creative writing phd programs in the us

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Ph.D. Creative Writing

Ph.d. in creative writing.

A rigorous program that combines creative writing and literary studies, the Ph.D. in Creative Writing prepares graduates for both scholarly and creative publication and teaching. With faculty guidance, students admitted to the Ph.D. program may tailor their programs to their goals and interests.

The creative writing faculty at KU has been widely published and anthologized, winning both critical and popular acclaim. Faculty awards include such distinctions as the Nebula Award, Hugo Award, Osborn Award, Shelley Memorial Award, Gertrude Stein Award, the Kenyon Review Prize, the Kentucky Center Gold Medallion, and the Pushcart Prize.

Regarding admission to both our doctoral and MFA creative writing programs, we will prioritize applicants who are interested in engaging with multiple faculty members to practice writing across genres and forms, from speculative fiction and realism to poetry and playwriting/screenwriting, etc.

The University of Kansas' Graduate Program in Creative Writing also offers an M.F.A degree .

Opportunities

A GTA appointment includes a tuition waiver for ten semesters plus a competitive stipend. In the first year, GTA appointees teach English 101 (first year composition) and English 102 (a required reading and writing course). Creative Writing Ph.D. students may have the opportunity to teach an introductory course in creative writing after passing the doctoral examination, and opportunities are available for a limited number of advanced GTAs to teach in the summer.

Department Resources

Graduate Admissions
Graduate Contacts
Master of Fine Arts (M.F.A.)

Affiliated Programs

LandLocked Literary Magazine
The Project on the History of Black Writing
Center for the Study of Science Fiction
Ad-Hoc African/Americanists and Affiliates

Degree Requirements

At least 24 hours of credit in appropriate formal graduate courses beyond the M.A. or M.F.A. At least 15 hours (in addition to ENGL 800 if not taken for the M.A.) of this course work must be taken from among courses offered by the Department of English at the 700-level and above. English 997 and 999 credits cannot be included among the 24 hours. Students may petition to take up to 6 hours outside the Department.
ENGL 800: Methods, Theory, and Professionalism (counts toward the 24 required credit hours).
The ENGL 801/ENGL 802 pedagogy sequence (counts toward the 24 required credit hours).
Two seminars (courses numbered 900 or above) offered by the Department of English at the University of Kansas, beyond the M.A. or M.F.A. ENGL 998 does not fulfill this requirement.
ENGL 999, Dissertation (at least 12 hours).

If the M.A. or M.F.A. was completed in KU’s Department of English, a doctoral student may petition the DGS to have up to 12 hours of the coursework taken in the English Department reduced toward the Ph.D.

For Doctoral students, the university requires completion of a course in responsible scholarship . For the English department, this would be ENGL 800, 780, or the equivalent). In addition, the Department requires reading knowledge of one approved foreign language: Old English, French, German, Spanish, Italian, Russian, Japanese, Greek, Latin, or Hebrew. Upon successful petition, a candidate may substitute reading knowledge of another language or research skill that is studied at the University or is demonstrably appropriate to the candidate’s program of study.

Doctoral students must fulfill the requirement before they take their doctoral examination, or be enrolled in a reading course the same semester as the exam. Students are permitted three attempts at passing each foreign language or research skill. Three methods of demonstrating reading knowledge for all approved languages except Old English are acceptable:

Presenting 16 hours, four semesters, or the equivalent of undergraduate credit, earned with an average of C or better.
Passing a graduate reading course at the University of Kansas or peer institution (e.g., French 100, German 100, etc.) with a grade of C or higher. In the past, some of these reading courses have been given by correspondence; check with the Division of Continuing Education for availability.
Passing a translation examination given by a designated member of the English Department faculty or by the appropriate foreign language department at KU. The exam is graded pass/fail and requires the student to translate as much as possible of a representative text in the foreign language in a one-hour period, using a bilingual dictionary.
Passing a translation examination given by the appropriate foreign language department at the M.A.-granting institution. Successful completion must be reflected either on the M.A. transcript or by a letter from the degree-granting department.

To fulfill the language requirement using Old English, students must successfully complete ENGL 710 (Introduction to Old English) and ENGL 712 (Beowulf).

Post-Coursework Ph.D. students must submit, with their committee chair(s), an annual review form to the DGS and Graduate Committee.

Doctoral students must take their doctoral examination within three semesters (excluding summers) of the end of the semester in which they took their final required course. If a student has an Incomplete, the timeline is not postponed until the Incomplete is resolved. For example, a student completing doctoral course work in Spring 2018 will need to schedule their doctoral exam no later than the end of Fall semester 2019. Delays may be granted by petition to the Graduate Director in highly unusual circumstances. Failure to take the exam within this time limit without an approved delay will result in the student’s falling out of good standing. For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices.

A student may not take their doctoral exam until the university’s Research Skills and Responsible Scholarship requirement is fulfilled (ENGL 800 or equivalent and reading knowledge of one foreign language or equivalent).

Requirements for Doctoral Exams

Reading Lists:

All students are required to submit three reading lists, based on the requirements below, to their committee for approval. The doctoral exam will be held on a date at least twelve weeks after the approval from the whole committee is received. To facilitate quick committee approval, students may copy the graduate program coordinator on the email to the committee that contains the final version of the lists. Committee members may then respond to the email in lieu of signing a printed copy. Students should work with their committee chair and graduate program coordinator to schedule the exam at the same time as they finalize the lists.

During the two-hour oral examination (plus an additional 15-30 minutes for a break and committee deliberation), a student will be tested on their comprehension of a literary period or movement, including multiple genres and groups of authors within that period or movement. In addition, the student will be tested on two of the following six areas of study:

An adjacent or parallel literary period or movement,
An author or group of related authors,
Criticism and literary theory,
Composition theory, and
English language.

No title from any field list may appear on either of the other two lists. See Best Practices section for more details on these six areas. See below for a description of the Review of the Dissertation Proposal (RDP), which the candidate takes the semester after passing the doctoral exam.

While many students confer with the DGS as they begin the process of developing their lists, they are also required to submit a copy of their final exam list to the DGS. Most lists will be left intact, but the DGS might request that overly long lists be condensed, or extremely short lists be expanded.

Review of Literature

The purpose of the Review of Literature is to develop and demonstrate an advanced awareness of the critical landscape for each list. The student will write an overview of the defining attributes of the field, identifying two or three broad questions that animate scholarly discussion, while using specific noteworthy texts from their list ( but not all texts on the list ) as examples.

The review also must accomplish the following:

consider the historical context of major issues, debates, and trends that factor into the emergence of the field
offer a historical overview of scholarship in the field that connects the present to the past
note recent trends and emergent lines of inquiry
propose questions about (develop critiques of, and/or identify gaps in) the field and how they might be pursued in future study (but not actually proposing or referencing a dissertation project)

For example, for a literary period, the student might include an overview of primary formal and thematic elements, of the relationship between literary and social/historical developments, of prominent movements, (etc.), as well as of recent critical debates and topics.

For a genre list, the Review of Literature might include major theories of its constitution and significance, while outlining the evolution of these theories over time.

For a Rhetoric and Composition list, the review would give an overview of major historical developments, research, theories, methods, debates, and trends of scholarship in the field.

For an English Language Studies (ELS) list, the review would give an overview of the subfields that make up ELS, the various methodological approaches to language study, the type of sources used, and major aims and goals of ELS. The review also usually involves a focus on one subfield of particular interest to the student (such as stylistics, sociolinguistics, or World/Postcolonial Englishes).

Students are encouraged to divide reviews into smaller sections that enhance clarity and organization. Students are not expected to interact with every text on their lists.

The review of literature might be used to prepare students for identifying the most important texts in the field, along with why those texts are important to the field, for the oral exam. It is recommended for students to have completed reading the bulk of (if not all) texts on their lists before writing the ROL.

The Reviews of Literature will not be produced in an exam context, but in the manner of papers that are researched and developed in consultation with all advisors/committee members, with final drafts being distributed within a reasonable time for all members to review and approve in advance of the 3-week deadline . While the Review of Literature generally is not the focus of the oral examination, it is frequently used as a point of departure for questions and discussion during the oral examination.

Doctoral Exam Committee

Exam committees typically consist of 3 faculty members from the department—one of whom serves as the Committee Chair—plus a Graduate Studies Representative. University policy dictates the composition of exam committees . Students may petition for an exception for several committee member situations, with the exception of the Graduate Studies Representative .

If a student wants to have as a committee member a person outside the university, or a person who is not in a full-time tenure-track professorship at KU, the student must contact the Graduate Secretary as early as possible. Applications for special graduate faculty status must be reviewed by the College and Graduate Studies. Requests for exam/defense approval will not be approved unless all committee members currently hold either regular or special graduate faculty status

Remote participation of committee members via technology

Students with committee members who plan to attend the defense via remote technology must be aware of college policy on teleconferencing/remote participation of committee members .

A majority of committee members must be physically present for an examination to commence; for doctoral oral examinations this requirement is 2 of the 4 members, for master’s oral examinations the requirement is 2 of the 3 members. In addition, it is required that the student being examined, the chair of the committee, and the Graduate Studies Representative all be physically present at the examination or defense. Mediated attendance by the student, chair and Grad Studies Rep is prohibited.

The recommended time between completion of coursework and the doctoral examination is two semesters.

Final exam lists need to be approved and signed by the committee at least 12 weeks prior to the prospective exam date. This includes summers/summer semesters. The lists should then be submitted to the Graduate Program Coordinator. Reviews of Literature need to be approved and signed by the committee at least 3 weeks prior to the exam date. Failure to meet this deadline will result in rescheduling the exam. No further changes to lists or Reviews of Literature will be allowed after official approval. The three-week deadline is the faculty deadline--the last date for them to confirm receipt of the ROLs and confer approval--not necessarily the student deadline for submitting the documents to the faculty. Please keep that timing in mind and allow your committee adequate time to review the materials and provide feedback.

Students taking the Doctoral Exam are allowed to bring their text lists, the approved Reviews of Literature, scratch paper, a writing utensil, and notes/writing for an approximately 5-minute introductory statement to the exam. (This statement does not need to lay out ideas or any aspect of the dissertation project.)

Each portion of the oral examination must be deemed passing before the student can proceed to the Review of the Dissertation Proposal. If a majority of the committee judges that the student has not answered adequately on one of the three areas of the exam, the student must repeat that portion in a separate oral exam of one hour, to be taken as expeditiously as possible. Failure in two areas constitutes failure of the exam and requires a retake of the whole. The doctoral examining committee will render a judgment of Satisfactory or Unsatisfactory on the entire examination. A student who fails the exam twice may, upon successful petition to the Graduate Committee, take it a third and final time.

Students cannot bring snacks, drinks, treats, or gifts for committee members to the exam. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student exams but not others.

The doctoral oral examination has the following purposes:

To establish goals, tone, and direction for the pursuit of the Ph.D. in English for the Department and for individual programs of study;
To make clear the kinds of knowledge and skills that, in the opinion of the Department, all well-prepared holders of the degree should have attained;
To provide a means for the Department to assess each candidate’s control of such knowledge and skills in order to certify that the candidate is prepared to write a significant dissertation and enter the profession; and
To enable the Department to recommend to the candidate areas of strength or weakness that should be addressed.

In consultation with the Graduate Director, a student will ask a member of the Department’s graduate faculty (preferably their advisor) to be the chairperson of the examining committee. The choice of examination committee chair is very important, for that person’s role is to assist the candidate in designing the examination structure, preparing the Review of Literature (see below), negotiating reading lists and clarifying their purposes, and generally following procedures here outlined. The other three English Department members of the committee will be chosen in consultation with the committee chair. (At some point an additional examiner from outside the Department, who serves as the Graduate School representative, will be invited to join the committee). Any unresolved problems in negotiation between a candidate and their committee should be brought to the attention of the Graduate Director, who may choose to involve the Graduate Committee. A student may request a substitution in, or a faculty member may ask to be dismissed from, the membership of the examining committee. Such requests must be approved, in writing, by the faculty member leaving the committee and by the Graduate Director.

Reading Lists

Copies of some approved reading lists and Reviews of Literature are available from the Graduate Secretary and can be found on the U: drive if you are using a computer on campus. Despite the goal of fairness and equity, some unavoidable unevenness and disparity will appear in the length of these lists. It remains, however, the responsibility of the examining committee, and especially the student’s chair, to aim toward consonance with the most rigorous standards and expectations and to insure that areas of study are not unduly narrow.

To facilitate quick committee approval, students may copy the graduate secretary on the email to the committee that contains the final version of the lists and reviews of literature. Committee members may then respond to the email in lieu of signing a printed copy.

Comprehension of a literary period (e.g., British literature of the 18th century; Romanticism; US literature of the 19th century; Modernism) entails sufficient intellectual grasp of both the important primary works of and secondary works on the period or movement to indicate a student’s ability to teach the period or movement and undertake respectable scholarship on it.

Comprehension of an author or group of related authors (e.g., Donne, the Brontës, the Bloomsbury Group, the Black Mountain Poets) entails knowledge, both primary and secondary, of a figure or figures whose writing has generated a significant body of interrelated biographical, historical, and critical scholarship.

Comprehension of one of several genres (the short story, the lyric poem, the epistolary novel). To demonstrate comprehension of a genre, a student should possess sufficient depth and breadth of knowledge, both primary and secondary, of the genre to explain its formal characteristics and account for its historical development.

Comprehension of criticism and literary theory entails a grasp of fundamental conceptual problems inherent in a major school of literary study (e.g., historicist, psychoanalytic, feminist, poststructuralist, etc.). To demonstrate comprehension of that school of criticism and literary theory, a student should be able to discuss changes in its conventions and standards of interpretation and evaluation of literature from its beginning to the present. Students will be expected to possess sufficient depth and breadth of theoretical knowledge to bring appropriate texts and issues to bear on questions of literary study.

Comprehension of composition theory entails an intellectual grasp of fundamental concepts, issues, and theories pertaining to the study of writing. To demonstrate comprehension of composition theory, students should be able to discuss traditional and current issues from a variety of perspectives, as well as the field’s historical development from classical rhetoric to the present.

Comprehension of the broad field of English language studies entails a grasp of the field’s theoretical concepts and current issues, as well as a familiarity with significant works within given subareas. Such subareas will normally involve formal structures (syntax, etc.) and history of the English language, along with other subareas such as social linguistics, discourse analysis, lexicography, etc. Areas of emphasis and specific sets of topics will be arranged through consultation with relevant faculty.

Ph.D. candidates must be continuously enrolled in Dissertation hours each Fall and Spring semester from the time they pass the doctoral examination until successful completion of the final oral examination (defense of dissertation).

Students enroll for a minimum of 6 hours each Fall and Spring semester until the total of post-doctoral exam Dissertation hours is 18. One hour each semester must be ENGL 999. In order to more quickly reach the 18-hour minimum, and to be sooner eligible for GRAships, it is highly recommended that students enroll in 9 hours of Dissertation in the Spring and Fall semesters.
Once a student has accumulated 18 post-doctoral exam hours, each subsequent enrollment will be for a number of hours agreed upon as appropriate between the student and their advisor, the minimal enrollment each semester being 1 hour of ENGL 999.
A student must be enrolled in at least one hour of credit at KU during the semester they graduate. Although doctoral students must be enrolled in ENGL 999 while working on their dissertations, per current CLAS regulations, there is no absolute minimum number of ENGL 999 hours required for graduation.
Students who live and work outside the Lawrence area may, under current University regulations, have their fees assessed at the Field Work rate, which is somewhat lower than the on-campus rate. Students must petition the College Office of Graduate Affairs before campus fees will be waived.

Please also refer to the COGA policy on post-exam enrollment or the Graduate School’s policy .

As soon as possible following successful completion of the doctoral exam, the candidate should establish their three-person core dissertation committee, and then expeditiously proceed to the preparation of a dissertation proposal. Within the semester following completion of the doctoral exam , the student will present to their core dissertation committee a written narrative of approximately 10-15 pages , not including bibliography, of the dissertation proposal. While the exam schedule is always contingent on student progress, in the first two weeks of the semester in which they intend to take the review , students will work with their committee chair and the graduate program coordinator to schedule the 90-minute RDP. Copies of this proposal must be submitted to the members of the dissertation committee and Graduate Program Coordinator no later than three weeks prior to the scheduled examination date.

