, and awareness of all the small moments that produce delight, are a model for life amid the warring factions of the attention economy. These small moments range from the physical–hugging a stranger, transplanting fig cuttings–to the spiritual and philosophical, giving the impression of sitting beside Gay in his garden as he thinks out loud in real time. It’s a privilege to listen. –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Terry Castle, The Professor and Other Writings (2010) · Joyce Carol Oates, In Rough Country (2010) · Geoff Dyer, Otherwise Known as the Human Condition (2011) · Christopher Hitchens, Arguably (2011) · Roberto Bolaño, tr. Natasha Wimmer, Between Parentheses (2011) · Dubravka Ugresic, tr. David Williams, Karaoke Culture (2011) · Tom Bissell, Magic Hours (2012) · Kevin Young, The Grey Album (2012) · William H. Gass, Life Sentences: Literary Judgments and Accounts (2012) · Mary Ruefle, Madness, Rack, and Honey (2012) · Herta Müller, tr. Geoffrey Mulligan, Cristina and Her Double (2013) · Leslie Jamison, The Empathy Exams (2014) · Meghan Daum, The Unspeakable (2014) · Daphne Merkin, The Fame Lunches (2014) · Charles D’Ambrosio, Loitering (2015) · Wendy Walters, Multiply/Divide (2015) · Colm Tóibín, On Elizabeth Bishop (2015) · Renee Gladman, Calamities (2016) · Jesmyn Ward, ed. The Fire This Time (2016) · Lindy West, Shrill (2016) · Mary Oliver, Upstream (2016) · Emily Witt, Future Sex (2016) · Olivia Laing, The Lonely City (2016) · Mark Greif, Against Everything (2016) · Durga Chew-Bose, Too Much and Not the Mood (2017) · Sarah Gerard, Sunshine State (2017) · Jim Harrison, A Really Big Lunch (2017) · J.M. Coetzee, Late Essays: 2006-2017 (2017) · Melissa Febos, Abandon Me (2017) · Louise Glück, American Originality (2017) · Joan Didion, South and West (2017) · Tom McCarthy, Typewriters, Bombs, Jellyfish (2017) · Hanif Abdurraqib, They Can’t Kill Us Until they Kill Us (2017) · Ta-Nehisi Coates, We Were Eight Years in Power (2017) · Samantha Irby, We Are Never Meeting in Real Life (2017) · Alexander Chee, How to Write an Autobiographical Novel (2018) · Alice Bolin, Dead Girls (2018) · Marilynne Robinson, What Are We Doing Here? (2018) · Lorrie Moore, See What Can Be Done (2018) · Maggie O’Farrell, I Am I Am I Am (2018) · Ijeoma Oluo, So You Want to Talk About Race (2018) · Rachel Cusk, Coventry (2019) · Jia Tolentino, Trick Mirror (2019) · Emily Bernard, Black is the Body (2019) · Toni Morrison, The Source of Self-Regard (2019) · Margaret Renkl, Late Migrations (2019) · Rachel Munroe, Savage Appetites (2019) · Robert A. Caro, Working (2019) · Arundhati Roy, My Seditious Heart (2019).

Emily Temple

Previous article, next article.

RSS - Posts

Literary Hub

Created by Grove Atlantic and Electric Literature

How to Pitch Lit Hub

Advertisers: Contact Us

Support Lit Hub - Become A Member

Become a Lit Hub Supporting Member : Because Books Matter

For the past decade, Literary Hub has brought you the best of the book world for free—no paywall. But our future relies on you. In return for a donation, you’ll get an ad-free reading experience , exclusive editors’ picks, book giveaways, and our coveted Joan Didion Lit Hub tote bag . Most importantly, you’ll keep independent book coverage alive and thriving on the internet.

Become a member for as low as $5/month

Writing Strong Titles

by acburton | Apr 25, 2024 | Resources for Students , Writing Resources

You’ve finished your paper, and all that’s left is your title. What do you name the essay you’ve just worked tirelessly on, for days, sometimes even weeks to put together? Should it be long or something shorter? Should you prioritize grasping your readers attention or encapsulating the major themes of your essay? These are all questions that the Writing Center is here to help with!

First Things First: Why Do We Need Titles?

Titles serve as the first point of contact between readers and your written work. They serve to inform readers about what your work will be about and clarify how it is relevant to others’ work or research. All of these things work to engage readers, compelling their curiosity and interest!

What Approaches Can I Take to Create Effective and Engaging Titles?

1. Hook Your Reader

Students often start with this consideration when working to formulate the title of their paper. To ‘hook your reader’, think about what you find most interesting about your own research and something new or enticing that you will be sharing. Convey this to your reader.

2. Keep it Concise, but Make it Informative

An essential aspect that works alongside ‘hooking’ your reader is making sure that your title is concise. While “one-part” titles can prioritize being creative or descriptive (check out our example below!), “two-part” titles, those that may use a colon to present two parallel ideas, can run the risk of being too long to grasp and hold your reader’s attention. A good rule of thumb is to aim to keep your “two-part” titles no longer than two lines. Whichever you choose, either “one part” or “two part”, you’ll want to be sure that your title serves as one method for your reader to predict what your paper will be about. While you don’t want to give everything away, your title shouldn’t be too far off from what your paper will demonstrate.

3. Consider Your Audience

Much like you did when writing the work that you are now striving to title, consider your audience. The words and phrases you choose to incorporate should be reflective of the discipline you are writing for and should not include terminology that, whoever may be reading it, won’t be able to grasp. Contemplate if using more general language would be more effective for your reader (especially if your work may be attractive to readers outside of your discipline) or if more precise or specific language is more appropriate for your goal (e.g., an academic publication or journal).

4. Incorporate Keywords

One of the simplest ways to get started on your title is by incorporating keywords. Think about it; what does your work focus on? What terms are being used often? How are they being used (e.g., in comparison or in contrast to other terms)? Incorporating keywords into your title not only serves to provide you a great place to start, but can also help get your work to a wider audience! Take the time to think about how you might get your work to show up in search engines when curious readers want to know more about a subject.

5. Reflect the Tone of Your Writing

Depending on the genre or discipline, your title should aim to follow the style, tone, or slant of the work it precedes. For example, if you are writing non-scholarly work for the Humanities, you may find that a more lighthearted, fun, or inventive title may work for the topic at hand. In contrast, STEM papers may focus on using specific language, or a tone that lets the reader know that their work is contemplative, veracious, or, in other words, no laughing matter. Take note, again, of your audience and what it is that you want your reader to feel or take away as they navigate your writing.

Below, you’ll see how these considerations work alongside your decision to create those one or two-part titles discussed earlier.

For a Compelling, Thoughtful Title, You Might Try…

A “one-part” title that prioritizes either..

