photography lesson assignments

11 Advanced Photography Exercises for High School Students

Whew! Eleven advanced photo assignments…did you try them all?

As I explored these photography assignments again, I had so much fun taking new photos and applying the techniques right alongside you!

If you didn’t join in on all the fun, you’ll find the complete list of photo prompts we explored below. Click on each link to see the short blurb with related tips and tricks for each prompt.

Also, if you teach photography, here’s a free lesson plan that goes along with this whole series. Click the button below and enter your email! (You can also  click here to purchase the entire unit, including all the worksheets with keys, test with key and review, a complete presentation, and a project outline.)

Alphabet Photography

ABC! Ready, Set Go! Take your alphabet pictures; you may be surprised at how fun and challenging finding photography letters can be!

Extra Credit

Do you need some extra points? Here are some photoshoot ideas that will get you extra points in the grade book and give you a reason to support your school! So go [insert your school’s name here]!

Built-In Camera Flash

You may need to use the flash on your camera when you’re in a pinch! Check the link for tips to make the light look as natural as possible!

External Flash

If you’ve got an external flash, it’s time to learn to use it! It can come in very handy in low-light situations!

Candid Photography

What is candid photography? Well, it’s a bit like being a spy! You’ll need to take pictures on the sly to capture those authentic expressions you’re looking for.

Story Telling in Photography

A picture is worth a thousand words? You bet! Maybe more! Take thoughtful, rich photos that have the ability to strike emotion in your viewers.

Pattern in Photography

Pattern photography is some of the most artistic photography you can take. Finding a good pattern and then capturing the perfect angle to accentuate it is fun!

High Contrast in Photography

I think most the great photographers thrive on high-contrast photography. These photos pop out and say, “LOOK AT ME!”

Low Contrast in Photography

This type of photo is much more subdued than your high-contrast photo, but if done effectively, it can really set the mood!

Color Contrast in Photography

We live in a world of color, so naturally, we  must  learn how to make the colors look good in our photos! So, using the color wheel and some good old-fashioned simplicity, we’ll get some pictures with great color contrast!

Light Painting Idea

What do you get when you mix a camera (with a tripod), a dark room, and some light sticks? Light Painting! This is one of the most fun photography assignments I’ve ever done!

I hope you take the time to try all these out! Also, don’t forget to click the links above to download the worksheets and view the full articles on each.

Thank you SO MUCH for all YOU do for those budding Photographers out there. YOU are truly amazing, too!

Click here to receive the  FREE lesson plan  that goes with this blog series and be added to my email list so that you don’t miss a thing! (If you want to do the thing right, check out this link to get information about the entire unit! )

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Lesson Plan

Five Photography Assignments That Invite You to Look Closely at the World

Students, try one of these exercises inspired by the visual series The Take. What can you learn about the world by looking at it through a particular lens?

By Natalie Proulx

How often do you look — really look — at the world around you? Below, we offer five photography assignments that challenge students to do just that, all inspired by The New York Times visual series The Take .

In this series, The Times asks photographers to explore different cultural themes through images — for example, to document what they see when they look up, to capture the sounds they hear in New York City or to find dance in everyday movements.

What can you learn about the world by looking at it through a particular lens? Choose one (or more) of the five assignments below to try out. For each, we’ll guide you through a warm-up activity, a reading of the Take article that inspired the exercise and your own photo shoot. When you’re done, you can create your own visual article by putting together a gallery of your images and writing a short commentary on what they mean to you.

These exercises are meant to be accessible to anyone with a camera or smartphone, whether you’re an experienced photographer or you’re just looking for a fun visual challenge. If you’d like to experiment with some composition and editing techniques, see our related photography lesson plan .

And if none of these projects inspires you, look through The Take’s archives for more ideas.

Assignment No. 1

Most of us spend our days looking down: at our phones, computers, homework, meals. What would you see if you looked up instead? For this assignment, we invite you to photograph what you see when you turn your gaze to the sky.

Warm-up: Wherever you are right now, look up. What do you see?

Spend some time studying the images, shapes, patterns, colors, lines, light, shadows, angles or movements above you. What catches your attention? What have you never noticed before? How is this angle different from looking at something straight on, straight down or from the side? Is there anything you see that strikes you as artistic, that might make for an interesting photograph?

How often do you look up? What does this quick exercise tell you about what might happen when you do?

Read “ When 4 Photographers Looked Up, This Is What They Saw .”

For this assignment, The Take simply asked photographers to look up. View the photos they made and their commentary on them. Then choose one that stands out to you. What did the photographer want to capture in it? Was the photo successful in your opinion? What does the image say to you? What does it show us about looking up?

Your turn: Photograph what you see when you look up.

You might approach this assignment in two ways: 1) You can carry your camera around with you for a day or several days and photograph anything interesting you see when you look up, as the photographer Ali Cherkis did venturing around New York City. 2) Or you might start with a specific place and idea in mind that you want to photograph, as Stella Blackmon did when she wanted to capture the “sense of wonder” she felt from seeing children climbing in the trees at her great-aunt’s home in Ozark, Mo.

Assignment No. 2

Capture the Sounds of a Place

Photography might seem like it’s all about sight, but it can evoke other senses, too. The Take challenged four photographers to try to capture the sounds of New York City in images. How can you show what the place you live sounds like?

Warm-up: What sounds can you hear in this photograph?

Study the photograph above closely. What might you hear if you were in the scene? Which elements of the image help convey those sounds? What senses or emotions does the photograph evoke in you? What story does it tell about New York City?

Read “ Sounds of the City .”

For this assignment, The Take sent four photographers to capture New York’s soundscape in images. Spend some time with the photos and the photographers’ commentary on them. Which images most strongly and clearly imply sound to you? Which ones surprise you or perhaps challenge an assumption you have about life in New York City? Choose one of these photos and repeat the exercise you did in the warm-up.

Your turn: Photograph the sounds of a place.

For this assignment, you might travel around your city or town and photograph the sounds you find. Or you might focus on a more contained space, such as your school, the skate park, your neighborhood or any other place where you spend time. You might try to capture many disparate sounds — quiet ones, loud ones, harsh ones, pleasant ones — as Daniel Arnold did in his photos of various corners of New York City. Or you can try to capture a particular type of sound, as Ike Edeani did in his photos of the subway stations’ “mini concerts.”

Assignment No. 3

Find Art Wherever You Go

Four photographers went in search of candid moments and images that struck them — impressionistically, conceptually or naturally — as art. Where can you spot art in the world around you?

Warm-up: What does art look like?

How do you know when you see something that is art? What elements make it so? What does it do to you, the viewer?

Look around the space you are in right now. Is there anything that strikes you as art? Perhaps it’s the way your jacket is draped over a chair, how light is coming in through a window, the interesting pattens created by a shadow on your desk or the shape someone’s face makes when they smile or frown. What about this thing makes it seem artistic to you?

Read “ Art Is Everywhere. Just Look to the Streets. ”

The Take invited four photographers to look for art in the streets of New York. Spend some time looking at all of the photographs and reading the commentary. Then, focus on one photographer’s images. How does this photographer conceptualize art? How does that idea come through in one of his or her photos? What do you think makes this photo artistic — impressionistically, conceptually or naturally?

Your turn: Photograph candid moments and images that look like art to you.

Where can you find art in the world around you? You might take your camera out for a day and start shooting anything that strikes you as art. Or you might shoot with a particular vision in mind, such as Sabrina Santiago who was “interested in what people are saying from the back,” or Trevor Wisecup who looked for “abnormalities in our day-to-day life, glitches in the matrix if you will.” Challenge yourself to capture candid moments, rather than trying to stage images.

Assignment No. 4

Explore the Ways We Move

The Take asked four photographers to find dance in our everyday gestures, whether reaching for a jug of milk, hugging a loved one or scaling a rock wall. How can you find beauty in how we physically navigate the world?

Warm-up: Can you see beauty in the ways that people move, even when there is no music?

Can you find dance in people’s everyday rituals and routines? To answer this question you might go somewhere crowded — your school’s hallway, a park, a basketball game — and spend a few minutes just observing people. Do any gestures look like dance to you? What is it about these movements that resemble those that dancers might make?

Read “ There’s Dance All Over, No Matter Where You Look .”

During the height of the coronavirus pandemic in the United States, The Take asked photographers to show how people were physically navigating a world in which awareness of our bodies — how much space we took up, whether we were six feet from our neighbor — had become the norm. What they found was a kind of dance in these everyday movements.

Spend some time with the images and photographers’ commentary. Then choose one photograph to look at more closely. Why does this image speak to you? How does it represent dance? What emotion, experience or idea do you think the photographer wanted to capture in it?

Your turn: Photograph how people move through the world.

For this assignment, you can take your camera around with you for a day or two and snap a photo anytime you see a movement, posture or gesture that looks like dance to you. Or, you can go to a specific place. For example, the photographer Camilo Fuentealba went to Costco to document “the daily rituals we must partake in just to survive,” while Noah Sahady went to the San Bernardino National Forest to capture “the harmony of rock climbers and nature.” You might play with taking both candid and staged shots, or, like Jillian Freyer, shooting the “fragments in between.”

Assignment No. 5

Show Us What Fun Looks Like

Three artists photographed the many forms fun can take. An end-of-day ice cream ritual. Caring for rescued chickens. A bubble bath for an inanimate friend. What does a good time look like to you?

Warm-up: What do you do for fun?

Brainstorm a big list of everything you’re doing for fun these days. Do you play video games? Hang out with friends? Play sports? Make things? Write down everything you can think of, whether it’s an everyday ritual or a special event.

Then go through your list. Which of these activities feels most compelling or unique to you and your friends? Which might make interesting photographs?

Read “ Making Your Own Fun .”

The Take asked three photographers to document how they were having fun during the lockdown period of the coronavirus pandemic. Spend a few minutes looking at the photos and reading the commentary. Then choose one photographer’s images to focus on. What do you notice about their artistic choices — about their composition, the photographic style, how they were made? What do you wonder? What can we learn about fun from these photos?

Your turn: Photograph your fun.

Return to the list you made in the warm-up and choose one or several things from it to photograph. You might consider how you can get creative with your photographic style and composition, as the photographers in the article did. You can stage photos, as Sheida Soleimani did, or you can try to capture more candid moments.

Going Further

Make a Visual Article

Put together your photos with a written reflection to create your own The Take-inspired piece.

Related Article

Once you have completed one of the exercises above, choose three to six photos from your shoot and create a gallery of images that speaks to the theme of the assignment. Then, write a short commentary reflecting on the assignment and what you learned from it, just as the photographers and Times editors do in The Take.

Here are some questions that can help guide your reflection:

Who or what inspired you? Did you stage your photos or seek out candid moments? What composition and editing techniques did you use, and why?

Is there a thread — some theme, emotion or experience — that connects your images? Was it something you set out to capture? Or something you discovered during the shoot or after seeing your finished photos? Taken together, what do your photos reveal about the subject of the assignment?

What is something new you discovered or learned through this exercise? How, if at all, did it make you look at the world or the people around you differently?

How challenging did you find this assignment? Why?

You can put your images and commentary together using a digital program like Google Slides or Canva . Teachers might invite students to share their work via a gallery walk , whether in the classroom or online.

Find more lesson plans and teaching ideas here.

Natalie Proulx joined The Learning Network as a staff editor in 2017 after working as an English language arts teacher and curriculum writer. More about Natalie Proulx

Photographers Field

Exploring the photographic field, 27 engaging photography exercises for beginners to learn from {free pdf}.

Many times we start our photography journey with just noticing things around us. What we should also do is to start learning different ways to communicate through our images. If you didn’t yet hop on the 52 week photography challenge , we have added these 30 engaging photography exercises for you to develop your skills during the next few months.

Table of Contents

Why Should You Do These Exercises ?

The question actually is, why shouldn’t you?

Have you been monitoring your journey as a photographer, and what kind of changes have you been seeing?

When you decide to start moving to the direction of intentional practice, the development will follow.

27 Engaging Photography Exercises

Every exercise will force you to inspect your images from a different perspective, so try to focus on only one exercise at a time.

These exercises vary from photographic ones to ones that will have you inspecting your work as an artist. Each of them is essential in learning new ways of creating images.

1. Photograph something you love

This can be anything you decide. It can be an event, a place or an object. You can also choose to photograph people, but since it might require more effort than choosing to photograph other elements, we recommend you get back to it once you’re mastered to be comfortable with your camera.

2. Photograph something round

This is pretty self-explanatory. We have alot of organic and non-organic round shapes around us, so the framing will ultimately determine what round objects you let into the image.

3. Photograph someone close to you

Family members, other relatives or friends. People you already feel comfortable being with. See how directing them and having the access to be close to them might affect your way of photographing.

4. Photograph an object / subject that is moving

Running people, passing by cars or other vehicles. Can you use your cameras setting so that you stop their movement – or on the other hand – set them so that the movement is visible and can be seen in the final image?

5. Learn to use negative space

Negative space is an important element when creating your image; it gives more stillness and room for other elements to pop up in your work. How you decide to compose it, is up to you. In landscape negative space is a natural way of creating imagery, but how can you add it to let say, portraiture?

6. Focus on an object in the frame

Once depth of field is nothing new to you, start implementing the focus point only on the subject you want to emphasize. You will be able to truly bring the focus point to the elements that you want to show. This is a highly effective way of photographing, especially if there is surrounding noice in your frame.

7. Play with shadows

In this one try to focus not on the object itself, but on the shadows that the objects / subjects have. What kind of shapes can you find, and are they even more interesting that the objects itself? Can you frame them in a way that creates an abstract image?

8. Shoot analog

Many photographers say that photographing with a digital camera might feel convenient, but also steals the image of it’s moment. Since there is no rush in taking the image or no surprise whether you’ve had the shot you were looking for, you will approach it differently. At least at some point, try to photograph with an analog camera, and see how your approach changes. The best film cameras to start out as a beginner, are listed here.