In the proposal, students will be expected to define: the guiding question or set of questions; a basic thesis (or hypothesis); how the works to be studied or the creative writing produced relate to that (hypo)thesis; the theoretical/methodological model to be followed; the overall formal divisions of the dissertation; and how the study will be situated in the context of prior scholarship (i.e., its importance to the field). The narrative section should be followed by a bibliography demonstrating that the candidate is conversant with the basic theoretical and critical works pertinent to the study. For creative writing students, the proposal may serve as a draft of the critical introduction to the creative dissertation. Students are expected to consult with their projected dissertation committee concerning the preparation of the proposal.

The review will focus on the proposal, although it could also entail determining whether or not the candidate’s knowledge of the field is adequate to begin the composition process. The examination will be graded pass/fail. If it is failed, the committee will suggest areas of weakness to be addressed by the candidate, who will rewrite the proposal and retake the review by the end of the following semester . If the candidate abandons the entire dissertation project for another, a new RDP will be taken. (For such a step to be taken, the change would need to be drastic, such as a move to a new field or topic. A change in thesis or the addition or subtraction of one or even several works to be examined would not necessitate a new proposal and defense.) If the student fails to complete the Review of the Dissertation Proposal within a year of the completion of the doctoral exams, they will have fallen out of departmental good standing. For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices.

After passing the Review of the Dissertation Proposal, the student should forward one signed copy of the proposal to the Graduate Program Coordinator. The RDP may last no longer than 90 minutes.

Students cannot bring snacks, drinks, treats, or gifts for committee members to the review. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student exams but not others.

The Graduate Catalog states that the doctoral candidate “must present a dissertation showing the planning, conduct and results of original research, and scholarly creativity.” While most Ph.D. candidates in the Department of English write dissertations of a traditional, research-oriented nature, a creative writing candidate may elect to do a creative-writing dissertation involving fiction, poetry, drama or nonfiction prose. Such a dissertation must also contain a substantial section of scholarly research related to the creative writing. The precise nature of the scholarly research component should be determined by the candidate in consultation with the dissertation committee and the Graduate Director. Candidates wishing to undertake such a dissertation must complete all Departmental requirements demanded for the research-oriented Ph.D. degree.

Scholarly Research Component (SRC)

The Scholarly Research Component (SRC) of the creative-writing dissertation is a separate section of the dissertation than the creative work. It involves substantial research and is written in the style of academic prose. It should be 15-20 pages and should cite at least 20 sources, some of which should be primary texts, and many of which should be from the peer-reviewed secondary literature. The topic must relate, in some way, to the topic, themes, ideas, or style of the creative portion of the dissertation; this relation should be stated in the Dissertation Proposal, which should include a section describing the student’s plans for the SRC. The SRC may be based on a seminar paper or other work the student has completed prior to the dissertation; but the research should be augmented, and the writing revised, per these guidelines. The SRC is a part of the dissertation, and as such will be included in the dissertation defense.

The SRC may take two general forms:

1.) An article, publishable in a peer-reviewed journal or collection, on a specific topic related to an author, movement, theoretical issue, taxonomic issue, etc. that has bearing on the creative portion. The quality of this article should be high enough that the manuscript could be submitted to a peer-reviewed publication, with a plausible chance of acceptance.

2.) A survey . This survey may take several different forms:

A survey of a particular aspect of the genre of the creative portion of the dissertation (stylistic, national, historical, etc.)
An introduction to the creative portion of the dissertation that explores the influences on, and the theoretical or philosophical foundations or implications of the creative work
An exploration of a particular technical problem or craft issue that is salient in the creative portion of the dissertation
If the creative portion of the dissertation includes the results of research (e.g., historical novel, documentary poetry, research-based creative nonfiction), a descriptive overview of the research undertaken already for the dissertation itself
A combination of the above, with the prior approval of the student’s dissertation director.

The dissertation committee will consist of at least four members—two “core” English faculty members, a third faculty member (usually from English), and one faculty member from a different department who serves as the Graduate Studies representative. The committee may include (with the Graduate Director’s approval) members from other departments and, with the approval of the University’s Graduate Council, members from outside the University. If a student wants to have a committee member from outside the university, or a person who is not in a full-time tenure-track professorship at KU, the student must contact the Graduate Secretary as early as possible. Applications for special graduate faculty status must be reviewed by the College and the Office of Graduate Studies. Requests for defense approval will not be approved unless all committee members currently hold either regular or special graduate faculty status.

The candidate’s preferences as to the membership of the dissertation committee will be carefully considered; the final decision, however, rests with the Department and with the Office of Graduate Studies. All dissertation committees must get approval from the Director of Graduate Studies before scheduling the final oral exam (defense). Furthermore, any changes in the make-up of the dissertation committee from the Review of the Dissertation Proposal committee must be approved by the Director of Graduate Studies.

Once the dissertation proposal has passed and the writing of the dissertation begins, membership of the dissertation committee should remain constant. However, under extraordinary circumstances, a student may request a substitution in, or a faculty member may ask to be dismissed from, the membership of the dissertation committee. Such requests must be approved, in writing, by the faculty member leaving the committee and by the Graduate Director.

If a student does not make progress during the dissertation-writing stage, and accumulates more than one “Limited Progress” and/or “No Progress” grade on their transcript, they will fall out of good standing in the department. For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices

Final Oral Exam (Dissertation Defense)

When the dissertation has been tentatively accepted by the dissertation committee (not including the Graduate Studies Representative), the final oral examination will be held, on the recommendation of the Department. While the exam schedule is always contingent on student progress, in the first two weeks of the semester in which they intend to defend the dissertation, students should work with their committee chair and graduate program coordinator to schedule it.

Although the dissertation committee is responsible for certification of the candidate, any member of the graduate faculty may be present at the examination and participate in the questioning, and one examiner—the Graduate Studies Representative—must be from outside the Department. The Graduate Secretary can help students locate an appropriate Grad Studies Rep. The examination normally lasts no more than two hours. It is the obligation of the candidate to advise the Graduate Director that they plan to take the oral examination; this must be done at least one month before the date proposed for the examination.

At least three calendar weeks prior to the defense date, the student will submit the final draft of the dissertation to all the committee members (including the GSR) and inform the Graduate Program Coordinator. Failure to meet this deadline will necessitate rescheduling the defense. The final oral examination for the Ph.D. in English is, essentially, a defense of the dissertation. When it is passed, the dissertation itself is graded by the dissertation director, in consultation with the student’s committee; the student’s performance in the final examination (defense) is graded by the entire five-person committee

Students cannot bring snacks, drinks, treats, or gifts for committee members to the defense. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student defenses but not others

These sets of attributes are adapted from the Graduate Learner Outcomes that are a part of our Assessment portfolio. “Honors” should only be given to dissertations that are rated “Outstanding” in all or most of the following categories:

Significant and innovative plot/structure/idea/focus. The writer clearly places plot/structure/idea/focus in context.
Thorough knowledge of literary traditions. Clear/flexible vision of the creative work produced in relation to those literary traditions.
Introduction/Afterword is clear, concise, and insightful. A detailed discussion of the implications of the project and future writing projects exists.
The creative dissertation reveals the doctoral candidate’s comprehensive understanding of poetics and/or aesthetic approach. The application of the aesthetic approach is innovative and convincing.
The creative dissertation represents original and sophisticated creative work.
The creative dissertation demonstrates thematic and/or aesthetic unity.

After much discussion about whether the “honors” designation assigned after the dissertation defense should be for the written product only, for the defense/discussion only, for both together, weighted equally, or eradicated altogether, the department voted to accept the Graduate Committee recommendation that “honors” only apply to the written dissertation. "Honors" will be given to dissertations that are rated "Outstanding" in all or most of the categories on the dissertation rubric.

Normally, the dissertation will present the results of the writer’s own research, carried on under the direction of the dissertation committee. This means that the candidate should be in regular contact with all members of the committee during the dissertation research and writing process, providing multiple drafts of chapters, or sections of chapters, according to the arrangements made between the student and each faculty member. Though accepted primarily for its scholarly merit rather than for its rhetorical qualities, the dissertation must be stylistically competent. The Department has accepted the MLA Handbook as the authority in matters of style. The writer may wish to consult also the Chicago Manual of Style and Kate L. Turabian’s A Manual for Writers of Dissertations, Theses, and Term Papers .

Naturally, both the student and the dissertation committee have responsibilities and obligations to each other concerning the submitting and returning of materials. The student should plan on working steadily on the dissertation; if they do so, they should expect from the dissertation committee a reasonably quick reading and assessment of material submitted.

Students preparing their dissertation should be showing chapters to their committee members as they go along, for feedback and revision suggestions. They should also meet periodically with committee members to assess their progress. Prior to scheduling a defense, the student is encouraged to ask committee members whether they feel that the student is ready to defend the dissertation. Ideally, the student should hold the defense only when they have consulted with committee members sufficiently to feel confident that they have revised the dissertation successfully to meet the expectations of all committee members.

Students should expect that they will need to revise each chapter at least once. This means that all chapters (including introduction and conclusion) are shown to committee members once, revised, then shown to committee members again in revised form to assess whether further revisions are needed, prior to the submitting of the final dissertation as a whole. It is not unusual for further revisions to be required and necessary after the second draft of a chapter; students should not therefore simply assume that a second draft is necessarily “final” and passing work.

If a substantial amount of work still needs to be completed or revised at the point that the dissertation defense is scheduled, such a defense date should be regarded as tentative, pending the successful completion, revision, and receipt of feedback on all work. Several weeks prior to the defense, students should consult closely with their dissertation director and committee members about whether the dissertation as a whole is in a final and defensible stage. A project is ready for defense when it is coherent, cohesive, well researched, engages in sophisticated analysis (in its entirety or in the critical introduction of creative dissertations), and makes a significant contribution to the field. In other words, it passes each of the categories laid out in the Dissertation Rubric.

If the dissertation has not clearly reached a final stage, the student and dissertation director are advised to reschedule the defense.

Prior Publication of the Doctoral Dissertation

Portions of the material written by the doctoral candidate may appear in article form before completion of the dissertation. Prior publication does not ensure the acceptance of the dissertation by the dissertation committee. Final acceptance of the dissertation is subject to the approval of the dissertation committee. Previously published material by other authors included in the dissertation must be properly documented.

Each student beyond the master’s degree should confer regularly with the Graduate Director regarding their progress toward the doctoral examination and the doctorate.

Doctoral students may take graduate courses outside the English Department if, in their opinion and that of the Graduate Director, acting on behalf of the Graduate Committee, those courses will be of value to them. Their taking such courses will not, of course, absolve them of the responsibility for meeting all the normal departmental and Graduate School requirements.

Doctoral students in creative writing are strongly encouraged to take formal literature classes in addition to forms classes. Formal literature classes, by providing training in literary analysis, theory, and/or literary history, will help to prepare students for doctoral exams (and future teaching at the college level).

FALL SEMESTER

GTAs take 2 courses (801 + one), teach 2 courses; GRAs take 3 courses.
Visit assigned advisor once a month to update on progress & perceptions. 1st-year advisors can assist with selecting classes for the Spring semester, solidifying and articulating a field of specialization, advice about publishing, conferences, professionalization issues, etc.

SPRING SEMESTER

GTAs take 2 courses (780/800/880 + one), teach 2 courses. GTAs also take ENGL 802 for 1 credit hour. GRAs take 3 courses.
Visit assigned advisor or DGS once during the semester; discuss best advisor choices for Year 2.

SUMMER SEMESTER

Enroll in Summer Institute if topic and/or methodology matches interests.
Consider conferences suited to your field and schedule; choose a local one for attendance in Year 2 and draft an Abstract for a conference paper (preferably with ideas/materials/ writing drawn from a seminar paper). Even if abstract is not accepted, you can attend the conference without the pressure of presenting.
Attend at least one conference to familiarize yourself with procedure, network with other grad students and scholars in your field, AND/OR present a paper.

FALL SEMESTER

Take 2 courses, teach 2 courses.
Visit advisor in person at least once during the semester.

WINTER BREAK

Begin revising one of your seminar papers/independent study projects/creative pieces for submission to a journal; research the journals most suited to placement of your piece.
Begin thinking about fields and texts for comprehensive examinations.
Choose an advisor to supervise you through the doctoral examination process.
Visit assigned 1st-year advisor in person at least once during the semester (at least to formally request doctoral exam supervision OR to notify that you are changing advisors).
Summer teaching, if eligible.
Continue revising paper/creative writing for submission to a journal.
Begin reading for comprehensive exams.
Attend one conference and present a paper. Apply for one-time funding for out-of-state travel from Graduate Studies .
Teach 2 courses; take 997 (exam prep).
Finalize comps list by end of September; begin drafting rationales.
Circulate the draft of your article/creative piece to your advisor, other faculty in the field, and/or advanced grad students in the field for suggestions.
Revise article/creative piece with feedback from readers.
Teach 2 courses; take 997 or 999 (dissertation hours). Enroll in 999 if you plan to take your comps this semester, even if you don’t take them until the last day of classes.
Take comps sometime between January and May.
Summer teaching, if available.
Submit article/creative work for publication.
Continuous enrollment after completing doctoral exam (full policy on p. 20)
Research deadlines for grant applications—note deadlines come early in the year.
Attend one conference and present a paper.
Teach 2 courses, take 999.
Compose dissertation proposal by November.
Schedule Review of Dissertation Proposal (RDP—formerly DPR).
Apply for at least one grant or fellowship, such as a departmental-level GRAship or dissertation fellowship. (Winning a full-year, non-teaching fellowship can cut down your years-to-degree to 5 ½, or even 5 years.)
Conduct research for and draft at least 1 dissertation chapter.
Conduct research and complete a draft of at least 1 dissertation chapter.
Revise & resubmit journal article, if necessary.
Attend 1st round of job market meetings with Job Placement Advisor (JPA) to start drafting materials and thinking about the process.
Research and complete a draft of at least 1 dissertation chapter, if teaching (1-2 chapters if not).
Visit dissertation chair and committee members in person at least once during the semester.
Research and complete a draft of at least 1 dissertation chapter (1-2 chapters if not teaching).
Apply for a departmental grant or fellowship, or, if already held, try applying for one from outside the department, such as those offered by KU’s Hall Center for the Humanities or the Office of Graduate Studies. For a monthly list of funding opportunities , visit the Graduate Studies website.
Research and complete a draft of at least 1 dissertation chapter.
Attend job market meetings with JPA in earnest.
Apply for external grants, research fellowships, postdoctoral positions with fall deadlines (previous fellowship applications, your dissertation proposal, and subsequent writing should provide a frame so that much of the application can be filled out with the “cut & paste” function).
Research and complete a draft of at least 1 dissertation chapter (1-2 if not teaching).
Visit dissertation chair and committee members in person at least once during the semester.
Polish dissertation chapters.
Apply for grants and fellowships with spring deadlines.
Defend dissertation.

Creative Writing Faculty

Interim Job Placement and Professionalization Officer

Associate Professor

Professor of English & Environmental Studies

Assistant Professor

Graduate Student Handbook

PhD in Creative Writing

Program overview.

The PhD in Creative Writing and Literature is a four-year course of study. Following two years of course work that includes workshop, forms classes, pedagogical training, and literature, students take exams in two areas, one that examines texts through the lens of craft and another that examines them through the lens of literary history and theory. Recent examples of the genre area include Comic Fiction, History of the Love Lyric, and Fantasy; recent examples of the scholarly area include History of the Novel, 20th Century American Poetry, and Modern & Contemporary British Fiction. In the first two years, students take three courses per semester; the teaching load throughout the program is one class per semester. Every PhD student has the opportunity to teach creative writing, with many also teaching literature classes. Most students are funded by teaching, with two or three at a time funded by editorial work at The Cincinnati Review or Acre Books, and others funded in their dissertation year by college- or university-level fellowships. Fifth-year support, while not guaranteed, has generally been available to interested students in the form of student lecturerships, which carry a 2-2 load. The Creative Writing PhD at the University of Cincinnati has maintained over the last decade more than a 75% placement rate into full-time academic jobs for its doctoral graduates. Two-thirds of these positions are tenure-track.

Application Information

Exam Areas and Committee
Doctoral Candidacy Form
Foreign Language
Exam Procedures
Dissertations
Applying for Fifth-Year Funding
Working for The Cincinnati Review
Teaching Opportunities
All Creative Writing Graduate Courses
Archive of Technique & Form Courses

Ph.D. in Creative Writing and Literature

Get a ph.d. in creative writing and literature.

Admission to the creative writing program is extremely competitive, with up to 20 new students across the two genres selected each year from the hundreds of applications received from around the world. The curriculum for Ph.D. students emphasizes creative writing and literary study. The city of Houston offers a vibrant, multi-cultural backdrop for studying creative writing at the University of Houston. With a dynamic visual and performing arts scene, the Houston metropolitan area supplies a wealth of aesthetic materials.