Example: “ RENT’ s Tango With Your Emotions”
Example: “An Analysis of Modernism in Larson’s Melodramatic Musical”

STEM papers or reports traditionally have a descriptive title. Creative projects, like short stories, often have creative titles.

A “two-part” title:

Creative Introductory Clause: Descriptive, Specific Topic
Example: “RENT’s Tango With Your Emotions: An Analysis of Modernism in Larson’s Melodramatic Musical”

Although seen much more often in STEM writing, scholarly work in the Humanities, Arts, or Social Sciences may have a two-part title.

How Do We Format Essay Titles?

Formal titles follow Title Case Formatting ; this type of formatting includes capitalizing the first word, the last word, and every significant word in between. For example:

T ransgressive T ekken : P layer E xpression and P articipatory C ulture in the K orean B ackdash

Helpful Hint!

To write stronger titles, avoid starting with a question. While this may draw your reader in, it may also leave them feeling disinterested in reading further to find the answer. Similarly, avoid exaggerating your work through your title. Be honest with your reader on what to expect going forward. Visit us at the Writing Center for help brainstorming a fantastic title or polishing up an existing one!

Western Libraries
Ask Us! Answer Service

Q. How do I refer to a book by title in-text in APA format?

Research & Writing Studio
21 Accounts
14 Acquisitions
4 Anthropology
71 APA citations and formatting
35 Archives
31 Archives & Special Collections
36 Articles
14 Business resources
11 Center for Pacific Northwest Studies
3 Chemistry
8 Chicago citations and formatting
85 Circulation Services (check out/return/renew items)
42 Citations and style guides
44 Collections
50 Community services
1 Computer science
38 Computers
47 Copyright
79 Databases
22 Digital collections
87 Directions
7 Education (studies)
3 Engineering
2 English literature
7 Environmental studies/sciences
23 Equipment
42 Faculty services
3 Fairhaven
9 Fines and fees
12 Fun facts
21 Government information
5 Graduate students
2 Grant writing
1 Guest services
5 Human Services
50 Inter-library loan
17 Journals
29 Learning Commons
8 Library instruction
78 Library services
13 MLA citations and formatting
29 Multimedia
6 Newspapers
55 OneSearch
4 Online Learning
64 Outreach and Continuing Education
29 Policies
2 Political science
29 Primary sources
30 Printing related
3 Psychology
2 Rehabilitation Counseling
86 Research
17 Research & Writing Studio
37 Reserves
6 Scholarly communication
3 Sociology
10 Special Collections
1 Streaming video
44 Student services
28 Student Technology Center
1 Teaching and Learning Academy
16 Technology
3 Troubleshooting
4 Tutoring Center
5 Undergraduate Research Award
5 Undergraduate Students
18 Video tutorial
11 Western CEDAR
1 Women's Studies
37 Writing related
93 WWU general info

Answered By: Gabe Gossett Last Updated: Jun 22, 2023 Views: 628647

The basic format for an in-text citation is: Title of the Book (Author Last Name, year).

One author: Where the Wild Things Are (Sendak, 1963) is a depiction of a child coping with his anger towards his mom.

Two authors (cite both names every time): Brabant and Mooney (1986) have used the comic strip to examine evidence of sex role stereotyping. OR The comic strip has been used to examine evidence of sex role stereotyping (Brabant & Mooney, 1986).

Three or more authors (cite the first author plus et al.): Tales from the Shadowhunter Academy (Clare et al., 2016) depicts a young man's experience at the Shadowhunter Academy, a place where being a former vampire is looked down upon.OR Clare et al. (2016) have crafted a unique story about a young man's journey to find himself.

No author: Cite the first few words of the reference entry (usually the title) and the year. Use double quotation marks around the title of an article or chapter, and italicize the title of a periodical, book, brochure, or report. Examples: From the book Study Guide (2000) ... or ("Reading," 1999).

Note: Titles of periodicals, books, brochures, or reports should be in italics and use normal title capitalization rules.

If you are citing multiple sources by multiple authors in-text, you can list all of them by the author's last name and year of publication within the same set of parentheses, separated by semicolons.

Example: (Adams, 1999; Jones & James, 2000; Miller, 1999)

For more information on how to cite books in-text and as a reference entry, see the APA Publication Manual (7th edition) Section 10.2 on pages 321-325 .

Links & Files

APA Workshop
Citation Quick Guides and Style Manuals
Share on Facebook

Was this helpful? Yes 107 No 86

Comments (13)

This was very useful for me! I was having a really hard time finding information on how to mention an article title AND the author in text in APA so this was very helpful!!! by Ryan Waddell on Jun 27, 2019
If I just mention that I used a book to teach a topic do I have to include it in the reference list? by Franw on Oct 17, 2019
@Franw, if it is a source that informs your paper in any way, or if your reader would have reason to look it up, then you should include a full reference list entry for the book. by Gabe [Research & Writing Studio] on Oct 18, 2019
Maybe I'm misunderstanding the question, but I think the OP is asking how to refer to a book title, not how to cite one. I believe APA uses quotation marks around book titles and MLA uses italics. by AB on Dec 12, 2019
@AB: The first sentence has been tweaked to clarify title of book usage, reflecting the examples given. For APA style you should use italics for book titles. It would be quotation marks. by Gabe [Research & Writing Studio] on Dec 12, 2019
Hi, can any one help me with in-text-citation of this, how can i cite it in the text Panel, I. L. (2002). Digital transformation: A framework for ICT literacy. Educational Testing Service, 1-53. by Milad on Aug 20, 2021
@Milad: In that case it would be (Panel, 2002). If you are quoting, or otherwise choosing to include page numbers, put a comma after the year, then p. and the page number(s). by Gabe Gossett on Aug 20, 2021
Hey, I'm a little bit curious, what if I'm mentioning a book and paraphrasing it but still want to give credit. Would I put the information into parenthesis instead? Like: Paraphrased info. ("Title in Italics" Author, year) by Kai on Sep 14, 2023
@Kai: Apologies for not seeing your question sooner! (Our academic year has not started yet). If I am understanding your question correctly, what I suggest is referring to the book title in the narrative of your writing, rather than in the in-text citation. I do not see an examples of using a book title in an in-text citation except for rare circumstances including citing a classic religious text or using the title when there is no author information because it is the start of your reference list entry. Basically, APA's in-text convention is supposed to make it easy for your reader to locate the source being cited in the reference list. So the first part of the in-text citation, usually authors, comes first to locate it alphabetically. Putting the book title first when you have an author name can throw that off. by Gabe Gossett on Sep 21, 2023
Perhaps this is along the lines of the response to Kai - Can you reference a book title as a common point of social understanding to demonstrate a common concept? Is official citing required if you use widely known titles such as "Where's Waldo" and "Who Moved My Cheese?" to make a point of illustration? by Chez Renee on Sep 30, 2023
@Chez: Aside from some classical religious texts, if it is a published book, I'd try to make sure that it is appropriately cited for APA style. That said, I think I understand where it gets tricky with things like Where's Waldo, since that is a series of books and stating "Where's Waldo" is a cultural reference many people would understand, though you can't reasonably cite the entire series. I don't believe that APA gives guidance for this particular issue. If it is being referred to in order to back up a claim, it would help to cite a particular book. If not, then it might work to use a statement such as, "Hanford's Where's Waldo series . . ." by Gabe Gossett on Oct 02, 2023
How to cite a dissertation thesis in apa form? by Elizabeth on Feb 05, 2024
@Elizabeth: For citing a dissertation or thesis you can check out our page answering that here https://askus.library.wwu.edu/faq/153308 by Gabe Gossett on Feb 05, 2024