9. Create a self-portrait

We are quick to photograph others, but what if you turn the camera to yourself? You can better practice lighting, but self-portraiture is a great way to start accepting ourselves as we are, without judgement. You can also practice as long as you feel like it, since theres not pressure in succeeding.

10. Play with reflections

Take a walk and look around; notice any mirrors, ponds or glass windows? They can be a great tool for seeing the world differently. Using them as self-portrait elements or just reflecting two different surfaces into one image.

11. Analyze your images

If you can, print out your favorite image you’ve made and look at them critically; what are the main themes you like to work with? Do you have a specific way of composing the elements in your images (ie. always horizontal / vertical) ? Are you great at photographing people, or are you more intrigued by moments or small details in your life? Looking deeper into what you’re good at and what you like to focus on, can determine better who you are as a photographer.

12. Use objects to frame your image

It’s called ‘frame-within-a-frame’ – look for elements which you can use as a frame within your image: branches of trees, window panes or doors can all work when framing your main object / subject in the image. But you can get creative and use a cut out fabric or a cardboard to create this frame.

13. Look at things through shapes and lines

Once you manage this one, it will support your photographic journey in every image you’ll ever take. When looking at great photography locations, noticing how the surrounding elements will play out in your images will determine whether they will work or not. Seeing lines immediately or noticing if the place already has an organic shape which you can use in your images, will help you to better build impressive images.

14. Create a photo essay

Creating a photo essay is another great way to find your visual language. How do you form a story through images, what kind of different images are you combining to tell an intriguing story? Try to shoot 5 images alternating between different angle of views and practicing composition.

15. Use less light in your images

When starting out photography, we often think the image is created around the light. Which it essentially is, but tweaking the amount of light you let in, is what can drastically change the mood the image. Shed only a beam of light on your subject or or let the light be reflected from an illuminating surface like screens, will give just enough light to build interest.

16. Learn to read the light in the space

Eventually this will be essential if you don’t want to always guess what settings you’re going to adjust when you’re about to shoot. Being able to look around you to verify; what is the main light source in the room and how or if you’re going to fill it with any additional light. And if not, how are you going to set your camera to support the lighting circumstances that are present.

17. Try to shoot black and white

For the aesthetic purposes and the feel of film, it’s quite nice and is definitely worth a try. Black and white film will also let you understand the importance of color, once it’s absent, you will notice how the viewer focus will move once the colors are not colliding with each other. Will they focus more on the narrative in the image instead of reading the colors ?

18. Create a theme before you start photographing

One way of shooting is this intuitive way of noticing details and thins you want to take a picture of. Another way is to plan ahead; what elements are you looking for to photography, and why? This is also much needed if you’re planning on doing a photoessay, or possibly even small commission job – staying ahead with knowing how you create the storyline.

19. Create a new photo by cropping

Some days you’ll notice later how you could’ve created an amazing image if you you’d go closer to your subject or object you were shooting. Instead of starting to crop the images and not moving an inch closer, try to crop it the way you’d like the image to be. Then next time, use this image as a guideline to go closer and create the actual image.

20. Recreate a photo you like

Maybe don’t choose the most ambitious one as your first picture, but do choose one that for some reason you feel is well created or -lighted or just sparks your interest in some way.

21. Learn to create a moodboard

If you want to plan more on what you photograph, creating a moodboard will bring you more focused view on what it is the photos are going to look as whole. We often just want to photograph without much thought, but it brings another level of reward once you see the end result of multiple ideas come into one.

22. Use a disposable camera in one day

This has a similar effect then photographing with an analog camera, except that you cannot do fancy settings or think much about the images. Disposable cameras will not give you the best quality in images but it will give its own feel to them. Photograph one full roll in your disposable camera and see what comes out. To find the best disposable cameras, I’ve made an extensive list for them here . For additional challenge; create small photo essays of the images you make.

23. Photograph something abstract

We are prone to trying to find meaning in our images, but what if you decide that there isn’t any and just look for things that you find aesthetically pleasing? It can be texture, color collision or just something you turn into nothing specific.

24. Choose a spot to photograph from

Trying to find new ways of looking at the same things; choose one spot you create 3 images for 3 days in a row. You can direct your camera upwards or downwards, or however you see fit. But do not change the spot you’re photographing from. Think about the time you shoot the images at and if they differentiate from each other.

25. Photograph a person without any faces

If you feel you’re not familiar with photographing people just yet, start by photographing them without showing their face. This will let them be at ease but you will also find it easier to access their space when you do not have to think too much about identifying them in a specific way.

26. Create a fictional journalistic image

Having even the slightest interest for journalism and the visual aspect of it, this will work as a stepping stone in understanding how journalistic images are created. Usually, of course these events are actual, but how a photographer decides to portray the event is always a responsibility and it can change the viewpoint of how the viewer will see it. Create a fictional happening and build an image that could easily be published in your local paper.

27. Go closer

This was almost covered in one of the earlier exercises, but is such an important aspect of photography overall that it needs to be underlined. As much as changing your viewpoint changes the content of your images, so does the distance you have between you and your subject. As Robert Capa once said: “If your photographs aren’t good enough, you’re not close enough”.

These photography exercises can be found in the free PDF below . Follow your development and how you perform these exercises.

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12 Exciting Photography Assignments to Challenge and Inspire

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Everyone likes a good photo challenge. But photography assignments can also be very discouraging if they’re approached the wrong way. A good photography challenge will strengthen your photo skills and inspire you in multiple ways. A bad one will leave you wondering why you even tried photography in the first place.

12 Exciting Photography Assignments

Here are 12 exciting photography assignments to help you find the right one.

1. Shoot With a Limited Amount of Equipment

2. Take a Photo Every Day for a Year

3. Limit Yourself to X Photos a Day

4. Take Photos With Your Smartphone Camera Only

5. Experiment With a Completely Different Genre

There’s a wide variety of photography genres out there. There’s underwater, glamour , smartphone , landscape , and portrait , to name a few. Trying something new can help you fall in love with photography all over again. So take a temporary break from your main photo genre. If you’re a portrait photographer , take panoramic photos of your neighborhood. If you spend lots of time photographing animals, improve your self-portrait photography skills. When you expose yourself to different genres, you’ll learn many valuable lessons. And they will be useful long after the photography assignments end.

6. Photograph the Same Person or Object Every Day

7. Quit Social Media Temporarily

8. Create a Stop-Motion Video Using Photos

9. Take Creative Self-Portraits With a Friend

10. Crop or Rotate All Your Photos in a Specific Way

11. Include the Same Object in Every Photo

12. Invest in a Photo Book and Complete Every Assignment in It

Conclusion: Exciting Photography Assignments

You don’t need to travel the world or break the bank to improve as a photographer. A single assignment that lasts at least a week can teach you many lessons. And it’ll help you become a better photographer. All you have to do is find photography assignments that work for you. Then, dedicate some time to it, and watch your photo skills strengthen!

Popular Content

7 Skill-Building Photography Exercises That Really Work

Anyone can take a photograph, but taking a great photograph? Difficult. These photography exercises actually work.

Despite how easy it looks, photography is hard, with three learning curves to conquer: the technical aspects of the camera, the theory of light and shadows, and the actual composition of a photo (sometimes called "seeing the shot").

That last part is the hardest thing for beginners to grasp. Composition has an artsy component that can't be easily taught. It must be discovered by the photographer themselves.

Fortunately, there are photography exercises that can help "develop your photographic eye". And with practical experience being the only guaranteed way to understand composition, these are the most effective photography exercises we've found.

1. Crop Someone Else's Photos

Great photography starts with the eye, not the camera. This means it should be possible to develop your photographic eye without ever touching a camera or lens. And it is! For this photography composition exercise, all you'll need is one of the easy-to-use photo editing programs like Paint or GIMP.

First, learn the fundamental rules of photo composition . You don't have to know every single one of them right now, but you should know at least one, as this exercise will force you to put these rules into practice. We recommend starting with the Rule of Thirds .

Next, go to a free photo-hosting site like Flickr or 500px and download a bunch of images to your computer. (The easiest way is to right-click and "Save Image As"). Any kinds of images will work, but this exercise works best with portraits and landscapes.

Now, open one of the images in your photo editing program of choice and start cropping. Try all of the standard aspect ratios, including 1:1, 4:3, 3:2, and 16:9. Try cropping vertical photos as horizontal, or horizontal photos as vertical. Move the subject around. Be creative.

The point is to experiment and see how different crops can change the look and feel of an image, and how certain crops are more aesthetically pleasing than others. This experience is invaluable when you start framing your own shots through the viewfinder.

NB: You can play around with someone else's images, but do NOT upload them or republish them on the internet in any way. That would be a violation of copyright law unless you have express permission from the image's original owner.

2. With One Subject, Shoot 10 Photos

Here's a common mistake made by newbies: always taking photos from the same height and from the same angle. It's natural to stand up straight and take snapshots from eye-level, but that's boring. After all, everyone knows what the world looks like from eye-level.

If you want your photos to be more compelling, change things up. Capture the world from unusual angles and positions: viewpoints that are foreign to most people.

This photography exercise helps train your sense of angles. First, find a subject. Any subject. It could be a stove-top kettle, a pet dog, a fire hydrant, a herb garden, a manhole cover. Anything works.

Then take 10 photos of it. No two photos should be alike. Try looking directly down at it. Then try looking directly up at it. Shift the angles. Look at the front of the subject, then the back, then the sides.

The possibilities are countless, and even the smallest tweaks to the angle can have a large impact on the resulting photo. Do this for hundreds of subjects and you'll start seeing angles everywhere you go without even trying.

Related: Photography Terms All Photographers Should Know

3. With Three Objects, Shoot 10 Photos

In some cases---like landscape, astronomical, and street photography---the idea is to capture scenes in the moment as they are. In other cases---like portrait, food, and product photography---the idea is to construct your own scenes.

As you imagine, this isn't easy. There are many factors to juggle such as lighting and background, but one particular aspect that newbies find difficult is how to position multiple subjects within the frame.

That's what this photo composition exercise is about. Find three random objects, such as action figures, fruit, bowls, candles, plants, or whatever else you have to hand. It doesn't matter if they're related to each other or not, although it will be easier if they're all similar in size.

Now position them however you wish. Think of it as if you're composing the objects for a photo shoot (that is what you're doing, after all). Do this 10 times, rearranging them in different ways each time. Over time, this will stretch your creative muscles and develop your eye.

4. With One Lens, Shoot 1,000 Photos

The focal length of a lens controls more than just the zoom factor of a shot. Yes, all things being equal, an 18mm lens requires you to be closer to the subject than a 50mm lens or an 85mm lens. But different focal lengths can evoke different feelings from a photo, too.

For example, the wide angle of an 18mm lens comes with a lot of distortion, which can produce a comical or whimsical effect. On the other hand, a 200mm lens has a compression effect that makes the photo seem flatter than, say, an 85mm or 50mm lens.

In short, different focal lengths require different approaches when composing shots. That's why we recommend mastering one kind of lens at a time, preferably starting with a 50mm prime. Read up on the common camera lenses and when to use them .

For this exercise, all you have to do is stick with one focal length for your next 1,000 photos. It's easiest with a prime lens, but if you only have a zoom lens, just pick a focal length and leave it there. Switch to another focal length when your 1,000 photos are complete.

By the end, you will have a better understanding of how to use the different focal lengths at your disposal to achieve the shot you're after.

5. Hula-Hoop Photo Walks

Creativity is often seen as something that's infinite, and full of possibilities. And while there's technically nothing wrong with that, the truth is that creativity needs limits and constraints to really flourish.

If you've ever felt like you wanted to take photos but didn't know where to start, where to go, or what to shoot, then you'll know what I'm talking about. Restrictions are good, and that's how this photo exercise is going to unlock your creative potential.

Take a hula hoop and go outside. Toss it up into the air, then let it bounce and roll around until it eventually comes to a stop. Now stand inside the hula hoop, take a look around, and shoot 10, 20, or 50 photos of anything. But try to make them good.

When you're done, toss the hula hoop into the air again and repeat the process. If you don't have a hula hoop, just pick a random direction and walk a random number of steps to find your next spot. Pretty soon your creative juices will start flowing, guaranteed.

6. Weekly Photo Challenges

Weekly photo challenges are popular on the internet, but different photography communities have different names for them: Photo of the Week, 52 Photos Project, Sunday Photo Prompt, etc. The key is to take 52 photos over the course of one year.

Ideally, you'd take part in some kind of community version of the challenge because this gives you a chance to see the photos of other participants, and a chance for others to critique your work. But if you'd rather do a personal challenge instead, that's fine too.

Sometimes each month has a theme, but not always. It's up to you how you want to do it. We recommend setting a regular weekly deadline and sticking to it. Need inspiration? Check out 52 Weeks Photography Challenge , 52 Frames , or 52 Weeks of Photography .

7. Recreate Someone Else's Photos

Once you feel a little more comfortable behind the camera, you may want to try recreating photos that others have shot. Browse Instagram, Flickr, or 500px, pick a few that seem within your skill range, and have at it!

The goal here isn't to make an exact 1-to-1 replica of your source material, so don't be discouraged if you can't get that far. Rather, this photography exercise is meant to get you thinking in ways you haven't considered. To push you outside your comfort zone.

At first, your imitation photos will look like garbage compared to your source photos. That's normal. Keep at it, however, and you'll start to see fast improvements. Along the way, you may even start to discover your own voice and sense of style as a photographer.

Photography Is a Long But Rewarding Journey

Don't expect to unlock your photographer's eye overnight. It's a gradual process that could take weeks, months, or even years before you really start to "see" photographs before taking them. But the journey is well worth taking, so don't give up!

If these photography exercises weren't enough and you need even more ideas, then we highly recommend checking out these free lessons to learn the basics of photography .

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8 Educational Photography Resources to Spark Creativity

Aperture is invested in providing resources for photography enthusiasts looking to develop their knowledge of the medium, as well as to educators who want to teach their students visual literacy skills. From educational titles written by the world’s top photographers to Aperture’s free twenty-lesson photography curriculum (Aperture On Sight), we’ve gathered a variety of educational resources and activities to inspire those who are eager to engage with the craft of photography.