Overview of Admissions Requirements

Minimum requirements for admission.

M.A. in English or M.F.A. in Creative Writing
3.5 GPA in graduate studies

Application Deadline

The admissions deadline for our Ph.D. in Creative Writing and Literature is January 15.

For more admissions information, visit the How to Apply web page for our Ph.D. in Creative Writing and Literature.

History of the Creative Writing Program

Over the years many more internationally acclaimed writers have made the Program their home, including Mary Gaitskill, Richard Howard, Howard Moss, Linda Gregg, Adam Zagajewski, Daniel Stern, David Wojahn, Edward Hirsch, Alan Hollinghurst, Mark Strand, David Wagoner, Philip Levine, Charles Wright, Claudia Rankine, Kimiko Hahn, Mark Doty and Ruben Martinez.

Current faculty includes Erin Belieu, Robert Boswell, Audrey Colombe, Chitra Divakaruni, Nick Flynn, francine j. harris, Antonya Nelson, Alex Parsons, Kevin Prufer, Brenda Peynado, Martha Serpas, Roberto Tejada, and Peter Turchi.

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University of Southern California

Jul 02, 2024

USC Catalogue 2023-2024

USC Catalogue 2023-2024 [ARCHIVED CATALOGUE]

|

Application deadline: December 1

The program provides dual emphasis in literature and creative writing, culminating in the dissertation, which combines critical analysis with creative originality. Roughly half of the dissertation is based on original research, that is to say, research contributing to knowledge which enriches or changes the field. Doctoral candidates not only read and write texts as finished products of scholarship in researching their creative work’s literary and historical milieu, but also consider the text as writers create it, then compose texts as writers, a process that goes to the source of the study of literature and of literature itself. This integration of literature and creative writing is reflected in the structure of the dissertation, which introduces the creative work within a context of critical inquiry, bringing together the examination and embodiment of the literary act, a new model of scholarship and creative innovation.

PhD candidates in literature and creative writing must pass the same departmental screening examination taken by PhD candidates in Literature who are not working in the area of creative writing. The exam tests students in various areas of emphasis (British literature, American literature, poetry, prose, etc.) and literature and historical periods as a measure of their preparedness to undertake independent research.

The literature and creative writing student takes 64 units in all, 32 in literature, 24 in creative writing workshops and seminars and 8 units of dissertation studies credits.

Admission Requirements

Requirements for admission to study in the department of English include: scores satisfactory to the department in both the verbal and quantitative General Test and the literature Subject Test of the Graduate Record Examinations; evidence of experience and ability in creative writing, as demonstrated by a creative writing sample; evidence of competence in writing English and interpreting English literature, as demonstrated by a sample of written work by the applicant on literary subjects; a satisfactory written statement by the applicant of aims and interests in graduate work; letters of recommendation from at least three college instructors; and grades satisfactory to the department earned by the applicant at other institutions. This program will accept applicants with BA degrees or transfer students with an MA or MFA in creative writing.

Degree Requirements

These degrees are under the jurisdiction of the Graduate School. Refer to the Graduate School section of this catalogue for general regulations. All courses applied toward the degrees must be courses accepted by the Graduate School.

Graduate Curriculum and Unit Requirements

The graduate curriculum is divided into 500-level foundation courses and 600-level advanced courses. The 500-level courses offer fundamental work in theory and in the history of British and American literatures and cultures. The 600-level courses feature advanced studies in theory, creative writing seminars and workshops and special topics. Although students will normally take 500-level courses leading up to the screening procedure (see Screening Procedure) and 600-level courses thereafter, students after consultation with their advisers may be permitted to take 600-level courses in the first semester of their graduate training.

The student’s course work must total at least 64 units. No more than eight units of 794 Doctoral Dissertation and no more than four units of 790 Research may count toward the 64 units. A maximum of 12 transfer units, approved by the graduate director, is allowed toward the 64 units minimum required by the PhD (See Transfer of Course Work .)

The student will be assigned a faculty mentor in his or her first semester in the graduate program and will be encouraged in subsequent semesters to begin putting together an informal qualifying exam committee. The makeup of the qualifying exam committee may change as the interests of the student change. The faculty mentor and informal qualifying exam committee will assist the student in planning a program of study appropriate to the student’s interests leading to the screening procedure.

Screening Procedure

At the end of the student’s fourth semester (second semester for students who enter with an MA or MFA degree or near equivalent), the student will sit for a departmental examination, which is part of a comprehensive screening procedure. Rarely, and only with the approval of the graduate director and the graduate committee, will a student be allowed to postpone the departmental examination and the screening procedure, and then only for one year. Prior to the screening procedure, the student will be allowed to take a maximum of four units of independent study ( ENGL 590 ), and that independent study will normally be used to prepare for the departmental examination; all other units must be in the 500- or 600-level seminar.

Qualifying Exam Committee

Immediately following successful completion of the screening procedure, the student will nominate formally a five-member qualifying exam committee, including a chair and three other members from the English Department who are in the student’s areas of interest and an outside member from another PhD-granting department. The committee must be in place and approved by the Graduate School at the time the student chooses a dissertation topic, writes the dissertation prospectus and schedules a qualifying examination.

Qualifying Examination

Following completion of course work, the student must sit for a qualifying examination, at a time mutually agreed upon by the student and the qualifying exam committee.

This is a field examination given in the subject of the student’s proposed dissertation research. No less than one month before the qualifying examination, the student will submit to the qualifying exam committee a dissertation prospectus. The prospectus, it is understood, will not be a polished dissertation proposal, but at a minimum it should display a strong knowledge of the subject, much of the relevant secondary material and other contexts crucial to the writing of the dissertation, and should present a workable plan of attack as well as a reasonably sophisticated understanding of the theoretical assumptions involved in the subject.

The qualifying examination will consist of both written and oral portions with special emphasis areas in creative writing. It will focus on the dissertation area and its contexts with the specific format and content of the examination being negotiated among the student and all members of the examination committee. Upon successful completion of the qualifying examination the student proceeds to the writing of the doctoral dissertation.

Dissertation

The final stage of the program is the submission of a creative dissertation that makes an original, substantial and publishable contribution to creative literature: a book of poems, a novel, a collection of short stories.

Foreign Language

PhD students are required to demonstrate proficiency in at least one foreign language. This may be demonstrated by completing a course in the literature of that language at the 400 or 500 level (with a grade of B [3.0] or better) or by passing a foreign language exam that tests proficiency in reading comprehension and translation. PhD students may also be required to demonstrate proficiency in additional languages, as determined by the qualifying exam committee in view of the student’s proposed field of research.

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The 10 Best Creative Writing MFA Programs in the US

The talent is there.

But the next generation of great American writers needs a collegial place to hone their craft.

They need a place to explore the writer’s role in a wider community.

They really need guidance about how and when to publish.

All these things can be found in a solid Master of Fine Arts in Creative Writing degree program. This degree offers access to mentors, to colleagues, and to a future in the writing world.

A good MFA program gives new writers a precious few years to focus completely on their work, an ideal space away from the noise and pressure of the fast-paced modern world.

We’ve found ten of the best ones, all of which provide the support, the creative stimulation, and the tranquility necessary to foster a mature writer.

We looked at graduate departments from all regions, public and private, all sizes, searching for the ten most inspiring Creative Writing MFA programs.

Each of these ten institutions has assembled stellar faculties, developed student-focused paths of study, and provide robust support for writers accepted into their degree programs.

To be considered for inclusion in this list, these MFA programs all must be fully-funded degrees, as recognized by Read The Workshop .

Creative Writing education has broadened and expanded over recent years, and no single method or plan fits for all students.

Today, MFA programs across the country give budding short story writers and poets a variety of options for study. For future novelists, screenwriters – even viral bloggers – the search for the perfect setting for their next phase of development starts with these outstanding institutions, all of which have developed thoughtful and particular approaches to study.

So where will the next Salinger scribble his stories on the steps of the student center, or the next Angelou reading her poems in the local bookstore’s student-run poetry night? At one of these ten programs.

Here are 10 of the best creative writing MFA programs in the US.

University of Oregon (Eugene, OR)

Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon.

Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on-one instruction in the English college system.

Oregon’s MFA embraces its reputation for rigor. Besides attending workshops and tutorials, students take classes in more formal poetics and literature.

A classic college town, Eugene provides an ideal backdrop for the writers’ community within Oregon’s MFA students and faculty.

Tsunami Books , a local bookseller with national caché, hosts student-run readings featuring writers from the program.

Graduates garner an impressive range of critical acclaim; Yale Younger Poet winner Brigit Pegeen Kelly, Cave Canem Prize winner and Guggenheim fellow Major Jackson, and PEN-Hemingway Award winner Chang-Rae Lee are noteworthy alumni.

With its appealing setting and impressive reputation, Oregon’s MFA program attracts top writers as visiting faculty, including recent guests Elizabeth McCracken, David Mura, and Li-young Lee.

The individual approach defines the Oregon MFA experience; a key feature of the program’s first year is the customized reading list each MFA student creates with their faculty guide.

Weekly meetings focus not only on the student’s writing, but also on the extended discovery of voice through directed reading.

Accepting only ten new students a year—five in poetry and five in fiction— the University of Oregon’s MFA ensures a close-knit community with plenty of individual coaching and guidance.

Cornell University (Ithaca, NY)

Cornell University’s MFA program takes the long view on life as a writer, incorporating practical editorial training and teaching experience into its two-year program.

Incoming MFA students choose their own faculty committee of at least two faculty members, providing consistent advice as they move through a mixture of workshop and literature classes.

Students in the program’s first year benefit from editorial training as readers and editors for Epoch , the program’s prestigious literary journal.

Teaching experience grounds the Cornell program. MFA students design and teach writing-centered undergraduate seminars on a variety of topics, and they remain in Ithaca during the summer to teach in programs for undergraduates.

Cornell even allows MFA graduates to stay on as lecturers at Cornell for a period of time while they are on the job search. Cornell also offers a joint MFA/Ph.D. program through the Creative Writing and English departments.

Endowments fund several acclaimed reading series, drawing internationally known authors to campus for workshops and work sessions with MFA students.

Recent visiting readers include Salman Rushdie, Sandra Cisneros, Billy Collins, Margaret Atwood, Ada Limón, and others.

Arizona State University (Tempe, AZ)

Arizona State’s MFA in Creative Writing spans three years, giving students ample time to practice their craft, develop a voice, and begin to find a place in the post-graduation literary world.

Coursework balances writing and literature classes equally, with courses in craft and one-on-one mentoring alongside courses in literature, theory, or even electives in topics like fine press printing, bookmaking, or publishing.

While students follow a path in either poetry or fiction, they are encouraged to take courses across the genres.

Teaching is also a focus in Arizona State’s MFA program, with funding coming from teaching assistantships in the school’s English department. Other exciting teaching opportunities include teaching abroad in locations around the world, funded through grants and internships.

The Virginia C. Piper Center for Creative Writing, affiliated with the program, offers Arizona State MFA students professional development in formal and informal ways.

The Distinguished Writers Series and Desert Nights, Rising Stars Conference bring world-class writers to campus, allowing students to interact with some of the greatest in the profession. Acclaimed writer and poet Alberto Ríos directs the Piper Center.

Arizona State transitions students to the world after graduation through internships with publishers like Four Way Books.

Its commitment to the student experience and its history of producing acclaimed writers—recent examples include Tayari Jones (Oprah’s Book Club, 2018; Women’s Prize for Fiction, 2019), Venita Blackburn ( Prairie Schooner Book Prize, 2018), and Hugh Martin ( Iowa Review Jeff Sharlet Award for Veterans)—make Arizona State University’s MFA a consistent leader among degree programs.

University of Texas at Austin (Austin, TX)

The University of Texas at Austin’s MFA program, the Michener Center for Writers, maintains one of the most vibrant, exciting, active literary faculties of any MFA program.

Denis Johnson D.A. Powell, Geoff Dyer, Natasha Trethewey, Margot Livesey, Ben Fountain: the list of recent guest faculty boasts some of the biggest names in current literature.

This three-year program fully funds candidates without teaching fellowships or assistantships; the goal is for students to focus entirely on their writing.

More genre tracks at the Michener Center mean students can choose two focus areas, a primary and secondary, from Fiction, Poetry, Screenwriting, and Playwriting.

The Michener Center for Writers plays a prominent role in contemporary writing of all kinds.

The hip, student-edited Bat City Review accepts work of all genres, visual art, cross genres, collaborative, and experimental pieces.

Recent events for illustrious alumni include New Yorker publications, an Oprah Book Club selection, a screenwriting prize, and a 2021 Pulitzer (for visiting faculty member Mitchell Jackson).

In this program, students are right in the middle of all the action of contemporary American literature.

Washington University in St. Louis (St. Louis, MO)

The MFA in Creative Writing at Washington University in St. Louis is a program on the move: applicants have almost doubled here in the last five years.

Maybe this sudden growth of interest comes from recent rising star alumni on the literary scene, like Paul Tran, Miranda Popkey, and National Book Award winner Justin Phillip Reed.

Or maybe it’s the high profile Washington University’s MFA program commands, with its rotating faculty post through the Hurst Visiting Professor program and its active distinguished reader series.

Superstar figures like Alison Bechdel and George Saunders have recently held visiting professorships, maintaining an energetic atmosphere program-wide.

Washington University’s MFA program sustains a reputation for the quality of the mentorship experience.

With only five new students in each genre annually, MFA candidates form close cohorts among their peers and enjoy attentive support and mentorship from an engaged and vigorous faculty.

Three genre tracks are available to students: fiction, poetry, and the increasingly relevant and popular creative nonfiction.

Another attractive feature of this program: first-year students are fully funded, but not expected to take on a teaching role until their second year.

A generous stipend, coupled with St. Louis’s low cost of living, gives MFA candidates at Washington University the space to develop in a low-stress but stimulating creative environment.

Indiana University (Bloomington, IN)

It’s one of the first and biggest choices students face when choosing an MFA program: two-year or three-year?

Indiana University makes a compelling case for its three-year program, in which the third year of support allows students an extended period of time to focus on the thesis, usually a novel or book-length collection.

One of the older programs on the list, Indiana’s MFA dates back to 1948.

Its past instructors and alumni read like the index to an American Literature textbook.

How many places can you take classes in the same place Robert Frost once taught, not to mention the program that granted its first creative writing Master’s degree to David Wagoner? Even today, the program’s integrity and reputation draw faculty like Ross Gay and Kevin Young.

Indiana’s Creative Writing program houses two more literary institutions, the Indiana Review, and the Indiana University Writers’ Conference.

Students make up the editorial staff of this lauded literary magazine, in some cases for course credit or a stipend. An MFA candidate serves each year as assistant director of the much-celebrated and highly attended conference .

These two facets of Indiana’s program give graduate students access to visiting writers, professional experience, and a taste of the writing life beyond academia.

University of Michigan, Ann Arbor (Ann Arbor, MI)

University of Michigan College of Literature, Science, and the Arts

The University of Michigan’s Helen Zell Writers’ Program cultivates its students with a combination of workshop-driven course work and vigorous programming on and off-campus. Inventive new voices in fiction and poetry consistently emerge from this two-year program.

The campus hosts multiple readings, events, and contests, anchored by the Zell Visiting Writers Series. The Hopgood Awards offer annual prize money to Michigan creative writing students .

The department cultivates relationships with organizations and events around Detroit, so whether it’s introducing writers at Literati bookstore or organizing writing retreats in conjunction with local arts organizations, MFA candidates find opportunities to cultivate a community role and public persona as a writer.

What happens after graduation tells the big story of this program. Michigan produces heavy hitters in the literary world, like Celeste Ng, Jesmyn Ward, Elizabeth Kostova, Nate Marshall, Paisley Rekdal, and Laura Kasischke.

Their alumni place their works with venerable houses like Penguin and Harper Collins, longtime literary favorites Graywolf and Copper Canyon, and the new vanguard like McSweeney’s, Fence, and Ugly Duckling Presse.

University of Minnesota (Minneapolis, MN)

Structure combined with personal attention and mentorship characterizes the University of Minnesota’s Creative Writing MFA, starting with its unique program requirements.

In addition to course work and a final thesis, Minnesota’s MFA candidates assemble a book list of personally significant works on literary craft, compose a long-form essay on their writing process, and defend their thesis works with reading in front of an audience.