Find the librarian for your subject area

The best new science fiction books of May 2024

A new Stephen King short story collection, an Ursula K. Le Guin reissue and a celebration of cyberpunk featuring writing from Philip K. Dick and Cory Doctorow are among the new science fiction titles published this month

By Alison Flood

A new short story collection from Stephen King, You Like It Darker, is out in May

Shane Leonard

Every month, I trawl through publishers’ catalogues so I can tell you about the new science fiction being released. And every month, I’m disappointed to see so much more fantasy on publishers’ lists than sci-fi. I know it’s a response to the huge boom in readers of what’s been dubbed “ romantasy ”, and I’m not knocking it – I love that sort of book too. But it would be great to see more good, hard, mind-expanding sci-fi in the offing as well.

In the meantime, there is definitely enough for us sci-fi fans to sink our teeth into this month, whether it’s a reissue of classic writing from Ursula K. Le Guin, some new speculative short stories from Stephen King or murder in space from Victor Manibo and S. A. Barnes.

Last month, I tipped Douglas Preston’s Extinction and Sofia Samatar’s The Practice, the Horizon, and the Chain as books I was looking forward to. I can report that they were both excellent: Extinction was a lot of good, clean, Jurassic Park -tinged fun, while Samatar’s offering was a beautiful and thought-provoking look at life on a generation ship.

The Language of the Night: Essays on writing, science fiction, and fantasy by Ursula K. Le Guin

There are few sci-fi and fantasy writers more brilliant (and revered) than Ursula K. Le Guin. This reissue of her first full-length collection of essays features a new introduction from Hugo and Nebula award-winner Ken Liu and covers the writing of The Left Hand of Darkness and A Wizard of Earthsea , as well as her advocacy for sci-fi and fantasy as legitimate literary mediums. I’ve read some of these essays but not all, and I won’t be missing this collection.

Nuclear War: A Scenario by Annie Jacobsen

This isn’t science fiction, not quite, but it is one of the best and most important books I have read for some time. It sees Jacobsen lay out, minute by minute, what would happen if an intercontinental ballistic missile hit Washington DC. How would the US react? What, exactly, happens if deterrence fails? Jacobsen has spoken to dozens of military experts to put together what her publisher calls a “non-fiction thriller”, and what I call the scariest book I have possibly ever read (and I’m a Stephen King fan; see below). We’re currently reading it at the New Scientist Book Club, and you can sign up to join us here .

Read an extract from Nuclear War: A scenario by Annie Jacobsen

In this terrifying extract from Annie Jacobsen’s Nuclear War: A Scenario, the author lays out what would happen in the first seconds after a nuclear missile hits the Pentagon

The Big Book of Cyberpunk (Vol 1 & 2)

Forty years ago, William Gibson published Neuromancer . Since then, it has entranced millions of readers right from its unforgettable opening line: “The sky above the port was the color of television, tuned to a dead channel…”. Neuromancer gave us the literary genre that is cyberpunk, and we can now welcome a huge, two-volume anthology celebrating cyberpunk’s best stories, by writers from Cory Doctorow to Justina Robson, and from Samuel R. Delaney to Philip K. Dick. I have both glorious-sounding volumes, brought together by anthologist Jared Shurin, on my desk (using up most of the space on it), and I am looking forward to dipping in.

You Like It Darker by Stephen King

You could categorise Stephen King as a horror writer. I see him as an expert chronicler of the dark side of small-town America, and from The Tommyknockers and its aliens to Under the Dome with its literally divisive trope, he frequently slides into sci-fi. Even the horror at the heart of It is some sort of cosmic hideousness. He is one of my favourite writers, and You Like It Darker is a new collection of short stories that moves from “the folds in reality where anything can happen” to a “psychic flash” that upends dozens of lives. There’s a sequel to Cujo , and a look at “corners of the universe best left unexplored”. I’ve read the first story so far, and I can confirm there is plenty for us sci-fi fans here.

Enlightenment by Sarah Perry

Not sci-fi, but fiction about science – and from one of the UK’s most exciting writers (if you haven’t read The Essex Serpent yet, you’re in for a treat). This time, Perry tells the story of Thomas Hart, a columnist on the Essex Chronicle who becomes a passionate amateur astronomer as the comet Hale-Bopp approaches in 1997. Our sci-fi columnist Emily Wilson is reviewing it for New Scientist ’s 11 May issue, and she has given it a vigorous thumbs up (“a beautiful, compassionate and memorable book,” she writes in a sneak preview just for you guys).

Ghost Station by S.A. Barnes

Dr Ophelia Bray is a psychologist and expert in the study of Eckhart-Reiser syndrome, a fictional condition that affects space travellers in terrible ways. She’s sent to help a small crew whose colleague recently died, but as they begin life on an abandoned planet, she realises that her charges are hiding something. And then the pilot is murdered… Horror in space? Mysterious planets? I’m up for that.

In Hey, Zoey, the protagonist finds an animatronic sex doll hidden in her garage

Shutterstock / FOTOGRIN

Hey, Zoey by Sarah Crossan

Hot on the heels of Sierra Greer’s story about a sex robot wondering what it means to be human in Annie Bot , the acclaimed young adult and children’s author Sarah Crossan has ventured into similar territory. In Hey, Zoey , Dolores finds an animatronic sex doll hidden in her garage and assumes it belongs to her husband David. She takes no action – but then Dolores and Zoey begin to talk, and Dolores’s life changes.

How to Become the Dark Lord and Die Trying by Django Wexler

Davi has tried to take down the Dark Lord before, rallying humanity and making the final charge – as you do. But the time loop she is stuck in always defeats her, and she loses the battle in the end. This time around, Davi decides that the best thing to do is to become the Dark Lord herself. You could argue that this is fantasy, but it has a time loop, so I’m going to count it as sci-fi. It sounds fun and lighthearted: quotes from early readers are along the lines of “A darkly comic delight”, and we could all use a bit of that these days.