Activities for kids:

Go Photo! An Activity Book for Kids By Alice Proujansky

Go Photo! features twenty-five creative hands-on activities inspired by photography. Aimed at children between eight and twelve years old, this playful and fun collection of projects encourages young readers to experiment with their imaginations, get messy with materials, and engage with the world in new and exciting ways.

Try “Little Me,” a fun and engaging activity from Go Photo! today.

Visual Dominoes Activity From Aperture On Sight

Visual Dominoes is a game that challenges students to create a sequence of images by finding visual connections. To play, download, print, and cut out the deck of cards provided by Aperture . Once you have all of the images, find a specific color in one of the photographs (like red), and place it next to another photograph that has the same color in it. Now find a shape in the second photograph, and place a photograph that has that same shape in it next to that one. Keep going like this, trying to find harder elements as you go, like composition or focus (color and shape are usually the easiest to notice).

Signs and Symbols Activity From Aperture On Sight

Lesson Five from Aperture On Sight introduces signs and symbols and how they contribute to meaning in photographic images. Understanding that photographic content can function like a symbol—representing things not seen in the picture—encourages students to look for elements in their own work that stand in for something else. Have your students look at James Mollison’s book Where Children Sleep , part of which you can view in the Lesson Five slideshow . Have each student choose an object from their bedroom, and ask them to photograph the object against a colored poster-board backdrop to create a still life “self-portrait.”

Resources for college students and adults:

PhotoWork: Forty Photographers on Process and Practice Edited and introduced by Sasha Wolf

Curator and lecturer Sasha Wolf was inspired to seek out and assemble artist responses to specific questions about their craft after hearing from countless young photographers that they often feel adrift in their own practice, wondering if they are doing it the “right” way. The responses, from both established and emerging photographers, reveal that there is no single path. PhotoWork is a collection of interviews with forty artists—Robert Adams, Dawoud Bey, Elinor Carucci, LaToya Ruby Frazier, Paul Graham, Rinko Kawauchi, Richard Renaldi, Alec Soth, and more—about their approaches to making individual photographs and a sustained a body of work. Structured as a Proust-like questionnaire, each individual answers the same set of questions; the resulting interviews provide essential insights and advice from both emerging and established photographers.

With wide-ranging conversations and inspiring artist talks, we offer over one hundred Aperture Conversations online . To list just two examples: hear from Elinor Carucci, Paul Graham, and Gus Powell on their processes of making photographs ; or delve into Diana Markosian’s exploration of immigration and identity through family .

Resources for educators:

Free Visual Literacy Curriculum

The Aperture On Sight curriculum is designed to teach visual literacy through working with photography and creating photobooks. It builds students’ abilities to communicate as visual storytellers and develops their creative and critical thinking, as well as building their capacity for academic and professional success. Educators can download all twenty lesson plans, plus a variety of resources, for free through Aperture’s website.

Workshop Books by Leading Photographers With Free Learning Guide Companions

For The Photography Workshop Series , Aperture Foundation works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography.

Aperture has created free learning guides for almost all of the Workshop Series titles. Aperture’s Education Department staff have organized each guide thematically, highlighting salient topics from the text. Within each theme, relevant chapters, passages, and vocabulary are noted, along with guiding questions to accompany specific images. You can download the free guides here .

Virtual Professional Development

Alice Proujansky, Aperture’s community partnerships coordinator and the author of Go Photo! An Activity Book for Kids , is available to provide direct educational services virtually, or over the phone. Aperture is also available to assist educators and schools in developing best practices and strategies on how to work with students who are learning from home. Proujansky was the lead curriculum writer for the Aperture On Sight program and is currently coordinator of the online program and all professional development activities. If interested, please email Alice Proujanksy and Emily Stewart, manager of education and engagement programs, at [email protected] .

View and download the full Aperture On Sight curriculum here .

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Five Self Assignments That Teach You To See

A Post By: Rick Berk

In my 20 years in photography, I’ve seen a lot of different assignments teachers have given their students.  Most I have heard, or been given myself from time to time, have centered around learning to use the camera.  Things like “Use Only One Exposure Mode”, “Use Only One Lens”, or “Use One Aperture Setting”.  The most interesting to me, from a photographic standpoint, involved learning to see.  The reason I say this is that simple camera use can be easily learned. It’s basic math when you boil it down.  But learning to see creatively, learning to compose a shot, takes much more than learning buttons, dials, and controls.  These self assignments force you to look around you, to really see what you’re shooting and try to make interesting images.

1. Pick A Color

Pick up your camera and choose a color for the day. Go out and make images with that color as a dominant element in the image. Find as many different ways as possible to do this.

This image I went in search of things red. 1/320, f/7.1, ISO 1000. EOS 5D Mark II, EF 100mm f/2.8L IS Macro.

2. Pick A Shape

Choose a shape and create images which use that shape in an interesting way. It could be features in architecture, artwork, or juxtaposition of multiple structures. Squares are relatively easy. Start there, and then search out triangles, circles, or combinations of shape.  Again, look for the most interesting composition you can to highlight that shape in your image.

I ventured into Central Park in New York City without a real game plan in mind. I found a sundial and started shooting that, and then went in search of more circles. Found this ironwork and used it to frame a pair of lovers in a rowboat. 1/160. f/2.8, ISO 100. EOS 5D Mark III, EF 24-70 f/2.8L II at 24mm.

3. Shoot Something Different

If you’re like me, you probably have one type of subject you gravitate to more than any other.  But it’s easy to get too comfortable, and miss opportunities to make great images, when you’re only looking for one thing.  Once in a while it’s a good idea to change things up and shoot something different.  If you’re a sports shooter, try shooting a still life.  If you’re a landscape artist, try shooting macro.  These types of exercises forces you out of your comfort zone and helps you learn to see in a new way.

Normally I’m a landscape guy first. But I decided I wanted to try a still life of one of the tools of my trade. I used some black plexi as the table, and black matte board for the background. I used a single speedlite in a softbox above and behind the subject. EOS 5D Mark II with EF 24-70 f/2.8L II. 1/200, f/8, ISO 100.

4. Shoot Reflections

Reflections are a powerful element in photography, but I’m almost embarrassed to admit how long it took me to actually start SEEING them.  I had a “lightbulb moment” one day when shooting with a friend of mine, and since then, I am constantly looking for reflections as an element in my work, whether it be portraits, landscapes, or still lifes.

This is probably the most photographed puddle in New England, but it’s great for producing a reflection of Pemaquid Point Lighthouse. Reflections add interest to images so always be on the lookout. EOS-1D Mark IV, EF 16-35mm f/2.8L II. ISO 100, 1/20, f/16.

5. The 15 Foot Circle

Stand in the center of a room, or wherever you happen to be.  Make photographs only of subjects that happen to be within 15 feet (or 10, or 5) of where you’re standing.  Give yourself a time limit. Exhaust all possibilities. Get as many images as you can using only that area before moving on.  This kind of exercise forces you to really look at things and work to compose interesting images.

I was standing in a dining room at the holidays last year and decided to try the 15 foot circle. This was a line of candles on a fireplace mantle. EOS-1D X with EF 70-200 f/2.8L IS II. ISO 400, 1/250, f/2.8.

For beginners, these assignments are great for learning to see. For more experienced photographers, these are great ways to stay fresh, to restart the creative eye when you’re feeling blocked, or to just do something different.  What other self assignments have you tried to refresh your photographic vision?

Read more from our Tips & Tutorials category

is a photographer based in Freeport, Maine, shooting a variety of subjects including landscapes, sports, weddings, and portraits. Rick leads photo tours for World Wide Photo Tours and his work can be seen at RickBerk.com and you can follow him on his Facebook page and on Instagram at @rickberkphoto.

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10 Photo Assignments to Inspire and Challenge Your Skills

Liz Masoner is a professional photographer and she shares her tips and techniques on photo editing and how to photograph nature, portraits, and events with film and digital cameras. Liz has over 30 years of experience and she is the author of three books on photography.

The best way to learn photography is to practice, though sometimes you can get stuck in a rut and not know what to shoot. That is why photographers love assignments; they give us a purpose and an idea of what to photograph. 

Why Are Assignments Important?

Self-assignments are key to any photographer's growth. Even professionals with decades of experience will work on personal assignments that they may never get paid for. The goal of any self-assignment is to spur creativity, solve problems, learn new techniques, and challenge yourself.

As you start out in photography, you're probably filled with excitement and ready to shoot anything you can. That being said, sometimes a little direction and guidance are necessary.

Below, you will find ten photography assignments. Each covers a new topic, skill, or concept and they were chosen to help you learn how to see as a photographer. They are meant to be a personal challenge that you can complete at your own pace and with no outside judgment, simply as a means to practice and improve your photography. Hopefully, you will learn something new with each assignment and be able to use that in every photograph you take in the future.

Remember when composing your images to keep in mind the basics: the rule of thirds,  shutter speed , aperture,  depth of field , and  exposure .

Assignment #1: Up Close

This assignment encourages you to get close and personal with your subject. It is an exercise in viewing a common object in a new way and examining its finer details.

• Choose an object that you see or interact with every day.
• Focus on a small part of it, get as close as your camera will allow you to focus, and shoot away.
• Try to capture different angles and unusual lighting to add to the mystery of this tiny world.

From the whiskers of your cat to a fragile Christmas ornament, and even common soap bubbles, there is an entire world that we often overlook because we don't get close enough.

Assignment #2: Motion

Photography is a static medium which means that it doesn't move. Conveying a sense of motion is often crucial to capturing a scene or emotion and it is an essential skill for photographers to practice.

The goal of this exercise is to understand how shutter speeds can be used to convey motion.

• Choose a subject or series of subjects that will allow you to convey motion in your images.
• It can be slow motions, like that of a turtle, or fast motion, like a speeding train.
• Blur it, stop it, or simply suggest that there is motion in the photograph.

Challenge yourself to capture the same motion in different ways. For instance, you might go to a race track and stop the movement of the cars completely in one image, then leave the shutter open and allow them to blur out of the frame in the next. 

Assignment #3: Shadows

Shadows are everywhere and they are vital to photography because this is the art of capturing light. With light comes shadows and when you begin to look at shadows as a photographer, your world will open up.

• Take a look around for shadows and record them with your camera.
• You could show the shadow as the total focus of the image. Perhaps the shadow is incidental to the subject.
• Is the shadow natural or created by flash?

Shadows are integral to creating depth in a two-dimensional medium such as photography. Take some time to seriously explore the "dark side" of the light.

Assignment #4: Water

Water is everywhere in photography and it presents many challenges. There are reflections and movements to work with and in this exercise, you will take a deeper look at water.

• Find water anywhere: lakes, streams, puddles, even the glass on your kitchen table.
• Pay attention to reflections and use them to your advantage in the photographs. Use this opportunity to get familiar with a polarizing filter (a very useful tool in your camera kit) so you can accentuate or eliminate reflections.
• Play with the motion of a stream or the crashing waves. Notice the difference between stopping the flow of water and allowing it to blur to create a real sense of movement.

Be sure to make water the subject and not an accent to the image. Water alone is beautiful and mysterious and your challenge is to explore all of its potential as a subject.

Assignment #5: Leading Lines

A classic assignment in photography schools, 'leading lines ' is a popular and fun subject. The goal of this assignment is to learn how to direct the viewer to your subject using lines.

• Choose a subject then look around for lines in the scene that you can use to 'lead' the viewer to the subject. 
• Find an interesting line then determine what the subject of your photograph is.
• Remember that lines can be man-made or natural. For instance, the yellow line down the middle of the road or a tree branch. Even a person's arm can be a leading line of their face.

Use this assignment as an excuse to take an afternoon photo excursion. Walk downtown or in the woods and look around you for interesting lines that lead the eye to a subject. There is an amazing assortment of lines out there in the world and once you begin to see them, you won't be able to stop. 

Assignment #6: Perspective

How do you normally stand when you shoot? If your answer is straight up like a 5-foot-something human being then this assignment is for you. The perspective assignment challenges you to view the world from an entirely new perspective, which in turn gives the viewer a new look at the ordinary.

• Take another afternoon or evening for a photo excursion wherever you like.
• This time, every time you find something to photograph, stop!
• Ask yourself: How would a squirrel see that tree? How would a robin view that birdbath? How would a snake view that log?
• Take your photographs from very high or very low angles. Get on your belly or stand on a chair, whatever you have to (safely) do to get the 'right' angle on your subject.

If you pay attention to professional photographs, many of the images that have the WOW factor are photographed from extreme angles. People enjoy these photos because they've never seen an object from that viewpoint. It is new and unique, and you can train yourself to shoot with this in mind.

Assignment #7: Texture

You may have captured a few textural details in the 'Up Close' assignment, but this assignment takes that to the next level. The goal in this one is to study textures and forget about the object itself: the texture becomes the subject. You will also begin to realize how light affects the appearance of texture.

• Find a few objects that have very detailed textures like trees or rocks, even knit sweaters or woven rugs.
• Photograph them as close as your lens will allow.
• Use different angles and capture the same texture as the light changes. Notice how the different lighting directions and camera angles can change how much texture appears.

Textures are all around us and many of the best photographs in the world play up the textural element. This assignment should teach you how to recognize and accentuate those elements in your photos.

Assignment #8: Color Harmony

Color is important to photography because the world is full of color. This exercise requires a bit of study in color theory, which you will then put into practice in your photographs.

Do you remember art class in elementary school? You may have learned that yellow and blue make green, but color theory goes beyond that. There are cool and warm colors, complementary and contrasting colors, neutral colors, and bold colors.

It can get quite complicated, and photographers should have a basic understanding of color so you can use that when composing photographs. You don't have to study color like a painter would but can use tricks used by interior designers to influence your color decisions.