Literary journal Great River Review and events like the First Book reading series and Mill City Reading series do their part to expand the student experience beyond the focus on the internal.

The Edelstein-Keller Visiting Writer Series draws exceptional, culturally relevant writers like Chuck Klosterman and Claudia Rankine for readings and student conversations.

Writer and retired University of Minnesota instructor Charles Baxter established the program’s Hunger Relief benefit , aiding Minnesota’s Second Harvest Heartland organization.

Emblematic of the program’s vision of the writer in service to humanity, this annual contest and reading bring together distinguished writers, students, faculty, and community members in favor of a greater goal.

Brown University (Providence, RI)

One of the top institutions on any list, Brown University features an elegantly-constructed Literary Arts Program, with students choosing one workshop and one elective per semester.

The electives can be taken from any department at Brown; especially popular choices include Studio Art and other coursework through the affiliated Rhode Island School of Design. The final semester consists of thesis construction under the supervision of the candidate’s faculty advisor.

Brown is the only MFA program to feature, in addition to poetry and fiction tracks, the Digital/Cross Disciplinary track .

This track attracts multidisciplinary writers who need the support offered by Brown’s collaboration among music, visual art, computer science, theater and performance studies, and other departments.

The interaction with the Rhode Island School of Design also allows those artists interested in new forms of media to explore and develop their practice, inventing new forms of art and communication.

Brown’s Literary Arts Program focuses on creating an atmosphere where students can refine their artistic visions, supported by like-minded faculty who provide the time and materials necessary to innovate.

Not only has the program produced trailblazing writers like Percival Everett and Otessa Moshfegh, but works composed by alumni incorporating dance, music, media, and theater have been performed around the world, from the stage at Kennedy Center to National Public Radio.

University of Iowa (Iowa City, IA)

When most people hear “MFA in Creative Writing,” it’s the Iowa Writers’ Workshop they imagine.

The informal name of the University of Iowa’s Program in Creative Writing, the Iowa Writers’ Workshop was the first to offer an MFA, back in 1936.

One of the first diplomas went to renowned writer Wallace Stegner, who later founded the MFA program at Stanford.

It’s hard to argue with seventeen Pulitzer Prize winners and six U.S. Poets Laureate. The Iowa Writers’ Workshop is the root system of the MFA tree.

The two-year program balances writing courses with coursework in other graduate departments at the university. In addition to the book-length thesis, a written exam is part of the student’s last semester.

Because the program represents the quintessential idea of a writing program, it attracts its faculty positions, reading series, events, and workshops the brightest lights of the literary world.

The program’s flagship literary magazine, the Iowa Review , is a lofty goal for writers at all stages of their career.

At the Writers’ Workshop, tracks include not only fiction, poetry, playwriting, and nonfiction, but also Spanish creative writing and literary translation. Their reading series in association with Prairie Lights bookstore streams online and is heard around the world.

Iowa’s program came into being in answer to the central question posed to each one of these schools: can writing be taught?

The answer for a group of intrepid, creative souls in 1936 was, actually, “maybe not.”

But they believed it could be cultivated; each one of these institutions proves it can be, in many ways, for those willing to commit the time and imagination.

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English Creative Writing Ph.D.

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We're so glad you're interested in UNT! Let us know if you'd like more information and we'll get you everything you need.

Why Earn an English Creative Writing Ph.D.?

The Ph.D. program is designed to give you a broad, solid foundation in the academic profession, while at the same time preparing you to conduct original, in-depth research or to compose original works of literature. You'll benefit from the guidance of a nationally recognized faculty with a strong record of publication in prestigious journals like PMLA, Philological Quarterly, The Paris Review and Granta.

We make every effort to foster our graduate students' success and help them attain their educational and career goals.

While at UNT, our students have published their work in nationally and internationally recognized journals and magazines, including The New Yorker , Shakespeare and SEL: Studies in English Literature . They have placed books with presses like Button Poetry, the University of Georgia Press and the University of Wisconsin Press. And they have won prestigious awards and fellowships, including grants from the Newberry Library and from the National Endowment for the Arts.

Reason rigorously, subtly and independently
Analyze minutely sources and narratives
Identify and address interpretative complexity
Develop and contribute new knowledge
Convey knowledge in self-designed courses

English Creative Writing Ph.D. Highlights

What can you do with an english creative writing ph.d..

Many recent Ph.D. graduates have gone on to tenure-track positions at other institutions all over the country, including Texas Women's University (Texas), Radford University (Virginia), St. Catherine University (Minnesota), Valparaiso University (Indiana), SUNY-Potsdam (New York) and Brigham Young University (Utah).

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Creative Writing Master's

English Ph.D.

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Home / About / About the PhD Creative/Critical Writing Concentration

About the PhD Creative/Critical Writing Concentration

UC Santa Cruz offers a concentration in Creative/Critical Writing for Literature Ph.D. students. This is an individualized course of study in which students can write a creative dissertation with a critical introduction or a cross-genre creative/critical project. Our students have completed speculative novels, collections of poems and personal essays, experimental memoirs, biographies, cross-genre work and translations of works of poetry and prose. Descriptions of previous qualifying exam and dissertation topics can be found with student bios here .

In addition to taking critical literature courses, entering students take four graduate creative/critical writing classes (two “Creative Writing Studio” courses and two “Methods and Materials” courses taught by creative writing faculty ). The “Creative Writing Studio” is a mixed-genre class that moves beyond the classic workshop mode to give students time to focus on their creative work in a supportive community. The “Methods and Materials” class is a seminar that examines one form, topic, and/or theme. Students can respond creatively, critically or creative/critically. Past classes have focused on autobiographical experiments, race and the lyric essay, the artist’s statement, and James Baldwin’s sentences.

The concentration works to create community while at the same time gives our students opportunities to join with creative and critical colleagues within and beyond the department and division. There are opportunities for internships, fellowships, and graduate students often introduce and meet with writers through the Living Writers Series . Graduate students can also pursue designated emphases in programs and departments such as Critical Race and Ethnic Studies, Education, Feminist Studies, History of Consciousness, Latin American and Latino Studies, Philosophy, Politics, Sociology, and the History of Art and Visual Culture. (A full listing of programs and departments offering a Designated Emphasis can be found here .)

The program also offers opportunities for pedagogical training. Graduate students in the Creative/Critical Writing Concentration have the opportunity to teach undergraduate introductory and intermediate creative writing courses annually.

Although our program is fairly new, UCSC has a rich history of Creative/Critical writers and teachers, such as George Hitchcock, bell hooks, Harriet Mullen, Gloria Anzaldua, Nathaniel Mackey, Angela Davis, Karen Tei Yamashita, and Peter Gizzi.

Graduate Students Describe the Program:

"The Creative/Critical Program facilitates a deep exploration of the critical and intellectual apparatuses involved in the creative process. Prospective students should prepare to excavate their creative practice and process to see how their work speaks to broader critical conversations and how to deepen the questions their work asks and the questions they ask of their work and process. We interrogate connections between ourselves, our work, and the world around us.”
“ What I love about the C/C program, and the UCSC literature department more broadly, is the way it works to break down barriers between the creative and the critical--not just bringing the critical into the creative, but the creative into the critical. It has both helped me to bring a more personal approach--a personality--to my critical writing and more complex ideas to my creative writing.”
“ We practice thinking both creatively and critically and those are often two siloed modes of thinking that we bring together.”
“ In the Graduate Creative/Critical Writing Concentration I've gained mentors, colleagues, and friends who are committed to innovation and pushing the limits of critical and creative writing as we know it. The community has welcomed me with open arms and emboldened me to develop my craft beyond what I thought was possible in literature. Joining this program out of an M.F.A. was the best thing I could have done for my creative practice and my personal and professional development.”

Creative Writing and Literature

Students enrolled in the Master of Liberal Arts program in Creative Writing & Literature will develop skills in creative writing and literary analysis through literature courses and writing workshops in fiction, screenwriting, poetry, and nonfiction. Through online group courses and one-on-one tutorials, as well as a week on campus, students hone their craft and find their voice.

Academics /

Creative Writing and Literature Master’s Degree Program

Unlock your creative potential and hone your unique voice.

Online Courses

11 out of 12 total courses

On-Campus Experience

One 1- or 3-week residency in summer

$3,340 per course

Next Start Term

Program Overview

Through the master’s degree in creative writing and literature, you’ll hone your skills as a storyteller — crafting publishable original scripts, novels, and stories.

In small, workshop-style classes, you’ll master key elements of narrative craft, including characterization, story and plot structure, point of view, dialogue, and description. And you’ll learn to approach literary works as both a writer and scholar by developing skills in critical analysis.

Program Benefits

Instructors who are published authors of drama, fiction, and nonfiction

A community of writers who support your growth in live online classes

Writer's residency with agent & editor networking opportunities

Personalized academic and career advising

Thesis or capstone options that lead to publishable creative work

Harvard Alumni Association membership upon graduation

Customizable Course Curriculum

As you work through the program’s courses, you’ll enhance your creative writing skills and knowledge of literary concepts and strategies. You’ll practice the art of revision to hone your voice as a writer in courses like Writing the Short Personal Essay and Writing Flash Fiction.

Within the creative writing and literature program, you will choose between a thesis or capstone track. You’ll also experience the convenience of online learning and the immersive benefits of learning in person.

11 Online Courses

Primarily synchronous
Fall, spring, January, and summer options

Writers’ Residency

A 1- or 3-week summer master class taught by a notable instructor, followed by an agents-and-editors weekend

Thesis or Capstone Track

Thesis: features a 9-month independent creative project with a faculty advisor
Capstone: includes crafting a fiction or nonfiction manuscript in a classroom community

The path to your degree begins before you apply to the program.

First, you’ll register for and complete 2 required courses, earning at least a B in each. These foundational courses are investments in your studies and count toward your degree, helping ensure success in the program.

Next Start Term: Fall 2024

Course registration is open July 22–August 29.

To get started , explore degree requirements, confirm your initial eligibility, and learn more about our unique “earn your way in” admissions process.

A Faculty of Creative Writing Experts

Studying at Harvard Extension School means learning from the world’s best. Our instructors are renowned academics in literary analysis, storytelling, manuscript writing, and more. They bring a genuine passion for teaching, with students giving our faculty an average rating of 4.7 out of 5.

Bryan Delaney

Playwright and Screenwriter

Talaya Adrienne Delaney

Lecturer in Extension, Harvard University

Elisabeth Sharp McKetta

Our community at a glance.

80% of our creative writing and literature students are enrolled in our master’s degree program for either personal enrichment or to make a career change. Most (74%) are employed full time while pursuing their degree and work across a variety of industries.

Download: Creative Writing & Literature Master's Degree Fact Sheet

Average Age

Course Taken Each Semester

Work Full Time

Would Recommend the Program

Professional Experience in the Field

Pursued for Personal Enrichment

Career Opportunities & Alumni Outcomes

Graduates of our Creative Writing and Literature Master’s Program have writing, research, and communication jobs in the fields of publishing, advertising/marketing, fundraising, secondary and higher education, and more.

Some alumni continue their educational journeys and pursue further studies in other nationally ranked degree programs, including those at Boston University, Brandeis University, University of Pennsylvania, and Cambridge University.

Our alumni hold titles as:

Marketing Manager
Director of Publishing
Senior Research Writer

Our alumni work at a variety of leading organizations, including:

Little, Brown & Company
New York University (NYU)
Bentley Publishers

Career Advising and Mentorship

Whatever your career goals, we’re here to support you. Harvard’s Mignone Center for Career Success offers career advising, employment opportunities, Harvard alumni mentor connections, and career fairs like the annual on-campus Harvard Humanities, Media, Marketing, and Creative Careers Expo.

Your Harvard University Degree

Upon successful completion of the required curriculum, you will earn the Master of Liberal Arts (ALM) in Extension Studies, Field: Creative Writing and Literature.

Expand Your Connections: the Harvard Alumni Network

As a graduate, you’ll become a member of the worldwide Harvard Alumni Association (400,000+ members) and Harvard Extension Alumni Association (29,000+ members).

Harvard is closer than one might think. You can be anywhere and still be part of this world.

Tuition & Financial Aid

Affordability is core to our mission. When compared to our continuing education peers, it’s a fraction of the cost.

Our Tuition (2024–25 rate)	$3,340 per course
Average Tuition of Peer Institutions	$4,330 per course
Average Total Cost	$40,080

After admission, you may qualify for financial aid . Typically, eligible students receive grant funds to cover a portion of tuition costs each term, in addition to federal financial aid options.

Learn more about the cost of attendance .

What can you do with a master’s degree in creative writing and literature?

A master’s degree in creative writing and literature prepares you for a variety of career paths in writing, literature, and communication — it’s up to you to decide where your interests will take you.

You could become a professional writer, editor, literary agent, marketing copywriter, or communications specialist.

You could also go the academic route and bring your knowledge to the classroom to teach creative writing or literature courses.

Is a degree in creative writing and literature worth it?

The value you find in our Creative Writing and Literature Master’s Degree Program will depend on your unique goals, interests, and circumstances.

The curriculum provides a range of courses that allow you to graduate with knowledge and skills transferable to various industries and careers.

How long does completing the creative writing and literature graduate program take?

Program length is ordinarily anywhere between 2 and 5 years. It depends on your preferred pace and the number of courses you want to take each semester.

For an accelerated journey, we offer year round study, where you can take courses in fall, January, spring, and summer.

While we don’t require you to register for a certain number of courses each semester, you cannot take longer than 5 years to complete the degree.

What skills do you need prior to applying for the creative writing and literature degree program?

Harvard Extension School does not require any specific skills prior to applying, but in general, it’s helpful to have solid reading, writing, communication, and critical thinking skills if you are considering a creative writing and literature master’s degree.

Initial eligibility requirements can be found on our creative writing and literature master’s degree requirements page .

Harvard Division of Continuing Education

The Division of Continuing Education (DCE) at Harvard University is dedicated to bringing rigorous academics and innovative teaching capabilities to those seeking to improve their lives through education. We make Harvard education accessible to lifelong learners from high school to retirement.

University of Houston

Jul 02, 2024

2024-2025 Graduate Catalog (Catalog goes into effect at the start of the Fall 2024 semester)

2024-2025 Graduate Catalog (Catalog goes into effect at the start of the Fall 2024 semester)
|

College of Liberal Arts and Social Sciences > Department of English > Creative Writing and Literature, PhD

Building on excellence in creative writing and a record of excellence in the student’s MA preparation in the broad range of English and American literature or MFA preparation in creative writing and literature, the PhD student in literature and creative writing should work toward increased sophistication as a writer/scholar. The PhD student should also continue to strengthen and deepen an understanding of three areas of expertise: their specific genre, including the history of the genre and contemporary theoretical approaches to the genre; a historical period, rhetoric or literary theory; and a specific individualized area of inquiry. The career of a PhD student should be marked by increasing independence in their creative writing and in thinking and writing about literature and/or literary theory. Working toward these objectives advances the student’s competence in writing the creative dissertation. The PhD in Literature and Creative Writing constitutes solid preparation for creative publication, scholarly publication, and expert undergraduate and graduate teaching.

For more information, please see the Creative Writing Program page.

Admission Requirements

MA in English or MFA in Creative Writing
3.5 GPA in graduate studies

Application Materials

Please consult the  UH Graduate School  for detailed instructions on how to submit your application electronically. The Creative Writing Program requires the following materials:  

Online application  and application fee. 
Three letters of recommendation from teachers or professionals familiar with your writing and academic skills. Letters will be solicited by the UH Admissions Office electronically.*
Unofficial transcripts (with degrees posted) may be uploaded with your online application. If you are accepted, you will need to send official academic transcripts (sealed in the issuing envelope) from every university or college you have attended. Official transcripts should be sent directly to the UH Graduate Admissions Office (University of Houston, Graduate Admissions, P.O. Box 3947, Houston, TX 77253-3947).
An original creative manuscript (maximum 10 pages of poetry or 20-25 pages of fiction). Fiction manuscripts should be double-spaced, on numbered, single-sided pages: poetry can be single-spaced and formatted as desired. Note: Submitting more than the recommended amount is strongly discouraged and could adversely affect the evaluation process.
A critical manuscript. Provide a scholarly paper written for a literature course.
A personal statement. In 1,000 words or less, state why you wish to pursue graduate study in creative writing: which writers in your genre you are reading and their import to you and your work: and whether you have taught before and intend to pursue teaching as a career.
No GRE required
For international applicants: The University of Houston Graduate School requires demonstration of proficiency in English. Please visit their website here for a list of ways this requirement may be met.