Escape Velocity by Victor Manibo

It’s 2089, and there’s an old murder hanging over the clientele of Space Habitat Altaire, a luxury space hotel, while an “unforeseen threat” is also brewing in the service corridors. A thriller in space? Sounds excellent – and I’m keen to see if Manibo makes use of the latest research into the angle at which blood might travel following violence in space, as reported on by our New Scientist humour columnist Marc Abrahams recently.

The best new science fiction books of March 2024

With a new Adrian Tchaikovsky, Mars-set romance from Natasha Pulley and a high-concept thriller from Stuart Turton due to hit shelves, there is plenty of great new science fiction to be reading in March

In Our Stars by Jack Campbell

Part of the Doomed Earth series, this follows Lieutenant Selene Genji, who has been genetically engineered with partly alien DNA and has “one last chance to save the Earth from destruction”. Beautifully retro cover for this space adventure – not to judge a book in this way, of course…

The Downloaded by Robert J. Sawyer

Two sets of people have had their minds uploaded into a quantum computer in the Ontario of 2059. Astronauts preparing for the world’s first interstellar voyage form one group; the other contains convicted murderers, sentenced to a virtual-reality prison. Naturally, disaster strikes, and, yup, they must work together to save Earth from destruction. Originally released as an Audible Original with Brendan Fraser as lead narrator, this is the first print edition of the Hugo and Nebula award-winning Sawyer’s 26 th novel.

The Ferryman by Justin Cronin

Just in case you still haven’t read it, Justin Cronin’s gloriously dreamy novel The Ferryman , set on an apparently utopian island where things aren’t quite as they seem, is out in paperback this month. It was the first pick for the New Scientist Book Club, and it is a mind-bending, dreamy stunner of a read. Go try it – and sign up for the Book Club in the meantime!

science fiction /

Sign up to our weekly newsletter

Receive a weekly dose of discovery in your inbox! We'll also keep you up to date with New Scientist events and special offers.

More from New Scientist

Explore the latest news, articles and features

We live in a cosmic void so empty that it breaks the laws of cosmology

Subscriber-only

Annie Jacobsen: 'What if we had a nuclear war?’

Two brilliant new novels from adrian tchaikovsky show his range, popular articles.

The Spinoff

The Sunday Essay Yesterday at 5.00am

The sunday essay: the books that electrify and consume you.

I didn’t know books could open you back up; that there were books that stayed with you, where reading was like a chemical event. I knew nothing.

The Sunday Essay is made possible thanks to the support of Creative New Zealand.

N ot too long ago, I was listening to the American writer Bud Smith on a podcast. It was dusk, late summer. I was driving through the countryside, only half listening, when he had this burst of eloquence. He said the reason he reads and writes is because it’s the most active form of art; the author and reader are in collaboration. They have to work together to find meaning. The reader swims upstream, the author swims downstream and at some point they meet.

I’d never thought about the relationship like this before. To be honest, I’d never really thought of it as a relationship. I thought the writer did the work and the reader simply showed up to take it in, to gulp it down. But I liked his way of looking at it. I liked it so much that when I got home, I told my wife to get in the car and I played it for her again. “See, this is why,” I wanted to say. “This explains everything.” Except, of course, it didn’t explain anything.

The idea was still lingering a few months later when I decided to reread Haruki Murakami’s Norwegian Wood. A few weeks before starting, I was in a bookstore in Mount Eden killing time when I heard three young guys discussing it. They were raving. They couldn’t get enough of it. They pressed it onto their one friend who hadn’t read it yet, telling him he had to. He absolutely had to. They didn’t look like readers, but maybe that was the point.

I was 19 years old when Dad handed me his copy. I knew nothing about “good” books. I didn’t know who Murakami was. Until then, other than school texts, I’d read fantasy. I read to escape my life. I read about wizards and dragons and half-elves. I read without taste or focus, racing through for plot alone. At some point, I got over it. In my last year of school, I stopped reading altogether. I was too busy counting excuses. I didn’t know books could open you back up; that there were books that stayed with you, where reading was like a chemical event. I didn’t know that you don’t get to choose which books, or when it happens, or how. I knew nothing.

F or me, this kind of chemical reading event has only happened three times. Norwegian Wood was the first. It was a dreary weekend in Auckland circa 2009, and I was still living at home. I took the book pressed upon me on a Saturday morning, flopped down on a couch by the window, and as far as I can recall, didn’t move again until Sunday night.

When I started reading the book, it was raining. When I closed it, the skies had cleared. I felt different: “changed” might be putting it too heavily, but something had gone on under the skin. At that point, as I stepped into the back garden, into the fresh air and oddly bright evening, I was floating, almost in a state of shock. I grieved for the characters, for myself, that it was over. It was a feeling I had, until then, reserved for music and TV and movies, a feeling I thought had to be manipulated out of me. Except this time it felt authentic.

Over the next two years, I would read Norwegian Wood another four or five more times. I would recommend it to everyone I knew. My friends and I actually discussed it at parties. One time, I caught a girl stealing my only copy. She had slipped into a mesh backpack so I could see she was taking it. She wanted me to see it, I realised later.

When the 2010 movie came out, I watched bitterly, wondering why they had butchered it. Later, I wondered if it was because the movie begins with suicide; if it showed me something I didn’t want to see: that the book was darker and colder than I had accounted for; that I had missed something; that I loved it for the wrong reasons. I loved it for simple reasons: for its accessibility, beauty, and perhaps most importantly, because it wasn’t cheesy. By setting it in Tokyo during the 1960s student protests, and by constantly referring to books, records, coffee and whisky, he made love and heartache seem cool. He used nostalgia like a weapon and I lapped it up. I was the perfect age: I was one year older than Watanabe, the hardboiled narrator, when the book began.

Some of the ideas laced through the book were addictive to me, like when he talks about how Naoko, one of the girls he loves, would be turning 20 and didn’t want to:

I felt as if the only thing that made sense, whether for Naoko or for me, was to keep going back and forth between 18 and 19. After 18 would come 19 and after 19, 18 of course.

Later I realised this perennial cycling between the last years of teenagehood was just another form of purgatory, but back then I knew exactly what he meant. The sentiment stayed with me. As each birthday approached and I had once again failed to achieve all that I wanted to achieve, I considered ricocheting back and forth, never getting older. I wished that was how it worked.

I tried to see myself in Watanabe. Just as he made few friends and kept to himself, preferring books and music to people, I steered clear of groups. I was quiet and withdrawn, but by embracing the book I was able to make it feel like it was my choice.

Nobody likes to be alone that much. I don’t go out of my way to make friends, that’s all. It just leads to disappointment .

By repeating Watanabe’s explanations over and over, they became my own. I spent hungover Sundays walking across Auckland. I dismissed my peers’ ambition as ego. I thought Watanabe’s way of living was better than any I had encountered. I didn’t know how much Murakami drew on the work of Dostoevsky and Chandler. I thought Watanabe was more human than he was. True, he suffers heartache and loss, but I never focused on his suffering. I never really got it. I’m not sure if I was oblivious or if it was easier just to breeze over those parts.