• Once you have an idea of color theory, take another photo excursion and put what you've learned into practice.
• Capture photographs with the primary or tertiary colors.
• Look for complementary colors then contrasting colors to photograph.
• Try finding a scene to photograph that is filled with neutral colors, then one that uses a bold color to 'pop' from the scene.

This is an advanced lesson, but one that any photographer working with color images will find useful. As you practice working with colors, it will become second nature and you will know how to work with color to change the feel of your images.

Assignment #9: Emotions

Take a photo of a person smiling or scowling, right? Not so. The intent of this assignment is to convey emotion in photographs  without  a face.

• Take photographs that express each of the basic emotions: happy, sad, and mad.
• How would you express the feeling of anger with no person? What about happiness? Sadness?

This is a purely conceptual assignment, but it is important to be able to relay emotion in your photographs and you might not always have a person available to do that with. Challenge yourself to think deeper about this one.

Assignment #10: Don't Look!

Are you ready to put your photography skills to the test? In today's world of digital cameras and the ability to see image captures right there on the LCD screen, photographers are losing some of the skills needed to visualize a photograph.

In this assignment, your challenge is to shoot as if you were using a film camera. That means that you will not look at the photographs you've taken until they are downloaded on your computer. Instead of relying on the camera's screen to see if you 'got the shot' you will rely on your instinct and knowledge, just like photographers did before digital photography. Can you do it?

• Plan a photo excursion to a particular location and permit yourself to photograph only 36 images (a roll of 35mm film).
• Turn off your camera's LCD screen so it does not show you the image after you have taken it.
• If you cannot turn off the camera's screen, cut a piece of thick paper and tape it over the screen. Use masking or painter's tape so you don't leave a residue on the back of your camera.
• Go out and shoot your 36 frames, thinking carefully about each image because you don't have an endless number of shots. Bonus points if you turn your camera to completely manual settings for focus and exposure.
• Don't peek at your photos until you get home and download them.

How did you do? Were you able to get good exposures on your own? How did it feel to be 'blind' and not know how your image turned out right away? 

This is similar to what it is like to shoot with film and it does require you to think harder about every image you take. Next time you shoot, slow down and pay attention, pretend that the screen is not there and rely on your own skills to create a great image. You will be a better photographer in the end.

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Select a city

Select country, photography practice exercises, practice photography at home.

Photography is a skill that requires constant practice and experimentation, so if you want to improve you need to constantly work on it. Here are some DIY mini-project ideas that you can do anytime.

Know Your Camera The longer you hold the camera in your hand, the more you memorize the location of the buttons and their configurations using muscle memory. For photographers working outside the studio, this skill is really important. You should always know where each button is without thinking about it. You can achieve this by holding and using the camera as much as possible.

So use your home camera and try to change as many settings as you can during this practice period to get used to the feel, position, and button configuration. You should be able to change all camera settings without looking at it. This will help you use and set up your camera faster and take more photos in less time.

Don't forget to read the instructions too. There are many options that you will learn and find very useful if you read the manual. If necessary, watch Youtube videos related to your camera to see what it can do that you thought was impossible before.

Create better composition You can practice composition with almost anything you have at home. Keep in mind, though, that most subjects you find will be stationary, and you won't get much better at shooting the same thing over and over again.

Try practicing composition on non-stationary subjects such as your spouse, children, parents, pets - anything that breathes and moves in the house. You might annoy them a bit, but they'll get used to it eventually. Since they'll be unpredictable and moving all the time, you'll have to constantly readjust yourself to compose correctly, which will allow you to hone your composing skills.

You can almost do the same with stationary objects, but try to compose the shot as quickly as possible this time around. And, of course, after each shot you can switch between multiple objects so you don't get too used to the angle and position.

Try macro techniques Chances are there are at least ten small items on hand right now as you sit at your desk and read this article. There are plenty of opportunities to improve your macro skills using these items while you're sitting at your desk wasting time on the internet.

Take a few of these objects and create a cool scene to photograph (which also allows you to practice conceptual photography). Practice handheld focusing and high magnification handheld shots. You can even practice macro lighting using flashes on table stands. The possibilities are endless in this area, all you have to do is practice.

You don't even need a macro lens. Start by using macro filters or close-up filters or try reverse lens macro. You can even use lamps and other lights in your home to illuminate your subjects. Use the reflective surfaces for creative shots and if you head out to your garden you're sure to find more insects, flowers and leaves that can make good macro subjects. Also, this is the best time to try to learn focus stacking.

Improve editing To get good at editing, you can research new ways to edit something, new processes, and maybe even different workflows. This way you will gain experience in this area and possibly improve the quality of your images and post-processing techniques. Also, it will help you optimize your workflow by getting used to it and eliminating any bottlenecks you might have.

If you're not used to editing your black and white photos, you can give it a try. It can help you develop a creative eye and help you learn to see particular details in black and white. You can also learn to focus more on lines, patterns, textures, tones, shadows, etc. of a scene and create powerful images that will captivate viewers for longer.

Maintenance of your equipment Your camera and equipment should be maintained and cleaned from time to time. It's pretty easy when you're at home and have the luxury of time and a clean workspace. You won't have that luxury on the pitch, so it's essential to know what you're doing and how.

When cleaning your equipment at home, be sure to become proficient. Make sure you can clean your camera, lens, and other accessories as quickly and thoroughly as possible. If you can properly clean your camera (even using the wet process on your sensor), you'll end up saving time and money by avoiding service center visits and being without your camera when it's needed.

Apart from your camera and lenses, you will also need to clean your tripod as most of the time it gets dragged through mud, dirt sand and also salt water if you are shooting near or at the beach. Over time, the parts and the material itself wear out and render your accessories unusable. So be sure to clean and lubricate the tripod and monopod. Also take the time to frequently attend to your other tripod-like accessories.

You will learn something new every time, gain experience and improve. All you need is the will to do it. You will notice the differences and improvements in just a few days.

How to teach photography to beginners

All successful photos have three things in common. Do you know what they are? It’s not the correct aperture, exposure and focus distance. Neither is it a suitable camera, lens and tripod. What about the successful use of hyperfocal distance, ISO invariance and ETTR? No! The three variables that matter most in photography are simple: light, subject and composition.

Light Photography is light. Without it, you couldn't take any photos, let alone good photos. The quality of light varies from photo to photo, but in all cases it is what gives your images their underlying structure. You can't get more fundamental than that. You've probably seen photos with beautiful light - photos that would otherwise have been rather ordinary. What makes light so important to the final quality of your photos? The character. In its simplest form, light is an emotion. The feel of your photo will be very different depending on the lighting conditions: hard light, soft light, warm light, cold light, and everything in between. Each type of lighting conveys a different emotional message, changing the character of your final image. While there are other ways to convey emotion in your photo, light is one of the most powerful.

If you've never thought about light, go out and take some pictures. At some point, you'll find yourself capturing a scene with spectacular lighting conditions, and you'll realize that taking great photos is almost easy. But what is exceptional lighting? There are so many possible conditions that you can encounter. Which are the best? While I think there are some really spectacular and particularly special lighting conditions - which I'll get to in a moment - the truth is that any type of light can be ideal. Indeed, in itself, "good light" means nothing. On the contrary, "good light" is light that makes your photos look the way you want.

A few types of light are special enough to be researched as often as possible, as they are particularly good for a wide range of subjects. The most important, at least for outdoor photos, is the golden hour - the times of sunset and sunrise when the sky is filled with stunning colors and the atmosphere filters the light into a soft glow.

Similarly, foggy conditions often make for interesting photos, simplifying the scene in front of you and bathing the world in soft, cool light. The same goes for thunderstorms, which make the sky intense and the world dark. Additionally, clear moonlit nights, which can make a landscape look mysterious and eerie, and for "blue hour" - the time of night close to golden hour, but where the sun is well below the horizon, and where everything has deep blue and purple tones.

The quality of light depends on the conditions you encounter, and it's not always something you have the power to change. However, for particularly important photos, you always have the option to wait and capture something amazing when the lighting conditions improve. The best lighting conditions in the world - even in an ordinary field - are far better than the bland lighting of Yosemite Valley. Every photo needs light; every good photo needs good light.

Subject When most of us take a picture, we do it because something caught our eye. This "something" is, unsurprisingly, your subject. If you're describing a photo to someone else, the subject is probably the first thing you'll say. "It's a picture of a mountain with snow blowing through the air." "This is a picture of a whale I saw last year." "It's a photo of my friend." As humans, we think of the world in terms of subjects. A powerful documentary touches us by what it shows us and how it shows it, but most people don't notice the "how". Indeed, a good subject can captivate your viewers, and other parts of an image - including crucial elements, even light - can take a back seat. This is also where the technical aspect of photography comes in. How do you represent your subject? Do you want to isolate it with a shallow depth of field or do you want everything from the foreground to the background in focus? Will your photography be sharp and detailed, or impressionistic and blurry? Every technical decision is really just a creative decision on how to represent your subject in the best possible way.

So when choosing the right subject for a photograph, you have to think about the future. What would the ideal photo of this subject look like, and how can you achieve it? Visualize the end result and do whatever you can to make it happen.

Composition Finally, the third crucial element of any photography is your composition. Composition is, quite simply, the arrangement of the elements of your photograph. It encompasses the position of the camera, the relationships between the elements of a photo, and the subjects you emphasize, downplay, or completely exclude. Composition is how you tell your story. A "good" composition is one that effectively tells your story, without distraction or confusion. Your viewers don't have to get lost in a convoluted mess to figure out why you took this photo. Composition is the stage of the game where you ask yourself "how". How can you convey the beauty, excitement, darkness, intensity, sweetness or any other emotion of a scene as perfectly as possible? How can you arrange the elements of your photo so that the image is successful? A good composition emphasizes the most important parts of a photo, while minimizing what detracts from the image.

As you can imagine, composing is a very personal subject, with many different elements, way more than I could cover in a single article. For the sake of simplicity, I will only touch on them briefly:

Simplicity Your photo should convey exactly what you want, and as few elements as possible should distract from your emotional message. If there are distracting elements in your photo, or elements with different moods and emotions, find what you can do to improve them.

Eliminate anything that can harm the quality of your photo; change your position or framing to lessen the effect. Even if your goal is to take a chaotic and distracting photo, you should do so as clearly and unambiguously as possible, without "non-chaotic" elements that tell a different story. The best way to fix most photos is to exclude as many unnecessary (or harmful) details as possible.

It doesn't just mean deleting them in Photoshop. Although post-processing can play a role here, it is far from the most important. If you haven't mastered the art of simplifying photos in-camera, it's a stretch to believe that the Spot Correction Brush can save the day. Some unwanted elements can slip into your frame, and that's okay. You rarely come across a "perfect" scene without distractions or problems. But if you're aware of these issues in the field, you've come a long way to fixing them as much as possible.

Balance Every part of a photograph attracts some degree of attention - some parts more than others. Bright, saturated colors and high contrast tend to catch the eye of your viewers, for example. The same goes for engrossing subjects or unusual things in a photo, just like in the real world. It's a matter of balance. When taking a photo, be careful where you place the elements that attract a lot of attention. If the left and right halves of your photo have the same visual weight, the composition is said to be balanced; otherwise, it is an unbalanced image.

Neither is good or bad. You can take good photos that are balanced and good photos that are unbalanced. Either way, this decision has a major impact on the underlying sentiment of the photo, i.e. its moods and emotions. A balanced composition looks calm and peaceful. An unbalanced composition, on the other hand, draws more attention to one side of the photo, resulting in a more tense and dynamic result.

Breathing Room When taking photos, each subject should have their own breathing space, or personal space, in the composition, unless you have a specific reason not to. When two subjects are close together, or against the edge of your photo, the result can be disconcerting. This advice is pretty self-explanatory, but you'd be surprised how often I see shots fail because they overlooked something so minor. An otherwise fantastic mountain photo can look completely contrived if placed too close to the top of the frame or, even worse, cut off completely.

Interconnectedness Good photos work because the elements of your composition work together rather than fighting each other. In some cases, it goes even further, achieving what is called interconnection. Sometimes different parts of the same photo have deeper similarities than they appear at first glance. For example, you can photograph a tree shaped like a distant mountain, or your subject wearing a shirt that matches the color of their eyes. Perhaps the simplest example is that of a landscape perfectly reflected in a pool of water. Such patterns give the picture a purpose, even if not all viewers consciously notice this connection. The idea is to make your image feel like a singular, unified whole, where the reason you took the photo is clear. This level of interconnectedness won't always happen, but when it does, the results can be very powerful.

If you master these three variables - light, subject and composition - you will have mastered what is perhaps the most important part of photography: figuring out how to convey your emotional message. Good photos touch us because they impact our emotions and resonate with us on a deeper level. The light creates a strong atmosphere; a subject gives your viewer something to relate to; the composition structures a photo to complete your story. In this article, I have of course only scratched the surface. In fact, no matter how hard you study these subjects, photography is an endless ocean. There is no "end point" to fully understand the creative aspect of photography. It is always possible to learn more. This is what makes photography so rewarding. Light, subject and composition are things you can only really learn by going out there and taking pictures, then critically reviewing your work and seeing how you can improve. So when trying to take the best photos possible, focus on creativity. Yes, the technical aspect of photography is always important; as I mentioned a moment ago, every technical decision is also a creative decision. But you have to back up a "technically good" photo with something more powerful. Ultimately, it's your emotional message, born out of the decisions you make every time you click the shutter.

Practice photography book

A source of ideas and knowledge is a good book. But it can be difficult to choose from the many popular photography books. We've created this list of great books to help beginners and enthusiasts get to grips with photography. Take a look for yourself and see which book suits you best.

The Photography Ideas Book by Lorna Yabsley Published by ILEX in partnership with the Tate group of museums, this dynamic book dissects and reimagines the art of photography, ultimately offering lessons in how to look with fresh eyes. Each page is devoted to a mini description of an artwork and an explanation of a specific concept used to create it, including perspective, multiple exposures, glitching, collage, and scanning. All of these pages explore brilliant photographic processes while shedding light on dozens of exciting photographers working today.