(Please note: You may apply in more than one genre, but in order to do so you must send separate application packets and application fees for each genre. The applications will be reviewed by different faculty members for each genre.)

*If you are submitting letters of recommendation through a dossier service such as Interfolio, you may leave the recommendation section of the application blank. Letters of recommendation submitted through dossier service should be sent to [email protected] .

Degree Requirements

45.0 credit hours of coursework in this distribution:, 6 hours in professional development.

ENGL 7390 - Introduction to Doctoral Studies in English Credit Hours: 3.0
ENGL 8322 - Master Workshop: Poetry Credit Hours: 3.0
ENGL 8323 - Master Workshop: Narrative Credit Hours: 3.0

12 hours in “Designated Area” (Students choose 1 designated area stream.)

Stream a: empire studies, 6 hours from the following:.

ENGL 7325 - The British Empire Credit Hours: 3.0
ENGL 7369 - Introduction to Postcolonial Studies Credit Hours: 3.0
ENGL 8386 - Topics in Postcolonial Studies Credit Hours: 3

6 hours of electives:

In courses that address topics, theories, and/or methodologies related to Critical Studies of the Americas, as approved by a faculty advisor

Stream B: Critical Studies of the Americas

ENGL 7368 - Critical Studies of the Americas: Theories and Methods Credit Hours: 3
ENGL 8387 - Postmodern Fiction Credit Hours: 3

6 hours of electives in courses:

That address topics, theories, and/or methodologies related to Critical Studies of the Americas, as approved by a faculty advisor

Stream C: Critical Poets

3 hours chose from the following:.

ENGL 7380 - History of Poetry and Poetics Credit Hours: 3.0
ENGL 7381 - Narrative and Narrative Theory Credit Hours: 3.0
ENGL 6313 - Modern Literary Theory Credit Hours: 3.0
ENGL 7370 - History of Rhetoric Credit Hours: 3.0
ENGL 8392 - Topics in Poetics Credit Hours: 3

In courses that address topics, theories, and/or methodologies related to Critical Poetics, as approved by a faculty advisor

Stream D: Translingual Studies

9 hours from:.

ENGL 7344 - Discourse Analysis Credit Hours: 3.0
ENGL 7335 - Sociolinguistics Credit Hours: 3.0
ENGL 8388 - Topics in Literary Translation Credit Hours: 3.0
ENGL 8389 - Advanced Projects in Translation Credit Hours: 3.0
ENGL 8390 - Literary Translation Credit Hours: 3.0
ENGL 8394 - Sel Topics-Compar Lit Credit Hours: 3.0

3 hours of electives:

In courses that address topics, theories, and/or methodologies related to Translingual Studies, as approved by a faculty advisor

12 hours in Creative Writing

ENGL 7324 - Writers On Literature Credit Hours: 3.0

(can be repeated for credit)

Major Genre Workshops

15 hours in Electives

Contributing to a student’s area of expertise. Students should select these with a faculty mentor. Students may count no more than 2 creative writing workshops as electives. Electives must include:

3 hours early literature (pre-1900)
3 hours later literature (post-1900)

Additional Requirements:

Foreign Language: Students must demonstrate reading knowledge of two foreign languages or intensive knowledge of one foreign language.

Two written examinations (one in a major field and one in a sub-disciplinary field) followed by an oral defense

One oral examination of the dissertation prospectus

Dissertation

Academic Policies

University Policies

College Academic Policies

Program Policies

What are you looking for?

Suggested search, the program provides dual emphasis in literature & creative writing, culminating in the dissertation, which combines critical analysis with creative originality..

Doctoral candidates not only read and write texts as finished products of scholarship in researching their creative work’s literary and historical milieu, but also consider the text as writers create it, then compose texts as writers, a process that goes to the source of the study of literature and of literature itself.

This integration of literature and creative writing is reflected in the structure of the dissertation, which introduces creative work within a context of critical inquiry, bringing together the examination and embodiment of the literary act, a new model of scholarship and creative innovation.

Ph.D. in Creative Writing & Literature

3501 Trousdale Parkway

Taper Hall of Humanities 431

Los Angeles, CA 90089-0354

Office Hours

Monday — Friday

8:30 a.m. — 5:00 p.m.

Times may adjust in accordance with university holidays.

Stay Up-to-Date

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Sat / act prep online guides and tips, the 12 best creative writing colleges and programs.

College Info

Finding a dedicated creative writing program at a school you're excited about can be a real challenge, and that's even before you start worrying about getting in. Nonetheless, there are some great options. In order to help you find the best school for you, this list rounds up some of the best colleges for creative writing in the United States .

The Best Creative Writing Programs: Ranking Criteria

You should never take college rankings as absolute truth —not even the very official-seeming US News ones. Instead, use these kinds of lists as a jumping-off place for your own exploration of colleges. Pay attention not just to what the rankings are but to how the rankings are determined.

To help with that, I'll explain how I came up with this highly unscientific list of great creative writing colleges. I started by narrowing my search down to schools that offered a specific creative writing major. (If you don't see a school you were expecting, it's likely because they only have a minor.)

In ranking the schools, I considered five major criteria:

#1: MFA Ranking —If a school has a great graduate creative writing program, it means you'll be taught by those same professors and the excellent graduate students they attract. Schools with strong MFA programs are also more likely to have solid alumni networks and internship opportunities. However, many schools with great undergrad programs do not offer MFAs, in which case I simply focused on the other four options.
#2: General School Reputation —The vast majority of your classes won't be in creative writing, so it's important that other parts of the school, especially the English department, are great as well.
#3: Extracurricular Opportunities —One of the key advantages of majoring in creative writing is that it can provide access to writing opportunities outside the classroom, so I took what kind of internship programs, author readings, and literary magazines the school offers into consideration.
#4: Diversity of Class Options —I gave extra points to schools with a variety of genre options and specific, interesting classes.
#5: Alumni/Prestige —This last criterion is a bit more subjective: is the school known for turning out good writers? Certainly it's less important than what kind of education you'll actually get, but having a brand-name degree (so to speak) can be helpful.

The Best Creative Writing Schools

Now, let's get to the good stuff: the list of schools! The exact numbering is always arguable, so look at it as a general trend from absolutely amazing to still super great, rather than fixating on why one school is ranked #3 and another is ranked #4.

#1: Northwestern University

Northwestern's undergrad creative writing program boasts acclaimed professors and an unparalleled track record of turning out successful writers (including Divergent author Veronica Roth and short-story writer Karen Russell).

Outside the classroom, you can work on the student-run literary journal, intern at a publication in nearby Chicago, or submit to the Department of English's yearly writing competition . The university is also home to a top journalism program , so if you want to try your hand at nonfiction as well, you'll have plenty of opportunities to do so.

#2: Columbia University

Like Northwestern, Columbia is home to both a world-class creative writing program and a top journalism school (plus one of the best English departments in the country), so you have a wide range of writing-related course options. Columbia also benefits from its location in New York City, which is bursting at the seams with publishing houses, literary journals, and talented authors.

#3: University of Iowa

The University of Iowa's big draw is the infrastructure of its graduate Writers' Workshop, which is often considered the best MFA program in the country.

As an English and Creative Writing major here, you'll take classes from great young writers and established professors alike, and get to choose from a wide range of topics. This major provides transferable skills important for a liberal arts major with a creative focus. You'll also have access to the university's impressive literary community, including frequent readings, writing prizes and scholarships, and the acclaimed literary journal The Iowa Review .

#4: Emory University

Emory is renowned for its dedicated undergrad creative writing program , which draws the very best visiting scholars and writers. Students here have the chance to attend intimate question-and-answer sessions with award-winning authors, study a range of genres, compete for writing awards and scholarships, and work closely with an adviser to complete an honors project.

#5: Oberlin College

A small liberal arts school in Ohio, Oberlin offers very different advantages than the schools above do. You'll have fewer opportunities to pursue writing in the surrounding city, but the quality of the teachers and the range of courses might make up for that. Moreover, it boasts just as impressive alumni, including actress and writer Lena Dunham.

#6: Hamilton College

Hamilton is another small college, located in upstate New York. It's known for giving students the freedom to pursue their interests and the support to help them explore topics in real depth, both inside and outside the classroom. Hamilton's creative writing program takes full advantage with small classes and lots of opportunities to intern and publish; it also has one of the best writing centers in the country.

#7: Brown University

Brown's Literary Arts program offers one of the top MFAs in the US as well as an undergraduate major . For the major, you must take four creative writing workshops and six reading-intensive courses, which span an array of departments and topics, from music and literature to Middle East studies and Egyptology.

#8: Washington University in St. Louis

Washington University has an excellent creative writing MFA program, lots of super specific class options, and a number of scholarships specifically earmarked for creative writing students. This school’s undergraduate English program also offers a concentration in creative writing that allows students to specialize in a specific genre: poetry, fiction, or creative nonfiction. If you’re interested in exploring your potential in a specific writing genre, Washington University could be a great pick for you.

#9: Massachusetts Institute of Technology

MIT might not be a school you generally associate with writing, but it actually has an excellent program that offers courses in digital media and science writing, as well as creative writing, and provides plenty of guidance on how graduates can navigate the tricky job market.

Not to mention the school is located in Cambridge, a haven for book lovers and writers of all kinds. Though it probably isn’t a good fit for students who hate science, MIT is a great place for aspiring writers who want to build writing skills that are marketable in a wide range of industries.

#10: University of Michigan

University of Michigan is one of the best state universities in the country and has a top-notch MFA program. This school’s undergrad creative writing sub-concentration requires students to submit applications for admittance to advanced creative writing courses. These applications give students crucial practice in both building a writing portfolio and articulating their interest in creative writing to an audience who will evaluate their work. If you're looking to attend a big school with a great creative writing major, this is a fantastic choice.

#11: Johns Hopkins University

Johns Hopkins is another school that's known more for engineering than it is for writing, but, like MIT, it has a dedicated writing program. As a major here, you must take not only courses in prose, poetry, and literature, but also classes on topics such as philosophy and history.

#12: Colorado College

Colorado College is a small liberal arts school known for its block plan , which allows students to focus on one class per three-and-a-half-week block. The creative writing track of the English major includes a sequence of four writing workshops and also requires students to attend every reading of the Visiting Writers Series.

Bonus School: New York University

I didn't include NYU in the main list because it doesn't have a dedicated creative writing major, but it's a great school for aspiring writers nonetheless, offering one of the most impressive creative writing faculties in the country and all the benefits of a Manhattan location.

How To Pick the Best Creative Writing School for You

Just because Northwestern is a great school for creative writing doesn't mean you should set your heart on going there. (The football fans are completely terrifying, for one thing.) So where should you go then?

Here are some questions to ask yourself when looking at creative writing programs to help you determine the best school for you:

Does It Have Courses You're Interested In?

Look at the course offerings and see whether they interest you. While you can't predict exactly what classes you'll love, you want to avoid a mismatch where what you want to study and what the program offers are completely different. For example, if you want to write sonnets but the school focuses more on teaching fiction, it probably won't be a great fit for you.

Also, don't forget to look at the English courses and creative writing workshops! In most programs, you'll be taking a lot of these, too.

What Opportunities Are There To Pursue Writing Outside of Class?

I touched on this idea in the criteria section, but it's important enough that I want to reiterate it here. Some of the best writing experience you can get is found outside the classroom, so see what kind of writing-related extracurriculars a school has before committing to it.

Great options include getting involved with the campus newspaper, working on the school's literary journal, or interning at the university press.

Who Will Be Teaching You?

Who are the professors? What kind of work have they published? Check teacher ratings on Rate My Professors (but make sure to read the actual reviews—and always take them with a grain of salt).

If you're looking at a big school, there's a good chance that a lot of your teachers will be graduate students. But that's not necessarily a bad thing: a lot of the best teachers I had in college were graduate students. Just take into consideration what kind of graduate program the school has. If there's a great creative writing MFA program, then the graduate students are likely to be better writers and more engaged teachers.

What Are the Alumni Doing Now?

If you have a sense of what you want to do after you graduate, see if any alumni of the program are pursuing that type of career. The stronger the alumni network is, the more connections you'll have when it comes time to get a job.

What About the Rest of the School?

Don't pick a school for which you like the creative writing program but dread everything else about it. Most of your time will be spent doing other things, whether hanging out in the dorms, exploring off campus, or fulfilling general education requirements.

Many schools require you to apply to the creative writing major, so make doubly sure you'll be happy with your choice even if you aren't accepted to the program.

What's Next?

Are you sure a creative writing major is the right fit for you? Read our post on the pros and cons of the major to help you decide what path to take in college.

For more general advice about choosing a college, check out our complete guide to finding the right school for you. Some major factors to consider include deciding whether you're interested in a small college or a big university , an in-state or out-of-state institution , and a public or private school .

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Alex is an experienced tutor and writer. Over the past five years, she has worked with almost a hundred students and written about pop culture for a wide range of publications. She graduated with honors from University of Chicago, receiving a BA in English and Anthropology, and then went on to earn an MA at NYU in Cultural Reporting and Criticism. In high school, she was a National Merit Scholar, took 12 AP tests and scored 99 percentile scores on the SAT and ACT.

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Tags: PhD programs

Craft capsule: rethinking theory and poetics.

The author of Anodyne prioritizes joy in her poetics.

We’ve compiled this annual guide to graduate creative writing programs—which includes our rankings of the top full- and low-residency MFA programs (with honorable mentions ) and, new to this year, doctoral programs —to provide a spark for the deep thinking and serious consideration that the process of choosing a program requires.

2012 MFA Rankings: The Methodology

Attorney, poet, editor, and freelance journalist Seth Abramson explains the methodology used to compile the Poets & Writers Magazine 2012 rankings of postgraduate creative writing programs.

The 2012 Rankings of Graduate Programs in Creative Writing: Frequently Asked Questions

Answers to the most commonly asked questions about our rankings of full-residency, low-residency, and doctoral programs in creative writing.

2012 Creative Writing Doctoral Program Rankings: The Top Fifteen

The top fifteen creative writing doctoral programs in the United States, from the University of Denver in Colorado to the University of Tennessee in Knoxville.

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Admission Steps

English and literary arts - creative writing - phd, admission requirements.

Terms and Deadlines

Degree and GPA Requirements

Additional Standards for Non-Native English Speakers

Additional standards for international applicants.

For the 2023-2024 academic year

See 2024-2025 requirements instead

Fall 2023 quarter (beginning in September)

Final submission deadline: December 15, 2022

Final submission deadline: Applicants cannot submit applications after the final submission deadline.

Degrees and GPA Requirements

Bachelors degree: All graduate applicants must hold an earned baccalaureate from a regionally accredited college or university or the recognized equivalent from an international institution.

Masters degree: This program requires a masters degree as well as the baccalaureate.

Grade point average: The minimum undergraduate GPA for admission consideration for graduate study at the University of Denver is a cumulative 2.5 on a 4.0 scale or a 2.5 on a 4.0 scale for the last 60 semester credits or 90 quarter credits (approximately two years of work) for the baccalaureate degree. An earned master’s degree or higher from a regionally accredited institution supersedes the minimum standards for the baccalaureate. For applicants with graduate coursework but who have not earned a master’s degree or higher, the GPA from the graduate work may be used to meet the requirement. The minimum GPA is a cumulative 3.0 on a 4.0 scale for all graduate coursework undertaken.

Program GPA requirement: The minimum undergraduate GPA for admission consideration for this program is a cumulative 2.5 on a 4.0 scale

Official scores from the Test of English as a Foreign Language (TOEFL), International English Language Testing System (IELTS), C1 Advanced or Duolingo English Test are required of all graduate applicants, regardless of citizenship status, whose native language is not English or who have been educated in countries where English is not the native language. Your TOEFL/IELTS/C1 Advanced/Duolingo English Test scores are valid for two years from the test date.

The minimum TOEFL/IELTS/C1 Advanced/Duolingo English Test score requirements for this degree program are:

Minimum TOEFL Score (Internet-based test): 80

Minimum IELTS Score: 6.5

Minimum C1 Advanced Score: 176

Minimum Duolingo English Test Score: 115

English Conditional Acceptance Offered: No, this program does not offer English Conditional Admission.

Read the English Language Proficiency policy for more details.

Read the Required Tests for GTA Eligibility policy for more details.

Per Student & Exchange Visitor Program (SEVP) regulation, international applicants must meet all standards for admission before an I-20 or DS-2019 is issued, [per U.S. Federal Register: 8 CFR § 214.3(k)] or is academically eligible for admission and is admitted [per 22 C.F.R. §62]. Read the Additional Standards For International Applicants policy for more details.