I loved the book so much that I went as far as internalising the dialogue and making certain character’s declarations into credos. Rereading it, I felt a prickling when the callous Nagasawa says to Watanabe, by way of farewell, resist self-pity.

Don’t feel sorry for yourself. Only arseholes do that .

This was one of my mantras. Something to live by. Something I had lived by. I might as well have tattooed it across my forearm. And yet somehow I forgot where I picked it up.

This prickling happened again when I re-read Nagasawa telling Watanabe about his reading habits; about his reluctance to read contemporary work.

If you only read the books that everyone else is reading, you can only think what everyone else is thinking.

For years, I only let myself read strange books by long-dead authors. Once, I triumphantly told my classmates how my favourite author was a semi-obscure Hungarian writer who doesn’t believe in paragraph breaks or full stops. In fact, just a few years after first reading Norwegian Wood , I began dismissing Murakami himself, since he was one of the most famous writers in the world, someone everyone else was reading.

I was thinking about Norwegian Wood because my wife asked me to write a love story. She does this every now and then. Usually, I tell her it’s not going to happen and leave it at that. I don’t like talking about writing. Someone once said if you discuss the idea before you do the work you risk losing the magic. I still believe this, but my reluctance was something else. The truth is, writing a good love story must be about the hardest thing there is to do. The truth is I would be terrified.

Even so, she thinks our story is worth writing about. It goes down well at parties, and whenever she tells it (and she always tells it, she’s better at it than I am) whoever’s listening usually agrees. I won’t go into the finer details, but we were together, then she went away and we weren’t. Six years later we met again in New York. We met for dinner on a cold night two days into the new year. I got lost, and when I finally found the restaurant where she was waiting, I was too nervous to eat.

It didn’t matter. Our dinner lasted a week, then two more. The night before I was meant to fly home to Auckland, she told me to move to the US. Normally I would have laughed at the idea, but I didn’t. I wanted to be with her, and I actually could be, too. I had just finished my degree and it was pretty much the only time in my life I could get a visa; pretty much the only time in my life I could throw everything out the window and move across the world for a woman. So I did. After six years of complete silence and three weeks of drinking in deserted jazz clubs in the middle of winter (Murakami would be proud), I packed up my life and moved to America to be with her. And this, she believes, is the story I should write.

Sincce I was thinking about love, I decided to reread the first book that broke my heart. This time, I felt its loneliness more than anything. I remember that loneliness. I don’t know if it’s unique. I think it has something to do with finishing school, having had so much going on, having so many people around you every day, to suddenly being out there, on your own, with no one. You have to make an effort to reach people. I never did. I cut out a whole swathe of people and I couldn’t tell you why. I wanted things to be different. I wanted to be different. Most of my friends had moved cities and made new friends, created new lives. From where I was standing, they were all moving forward while I stayed put.

At times, I was disappointed with the simple prose. Pages go by that are completely reported. The plot rolls on. Months are breezed over. It wasn’t always compelling. Not much happens; it’s a melancholic ride through a man’s early 20s marred by suicide. He doesn’t wallow, though, and I admired the restraint. I was less impressed with other parts. I kept groaning when Watanabe talked. He’s so wooden. I know it’s not meant to be subtle – most of the characters comment on the way he talks – but it still grated. It felt artificial and unnecessary.

The whole time, I wondered most about Naoko, about who she really is. She never really becomes clear. You never get close. You know she’s going to die and you wait for it. It’s bleak, but somehow never feels too heavy. It’s always at a slight remove, always somehow slightly unreal. I don’t know how Murakami manages it. Perhaps it’s the remote, almost fairy-tale-like mountain where Naoko moves to, the strange sanatorium setting, or the fact she’s never really with Watanabe. She never lets him in. I still don’t know.

Strangely enough, it wasn’t until I was halfway through re-reading Norwegian Wood, that I realised I couldn’t remember how Naoko died or how Watanabe found out. I could remember so much about the book – the soft autumnal rain, the firefly on the roof, drinking beers on a balcony with a girl watching a building burn – but when it came to the dark heart of the novel, the reason why 38-year-old Watanabe is reflecting on his life, I drew a blank. It was an absence, a black hole.

When I got to her death, I understood. I won’t spoil it, but I will say that her suicide isn’t dwelled upon. It is remote and matter-of-fact, once again simply reported; it’s a single line, a chapter opening that, had you been skimming, you might breeze over.

O n a Tuesday night more than a decade after I first read it, I finished the book again. I couldn’t tell you what number re-read this was, but it must be close to ten. This time, I was living in an apartment in New York, without a backyard or tin roof. I didn’t know if it was raining. I never did. I was working a remote job and often wouldn’t go down onto the street until the early evening. I’d step out for the first time that day to find it had been pouring for hours and I’d had no idea.

After finishing Norwegian Wood, I sat there trying to find the will to go outside, to see what was going on. When my wife saw I had finished the book she asked how it held up. I didn’t answer. Right then, I wasn’t thinking about the book but its impact on my life. I was thinking, if not for this book, I never would have spent hours searching the library for more Japanese novels; I never would have found Kenzaburo Oe, another Japanese writer who I ended up loving more than Murakami, who sent me down the long line of past Nobel Prize winners; and if not for Oe, I never would have moved on to South American writers and Northern European writers; and if not for them, I never would have read Karl Ove Knausgard on his miserable year studying writing, and if I’d never read Knausgard’s book then I never would have applied for my own masters; meaning I never could have moved to America; meaning I never would have got back together with the woman who is now my wife. So there was that.

But when she asked me a second time, I still wasn’t sure what to tell her. If she had asked me the same question before I’d re-read it, I could have listed a half dozen reasons why it was so damn good. Now I just felt depleted. I felt like an idiot. In one way the novel had led to her. But it had done so much else too. It had changed everything. I had picked it up and carried it forth like a cheerleader. For years I made myself into someone else because of it.

If I removed myself from the equation, I would say Murakami captured the agonising magic of your early 20s better than any book I’ve read. He did it beautifully. He made love cool again. And that’s fine, but I wasn’t thinking about the writer. I was thinking about the reader. One reader in particular. I was wondering how things would have gone, how my 20s might have been, if I’d thought about reading the way Bud Smith described it: a collaboration by two parties swimming towards each other, meeting somewhere in the middle. I was wondering what my life might have been like if I’d thought about reading like that. Who knows? All I know is, I held nothing back that first time I sat down on a rainy Saturday and opened its pages. And then? Well, then I swam too eagerly towards the book, and in doing so, I think I swam too far.

An illustration of Robert Kagan shows a middle-aged white man with fluffy gray hair. He is wearing wire frame glasses, a blue sport coat and a yellow tie.