BetterPhoto Basics by Jim Miotke This is an excellent technical book that seeks to demystify the often overwhelming world of photography. Perfect for beginners, it covers common camera controls, explains the basic concepts of aperture, shutter speed and focal length, and provides tips on focusing, lighting and composition. It also contains practical exercises as well as sections with more advanced instructions, making it an ideal book to develop your skills as you progress through your photography journey. Many inspiring photographs will help you understand how all these techniques can be combined, not only during shooting but also in post-processing.

Understanding Exposure by Bryan Peterson Veteran photographer Bryan Peterson explains the fundamentals of light, aperture, and shutter speed, and how they interact and influence each other. With a focus on finding the right exposure, even in tricky situations, Understanding Exposure shows you how to get (or lose) image sharpness and contrast, freeze the action, and get the best meter results, while also exploring filters, flash and light.

Authentic Portraits by Chris Orwig Taking a portrait is not an easy task. In fact, it is an art form in its own right. Chris Orwig is a past master in this art and shares his wealth of knowledge with you. The techniques are refreshingly simple and quickly build confidence. Whether it's finding subjects, preparing yourself, or encouraging your subject, this 400+ page book of portrait photography tips and information has it all. If you want to take soulful and meaningful photos, and not just snapshots, this book is for you.

Extraordinary Everyday Photography by Jed Manwaring and Brenda Tharp The driving force behind this book is the concept that beauty can be found all around us, and that you don't have to travel across the world to get "the picture". Authors Brenda Tharp and Jed Manwaring offer captivating lessons with titles such as "Practicing to See Everyday" and "Photographing at Dusk" to inspire readers to see the familiar in new ways. In plain language, they describe how one can find unexpected pleasures by getting up close, focusing on details, and creating abstract views. They also provide exercises to help you apply what you've learned to your own environment.

Photographers on Photography: How the Masters See, Think, and Shoot by Henry Carroll If you like to learn from the best, consider reading this guide, which highlights approaches from the pros. It is packed with interviews, images and quotes from photographers such as Dorothea Lange, Saul Leiter and Wendy Red Star, which explore their ideas, concerns, motives and methods. Whether you're interested in commercial work, photojournalism, or concept art, you'll come away with a greater appreciation for the artistic process — and some inspiration for your own practice.

The Art of Photography: A Personal Approach to Artistic Expression by Bruce Barnbaum It can be difficult to master the technical aspect of photography, but it is even more difficult to develop your own artistic voice. In this rhapsodic text, photographer Bruce Barnbaum explores approaches to image-making, explaining why large photos work, how color and composition contribute to emotion, and how a single moment can be interpreted in limitless ways. There are some handy tips, like shooting the film and presenting the image, but it's mostly a guide to help you harness your technical skills for maximum creativity.

The Photographers Eye by Michael Freeman Design is the most important factor in creating a successful photograph. The ability to see the potential of a strong image and then organize graphic elements into an effective and compelling composition has always been one of the key skills in photography. In this book, photographer Michael Freeman explains how digital photography has brought a new and exciting aspect to design, with instant feedback from a digital camera enabling immediate evaluation and improvement. This has had a profound effect on the way digital photographers take pictures.

Advancing your Photography by Marc Silber Marc Silber interviewed some of the best photographers in the world and learned their secrets for amazing composition. Today, he brings their wisdom to you in an easy-to-understand manual. Too many photographers reach a certain level and struggle to progress. We are bombarded with so many videos, books and people telling us what to do that it can be overwhelming. Marc wrote Advancing Your Photography so you can have an easy to read manual to take with you. All of his advice is based on decades of photography and the deep wisdom of the fantastic photographers he's interviewed.

Good Pictures by Kim Beil This book takes a fascinating look at how we got to where we are today in photography and why we use the tools we use. You've probably never thought about why we have thumbnails and where they come from. But you will feel much closer to photography after reading Good Pictures.

Picture Perfect Practice by Roberto Valenzuela If you're frustrated and overwhelmed by the challenges of real-life locations and executing a big picture, or just want to become a better shooter but don't know where to start, Roberto Valenzuela's Picture Perfect Practice gives you the tools and information you need to finally become the kind of photographer you've always wanted to be: the kind who can confidently enter any location, in any lighting condition, with any any subject, and knowing that you can create stunning photographs that have timeless impact.

The Photographers Guide to Posing by Lindsay Adler When you're shooting people, you can have great composition, perfect light, and the right camera settings, but if your subject doesn't look good, if the pose is bad, the shot won't make it. Posing is truly a crucial skill that photographers need to possess in order to create great shots. If you're looking to improve your ability to pose your subjects, whether men, women, couples or groups, The Photographer's Guide to Posing by best-selling author and photographer Lindsay Adler: Techniques to Flatter Everyone is the perfect resource for you.

Fast Track Photographer by Dane Sanders Competition in the photography industry has never been fiercer. In this guide, renowned photographer Dane Sanders reveals that the key to success is to stop worrying about what other people are doing and focus on your most powerful resource: you.

How I Make Photographs by Joel Meyerowitz With nearly 60 years of photography experience, Joel Meyerowitz knows a thing or two about cameras and shares some of his top tips for creating engaging and beautiful images in this book, How I Make Photographs. Joel Meyerowitz is considered one of the most respected street photographers of all time. In this book, he lays out four key concepts that will help you better capture your world.

• How to use a camera to own the streets.
• Why you should always look at the world with a sense of possibility.
• How to put your subjects at ease
• The importance of being playful and finding a goal that suits your personality.

Magnum Contact Sheets by Kristen Lubben This groundbreaking book features a remarkable selection of contact sheets, revealing how Magnum's most celebrated photographers capture and edit the best shots. Addressing key questions in photographic practice, the book sheds light on the creative methods, strategies and editing processes behind some of the world's most iconic images. This book is less action oriented than others on this list and focuses more on the stories of the photographers who took the photos. It is a must-read book.

The Art of Photography: A Personal Approach to Artistic Expression by Bruce Barnbaum It can be difficult to master the technical aspect of photography, but it is even more difficult to develop your own artistic voice. In this rhapsodic text, photographer Bruce Barnbaum explores approaches to image making, explaining why large photos work, how color and composition contribute to emotion, and how a single moment can be interpreted in limitless ways. There are some handy tips, like shooting the film and presenting the image, but it's mostly a guide to help you harness your technical skills for maximum creativity.

2 Engaging Projects for Beginning Photography Students

Photography is one of the most popular electives in my school. I think a big reason for this is because students think it’s so easy to take pictures. These days, students can snap selfies and photos anytime, with little planning or thought. However, when they try to translate their social media skills to photography class, many of them realize their skills aren’t quite as sharp as they thought.

It’s important to show students taking a good photo involves more than a click of a button. In addition, we must help students discover a new way of looking and learn to see all of the details they’ve been missing. Starting off with projects to build these skills is crucial!

Here are 2 engaging projects I use with my beginning middle school photography students.

1. Photo Scavenger Hunts

Being able to leave the confines of the classroom is a big draw of photography classes, especially for middle schoolers. Scavenger hunts are a great way to help them focus during these periods of newfound freedom. Below are two ideas to try.

The Digital “Photo-bet”

The very first project we do in my middle school photography class involves locating the twenty-six letters of the alphabet in our surroundings. This Digital Photo-bet project takes time and hones students’ patience along with their observational and organizational skills. For this project, I typically have students use iPads to take the photos. This way, they stay focused on looking for the letters instead of playing with the camera.

The parameters of the project are simple:

• Students must look for objects and shapes that resemble letters. They may not take photos of actual letters.
• Students cannot stage their photos or retouch their findings. They must capture the “letters” as-is.
• The letters do not have to be captured in order. However, students should keep track of which letters they’ve captured as they go along.
• When finished, students must create a sentence or series of phrases that use all of the letters in a single composition. Students love to discuss these pieces and discuss the “letters” they see.

During the project, students quickly begin collaborating to find images and compare their letters with each other. There are usually a few students who insist the sticks they discovered had fallen exactly in the shape of an “N.” I trust them unless proven otherwise.

After the project is complete, I often notice students talking with each other about how they see their surroundings differently. They’re paying more attention, which is the goal.

Elements and Principles

Another early project involves photographing the elements and principles of art . It’s a good way to assess students’ background knowledge and introduce them to the capabilities of a Digital SLR camera.

For lots of students, this is one of their first exposures to a Digital SLR camera, and the features and capabilities of the camera are a bit overwhelming. Therefore, it’s a good idea to present and demonstrate a few basic concepts and techniques.

Here are 3 I like to focus on with my students:

• Focus Taking pictures in focus is a continual struggle because middle school students always seem to be in a rush to get things done quickly. They also have a tough time remembering their cameras might be set to Manual Focus instead of Auto. The main idea here is encouraging them to slow down and check the focus instead of snapping the picture and moving on.
• Composition and Lighting I encourage my students to try and shoot with the goal of as little post-production editing as possible. Therefore, we talk a lot about using the viewfinder to compose a good image to start with. I teach them to look for distracting backgrounds or poor lighting from the get-go. Thinking in this way will save time in the long run.
• Digital means you can take lots of photos! I often have students go out to shoot only to return with a handful of images. They haven’t grasped the idea that they can take a large number of photo and choose the best shot from the group afterward. Many of them believe one shot is all they’ll need. Inevitably, students end up wishing they could have taken more images to capture a specific subject or moment.

Once students have gotten to know their cameras a bit and have reviewed the elements and principles, they head out to photograph them around our school. They really try to outdo each other with their images. I’ve had students look for textures no one can guess or use their peers to represent motion.

2. Light Painting

I usually do light painting with my students toward the end of the semester. It’s a fun way for them to learn how to manipulate images through the science of photography and light rather than software.

At this point, they’ve learned how time and light are the most important factors in creating a strong photograph. Now, they get to play with the concepts.

To do light painting, you’ll need: 

• A flashlight
• A dark space

Setting up in a dark or virtually pitch black space is best, though not a necessity. Have students set up the camera and tripod and adjust the shutter speed to a setting upward of a second. On most cameras, you do this with the TV (Time Variable) setting on the dial. Students may have to play with the actual shutter speed setting to find the ideal shutter speed length for their image, so encourage them to try out multiple variations.

After the shutter is opened, students move the flashlight around in either a shape or letter and the light is captured in trails until the shutter closes. They can write messages, create effects, and just generally play with light. I often end up with students spending multiple class periods trying to capture the perfect photo.

These engaging projects are a surefire way to get your students comfortable with their cameras and the basics of photography. As your students gain skills and confidence, you can let them explore and play a little more.

What are your favorite introductory photography projects?

With which camera features do your students encounter the most challenges when they begin working with photography?

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Ray Yang is the Director of Equity, Diversity and Inclusion of NAEA and a former AOEU Writer. They believe the arts can change the world.

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These Cross-Curricular Photography Lessons Inspire High School Students to Do Social Good

Because creativity is at the heart of activism.

Explore the Getty Unshuttered Teacher Portal , a cross-curricular resource for high school teachers filled with lessons that inspire students to raise their voices for social good through photography.  

“Who am I? What do I care about? How can I make a difference?”

Teens continually attempt to figure out their place in the world. As teachers, we can make a profound impact as our students learn and develop. We can guide those in our classrooms to use their passion, creativity, and energy to make a difference in the world. And now there’s a new resource, created by the Getty Museum, to help teachers do just that. The Getty Unshuttered Teacher Portal is a cross-curricular resource that provides high school teachers with free lessons that inspire students to raise their voices for social good through photography .

Featured Image Photo Credit: Melissa Barales-Lopez, Mia Bella Chavez, Grecia Carey Ortega, and Norma Vidal, [untitled], 2018

Cross-curricular lessons.

Originally developed as a free, photo-sharing app , Getty Unshuttered encourages teens to inspire others with their creativity. The app also teaches photography skills and posts photo challenges. The Getty Unshuttered Teacher Portal is a new resource that provides high school teachers with lessons that incorporate photography and enhance curriculums across a variety of subject areas, such as ELA, history, politics, art, photography , and more. 

Social Justice Themes

The carefully developed lessons tackle social justice themes that resonate with high school students. For example, Exploring Your Background is a lesson that shows students how to use self-portraiture to express their identity. In the accompanying activity, students use their smartphones to capture selfies that reveal their cultural background, family history, and place in society. The lesson also incorporates photography skills videos from the Getty Unshuttered app , and resources such as portraits from the Getty Collection and an “identity map” graphic organizer. 

Other cross-curricular, high school photography lessons from the Getty Teacher Portal delve into impactful, social justice topics, such as:

• Exploring Communities
• The Role of Photography in Social Justice Advocacy
• Identifying Types of Service 

Useful Tools and Resources

Currently, there are eight social justice lessons available on the Getty Unshuttered Teacher Portal. Over the next school year, there are plans to add lessons on photography skills and visual narrative. All  lesson plans include a variety of tools and resources. Examples include relevant activities, photos, videos, discussion guides, graphic organizers, and assessments.

Explore the Getty Unshuttered Teacher Portal

Tap into your high school students’ creative expression through photography that helps them develop a deeper understanding of art, history, literature, politics, and more. Inspire them to raise their voices for social good through Getty Unshuttered’s cross-curricular, high school lessons.

Note: The aim of the portal is to be a tool for educators, and the Getty wants to hear feedback from you directly ([email protected]) in order to be responsive and ensure resources work for you. Going forward, you will see updates to lesson plans as feedback is incorporated.

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PhotoGraphy Lesson Plans

Teach Students How To Create Amazing Photos With Any Camera!

"It's great to have student and teacher materials. I'm converting the lesson assignments into Google Slides for Google Classroom . " -  David, Professional Educator (USA)

description:

Inside this pack, you get 10 EASY-TO-FOLLOW PHOTOGRAPHY LESSON PLANS to help students learn all they'll need to know to enjoy a lifetime of photography - with any camera!

These photography lesson plans are turn-key, ready to use instantly after download.