Application Materials

Transcripts, letters of recommendation.

Required Essays and Statements

Writing Sample

We require a scanned copy of your transcripts from every college or university you have attended. Scanned copies must be clearly legible and sized to print on standard 8½-by-11-inch paper. Transcripts that do not show degrees awarded must also be accompanied by a scanned copy of the diploma or degree certificate. If your academic transcripts were issued in a language other than English, both the original documents and certified English translations are required.

Transcripts and proof of degree documents for postsecondary degrees earned from institutions outside of the United States will be released to a third-party international credential evaluator to assess U.S. education system equivalencies. Beginning July 2023, a non-refundable fee for this service will be required before the application is processed.

Upon admission to the University of Denver, official transcripts will be required from each institution attended.

Three (3) letters of recommendation are required. Academic recommendations preferred. Letters should be submitted by recommenders through the online application.

Essays and Statements

Essay instructions.

A sample of critical prose (e.g., a seminar paper, scholarly publication, or excerpt from thesis or other longer work demonstrating familiarity with the conventions of academic research and writing) not to exceed 20 pages.

Personal Statement Instructions

The 1-2 page personal statement should address the applicant's past academic experience, future scholarly goals, and address his/her suitability for graduate study in our program.

Résumé Instructions

The résumé (or C.V.) should include work experience, research, and/or volunteer work.

Writing Sample Instructions

Applicants must submit representative samples of creative work (for Prose, no more than 30 pages; for Poetry, 5 - 10 poems).

Start the Application

Online Application

Financial Aid Information

Start your application.

Your submitted materials will be reviewed once all materials and application fees have been received.

Our program can only consider your application for admission if our Office of Graduate Education has received all your online materials and supplemental materials by our application deadline.

Application Fee: $65.00 Application Fee

International Degree Evaluation Fee: $50 Evaluation Fee for degrees (bachelor's or higher) earned from institutions outside the United States.

Applicants should complete their Free Application for Federal Student Aid (FAFSA) by February 15. Visit the Office of Financial Aid for additional information.

Fully Funded MFA Programs in Creative Writing

As part of our series How to Fully Fund Your Master’s Degree , here is a list of universities that have fully funded MFA programs in creative writing. A Master’s of Fine Arts in creative writing can lead to a career as a professional writer, in academia, and more.

Fully funded MFA programs in Creative Writing offer a financial aid package for full-time students that includes full tuition remission as well as an annual stipend or salary during the entire program, which for Master’s degrees is usually 1-2 years. Funding usually comes with the expectation that students will teach or complete research in their field of study. Not all universities fully fund their Master’s students, which is why researching the financial aid offerings of many different programs, including small and lesser-known schools both in the U.S. and abroad, is essential.

In addition to listing fully funded Master’s and PhD programs, the ProFellow fellowships database also includes external funding opportunities for graduate school, including fellowships for dissertation research, fieldwork, language study, study abroad, summer work experiences, and professional development.

Would you like to receive the full list of more than 1000+ fully funded Master’s and PhD programs in 60 disciplines? Download the FREE Directory of Fully Funded Graduate Programs and Full Funding Awards !

Here is the list of 53 universities that offer fully-funded MFA programs (Master’s of Fine Arts) in Creative Writing.

University of Alabama (Tuscaloosa, AL): Students admitted to the MFA Program are guaranteed full financial support for up to 4-years. Assistantships include a stipend paid over nine months (currently $14,125), and full payment of up to 15 credit hours of graduate tuition.

University of Arizona (Tucson, AZ): All accepted MFA students receive full funding through a graduate teaching assistantship for 3 years. This package includes tuition remission, health insurance, and a modest stipend (in 2018 it was about $16,100 per academic year).

Arizona State University (Tempe, AZ): 3-year program. All students admitted to the MFA program who submit a complete and approved teaching assistantship application are awarded a TA by the Department of English. Each assistantship carries a three-course per year load and includes a tuition waiver and health insurance in addition to the TA stipend ($18,564 per year). In addition, students have diverse opportunities for additional financial and professional support.

University of Arkansas (Fayetteville, AR): Four-year program. Teaching assistantships currently carry an annual stipend of $13,500 for students with a BA. TAs also receive a waiver of all tuition costs and teach two courses each semester. Nearly all of our accepted students receive TAs. Additionally, the students compete each year for several fellowships.

Boise State University (Boise, Idaho): 3-year fully funded MFA program dedicated to poetry and fiction. All students receive a tuition waiver, health insurance, and a Teaching Assistantship with a stipend of $11,450 per year.

Bowling Green State University (Bowling Green, OH): 2-year program, graduate assistantships (including stipend and scholarship) are available for all eligible face-to-face students. 100% tuition scholarship. Graduate stipend (the 2020-21 stipend is $11,500).

Brown University (Providence, RI): All incoming MFA students received full funding. All graduate students receive a fellowship that pays a monthly stipend and provides tuition remission, the health fee, and health insurance. The stipend for the 2020-2021 academic year is $29,926. Also, students in good standing receive a summer stipend of $2,993.

Boston University (Boston, MA): Tuition costs will be covered for every admitted student for the MFA degree in the BU Creative Writing Program. In addition, admitted students will receive university health insurance while they are enrolled, and all admitted students will receive stipend support of roughly $16,000 for the academic year.

Cornell University (Ithaca, NY): All MFA degree candidates are guaranteed 2 years of funding (including a stipend, a full-tuition fellowship, and student health insurance).

University of California Irvine (Irvine, CA): 3-year program. The Department is committed to providing 3 full years of financial support to all domestic students in the MFA Programs in Writing. Financial support for MFA students is given in the form of Teaching Assistantships providing full tuition coverage as well as University health insurance. Students will earn an estimated $22,569 for the academic year.

University of California San Diego (La Jolla, CA): MFA in Writing students are eligible for financial support if they study full-time, maintain good academic standing and make timely progress toward the degree. All students are eligible for full funding, including international students provided they meet the English language certification requirement for teaching assistants.

University of California Riverside (Riverside, CA): All incoming students are granted a full fellowship and stipend for their first year. After the first year, students receive full tuition and a salary through teaching assistantships.

Florida Atlantic University (Boca Raton, FL): 3-year program. All of the MFA students qualify for a position as a Graduate Teaching Assistant. The GTA position comes with a tuition waiver and a stipend. The standard stipend is $9,000, but some enhanced stipends are available. The Graduate College offers several fellowships for current graduate students.

Florida State University (Tallahassee, FL): The majority of students receive support in the form of a teaching assistantship and are provided with a stipend, a tuition waiver, and a health-insurance subsidy. MFA students receive a three-year assistantship. For 2022-23, MA/MFA stipends will be $16,400, and typically these amounts go up each year. Also, The FSU Graduate School offers several fellowships and awards.

Georgia College & State University (Milledgeville, GA): The MFA Program offers workshops in fiction, creative nonfiction, and poetry, and students take cross-genre workshops. All students admitted to the MFA program receive a Graduate Assistantship for all 3 years that includes a stipend and tuition remission.

University of Houston (Houston, TX): MFA students can receive a teaching assistantship for 3 years. Starting salary for MFAs is $17,935/9 months. Students in the Creative. As part of the assistantship, students are awarded either a Graduate Tuition Fellowship, which remits tuition, or a Creative Writing Program Fellowship, which covers the cost of tuition.

University of Idaho (Moscow, Idaho): All English Teaching Assistants (TA’s) are offered full tuition waivers. Teaching Assistants are given a stipend of $14,000 per year. Also offers three scholarships and three outstanding fellowships to support qualified MFA, graduate students.

University of Illinois, Urbana-Champaign (Urbana, IL): Three-year MFA program. Students accepted into the MFA program will receive full tuition waivers, guaranteed teaching assistantships.

Indiana University (Bloomington, IN): M.F.A. programs offer a generous teaching package to creative writing students. All applicants receive consideration for appropriate fellowships that will carry a stipend of about $19,000, plus tuition and fee-remission that covers roughly 90% of the cost of enrollment.

Iowa State University (Ames, IA): 3-year MFA program. Starting half-time 20 hours per week teaching assistantships for MFA students total $19,250 over 10 months and also receive a full-tuition waiver scholarship (approximate value $10,140) and health insurance coverage. The department has several resources available through which to offer fellowships and scholarships to qualifying new students.

University of Iowa (Iowa City, IA): 2-year residency program. Financial assistance is available for all students enrolled in the program, in the form of teaching assistantships, research assistantships, and fellowships. Most fellowships and assistantships provide either tuition scholarships or full tuition remission.

John Hopkins University (Baltimore, MD): 2-year program. All students receive full tuition, health insurance, and a generous teaching fellowship, currently set at $30,500 per year. Some students work as assistant editors on The Hopkins Review. They often win prizes such as Stegner Fellowships or grants from the National Endowment for the Arts.

University of Maryland (College Park, MD): This 3-year program accepts 8 applicants who are fully funded by Teaching Assistantships for up to three years of graduate study. Our aid packages include a stipend of about $20,000 per academic year and 60 credit hours of tuition remission.

Miami University (Oxford, OH): All students admitted to the MFA program in Creative Writing hold generous Graduate Assistantships (which include a summer stipend). Non-teaching assistantships may also be available.

University of Miami (Coral Gables, FL): An intensive two-year study with a third year option. The James Michener Fellowships and Teaching Assistantships support all our graduate students. Awards include a full tuition waiver and annual stipend of $18,915.

University of Michigan (Ann Arbor, MI): All MFA students accepted into the program are offered a full tuition waiver, a stipend of $23,000/yearly as well as $5,000 in summer funding, and health care benefits. Additionally, various fellowships and prizes are awarded each year to MFA students.

University of Minnesota (Minneapolis, MN): All admitted MFAs receive full funding, in the form of teaching assistantships or fellowships. Teaching assistantships carry a full tuition waiver, health benefits, and a stipend of about $18,600. Also, a variety of fellowships are available for graduate students.

University of Mississippi (University, MS): All of our students are fully funded. We offer two main sources of funding, the Grisham Fellowships and Teaching Assistantships.

University of Nevada Las Vegas (Las Vegas, NV): 3-year program. All MFA students admitted to the Creative Writing International program at UNLV are offered Graduate Assistantship funding of $15,000 per year (which includes in-state tuition and provisions for health insurance).

Northwestern University (Evanston, IL): Funding is provided for 3 full years, summers included. Tuition is covered by a tuition scholarship during any quarter in which you are receiving a stipend.

University of Notre Dame (Notre Dame, IN): Every student admitted to the MFA receives a full-tuition scholarship, a fellowship that carries a full stipend of $16,000 per year and access to a 100% health insurance subsidy.

North Carolina State University (Raleigh, NC): A two-year, fully-funded program, They accept only about a dozen students each year and offer full funding in the form of a graduate teaching assistantship to all eligible admitted applicants.

Ohio State University (Columbus, OH): All admitted students are fully funded for our 3-year MFA program in Creative Writing. In addition, all students receive either a graduate teaching associateship, a Graduate School fellowship or a combination of the two. For graduate teaching associateships, the student receives a stipend of at least $17,000 for the nine-month academic year.

University of Oregon (Eugene OR): A two-year residency MFA program. All incoming MFA students funded with a teaching appointment. Student instructors receive tuition remission, monthly stipends of approximately $18,000.

Oregon State University (Corvallis, OR): All students admitted to the MFA program will automatically receive a standard teaching Graduate Teaching Assistantship contract, which provides full tuition remission and stipend of approximately $12,800 per year to cover living expenses. In addition to tuition remission, all graduate students have the option to receive 89% coverage of health insurance costs for themselves and their dependents.

University of Pittsburgh (Pittsburgh, PA): 3-year MFA program. All students admitted to the program will receive Teaching Assistantships for two or three years. All Teaching Assistantships include salary, medical benefits, and tuition remission.

Rutgers University–Newark (Newark, NJ): Each full-time incoming student receives in-state Tuition Remission and a Chancellor’s Stipend of 15K per year. Students are also eligible for Teaching Assistantships, and Part-Time Lectureships teaching Comp or Creative Writing. Teaching Assistantships are $25,969 (approximate) plus health benefits.

University of South Florida (Tampa, FL): 3-year program. MFA students receive a tuition waiver, a teaching assistantship that comes with a stipend, and enrollment in group health insurance.

Southern Illinois University (Carbondale, IL): Almost all MFA students hold graduate assistantships, which provide stipends for the academic year and full remission of tuition. The annual stipend, which comes with tuition remission, ranges from $13,000 to $14,500.

Syracuse University (Syracuse, NY): Three-Year M.F.A. in Creative Writing. All students are fully funded. Each student admitted receives a full-tuition scholarship in addition to an annual stipend of $17,500.

University of South Carolina (Columbia, SC): 3-year MFA program. The MFA at Carolina is pleased to provide fellowship and/or assistantship funding to all accepted students, earning our program the designation of “fully funded” from Poets and Writers.

University of Tennessee — Knoxville (Knoxville, TN): There is no cost to apply to the MFA program. All of our PhD candidates and MFA students are fully funded, with generous opportunities for additional financial support.

University of Texas in Austin (Austin, TX): All students in the New Writers Project receive three years of full funding through a combination of teaching assistantships (TA), assistant instructorships (AI), and fellowship support. The complete package includes full tuition remission, health insurance, and a salary.

University of Texas James Michener Center (Austin, TX): A three-year, fully funded residency MFA program that provides full and equal funding to every writer. All admitted students receive a fellowship of $29,500 per academic year, plus total coverage of tuition.

Vanderbilt University (Nashville, TN): Each year a small, select class of talented writers of fiction and poetry enroll in Vanderbilt’s three-year, fully-funded MFA Program in Creative Writing. The University Fellowship provides full-tuition benefits, health insurance, and a stipend of $30,000/yearly. In 2nd year and third-year students have the opportunity to teach for one semester.

University of Virginia (Charlottesville, VA): Three-year MFA program. Students will receive fellowship support and/or teaching income in the amount of $20,000 each academic year, as well as full funding of your tuition, enrollment fees, and the health insurance premium for single-person coverage through the university.

Virginia Tech (Blacksburg, VA): Three-year MFA degree offers tracks in Poetry and Fiction, and all students are fully and equally funded via GTA-ships of more than $20,000 per year.

Washington University in St. Louis (St. Louis, MO): Because of selectivity and size they are able to offer all the new students full and equal financial aid for both years in the program in the form of a University Fellowship, which provides a complete tuition waiver plus a stipend sufficient for students to live comfortably in our relatively inexpensive city. All MFA students receive health insurance through Washington University.

Western Kentucky University (Bowling Green, KY): Three-year, fully-funded, residential MFA program in creative writing offering generous assistantships, which will allow MFA students to gain valuable experience tutoring and teaching.

West Virginia University (Morgantown, WV): A three-year program. All Master of Fine Arts students receive a full tuition waiver and an assistantship, which includes a stipend valued at $16,750.

Wichita State University (Wichita, Kansas): Most of the MFA students are GTAs who teach two composition classes each semester. They pay no tuition, receive $4,250 each semester and may buy discounted health insurance. The MFA program also awards two $12,500 fellowships each year.

University of Wisconsin–Madison (Madison, WI): All accepted MFA candidates receive tuition remissions, teaching assistantships, generous health insurance, and other financial support. In addition to the approximately $14,680 paid to each MFA annually in exchange for teaching, every MFA candidate will receive another $9,320 in scholarships each year.

University of Wyoming (Laramie, WY): All of our full-time MFA students are fully funded with two-year graduate assistantships. Currently, assistantships include a stipend of $12,330 per academic year, a tuition and fees waiver, and student health insurance. Students also receive summer stipends of up to $2,000 for the summer.

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Creative Writing

Creative writing (poetry), professor/instructor.

Practice in the original composition of poetry supplemented by the reading and analysis of standard works. Each student is expected to prepare a manuscript each week. There will be a weekly workshop meeting and occasional individual conferences.

Creative Writing (Fiction)

Practice in the original composition of fiction supplemented by the reading and analysis of standard works. Each student is expected to prepare a manuscript at least every other week. There will be a weekly workshop meeting and occasional individual conferences.

Creative Writing (Literary Translation)

Practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works. Each student is expected to prepare a manuscript each week. There will be a weekly workshop meeting and occasional individual conferences.