By the Book

Robert Kagan Takes the Long View on Trumpism

His essay warning that dictatorship was a real threat went viral, which prompted the early release of “Rebellion: How Antiliberalism Is Tearing America Apart — Again.” To relax, he reads the sports pages.

Credit... Rebecca Clarke

Supported by

Share full article

Describe your ideal reading experience (when, where, what, how).

Midnight, at the kitchen table, with a bowl of cornflakes.

How do you organize your books?

Umm. I own about 6,000 books and it’s a bit of a disaster. I’ve been paying research assistants to put things in order. We should have it under control by about 2028.

What kind of reader were you as a child?

I was not a great reader and have been trying to catch up ever since. I was entranced by Hemingway’s “The Sun Also Rises,” which was probably not a good thing. My best friend and I used to go to a bar underage, drink sloe gin fizzes, and pretend we were Jake and Bill. I know.

What’s the last great book you read?

“Middlemarch.” If historians could show the dynamic interaction of people in a society the way George Eliot does, we’d have a much better understanding of humanity.

What books are on your night stand?

I’ve been reading about European history during and after the French Revolution in an effort to trace the complex connection between ideology and foreign policy. I’m now reading Michael Broers’s “Europe After Napoleon” and next up is Christopher Clark’s latest, “Revolutionary Spring,” about the liberal revolutions of 1848.

Describe your writing routine.

For the history books, months of research, followed by attempts at writing, followed by months of research, for 10 to 12 years. For about 20 years I wrote between the time I put our kids on the school bus until the time the bus dropped them home again. Now I work until it’s time to cook dinner for my wife. My dad, who wrote about 20 books, including a four-volume history of the Peloponnesian War, worked 9 to 5, and never in the evening. We called him a lunch-pail historian. I’ve tried to be like that.

What do you read when you’re working on a book? And what kind of reading do you avoid while writing?

I usually read history of a different time and place than I’m writing about to give me a contrasting perspective on human behavior. American historians often act as if there are no other countries and no other relevant experiences. They judge America by the standards of America, which raises all kinds of problems.

Do you count any books as guilty pleasures?

Yeah, when I read Salinger’s “Nine Stories” for the 73rd time.

What’s the last book you read that made you laugh?

“Middlemarch.” A lot. She is the wittiest writer in the English language.

The last book you read that made you furious?

Pretty much every book ever written on the Spanish-American War. Even great historians write about it cartoonishly, as a great “imperialist” folly, when in fact it was sparked almost entirely by the horrific humanitarian crisis in Cuba.

Why did you title your book “Rebellion”?

That’s what the Trump movement is: a rebellion against the America that Jefferson, Madison, Hamilton and other founders envisioned. It’s not the first anti-liberal rebellion and won’t be the last.

You compare Trumpism to “the demon spirit in a Stephen King novel.” Do you read Stephen King? Talk further about the comparison.

OK. No. I don’t read King. But my daughter does! She read “The Stand” every summer at the beach for about eight years beginning when she was 10. So I basically get it.

What’s the secret to warning, but not alienating or disempowering, in your writing?

I’m not sure I’ll avoid alienating people with this book, and I do indeed wish the people who oppose the founders’ universalist liberal ideals had less power.

A reader finishes the last page and closes your book. What should s/he do next?

Engage in the political battle as if it mattered, the same way they would about rising property taxes.

What do you read to relax?

History. What can I say? And the New York Post sports page.

What’s the most interesting thing you learned from a book recently?

That Evelyn Waugh blamed the evils of the modern industrial world on Protestantism in almost the same words as Patrick Deneen blames the evils of the modern world on liberalism. Discuss among yourselves.

You’re organizing a literary dinner party. Which three writers, dead or alive, do you invite?

It’s basically a question of who I’d like to have join me and Dorothy Thompson, the crusading anti-Nazi journalist of the 1930s and the model for Katharine Hepburn’s Tess Harding in “Woman of the Year.” Not only was she expelled from Germany by Hitler in 1934 for her anti-Nazi reporting, but in 1939 she was bodily removed from the German American Bund’s massive pro-Nazi rally in Madison Square Garden for interrupting one of the speakers. I don’t know whom she’d want to join us, aside from her second husband, Sinclair Lewis, which I’d be down with. Add Reinhold Niebuhr? Was he fun?

Explore More in Books

Want to know about the best books to read and the latest news start here..

The complicated, generous life of Paul Auster, who died on April 30 , yielded a body of work of staggering scope and variety .

“Real Americans,” a new novel by Rachel Khong , follows three generations of Chinese Americans as they all fight for self-determination in their own way .

“The Chocolate War,” published 50 years ago, became one of the most challenged books in the United States. Its author, Robert Cormier, spent years fighting attempts to ban it .

Joan Didion’s distinctive prose and sharp eye were tuned to an outsider’s frequency, telling us about ourselves in essays that are almost reflexively skeptical. Here are her essential works .

Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .

For immediate release | March 14, 2024

American Library Association reports record number of unique book titles challenged in 2023

infographic charting the rise in unique titles challenged in the United States, from 378 in 2000 to a high of 4240 in 2023. Significant increases to challenges began in 2021.

Public Libraries Saw 92 Percent Increase In Number of Titles Targeted for Censorship Over The Previous Year

CHICAGO — The number of titles targeted for censorship surged 65 percent in 2023 compared to 2022, reaching the highest levels ever documented by the American Library Association (ALA). The new numbers released today show efforts to censor 4,240 unique book titles* in schools and libraries. This tops the previous high from 2022, when 2,571 unique titles were targeted for censorship.

ALA’s Office for Intellectual Freedom documented 1,247 demands to censor library books, materials, and resources in 2023. Four key trends emerged from the data gathered from 2023 censorship reports:

Pressure groups in 2023 focused on public libraries in addition to targeting school libraries. The number of titles targeted for censorship at public libraries increased by 92 percent over the previous year; school libraries saw an 11 percent increase.
Groups and individuals demanding the censorship of multiple titles, often dozens or hundreds at a time, drove this surge.
Titles representing the voices and lived experiences of LGBTQIA+ and BIPOC individuals made up 47 percent of those targeted in censorship attempts.
There were attempts to censor more than 100 titles in each of these 17 states: Colorado, Connecticut, Florida, Idaho, Illinois, Iowa, Kentucky, Maryland, Missouri, North Carolina, Ohio, Pennsylvania, Tennessee, Texas, Utah, Virginia, and Wisconsin.

“The reports from librarians and educators in the field make it clear that the organized campaigns to ban books aren’t over, and that we must all stand together to preserve our right to choose what we read,” said Deborah Caldwell-Stone, director of ALA’s Office for Intellectual Freedom. “Each demand to ban a book is a demand to deny each person’s constitutionally protected right to choose and read books that raise important issues and lift up the voices of those who are often silenced. By joining initiatives like Unite Against Book Bans and other organizations that support libraries and schools, we can end this attack on essential community institutions and our civil liberties."