You even get a handy  Teacher's Guide to guarantee that you correctly explain the lighting and composition principles being discussed in each lesson.

What you get:

✔️  10  Photography Lesson Plans (40 pages)

✔️   1 Teachers's Guide

✔️   1 Student Workbook

✔️   3 Photography Study Guides

✔️   BONUS: 30-Day Photography Challenge

✔️   BONUS: 24 Cut-Out Photo Flash Cards

✔️   BONUS: Photo Scavenger Hunt

applies to all cameras!

" I loved the clear enthusiastic explanations of the concepts and the bright and well-organized format and that any student at any level with any camera can benefit from the exercises." - Amanda Boswell Homeschool Co-op Photography Teacher 

10 Photography lesson plans

Each lesson is a 4-page full-color  printable  that clearly lays out the lesson plan objectives and assignments.

Each lesson plan has plenty of photo examples and simple instructions that students can easily understand and follow.

ALL OF THESE PHOTOGRAPHY LESSONS CAN BE SUCCESSFULLY COMPLETED USING THE CAMERA'S AUTO MODE .

SEE REAL IMPROVEMENT AFTER THE FIRST LESSON!

Appropriate for all cameras and grades .

Our study of photography focuses on  Light and Composition ; two elements that all photographers must understand regardless what camera is being used. 

This is not a course on  how to use your camera or how to shoot in manual mode.

All of these photography lessons and assignments are centered on seeing or manipulating light and creating proper composition techniques. As a result, every lesson can be completed using the camera's auto-mode.

These six lessons will make anyone a better photographer - starting from the first lesson!

"I love that the language is very understandable and that the lessons can be used with elementary age curriculum! " -  Stacy, Professional Educator (USA)

TEacher's guide

You will be teaching your students how to create amazing photos by combining interesting light with engaging composition.

If you are not a great photographer, don't worry!

The Teacher's Guide gives extended explanations so you understand how light and composition are used to make better photos.

This 10-page easy-to-follow  Teacher's Guide is your personal how-to for getting the most out of each lesson.

"The fact that it just focuses on composition and lighting is so helpful . Really thankful I found this for such a good price. " -  Meredith, Educator, USA 

3 Photography study guides

As a natural supplement to the photography lesson plans, you get three photography study guides for added clarity to each lesson.

Night Photography Study Guide  

Cameras love light! 

Learn the secrets of how to take dramatic and compelling photos at night and in low light settings.

Composition Study Guide  

Composition is how a photographer demonstrates his or her subject(s).

Learn the fundamentals of creating a well balanced and beautifully composed photo. 

Exploring Light Study Guide 

It all comes down to light. There are varieties of light just as there are varieties of fruits and vegetables. Light comes in different colors and in different intensities. 

Get ready to explore light!

FREE bonus #1: 30-day photo challenge

To make sure you don't run out of creative ways to reinforce each lesson, as a free bonus, we are also providing our popular  30 Day Photography Challenge .

Every challenge offers a new way for your students to see, question and advance their photography knowledge and skills.

FREE bonus #2: activities pack

As a second FREE Bonus, you get a Fun Pack of activities to give your students even more ways to understand and define how light and composition affect their photos.

The activities pack  includes:

• Photo Scavenger Hunt  
• 24 Photo/Terms Flash Cards (Cut-Outs)
• Student Workbook  

All high-quality full-color (PDF) printables.

"The lesson plans were easy to use and just the right length for my 11 and 13-year-old . They really liked the emphasis on fun and practice."  

-  Allyson Drinnon

photography Lesson Plans TEACH students HOW TO CREATE AMAZING PHOTOS WITH ANY CAMERA

What's Included:

• 10 Photography Lesson Plans
• 1 Teacher's Guide 
• 1 Student Workbook
• 3 Photography Study Guides
• 30 Day Photography Challenge
• 24 Cut-Out Photo Flash Cards
• 1 Photo Scavenger Hunt

instructions

Immediately after purchase, you'll receive a private download link to access a zip file with all your PDF downloads, printables and fun pack items.

Save the zip file to your computer and that's it!

Once you open the zip file, all the items are inside the Photography Lesson Plans folder and you can begin right away!

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Your success teaching photography is our #1 priority. At any time in the next 30-days, if you don't find the Photography Lesson Plans absolutely helpful OR... If you are dissatisfied in any way...

...just let us know and your payment will be refunded. We offer a "100% happiness", no questions asked, 30-day money back guarantee.

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Our photography lesson plans have been adopted by a wide range of prestigious schools and organizations, including:

Global Kids

The Wolf School

Foundation Academy

Crosby Independent School District

The Academy, Berkley, CA.

Lyon County School District, NV

Summit Christian Academy

Manurewa Intermediate School, NZ

Bellingham Public Schools

Chinook's Edge School Division, Alberta Canada

Prairie Seeds Academy

DeKalb County School District

Fernley Intermediate School

Fremont School for Adults - University of California, Davis

Timaru Christian School, New Zealand

Hesperia Unified School District

CHEK ABC (K-Adult)

Chámmakilawish Pechanga School

Southeast Community College

Sunrise School Division

Richland School District

These lesson plans have been the foundation for countless young photographers to explore and express their creativity. Be a part of the community of educators who are dedicated to fostering the love of photograph y.

Picture Power offers one on one consultations for teachers and students. If you are interested send an email to  [email protected]  to get started.

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Photography for Kids: Fun Activities, Latest Lesson Plans & Tips

It's never too early to pick up a camera. Learn how to get your kids or students motivated and excited to start photography with these top tips and lessons.

Learn | By Jeff Collier

Photography is a fun and creative activity that can be enjoyed by people of all ages, including kids.

It allows children to express themselves, explore their surroundings, and develop their artistic skills.

I’m a photographer and want my grandkids to learn how to take pictures on cameras (as opposed to just my iPhone!) – maybe you’re in the same boat?

In this article, I’ll show you how you can teach your child to take pictures, whatever their age.

You’ll even find some fun photography activities and lesson plans that can be tailored to kids and students.

(You may also be interested in our article on how to photograph children .)

Let’s dive in!

The Kidamento digital camera is cute, easy to use and packed full of fun features. Available as a sloth, cat or a koala.

Table of Contents

Photography for Kids: How Do I Teach My Child to Take Pictures?

Raíssa de Paula

Photography for kids is an exciting topic, especially if you’re a parent and want to pass on your passion for digital photography.

Teaching your child to take pictures is a great way to help them develop their creativity and technical skills.

Here are a few tips on how teach photography to children:

• Start with a simple camera: Unlike regular photography, kids’ photography should be as simple as pointing and shooting. Children may not have the patience or coordination to use a complicated camera, so it’s best to start with a simple point-and-shoot camera or even a smartphone. You may also want to invest in one of these kids’ cameras which are a fun design.
• Explain the basics : Photography lessons for kids should emphasize fundamentals. Show your child how to turn the camera on and off, how to focus, and how to take a picture. Teaching photography needn’t be dry or boring – keep it simple to start with.
• Encourage creativity: Encourage your child to take pictures of whatever interests them, whether it’s a tree in the park or their favorite toy. Take a step back and forget about all the usual photography tips and any photography skills you’ve picked up along the way – just let them take a few photos of whatever they want, however they want.
• Offer guidance: Offer guidance and suggestions, but also give your child the freedom to experiment and make their own decisions. Remember – these aren’t structured photography lessons, per see – think of it more as playtime with a camera.
• Review and discuss the pictures: After your child has taken some pictures, sit down with them and review the pictures together. Ask them what they like about each picture and what they might do differently next time.

It may be interesting for kids to learn that digital photography is a relatively new ‘invention’, and that back in your day, everything had to be printed.

At What Age Can Kids Start Photography?

There is no specific age at which kids can start photography, as it depends on the child’s maturity and ability to handle a camera.

Some children may be ready to start taking pictures at a young age, while others may need to wait until they are older.

Here are a few factors to consider when teaching photography to younger kids:

• Physical ability: Children should be able to hold and handle the camera securely and press the button to take a picture. Obviously, this will depend on the size and shape of the camera – Kidamento makes this one that’s easy to grip for smaller hands.
• Attention span : If the child able to focus on taking pictures and not get easily distracted?
• Understanding of instructions: The child should be able to understand and follow basic instructions, such as how to turn the camera on and off and how to focus.
• Interest: Is the kid showing an interest in taking pictures, and are they motivated to learn? Do they want to have their own camera? Are they asking for photography lessons?

If your child meets these criteria and is interested in basic photography, they are likely ready to start taking pictures.

Is Photography a Good Hobby for Kids?

Photography can be a great hobby for kids because it allows them to express themselves creatively and develop their artistic skills.

It can also help children learn to see the world in a different way as they start to notice details and compositions that they might have otherwise overlooked.

Remember the saying, “see the world in the way a child sees it”? This applies to photography for kids – they’ll take pictures of things you never even considered before.

Photography can also be a great way for children to document their experiences and memories.

In addition, photography can help children develop important life skills, such as problem-solving and communication.

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They may need to think creatively to capture a unique shot or communicate with members of their family or their friends when taking pictures of people.

Overall, photography can be a rewarding and enjoyable hobby for kids as long as they are interested and motivated to learn.

14 Photography Activities for Kids and Students in 2023

Ryunosuke Kikuno

Here are seven fun photography activities that kids can try:

• Self-portraits : Here’s an easy photography activity for students. Encourage the child to take self-portraits using your smartphone or a digital camera. They can experiment with different angles, lighting, and expressions to create unique self-portraits. Give them a few basic photography tips (like using a tripod and the self-timer), but then leave them to figure the rest out themselves.
• Nature photography : Take a walk with the child and encourage them to take pictures of plants, flowers, and animals. They can also try taking close-up shots of flowers or other small objects to focus on details. Young photographers will always love getting out in nature with a camera.
• Black and white photography : Try taking pictures in black and white to create a different look and feel. This can also help kids learn about how color affects an image.
• Action shots: Encourage your child to take action shots of people or animals in motion. This can be challenging, but it’s also a great way to practice capturing movement and freezing it in a photograph.
• Still life photography : Set up a still life scene using household objects and encourage your child to take pictures of it. This can be a great way for kids to practice composition and lighting.
• Street photography : Take a walk with your child and encourage them to take pictures of people and scenes from everyday life. This can be a great way for kids to practice candid photography and capture candid moments.
• Night photography : Try taking pictures at night to capture the beauty of the stars or the city lights. This can be a fun and challenging activity that allows kids to experiment with low-light photography.
• Photo editing: Photography for kids needn’t just be about taking photos. Show them how you can change the look of digital photography using a simple editing app like the one found on your smartphone. See what effects the child likes applying to their photos.

If you’re looking for photography activities for students , here’s a list of seven more:

• Landscape photography : Encourage students to go outside and take pictures of landscapes, including mountains, forests, and beaches. This can be a great way for students to practice composition and lighting.
• Portrait photography : Students should practice taking portraits of their classmates or friends. Encourage them to experiment with different angles and lighting to create unique and interesting portraits. Experiment with different lenses to see how they affect the look of their friends’ faces.
• Architecture photography : Encourage students to take pictures of interesting buildings or structures in their community. This can be a great way for students to practice composition and capturing the details of a scene.
• Food photography : Have students practice taking pictures of food. This can be a fun and creative activity that allows students to experiment with lighting and composition. See if they can guess how these food photos were taken.
• Product photography : Encourage students to take pictures of products, such as their own toys or electronics. This can be a great way for students to practice capturing detail and showcasing the features of a product.
• Street photography: Have students take candid pictures of people and scenes from everyday life. This can be a fun way for students to practice candid photography and capture candid moments. You may also need to teach them the local laws about taking photos of strangers.
• Night photography: Encourage students to try taking pictures at night to capture the beauty of the stars or the city lights. This can be a fun and challenging activity that allows students to experiment with low-light photography , and blurring lights with slow shutter speeds.

Teaching photography to students is immensely rewarding.

Just remember to keep your photography lessons light on the technical details initially to ensure that the students’ creativity can flourish – you don’t want to make them bored too early on!

10 Digital Photography Lesson Plans for Elementary Schools

Here are ten photography lesson plans that can be used in an elementary school setting:

• Introduction to Photography: This lesson introduces students to the basic concepts of photography, such as the camera, aperture, shutter speed, and ISO. Students can learn about the different parts of a camera and how they work together to capture an image.
• Composition Basics : Students can learn about the basic principles of composition, such as the rule of thirds, leading lines, and symmetry. They can practice applying these principles by taking pictures and analyzing their compositions for discussions with their classmates.
• Portrait Photography: Students should learn how to take portraits and experiment with different angles, lighting, and backgrounds. They can practice taking portraits of their classmates and friends and learn how to capture natural expressions and emotions in their photos.
• Landscape Photography: Teach how to take landscape photos and experiment with different perspectives, angles, and lighting. They can practice taking photos of the natural environment or urban landscapes and learn about the importance of composition in landscape photography.
• Black and White Photography: In this lesson, students learn how to take black and white photos and how to use contrast and lighting to create dramatic and impactful images. They can practice taking photos in black and white and learn about the history and aesthetics of black and white photography.
• Action Photography: In this lesson, students learn how to capture movement and freeze it in a photograph. They can practice taking action photos of sports, dance, or other fast-moving subjects and learn about the techniques and equipment needed for action photography.
• Night Photography: Students will learn how to take photos at night and experiment with different lighting techniques. They can practice taking photos of the stars, the moon, or cityscapes at night and learn about the challenges and rewards of night photography.
• Still-Life Photography: In this lesson, students learn how to set up and photograph a still-life scene. They can practice using lighting, composition, and props to create an interesting and visually appealing still-life photo.
• Street Photography: Teach students how to take candid photos of people and scenes from everyday life. They can practice capturing candid moments like laughing or talking and learn about the ethics and considerations of street photography, including local laws that affect taking photos.
• Food Photography: Teach how to take appetizing and visually appealing photos of food. They can practice using lighting, composition, and props to create a mouth-watering food photo.

You can find the best photography schools here.