Introductory Playwriting

This is a workshop in the fundamentals of writing plays. Through writing prompts, exercises, study and reflection, students will be guided in the creation of original dramatic material. Attention will be given to character, structure, dramatic action, monologue, dialogue, language

Creative Nonfiction

This is a workshop in factual writing and what has become known as literary non-fiction, emphasizing writing assignments and including several reading assignments. Students will examine masterpieces about social inequality and to what extent it is possible for authors to know the struggles of their subjects, and to create empathy for them. One three-hour seminar.

Advanced Creative Writing (Poetry)

Advanced practice in the original composition of poetry for discussion in regularly scheduled workshop meetings. Prerequisites: Two 200-level CWR courses.

Advanced Creative Writing (Fiction)

Advanced practice in the original composition of fiction for discussion in regularly scheduled workshop meetings.

Advanced practice in the original composition of fiction for discussion in regularly scheduled workshop meetings. Prerequisites: Two 200-level CWR courses.

Advanced Creative Writing (Literary Translation)

Advanced practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works. Prerequisites: 205 or 206 and by application.

Advanced practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works. Prerequisites: 205 or 206 or by Program permission.

Playwriting II: Intermediate Playwriting

A continuation of work begun in Introductory Playwriting, in this class, students will complete either one full-length play or two long one-acts (40-60 pages) to the end of gaining a firmer understanding of characterization, dialogue, structure, and the playwriting process. In addition to questions of craft, an emphasis will be placed on the formation of healthy creative habits and the sharpening of critical and analytical skills through reading and responding to work of both fellow students and contemporary playwrights of note.

Special Topics in Creative Writing

Students gain special access to the critical understanding of literature through their involvement in the creative process. Topics include autobiography, prosody, non-fiction, revision and point of view. Students are expected to prepare a manuscript at least every other week. Specific topics and prerequisites will vary. By application.

Advanced Creative Writing Tutorial

Tutorials in the original composition of fiction, poetry, or translations, open to those who have demonstrated unusual commitment and talent through four terms of creative writing or who provide equivalent evidence of their capacity for advanced work. Open also to qualified graduate students. Individual conferences to be arranged.

Special Topics in Screenwriting

This class will familiarize students with the complex use of metaphorical, emotional, and visual threads in long form screenplay writing. Analyzing examples of international, independent, and classical structures, students will be exposed to the rhythms and demands of the process of conceiving and writing a long form narrative film. Prerequisite: Introduction to Screenwriting and by application.

Advanced Seminar in American Studies

Advanced seminars bring students into spaces of collaborative exploration after pursuing their individual paths of study in American studies, Asian American/diasporic studies, and/or Latino studies. To students culminating programs of study toward one or more of the certificates offered by the Effron Center for the Study of America, advanced seminars offer the important opportunity to integrate their cumulative knowledge.

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IU South Bend Bulletin 2024-2025

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Previous IU South Bend Campus Bulletins

Students are ordinarily subject to the curricular requirements outlined in the Bulletin in effect at the start of their current degree. See below for links to previous Bulletins (bulletins prior to 2013-2014 are in PDF format only).

Online Only

If you are seeking further information regarding specific programs, please contact individual departments .

For problems accessing information on this website, please contact Teresa Sheppard .

Minor in Creative Writing

Kelcey Ervick, PhD | Coordinator

Wiekamp hall 3167 | (574) 520-4503, about the minor in creative writing.

Explore your creative side! The Creative Writing Minor is an excellent complement to any major. Students write original stories, poems, and personal essays; read and analyze important works of literature; and develop practical skills in editing and publishing.

ENG-W 130 and ENG-W 131 do not count toward the minor.
All courses are 3 credit hours, unless otherwise noted.

Academic Advising

Your academic advisor is a critical partner in fostering your success at IU South Bend and beyond. Your advisor will help you explore academic majors and careers, plan your degree, choose classes, learn about internships and study abroad, and much more. To see who is assigned as your advisor, visit your Student Online Advising Record in one.iu.edu . For more information about advising at IU South Bend, visit the website for the Undergraduate Advising Center .

Final responsibility for meeting degree requirements rests with the student.

Questions about advising? Email [email protected] or call (574) 520-4550.

Requirements (15 cr.)

ENG-W 206 Introduction to Creative Writing
ENG-L 202 Literary Interpretation

Select one from the following upper-division creative writing courses:

ENG-W 301 Writing Fiction May be taken twice for credit
ENG-W 302 Screenwriting May be taken twice for credit
ENG-W 303 Writing Poetry May be taken twice for credit
ENG-W 311 Creative Nonfiction May be taken twice for credit
ENG-W 401 Advanced Fiction Writing May be taken twice for credit
ENG-W 403 Advanced Poetry Writing May be taken twice for credit
ENG-W 413 Advanced Creative Nonfiction Writing May be taken twice for credit

Select one from the following creative writing electives:

ENG-A 190 Art, Aesthetics, and Creativity
ENG-A 399 Art, Aesthetics, and Creativity
ENG-W 280 Literary Editing and Publishing
ENG-W 302 Screenwriting

Select any 300–level literature course (ENG-E 3xx or ENG-L 3xx)

Special Requirements for English Majors

English majors may minor in creative writing only if they choose the literature concentration in the major.

In place of the ENG-L 202 Literary Interpretation requirement for the minor, English majors take any creative writing course.
In addition, English majors have the option to substitute another creative writing course for the 300–level literature course requirement of the minor

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Brandcenter ranked as #1 Graduate Program in U.S. in The One Club 2024 Global Creative College Rankings

June 27, 2024

20 24 global creative college rankings with logos

The One Club for Creativity has announced the 2024 Global Creative College Rankings , and Brandcenter is incredibly honored to make the cut.

Brandcenter has been ranked*:

#1 Graduate Program in the U.S.
#2 Graduate Program Globally

Among all the programs, including graduate, undergraduate, certificate programs, and portfolio schools, Brandcenter was also ranked #9 nationally and #16 globally.

Executive Director Vann Graves discusses how Brandcenter programs nurture creative thinking and craft in an evolving industry:

“Brandcenter is focused on brands and their impact on culture. As businesses change, our direction will change. Creativity and innovation were once perceived to sit separately from the core focus of business, but they have since been recognized as a fundamental part of it. Everything is inextricably linked. The Brandcenter program trains students to be polymathic and to consider the whole equation when solving complex business problems.

We are preparing students to be the next generation of creative business leaders. Our faculty work hard to ensure our curriculum is constantly evolving to parallel what’s happening in the world of brands and business today.”

This recognition from The One Club is a testament to our innovative approach to education.

The Global Creative College Rankings are based on the results of winning schools and students from around the world in the recent Young Ones Student Awards competition. Young Ones recognizes students and recent graduates across creative disciplines for excellence in the creative advertising industry, and the awards are an esteemed badge of honor for young creatives and professionals alike.

Fifteen Brandcenter students placed as finalists across seven projects this year, and we are so proud of our students and faculty mentors. You can read more about their work here. Brandcenter faculty Jess Collins (Strategy, 2010) and Tom Scharpf (Art Direction, 1998) led the effort to bring Brandcenter to the competition, and their talent, dedication, and hard work are an incredible asset to Brandcenter programs.

Graves commends the Brandcenter community on this recognition. “This remarkable accomplishment underscores the talent and passion of our students, alumni, faculty, and staff. It has been made possible by collective hard work, a commitment to excellence, and a dedication to the craft.”

We’re thrilled to share the spotlight with our hometown of Richmond, Virginia. In the same week, CNN named Richmond the #1 U.S. City to Visit.

*rankings tied with Boston University

Holly Hessler appointed as Chair of Copywriting

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2024’s Top Film Schools in North America

Each year, Variety curates a list of the top film school programs across North America. From universities that are as old (or older) than the moving picture itself, to budding programs, the schools on this list collectively offer an impressive array of educators, facilities and lessons to be learned. Countless alumni from these programs have become legendary names in the industry. They have created award-winning films and television series, enacted change both on-screen and behind-the-scenes, and often give back to the institutions that fostered their talent.

Belmont University

Nashville, TN

Collaboration between departments is key to the success of Belmont’s students in the Mike Curb College of Entertainment and Music Business. “Our faculty are career industry professionals, who’ve worked in all forms, from indie features to the biggest studio productions,” Jay New, the school’s co-chair of motion pictures, production and screenwriting, tells Variety. He adds that students can pick up a camera on day one. “Our freshman students are required to start off with a course called cinematic storytelling, where they have a camera in hand,” he says. “They make four productions that semester. And then it just keeps going from there.” Besides state-of-the-art equipment and advantageous curriculum, students benefit from networking opportunities provided by dedicated staff. “We have students who have very seamlessly moved into the industry for internships and other opportunities in L.A. and New York, Atlanta — and obviously, Nashville as well,” says New.

Biola University

La Mirada, CA

Tucked in a suburb of Los Angeles, Biola’s Snyder School of Cinema and Media Arts offers students not only the technical skills to forge a successful career but also qualities such as teamwork, reliability and follow-through, says Dean Tom Halleen. “It’s an understanding that preparing students for the world of media in general isn’t just about having excellent technical skills.” The school features all the high-end equipment and instruction that students need to create films, and in 2026, it will open an expanded studio, growing Biola’s existing production facilities. “The building has been envisioned to accommodate the incredible rate of growth that we have,” says Halleen. “The idea behind the building is to house the full production workflow, from ideation to pre-production, production and post-production all the way through final presentation in our theater.” The school is also working in partnership with a “recently announced AI lab within our Crowell School of Business,” says Halleen.

Boston University

Boston University will renovate a second 2,500-square-foot production space this summer, which will operate in addition to the school’s current production studio. BU is also moving toward the use of LED to replace traditional lighting, which is more environmentally conscious and safer for students. “We are immensely proud of all aspects of our program, both in the classroom and beyond — the renaissance we are experiencing in curriculum growth and faculty expansion and the ongoing success of our students in the field,” says Paul Schneider, chair of the department of film and television. Current faculty members include cinematographer Tim Palmer (“Killing Eve,” “Bad Sisters”) and director and producer Amy Geller (“The Guys Next Door,” “The Rabbi Goes West”) among many other industry professionals.

California State University, Northridge

Northridge, CA

With a campus near studio lots, Cal State Northridge students are in the heart of the industry. The school has a strong documentary department and under new documentary head Judy Korin (“Adrift,” “The Great Hack”), student documentaries have garnered national attention with finalists for the Student Academy Awards and PBS Fine Cut Festival of Films. Dave Caplan (“The Connors”) is heading up a new CSUN Cinema and Television Arts mentorship program for six underserved screenwriting students that places them with working showrunners to develop their own TV scripts. Talicia Raggs (writer/producer on “NCIS: New Orleans”) and music producer/engineer/scoring mixer Michael Stern (“Iron Man 2”) are new faculty members.

Chapman University

The Dodge College of Film and Media Arts at Chapman is not only one of the most technically advanced institutions in the country — sporting multiple soundstages, editing and mixing suites plus an LED wall — it is also one of the most productive with 50 undergrad thesis films being produced this year. Yet, according to dean Stephen Galloway, what makes it truly unique is the community built between students during their four years. “We bake that in from day one. Students are working together, forming teams, not being dictatorial,” Galloway says. “We think of this as a village of filmmakers, where everybody knows each other and works together and builds those relationships that you take out into the industry.”

Community College of Aurora

Formerly known as Colorado Film School, the Cinematic Arts department at the Community College of Aurora is expanding into virtual production, immersive entertainment and storytelling for video games. The average class size is around 13, and the curriculum is based on experiential learning, so students and the school have established educational partnerships with interactive game companies, national advertising agencies, production companies, and film festivals. The school offers six certificates and six three-year associate’s degrees so students can finish their program and enter the industry earlier than traditional programs. The price of the degree is also much less than most bachelor’s degree programs, allowing aspiring filmmakers to graduate without heavy debt.

Columbia College Chicago

Chicago, IL

Undergraduate students can take advantage of the school’s Semester in L.A. program, which introduces students to people working in the entertainment industry and L.A. internship opportunities. “At Columbia College Chicago, we focus on bringing your vision to the screen, but also on developing close working relationships with people you trust. Our classes provide the skills needed to work in any aspect of the industry you are interested in, and our vibrant community helps you build creative partnerships that start at school but continue and grow as you enter the industry,” says Eric Scholl, interim co-chair of the cinema and television arts department.

Columbia University's School of the Arts

Behind the scenes of I’m Looking Inside Your House, student film written and directed by Jeff Chiyang Chang '23 and produced by Samantha Lori Glass '23. Courtesy of Columbia University School of the Arts.

New York, NY

In the 2023-2024 school year, the film MFA program welcomed its first class to the new writing for film and television concentration, while undergrads can work on graduate films and take advantage of the Columbia Undergraduate Film Productions group. New faculty include veteran film and TV editor and producer Elizabeth Kling (“Practical Magic,” “Addicted to Love”). Notable faculty include James Schamus, Trey Ellis and Ira Deutchman. Columbia’s notable alumni includes writer/actress Grace Edwards (“Insecure”) and helmer Kathryn Bigelow (“Zero Dark Thirty,” “The Hurt Locker”), offering plentiful networking opportunities for graduates.

Emerson College

Within the Visual and Media Arts department, Emerson promises a hands-on education in filmmaking. Students can select a production track or media studies track, with courses ranging from writing the feature film to computer animation to media criticism and theory. Students can take advantage of the school’s directing studio located on campus at the Paramount Center, or partake in the school’s Los Angeles internship program. VMA chair Shaun Clarke says, “The Visual and Media Arts department fosters the development and creative passions of our students in ways true to themselves and uniquely Emersonian: in the classroom with highly skilled faculty and inspired peers, using state-of-the-art facilities and equipment, and in the world alongside groundbreaking alumni impacting the future of film.”

Feirstein Graduate School of Cinema

Feirstein school faculty chair Charles Haine teaches cinematography.

Brooklyn, NY

For a top film school, Feirstein is famously more affordable than many others with tuition at $21,000. The school is also developing new curriculum, which is more focused on the overall multifaceted filmmaker, rather than specific tracks. Students benefit from an impressive faculty including the school of cinema’s executive director Richard N. Gladstein, who frequently leads master classes and lectures about film producing and the entertainment industry, and new instructors such as producer Anne Carey (“The Persian Version,” “Lost Girls”) and helmer/writer Anthony Drazen (“The West Wing”). The school also recently had masterclasses taught by John Turturro, Steven Soderbergh and Janusz Kaminski. Feirstein boasts a powerhouse advisory council that includes Ethan Hawke, Darren Aronofsky, Bruce Cohen, Stephen Daldry, Randall Poster, John Turturro, Talitha Watkins, Vicki Thomas and Doug Steiner.

Florida State University

Tallahassee, FL

The College of Motion Picture Arts at Florida State University is all about putting students first with a 5-1 student-to-faculty ratio, 24-7 facility hours, plus funding virtually all student laboratory, workshops and thesis project production expenses at the graduate and undergraduate level. An impressive 96% of graduates find work in the industry after one year. FSU is also home to the Torchlight Center for Motion Picture Innovation and Entrepreneurship, which is an off-campus cinematheque and virtual production studio available to all film students. Just last year, the college was named number four among all public film schools in the nation.

Hofstra University

Hofstra students Jeremy Chin, Madison Traub, and Holly Pasch on the set of “Pity Party,” Traub’s thesis film. Photo by Alex Brock.

Hempstead, NY

This year, Hofstra’s Lawrence Herbert School of Communication added a BS in sports media and continues to offer BFAs in filmmaking and writing for the screen, as well as a BA in film productions and studies and another BS in television and film. Students in these programs can begin making their films their first year with access to three soundstages and a post-production facility that includes an editing classroom, screening room and color correction suite. Faculty include cinematographer Sekiya Dorsett (“In Our Mother’s Gardens”), helmer Kelcey Edwards (“The Art of Making It”) and cinematographer Mark Raker (“Five Questions”).

Ithaca College

In 2023, Ithaca’s Roy H. Park School of Communications established a special opportunities fund for students to access hands-on opportunities related to their career paths. Additionally, the James B. Pendleton Endowment gives more than $800,000 every year to the Park school, funding the Los Angeles program, annual technology upgrades, two endowed professorships, $125,000 in student scholarship awards and close to $75,000 for student, faculty and staff projects. Park also boasts an immersive volume stage known as the Cube, which lets students make use of 3D visual effects via Unreal Engine. Dean Amy Falkner says, “Recruiters often remark at how industry-ready Park students are when they enter the workforce. We owe that to our Tech Ops team who keep the broadcast studios, soundstages, virtual production studios, LED walls and post-production suites on the cutting edge of industry-grade equipment and software. The faculty incorporate all this tech in their teaching, and it takes our students to the highest level.”