ALA will unveil its highly anticipated list of the top 10 most challenged books in the U.S. on Monday, April 8, which is Right to Read Day of National Library Week , along with its full State of America's Libraries Report.

"Every challenge to a library book is an attack on our freedom to read. The books being targeted again focus on LGBTQ+ and people of color. Our communities and our country are stronger because of diversity. Libraries that reflect their communities' diversity promote learning and empathy that some people want to hide or eliminate,” said ALA President Emily Drabinski. “Libraries are vital institutions to each and every community in this country, and library professionals, who have dedicated their lives to protecting our right to read, are facing threats to their employment and well-being."

In response to the surge of book challenges and efforts to restrict access to information, ALA launched Unite Against Book Bans , a national initiative to empower readers everywhere to stand together in the fight against censorship. The coalition will mark its second anniversary during National Library Week.

For more information about ALA and its intellectual freedom efforts, visit www.ala.org . For a breakdown for censorship challenges by state visit this heat map .

* ALA compiles data on book challenges from reports filed with its Office for Intellectual Freedom by library professionals in the field and from news stories published throughout the United States. Because many book challenges are not reported to the ALA or covered by the press, the 2023 data compiled by ALA represents only a snapshot of book censorship throughout the year. A challenge to a book may be resolved in favor of retaining the book in the collection, or it can result in a book being restricted or withdrawn from the library.

About the American Library Association The American Library Association (ALA) is the foremost national organization providing resources to inspire library and information professionals to transform their communities through essential programs and services. For more than 140 years, the ALA has been the trusted voice for academic, public, school, government and special libraries, advocating for the profession and the library’s role in enhancing learning and ensuring access to information for all. For more information, visit www.ala.org .

Raymond Garcia

Communications Specialist

Communications, Marketing & Media Relations Office

Share This Page

IMAGES

3 Simple Ways to Write Book Titles in MLA
How To Write A Book Title In An Essay
How to Title an Essay: Tips and Examples
Extended Essay Course Book; ISBN: 9780198377764
9 Best Essay Writing Books For High School Students
How to Write a Book Title in An Essay?

VIDEO

Essay # Books are our friend
Essay books every essay 200 words #subscribe #viral #comment
References in Essay+Books Reading for Essay
Value of books essay
10 Lines On Book
Essay || निबंध || Nibandh Made Easy ! || UPSC , UPPSC , BPSC !

COMMENTS

How to Write a Book Title in Essay [Examples]
Use capital letters to write the title of the novel. For example, The Secret Garden by Frances Hodgson Burnett. Use italics and capital letters to write the name of the author and his/her other works mentioned in a book title—for example, Jane Austen's Pride and Prejudice (1813). You should use quotation marks when writing headings of short ...
How To Write Book Titles The Proper Way: A Complete Guide For Writers
Book titles within essays or papers can be tricky. There are specific rules that are given for how to include a book title in a way that sets it apart from the content of your writing given by the Modern Language Association. However, as with many other things in life, there are exceptions to the rules. ...
How to Write a Book Title in an Essay: Rules and Tips
Capitalize the first word of titles of books in papers, the first word after a colon, and all major words. Avoid capitalizing minor words (e.g., articles, prepositions, conjunctions) unless they are the first word of the name or longer than four letters. Always place the book title after the author's name.
MLA Titles
Use quotation marks around the title if it is part of a larger work (e.g. a chapter of a book, an article in a journal, or a page on a website). All major words in a title are capitalized. The same format is used in the Works Cited list and in the text itself. When you use the Scribbr MLA Citation Generator, the correct formatting and ...
How to Write Book Titles in Your Essays
As a general rule, you should set titles of longer works in italics, and titles of shorter works go in quotation marks. Longer works include books, journals, TV shows, albums, plays, etc. Here's an example of a book mention: Sense and Sensibility, published in 1811, was Jane Austen's first novel. Shorter works include poems, articles ...
How to Write a Book Title in an Essay: A Simple Guide
When citing a non-fiction book, use the same format as you would for a fictional work. Italicize the book title in the text and the Works Cited entry. Include the author's name, book title (in italics), publisher, year of publication, and medium of publication. For instance:
How to Write Book Titles in Essays: APA, MLA, Chicago Styles
How to Write the Title of a Book in an Essay. First, remember the general rules of citing book names in academic works. Here's how to cite books in essays: Use capitalization. Every word of a book's name goes in the title case, except prepositions, articles, and coordinating conjunctions.
4 Ways to Write a Book Name in an Essay
For example, you would write the name of William Faulkner's novel Absalom, Absalom! with both the comma and the exclamation point in italics. 4. Highlight the book name. Hover your cursor at the beginning of the book name and left click your mouse. Hold the key down and drag your cursor over the title of the book.
How do you write a book title in MLA?
If a source has no author, start the MLA Works Cited entry with the source title.Use a shortened version of the title in your MLA in-text citation.. If a source has no page numbers, you can use an alternative locator (e.g. a chapter number, or a timestamp for a video or audio source) to identify the relevant passage in your in-text citation. If the source has no numbered divisions, cite only ...
How to Write a Book Title in an Essay: A Step-by-Step Guide
When citing a book title within the text of your paper, use title case and italicize it. When including book titles in your reference list, use sentence case and italicize it. Example 3: Punctuation. Here's an example of proper punctuation and citation within the text and reference list: In-text citation.
How to Write a Book Title (15 Expert Tips + Examples)
Here's how to write a book title that readers love: 1. Use unique or unusual words. Some ways to do this are: use a thesaurus and combine two words to make a unique word (for e.g. Freakonomics, Spoonbenders). If your main character has a unique name, you can write the name as a book title (for e.g. Frankenstein, Oliver Twist). 2.
How to Write a Book Title in MLA Formatting
In MLA style, book titles are italicized, as so: Henry Thorough argues in Walden that the best life is lived in deliberate simplicity so as to discover what life truly is about. In fact, most style guides, including MLA and Chicago style, require book titles to be italicized, not underlined. If the book title has a subtitle, the subtitle should ...
PDF WRITING AN EFFECTIVE TITLE
17. Think of a familiar saying, or the title of a book, song, or movie, that might fit your essay. 18. Take the title you just wrote and twist it by changing a word or creating a pun on it. 19. Do the same with another saying or title of a book, song, or movie. 20. Find two titles you've written so far that you might use together in a double ...
How to Write a Book Title in an Essay (MLA, APA etc.)
Heart of Darkness ). Place the name of a single chapter in quote marks, instead ("The Great Towns" from Condition of the Working Class in England by Friedrich Engels). APA. Italicize the book title. Capitalize the first letter, the first letter of a subtitle, and proper nouns.
How to Write a Book Title and Author in an Essay?
Here's the proper format for citing authors and their book titles in MLA: Last Name, First Names. Book title. City of Publication, Publisher, Year the book was published. Note: You only need to include the city of publication if the book was published before 1900 or if the publisher is not based in the US.
APA Style
Use initials for the first and middle names of authors. Use one space between initials. All names are inverted (last name, first initial). Do not hyphenate a name unless it is hyphenated on the item. Separate the author's names with a comma and use the ampersand symbol "&" before the last author listed. Spell out the name of any organization ...
Book Title Generator • The Ultimate Bank of 10,000 Titles
We got you. Here are 8 ways to come up with book title ideas. 1. Start free writing to find keywords. Write absolutely anything that comes into your head: words, phrases, names, places, adjectives — the works. You'll be surprised how much workable content comes out from such a strange exercise. 2. Experiment with word patterns.
How To Write Titles in Essays (With Tips)
Essay titles can compel your readers to continue reading your work. You want to craft a title that represents the purpose of your essay and engages the reader immediately. ... You may also use titles within the essay to give recognition or credit to books, articles and other materials. Citing works by other authors helps you avoid plagiarism ...
The 10 Best Essay Collections of the Decade ‹ Literary Hub
Hilton Als, White Girls (2013) In a world where we are so often reduced to one essential self, Hilton Als' breathtaking book of critical essays, White Girls, which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book.
The Right Way to Write A Book Title In Your Essay
Still, when you need to use this format to write a book title in your essay, the following are the guidelines to remember: The name of the title should be at the beginning of the sentence. The whole of the title should be capitalized like a proper noun. The writer should always put a comma after the title.
writing strong titles
Students often start with this consideration when working to formulate the title of their paper. To 'hook your reader', think about what you find most interesting about your own research and something new or enticing that you will be sharing. Convey this to your reader. 2. Keep it Concise, but Make it Informative.
Q. How do I refer to a book by title in-text in APA format?
Jun 22, 2023 627940. The basic format for an in-text citation is: Title of the Book (Author Last Name, year). Examples. One author: Where the Wild Things Are (Sendak, 1963) is a depiction of a child coping with his anger towards his mom. Two authors (cite both names every time): Brabant and Mooney (1986) have used the comic strip to examine ...
Joan Didion's Best Books: A Guide
The book's title essay is somewhat autobiographical, an account of Didion's life in Los Angeles during the 1960s, when she and Dunne were raising their daughter, Quintana Roo, and spending a ...
The Top Books to Read From 2000-2023
The original list of notables from the year 2000 included some books from 1999, which we've removed from this page. You can view the original notables from 2000 here. Designed and produced by ...
9 New Books We Recommend This Week
In "The Coddling of the American Mind," Haidt took a hard stand against helicopter parenting. In this pugnacious follow-up, he turns to what he sees as technology's dangers for young people ...
The best new science fiction books of May 2024
The Language of the Night: Essays on writing, science fiction, and fantasy by Ursula K. Le Guin. There are few sci-fi and fantasy writers more brilliant (and revered) than Ursula K. Le Guin.
Laugh Riot
Fintan O'Toole. Fintan O'Toole is the Advising Editor at The New York Review and a columnist for The Irish Times. His most recent book, We Don't Know Ourselves: A Personal History of Modern Ireland, was published in the US last year. (March 2024)
The Sunday Essay: The books that electrify and consume you
By setting it in Tokyo during the 1960s student protests, and by constantly referring to books, records, coffee and whisky, he made love and heartache seem cool. He used nostalgia like a weapon ...
Interview with Robert Kagan, the author of ...
Robert Kagan Takes the Long View on Trumpism. His essay warning that dictatorship was a real threat went viral, which prompted the early release of "Rebellion: How Antiliberalism Is Tearing ...
American Library Association reports record number of unique book
CHICAGO — The number of titles targeted for censorship surged 65 percent in 2023 compared to 2022, reaching the highest levels ever documented by the American Library Association (ALA). The new numbers released today show efforts to censor 4,240 unique book titles* in schools and libraries. This tops the previous high from 2022, when 2,571 ...