The History of Photography for Kids: A Simplified Summary

Martin Bekerman

The history of photography is a fascinating and colorful one that dates back over two thousand years.

If you’d like to talk about how it all originated in your photography lessons, here is a brief overview of the history of photography for kids aged 10+.

• The earliest known photograph was taken in the early 19th century by a French inventor named Joseph Nicéphore Niépce . He used a camera obscura (a small, dark room with a hole in the wall) to capture an image of the view from his window. This photograph is called the “View from the Window at Le Gras” and is considered the first photograph ever taken.
• In the 1830s, a British scientist named William Henry Fox Talbot developed a process called “calotype” which allowed people to make multiple copies of a photograph. This process used paper coated with silver chloride, which turned black when exposed to light.
• In the 1850s, a French photographer named Louis Daguerre developed the daguerreotype process, which used a polished silver plate to capture an image. The daguerreotype process produced very detailed and high-quality photographs, but it was expensive and time-consuming.
• In the late 19th century, the wet plate collodion process was developed, which allowed people to take photographs more quickly and inexpensively. This process used a glass plate coated with a chemical mixture that became light-sensitive when wet.
• In the early 20th century, the first color photographs were developed. One of the most popular color photography processes was called “autochrome,” which used microscopic grains of starch dyed in three primary colors (red, green, and blue) to create a color image.
• In the 1950s, the first modern digital cameras were developed, which used electronic sensors to capture images. Today, digital cameras are the most widely used type of camera, and people can take and share photos instantly using their smartphones.

Throughout its history, photography has transformed the way we see and understand the world.

It has also allowed us to capture and preserve memories, document important events, and share our experiences with others.

Photography for kids isn’t just about creativity and camera settings – it’s also important to show them how digital photography came to be, and some of the ‘old story’ of the days of the darkroom too.

See also: when were cameras invented?

Tips for Encouraging Children to Take Photos

Kelly Sikkema

How do I encourage my child to turn the camera on?

If you want to encourage your child to turn the camera on, you can try the following strategies:

• Make it easy to use: Consider using a camera that is easy for your child to turn on and off, such as a point-and-shoot camera or a smartphone camera. This one from Kidamento is a great choice.
• Show them how: Demonstrate how to turn the camera on and off, and encourage your child to practice doing it themselves.
• Make it fun: Encourage your child to take pictures of things that interest them, such as their favorite toys, pets, or places. This can make taking pictures more enjoyable and motivating. Give the child a camera in the morning and ask them to take 10 photos before lunchtime, for example.
• Offer guidance and support: Offer guidance and support as needed, but also give your child the freedom to explore and experiment on their own. Review the photos the child has taken at the end of the day.
• Be patient: Children may need more time and practice to learn how to turn the camera on and off, so it’s important to be patient and encouraging.
• Reward their efforts: If your child is making an effort to turn the camera on and take pictures, be sure to praise and reward their efforts. This can help them feel more confident and motivated to continue learning.
• Show them your photos: Show some of the first photos you ever took or more recent example photos.

How can I get my 4-year-old to take pictures?

Here are a few tips for encouraging your 4-year-old to take pictures:

• Start with a simple camera: Children at this age may not have the patience or coordination to use a complicated camera, so it’s best to start with a simple point-and-shoot camera or a smartphone camera.
• Explain the basics: Show your child how to turn the camera on and off, how to focus, and how to take a picture. Use simple language and demonstrate the steps using hands-on examples.
• Encourage creativity: Encourage your child to take pictures of whatever interests them, whether it’s a tree in the park or their favorite toy. This can help them feel more motivated and engaged.
• Offer guidance: Offer guidance and suggestions as needed, but also give your child the freedom to experiment and make their own decisions.
• Be patient: Children at this age may need more time and practice to learn how to take pictures, so it’s important to be patient and encouraging.

By following these tips, you can help your 4-year-old learn to take pictures and have fun with photography.

Download Free Photography Cheat Sheets for Kids

Tons of great free content available to download.

Photzy is a great place to learn photography, with tons of ebooks packed full of photography lessons on everything from basic tips and camera handling skills to taking exhibition-worthy photos.

While much of their content is geared toward students and ‘older’ people, there are also a handful of excellent free photography cheat sheets you can download for kids.

Their e-books are well-designed and informative and provide tons of useful tips to help your photographers improve and get inspired.

You can download three free photography cheat sheets here >>

Final Words on Teaching Photography to Kids

I hope you got some good information about photography for kids from my article.

Most schools offer photography lessons for young students, but I haven’t come across any for younger kids.

That’s why it’s important to encourage younger children to pick up a camera earlier and start experimenting.

A child’s photos are a wonderful thing. Make sure you’re part of the learning process to encourage these new skills.

Check out these 8 essential tools to help you succeed as a professional photographer.

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Jeff Collier is an experienced film photographer who enjoys experimenting with modern digital photography equipment, software and apps. He’s also an ex-world champion triathlete and avid cyclist, clocking hundreds of km each week in the beautiful Tweed Valley of northern NSW, Australia.

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I was born and raised in a working-class city, Elektrostal, Moscow region. I received a higher education in television in Moscow. I studied to be a documentary photographer. My vision of the aesthetics of the frame was significantly influenced by the aesthetics of my city – the endless forests and swamps of the Moscow region with endless factories, typical architecture and a meagre color palette. In this harsh world, people live and work, raise children, grow geranium, throw parties and live trouble, run a ski cross. They are the main characters of my photo projects.

I study a person in a variety of circumstances. We blog with friends with stories of such people. We are citizen journalists. In my works, I touch upon the topics of homelessness, people’s attitude to their bodies, sexual objectification, women’s work, alienation and living conditions of different people. The opportunity to communicate with my characters gives me a sense of belonging and modernity of life.

My photos create the effect of presence, invisible observation of people. I don’t interfere with what’s going on, I’m taking the place of an outside observer. I’m a participant in exhibitions in Rome (Loosenart Gallery), Collaborated with the Russian Geographical Community.

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40 Facts About Elektrostal

Written by Lanette Mayes

Modified & Updated: 02 Mar 2024

Reviewed by Jessica Corbett

Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to captivate you.

This article will provide you with 40 fascinating facts about Elektrostal, giving you a better understanding of why this city is worth exploring. From its origins as an industrial hub to its modern-day charm, we will delve into the various aspects that make Elektrostal a unique and must-visit destination.

So, join us as we uncover the hidden treasures of Elektrostal and discover what makes this city a true gem in the heart of Russia.

Key Takeaways:

• Elektrostal, known as the “Motor City of Russia,” is a vibrant and growing city with a rich industrial history, offering diverse cultural experiences and a strong commitment to environmental sustainability.
• With its convenient location near Moscow, Elektrostal provides a picturesque landscape, vibrant nightlife, and a range of recreational activities, making it an ideal destination for residents and visitors alike.

Known as the “Motor City of Russia.”

Elektrostal, a city located in the Moscow Oblast region of Russia, earned the nickname “Motor City” due to its significant involvement in the automotive industry.

Home to the Elektrostal Metallurgical Plant.

Elektrostal is renowned for its metallurgical plant, which has been producing high-quality steel and alloys since its establishment in 1916.

Boasts a rich industrial heritage.

Elektrostal has a long history of industrial development, contributing to the growth and progress of the region.

Founded in 1916.

The city of Elektrostal was founded in 1916 as a result of the construction of the Elektrostal Metallurgical Plant.

Located approximately 50 kilometers east of Moscow.

Elektrostal is situated in close proximity to the Russian capital, making it easily accessible for both residents and visitors.

Known for its vibrant cultural scene.

Elektrostal is home to several cultural institutions, including museums, theaters, and art galleries that showcase the city’s rich artistic heritage.

A popular destination for nature lovers.

Surrounded by picturesque landscapes and forests, Elektrostal offers ample opportunities for outdoor activities such as hiking, camping, and birdwatching.

Hosts the annual Elektrostal City Day celebrations.

Every year, Elektrostal organizes festive events and activities to celebrate its founding, bringing together residents and visitors in a spirit of unity and joy.

Has a population of approximately 160,000 people.

Elektrostal is home to a diverse and vibrant community of around 160,000 residents, contributing to its dynamic atmosphere.

Boasts excellent education facilities.

The city is known for its well-established educational institutions, providing quality education to students of all ages.

A center for scientific research and innovation.

Elektrostal serves as an important hub for scientific research, particularly in the fields of metallurgy, materials science, and engineering.

Surrounded by picturesque lakes.

The city is blessed with numerous beautiful lakes, offering scenic views and recreational opportunities for locals and visitors alike.

Well-connected transportation system.

Elektrostal benefits from an efficient transportation network, including highways, railways, and public transportation options, ensuring convenient travel within and beyond the city.

Famous for its traditional Russian cuisine.

Food enthusiasts can indulge in authentic Russian dishes at numerous restaurants and cafes scattered throughout Elektrostal.

Home to notable architectural landmarks.

Elektrostal boasts impressive architecture, including the Church of the Transfiguration of the Lord and the Elektrostal Palace of Culture.

Offers a wide range of recreational facilities.

Residents and visitors can enjoy various recreational activities, such as sports complexes, swimming pools, and fitness centers, enhancing the overall quality of life.

Provides a high standard of healthcare.

Elektrostal is equipped with modern medical facilities, ensuring residents have access to quality healthcare services.

Home to the Elektrostal History Museum.

The Elektrostal History Museum showcases the city’s fascinating past through exhibitions and displays.

A hub for sports enthusiasts.

Elektrostal is passionate about sports, with numerous stadiums, arenas, and sports clubs offering opportunities for athletes and spectators.

Celebrates diverse cultural festivals.

Throughout the year, Elektrostal hosts a variety of cultural festivals, celebrating different ethnicities, traditions, and art forms.

Electric power played a significant role in its early development.

Elektrostal owes its name and initial growth to the establishment of electric power stations and the utilization of electricity in the industrial sector.

Boasts a thriving economy.

The city’s strong industrial base, coupled with its strategic location near Moscow, has contributed to Elektrostal’s prosperous economic status.

Houses the Elektrostal Drama Theater.

The Elektrostal Drama Theater is a cultural centerpiece, attracting theater enthusiasts from far and wide.

Popular destination for winter sports.

Elektrostal’s proximity to ski resorts and winter sport facilities makes it a favorite destination for skiing, snowboarding, and other winter activities.

Promotes environmental sustainability.

Elektrostal prioritizes environmental protection and sustainability, implementing initiatives to reduce pollution and preserve natural resources.

Home to renowned educational institutions.

Elektrostal is known for its prestigious schools and universities, offering a wide range of academic programs to students.

Committed to cultural preservation.

The city values its cultural heritage and takes active steps to preserve and promote traditional customs, crafts, and arts.

Hosts an annual International Film Festival.

The Elektrostal International Film Festival attracts filmmakers and cinema enthusiasts from around the world, showcasing a diverse range of films.

Encourages entrepreneurship and innovation.

Elektrostal supports aspiring entrepreneurs and fosters a culture of innovation, providing opportunities for startups and business development.

Offers a range of housing options.

Elektrostal provides diverse housing options, including apartments, houses, and residential complexes, catering to different lifestyles and budgets.

Home to notable sports teams.

Elektrostal is proud of its sports legacy, with several successful sports teams competing at regional and national levels.

Boasts a vibrant nightlife scene.

Residents and visitors can enjoy a lively nightlife in Elektrostal, with numerous bars, clubs, and entertainment venues.

Promotes cultural exchange and international relations.

Elektrostal actively engages in international partnerships, cultural exchanges, and diplomatic collaborations to foster global connections.

Surrounded by beautiful nature reserves.

Nearby nature reserves, such as the Barybino Forest and Luchinskoye Lake, offer opportunities for nature enthusiasts to explore and appreciate the region’s biodiversity.

Commemorates historical events.

The city pays tribute to significant historical events through memorials, monuments, and exhibitions, ensuring the preservation of collective memory.

Promotes sports and youth development.

Elektrostal invests in sports infrastructure and programs to encourage youth participation, health, and physical fitness.

Hosts annual cultural and artistic festivals.

Throughout the year, Elektrostal celebrates its cultural diversity through festivals dedicated to music, dance, art, and theater.

Provides a picturesque landscape for photography enthusiasts.

The city’s scenic beauty, architectural landmarks, and natural surroundings make it a paradise for photographers.

Connects to Moscow via a direct train line.

The convenient train connection between Elektrostal and Moscow makes commuting between the two cities effortless.

A city with a bright future.

Elektrostal continues to grow and develop, aiming to become a model city in terms of infrastructure, sustainability, and quality of life for its residents.

In conclusion, Elektrostal is a fascinating city with a rich history and a vibrant present. From its origins as a center of steel production to its modern-day status as a hub for education and industry, Elektrostal has plenty to offer both residents and visitors. With its beautiful parks, cultural attractions, and proximity to Moscow, there is no shortage of things to see and do in this dynamic city. Whether you’re interested in exploring its historical landmarks, enjoying outdoor activities, or immersing yourself in the local culture, Elektrostal has something for everyone. So, next time you find yourself in the Moscow region, don’t miss the opportunity to discover the hidden gems of Elektrostal.

Q: What is the population of Elektrostal?

A: As of the latest data, the population of Elektrostal is approximately XXXX.

Q: How far is Elektrostal from Moscow?

A: Elektrostal is located approximately XX kilometers away from Moscow.

Q: Are there any famous landmarks in Elektrostal?

A: Yes, Elektrostal is home to several notable landmarks, including XXXX and XXXX.

Q: What industries are prominent in Elektrostal?

A: Elektrostal is known for its steel production industry and is also a center for engineering and manufacturing.

Q: Are there any universities or educational institutions in Elektrostal?

A: Yes, Elektrostal is home to XXXX University and several other educational institutions.

Q: What are some popular outdoor activities in Elektrostal?

A: Elektrostal offers several outdoor activities, such as hiking, cycling, and picnicking in its beautiful parks.

Q: Is Elektrostal well-connected in terms of transportation?