Loyola Marymount

Los Angeles, CA

In the fall, LMU will introduce Masters in Entertainment Leadership and Management (MELM), a collaboration between LMU SFTV and LMU College of Business Administration. This program will be taught by industry leaders including Janet Yang, SFTV presidential fellow and president of the Academy of Motion Picture Arts and Sciences. Unique programs for LMU include its Hollywood Bootcamp, recently led by WME agent Krista Parkinson, which provides career training via access to leading executives and companies. LMU also often brings distinguished speakers to campus such as Damon Lindelof, S.S. Rajamouli, Vince Gilligan, Lauren Neustadter and Terilyn Shropshire. “We have a unique ability to provide not only an exceptional education within the classroom but also the in-person industry access and connections required to launch and sustain a successful entertainment career. Thanks to our award-winning faculty, our two campuses located in the heart of the industry (Los Angeles and Silicon Beach), and programs like Hollywood Bootcamp and our Distinguished Artist in Residence, we give aspiring filmmakers a pragmatic, real-world education to set them up for success,” says Joanne Moore, dean of the School of Film and Television.

New York Film Academy

The New York Film Academy is one of the most expansive film schools in the nation, with eight global locations and three undergraduate degree programs encapsulating over 15 areas of study. With an emphasis on a hands-on approach to filmmaking, students get access to top-of-the-line gear and facilities, personal mentoring from industry veterans, travel courses for up to eight weeks and opportunities to train in formats such as 35mm and 16mm film. NYFA has no shortage of famous alumni including Bill Hader, Issa Rae, Aubrey Plaza, Shivani Rawat, Masali Baduza and Lisa Cortés.

Northwestern

Evanston, IL

This year, Northwestern’s department of radio/television/film took students to Sundance to experience the festival and network with alumni. “Our alumni networks are our biggest asset,” says Kerry Trotter, communications director at the school. “There is a very strong, short tether between L.A. and Evanston, and alumni in the industry are often cultivating opportunities for NU students.” Additionally, each spring break the program takes a group of RTVF and communication studies students to London for site visits and networking opportunities. As part of the school’s mission to elevate entertainment education for its student body, it will offer a new minor next academic year: game design, media arts and animation.

New Brunswick, NJ

Rutgers University’s Mason Gross School of the Arts offers a myriad of programs and facilities, including the Documentary Film Lab, which allows students to work on full-length documentaries with faculty. Associate professor and chair of the Rutgers Filmmaking Center, Patrick Stettner, says of the department’s mission, “Our priority is to provide students with a comprehensive understanding of different modes of storytelling and filmmaking techniques. We recently launched a new course, AI in New Technology Filmmaking, which helps students navigate the next great tech revolution in cinema.” Mason Gross also boasts a new VR studio lab which offers students the opportunity to gain experience with virtual reality filmmaking.

Savannah College of Art and Design

Savannah, GA

With one of the largest university film studio complexes in the nation, SCAD continues to expand. New additions will include a 17,000-square-foot support building for production classrooms, costume labs, costume studio shop and a scenic production wood/machine shop. Students recently worked on a comedy series and two short films on location at SCAD’s Lacoste, France campus. Film and television coursework is supported by events with industry guests throughout the academic year, such as Kevin Bacon, Eva Longoria, Ava DuVernay and George Lopez. The school boasts a well-connected faculty, including Andra Reeve-Rabb, dean of the school of film and acting and director of SCAD’s casting office, who is the former director of casting at CBS Primetime, New York.

Scottsdale Community College

Scottsdale, AZ

Offering efficient two-year degree programs that prepare students to enter the entertainment industry is just one advantage of the Scottsdale School of Film and Theatre at Scottsdale Community College. The school’s curriculum is looking ahead to what film and theater professionals will need in the coming decade, and as such, updating courses to prepare students to work in both filmed productions and live events. Scottsdale’s TV/New Media studio is also in the early stages of a $250,000 update, focused on creating a space that features current equipment and tech students will likely use post-graduation.

Syracuse University

Syracuse, NY

Syracuse’s Visual and Performing Arts film program focuses on hands-on education, the film production process and cross-training across film disciplines for its students. BFA and MFA degrees in film are offered through the VPA program, and BS and MA degrees in television, radio and film are offered through the S.I. Newhouse School of Public Communications. The VPA program also hosts study opportunities in Los Angeles, New York City and Washington, D.C. “The brand of Newhouse graduates is less about making film as we know it, rather their capacity to invent the next generation of film,” says Michael Schoonmaker, professor and chair of the television, radio and film department at the communications school.

The Los Angeles Film School

Centrally located in Hollywood and just a stone’s throw from nearby studio lots, the Los Angeles Film School offers bachelor’s and associate degrees in entertainment fields, with its film degree allowing students to pursue concentrations in production, directing or cinematography. In addition to adding an animation/VFX program that shares classes with the film program, the school recently redesigned its TechKit — which includes state-of-the-art software and hardware designed to make it possible for the student to start making films immediately — for the animation program. Famous alums include sound designer Phillip Bladh, who won an Oscar for sound for “The Sound of Metal,” video director Hannah Lux Davis, known for collaborating with Ariana Grande, Halsey and Demi Lovato, and helmer/writer/producer Kyle Newacheck, whose work has appeared on “Workaholics,” “Parks and Recreation” and “Community.”

U. of Texas at Austin - Moody College

Radio-Television-Film graduate student Forman Parker on set of his Pre-Thesis (2nd year) film with other students in Studio 6B.

Within the Moody College of Communication, the department of radio-television-film boasts a motion capture studio, 70×20 foot green screen and podcast suites, as well as noteworthy alums including Matthew McConaughey and Robert Rodriguez. The school has begun a curriculum overhaul to its B.S., MFA and M.A. programs, and is currently refreshing all film equipment, including cameras, lenses, audio equipment and computers. For aspiring young filmmakers, the school even offers a summer camp led by advanced graduate students, professors and media professionals.

University of North Carolina School of the Arts

Winston-Salem, NC

Now celebrating the school’s 30th anniversary, the Fighting Pickles are formally launching the Story Art Studio in 2024 as an incubator that merges the unique voice and history of the region with both classical and cutting-edge storytelling tools across the disciplines of dance, music, drama and more. The program not only encapsulates the breadth of UNCSA’s curriculum but joins with its Dean’s Advisory Council, comprising of prominent industry leaders, to create post-graduate pathways into the industry. “It’s a gift to have the focus that [students] have here without the distractions of wonderful cities like Los Angeles and New York present,” says dean Deborah LaVine. “Here, the only person they’re competing with is themselves.”

Vancouver Film School

Vancouver, B.C.

Through its school of film & television, school of animation and school of games & creative design, VFS offers an immersive curriculum across 15 programs. Students are trained by industry professionals and have access to eight world-class production centers that feature a 64,000 cubic-feet of performance and motion capture volume, a 180-degree greenscreen room, mixing labs and recording studios, film sets and studios. VFS has been ranked as the top game design school in Canada, and the second-top game design school worldwide. In the 2024 awards season, over 12,000 VFS alumni were credited on nominated and winning projects spanning the Game Awards, Golden Globes, Emmys and the Academy Awards.

Wesleyan University

Middletown, CT

The College of Film and the Moving Image at Wesleyan University seeks to blend history, analysis and production in a liberal arts context. The school recently piloted a one-week immersive summer externship program in Los Angeles, which introduces students from underrepresented groups to the entertainment industry. Two first-generation college students spent a week meeting with prominent alumni like Jenno Topping, Tony Ducret and David Stone. “While we teach skills such as analytical and creative writing, producing, shooting and editing, our goals are broader,” says Scott Higgins, director of the College of Film and the Moving Image. “We aim to help undergraduates discover their goals and to develop their creative and critical voices in a collaborative community founded on a passionate commitment to the moving image.”

Film School Titans

NYU graduate film students Marshall Cooper (DP) and Manya Glassman (director) on the set of Manya Glassman's film, "How I Learned to Die." Photo courtesy NYU Tisch School of the Arts. Photographer: Rachel Turner

USC, UCLA, Cal Arts, Tisch, AFI

Across the film school landscape, there are many notable programs but five in particular stand apart because of their impressive curriculum, notable alumni and overall influence: the American Film Institute, California Institute of the Arts, the Kanbar School of Film and Television at NYU Tisch School of the Arts, the UCLA School of Theater, Film and Television, and the USC School of Cinematic Arts.

AFI is noted for its remarkable instructors such as cinematography head Stephen Lighthill and producing head Lianne Halfon. Fellows are guaranteed to make films and the school has partnered to help create the Disney/AFI Underrepresented Storytellers Initiative to help create a pathway that removes economic barriers for emerging filmmakers.

Ask many any animation luminary where they went to school, and you’ll likely hear the name CalArts. Notable alumni include Tim Burton, Brad Bird and Pete Docter, whose films have won multiple Academy Awards. Students can choose from 70 comprehensive degree programs.

The Kanbar Institute within Tisch claims Martin Scorsese as a production alum. Several years ago, the school received the largest grant in its history from the Hobson/Lucas Family Foundation to establish the Martin Scorsese Institute of Global Cinematic Arts, which includes a virtual production center and cinematic studies.

As a public university, UCLA offers a world-class film school education at a price that won’t saddle a student with heavy costs. Among ambitious offerings at UCLA’s school of theater, film and television is a recently announced extended reality and artificial intelligence research studio at the school’s downtown campus. Faculty includes many noted working pros who cover every aspect of filmmaking such as costume designer Deborah Nadoolman Landis. Screenwriter David Koepp (“Jurassic Park,” “War of the Worlds”) and Dustin Lance Black (“Milk”) are among the school’s many notable alums.

The USC School of Cinematic Arts offers a unique interdisciplinary curriculum, in which students take courses from the full spectrum of the SCA’s offerings — prospective writers take courses in directing, directors take courses in interactive media. Helmer Ryan Coogler and writer-producer Shonda Rhimes are just a few of SCA’s highly successful alums. The school receives tremendous support from the creative community. In 2006, filmmaker and alumnus George Lucas made the largest single donation in USC history by giving the film school $175 million.

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Charley Hudak in front of a whiteboard with a tennis shoe design on it

UC alum visits campus to teach students about footwear design

Alum charley hudak garners media attention for his footwear design career at sun day red.

Tiger Woods may have big-name recognition, but UC alum Charley Hudak —footwear designer for the famous golfer’s new athletic brand Sun Day Red —had the media spotlight on UC’s campus, June 26.

Hudak, a 2011 graduate of UC’s College of Design, Architecture, Art and Planning (DAAP), was in Cincinnati for the day to teach footwear design to middle and high school students at DAAP Camps: an annual day/residential camp for future creatives. At DAAP Camps, students get to have a college-like experience in DAAP fields of study such as fashion, industrial design, architecture, and others and exposure to industry leaders like Hudak.

Bringing industry professionals to share their paths, their insights, and their guidance provides a very realistic “try on” of a creative-based college experience, says Laurie Wilson, director of DAAP Camps and associate director of student affairs and adjunct professor in the DAAP School of Design.

Charley Hudak steps in front of the camera for media interviews. Hudak is usually behind the scence designing footwear for Tiger Woods' new atheltic brand Sun Day Red. Photo/Laurie Wilson.

“Our motto for DAAPcamps is ‘Create What Will Be!’ and with the help of amazing partners like Charley Hudak, we are able to do just that every year,” says Wilson.

A story on the UC website goes into detail about Hudak’s early beginnings and career trajectory to creative director at Sun Day Red, an offshoot of TaylorMade Golf Industry.

“I’m super humbled by the opportunity (at Sun Day Red) and part of it is coming back here and sharing my experience,” with these students, Hudak said in an interview.

As for working with Tiger Woods, which Hudak does often, he said: “I think in my heart of hearts, Tiger Woods is the most significant athlete to walk the planet” because he changed the golf landscape perception "from country clubs and the like" to a place of inclusion. "He's just a really dynamic figure."

Media coverage of Hudak included interviews by Cincinnati stations WCPO, WXIX and WKRC and The Cincinnati Enquirer.

Coverage clips:

Fox 19 Now: UC alum visits campus to teach students about footwear design

WCPO, Channel 9: Tiger Woods' new footwear brand 'Sun Day Red' has ties to Cincinnati

Feature photo at top by Laurie Wilson, DAAP faculty.

Impact Lives Here

The University of Cincinnati is leading public urban universities into a new era of innovation and impact. Our faculty, staff and students are saving lives, changing outcomes and bending the future in our city's direction. Next Lives Here.

Alumni Association
Next Lives Here
In The News
College of Design, Architecture, Art, and Planning

UC graduate develops in-home physical therapy company

May 4, 2022

University of Cincinnati Venture Lab-backed startup Band Connect is nearing a close on its pre-seed round of funding and will start a military pilot with the Department of Defense, the Cincinnati Business Courier reported.

Local 12: UC grad creates app to help kids with physical therapy

October 27, 2022

Inspired by her own experience of going through physical therapy, a University of Cincinnati alumna is developing an app to make therapy fun for children, Local 12 reported.

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English and Literary Arts
Degrees and GPA Requirements Bachelors degree: All graduate applicants must hold an earned baccalaureate from a regionally accredited college or university or the recognized equivalent from an international institution. Masters degree: This program requires a masters degree as well as the baccalaureate. Grade point average: The minimum undergraduate GPA for admission consideration for graduate ...
Fully Funded MFA Programs in Creative Writing
Here is the list of 53 universities that offer fully-funded MFA programs (Master's of Fine Arts) in Creative Writing. University of Alabama (Tuscaloosa, AL): Students admitted to the MFA Program are guaranteed full financial support for up to 4-years. Assistantships include a stipend paid over nine months (currently $14,125), and full payment ...
PhD programmes in Creative Writing in United States
Rhetoric and Writing. 27,720 EUR / year. 5 years. A PhD in English with an emphasis in Rhetoric and Writing at The University of New Mexico offers both academic and hands-on experience, with many opportunities to contribute to one of the most dynamic writing programs in the United States. Ph.D. / Full-time / On Campus.
Creative Writing
The program allows undergraduates to work with practicing writers to develop their writing skills, learn the possibilities of modern poetry, fiction, nonfiction, screenwriting and translation, and gain a special access to the critical understanding of literature through their involvement in the creative process.
Minor in Creative Writing : Academic Bulletin
The Creative Writing Minor is an excellent complement to any major. Students write original stories, poems, and personal essays; read and analyze important works of literature; and develop practical skills in editing and publishing.
Veterans Creative Arts Competition At VA Tennessee Valley Healthcare
The competition includes categories in the visual arts division that range from oil painting to leatherwork to paint-by-number kits. In addition, there are categories in writing and the performing arts of dance, drama, and music. TVHS creative arts competition's top winning entries will advance to a national judging process.
Brandcenter ranked as #1 Graduate Program in U.S. in The One Club 2024
#1 Graduate Program in the U.S. #2 Graduate Program Globally; Among all the programs, including graduate, undergraduate, certificate programs, and portfolio schools, Brandcenter was also ranked #9 nationally and #16 globally. Executive Director Vann Graves discusses how Brandcenter programs nurture creative thinking and craft in an evolving ...
2024's Top Film Schools in North America
In the 2023-2024 school year, the film MFA program welcomed its first class to the new writing for film and television concentration, while undergrads can work on graduate films and take advantage ...
UC alum visits campus to teach students about footwear design
A 2011 graduate of design, UC alum Charley Hudak has seen his career trajectory go from intern to creative director for Tiger Woods' new athletic footwear brand, Sun Day Red. While he may run with the biggest cat in golf, Hudak doesn't forget his Bearcat roots and comes back each summer to teach youth about footwear design at DAAP Camps.

Ph.D. Creative Writing

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The 10 Best Creative Writing MFA Programs in the US

University of Oregon (Eugene, OR)

Cornell University (Ithaca, NY)

Arizona State University (Tempe, AZ)

University of Texas at Austin (Austin, TX)

Washington University in St. Louis (St. Louis, MO)

Indiana University (Bloomington, IN)

University of Michigan, Ann Arbor (Ann Arbor, MI)

University of Minnesota (Minneapolis, MN)

Brown University (Providence, RI)

University of Iowa (Iowa City, IA)

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English Creative Writing Ph.D.

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Creative Writing and Literature

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Next Start Term: Fall 2024

A Faculty of Creative Writing Experts

Bryan Delaney

Talaya Adrienne Delaney

Elisabeth Sharp McKetta

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12 hours in “Designated Area” (Students choose 1 designated area stream.)