Writing A Book Title In Your Essay – The Right Way

APA Style: How to Write Book Titles in Essays

APA Style Essay: Writing The Name of The Author

MLA Style Essay: Citing a Book Title

Chicago Style Essay: Writing the Book Title

Writing Various Types of Titles

Should We Underline or Italicize Book Titles?

Readers also enjoyed

WHY WAIT? PLACE AN ORDER RIGHT NOW!

How To Write Book Titles The Proper Way: A Complete Guide For Writers

How to write book titles:

MLA Style Guide

Series Titles in MLA

Quotation Marks

Chapter Title

Short Stories

Punctuation Marks

The Digital Age: Are Book Titles Underlined Anymore?

How to Come Up with Book Title Ideas

How to Choose a Good Book Title

Grab the Reader’s Attention

Shorter Titles

Research Your Title Ideas

Leave a Comment Cancel Reply

Related articles

120 Motivational Quotes About Writing To Inspire A New Writer Like You

How To Register A Kindle On Amazon To Enjoy Your Ebooks In 4 Easy Ways

How To Market A Self-Published Book And Be Profitable In 9 Easy Ways

How to Write Book Titles in Your Essays

Italics or Quotation Marks?

Exceptions to the Rule

Punctuation in Book Titles

Find this useful?

Summary: Writing Book Titles in Essays

Frequently Asked Questions

When do you use quotation marks for titles?

Share this article:

Got content that needs a quick turnaround? Let us polish your work. Explore our editorial business services.

How to Cite the CDC in APA

Six Product Description Generator Tools for Your Product Copy

What Is a Content Editor?

The Benefits of Using an Online Proofreading Service

6 Online AI Presentation Maker Tools

Make sure your writing is the best it can be with our expert English proofreading and editing.

How to Write Book Titles in Essays: APA, MLA, Chicago Styles

How to Write the Title of a Book in an Essay

How to Write a Book Title in an Essay: APA

How to Write the Name of a Book in an Essay: Chicago

How to Write a Book Title in an Essay: MLA

Formatting Book Author Names in Papers

Why Properly Cite Book Titles in Essays

Recent Posts

How to Write a Book Name in an Essay

Writing Help

Typing an Essay in MLA or Chicago Style Format

Typing an Essay in APA Format

Handwriting an Essay

Expert Interview

Community Q&A

You Might Also Like

About This Article

Did this article help you?

Featured Articles

Trending Articles

Watch Articles

How to Write A BOOK Title In An Essay

Understanding Formatting Guidelines

Different style guides

Chicago Style

Consistency within the Essay

Determine the Appropriate Style Guide to Follow

Assignment Requirements

Academic Discipline

Formatting Book Titles in MLA Style

Capitalization

Punctuation

Edition and Volume Numbers

Translated Titles

Formatting Book Titles in APA Style

Formatting Book Titles in Chicago Style