A: Yes, Elektrostal has good transportation links, including trains and buses, making it easily accessible from nearby cities.

Q: Are there any annual events or festivals in Elektrostal?

A: Yes, Elektrostal hosts various events and festivals throughout the year, including XXXX and XXXX.

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Israel-Hamas war protesters and police clash on Texas campus, Columbia University begins suspensions

Colleges around the U.S. implored pro-Palestinian student protesters to clear out tent encampments with rising levels of urgency Monday, including an ultimatum from Columbia University. (AP video by Ted Shaffrey) (AP produced by Javier Arciga)

Pro-Palestinian demonstrators rallied on the University of Wisconsin- Madison campus on Monday morning. (AP VIdeo: Todd Richmond)

A student at the University of Oregon is silhouetted in front of a Palestinian flag inside a tent encampment at the university that was set up to protest the Israel-Hamas war, Monday, April 29, 2024, in Eugene, Ore. (AP Photo/Jenny Kane)

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Police pepper spray pro-Palestinian protesters blocking police vehicles from leaving the University of Texas in Austin, Texas, Monday, April 29, 2024. (Aaron E. Martinez/Austin American-Statesman via AP)

A pro-Palestinian protester yells “Free Palestine” as she is handcuffed by University of Texas at Austin police on the campus Monday, April 29, 2024, in Austin, Texas. (Aaron E. Martinez/Austin American-Statesman via AP)

Police arrest a pro-Palestinian protester at the University of Texas in Austin, Texas, Monday April 29, 2024. (Jay Janner/Austin American-Statesman via AP)

A pro-Palestinian protester is grabbed by University of South Florida police as they begin to clash on campus Monday, April 29, 2024, in Tampa, Fla. (Chris Urso/Tampa Bay Times via AP)

People gather on the grass at a pro-Palestinian encampment at the University of Washington campus Monday, April 29, 2024, in Seattle. The group is demanding that the university divest from Israel and cut ties with Boeing, which manufactures products used by Israel Defense Forces. (AP Photo/Lindsey Wasson)

A pro-Palestinian protester yells as state troopers stand during a protest at the University of Texas in Austin, Texas, Monday April, 29, 2024. (Jay Janner/Austin American-Statesman via AP)

Student protesters gather in protest inside their encampment on the Columbia University campus, Monday, April 29, 2024, in New York. Protesters of the war in Gaza who are encamped at Columbia University have defied a deadline to disband with chants, clapping and drumming. (AP Photo/Stefan Jeremiah)

University of South Florida police officers take pro-Palestinian protesters into custody during a march on the campus Monday, April 29, 2024, in Tampa, Fla. (Chris Urso/Tampa Bay Times via AP)

State troopers arrest a pro-Palestinian protester at the University of Texas in Austin, Texas, Monday, April 29, 2024. (Jay Janner/Austin American-Statesman via AP)

A state trooper pepper sprays protesters at a pro-Palestinian protest at the University of Texas in Austin, Texas, Monday, April 29, 2024. (Jay Janner/Austin American-Statesman via AP)

Pro-Palestinian supporters march on campus at UCLA, Monday, April 29, 2024, in Los Angeles, as other students watch from a lawn. (David Crane/The Orange County Register via AP)

A sign is shown written over to read “University of Palestine” at a pro-Palestinian encampment on the University of Washington campus Monday, April 29, 2024, in Seattle. The group is demanding that the university divest from Israel and cut ties with Boeing, which manufactures products used by Israel Defense Forces. (AP Photo/Lindsey Wasson)

Student protesters march round their encampment on the Columbia University campus, Monday, April 29, 2024, in New York. (AP Photo/Stefan Jeremiah)

A protester is taken away by University of Texas at Austin police at an encampment on the campus Monday, April 29, 2024. (Aaron E. Martinez/Austin American-Statesman via AP)

State troopers arrest a person at a pro-Palestinian protest at the University of Texas in Austin, Texas, Monday, April 29, 2024. (Jay Janner/Austin American-Statesman via AP)

Pro-Palestinian protesters stand with linked arms surrounded by Texas state troopers and police at an encampment at University of Texas in Austin, Texas, Monday, April 29, 2024. (Aaron E. Martinez/Austin American-Statesman via AP)

Israel supporters look on at a pro-Palestinian encampment in front of Royce Hall at UCLA, Monday, April 29, 2024. Pro-Palestinian supporters joined in a march from their encampment in front of Royce Hall to areas around the campus. (David Crane/The Orange County Register via AP)

University of Texas at Austin police arrest a protester at a pro-Palestinian encampment on the campus Monday, April 29, 2024, in Austin, Texas. (Aaron E. Martinez/Austin American-Statesman via AP)

Speakers take turns addressing a rally on Francis Quadrangle at the University of Missouri campus Monday, April 29, 2024, in Columbia, Mo. Students staged a walkout and demonstration calling for a cease-fire in Gaza. The group made up of about 300 people met at Lowry Mall and walked to the Quad and back. (Brian W. Kratzer/Missourian via AP)

Barricades torn down by demonstrators are piled in the center of an encampment by students protesting against the Israel-Hamas war at George Washington University on Monday, April 29, 2024, in Washington. (AP Photo/Mark Schiefelbein)

A person who declined to give their name maneuvers among tents at an encampment by students protesting against the Israel-Hamas war at George Washington University on Monday, April 29, 2024, in Washington. (AP Photo/Mark Schiefelbein)

Speakers take turns addressing a rally on Francis Quadrangle at the University of Missouri campus Monday, April 29, 2024, in Columbia, Mo. Students staged a walkout and demonstration calling for a cease-fire in Gaza. The group made up of about 300 peopl, met at Lowry Mall and walked to the Quad and back. (Brian W. Kratzer/Missourian via AP)

Pro-Palestinian protesters continued to occupy the grounds at University of California, Los Angeles in front of Royce Hall on Monday, April 29, 2024, in Los Angeles. Security has surrounded the encampment after a skirmish broke out Sunday between the Pro-Palestianian protesters and Israel supporters. (David Crane/The Orange County Register via AP)

A University of Oregon student jumps to get around tents that were set up on campus to protest the Israel-Hamas war, Monday, April 29, 2024, in Eugene, Ore. (AP Photo/Jenny Kane)

A student at the University of Oregon looks into a tent with other students at an encampment at the university that was set up to protest the Israel-Hamas war on Monday, April 29, 2024, in Eugene, Ore. (AP Photo/Jenny Kane)

University of Oregon students set up a tent encampment on campus to protest the Israel-Hamas war, Monday, April 29, 2024, in Eugene, Ore. (AP Photo/Jenny Kane)

University of Oregon students play Uno on top of a protest sign inside a tent encampment set up on the campus to protest the Israel-Hamas war, Monday, April 29, 2024, in Eugene, Ore. (AP Photo/Jenny Kane)

A student at the University of Oregon sets up a sign that reads “Divest from death” as students set up a tent encampment at the university to protest the Israel-Hamas war on Monday, April 29, 2024, in Eugene, Ore. (AP Photo/Jenny Kane)

University of Oregon students set up a tent encampment at the university to protest the Israel-Hamas war on Monday, April 29, 2024, in Eugene, Ore. (AP Photo/Jenny Kane)

A University of Oregon student carves a design into a stamp to be used on cloth at a tent encampment at the university that was set up to protest the Israel-Hamas war, Monday, April 29, 2024, in Eugene, Ore. (AP Photo/Jenny Kane)

A Palestinian flag flutters in the wind as University of Oregon students set up a tent encampment at the university to protest the Israel-Hamas war on Monday, April 29, 2024, in Eugene, Ore. (AP Photo/Jenny Kane)

NEW YORK (AP) — Protesters and police clashed Monday at the University of Texas in a confrontation that resulted in dozens of arrests, and Columbia University began suspending students as colleges around the U.S. begged pro-Palestinian demonstrators to clear out tent encampments as commencement ceremonies approach.

From coast to coast, demonstrators are sparring over the Israel-Hamas war and its mounting death toll, and the number of arrests at campuses nationwide is approaching 1,000 as the final days of class wrap up. The outcry is forcing colleges to reckon with their financial ties to Israel, as well as their support for free speech. Some Jewish students say the protests have veered into antisemitism and made them afraid to set foot on campus.

The protests have even spread to Europe, with French police removing dozens of students from the Sorbonne university after pro-Palestinian protesters occupied the main courtyard. In Canada, student protest camps have popped up at the University of Ottawa, McGill University in Montreal and the University of British Columbia in Vancouver, The Canadian Press reported.

At the University of Texas at Austin, an attorney said at least 40 demonstrators had been arrested Monday on charges of trespassing and disorderly conduct, some of them by officers in riot gear who encircled about 100 sitting protesters, dragging or carrying them out one by one amid screams. Another group of demonstrators trapped police and a van full of arrestees between buildings, creating a mass of bodies pushing and shoving and prompting the officers to use pepper spray and flash-bang devices to clear the crowd.

What to know about student protests

• What’s happening: Student protests over the Israel-Hamas war have popped up at many college campuses following the arrest of demonstrators in April at Columbia University.
• Latest : Dozens of people were arrested Monday during protests at universities in Texas, Utah, Virginia and New Jersey.
• Why : The students are protesting the war’s death toll and are calling for universities to separate themselves from any companies that are advancing Israel’s military efforts in Gaza.

The confrontation was an escalation on the 53,000-student campus in the state’s capital, where more than 50 protesters were arrested last week.

The university late Monday issued a statement saying that many of Monday’s protesters were not affiliated with the school and that encampments are prohibited on campus. The school also alleged that some demonstrators were “physically and verbally combative” with university staff, prompting officials to call law enforcement.

The plight of students who have been arrested has become a central part of protests , with the students and a growing number of faculty demanding amnesty for protesters. At issue is whether the suspensions and legal records will follow students through their adult lives.

The Texas protest and others grew out of Columbia’s early demonstrations that have continued. On Monday, student activists on the school’s Manhattan campus defied a 2 p.m. deadline to leave an encampment of around 120 tents. If they left by the deadline and signed a form committing to abide by university policies through June 2025, officials said they could finish the semester in good standing. If not, they would be suspended, pending further investigation.

Instead, hundreds of protesters remained, marching around the quad and weaving around piles of temporary flooring and green carpeting meant for graduation ceremonies that are supposed to begin next week.

A handful of counter-demonstrators waved Israeli flags, and one held a sign reading, “Where are the anti-Hamas chants?”

While the university didn’t call police to roust the demonstrators, school spokesperson Ben Chang said suspensions had started. He said that while the university appreciated the free speech rights of students, the encampment was a “noisy distraction” that was interfering with teaching and preparation for final exams. The university said it will offer an alternative venue for the protests after exams and graduation.

The protests also made some Jewish students deeply uncomfortable, he said.

Student protesters gather in protest inside their encampment on the Columbia University campus, Monday, April 29, 2024, in New York.(AP Photo/Stefan Jeremiah)

Few other details from the university were immediately available, such as how students were involved, how the suspensions would be carried out or whether suspended students would be ejected from the campus. Protest organizers said they were not aware of any suspensions as of Monday evening.

Columbia’s handling of the protests also has prompted federal complaints.

A class-action lawsuit on behalf of Jewish students alleges a breach of contract by Columbia, claiming the university failed to maintain a safe learning environment, despite policies and promises. It also challenges the move away from in-person classes and seeks quick court action requiring Columbia to provide security for the students.

Meanwhile, a legal group representing pro-Palestinian students is urging the U.S. Department of Education’s civil rights office to investigate Columbia’s compliance with the Civil Rights Act of 1964 for how they have been treated.

A university spokesperson declined to comment on the complaints.

In a rare case, Northwestern University said it reached an agreement with students and faculty who represent the majority of protesters on its campus near Chicago. It allows peaceful demonstrations through the June 1 end of spring classes and in exchange, requires removal of all tents except one for aid, and restricts the demonstration area to allow only students, faculty and staff unless the university approves otherwise.

At the University of Southern California, organizers of a large encampment sat down with university President Carol Folt for about 90 minutes on Monday. Folt declined to discuss details of what was discussed, but said the purpose of the meeting was to allow her to hear the concerns of protesters.

USC sparked a controversy April 15 when officials refused to allow the valedictorian, who has publicly supported Palestinians, to make a commencement speech, citing nonspecific security concerns for their rare decision. Administrators then scrapped the keynote speech by filmmaker Jon M. Chu, who is an alumnus, and declined to award any honorary degrees.

The backlash, as well as Columbia’s demonstrations, inspired the encampment and protests on campus last week week where 90 people were arrested by police in riot gear. The university has canceled its main graduation event that typically draws 65,000 people to the Los Angeles campus.

“The students said at the end they wouldn’t have considered this meeting a win from their perspective, and I can fully appreciate that,” Folt said in a statement late Monday. “For me, the most important point was that we were starting to talk, and I think that was vital.”

Another meeting between Folt and protesters was scheduled for Tuesday.

Administrators elsewhere tried to salvage their commencements and several have ordered the clearing of encampments in recent days. When those efforts have failed, officials threatened discipline, including suspension, and possible arrest.

But students dug in their heels at other high-profile universities, with standoffs continuing at Harvard, the University of Pennsylvania, Yale and others. Police in riot gear at Virginia Commonwealth University sought to break up an encampment there late Monday, clashing with protesters and deploying pepper spray and zip-ties to take them into custody.

Jacob Ginn, a second-year University of North Carolina sociology graduate student, said he had been protesting at the encampment for four days, including negotiations with administrators Friday.

“We are prepared for everything and we will remain here until the university meets our demands and we will remain steadfast and strong in the face of any brutality and repression that they try to attack us with,” Ginn said in reference to a potential police sweep of the encampment.

Vertuno reported from Austin, Texas, and Mattise reported from Nashville, Tennessee. Associated Press journalists around the country contributed to this report, including Sarah Brumfield, Stefanie Dazio, Christopher Weber, Carolyn Thompson, David Collins, Makiya Seminera and Corey Williams.